##
##
|Trustees||Sir Timothy
Hitchens KCVO CMG,|Sir Timothy
Hitchens KCVO CMG,|Sir Timothy
Hitchens KCVO CMG,|Chair|
|---|---|---|---|---|---|
|||Mr Takashi Hibino, Vice Chair||||
|||Mr Stephen Barber||||
|||Ms Yoko Dochi||||
|||Mr Keiichi Hayashi
(appointed||1 July 2022)||
|||Mr Yusuke Kawamura||||
|||Professor Sachiko Kusukawa||||
|||Ms Rebecca Salter PRA (appointed|||1 July 2022)|
|||Professor Hirotaka Takeuchi||||
|||Dr Victoria Tuke (appointed
19||November 2021)||
|||Ms Jessie Turnbull||||
|||Professor Sir Mark Walpoit FRSFRCP FRCPath FMedSci FRSE||||
|||(appointed
1July 2022)||||
|Director General||Mr Jason James||||
|Registered|office|Daiwa Foundation
Japan House||||
|||13/14 Comwall Terrace||||
|||London NW1 4QP||||
|Charity Number||299955||||
|Auditors||Greenback Alan LLP||||
|||Chartered
Accountants|and Registered Auditor|||
|||89 Spa Road||||
|||London||||
|||SE163SG||||
|Solicitors||Clifford Chance||||
|||10Upper Bank Street||||
|||London EC144JJ||||
|Bankers||Lloyds TSBBank pic|||Mizuho Bank|
|||Cheapside
Branch|||Akasaka Branch|
|||34Moorgate|||Toho Building|
|||London EC2R 6PL|||2-5-1,Akasaka|
||||||Minato-Ku|
|Investment|Managers|BlackRock||||
|||12Throgmorton
Avenue||||
|||London||||
|||EC2N 2DL||||
##
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##
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##
|||||Unrestricted|Funds|Rcstrictcd Funds|Total Funds|Total Fuuds|
|---|---|---|---|---|---|---|---|---|
||||||||31March 2022|31March 2021|
||||Notes||||||
|income|||||136,425||136,425|215,573|
|Expenditure|||||||||
|Costs ofgenerating fiinds|||||||||
|Fund managers'
fees|||||(23,769)||(23,769)|(23390)|
|Charitable
aotiwties|||||||||
|Scholarships|||||(462,108)||(462,108)|(619,048)|
|Grants, Awards &Poses|||16||(423,288)||(423/88)|(404,259)|
|Events|||||(335,501)||(335,501)|(274,936)|
|Cultural
Relations|||||(45,508)||(45,508)|(43,138)|
|Total charitable
activities expenditure|||||(1,266,405)||(1,266,405)|(1,341,381)|
|Total expenditure|||||(1790,174)||(1290,174)|(1,364,771)|
|Net gain/(loss)
on investment||funds|||1,737,004|2,740|1,739,744|9,231,959|
|Net 1 acorn c/(expenditure)|||||583355|2,740|585,995|8,082,761|
|Net moverueut
in funds|||||583/55|2,740|585,955|8,082,761|
|Total funds brought|forward||||45,048476|70,987|45,119,263|37,036,502|
|Total funds carried|forward||||45,631,531|73,727|45,705,258|45,119263|
|As|at 31|March|202|2||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
|||||||Uurestricted|Funds|Restricted|Funds|Total Funds|Total irunds|
|||||||||||31March 2022|31March 2021|
||||||Notes|||||||
|Fixed assets||||||||||||
|Tangible assets|||||||162,740|||162,740|180,822|
|Intangible
assets|||||10|||||||
|Investments||||||45,629,657|||73,405|45,703,062|44,863466|
|||||||45,792,397|||73,405|45,865,802|45,044,088|
|Current assets||||||||||||
|Debtors|||||12||16,765|||16,765|41,920|
|Cash at bank|and in|band|||13||246,544||322|246,866|319,508|
||||||||263309||322|263,631|361,428|
|Creditors|amouats|falling|due|within|14|(424,175)||||(424,175)|(286,253)|
|one year||||||||||||
|Nct curreut|assets|||||(160,866)|||322|(160,544)|75,175|
|Net assets||||||45,631,531|||73,727|45,705,258|45,119263|
|Funds ofthc Fouudation||||||||||||
|Restricted income funds|||||||||73,727|73,727|70,987|
|Unrestricted|income|funds||||45,631,531||||45,631,531|45,048,276|
|Total Funds||||||45,631,531|||73,727|45,705,258|45,119263|
##
##
##
##
##
##
##
##
##
##
##
##
##
##
##
##
##
##
##
||||31March|31March|
|---|---|---|---|---|
||||2022|2021|
|Unrestricted
Income|||||
|Income from investments|||52|924|
|Other interest receivable|||18|44|
|Voluntary
contributions|and centre for visiting academics|income|104,015|182,264|
|Rental income (from Japan Society)|||32,340|32,340|
||||136,425|215,572|
|Restricted Income|||||
|Income from investments|||||
|Total|||136,425|215,573|
##
##
||Scholar-|Gnmts,|Events|Cultural|31March|31March|
|---|---|---|---|---|---|---|
||ships|Awards||Relations|2022|2021|
|||&Prizes|||||
|||8||8|8||
|Depreciation|5,511|5,205|7,246|816|18,778|17,702|
|Utilities,|||||||
|maintenance|25,649|25,649|53,702|4,809|109,809|84,684|
|and repairs|||||||
|Personnel|116,752|111,913|166,639|32,775|428,079|404,728|
