| Trustees | Sir Timothy Hitchens KCVO CMG, |
Sir Timothy Hitchens KCVO CMG, |
Sir Timothy Hitchens KCVO CMG, |
Chair | |
|---|---|---|---|---|---|
| Mr Takashi Hibino, Vice Chair | |||||
| Mr Stephen Barber | |||||
| Ms Yoko Dochi | |||||
| Mr Keiichi Hayashi (appointed |
1 July 2022) | ||||
| Mr Yusuke Kawamura | |||||
| Professor Sachiko Kusukawa | |||||
| Ms Rebecca Salter PRA (appointed | 1 July 2022) | ||||
| Professor Hirotaka Takeuchi | |||||
| Dr Victoria Tuke (appointed 19 |
November 2021) | ||||
| Ms Jessie Turnbull | |||||
| Professor Sir Mark Walpoit FRSFRCP FRCPath FMedSci FRSE | |||||
| (appointed 1July 2022) |
|||||
| Director General | Mr Jason James | ||||
| Registered | office | Daiwa Foundation Japan House |
|||
| 13/14 Comwall Terrace | |||||
| London NW1 4QP | |||||
| Charity Number | 299955 | ||||
| Auditors | Greenback Alan LLP | ||||
| Chartered Accountants |
and Registered Auditor | ||||
| 89 Spa Road | |||||
| London | |||||
| SE163SG | |||||
| Solicitors | Clifford Chance | ||||
| 10Upper Bank Street | |||||
| London EC144JJ | |||||
| Bankers | Lloyds TSBBank pic | Mizuho Bank | |||
| Cheapside Branch |
Akasaka Branch | ||||
| 34Moorgate | Toho Building | ||||
| London EC2R 6PL | 2-5-1,Akasaka | ||||
| Minato-Ku | |||||
| Investment | Managers | BlackRock | |||
| 12Throgmorton Avenue |
|||||
| London | |||||
| EC2N 2DL |
| Unrestricted | Funds | Rcstrictcd Funds | Total Funds | Total Fuuds | ||||
|---|---|---|---|---|---|---|---|---|
| 31March 2022 | 31March 2021 | |||||||
| Notes | ||||||||
| income | 136,425 | 136,425 | 215,573 | |||||
| Expenditure | ||||||||
| Costs ofgenerating fiinds | ||||||||
| Fund managers' fees |
(23,769) | (23,769) | (23390) | |||||
| Charitable aotiwties |
||||||||
| Scholarships | (462,108) | (462,108) | (619,048) | |||||
| Grants, Awards &Poses | 16 | (423,288) | (423/88) | (404,259) | ||||
| Events | (335,501) | (335,501) | (274,936) | |||||
| Cultural Relations |
(45,508) | (45,508) | (43,138) | |||||
| Total charitable activities expenditure |
(1,266,405) | (1,266,405) | (1,341,381) | |||||
| Total expenditure | (1790,174) | (1290,174) | (1,364,771) | |||||
| Net gain/(loss) on investment |
funds | 1,737,004 | 2,740 | 1,739,744 | 9,231,959 | |||
| Net 1 acorn c/(expenditure) | 583355 | 2,740 | 585,995 | 8,082,761 | ||||
| Net moverueut in funds |
583/55 | 2,740 | 585,955 | 8,082,761 | ||||
| Total funds brought | forward | 45,048476 | 70,987 | 45,119,263 | 37,036,502 | |||
| Total funds carried | forward | 45,631,531 | 73,727 | 45,705,258 | 45,119263 |
| As | at 31 | March | 202 | 2 | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Uurestricted | Funds | Restricted | Funds | Total Funds | Total irunds | ||||||
| 31March 2022 | 31March 2021 | ||||||||||
| Notes | |||||||||||
| Fixed assets | |||||||||||
| Tangible assets | 162,740 | 162,740 | 180,822 | ||||||||
| Intangible assets |
10 | ||||||||||
| Investments | 45,629,657 | 73,405 | 45,703,062 | 44,863466 | |||||||
| 45,792,397 | 73,405 | 45,865,802 | 45,044,088 | ||||||||
| Current assets | |||||||||||
| Debtors | 12 | 16,765 | 16,765 | 41,920 | |||||||
| Cash at bank | and in | band | 13 | 246,544 | 322 | 246,866 | 319,508 | ||||
| 263309 | 322 | 263,631 | 361,428 | ||||||||
| Creditors | amouats | falling | due | within | 14 | (424,175) | (424,175) | (286,253) | |||
| one year | |||||||||||
| Nct curreut | assets | (160,866) | 322 | (160,544) | 75,175 | ||||||
| Net assets | 45,631,531 | 73,727 | 45,705,258 | 45,119263 | |||||||
| Funds ofthc Fouudation | |||||||||||
| Restricted income funds | 73,727 | 73,727 | 70,987 | ||||||||
| Unrestricted | income | funds | 45,631,531 | 45,631,531 | 45,048,276 | ||||||
| Total Funds | 45,631,531 | 73,727 | 45,705,258 | 45,119263 |
| 31March | 31March | |||
|---|---|---|---|---|
| 2022 | 2021 | |||
| Unrestricted Income |
||||
| Income from investments | 52 | 924 | ||
| Other interest receivable | 18 | 44 | ||
| Voluntary contributions |
and centre for visiting academics | income | 104,015 | 182,264 |
| Rental income (from Japan Society) | 32,340 | 32,340 | ||
| 136,425 | 215,572 | |||
| Restricted Income | ||||
| Income from investments | ||||
| Total | 136,425 | 215,573 |
| Scholar- | Gnmts, | Events | Cultural | 31March | 31March | |
|---|---|---|---|---|---|---|
| ships | Awards | Relations | 2022 | 2021 | ||
| &Prizes | ||||||
| 8 | 8 | 8 | ||||
| Depreciation | 5,511 | 5,205 | 7,246 | 816 | 18,778 | 17,702 |
| Utilities, | ||||||
| maintenance | 25,649 | 25,649 | 53,702 | 4,809 | 109,809 | 84,684 |
| and repairs | ||||||
