| Trustees | Sir Timothy Hitchens KCVO CMG, | Sir Timothy Hitchens KCVO CMG, | Sir Timothy Hitchens KCVO CMG, | Chair | |
|---|---|---|---|---|---|
| Mr Takashi Hibino, | Vice Chair | ||||
| Mr Stephen Barber | |||||
| Professor Richard Bowring | |||||
| Mr Paul Dimond CMG | |||||
| Ms Yoko Dochi | |||||
| Mr James Harding | (resigned 30June | 2021) | |||
| Mr Yusuke Kawamura | |||||
| Professor Sachiko Kusukawa | |||||
| Mr Masaki Orita | |||||
| Professor Hirotaka | Takeuchi | ||||
| Ms Jesse Turnbull | |||||
| Director General | Mr Jason James | ||||
| Registered | office | Daiwa Foundation Japan House |
|||
| 13/14 Cornwall Terrace |
|||||
| London NW1 4QP | |||||
| Charity Number | 299955 | ||||
| Auditors | Greenback Alan LLP | ||||
| Chartered Accountants |
and Registered Auditor | ||||
| 89 Spa Road | |||||
| London | |||||
| SE163SG | |||||
| Solicitors | Clifford Chance | ||||
| 10Upper Bank Street | |||||
| London EC144JJ | |||||
| Bankers | Lloyds TSBBank pic | Mizuho Bank | |||
| Cheapside Branch |
Akasaka Branch | ||||
| 34Moorgate | Toho Building | ||||
| London EC2R 6PL | 2-5-1,Akasaka | ||||
| Minato-Ku | |||||
| Investment | Managers | BlackRock | |||
| 12Throgmorton Avenue |
|||||
| London | |||||
| EC2N 2DL |
| Statement ofFinancial | |||||||
|---|---|---|---|---|---|---|---|
| Activities | |||||||
| For the year ended 31 March | |||||||
| 2021 | Unrestricted | Funds | Restricted Funds | Total Funds | Total Funds | ||
| 31March 2021 | 31March 2020 | ||||||
| Notes | |||||||
| Income | 215,572 | 215,573 | 467,895 | ||||
| Expenditure | |||||||
| Costs ofgenerating funds | |||||||
| Fund managers' fees |
(23,390) | (23,390) | (23,426) | ||||
| Charitable activities |
|||||||
| Scholarships | (619,048) | (619,048) | (781,744) | ||||
| Grants, Awards k Prizes | 16 | (404,259) | (404,259) | (452,397) | |||
| Events | (274,936) | (274,936) | (311,467) | ||||
| Cultural Relations |
(43,138) | (43,138) | (42,256) | ||||
| Total charitable activities expenditure |
(1,341,381) | (1,341,381) | (1,587,864) | ||||
| Total expenditure | (1,364,771) | (1,364,771) | (1,611,290) | ||||
| Net gain/(loss) on investment |
funds | 9,217,732 | 14,227 | 9,231,959 | (3,469,580) | ||
| Net Income/(expenditure) | 8,068,533 | 14,228 | 8,082,761 | (4,612,975) | |||
| Net movement in funds |
8,068,533 | 14,228 | 8,082,761 | (4,612,975) | |||
| Total funds brought forward |
36,979,743 | 56,759 | 37,036,502 | 41,649,477 | |||
| Total funds carried forward | 45,048,276 | 70,987 | 45,119,263 | 37,036,502 |
| Unrestricted | Funds | Restricted Funds | Total Funds | Total Funds | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 31March 2021 | 31March 2020 | ||||||||||
| Notes | |||||||||||
| Fixed assets | |||||||||||
| Tangible assets | 180,822 | 180,822 | 184,519 | ||||||||
| Intangible | assets | 10 | |||||||||
| Investments | 44,792,601 | 70,665 | 44,863,266 | 36,630,382 | |||||||
| 44,973,423 | 70,665 | 45,044,088 | 36,814,901 | ||||||||
| Current assets | |||||||||||
| Debtors | 12 | 41,920 | 41,920 | 25,244 | |||||||
| Cash at bank | and in | hand | 13 | 319,186 | 322 | 319,508 | 296,187 | ||||
| 361,106 | 322 | 361,428 | 321,431 | ||||||||
| Creditors: | amounts | falling | due | within | 14 | (286,253) | (286,253) | (99,830) | |||
| one year | |||||||||||
| Net current | assets | 74,853 | 322 | 75,175 | 221,601 | ||||||
| Net assets | 45,048,276 | 70,987 | 45,119,263 | 37,036,502 | |||||||
| Funds ofthe Foundation | |||||||||||
| Restricted | income funds | 70,987 | 70,987 | 56,759 | |||||||
| Unrestricted | income | funds | 45,048,276 | 45,048,276 | 36,979,743 | ||||||
| Total Funds | 45,048,876 | 70,987 | 45,119,263 | 37,036,502 |
| Asset type | Depreciation period | |
|---|---|---|
| Leasehold premium | to 2078 | |
| Office equipment | &fixtures | 3-10years |
| Office furniture | 5-10years |
| 3. Income |
|||
|---|---|---|---|
| 31March | 31March | ||
| 2021 | 2020 | ||
| Unrestricted Income |
|||
| Income from investments | 924 | 302,675 | |
| Other interest receivable | 44 | 228 | |
| Voluntary contributions |
and centre for visiting academics income | 182,264 | 132,200 |
| Rental income (from Japan Society) | 32,340 | 32,340 | |
| 215,572 | 467,443 | ||
| Restricted Income | |||
| Income from investments | 452 | ||
| Total | 215,573 | 467,895 |
| Scholar- | Grants, | Events | Cultural | 31March | 31March | |
|---|---|---|---|---|---|---|
| ships | Awards | Relations | 2021 | 2020 | ||
| &prizes | ||||||
| Depreciation | 5,195 | 4,907 | 6,830 | 770 | 17,702 | 14,635 |
| Utilities, | ||||||
| maintenance | 19,780 | 19,780 | 41,415 | 3,709 | 84,684 | 83,068 |
| and repairs | ||||||
| Personnel | 113,643 | 108,488 | 150,949 | 31,648 | 404,728 | 395,053 |
| (non- | ||||||
| Governance) | ||||||
| Other | ||||||
| administration | 42,860 | 38,468 | 28,170 | 4,925 | 114,423 | 117,507 |
| expenses | ||||||
| Governance | 14,083 | 13,300 | 18,517 | 2,086 | 47,986 | 50,154 |
| costs (note 6) | ||||||
| 195,561 | 184,943 | 245,881 | 43,138 | 669,523 | 660,417 |
| 5. Charitable act |
ivities expenditure | ||||
|---|---|---|---|---|---|