|(non-|||||||
|Governance)|||||||
|Other|||||||
|administration|40,341|36,223|26,732|4,648|107,944|114,423|
|expenses|||||||
|Governance|16,606|15,683|21,833|2,460|56,582|47,986|
|costs (note 6)|||||||
||204,859|194,673|276,152|45,508|721,192|669,523|
##
##
##
|||31March|31March|
|---|---|---|---|
|||2022|2021|
|Personnel||37,071|35,726|
|Trustees'|expenses|2,951|60|
|Audit fee||10,560|12,200|
|Legal fee||6,000||
##
|||||31March|31March|
|---|---|---|---|---|---|
|||||2022|2021|
|Depreciation
(see note||9& 10)||18,778|17,702|
|Staffcosts|(see note 8)|||465,150|440,454|
|Auditors'|remunemtion|for the audit ofthese financial|statements|10,560|12,200|
##
|year wa|s 9(2021:9). Their aggregate
remunera|tion
comprised:||
|---|---|---|---|
|||31March|31March|
|||2022|2021|
||||f,|
|Wages|and salaries|391,201|386,636|
|Social|security costs|34,378|28,369|
|Pension|contributions|39,571|25,449|
|||465,150|440,454|
##
|31|March|31|March|
|---|---|---|---|
||2022||2021|
||1||1|
##
|||Office||Total|
|---|---|---|---|---|
||Leasehold|equipment|Office|Tangible|
||premium|&fixtures|furniture|assets|
|Cost|||||
|Beginning ofyear|799,339|152,189|196,243|1,147,771|
|Additions||696||696|
|Disposals|||(1,000)|(1,000)|
|End ofyear|799,339|152,885|195,243|1,147,467|
|Depreciation|||||
|Beginning ofyear|712,582|80,078|174,289|966,949|
|Charge|1,526|13,562|3,690|18,778|
|Disposals|||(1,000)|(1,000)|
|End ofyear|714,108|93,640|176,979|984,727|
|Net book value|||||
|At 1 April 2021|86,757|72,111|21,954|180,822|
|At 31March 2022|85,231|59,245|18,264|162,740|
##
||||Total|
|---|---|---|---|
|||Software|Intangible|
||||assets|
|Cost||||
|Beginning ofyear||14,658|14,658|
|Additions||||
|Disposals||||
|End ofyear||14,658|14,658|
|Depreciation||||
|Beginning ofyear||14,658|14,658|
|Charge||||
|Disposals||||
|End ofyear||14,658|14,658|
|Net book value||||
|At I April 2020||||
|At 31March 2021||||
|All assets are held for charitable|purposes.|||
##
|||Valuation|Valuation|Cost|Cost|
|---|---|---|---|---|---|
|||31March|31March|31March|31March|
|||2022|2021|2022|2021|
|Investment|funds:|||||
|UK investments||9,452,292|9,253,574|6,700,239|7,600,188|
|Mixed UK/Overseas||15,882,349|16,376,848|15,326,000|15,326,000|
|Overseas|securities|20,362,685|19,194,830|7,926,168|7,926,168|
|Subtotal investments||45,697,326|44,825,252|29,952,407|30,852,356|
|Cash||5,736|38,014|||
|||45,703,062|44,863,266|29,952,407|30,852,356|
##
##
##
|The movement|on|the|bala|nce|sheet value ofinvestments
is|analysed
as follows:||
|---|---|---|---|---|---|---|---|
|||||||31March|31March|
|||||||2022|2021|
|Market value|brought||forward||at I April|44,863,266|36,630,382|
|Additions
at cost|||||||1,885,000|
|Disposal proceeds||||||(900,000)|(2,885,000)|
|Dividend
reinvestment||||||52|925|
|Net (loss)/gain|in|the|year|||1,739,744|9,231,959|
|Market value|caiTied forward||||at 31March|45,703,062|44,863,266|
|Funds under management||||are|as follows:|||
|||||||Market|Value|
|||||||31March|31March|
|||||||2022|2021|
|BlackRock||||||45,703,062|44,863,266|
|||||||45,703,062|44,863,266|
|Investments,|including||those||whose market value represents|more than 5%ofthe total|market value of|
|the Foundation's||investment|||portfolio are as follows:|||
|||31March|31March|
|---|---|---|---|
|||2022|2021|
|Charitrak UK Equity Index||9,439,085|8,340,418|
|Blackrock Rtn Bond Fund||15,882,349|16,376,848|
|Blackrock North US Index||8,250,355|6,906,932|
|Blackrock Emerging
Markets|USD Flex|5,145,609|5,549,585|
|Blackrock Europe EK-UK Sub Fund Inst.||2,868,562|2,708,869|
|Blackrock Japan Index Sub Fund USD||2,599,437|2,653,788|
|Blackrock Pac Rim Index Sub|Fund USD|1,498,723|1,375,657|
|BlackRock Sterling Liquidity|Fund|13,206|913,155|
|British Pound||5,736|38,014|
|Market value carried forward|at 31March|45,703,062|44,863,266|
##
##
||||31March|31March|
|---|---|---|---|---|
||||2022|2021|
|Other debtors|||4,141|3,566|
|Pre-paid expenses|||12,624|38,354|
||||16,765|41,920|
|13.Cash at bank and in||hand|||
||||31March|31March|
||||2022|2021|
|Current Accounts|||246,866|319,508|
|Cash on hand|||||
||||246,866|319,508|
|14.Creditotn:|amounts|falling due within one year|||