| Personnel | 116,752 | 111,913 | 166,639 | 32,775 | 428,079 | 404,728 |
| (non- | ||||||
| Governance) | ||||||
| Other | ||||||
| administration | 40,341 | 36,223 | 26,732 | 4,648 | 107,944 | 114,423 |
| expenses | ||||||
| Governance | 16,606 | 15,683 | 21,833 | 2,460 | 56,582 | 47,986 |
| costs (note 6) | ||||||
| 204,859 | 194,673 | 276,152 | 45,508 | 721,192 | 669,523 |
| 31March | 31March | ||
|---|---|---|---|
| 2022 | 2021 | ||
| Personnel | 37,071 | 35,726 | |
| Trustees' | expenses | 2,951 | 60 |
| Audit fee | 10,560 | 12,200 | |
| Legal fee | 6,000 |
| 31March | 31March | ||||
|---|---|---|---|---|---|
| 2022 | 2021 | ||||
| Depreciation (see note |
9& 10) | 18,778 | 17,702 | ||
| Staffcosts | (see note 8) | 465,150 | 440,454 | ||
| Auditors' | remunemtion | for the audit ofthese financial | statements | 10,560 | 12,200 |
| year wa | s 9(2021:9). Their aggregate remunera |
tion comprised: |
|
|---|---|---|---|
| 31March | 31March | ||
| 2022 | 2021 | ||
| f, | |||
| Wages | and salaries | 391,201 | 386,636 |
| Social | security costs | 34,378 | 28,369 |
| Pension | contributions | 39,571 | 25,449 |
| 465,150 | 440,454 |
| 31 | March | 31 | March |
|---|---|---|---|
| 2022 | 2021 | ||
| 1 | 1 |
| Office | Total | |||
|---|---|---|---|---|
| Leasehold | equipment | Office | Tangible | |
| premium | &fixtures | furniture | assets | |
| Cost | ||||
| Beginning ofyear | 799,339 | 152,189 | 196,243 | 1,147,771 |
| Additions | 696 | 696 | ||
| Disposals | (1,000) | (1,000) | ||
| End ofyear | 799,339 | 152,885 | 195,243 | 1,147,467 |
| Depreciation | ||||
| Beginning ofyear | 712,582 | 80,078 | 174,289 | 966,949 |
| Charge | 1,526 | 13,562 | 3,690 | 18,778 |
| Disposals | (1,000) | (1,000) | ||
| End ofyear | 714,108 | 93,640 | 176,979 | 984,727 |
| Net book value | ||||
| At 1 April 2021 | 86,757 | 72,111 | 21,954 | 180,822 |
| At 31March 2022 | 85,231 | 59,245 | 18,264 | 162,740 |
| Total | |||
|---|---|---|---|
| Software | Intangible | ||
| assets | |||
| Cost | |||
| Beginning ofyear | 14,658 | 14,658 | |
| Additions | |||
| Disposals | |||
| End ofyear | 14,658 | 14,658 | |
| Depreciation | |||
| Beginning ofyear | 14,658 | 14,658 | |
| Charge | |||
| Disposals | |||
| End ofyear | 14,658 | 14,658 | |
| Net book value | |||
| At I April 2020 | |||
| At 31March 2021 | |||
| All assets are held for charitable | purposes. |
| Valuation | Valuation | Cost | Cost | ||
|---|---|---|---|---|---|
| 31March | 31March | 31March | 31March | ||
| 2022 | 2021 | 2022 | 2021 | ||
| Investment | funds: | ||||
| UK investments | 9,452,292 | 9,253,574 | 6,700,239 | 7,600,188 | |
| Mixed UK/Overseas | 15,882,349 | 16,376,848 | 15,326,000 | 15,326,000 | |
| Overseas | securities | 20,362,685 | 19,194,830 | 7,926,168 | 7,926,168 |
| Subtotal investments | 45,697,326 | 44,825,252 | 29,952,407 | 30,852,356 | |
| Cash | 5,736 | 38,014 | |||
| 45,703,062 | 44,863,266 | 29,952,407 | 30,852,356 |
| The movement | on | the | bala | nce | sheet value ofinvestments is |
analysed as follows: |
|
|---|---|---|---|---|---|---|---|
| 31March | 31March | ||||||
| 2022 | 2021 | ||||||
| Market value | brought | forward | at I April | 44,863,266 | 36,630,382 | ||
| Additions at cost |
1,885,000 | ||||||
| Disposal proceeds | (900,000) | (2,885,000) | |||||
| Dividend reinvestment |
52 | 925 | |||||
| Net (loss)/gain | in | the | year | 1,739,744 | 9,231,959 | ||
| Market value | caiTied forward | at 31March | 45,703,062 | 44,863,266 | |||
| Funds under management | are | as follows: | |||||
| Market | Value | ||||||
| 31March | 31March | ||||||
| 2022 | 2021 | ||||||
| BlackRock | 45,703,062 | 44,863,266 | |||||
| 45,703,062 | 44,863,266 | ||||||
| Investments, | including | those | whose market value represents | more than 5%ofthe total | market value of | ||
| the Foundation's | investment | portfolio are as follows: |
| 31March | 31March | ||
|---|---|---|---|
| 2022 | 2021 | ||
| Charitrak UK Equity Index | 9,439,085 | 8,340,418 | |
| Blackrock Rtn Bond Fund | 15,882,349 | 16,376,848 | |
| Blackrock North US Index | 8,250,355 | 6,906,932 | |
| Blackrock Emerging Markets |
USD Flex | 5,145,609 | 5,549,585 |
| Blackrock Europe EK-UK Sub Fund Inst. | 2,868,562 | 2,708,869 | |
| Blackrock Japan Index Sub Fund USD | 2,599,437 | 2,653,788 | |
| Blackrock Pac Rim Index Sub | Fund USD | 1,498,723 | 1,375,657 |
| BlackRock Sterling Liquidity | Fund | 13,206 | 913,155 |
| British Pound | 5,736 | 38,014 | |
| Market value carried forward | at 31March | 45,703,062 | 44,863,266 |
| 31March | 31March | |||
|---|---|---|---|---|
| 2022 | 2021 | |||
| Other debtors | 4,141 | 3,566 | ||