| Activities | Grant | Support & | 31March | 31March | |
| undertaken | funding of | Governance | 2021 | 2020 | |
| directly | activities | costs | |||
| Scholarships | 423,487 | 195,561 | 619,048 | 781,744 | |
| Grants, Awards | 219,316 | 184,943 | 404,259 | 452,397 | |
| &Prizes | |||||
| Events | 29,055 | 245,881 | 274,936 | 311,467 | |
| Cultural | 43,138 | 43,138 | 42,256 | ||
| Relations | |||||
| 29,055 | 642,803 | 669,523 | 1,341,381 | 1,587,864 |
| 31 March | 31March | ||
|---|---|---|---|
| 2021 | 2020 | ||
| Personnel | 35,726 | 35,798 | |
| Trustees' | expenses | 60 | 4,756 |
| Audit fee | 12,200 | 9,600 | |
| Legal fee | |||
| To be corrected |
| 31March | 31March | ||||
|---|---|---|---|---|---|
| 2021 | 2020 | ||||
| Depreciation (see note |
9k 10) | 17,702 | 14,635 | ||
| Staffcosts | (see note 8) | 440,454 | 430,851 | ||
| Auditors' | remuneration | for the audit ofthese financial | statements | 12,200 | 9,600 |
| year w | as 9(2020:9). Their aggregate remunera |
tion comprised: |
|
|---|---|---|---|
| 31March | 31March | ||
| 2021 | 2020 | ||
| Wages | and salaries | 386,636 | 377,160 |
| Social | security costs | 28,369 | 28,821 |
| Pension | contributions | 25,449 | 24,870 |
| 440,454 | 430,851 |
| 31 | March | 31 | March |
|---|---|---|---|
| 2021 | 2020 |
| Office | Total | |||
|---|---|---|---|---|
| Leasehold | equipment | Office | Tangible | |
| premium | &fixtures | furniture | assets | |
| Cost | ||||
| Beginning ofyear | 799,339 | 143,086 | 195,511 | 1,137,936 |
| Additions | 13,273 | 732 | 14,005 | |
| Disposals | (4,170) | (4,170) | ||
| End ofyear | 799,339 | 152,189 | 196,243 | 1,147,771 |
| Depreciation | ||||
| Beginning ofyear | 711,056 | 71,682 | 170,679 | 953,417 |
| Charge | 1,526 | 12,566 | 3,610 | 17,702 |
| Disposals | (4,170) | (4,170) | ||
| End ofyear | 712,582 | 80,078 | 174,289 | 966,949 |
| Net book value | ||||
| At 1 April 2020 |
88,283 | 71,404 | 24,832 | 184,519 |
| At 31March 2021 | 86,757 | 72,111 | 21,954 | 180,822 |
| Total | |||
|---|---|---|---|
| Software | Intangible | ||
| assets | |||
| Cost | |||
| Beginning ofyear | 14,658 | 14,658 | |
| Additions | |||
| Disposals | |||
| End ofyear | 14,658 | 14,658 | |
| Depreciation | |||
| Beginning ofyear | 14,658 | 14,658 | |
| Charge | |||
| Disposals | |||
| End ofyear | 14,658 | 14,658 | |
| Net book value | |||
| At 1 April 2020 | |||
| At 31March 2021 | |||
| All assets are held for charitable | purposes. |
| Valuation | Valuation | Cost | Cost | ||
|---|---|---|---|---|---|
| 31March | 31March | 31March | 31March | ||
| 2021 | 2020 | 2021 | 2020 | ||
| Investment | funds: | ||||
| UK investments | 9,253,574 | 6,724,066 | 7,600,188 | 6,744,264 | |
| Mixed UK/Overseas | 16,376,848 | 14,670,926 | 15,326,000 | 15,326,000 | |
| Overseas | securities | 19,194,830 | 15,197,376 | 7,926,168 | 8,608,300 |
| Subtotal investments | 44,825,252 | 36,592,368 | 30,852,356 | 30,678,564 | |
| Cash | 38,014 | 38,014 | |||
| 44,863,266 | 36,630,382 | 30,852,356 | 30,678,564 |
| 31March | 31March | ||||
|---|---|---|---|---|---|
| 2021 | 2020 | ||||
| Market value brought | forward | at 1 April | 36,630,382 | 41,001,628 | |
| Additions at cost |
1,885,000 | 1,036,999 | |||
| Disposal proceeds | (2,885,000) | (2,241,813) | |||
| Dividend reinvestment |
925 | 303,148 | |||
| Net (loss)/gain in the |
year | 9,231,959 | (3,469,580) | ||
| Market value carried | forward | at 31March | 44,863,266 | 36,630,382 | |
| Funds under management | are | as follows: |
| Market | Value | |
|---|---|---|
| 31March | 31March | |
| 2021 | 2020 | |
| BlackRock | 44,863,266 | 36,630,382 |
| 44,863,266 | 36,630,382 |
| 31March | 31March | ||
|---|---|---|---|
| 2021 | 2020 | ||
| Charitrak UK Equity Index | 8,340,418 | 5,821,835 | |
| Blackrock Rtn Bond Fund | 16,376,848 | 14,670,926 | |
| Blackrock North US Index | 6,906,932 | 5,577,013 | |
| Blackrock Emerging Markets |
USD Flex | 5,549,585 | 4,290,481 |
| Blackrock Europe EK-UK Sub Fund Inst. | 2,708,869 | 2,121,618 | |
| Blackrock Japan Index Sub Fund USD | 2,653,788 | 2,236,643 | |
| Blackrock Pac Rim Index Sub | Fund USD | 1,375,657 | 971,622 |
| BlackRock Sterling Liquidity | Fund | 913,155 | 902,230 |
| British Pound | 38,014 | 38,014 | |
| Market value carried forward | at 31March | 44,863,266 | 36,630,382 |
| 31March | 31March | ||
|---|---|---|---|
| 2021 | 2020 | ||
| Other debtors | 3,566 | 2,611 | |
| Pre-paid expenses | 38,354 | 22,633 | |
| 41,920 | 25,244 | ||
| 13.Cash at bank and in | hand | ||
| 31March | 31March | ||
| 2021 | 2020 | ||
| Current Accounts | 319,508 | 296,187 | |
| Cash on hand | |||
| 319,508 | 296,187 | ||
| 14.Creditors: amounts | falling due within one year | ||
| 31March | 31March | ||
| 2021 | 2020 | ||
| Bank overdraft | 201 | 54 | |
| Grants payable | 206,500 | 29,000 | |
| Scholarships payable |
|||
| Other creditors | 79,552 | 70,776 | |
| 286,253 | 99,830 |
| Number | Value | Number | Value | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 31March | 31March | 31March | 31March | |||||||
| 2021 | 2021 | 2020 | 2020 | |||||||