||||31March|31March|
||||2022|2021|
|Bank overdrafl|||437|201|
|Grants payable|||347,465|206,500|
|Scholarships
payable|||||
|Other creditors|||76,273|79,552|
||||424,175|286,253|
##
##
||||||Number|Value|Number|Value|
|---|---|---|---|---|---|---|---|---|
||||||31March|31March|31March|31March|
||||||2022|2022|2021|2021|
|Grants|approved|in year|||||||
|-Institutions|||||53|171,065|82|210,500|
|-Individuals|||||23|63,050|11|26,500|
||||||76|234,115|93|237,000|
|Grants|cancelled|or returned||in||(5,500)||(17,684)|
|year|||||||||
|||||||228,615||219,316|
|Support|& Governance||costs|(see||194,673||184,943|
|note 5)|||||||||
|||||||423,288||404,259|
##
||||31March|31March|
|---|---|---|---|---|
||||2022|2021|
|Analysis ofgrants, awards|&prizes awarded|in the year|||
|Daiwa Foundation
Small Grants (UK-side)|||141,700|130,500|
|Daiwa Foundation
Small Grants (Japan-side)|||15,950|19,500|
|Daiwa Foundation
Awards|||76,465|87,000|
|Total grants awarded
in 2021/2022|||234,115|237,000|
|Grants cancelled or retunied|in year||(5,500)|(10,684)|
|Awards cancelled or returned|in year|||(7,000)|
|Support & Governance
costs|(see note 5)||194,673|184,943|
|Total grants, awards
and prizes|||423,288|404,259|
|Daiwa Foundation|Daiwa Foundation|Daiwa Foundation|Small||||
|---|---|---|---|---|---|---|
|Grants|||||||
|Support ivas provided for|||||||
|the|ollowin|ro'ects:|||||
|UK-side|||||||
|Belfast Photo||Festival||Support for exhibition costs and travel to||X6,000|
|||||Belfast by collage artist Kensuke Koike to|||
|||||develop an exhibition ofnew photographic|||
|||||work to be displayed
at the Botanic Gardens|||
|||||and Ulster Museum
and to engage in talks,|||
|||||Belfast Photo Festival
2to 30 June 2022.|||
|Boston And Hakusan||||Support for atwo-week exchange visit to||f5,000|
|City|Exchange|||Japan by seven 14-and 15-year old pupils|||
|||||trom Boston, Lincolnshire
to meet pupils|and||
|||||families in Hakusan,
Ishikawa Prefecture|as||
|||||pmt ofan established
youth exchange|||
|||||progtumme,
July 2022.|||
|||||Support for an inaugural
Japan-focused||f2,000|
|||||project: aone-day film festival featuiing|a||
|||||programme
ofcontemporary
Japanese|||
|Bounce Cinema||||feature-length
films, short films, live panel|||
|||||discussions
and editoidal content, at Genesis|||
|||||Cinema in East London and live streamed,|||
|||||2022.|||
|British Museum|British Museum||Support for apublication
accompanying
an|
|---|---|---|---|
||||exhibition
showcasing
103recently|
||||rediscovered
rare brush drawings
by the|
||||celebrated
print artist Katsushika
Hokusai,|
||||providing
anew perspective
on Hokusai's|
||||work and broader attitudes
in nineteenth-|
||||centmy Japan, 'Hokusai: The Great Picture|
||||BookofEverything',
30 September 2020 to|
||||30Jail
2022.|
|Butler, Dr|Catherine||Support for travel to Japan to conduct|
||||research and interviews
into the way British|
||||children's
books have been adapted and|
||||commoditised
in the Japanese context, and|
||||their role in wider cultural relations,
resulting|
||||in the book British Children's
Literature
in|
||||Ja anese Culture
s rin
2022.|
|Clark, Mr|James||Support for travel to Japan by writer, James|
||||Clark, and filmmaker
Robbie McKane to|
||||create Tohoku Recovery
in Action, a|
||||documentiuy
about the Michinoku
Coastal|
||||Trail to showcase the resilience of|
||||communities
affected by the 2011tsunami,|
||||and write an accompanying
book, summer|
||||2021.|
|Edinburgh|International||Support for travel to the UK by Kazushi
Ono|
|Festival|||to conduct the Scottish Chamber
Orchestra at|
||||the Closing Concert ofthe Edinburgh|
||||International
Festival. The repertoire
will|
||||include works by the Japanese composers|
||||Toru Takemitsu
and Toshio Hosokawa,|
||||Au ust 2021.|
|Pierce (Festival)||Limited|Support for travel to the UK by aJapanese|
||||artist to perform
at Fierce Festival|
||||(Birnthtgham)
and Submerge Festival|
||||(Manchester)
in March and October 2022; the|
||||fust time these festivals have included|
||||re resentation
from Ja an.|
|The Foundling||Museum|Support for the transport ofartwork by the|
||||Japanese manga artist Taiyo Matsumoto
to|