| Pre-paid expenses | 12,624 | 38,354 | ||
| 16,765 | 41,920 | |||
| 13.Cash at bank and in | hand | |||
| 31March | 31March | |||
| 2022 | 2021 | |||
| Current Accounts | 246,866 | 319,508 | ||
| Cash on hand | ||||
| 246,866 | 319,508 | |||
| 14.Creditotn: | amounts | falling due within one year | ||
| 31March | 31March | |||
| 2022 | 2021 | |||
| Bank overdrafl | 437 | 201 | ||
| Grants payable | 347,465 | 206,500 | ||
| Scholarships payable |
||||
| Other creditors | 76,273 | 79,552 | ||
| 424,175 | 286,253 |
| Number | Value | Number | Value | |||||
|---|---|---|---|---|---|---|---|---|
| 31March | 31March | 31March | 31March | |||||
| 2022 | 2022 | 2021 | 2021 | |||||
| Grants | approved | in year | ||||||
| -Institutions | 53 | 171,065 | 82 | 210,500 | ||||
| -Individuals | 23 | 63,050 | 11 | 26,500 | ||||
| 76 | 234,115 | 93 | 237,000 | |||||
| Grants | cancelled | or returned | in | (5,500) | (17,684) | |||
| year | ||||||||
| 228,615 | 219,316 | |||||||
| Support | & Governance | costs | (see | 194,673 | 184,943 | |||
| note 5) | ||||||||
| 423,288 | 404,259 |
| 31March | 31March | |||
|---|---|---|---|---|
| 2022 | 2021 | |||
| Analysis ofgrants, awards | &prizes awarded | in the year | ||
| Daiwa Foundation Small Grants (UK-side) |
141,700 | 130,500 | ||
| Daiwa Foundation Small Grants (Japan-side) |
15,950 | 19,500 | ||
| Daiwa Foundation Awards |
76,465 | 87,000 | ||
| Total grants awarded in 2021/2022 |
234,115 | 237,000 | ||
| Grants cancelled or retunied | in year | (5,500) | (10,684) | |
| Awards cancelled or returned | in year | (7,000) | ||
| Support & Governance costs |
(see note 5) | 194,673 | 184,943 | |
| Total grants, awards and prizes |
423,288 | 404,259 |
| Daiwa Foundation | Daiwa Foundation | Daiwa Foundation | Small | |||
|---|---|---|---|---|---|---|
| Grants | ||||||
| Support ivas provided for | ||||||
| the | ollowin | ro'ects: | ||||
| UK-side | ||||||
| Belfast Photo | Festival | Support for exhibition costs and travel to | X6,000 | |||
| Belfast by collage artist Kensuke Koike to | ||||||
| develop an exhibition ofnew photographic | ||||||
| work to be displayed at the Botanic Gardens |
||||||
| and Ulster Museum and to engage in talks, |
||||||
| Belfast Photo Festival 2to 30 June 2022. |
||||||
| Boston And Hakusan | Support for atwo-week exchange visit to | f5,000 | ||||
| City | Exchange | Japan by seven 14-and 15-year old pupils | ||||
| trom Boston, Lincolnshire to meet pupils |
and | |||||
| families in Hakusan, Ishikawa Prefecture |
as | |||||
| pmt ofan established youth exchange |
||||||
| progtumme, July 2022. |
||||||
| Support for an inaugural Japan-focused |
f2,000 | |||||
| project: aone-day film festival featuiing | a | |||||
| programme ofcontemporary Japanese |
||||||
| Bounce Cinema | feature-length films, short films, live panel |
|||||
| discussions and editoidal content, at Genesis |
||||||
| Cinema in East London and live streamed, | ||||||
| 2022. |
| British Museum | British Museum | Support for apublication accompanying an |
|
|---|---|---|---|
| exhibition showcasing 103recently |
|||
| rediscovered rare brush drawings by the |
|||
| celebrated print artist Katsushika Hokusai, |
|||
| providing anew perspective on Hokusai's |
|||
| work and broader attitudes in nineteenth- |
|||
| centmy Japan, 'Hokusai: The Great Picture | |||
| BookofEverything', 30 September 2020 to |
|||
| 30Jail 2022. |
|||
| Butler, Dr | Catherine | Support for travel to Japan to conduct | |
| research and interviews into the way British |
|||
| children's books have been adapted and |
|||
| commoditised in the Japanese context, and |
|||
| their role in wider cultural relations, resulting |
|||
| in the book British Children's Literature in |
|||
| Ja anese Culture s rin 2022. |
|||
| Clark, Mr | James | Support for travel to Japan by writer, James | |
| Clark, and filmmaker Robbie McKane to |
|||
| create Tohoku Recovery in Action, a |
|||
| documentiuy about the Michinoku Coastal |
|||
| Trail to showcase the resilience of | |||
| communities affected by the 2011tsunami, |
|||
| and write an accompanying book, summer |
|||
| 2021. | |||
| Edinburgh | International | Support for travel to the UK by Kazushi Ono |
|
| Festival | to conduct the Scottish Chamber Orchestra at |
||
| the Closing Concert ofthe Edinburgh | |||
| International Festival. The repertoire will |
|||
| include works by the Japanese composers | |||
| Toru Takemitsu and Toshio Hosokawa, |
|||
| Au ust 2021. | |||
| Pierce (Festival) | Limited | Support for travel to the UK by aJapanese | |