| Grants | approved | in | year | |||||||
| - Institutions | 82 | 210,500 | 85 | 247,190 | ||||||
| - Individuals | 11 | 26,500 | 14 | 35,700 | ||||||
| 93 | 237,000 | 99 | 282,890 | |||||||
| Grants | cancelled | or returned | in | (17,684) | (3,611) | |||||
| year | ||||||||||
| 219,316 | 279,279 | |||||||||
| Grant administration | cost | 124 | ||||||||
| Royal Society | Joint Project | (8,405) | ||||||||
| returned | ||||||||||
| Daiwa | Foundation | Art Prize | (1,566) | |||||||
| administration | cost | |||||||||
| Support | & Governance | costs | (see | 184,943 | 182,965 | |||||
| note 5) | ||||||||||
| 404,259 | 452,397 |
| 31March | 31March | ||||
|---|---|---|---|---|---|
| 2021 | 2020 | ||||
| Analysis ofgrants, awards | 4 prizes awarded | in the year | |||
| Daiwa Foundation Small Grants (UK-side) |
130,500 | 152,890 | |||
| Daiwa Foundation Small Grants (Japan-side) |
19,500 | 30,000 | |||
| Daiwa Foundation Awards |
87,000 | 100,000 | |||
| Daiwa Foundation Art Prize |
|||||
| (8,405) | |||||
| Total grants awarded in 2019/2020 |
237,000 | 274,485 | |||
| Grants cancelled or returned | in year | (3,611) | |||
| Awards cancelled or returned | in year | (17,684) | |||
| Daiwa Foundation Art Prize |
administration | refund | (1,566) | ||
| Administration costs |
124 | ||||
| Support &Governance costs |
(see note 5) | 184,500 | 182,965 | ||
| Total grants, awards and prizes |
403,816 | 452,397 |
| Grants are |
made | made | solely at the | solely at the | solely at the | discretion ofthe Trustees. Payment of a |
discretion ofthe Trustees. Payment of a |
grant to any charitable | grant to any charitable | grant to any charitable | grant to any charitable | body, |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| person or |
institution | requires | the | approval of a majority of all the |
Trustees. | The | Trustees | have | ||||
| empowered | the | Managing | Trustees | to make grants up to atotal off750,000. | ||||||||
| The following | pages | show the | grants which have been approved by the |
Trustees for the | financial | year | ||||||
| 2020/2021. | ||||||||||||
| Daiwa Foundation | Small | |||||||||||
| Grants | ||||||||||||
| Support ivas | provided for | |||||||||||
| the ollowin |
ro'ects: | |||||||||||
| UK-side | ||||||||||||
| Array (Darren | Johnston) | Support for travel to Japan to meet | and | 62,000 | ||||||||
| collaborate in realising anew Noh-influenced |
||||||||||||
| performance with Kanji Shimizu from Tessen- |
||||||||||||
| Kai Theatre in Tokyo, and to bring | together | |||||||||||
| partners for a new UK-Japan collaboration, |
||||||||||||
| resultin in new roductions to be |
held in 2022. | |||||||||||
| Artes Mundi | Support for exhibition costs for Meiro Koizumi, |
K3,000 | ||||||||||
| shortlisted for the Artes Mundi biennial |
||||||||||||
| exhibition and prize at the National |
Museum | of | ||||||||||
| Wales, to exhibit new work focussed on the | ||||||||||||
| representation ofnational histories, |
and | |||||||||||
| memories ofarmed conflict, video | installation | |||||||||||
| and participatory work using VR headsets, |
15 | |||||||||||
| March to 5 September 2021. |
| Burma Campaign | Burma Campaign | Society | Support for travel to Japan by veterans and war- |
|---|---|---|---|
| related families to visit pertinent organisations |
|||
| and universities in Japan, with the aim of |
|||
| enhancing mutual understanding, autumn 2020 |
|||
| onwards. | |||
| Cardiff Metropolitan | Support for aresearch visit to Hiroshima | ||
| University, | Cardiff | School | University to share knowledge on the |
| ofSport and Health | professional development ofprimary school |
||
| Sciences | teachers and observe teaching practices and | ||
| lesson planning, leading to conference |
|||
| resentations and articles, s rin 2021. |
|||
| CineTap Films | Support for travel to Japan in summer 2021 by | ||
| Steffan Griffiths, who is completing an |
|||
| investigative feature-length documentary film |
|||
| focussing on revealing new insights into |
|||
| Japanese society through skateboarding, and the |
|||
| sport's inclusion in the Tokyo Olympics, due out |
|||
| in late 2021. | |||
| Cinetopia | Support for travel to Edinburgh by documentary |
||
| directors Kazuhiro Soda and Kaori Oda to take |
|||
| part in QkA sessions and masterclasses to |
|||
| complement a showcase ofdiverse approaches |
|||
| to documentary practice in Japan, encompassing |
|||
| different period ofthe history and heterogeneous |
|||
| issues, 2021 TBC . | |||
| Circle Time Ltd | Support for costs related to producing a |
||
| documentary film on Japanese avant-garde |
|||
| artists ofthe 20th and 21st centuries in the fields |
|||
| ofphotography, underground theatre, visual art, |
|||
| ra hic desi n and Butoh dance, 2021 to 2022. | |||
| Collar and | TIE(CAT) | Support for travel to Japan by two colleagues from Collar and TIE,atheatre, technology and |
|
| educational body, to hold workshops and |
|||
| training for teachers at Toho Girls' Junior and |
|||
| Senior High School in order to engage on a | |||