||||feature in the exhibition
Superheroes,|
||||Oiphans
and Origins: 125years in Comics|
||||which will mn at the Foundling
Museum
in|
||||London,
1 April to 10July 2022 (extended to|
||||28 August).|
|Gallagher,|Mr Oisin and|Support for travel to Japan by two mtists on a|
|---|---|---|
|Compson,|Kd|research trip to craft and heritage areas,|
|||facilitating
cultural
exchange through|
|||workshops
with local communities
of|
|||Maruseppu
and Engaru, Hokkaido,
marking|
|||the launch ofaresidenc
ro ramme
2022.|
|Inhouse Events CIC||Support for atwo-week celebration ofJapan|
|||through
screenings ofthe Olympics
and|
|||Japanese film with associated &ee family|
|||events celebrating
culture and sport through|
|||art, including
woodblock-print
workshops
at|
|||an outdoor amphitheatre
in Glasgow,
summer|
|||2021.|
|John, Mr|Klys|Support for travel to Japan to develop interior|
|(The Welsh School Of||design case studies for A Studio Guide for|
|Architecture)||Interior Design (Routledge) targeted at|
|||students
on graduate
Interior Design|
|||programmes
globally,
and to enhance links|
|||with Japanese universities
practising
interior|
|||design, autumn 2021.|
|Keele University,
School||Support for travel to Waseda University
by a|
|ofSocial,|Political and|Keele University
academic to engage in pilot|
|Global Studies (Dr||research examining
the way Japan navigates|
|Monalisa|Adhikari)|identities
as an OECD member
and regional|
|||power in its engagement
in peacebuilding
in|
|||Asia, leading to further research and|
|||publications,
July 2022.|
|Kirkwood,|Geoffrey|Support for research travel to Japan for a|
|||project celebrating
links between Japan and|
|||North East England,
in partnership
with the|
|||Sage and Royal Northern
Sinfonia, resulting|
|||in an experimental
symphony,
and an mt|
|||installation
featming
film and music, and a|
|||project for schools, July 2021 onwards.|
|Laczny, Mr Tomasz||Suppoit for travel to Japan by photographer|
|||Tomasz Laczny to produce the photographic|
|||exhibition Ema Helena Ania, and to present|
|||work, launch published
photo book, lead|
|||workshop,
and engage in talks and further|
|||collaborations,
Reminders
Photography|
|||Stronghold,
summer 2022.|
|Liverpool John|Liverpool John|Moores|Support for travel to Japan by Dr Laura Buck|Support for travel to Japan by Dr Laura Buck|
|---|---|---|---|---|
|University,|School of||to investigate
the morphological||
|Biological|and||consequences ofinterbreeding
between||
|Environmental||Sciences|Homo Sapiens and Neandeithals
using||
||||models constructed
using hybrid||
||||Japanese/Taiwanese
macaque
skeletons,
and||
||||virtual
sha e anal
ses, summer 2022.||
|Liverpool John||Moores|Suppoit for avisit to Fukuoka by Professor||
|University,|School of||Mark Lake to engage in collaborative||
|Sport and|Exercise||research into promoting
the healthy||
|Sciences|||participation
in team sports such as football||
||||by women playing
on new artificial sports||
||||surfaces, a legacy ofthe Olympics,
and a||
||||public seminar to raise awareness ofinjury||
||||risk using biomechanical
testing, September||
||||2021.||
|London School||of|Support for travel by Dr Ronald Po to||
|Economics, Department|||collaborate
with Dr Ikeda at Tohoku||
|ofInternational||History|University
and to study documents
related|to|
|(Dr Ronald|Po)||the Bohai Sea and the Mount Horai legend||
||||resulting
in an article 'The Shaping of||
||||Maidtime Religiosity: The Cultural
History of||
||||Mount Penglai/Horai
in China and Japan',||
||||March and A fll 2022.||
|MACK Books Ltd|||Support for the publication
ofa||
||||comprehensive
volume on Eikoh Hosoe to||
||||coincide with amajor retrospective
exhibition||
||||at Kiyosato Photographic
Arts Museum
in||
||||Yamanashi,
Japan available
in both English||
||||and Japanese, edited by Dr Yasufumi||
||||Nakamoid
and produced
under the artist' s||
||||direction, July 2021.||
|Mente, Ms|Eleni||Support for a two-month
study visit to Japan||
||||to explore the ways that floods can be||
||||prevented
and global warming
mitigated,|via|
||||interviews
and research into the principles,||
||||design and maintenance
ofrefuge parks and||