| artist to perform at Fierce Festival |
|||
| (Birnthtgham) and Submerge Festival |
|||
| (Manchester) in March and October 2022; the |
|||
| fust time these festivals have included | |||
| re resentation from Ja an. |
|||
| The Foundling | Museum | Support for the transport ofartwork by the | |
| Japanese manga artist Taiyo Matsumoto to |
|||
| feature in the exhibition Superheroes, |
|||
| Oiphans and Origins: 125years in Comics |
|||
| which will mn at the Foundling Museum in |
|||
| London, 1 April to 10July 2022 (extended to |
|||
| 28 August). |
| Gallagher, | Mr Oisin and | Support for travel to Japan by two mtists on a |
|---|---|---|
| Compson, | Kd | research trip to craft and heritage areas, |
| facilitating cultural exchange through |
||
| workshops with local communities of |
||
| Maruseppu and Engaru, Hokkaido, marking |
||
| the launch ofaresidenc ro ramme 2022. |
||
| Inhouse Events CIC | Support for atwo-week celebration ofJapan | |
| through screenings ofthe Olympics and |
||
| Japanese film with associated &ee family | ||
| events celebrating culture and sport through |
||
| art, including woodblock-print workshops at |
||
| an outdoor amphitheatre in Glasgow, summer |
||
| 2021. | ||
| John, Mr | Klys | Support for travel to Japan to develop interior |
| (The Welsh School Of | design case studies for A Studio Guide for | |
| Architecture) | Interior Design (Routledge) targeted at | |
| students on graduate Interior Design |
||
| programmes globally, and to enhance links |
||
| with Japanese universities practising interior |
||
| design, autumn 2021. | ||
| Keele University, School |
Support for travel to Waseda University by a |
|
| ofSocial, | Political and | Keele University academic to engage in pilot |
| Global Studies (Dr | research examining the way Japan navigates |
|
| Monalisa | Adhikari) | identities as an OECD member and regional |
| power in its engagement in peacebuilding in |
||
| Asia, leading to further research and | ||
| publications, July 2022. |
||
| Kirkwood, | Geoffrey | Support for research travel to Japan for a |
| project celebrating links between Japan and |
||
| North East England, in partnership with the |
||
| Sage and Royal Northern Sinfonia, resulting |
||
| in an experimental symphony, and an mt |
||
| installation featming film and music, and a |
||
| project for schools, July 2021 onwards. | ||
| Laczny, Mr Tomasz | Suppoit for travel to Japan by photographer | |
| Tomasz Laczny to produce the photographic | ||
| exhibition Ema Helena Ania, and to present | ||
| work, launch published photo book, lead |
||
| workshop, and engage in talks and further |
||
| collaborations, Reminders Photography |
||
| Stronghold, summer 2022. |
| Liverpool John | Liverpool John | Moores | Support for travel to Japan by Dr Laura Buck | Support for travel to Japan by Dr Laura Buck |
|---|---|---|---|---|
| University, | School of | to investigate the morphological |
||
| Biological | and | consequences ofinterbreeding between |
||
| Environmental | Sciences | Homo Sapiens and Neandeithals using |
||
| models constructed using hybrid |
||||
| Japanese/Taiwanese macaque skeletons, and |
||||
| virtual sha e anal ses, summer 2022. |
||||
| Liverpool John | Moores | Suppoit for avisit to Fukuoka by Professor | ||
| University, | School of | Mark Lake to engage in collaborative | ||
| Sport and | Exercise | research into promoting the healthy |
||
| Sciences | participation in team sports such as football |
|||
| by women playing on new artificial sports |
||||
| surfaces, a legacy ofthe Olympics, and a |
||||
| public seminar to raise awareness ofinjury | ||||
| risk using biomechanical testing, September |
||||
| 2021. | ||||
| London School | of | Support for travel by Dr Ronald Po to | ||
| Economics, Department | collaborate with Dr Ikeda at Tohoku |
|||
| ofInternational | History | University and to study documents related |
to | |
| (Dr Ronald | Po) | the Bohai Sea and the Mount Horai legend | ||
| resulting in an article 'The Shaping of |
||||
| Maidtime Religiosity: The Cultural History of |
||||
| Mount Penglai/Horai in China and Japan', |
||||
| March and A fll 2022. | ||||
| MACK Books Ltd | Support for the publication ofa |
|||
| comprehensive volume on Eikoh Hosoe to |
||||
| coincide with amajor retrospective exhibition |
||||
| at Kiyosato Photographic Arts Museum in |
||||
| Yamanashi, Japan available in both English |
||||
| and Japanese, edited by Dr Yasufumi | ||||
| Nakamoid and produced under the artist' s |
||||
| direction, July 2021. | ||||