| collaborative online theatre project linking |
|||
| young people and schools in Tokyo and | |||
| Worcester, October 2020 onwards. | |||
| Conductive | Music | Support for the dissemination amongst UK |
|
| primary schools, via newsletters and social |
|||
| media, oflesson plans aimed at engaging a wide |
|||
| range ofstudents in music, technology and video |
|||
| game design through Noh and Kabuki inspired |
|||
| storytelling, December 2020 to July 2021. |
| Consone | Quartet | Quartet | Support for travel to Japan by members ofthe | Support for travel to Japan by members ofthe | |
|---|---|---|---|---|---|
| Consone Quartet to perform concerts alongside | |||||
| musicians with expertise in Classical-Early |
|||||
| Romantic music played on period instruments- | |||||
| Toshiyuki Shibata on flute and Naruhiko |
|||||
| Kawaguchi on the fortepiano - at six venues |
in | ||||
| Ja an, 2021. | |||||
| Durham | University, | Support for aresearch visit to facilitate | |||
| Department | ofGeography | collaborative research and seminars with |
|||
| academics at Rissho and Tokyo Universities |
in | ||||
| order to develop 'Japanese' heat-health warning |
|||||
| systems to better manage heatwaves-related |
|||||
| health risk, March to A ril 2021. | |||||
| Global Street Art | Support for travel by three mural artists from | ||||
| Japan: SUIKO, imaone, and FATE to take part |
|||||
| in London's first-ever Mural Festival, |
|||||
| showcasing over 100international artists and |
|||||
| including talks, workshops, film screenings, |
|||||
| gallery shows and street art tours, 1 to 13 |
|||||
| Se tember 2020. | |||||
| Hall, Rhyannan | (Oxidate | Support for athree-week textiles-based research |
|||
| Design) | visit to Japan with a view to building on |
||||
| educational cultural exchanges and artistic |
|||||
| collaborations with Japanese artists and feeding |
|||||
| into Rhyannan Hall's teaching and practice, |
|||||
| sinnmer 2021/s rin 2022. |
|||||
| Independent | Arts Projects | Support for travel by performers and atechnical |
|||
| manager to present the children's theatre |
|||||
| production 'EATEN' by Mamoru Iriguchi at |
|||||
| three festivals in Japan: Ricca Ricca Festival | in | ||||
| Okinawa, Mirai Festival in Tokyo and the |
|||||
| Yokoso Baby and Kodomo Theater Festival | in | ||||
| Kanazawa, March 2021 onwards. |
|||||
| Japan Woodcraft | Support for travel by craftsman Masahiro Kudo |
||||
| Association | and colleague to hold woodcraft demonstrations |
||||
| at four events in London, showcasing Japanese |
|||||
| woodwork techniques and intricate joinery such |
|||||
| as seen in his signature piece, a 'masu' or |
|||||
| Ja anese wooden sake cu, November 2020. | |||||
| Jennifer | Lauren | Gallery | Support for travel to Japan by a gallery director | ||
| to document the art, voices, and inspirations |
of | ||||
| four Japan-based disabled and outsider artists, |
|||||
| leading to future exhibitions showcasing the |
|||||
| artists and collaboration, 2021. |
| King's College London, | King's College London, | King's College London, | King's College London, | Support for travel to Kyoto University by an |
Support for travel to Kyoto University by an |
|
|---|---|---|---|---|---|---|
| Institute of | Psychiatry | academic to engage in research collaboration | ||||
| and workshops on advanced statistical analysis |
||||||
| oflongitudinal birth cohort data, to enable |
||||||
| sustainable international comparative research, |
||||||
| A ril 2021 onwards. | ||||||
| London School ofHygiene | Support for bilateral visits by researchers at |
|||||
| and Tropical | Medicine, | LSHTM and the National Institute for Infectious |
||||
| Epidemiology | and | Diseases in Tokyo to analyse norovirus, | ||||
| Population | Health | combining unique data from Japan with |
||||
| (LSHTNI) | modelling to understand how it spreads, |
|||||
| resulting in apublication, and skills for the |
||||||
| collaborative study ofother pathogens including |
||||||
| rotavirus and coronavirus, September and |
||||||
| December 2021. | ||||||
| Luck, Neil | Support for travel by Butoh artist, Takahiro | |||||
| Tomatsu to take part in a multidisciplinary | ||||||
| performance featuring original music composed |
||||||
| by Neil Luck and performed with the Arco |
||||||
| ensemble at three UK venues, Febru 2021. |
||||||
| Manchester | Metropolitan | Support for travel by two scholars &om Japan | ||||
| University, | Department | of | taking part in the translation and presentation |
of | ||
| English Literature, | Media | arecently discovered 'Hiroshima' manuscript |
||||
| and Creative | Writing | and sonata by Anthony Burgess, at which the |
||||
| poem and sonata and wider issues ofart, poetry, | ||||||
| and war will also be discussed, August 2020 |
||||||
| onwards. | ||||||
| McCorry, Mr Simon | Support for travel to Japan to rehearse, develop | |||||
| and perform a collaborative dance and music |
||||||
| piece 'The Middle ofNowhere' for the |
||||||
| Yokohama Dance Collection, leading to | ||||||