||||disaster preventive
forests, resulting
in||
||||presentations
and publications,
autumn 2022.||
|Matsunaga,|Nao|Suppott for aBiitish-Japanese
ceramicist to|
|---|---|---|
|||undertake
an eight-week
residency
at|
|||Shigaraki
Ceramic Cultural
Park and create|
|||an experimental
new body ofwork using|
|||Shigaraki clay, resulting
in shows and|
|||associated talks in Japan and the UK, October|
|||2021.|
|Mitchell, Ms Alison||Support the travel to Kumejima
in Okinawa|
|||Prefecture
by weaver and textile artist Alison|
|||Mitchell to continue her research into|
|||sustainable
dyeing and the heritage textile|
|||industry,
resulting
in abook contracted
by|
|||Bloomsbury
Visual Arts, 'The Weaving
and|
|||Dyeing Art ofthe Kumejima Kimono'.|
|Queer East|Film Festival|Support for the Focus Japan strand ofthis|
|||year's festival, which
vw'll showcase ten|
|||classic and new Japanese films in cinemas|
|||across London and online, along with director|
|||QdhAs and panel discussions
hosted online to|
|||celebrate diverse identities,
and cultures,
15|
|||to 26 September 2021.|
|Rosier, Mr Matthew||Support for artist Matthew Rosier to return. to|
|||Japan with acamera crew for ten days where,|
|||building
on his 2019art residency in Ise, he|
|||will create afilm titled Wood Rots Like We|
|||Do demonstrating
the symbiotic relationship|
|||between the wooden shrines ofIse Jingu and|
|||the surrounding
forest.|
|Royal Academy ofArts||Support for the catalogue
guides for 'Kyosai:|
|||The Israel Goldman
Collection'
which will|
|||focus on the art of'sekiga' or 'spontaneous|
|||paintings',
and the environment
in which|
|||Kawanabe Kyosai's works were created and|
|||appreciated,
19March to 19June 2022.|
|Royal Collection Trust||Support for travel to London by Kazumi|
|||Murose to record afilm demonstrating
how|
|||urushi lacquer is applied
and decorated,
and|
|||to contribute
to the Royal Collection Trust's|
|||Learning
Programme
for 'Japan: Courts and|
|||Culture'
which will rtin at The Queen' s|
|||Gallery, Buckingham
Palace, 8 April 2022 to|
|||12March 2023.|
|Ruskin Mill Land Trust|Support ofartwork and travel by one ofthe|Support ofartwork and travel by one ofthe|
|---|---|---|
||participating
Japanese mtists giving||
||masterclasses
at the 2022 International||
||Festival ofGlass, which has as its theme||
||Contemporary
Glass and Culture fiom the||
||East, allowing visitors to sample regional||
||food, design, and music.||
|Scottish Society for Art|Support for venue costs and travel by Naoko||
|History (SSAH)|Horiuchi
I'rom the Arts Initiative Tokyo to||
||participate
in atwo-day conference organised||
||by SSAH in partnership
with the National||
||Museum ofJapanese History exploring||
||cultural
connections
between the visual and||
||material
cultures ofScotland and Japan, 10to||
||11Febru
2022.||
|South Eastern Regional|Support for travel to Northern
Ireland by five||
|College (SERC)|students
and staff from Toyama Minami||
||Senior High School to collaborate
on a||
||project-based
learning project on tourism,|and|
||to develop cultural
and language
awareness|in|
||Ja an and Northern
Ireland, Se tember 2022.||
||Support for travel to Japan by Stephen||
||Marshall
and Deborah Baddoo to further their||
||research into jazz dance in Tokyo and Sendai,||
||through
interviews
with 20 key Japanese||
|State ofTrust|dancers and musicians,
and focusing on the
history and development
ofjazz dance in the||
||US,UK and Japan via talks and dance||
||presentations
in the run-up to the Jozenji||
||Street Jazz Festival in Sendai, September||
||2022.||
||Support for research travel to Japan to||
|Stojkovid, Dr Jelena|investigate
the work ofaphotographer
and||
|(Oxford Brookes|artist Abe Nobuya (1913-1971),particularly||
|University)|in relation to his life in Rome during the||
||1960s s iin
2022 .||
|THA London|Support for parallel
group exhibitions||
||showcasing
UK and Japanese artists in each||
||other's counhy
celebrating
the silkscreen||
||printing
technique,
and the history ofEnglish||
||screenprints,
with associated events,||
||Urashintora
and StolenSpace Galleries,||
||October 2021.||
|University|for the|Support for the transport ofartwork and|