| Mente, Ms | Eleni | Support for a two-month study visit to Japan |
||
| to explore the ways that floods can be | ||||
| prevented and global warming mitigated, |
via | |||
| interviews and research into the principles, |
||||
| design and maintenance ofrefuge parks and |
||||
| disaster preventive forests, resulting in |
||||
| presentations and publications, autumn 2022. |
| Matsunaga, | Nao | Suppott for aBiitish-Japanese ceramicist to |
|---|---|---|
| undertake an eight-week residency at |
||
| Shigaraki Ceramic Cultural Park and create |
||
| an experimental new body ofwork using |
||
| Shigaraki clay, resulting in shows and |
||
| associated talks in Japan and the UK, October | ||
| 2021. | ||
| Mitchell, Ms Alison | Support the travel to Kumejima in Okinawa |
|
| Prefecture by weaver and textile artist Alison |
||
| Mitchell to continue her research into | ||
| sustainable dyeing and the heritage textile |
||
| industry, resulting in abook contracted by |
||
| Bloomsbury Visual Arts, 'The Weaving and |
||
| Dyeing Art ofthe Kumejima Kimono'. | ||
| Queer East | Film Festival | Support for the Focus Japan strand ofthis |
| year's festival, which vw'll showcase ten |
||
| classic and new Japanese films in cinemas | ||
| across London and online, along with director | ||
| QdhAs and panel discussions hosted online to |
||
| celebrate diverse identities, and cultures, 15 |
||
| to 26 September 2021. | ||
| Rosier, Mr Matthew | Support for artist Matthew Rosier to return. to | |
| Japan with acamera crew for ten days where, | ||
| building on his 2019art residency in Ise, he |
||
| will create afilm titled Wood Rots Like We | ||
| Do demonstrating the symbiotic relationship |
||
| between the wooden shrines ofIse Jingu and | ||
| the surrounding forest. |
||
| Royal Academy ofArts | Support for the catalogue guides for 'Kyosai: |
|
| The Israel Goldman Collection' which will |
||
| focus on the art of'sekiga' or 'spontaneous | ||
| paintings', and the environment in which |
||
| Kawanabe Kyosai's works were created and | ||
| appreciated, 19March to 19June 2022. |
||
| Royal Collection Trust | Support for travel to London by Kazumi | |
| Murose to record afilm demonstrating how |
||
| urushi lacquer is applied and decorated, and |
||
| to contribute to the Royal Collection Trust's |
||
| Learning Programme for 'Japan: Courts and |
||
| Culture' which will rtin at The Queen' s |
||
| Gallery, Buckingham Palace, 8 April 2022 to |
||
| 12March 2023. |
| Ruskin Mill Land Trust | Support ofartwork and travel by one ofthe | Support ofartwork and travel by one ofthe |
|---|---|---|
| participating Japanese mtists giving |
||
| masterclasses at the 2022 International |
||
| Festival ofGlass, which has as its theme | ||
| Contemporary Glass and Culture fiom the |
||
| East, allowing visitors to sample regional | ||
| food, design, and music. | ||
| Scottish Society for Art | Support for venue costs and travel by Naoko | |
| History (SSAH) | Horiuchi I'rom the Arts Initiative Tokyo to |
|
| participate in atwo-day conference organised |
||
| by SSAH in partnership with the National |
||
| Museum ofJapanese History exploring | ||
| cultural connections between the visual and |
||
| material cultures ofScotland and Japan, 10to |
||
| 11Febru 2022. |
||
| South Eastern Regional | Support for travel to Northern Ireland by five |
|
| College (SERC) | students and staff from Toyama Minami |
|
| Senior High School to collaborate on a |
||
| project-based learning project on tourism, |
and | |
| to develop cultural and language awareness |
in | |
| Ja an and Northern Ireland, Se tember 2022. |
||
| Support for travel to Japan by Stephen | ||
| Marshall and Deborah Baddoo to further their |
||
| research into jazz dance in Tokyo and Sendai, | ||
| through interviews with 20 key Japanese |
||
| State ofTrust | dancers and musicians, and focusing on the history and development ofjazz dance in the |
|
| US,UK and Japan via talks and dance | ||
| presentations in the run-up to the Jozenji |
||
| Street Jazz Festival in Sendai, September | ||
| 2022. | ||
| Support for research travel to Japan to | ||
| Stojkovid, Dr Jelena | investigate the work ofaphotographer and |
|
| (Oxford Brookes | artist Abe Nobuya (1913-1971),particularly | |
| University) | in relation to his life in Rome during the | |
| 1960s s iin 2022 . |
||
| THA London | Support for parallel group exhibitions |
|
| showcasing UK and Japanese artists in each |
||
| other's counhy celebrating the silkscreen |
||
| printing technique, and the history ofEnglish |
||
| screenprints, with associated events, |
