##
##
|Trustees||Sir Timothy Hitchens KCVO CMG,|Sir Timothy Hitchens KCVO CMG,|Sir Timothy Hitchens KCVO CMG,|Chair|
|---|---|---|---|---|---|
|||Mr Takashi Hibino,|Vice Chair|||
|||Mr Stephen Barber||||
|||Professor Richard Bowring||||
|||Mr Paul Dimond CMG||||
|||Ms Yoko Dochi||||
|||Mr James Harding|(resigned 30June||2021)|
|||Mr Yusuke Kawamura||||
|||Professor Sachiko Kusukawa||||
|||Mr Masaki Orita||||
|||Professor Hirotaka|Takeuchi|||
|||Ms Jesse Turnbull||||
|Director General||Mr Jason James||||
|Registered|office|Daiwa Foundation
Japan House||||
|||13/14 Cornwall
Terrace||||
|||London NW1 4QP||||
|Charity Number||299955||||
|Auditors||Greenback Alan LLP||||
|||Chartered
Accountants||and Registered Auditor||
|||89 Spa Road||||
|||London||||
|||SE163SG||||
|Solicitors||Clifford Chance||||
|||10Upper Bank Street||||
|||London EC144JJ||||
|Bankers||Lloyds TSBBank pic|||Mizuho Bank|
|||Cheapside
Branch|||Akasaka Branch|
|||34Moorgate|||Toho Building|
|||London EC2R 6PL|||2-5-1,Akasaka|
||||||Minato-Ku|
|Investment|Managers|BlackRock||||
|||12Throgmorton
Avenue||||
|||London||||
|||EC2N 2DL||||
##
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|Statement ofFinancial||||||||
|---|---|---|---|---|---|---|---|
|Activities||||||||
|For the year ended 31 March||||||||
|2021|||Unrestricted|Funds|Restricted Funds|Total Funds|Total Funds|
|||||||31March 2021|31March 2020|
|||Notes||||||
|Income||||215,572||215,573|467,895|
|Expenditure||||||||
|Costs ofgenerating funds||||||||
|Fund managers'
fees||||(23,390)||(23,390)|(23,426)|
|Charitable
activities||||||||
|Scholarships||||(619,048)||(619,048)|(781,744)|
|Grants, Awards k Prizes||16||(404,259)||(404,259)|(452,397)|
|Events||||(274,936)||(274,936)|(311,467)|
|Cultural
Relations||||(43,138)||(43,138)|(42,256)|
|Total charitable
activities expenditure|||(1,341,381)|||(1,341,381)|(1,587,864)|
|Total expenditure|||(1,364,771)|||(1,364,771)|(1,611,290)|
|Net gain/(loss)
on investment|funds|||9,217,732|14,227|9,231,959|(3,469,580)|
|Net Income/(expenditure)||||8,068,533|14,228|8,082,761|(4,612,975)|
|Net movement
in funds||||8,068,533|14,228|8,082,761|(4,612,975)|
|Total funds brought
forward||||36,979,743|56,759|37,036,502|41,649,477|
|Total funds carried forward||||45,048,276|70,987|45,119,263|37,036,502|
||||||||Unrestricted|Funds|Restricted Funds|Total Funds|Total Funds|
|---|---|---|---|---|---|---|---|---|---|---|---|
|||||||||||31March 2021|31March 2020|
|||||||Notes||||||
|Fixed assets||||||||||||
|Tangible assets||||||||180,822||180,822|184,519|
|Intangible|assets|||||10||||||
|Investments|||||||44,792,601||70,665|44,863,266|36,630,382|
||||||||44,973,423||70,665|45,044,088|36,814,901|
|Current assets||||||||||||
|Debtors||||||12||41,920||41,920|25,244|
|Cash at bank||and in|hand|||13||319,186|322|319,508|296,187|
|||||||||361,106|322|361,428|321,431|
|Creditors:||amounts|falling|due|within|14|(286,253)|||(286,253)|(99,830)|
|one year||||||||||||
|Net current||assets||||||74,853|322|75,175|221,601|
|Net assets|||||||45,048,276||70,987|45,119,263|37,036,502|
|Funds ofthe Foundation||||||||||||
|Restricted|income funds||||||||70,987|70,987|56,759|
|Unrestricted||income|funds||||45,048,276|||45,048,276|36,979,743|
|Total Funds|||||||45,048,876||70,987|45,119,263|37,036,502|
##
##
##
##
##
##
##
##
##
##
##
|Asset type||Depreciation period|
|---|---|---|
|Leasehold premium||to 2078|
|Office equipment|&fixtures|3-10years|
|Office furniture||5-10years|
##
##
##
##
##
##
|3.