| enhanced links, 2021. |
||||||
| McFarland, | Gillian | Support for the transport ofartwork from |
||||
| (gallery) | northern Japan to Scotland, which form part |
of | ||||
| an exhibition and associated events touring |
three | |||||
| venues and connecting four artists in each |
||||||
| count, June to October 2021. | ||||||
| Mugen Taiko Dojo | Support for aresearch trip to Japan to develop | |||||
| online English language teaching materials |
to | |||||
| widen access to the techniques, history, culture |
||||||
| and background ofWadaiko Japanese | ||||||
| drumming, for dissemination as educational |
||||||
| tools, to widen access, summer 2022. |
| Mynatt, Corinne | Mynatt, Corinne | Support for travel to Japan in spring 2021 in | ||
|---|---|---|---|---|
| connection with the publication of'Tools for |
||||
| Food: Design, History, Culture' (release date |
||||
| autumn 2021)to produce content for an | ||||
| exhibition in London, and to document the |
||||
| stories ofthese objects for apilot TV series of | ||||
| 'Tools for Food'. | ||||
| Northern | Home | Support for travel to Japan by eight young judo | ||
| Counties (NHC) | Judo | practitioners and two coaches to provide an educational and cultural experience for young |
||
| judoka, and to enhance links with Matsumae |
||||
| Judo Juku and the Tokai University Educational |
||||
| S stem, 2022, | ||||
| Oxford Brookes | Business | Support for reciprocal trips by academics at | ||
| School, Oxford Brookes | Oxford Brookes and Ritsumeikan Universities |
to | ||
| University | construct a system dynamics model to analyse |
|||
| Waste Electric and Electronic Equipment in the |
||||
| UK in light ofthe EU's Sustainable Product |
||||
| Policy Framework targeting product |
||||
| obsolescence, March 2021 to 30Ma 2022. |
||||
| Peter Kettle RCA | Support for a visit to Japan by a landscape artist |
|||
| and a filmmaker to document cultural landmarks |
||||
| in Japan and create wood-cut portraits ofAinu | ||||
| communities, resulting in exhibitions in England |
||||
| and Wales and a short film documentary, | ||||
| Se tember 2021. | ||||
| place+platform | art | Support for travel by the Japanese academics | ||
| collective | and multi-media artist duo Visual Brains —Sei |
|||
| Kazama and Hatsune Otsu to take part in an |
||||
| event and exhibition in Edinburgh, reuniting |
||||
| them with the music ofcomposer Toshioki | ||||
| Matsumura, coinciding with a new record |
||||
| release featuring aretrospective ofMatsumura's |
||||
| music, June 2021. | ||||
| Royal Scottish National | Support for travel by violinist Kyoko Takezawa | |||
| Orchestra | (RSNO) | and pianist Makoto Ozone to perform with the | ||
| RSNO at four venues in Edinburgh and Glasgow |
||||
| and to take part in pre-concert talks and | ||||
| interviews, complementing the RSNO's tour of |
||||
| Ja an, Februa and March 2021. |
||||
| Southbank | Centre | Support for 'Hiroshi Sugimoto: Time Machine', |
||
| (Hayward | Gallery) | the first major UK survey ofthis artist and his | ||
| first institutional show in Europe in over a |
||||
| decade, 17February to 3 May 2022 (TBC). |
| Stratford Gallery, | Stratford Gallery, | Stratford Gallery, | The | Support for athree-week visit to Japan by the |
|---|---|---|---|---|
| owner and co-founder ofStratford Gallery to | ||||
| hold meetings with anumber ofexisting and |
||||
| new contemporary ceramic and other artists with |
||||
| the intention ofrepresenting their work in the |
||||
| UK for the first time, 2022. | ||||
| Swansea University, | Support for avisit to the University ofTokyo to | |||
| Department | ofPolitical | examine crime prevention efforts in Adachi |
||
| and Cultural | Studies | Ward, Tokyo and pursue projects on urban | ||
| desi n, ci brandin, and crime revention. |
||||
| Traditional | Arts | Support for a two-week research trip to explore | ||
| Development | synergies between English and Japanese folk |
|||
| music and song, focussing on female-led | ||||
| musical traditions including upopo singing and |
||||
| mukkuri playing by Ainu women in Hokkaido, |
||||
| resulting in recordings made ofand with |
||||
| performers, apodcast documentary and further |
||||
| collaboration, November 2020. |
||||
| Ukishima Studio |
Sculpture | Support for travel between the UK and Japan by sculptors Hironori Katagiri and Kate Thomson who will exhibit 24 oftheir stone sculptures in |
||
| the gallery space 1 Canada Square, Canary |
||||
| Wharf, 2021 onwards. | ||||
| Ulster University, | School | Support for atwo-week research visit to Japan in | ||
| ofArts and | Humanities | April 2022 to collaborate on apractice-based |
||
| exploration ofkey performative concepts with |
||||
| dancer Reisa Shimojima resulting in 5 short live |
||||
| acts in Londonde in Jul 2022. |
||||
| University | ofBirmingham, | Support for reciprocal visits by academics | ||
| Birmingham | Business | studying bargaining behaviour in an |
||
| School | experimental way, in order to further understand |
|||
| the role ofsocial k cultural factors in decision | ||||