||
| Urashintora and StolenSpace Galleries, |
||
| October 2021. |
| University | for the | Support for the transport ofartwork and |
|---|---|---|
| Creative Arts, School of | travel by practitioner and National Living |
|
| Craft and Design | Treasure, Mr Komiya, to attend an exhibition | |
| ofnew miniature works by 28 contemporary |
||
| UK and Japanese textile and to give a lecture | ||
| and workshop, University for the Creative |
||
| Arts, Crafts Study Centre, 4 Januaiy to 26 | ||
| March 2022. | ||
| University | ofAberdeen, | Support for athree-week stay at the Institute |
| Institute ofMedical | ofMedical Sciences, University ofAberdeen | |
| Sciences | by a Waseda University academic to deploy |
|
| advanced mass spectrometty methods in |
||
| research collaboration on the regulatory |
||
| mechanism ofthe Rho protein which plays an |
||
| important role in cancer progression, leading |
||
| to publications and further links September |
||
| 2021. | ||
| University | ofAberdeen, | Support for fieidwork in Japan by Dr Bowden |
| Scbool ofGeosciences | to collect teaching materials for use in | |
| teaching deep-ocean sedimentology to |
||
| Aberdeen students with a Japanese |
||
| perspective, and leading to areciprocal visit |
||
| in which a similar sample set is acquired Irom | ||
| Britain, for use by students at Kobe and |
||
| Kochi Universities, August to November |
||
| 2021. | ||
| University ofDundee, Duncan ofJordanstone |
Support for travel to Japan by Professor Sandra Wilson to research frugal ways of |
|
| College of | Art and Design | working with precious metals recovered fiom electronic waste leading to an exhibition with |
| the Scottish Goldsmiths Trust in 2023. |
||
| University | ofExeter, | Support for atwo-week visit to Tohoku |
| Department | ofEconomics | University by Dr Kripfganz to collaborate |
| with PhD student Niklas Uliczka, and to | ||
| engage in knowledge transfer through |
||
| seminars, workshops, and the delivety ofa |
||
| methodological training course, autumn 2022. |
| University | of | Support for travel to Japan in spring 2022 by | Support for travel to Japan in spring 2022 by | ||
|---|---|---|---|---|---|
| Huddersfield, | Dr Danilo Di Mascio to meet academics in | ||||
| Department | of | Tokyo and Osaka, and document the |
|||
| Architecture | and 3D | relationships between architecture, culture, |
|||
| Design | art and nature on Naoshima, resulting in an |
||||
| article, exhibition and seminar at the |
|||||
| University ofHuddersfield, and feeding into |
a | ||||
| lar er corn arative ro'ect. |
|||||
| University | of | Manchester, | Support for travel grants for UK and overseas | ||
| School of | Arts, | participants taking pmt in the triennial BAJS |
|||
| Languages | and Cultures | conference at Mauchester focusing on new |
|||
| research in Japanese Studies and comprising | |||||
| u to 120 a ers, 7to 9Se tember 2022. |
|||||
| University | of | Oxford, | Support for the Japan festival in which the |
||
| TORCH | ~ | The Oxford | sits and culture, alongside the histories, | ||
| Research | Centre for the | literatures and languages ofJapan, will |
|||
| Humanities | feature as part ofawide-reaching cultural |
||||
| festival and 14events between October and | |||||
| December 2021. | |||||
| University | of | Sheffield, | Support for research travel to Japan by an | ||
| School of | East Asian | academic to explore how Japanese colonial | |||
| Studies | settlers from Korea and Manchuria brought |
||||
| the empire back into the social imagination | of | ||||
| early postwar Japan through research at the |
|||||
| National Diet Library, resulting in an article |
|||||
| and resentations summer 2022. |
|||||
| University | of | York, | Support for travel to Japan by Dr Oleg | ||
| Department | ofHistory | Benesch to undertake research for abook |
|||
| which places Japanese medieval history and |
|||||
| symbols into the context ofalarger 'Global |
|||||
| Medievalist Moment' (1840-1960), |
|||||
| examining reciprocal influences that |
|||||
| reinforced medievalism around the world and |
|||||
| the specific Japanese context, 2022. | |||||
| Vaughan, | Mr | Stephen | Support for the publication costs of'Zassho- |
||
| (Bath Spa | University) | Cascadia', the culmination ofalong-term |
|||
| photographic enquiry by documentary |
|||||
| photographer, Stephen Vaughan, that |
|||||
| considers interwoven seismic histories and |
|||||
| earthquake probabilities in Japan and the |
|||||
| Pacific Northwest, September to December |
|||||