Income||||
|---|---|---|---|
|||31March|31March|
|||2021|2020|
|Unrestricted
Income||||
|Income from investments||924|302,675|
|Other interest receivable||44|228|
|Voluntary
contributions|and centre for visiting academics income|182,264|132,200|
|Rental income (from Japan Society)||32,340|32,340|
|||215,572|467,443|
|Restricted Income||||
|Income from investments|||452|
|Total||215,573|467,895|
##
##
||Scholar-|Grants,|Events|Cultural|31March|31March|
|---|---|---|---|---|---|---|
||ships|Awards||Relations|2021|2020|
|||&prizes|||||
|Depreciation|5,195|4,907|6,830|770|17,702|14,635|
|Utilities,|||||||
|maintenance|19,780|19,780|41,415|3,709|84,684|83,068|
|and repairs|||||||
|Personnel|113,643|108,488|150,949|31,648|404,728|395,053|
|(non-|||||||
|Governance)|||||||
|Other|||||||
|administration|42,860|38,468|28,170|4,925|114,423|117,507|
|expenses|||||||
|Governance|14,083|13,300|18,517|2,086|47,986|50,154|
|costs (note 6)|||||||
||195,561|184,943|245,881|43,138|669,523|660,417|
##
|5.
Charitable
act|ivities expenditure|||||
|---|---|---|---|---|---|
||Activities|Grant|Support &|31March|31March|
||undertaken|funding of|Governance|2021|2020|
||directly|activities|costs|||
|Scholarships||423,487|195,561|619,048|781,744|
|Grants, Awards||219,316|184,943|404,259|452,397|
|&Prizes||||||
|Events|29,055||245,881|274,936|311,467|
|Cultural|||43,138|43,138|42,256|
|Relations||||||
||29,055|642,803|669,523|1,341,381|1,587,864|
##
|||31 March|31March|
|---|---|---|---|
|||2021|2020|
|Personnel||35,726|35,798|
|Trustees'|expenses|60|4,756|
|Audit fee||12,200|9,600|
|Legal fee||||
|To be corrected||||
##
|||||31March|31March|
|---|---|---|---|---|---|
|||||2021|2020|
|Depreciation
(see note||9k 10)||17,702|14,635|
|Staffcosts|(see note 8)|||440,454|430,851|
|Auditors'|remuneration|for the audit ofthese financial|statements|12,200|9,600|
##
|year w|as 9(2020:9). Their aggregate
remunera|tion
comprised:||
|---|---|---|---|
|||31March|31March|
|||2021|2020|
|Wages|and salaries|386,636|377,160|
|Social|security costs|28,369|28,821|
|Pension|contributions|25,449|24,870|
|||440,454|430,851|
##
|31|March|31|March|
|---|---|---|---|
||2021||2020|
##
|||Office||Total|
|---|---|---|---|---|
||Leasehold|equipment|Office|Tangible|
||premium|&fixtures|furniture|assets|
|Cost|||||
|Beginning ofyear|799,339|143,086|195,511|1,137,936|
|Additions||13,273|732|14,005|
|Disposals||(4,170)||(4,170)|
|End ofyear|799,339|152,189|196,243|1,147,771|
|Depreciation|||||
|Beginning ofyear|711,056|71,682|170,679|953,417|
|Charge|1,526|12,566|3,610|17,702|
|Disposals||(4,170)||(4,170)|
|End ofyear|712,582|80,078|174,289|966,949|
|Net book value|||||
|At
1 April 2020|88,283|71,404|24,832|184,519|
|At 31March 2021|86,757|72,111|21,954|180,822|
##
||||Total|
|---|---|---|---|
|||Software|Intangible|
||||assets|
|Cost||||
|Beginning ofyear||14,658|14,658|
|Additions||||
|Disposals||||
|End ofyear||14,658|14,658|
|Depreciation||||
|Beginning ofyear||14,658|14,658|
|Charge||||
|Disposals||||
|End ofyear||14,658|14,658|
|Net book value||||
|At 1 April 2020||||
|At 31March 2021||||
|All assets are held for charitable|purposes.|||
##
|||Valuation|Valuation|Cost|Cost|
|---|---|---|---|---|---|
|||31March|31March|31March|31March|
|||2021|2020|2021|2020|
|Investment|funds:|||||