|---|---|---|
|Creative Arts, School of||travel by practitioner
and National
Living|
|Craft and Design||Treasure, Mr Komiya, to attend an exhibition|
|||ofnew miniature
works by 28 contemporary|
|||UK and Japanese textile and to give a lecture|
|||and workshop,
University
for the Creative|
|||Arts, Crafts Study Centre, 4 Januaiy to 26|
|||March 2022.|
|University|ofAberdeen,|Support for athree-week
stay at the Institute|
|Institute ofMedical||ofMedical Sciences, University ofAberdeen|
|Sciences||by a Waseda University
academic to deploy|
|||advanced mass spectrometty
methods
in|
|||research collaboration
on the regulatory|
|||mechanism
ofthe Rho protein which plays an|
|||important
role in cancer progression,
leading|
|||to publications
and further links September|
|||2021.|
|University|ofAberdeen,|Support for fieidwork in Japan by Dr Bowden|
|Scbool ofGeosciences||to collect teaching materials for use in|
|||teaching deep-ocean
sedimentology
to|
|||Aberdeen
students
with a Japanese|
|||perspective,
and leading to areciprocal visit|
|||in which a similar sample set is acquired Irom|
|||Britain, for use by students
at Kobe and|
|||Kochi Universities,
August to November|
|||2021.|
|University
ofDundee,
Duncan ofJordanstone||Support for travel to Japan by Professor
Sandra Wilson to research frugal ways of|
|College of|Art and Design|working
with precious metals recovered fiom
electronic waste leading to an exhibition with|
|||the Scottish Goldsmiths
Trust in 2023.|
|University|ofExeter,|Support for atwo-week visit to Tohoku|
|Department|ofEconomics|University
by Dr Kripfganz to collaborate|
|||with PhD student Niklas Uliczka, and to|
|||engage in knowledge
transfer through|
|||seminars,
workshops,
and the delivety ofa|
|||methodological
training
course, autumn
2022.|
|University||of||Support for travel to Japan in spring 2022 by|Support for travel to Japan in spring 2022 by|
|---|---|---|---|---|---|
|Huddersfield,||||Dr Danilo Di Mascio to meet academics in||
|Department||of||Tokyo and Osaka, and document
the||
|Architecture|||and 3D|relationships
between architecture,
culture,||
|Design||||art and nature on Naoshima,
resulting
in an||
|||||article, exhibition
and seminar at the||
|||||University ofHuddersfield,
and feeding into|a|
|||||lar er corn
arative
ro'ect.||
|University||of|Manchester,|Support for travel grants for UK and overseas||
|School of|Arts,|||participants
taking pmt in the triennial BAJS||
|Languages||and Cultures||conference
at Mauchester
focusing on new||
|||||research in Japanese Studies and comprising||
|||||u
to 120
a ers, 7to 9Se tember 2022.||
|University||of|Oxford,|Support for the Japan festival
in which the||
|TORCH|~|The Oxford||sits and culture, alongside the histories,||
|Research|Centre for the|||literatures
and languages
ofJapan, will||
|Humanities||||feature as part ofawide-reaching
cultural||
|||||festival and 14events between October and||
|||||December 2021.||
|University||of|Sheffield,|Support for research travel to Japan by an||
|School of|East Asian|||academic to explore how Japanese colonial||
|Studies||||settlers from Korea and Manchuria
brought||
|||||the empire back into the social imagination|of|
|||||early postwar Japan through
research at the||
|||||National
Diet Library, resulting
in an article||
|||||and
resentations
summer 2022.||
|University||of|York,|Support for travel to Japan by Dr Oleg||
|Department||ofHistory||Benesch to undertake
research for abook||
|||||which places Japanese medieval
history and||
|||||symbols
into the context ofalarger 'Global||
|||||Medievalist
Moment' (1840-1960),||
|||||examining
reciprocal influences
that||
|||||reinforced medievalism
around the world and||
|||||the specific Japanese context, 2022.||
|Vaughan,|Mr||Stephen|Support for the publication
costs of'Zassho-||
|(Bath Spa||University)||Cascadia', the culmination
ofalong-term||
|||||photographic
enquiry
by documentary||
|||||photographer,
Stephen Vaughan,
that||
|||||considers interwoven
seismic histories
and||
|||||earthquake
probabilities
in Japan and the||
|||||Pacific Northwest,
September to December||
|||||2021.||