| 2021. |
| Wilcox, | Mr Matthew | Mr Matthew | Mr Matthew | Support for travel to Japan by Matthew | f2,000 |
|---|---|---|---|---|---|
| Wilcox to research 'The Sushi Encyclopedia' | |||||
| (Phaidon), abook on sushi and Japanese food | |||||
| culture focusing on the history and etiquette | |||||
| ofsushi, and profiles ofchefs, rice growers, | |||||
| vinegar makers, wasabi growers, urchin | |||||
| divers and knife artisans, September 2021. |
|||||
| Zon, Professor | Bennett | Support for travel to the UK by Professor | f2,000 | ||
| (Durham | University) | Yoshiyuki Kikuchi to take part in a |
|||
| symposium, and costs associated with the |
|||||
| conference which will explore connections | |||||
| between Japanese and British science in the | |||||
| 19th cenhu Jul 2022. |
|||||
| UK-side | total | %141700 | |||
| Ja an-side | |||||
| Gorch Brothers | Support for a one-week visit to Japan by | f.2,900 | |||
| English Touring Theatre's artistic director and | |||||
| aplaywright to deliver aweek ofworkshops |
|||||
| for five to ten early and mid-career Japanese |
|||||
| playwrights, building on an initial three-day |
|||||
| online workshop in spring 2020, 15to 21 |
|||||
| November 2021. | |||||
| Kitamaesen | Co.,tdd. | Support for havel by drumming group Kodo |
%3,600 | ||
| to perform at the Fire Station in Sunderland | |||||
| as part ofKodo's 40th anniversary | |||||
| celebrations: Kodo One Earth Tour 2022 | |||||
| featuring elements related to the nature and |
|||||
| performing arts ofSado Island, the home of |
|||||
| Kodo, Febtuat 2022. |
|||||
| Kyushu | University, | Support for travel to London by Dr Kawahara | j2,150 | ||
| Department | of | to participate in research measuring |
|||
| Communication | Design | differences in audio engineering, contributing |
|||
| Science | to Queen Mary's Mix Evaluation Dataset and |
||||
| culminating in apeer-reviewed publication, |
|||||
| Se tember 2022. | |||||
| Nishinaga, | Mr | Kazuki | Support for atwo-week visit to the UK by | f2,150 | |
| sculptor and artist, Kazuki Nishinaga to set |
|||||
| up and film the collaborative process of |
|||||
| installing the exhibition A Third Map, |
|||||
| inspired by the game ofchess and the tea |
|||||
| ceremony, with fellow artist Ryan Orme, |
|||||
| 2022. |
| Saitama University, | Saitama University, | Support for travel to the UK by academics to | F2,700 |
|---|---|---|---|
| Graduate Scbool of |
psuticipate in an international workshop |
||
| Science and Engineering | marking the bicentennial ofthe publication of |
||
| Joseph Fousder's Theoric analytique de la |
|||
| chaleur which has had aprofound effect on |
|||
| science and engineering, 27 June to 1 July |
|||
| 2022. | |||
| Stick Vox Klavier | Support for travel to Japan by composer, | f2,450 | |
| percussionist and marimbist Dr Alejandro |
|||
| Viiiao to perform at Kanagawa Prefectural |
|||
| Hall, Munestugu Hall (Nagoya) and Suntosy |
|||
| Hall (Tokyo), and to host master classes at | |||
| Kunitachi College ofMusic, Aichi University |
|||
| ofthe Arts and Tokyo University ofthe Arts, |
|||
| Jul 2022. |
|||
| Ja an-side total | %15950 | ||
| Total | Small Grants | f.157650 | |
| Daiwa | Foundation | ||
| Awards | |||
| Support | was prov'sded for | ||
| the ollowin ro'ects: |
|||
| Fabula | Collective Ltd | Support for travel to Japan to create anew | F7,000 |
| Project | Partner: | UK-Japan dance piece 'Everything Would Be |
|
| HiWood Co.Ltd | Nonsense' as past ofHUMAN. ,a |
||
| choreographic triple bill inspired by UK |
|||
| literature, specifically Macbeth, Alice in |
|||
| lYonderland, and The Picture ofDorian |
|||
| Gray, premiering at The Pit, New National |
|||
| Theatre, Tokyo; and a strategic networking | |||
| event with Q&A for Japanese indusssy | |||
| collea ues Au ust 2021. | |||
| Medical Governance | Suppoit for reciprocal UK-Japan visits to | F.9,500 | |
| Research Institute | facilitate collaborative research into financial |
||
| Project | Partner: | conflicts ofinterest between pharmaceutical | |
| University ofBath, |
firms aud the healthcare sector, which will |
||
| Department ofSocial and |
result in abilingual brochure to educate |
||
| Policy | Sciences | healthcare professionals and students, and |
|
| participation in an international meeting in |
|||
| Bath, September to December 2022. |
| Sainsbury Institute for |
Sainsbury Institute for |
Support for travel to Japan and costs |
|---|---|---|
| the Study ofJapanese | associated with research and analyses ofthe | |
| Arts and Cultures | Shinto statues housed in the collections ofthe | |