|UK investments||9,253,574|6,724,066|7,600,188|6,744,264|
|Mixed UK/Overseas||16,376,848|14,670,926|15,326,000|15,326,000|
|Overseas|securities|19,194,830|15,197,376|7,926,168|8,608,300|
|Subtotal investments||44,825,252|36,592,368|30,852,356|30,678,564|
|Cash||38,014|38,014|||
|||44,863,266|36,630,382|30,852,356|30,678,564|
##
|||||31March|31March|
|---|---|---|---|---|---|
|||||2021|2020|
|Market value brought|forward||at 1 April|36,630,382|41,001,628|
|Additions
at cost||||1,885,000|1,036,999|
|Disposal proceeds||||(2,885,000)|(2,241,813)|
|Dividend
reinvestment||||925|303,148|
|Net (loss)/gain
in the|year|||9,231,959|(3,469,580)|
|Market value carried|forward||at 31March|44,863,266|36,630,382|
|Funds under management||are|as follows:|||
||Market|Value|
|---|---|---|
||31March|31March|
||2021|2020|
|BlackRock|44,863,266|36,630,382|
||44,863,266|36,630,382|
|||31March|31March|
|---|---|---|---|
|||2021|2020|
|Charitrak UK Equity Index||8,340,418|5,821,835|
|Blackrock Rtn Bond Fund||16,376,848|14,670,926|
|Blackrock North US Index||6,906,932|5,577,013|
|Blackrock Emerging
Markets|USD Flex|5,549,585|4,290,481|
|Blackrock Europe EK-UK Sub Fund Inst.||2,708,869|2,121,618|
|Blackrock Japan Index Sub Fund USD||2,653,788|2,236,643|
|Blackrock Pac Rim Index Sub|Fund USD|1,375,657|971,622|
|BlackRock Sterling Liquidity|Fund|913,155|902,230|
|British Pound||38,014|38,014|
|Market value carried forward|at 31March|44,863,266|36,630,382|
##
##
|||31March|31March|
|---|---|---|---|
|||2021|2020|
|Other debtors||3,566|2,611|
|Pre-paid expenses||38,354|22,633|
|||41,920|25,244|
|13.Cash at bank and in|hand|||
|||31March|31March|
|||2021|2020|
|Current Accounts||319,508|296,187|
|Cash on hand||||
|||319,508|296,187|
|14.Creditors: amounts|falling due within one year|||
|||31March|31March|
|||2021|2020|
|Bank overdraft||201|54|
|Grants payable||206,500|29,000|
|Scholarships
payable||||
|Other creditors||79,552|70,776|
|||286,253|99,830|
##
##
||||||||Number|Value|Number|Value|
|---|---|---|---|---|---|---|---|---|---|---|
||||||||31March|31March|31March|31March|
||||||||2021|2021|2020|2020|
|Grants|approved||in|year|||||||
|- Institutions|||||||82|210,500|85|247,190|
|- Individuals|||||||11|26,500|14|35,700|
||||||||93|237,000|99|282,890|
|Grants|cancelled|||or returned||in||(17,684)||(3,611)|
|year|||||||||||
|||||||||219,316||279,279|
|Grant administration||||cost||||||124|
|Royal Society||Joint Project||||||||(8,405)|
|returned|||||||||||
|Daiwa|Foundation|||Art Prize||||||(1,566)|
|administration||cost|||||||||
|Support|& Governance||||costs|(see||184,943||182,965|
|note 5)|||||||||||
|||||||||404,259||452,397|
##
|||||31March|31March|
|---|---|---|---|---|---|
|||||2021|2020|
|Analysis ofgrants, awards|4 prizes awarded||in the year|||
|Daiwa Foundation
Small Grants (UK-side)||||130,500|152,890|
|Daiwa Foundation
Small Grants (Japan-side)||||19,500|30,000|
|Daiwa Foundation
Awards||||87,000|100,000|
|Daiwa Foundation
Art Prize||||||
||||||(8,405)|
|Total grants awarded
in 2019/2020||||237,000|274,485|
|Grants cancelled or returned|in year||||(3,611)|
|Awards cancelled or returned|in year|||(17,684)||
|Daiwa Foundation
Art Prize|administration|refund|||(1,566)|
|Administration
costs|||||124|
|Support &Governance
costs|(see note 5)|||184,500|182,965|
|Total grants, awards