| making in Japan and the UK, leading to |
||||
| publications &presentations, March and June |
||||
| 2021. | ||||
| University | ofBristol, | Support for travel to Japan by two early career | ||
| School ofMathematics | researchers taking part in aworkshop to discuss |
|||
| the useful applications ofgeometric data |
||||
| analysis, building on arecent Memorandum of |
||||
| Understanding between Bristol and the Institute |
||||
| ofStatistical Mathematics in Tokyo, and with a |
||||
| view to future collaboration, 2021 (TBC). |
| University | ofCambridge, | ofCambridge, | Support for an online conference including four |
|---|---|---|---|
| Department | ofPolitics and | Scholars from Keio, Tokyo and Chuo | |
| International | Studies, | Universities and National Institute for Defense |
|
| Forum on | Geopolitics | Studies to take part in Maritime Asia: the | |
| Securitization ofthe China Seas in the 19th to | |||
| 21st Centuries, a conference ofhistorians and |
|||
| international relations experts at Cambridge to |
|||
| examine security concepts, maritime networks, |
|||
| and governance ofEast and South China Seas, | |||
| Au ust 2021. | |||
| University | ofDerby, | Support for avisit to Japan by academics from | |
| School ofArts | Derby and Nottingham Trent Universities to |
||
| engage in an interdisciplinary research initiative |
|||
| to co-create artificial pet materials that are |
|||
| multisensory and tactile, and able to capture date |
|||
| on interaction, autumn 2021. |
|||
| University | ofEast | Support for travel by historian and writer Susan |
|
| Anglia, Centre | for | Karen Burton to complete a literary, non-fiction | |
| Japanese Studies (Dr | work on the Welsh community in Japan and on |
||
| Susan Burton) | Japanese people who love Welsh culture, | ||
| summer 2021. | |||
| University | ofEast | Support for avisit to Japan by two researchers to |
|
| London, School ofHealth, | investigate the physiology and biomechanics of |
||
| Sport and Bioscience | Japanese endurance running, leading to a |
||
| publication, areturn visit by the Japanese |
|||
| academics, and future collaboration, May 2021 |
|||
| onwards. | |||
| University | ofGlasgow, | Support for UK-Japan visits by six poets to | |
| School ofCritical Studies | collaborate in producing original works of |
||
| literature for performances touring Tokyo, |
|||
| Kyoto, Glasgow, London, and Norwich, leading |
|||
| to stronger artistic and cultural links, online |
|||
| documentation and a short anthology, October |
|||
| 2021, | |||
| University | ofManchester, | Support for atwo-week visit to Japan to engage | |
| School ofArts, Languages | in archival research and strategy meetings at |
||
| and Culture | institutions including the National Diet Library, |
||
| Ritsumeikan, Waseda, Shizuoka and Nihon |
|||
| Universities related to elderly care and geriatric |
|||
| science in Japan, 1868-1970s,resulting in an |
|||
| academic paper and further collaborative | |||
| research, August 2020. |
| University | of | Portsmouth, | Support for reciprocal visits by academics from | Support for reciprocal visits by academics from | |
|---|---|---|---|---|---|
| School of | Computing | Portsmouth and Tokyo Metropolitan |
|||
| Universities collaborating on research into motor |
|||||
| function sensing and rehabilitation for ageing |
|||||
| people during lockdown, culminating with a |
|||||
| conference in the UK, summer 2021. |
|||||
| University | of | Reading, | Support for travel by academics from Tsukuba | ||
| School of | Biological | University tojoin amini-symposiiun at Reading |
|||
| Sciences | to study social behaviours that are controlled |
by | |||
| hormones such as estrogen, with further |
|||||
| applications for psychology, and resulting in |
|||||
| publications and further collaboration, spring |
|||||
| 2021. | |||||
| University | of | Support for travel by a group offive comprising | |||
| Southampton, | Department | academics and members ofthe Forestry |
|||
| ofGeography | and | Commission and Forest Research to engage in a |
|||
| Environmental | Science | workshop at Tokyo University into how forest |
|||
| management affects wildlife, water quality and |
|||||
| invasive species in the UK and Japan, October |
|||||
| 2021 onwards. | |||||
| University | of | York, | Support for travel to the 'Pacific Paratexts' | ||
| Department | ofEducation | conference —focusing on factual and fictional |
|||
| representations ofthe Pacific, and the |
|||||
| relationship between the West and Japan - to |
use | ||||
| technology to widen access/participation by |
|||||
| York Asia Research Network members, |
|||||
| November 2021. | |||||
| Wagner, Malene | Support for travel to Japan in spring 2021 by | a | |||
| freelance writer/curator | |||||
| completing abook on modern and |
|||||
| contemporary Japanese prints from the |
|||||
| 1950sto today to ensure the next generation's | |||||
| interest in Japanese prints, to be published in |
|||||
| s rin 2022. |
|||||
| Woodhouse | Grove School, | Support for a 12-day educational visit by 15 |