|Wilcox,|Mr Matthew|Mr Matthew|Mr Matthew|Support for travel to Japan by Matthew|f2,000|
|---|---|---|---|---|---|
|||||Wilcox to research 'The Sushi Encyclopedia'||
|||||(Phaidon), abook on sushi and Japanese food||
|||||culture focusing on the history and etiquette||
|||||ofsushi, and profiles ofchefs, rice growers,||
|||||vinegar makers, wasabi growers, urchin||
|||||divers and knife artisans,
September 2021.||
|Zon, Professor|||Bennett|Support for travel to the UK by Professor|f2,000|
|(Durham|University)|||Yoshiyuki
Kikuchi to take part in a||
|||||symposium,
and costs associated with the||
|||||conference which will explore connections||
|||||between Japanese and British science in the||
|||||19th cenhu
Jul
2022.||
|UK-side|total||||%141700|
|Ja an-side||||||
|Gorch Brothers||||Support for a one-week visit to Japan by|f.2,900|
|||||English Touring Theatre's artistic director and||
|||||aplaywright
to deliver aweek ofworkshops||
|||||for five to ten early and mid-career
Japanese||
|||||playwrights,
building
on an initial three-day||
|||||online workshop
in spring 2020, 15to 21||
|||||November 2021.||
|Kitamaesen||Co.,tdd.||Support for havel by drumming
group Kodo|%3,600|
|||||to perform at the Fire Station in Sunderland||
|||||as part ofKodo's 40th anniversary||
|||||celebrations: Kodo One Earth Tour 2022||
|||||featuring
elements
related to the nature
and||
|||||performing
arts ofSado Island, the home of||
|||||Kodo, Febtuat
2022.||
|Kyushu|University,|||Support for travel to London by Dr Kawahara|j2,150|
|Department||of||to participate
in research measuring||
|Communication|||Design|differences
in audio engineering,
contributing||
|Science||||to Queen Mary's Mix Evaluation
Dataset and||
|||||culminating
in apeer-reviewed
publication,||
|||||Se tember 2022.||
|Nishinaga,||Mr|Kazuki|Support for atwo-week visit to the UK by|f2,150|
|||||sculptor and artist, Kazuki Nishinaga
to set||
|||||up and film the collaborative
process of||
|||||installing
the exhibition A Third Map,||
|||||inspired
by the game ofchess and the tea||
|||||ceremony,
with fellow artist Ryan Orme,||
|||||2022.||
|Saitama University,|Saitama University,|Support for travel to the UK by academics to|F2,700|
|---|---|---|---|
|Graduate
Scbool of||psuticipate
in an international
workshop||
|Science and Engineering||marking
the bicentennial
ofthe publication of||
|||Joseph Fousder's Theoric analytique
de la||
|||chaleur which has had aprofound
effect on||
|||science and engineering,
27 June to 1 July||
|||2022.||
|Stick Vox Klavier||Support for travel to Japan by composer,|f2,450|
|||percussionist
and marimbist
Dr Alejandro||
|||Viiiao to perform at Kanagawa
Prefectural||
|||Hall, Munestugu
Hall (Nagoya) and Suntosy||
|||Hall (Tokyo), and to host master classes at||
|||Kunitachi
College ofMusic, Aichi University||
|||ofthe Arts and Tokyo University
ofthe Arts,||
|||Jul
2022.||
|Ja an-side total|||%15950|
|Total|Small Grants||f.157650|
|Daiwa|Foundation|||
|Awards||||
|Support|was prov'sded for|||
|the
ollowin
ro'ects:||||
|Fabula|Collective Ltd|Support for travel to Japan to create anew|F7,000|
|Project|Partner:|UK-Japan dance piece 'Everything
Would Be||
|HiWood Co.Ltd||Nonsense'
as past ofHUMAN. ,a||
|||choreographic
triple bill inspired
by UK||
|||literature,
specifically Macbeth, Alice in||
|||lYonderland,
and The Picture ofDorian||
|||Gray, premiering
at The Pit, New National||
|||Theatre, Tokyo; and a strategic networking||
|||event with Q&A for Japanese indusssy||
|||collea ues Au ust 2021.||
|Medical Governance||Suppoit for reciprocal UK-Japan visits to|F.9,500|
|Research Institute||facilitate collaborative
research into financial||
|Project|Partner:|conflicts ofinterest between pharmaceutical||
|University
ofBath,||firms aud the healthcare
sector, which will||
|Department
ofSocial and||result in abilingual
brochure to educate||
|Policy|Sciences|healthcare
professionals
and students,
and||
|||participation
in an international
meeting
in||
|||Bath, September to December 2022.||
|Sainsbury
Institute for|Sainsbury
Institute for|Support for travel to Japan and costs|
|---|---|---|
|the Study ofJapanese||associated with research and analyses ofthe|