and prizes||||403,816|452,397|
|Grants
are|made|made|solely at the|solely at the|solely at the|discretion ofthe Trustees.
Payment
of a|discretion ofthe Trustees.
Payment
of a|grant to any charitable|grant to any charitable|grant to any charitable|grant to any charitable|body,|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
|person
or|institution|||requires||the|approval
of a majority
of all the|Trustees.||The|Trustees|have|
|empowered|the|Managing|||Trustees||to make grants up to atotal off750,000.||||||
|The following||pages||show the||grants which have been approved
by the||Trustees for the|||financial|year|
|2020/2021.|||||||||||||
|Daiwa Foundation||||Small|||||||||
|Grants|||||||||||||
|Support ivas||provided for|||||||||||
|the
ollowin|||ro'ects:||||||||||
|UK-side|||||||||||||
|Array (Darren|||Johnston)||||Support for travel to Japan to meet|and|||62,000||
||||||||collaborate
in realising anew Noh-influenced||||||
||||||||performance
with Kanji Shimizu from Tessen-||||||
||||||||Kai Theatre in Tokyo, and to bring|together|||||
||||||||partners
for a new UK-Japan collaboration,||||||
||||||||resultin
in new
roductions
to be|held in 2022.|||||
|Artes Mundi|||||||Support for exhibition
costs for Meiro Koizumi,||||K3,000||
||||||||shortlisted
for the Artes Mundi biennial||||||
||||||||exhibition
and prize at the National|Museum||of|||
||||||||Wales, to exhibit new work focussed on the||||||
||||||||representation
ofnational
histories,|and|||||
||||||||memories ofarmed conflict, video|installation|||||
||||||||and participatory
work using VR headsets,||15||||
||||||||March to 5 September 2021.||||||
|Burma Campaign|Burma Campaign|Society|Support for travel to Japan by veterans
and war-|
|---|---|---|---|
||||related families to visit pertinent
organisations|
||||and universities
in Japan, with the aim of|
||||enhancing
mutual
understanding,
autumn
2020|
||||onwards.|
|Cardiff Metropolitan|||Support for aresearch visit to Hiroshima|
|University,|Cardiff|School|University
to share knowledge
on the|
|ofSport and Health|||professional
development
ofprimary
school|
|Sciences|||teachers and observe teaching practices and|
||||lesson planning,
leading to conference|
||||resentations
and articles, s rin
2021.|
|CineTap Films|||Support for travel to Japan in summer 2021 by|
||||Steffan Griffiths, who is completing
an|
||||investigative
feature-length
documentary
film|
||||focussing
on revealing
new insights
into|
||||Japanese society through
skateboarding,
and the|
||||sport's inclusion
in the Tokyo Olympics,
due out|
||||in late 2021.|
|Cinetopia|||Support for travel to Edinburgh
by documentary|
||||directors Kazuhiro
Soda and Kaori Oda to take|
||||part in QkA sessions and masterclasses
to|
||||complement
a showcase ofdiverse approaches|
||||to documentary
practice in Japan, encompassing|
||||different period ofthe history
and heterogeneous|
||||issues, 2021 TBC .|
|Circle Time Ltd|||Support for costs related to producing
a|
||||documentary
film on Japanese avant-garde|
||||artists ofthe 20th and 21st centuries
in the fields|
||||ofphotography,
underground
theatre, visual art,|
||||ra hic desi n and Butoh dance, 2021 to 2022.|
|Collar and|TIE(CAT)||Support for travel to Japan by two colleagues
from Collar and TIE,atheatre, technology
and|