| (SISJAC) | Sainsbuty Centre in Norwich, and with |
|
| project partners: | educational programmes conducted in the UK |
|
| Nara National Research | and Japan with aview to enhancing research |
|
| Institute for Cultural | and educational networks. |
|
| Properties, Tokyo | ||
| National Museum, |
||
| Ritsumeikan Universi |
||
| Scottish Universities | Support for dtree UK-based researchers to |
|
| Environmental Research |
visit Lake Suigetsu in Fukui Prefecture to | |
| Centre | engage in a study ofthe relationship between |
|
| project partners: | Earth's magnetic field strength and the receipt |
|
| Ritsumeikan University, |
ofcosmogenic radiation at the Earth's smface, |
|
| Research Centre for | as recorded by luminescence profiling at |
|
| Palaeoclimatology; | Lake Suigetsu, 2022. | |
| Kobe University, | ||
| Research Center for | ||
| Inland Seas | ||
| University College |
Support for travel to Osaka University by five |
|
| London, Department | of | University College London scientists to |
| Computer Science |
collaborate with colleagues at the Graduate |
|
| project partner: | School ofEngineering Science in developing |
|
| Osaka University | arobot teleoperative system and to deliver |
|
| Graduate School of |
talks on their research proposals and |
|
| Engineering Science |
achievements, 28 March to 3 April 2022. |
|
| University ofGreenwich, |
Support for travel to Yamanashi University |
|
| School ofComputing | and | by Greenwich academics to collaborate on a |
| Mathematical Sciences |
project proposing novel, more accurate multi- |
|
| project partner: | view classification models using AI, to help |
|
| University ofYamanashi |
accelerate to diagnosis ofCovid-19, August | |
| and December 2021. | ||
| University ofHull, |
Support for Dr Kazuyo Nakabayashi from the |
|
| Department of |
University ofHull to travel to Japan to | |
| Psychology project partner: |
embark on a collaborative project to develop fic online self-care programs to support |
|
| Ritsumeikan University, |
children suffering trom domestic abuse in |
|
| Department of |
coping with emotional distress caused by the |
|
| Psychology | ttauma. The project is in collaboration with |
|
| Ritsumeikan University to support and |
||
| strengthen the work by aJapanese NPO |
||
| which has been providing a lifeline for the |
||
| children. |
| University ofSheftield, |
Support for reciprocal UK-Japan visits to | Support for reciprocal UK-Japan visits to | f12,000 |
|---|---|---|---|
| Translational Energy |
underpin joint research on | reduced-cost | |
| Research Centre (TERC) | components for hydrogen |
fuel cells | |
| project partner: | (focussing on platinum-fice | catalysts and |
|
| Kyushu University, |
alternative electrolytes) to |
ultimately expedite |
|
| University ofTokyo, |
decarbonisation ofthe automotive sector, |
||
| Hokkaido University |
June 2021 to May 2022. | ||
| University ofthe Arts |
Support for travel to Japan | by ten University | f.7,000 |
| London, Camberwell | ofthe Arts London students on the new MA |
||
| College ofArts | Global Collaborative Design Practice course |
||
| Project Partners | to spend 4months visiting |
Kyoto Institute of | |
| Kyoto Institute of | Technology as part ofa collaborative, |
||
| Technology | creative exchange. | ||
| Total Awards |
f76 465 | ||
| OVERALL Total | f234 115 |
| Unrestricted | Funds | Restricted | Funds | Total Funds | Total Funds | |||
|---|---|---|---|---|---|---|---|---|
| 31March 2021 | 31March 2020 | |||||||
| Income | 215,572 | 215,573 | 467,895 | |||||
| Expenditure | ||||||||
| Cosls ofgeneralingfimds | ||||||||
| Fund managers' tbes |
(23,390) | (23,390) | (23,426)) | |||||
| Cbarnab(e acllvllles | ||||||||
| Scholarships | (619,048) | (619,048) | (781,744) | |||||
| Groats, Awards bt Prizes |
(404,259) | (404,259) | (452,397) | |||||
| Events | (274,936) | (274,936) | (311,467) | |||||
| Cultural Relauons |
(43,138) | (43,138) | (42256) | |||||
| Total charitable activities expenditure |
(1,341,381) | (1,341,381) | (1,587,864) | |||||
| Total expenditure | (1,364,771) | (1,364,771) | (1,6IIP90) | |||||
| Net gain/(loss) on investment |
funds | 9,217,732 | 14,227 | 9231,959 | (3,469,580) | |||
| Net Income/(expenditure) | 8,068,533 | 14,228 | 8,082,761 | (4,612,975) | ||||
| Net movcmcnt in funds |
8,068,533 | 14,228 | 8,082,761 | (4,612,975) | ||||
| Total funds brought | forward | 36,979,743 | 56,759 | 37,036,502 | 41,649,477 | |||
| Total fands carried | forward | 45,048,276 | 70,987 | 45,119263 | 37,036,502 |