|||
| Apperley | Bridge | students and three teachers |
|||
| from Woodhouse Grove School to visit their |
|||||
| partner Teikyo Junior and | |||||
| Senior Schools in Kani City, Gifu, leading to | |||||
| sustainable links and, |
|||||
| it is hoped, the introduction ofJapanese to the |
|||||
| curriculum, October 2022. |
|||||
| UK-side total | |||||
| Ja an-side |
| Creative Arts Committee |
Creative Arts Committee |
Creative Arts Committee |
Executive | Support for travel to Japan by the director of Amici Dance Theatre, and two choreographers |
|
|---|---|---|---|---|---|
| with physical disabilities to hold facilitation and |
|||||
| mentoring workshops in Tokyo and Kobe, to |
|||||
| raise the profile ofintegrated dance and to |
|||||
| nurture disabled artists in Japan, late 2020. |
|||||
| Katsura, | Mr | Utazo | Support for a first visit to the UK by rakugo | ||
| artist Utazo Katsura who will perform rakugo in | |||||
| English in London and at Liverpool and Oxford |
|||||
| Universities with aview to enhancing cultural |
|||||
| and artistic links and future collaboration, | |||||
| November 2021. | |||||
| Keio University, | Support for travel by a Keio academic to | ||||
| Rehabilitation | Medicine, | collaborate with researchers at Edinburgh and |
|||
| School ofMedicine | Yokohama National Universities on differences |
||||
| in physiotherapy protocols and the application of |
|||||
| Magnetic Resonance Elastography to measure |
|||||
| the mechanical ro erties ofmuscle, 2021. |
|||||
| Mori Art | Museum | Support for the installation ofPhyllida Barlow's |
|||
| artwork for display in 'Another Energy: Power to |
|||||
| Continue Challenging - 16Women Artists from |
|||||
| Around the World', a show ofwork by women |
|||||
| artists who began their practice from the late | |||||
| 1950sto 1970s,Mori Art Museum, April to |
|||||
| Se tember 2021. | |||||
| NPO Ryukyu | Tea, | Support for travel to the UK by nine Okinawan | K4,500 | ||
| Bukubuku | Tea, Akeshino- | tea masters who will perform the Ryukyu | |||
| no-kai | Bukubuku Tea Ceremony accompanied by |
||||
| classical Ryukyuan music and dance and who |
|||||
| will provide ahistorical context and hold | |||||
| workshops at two venues in London, autumn |
|||||
| 2021 TBC. | |||||
| Okinawan | Utahai | Support for travel to the UK by four musicians | E3,000 | ||
| Committee | from Okinawa who, for the first time, will hold |
||||
| performances ofan Okinawan 'Utahai' or |
|||||
| 'concert' with accompanying workshops to |
|||||
| celebrate modern Okinawan culture in London |
|||||
| and Oxford, late November 2020. | |||||
| Ritsumeikan | University, | Support for a research trip to the UK by Dr | K2,000 | ||
| Institute | for Disaster | Hiroaki Ohashi to study planning policy for |
|||
| Mitigation | of | Urban | provincial and rural revitalisation in the UK, |
||
| Cultural | Heritage | with a comparative view to Japan, in |
|||
| collaboration with academics at UCL, LSEand |
|||||
| Newcastle Universities, s rin 2022. |
|||||
| Ja an-side | total |
| The Daiwa Anglo-Japanese | The Daiwa Anglo-Japanese | Foundation | Foundation | |
|---|---|---|---|---|
| Notes to the financial statements |
(continued) | |||
| For the year ended 31March 2021 | ||||
| Total Small Grants |
||||
| Daiwa Foundation | ||||
| Awards | ||||
| Support was provided for | ||||
| the ollowin ro'ects: |
||||
| Clare Farrow Studio | Support for an immersive project by the |
|||
| Project Partners: | Japanese architect Toshiki Hirano titled | |||
| International | 'Reinventing Texture', incorporating design, |
|||
| Architectural Education |
music, and sound, which will feature in the | |||
| Platform, University |
of | London Design Biennale as the installation | ||
| Tokyo; Royal College | of | representing Japan under the theme of |
||
| Art; London Design | 'Resonance', at Somerset House, 1 to 27 June |
|||
| Biennale | 2021. | |||
| Entelechy Arts | Support for visits to Coventry by Naoki |
|||
| Project Partner: | Sugawara and Tomoya Takeda from |
|||
| OiBokkeShi | OiBokkeShi to develop anew co-production, | |||
| 'Theatre ofWandering' focusing on dementia |
||||
| and wandering, to be performed in local streets |
||||
| and shops in Coventry in August and September |
||||
| 2021. | ||||
| Hiroshima University, Center for Peace Project Partners: University ofGlasgow, University ofKent, Birkbeck College, Universi ofLondon |
The | Support for travel to Hiroshima by four academics for athree-day event to consider the physical and psychological impact ofaerial threats, rising belligerence and the impending loss ofthe lived memories ofthe atomic-bomb survivors, June 2021. |
||
| Imperial College London, |
Support for a collaborative project between |
|||
| Faculty ofMedicine | Imperial College and Kanazawa University |
|||
| Project Partner: | which aims to identify the determinants of |
|||
| Kanazawa University, |
hepatitis Bvirus (HBV) replication, with results |
|||
| School ofMedicine | informing anti-HBV therapies and intervention |
|||