||||educational
body, to hold workshops
and|
||||training
for teachers at Toho Girls' Junior and|
||||Senior High School in order to engage on a|
||||collaborative
online theatre project linking|
||||young people and schools in Tokyo and|
||||Worcester, October 2020 onwards.|
|Conductive|Music||Support for the dissemination
amongst UK|
||||primary
schools, via newsletters
and social|
||||media, oflesson plans aimed at engaging
a wide|
||||range ofstudents
in music, technology
and video|
||||game design through
Noh and Kabuki inspired|
||||storytelling,
December 2020 to July 2021.|
|Consone|Quartet|Quartet||Support for travel to Japan by members ofthe|Support for travel to Japan by members ofthe|
|---|---|---|---|---|---|
|||||Consone Quartet to perform concerts alongside||
|||||musicians
with expertise in Classical-Early||
|||||Romantic music played on period instruments-||
|||||Toshiyuki
Shibata on flute and Naruhiko||
|||||Kawaguchi
on the fortepiano - at six venues|in|
|||||Ja an, 2021.||
|Durham|University,|||Support for aresearch visit to facilitate||
|Department||ofGeography||collaborative
research and seminars
with||
|||||academics
at Rissho and Tokyo Universities|in|
|||||order to develop 'Japanese'
heat-health
warning||
|||||systems to better manage
heatwaves-related||
|||||health risk, March to A ril 2021.||
|Global Street Art||||Support for travel by three mural artists from||
|||||Japan: SUIKO, imaone,
and FATE to take part||
|||||in London's
first-ever Mural Festival,||
|||||showcasing
over 100international
artists and||
|||||including
talks, workshops,
film screenings,||
|||||gallery shows and street art tours,
1 to 13||
|||||Se tember 2020.||
|Hall, Rhyannan|||(Oxidate|Support for athree-week
textiles-based
research||
|Design)||||visit to Japan with a view to building
on||
|||||educational
cultural
exchanges
and artistic||
|||||collaborations
with Japanese artists and feeding||
|||||into Rhyannan
Hall's teaching
and practice,||
|||||sinnmer
2021/s
rin
2022.||
|Independent||Arts Projects||Support for travel by performers
and atechnical||
|||||manager to present the children's
theatre||
|||||production
'EATEN' by Mamoru
Iriguchi at||
|||||three festivals in Japan: Ricca Ricca Festival|in|
|||||Okinawa,
Mirai Festival in Tokyo and the||
|||||Yokoso Baby and Kodomo Theater Festival|in|
|||||Kanazawa,
March 2021 onwards.||
|Japan Woodcraft||||Support for travel by craftsman
Masahiro Kudo||
|Association||||and colleague to hold woodcraft
demonstrations||
|||||at four events in London, showcasing
Japanese||
|||||woodwork
techniques
and intricate joinery such||
|||||as seen in his signature
piece, a 'masu' or||
|||||Ja anese wooden sake cu, November 2020.||
|Jennifer|Lauren||Gallery|Support for travel to Japan by a gallery director||
|||||to document
the art, voices, and inspirations|of|
|||||four Japan-based
disabled
and outsider artists,||
|||||leading to future exhibitions
showcasing
the||
|||||artists and collaboration,
2021.||
|King's College London,|King's College London,|King's College London,|King's College London,||Support for travel to Kyoto University
by an|Support for travel to Kyoto University
by an|
|---|---|---|---|---|---|---|
|Institute of|Psychiatry||||academic to engage in research collaboration||
||||||and workshops