|Arts and Cultures||Shinto statues housed in the collections ofthe|
|(SISJAC)||Sainsbuty
Centre in Norwich,
and with|
|project partners:||educational
programmes
conducted
in the UK|
|Nara National Research||and Japan with aview to enhancing
research|
|Institute for Cultural||and educational
networks.|
|Properties, Tokyo|||
|National
Museum,|||
|Ritsumeikan
Universi|||
|Scottish Universities||Support for dtree UK-based researchers
to|
|Environmental
Research||visit Lake Suigetsu in Fukui Prefecture to|
|Centre||engage in a study ofthe relationship
between|
|project partners:||Earth's magnetic
field strength
and the receipt|
|Ritsumeikan
University,||ofcosmogenic radiation
at the Earth's smface,|
|Research Centre for||as recorded by luminescence
profiling
at|
|Palaeoclimatology;||Lake Suigetsu, 2022.|
|Kobe University,|||
|Research Center for|||
|Inland Seas|||
|University
College||Support for travel to Osaka University
by five|
|London, Department|of|University
College London scientists to|
|Computer
Science||collaborate
with colleagues
at the Graduate|
|project partner:||School ofEngineering
Science in developing|
|Osaka University||arobot teleoperative
system and to deliver|
|Graduate
School of||talks on their research proposals
and|
|Engineering
Science||achievements,
28 March to 3 April 2022.|
|University
ofGreenwich,||Support for travel to Yamanashi
University|
|School ofComputing|and|by Greenwich
academics to collaborate
on a|
|Mathematical
Sciences||project proposing
novel, more accurate multi-|
|project partner:||view classification
models using AI, to help|
|University
ofYamanashi||accelerate to diagnosis ofCovid-19, August|
|||and December 2021.|
|University
ofHull,||Support for Dr Kazuyo Nakabayashi
from the|
|Department
of||University ofHull to travel to Japan to|
|Psychology
project partner:||embark on a collaborative
project to develop
fic online self-care programs
to support|
|Ritsumeikan
University,||children
suffering
trom domestic abuse in|
|Department
of||coping with emotional
distress caused by the|
|Psychology||ttauma. The project is in collaboration
with|
|||Ritsumeikan
University
to support
and|
|||strengthen
the work by aJapanese NPO|
|||which has been providing
a lifeline for the|
|||children.|
|University
ofSheftield,|Support for reciprocal UK-Japan visits to|Support for reciprocal UK-Japan visits to|f12,000|
|---|---|---|---|
|Translational
Energy|underpin joint research on|reduced-cost||
|Research Centre (TERC)|components
for hydrogen|fuel cells||
|project partner:|(focussing on platinum-fice|catalysts
and||
|Kyushu
University,|alternative
electrolytes)
to|ultimately
expedite||
|University
ofTokyo,|decarbonisation
ofthe automotive
sector,|||
|Hokkaido
University|June 2021 to May 2022.|||
|University
ofthe Arts|Support for travel to Japan|by ten University|f.7,000|
|London, Camberwell|ofthe Arts London students
on the new MA|||
|College ofArts|Global Collaborative
Design Practice course|||
|Project Partners|to spend 4months
visiting|Kyoto Institute of||
|Kyoto Institute of|Technology
as part ofa collaborative,|||
|Technology|creative exchange.|||
|Total
Awards|||f76 465|
|OVERALL Total|||f234 115|
||||Unrestricted|Funds|Restricted|Funds|Total Funds|Total Funds|
|---|---|---|---|---|---|---|---|---|
||||||||31March 2021|31March 2020|
|Income||||215,572|||215,573|467,895|
|Expenditure|||||||||
|Cosls ofgeneralingfimds|||||||||
|Fund managers'
tbes||||(23,390)|||(23,390)|(23,426))|
|Cbarnab(e acllvllles|||||||||
|Scholarships||||(619,048)|||(619,048)|(781,744)|
|Groats, Awards
bt Prizes||||(404,259)|||(404,259)|(452,397)|
|Events||||(274,936)|||(274,936)|(311,467)|
|Cultural
Relauons||||(43,138)|||(43,138)|(42256)|
|Total charitable
activities expenditure|||(1,341,381)||||(1,341,381)|(1,587,864)|
|Total expenditure|||(1,364,771)||||(1,364,771)|(1,6IIP90)|
|Net gain/(loss)
on investment||funds||9,217,732||14,227|9231,959|(3,469,580)|
|Net Income/(expenditure)||||8,068,533||14,228|8,082,761|(4,612,975)|
|Net movcmcnt
in funds||||8,068,533||14,228|8,082,761|(4,612,975)|
|Total funds brought|forward|||36,979,743||56,759|37,036,502|41,649,477|
|Total fands carried|forward|||45,048,276||70,987|45,119263|37,036,502|