| strategies, participation in academic conferences |
||||
| and enhanced links, June to December 2020. |
||||
| Lancaster University | Support for reciprocal visits by academics | at | ||
| Management School |
Lancaster and Hitotsubashi Universities to |
|||
| Proj ectPartners: | cooperate and hold workshops in the field of |
|||
| Hitotsubashi University, |
Design Thinking, leading to enhanced |
|||
| Research Institute of | innovation success through its practical |
|||
| Economy, Trade and | application, May and August 2021. |
|||
| Industry (RIETI) |
| Loughborough University, |
Support for travel to Japan by twelve | |
|---|---|---|
| School ofArchitecture, | architecture students from Loughborough |
|
| Building and Civil | University as part ofan extracurricular |
|
| Engineering | architectural exchange school comprising |
|
| Project Partners: | students from Loughborough and five |
|
| Hiroshima Design Lab at |
universities in Japan, that aims to generate |
|
| Hiroshima Institute of |
international collaboration in design and cultural |
|
| Technology, | exchange, spring and autumn 2021. |
|
| Kengo Kuma Labs at | ||
| Universi ofTo o, |
||
| SPUD | Support for travel by a group from spudYOUTH | |
| Project Partner: | to visit the result ofa design project involving | |
| Daikanyama Teens |
teens from Shibuya and the New Forest, | |
| Creative | featining model making, drawing, photography, |
|
| digital media, dance and performance, reflecting |
||
| the interests ofboth rou s, March 2022. |
||
| Tohoku Medical and | ||
| Pharmaceutical | ||
| University, Division of Pathology Project Partner: University ofLeeds, Division of Pathology and Data |
Support for scientific collaboration between Tohoku Medical and Pharmaceutical University and the University ofLeeds in the clarification and classification oftumour deposits in colorectal cancer, June 2021 to May 2022. |
|
| Anal ties |
||
| University ofBirmingham, |
Support for travel by UK-based Shakespeare | |
| Shakespeare Institute |
researchers taking part in amajor |
|
| Project Partner: | interdisciplinary conference on Shakespeare |
and |
| Waseda University | translation at Waseda University, September |
|
| 2021 onwards. | ||
| University ofLeeds, |
Support for travel to Japan by three UK-based | |
| Faculty ofBiological | researchers to facilitate a long-term collaborative |
|
| Sciences | research programme in coral demography and |
|
| Project Partners: | reeftropicalisation in Japan comprising |
|
| University ofthe Ryukyus, |
scientists from the University ofLeeds, |
|
| Kuroshio Biological | University ofOxford, University ofthe |
|
| Research Foundation, | Ryukyus, Kuroshio Research Institute, and |
|
| Kyushu University's |
Kochi University, auttnnn 2020. |
|
| Amakusa Marine |
||
| Biological Laboratory |
| University ofLeeds, |
Support for reciprocal visits | by researchers in |
K7,000 | |
|---|---|---|---|---|
| School ofChemical | dk | the UK and Japan developing | anovel pyrolysis- | |
| Process Engineering | catalytic process for treating | low value and | ||
| Project Partner: | problematic nitrogen-containing waste plastics |
|||
| Tohoku University, | to produce high value nitrogen-functionalised | |||
| Graduate School of |
carbon nanotubes, April 2021 to March 2023. |
|||
| Environmental Studies |
||||
| University ofthe Arts |
Support for travel to London | in 2021 by artists | 67,000 | |
| London, Central Saint | taking part in a new initiative: apublic forum for | |||
| Martins, School ofArt | the exchange ofknowledge | and the creation of | ||
| (CSM) | new UK-Japan partnerships, | accompanying an |
||
| Project Partners: | exhibition ofwork by graduates from Central |
|||
| Tokyo University ofthe |
Saint Martins and from Tokyo University ofthe |
|||
| Arts, | Arts, Lethaby Gallery. | |||
| Youkobo Art S ace | ||||
| Total Awards |
f87,000 | |||
| Total Small Grants | and | K237,000 | ||
| Awards |
| Unrestricted | Funds | Restricted Funds | Total Funds | Total Funds | ||
|---|---|---|---|---|---|---|
| 31March 2020 | 31March 2019 | |||||
| Income | 467,443 | 452 | 467,895 | 323,642 | ||
| Expenditure | ||||||
| Costs ofgenerating fttnds | ||||||
| Fund managers' fees |
(23,426) | (23,426) | (20,557) | |||
| Charitable activities |
||||||
| Scholarships | (781,744) | (781,744) | (669,972) | |||
| Grants, Awards &Prizes | (452,397) | (452,397) | (532,727) | |||
| Events | (311,467'1 | (311,467) | (331,128) | |||
| Cultural Relations |
(42,256) | (42,256) | (44,563) | |||
| Total charitable activities expenditure |
(1,587,864) | (1,587,864 | (1,578,390) | |||
| Total expenditure | (1,611,290) | (1,611,290) | (1,598,947) | |||
| Net gain/(loss) on investment |
funds | (3,464,404) | (5,176) | (3,469,580) | 1,558,957 | |
| Net Income/(expenditure) | (4,608,251) | (4,724) | (4,612,975) | 283,652 | ||
| Net movement in funds |
(4,608,251) | (4,724) | (4,612,975) | 283,652 | ||
| Total funds brought forward | 41,587,994 | 61,483 | 41,649,477 | 41,365,825 | ||
| Total funds carried forward | 36,979,743 | 56,759 | 37,036,502 | 41,649,477 |