on advanced
statistical
analysis||
||||||oflongitudinal
birth cohort data, to enable||
||||||sustainable
international
comparative
research,||
||||||A ril 2021 onwards.||
|London School ofHygiene|||||Support for bilateral visits by researchers
at||
|and Tropical||Medicine,|||LSHTM and the National
Institute
for Infectious||
|Epidemiology||and|||Diseases in Tokyo to analyse norovirus,||
|Population|Health||||combining
unique
data from Japan with||
|(LSHTNI)|||||modelling
to understand
how it spreads,||
||||||resulting
in apublication,
and skills for the||
||||||collaborative
study ofother pathogens
including||
||||||rotavirus
and coronavirus,
September
and||
||||||December 2021.||
|Luck, Neil|||||Support for travel by Butoh artist, Takahiro||
||||||Tomatsu to take part in a multidisciplinary||
||||||performance
featuring
original music composed||
||||||by Neil Luck and performed
with the Arco||
||||||ensemble
at three UK venues, Febru
2021.||
|Manchester||Metropolitan|||Support for travel by two scholars &om Japan||
|University,|Department|||of|taking part in the translation
and presentation|of|
|English Literature,|||Media||arecently discovered
'Hiroshima'
manuscript||
|and Creative||Writing|||and sonata by Anthony
Burgess, at which the||
||||||poem and sonata and wider issues ofart, poetry,||
||||||and war will also be discussed,
August 2020||
||||||onwards.||
|McCorry, Mr Simon|||||Support for travel to Japan to rehearse, develop||
||||||and perform a collaborative
dance and music||
||||||piece 'The Middle ofNowhere'
for the||
||||||Yokohama Dance Collection, leading to||
||||||enhanced
links, 2021.||
|McFarland,||Gillian|||Support for the transport ofartwork
from||
|(gallery)|||||northern
Japan to Scotland, which form part|of|
||||||an exhibition
and associated events touring|three|
||||||venues
and connecting
four artists in each||
||||||count, June to October 2021.||
|Mugen Taiko Dojo|||||Support for aresearch trip to Japan to develop||
||||||online English language
teaching materials|to|
||||||widen access to the techniques,
history, culture||
||||||and background ofWadaiko Japanese||
||||||drumming,
for dissemination
as educational||
||||||tools, to widen access, summer 2022.||
|Mynatt, Corinne|Mynatt, Corinne||Support for travel to Japan in spring 2021 in||
|---|---|---|---|---|
||||connection
with the publication of'Tools for||
||||Food: Design, History,
Culture'
(release date||
||||autumn 2021)to produce content for an||
||||exhibition
in London, and to document
the||
||||stories ofthese objects for apilot TV series of||
||||'Tools for Food'.||
|Northern|Home||Support for travel to Japan by eight young judo||
|Counties (NHC)||Judo|practitioners
and two coaches to provide an
educational
and cultural
experience for young||
||||judoka, and to enhance
links with Matsumae||
||||Judo Juku and the Tokai University
Educational||
||||S stem, 2022,||
|Oxford Brookes||Business|Support for reciprocal trips by academics at||
|School, Oxford Brookes|||Oxford Brookes and Ritsumeikan
Universities|to|
|University|||construct a system dynamics
model to analyse||
||||Waste Electric and Electronic Equipment
in the||
||||UK in light ofthe EU's Sustainable
Product||
||||Policy Framework
targeting
product||
||||obsolescence, March 2021 to 30Ma
2022.||
|Peter Kettle RCA|||Support for a visit to Japan by a landscape
artist||
||||and a filmmaker
to document
cultural
landmarks||
||||in Japan and create wood-cut portraits ofAinu||
||||communities,
resulting
in exhibitions
in England||
||||and Wales and a short film documentary,||
||||Se tember 2021.||
|place+platform||art|Support for travel by the Japanese academics||
|collective|||and multi-media
artist duo Visual Brains —Sei||
||||Kazama and Hatsune
Otsu to take part in an||
||||event and exhibition
in Edinburgh,
reuniting||
||||them with the music ofcomposer Toshioki||
||||Matsumura,
coinciding
with a new record||
||||release featuring
aretrospective
ofMatsumura's||
||||music, June 2021.||
|Royal Scottish National|||Support for travel by violinist Kyoko Takezawa||
|Orchestra|(RSNO)||and pianist Makoto Ozone to perform with the||
||||RSNO at four venues
in Edinburgh
and Glasgow||
||||and to take part in pre-concert talks and||
||||interviews,
complementing
the RSNO's tour of||
||||Ja an, Februa
and March 2021.||
|Southbank|Centre||Support for 'Hiroshi
Sugimoto: Time Machine',||
|(Hayward|Gallery)||the first major UK survey ofthis artist and his||
||||first institutional
show in Europe in over a||
||||decade, 17February to 3 May 2022 (TBC).||
##
|Stratford Gallery,|Stratford Gallery,|Stratford Gallery,|The|Support for athree-week
visit to Japan by the|
|---|---|---|---|---|
|||||owner and co-founder ofStratford Gallery to|
|||||hold meetings
with anumber ofexisting and|
|||||new contemporary
ceramic and other artists with|
|||||the intention ofrepresenting
their work in the|
|||||UK for the first time, 2022.|
|Swansea University,||||Support for avisit to the University ofTokyo to|
|Department||ofPolitical||examine crime prevention
efforts in Adachi|
|and Cultural||Studies||Ward, Tokyo and pursue projects on urban|
|||||desi n, ci
brandin,
and crime
revention.|
|Traditional||Arts||Support for a two-week research trip to explore|
|Development||||synergies
between English and Japanese folk|
|||||music and song, focussing on female-led|
|||||musical traditions
including
upopo singing
and|
|||||mukkuri
playing
by Ainu women in Hokkaido,|
|||||resulting
in recordings
made ofand with|
|||||performers,
apodcast documentary
and further|
|||||collaboration,
November
2020.|
|Ukishima
Studio|Sculpture|||Support for travel between the UK and Japan by
sculptors
Hironori
Katagiri and Kate Thomson
who will exhibit 24 oftheir stone sculptures
in|
|||||the gallery space
1 Canada Square, Canary|
|||||Wharf, 2021 onwards.|
|Ulster University,|||School|Support for atwo-week research visit to Japan in|
|ofArts and||Humanities||April 2022 to collaborate
on apractice-based|
|||||exploration ofkey performative
concepts with|
|||||dancer Reisa Shimojima
resulting
in 5 short live|
|||||acts in Londonde
in Jul
2022.|
|University|ofBirmingham,|||Support for reciprocal visits by academics|
|Birmingham||Business||studying
bargaining
behaviour
in an|
|School||||experimental
way, in order to further understand|
|||||the role ofsocial k cultural factors in decision|
|||||making
in Japan and the UK, leading to|
|||||publications
&presentations,
March and June|
|||||2021.|
|University|ofBristol,|||Support for travel to Japan by two early career|
|School ofMathematics||||researchers
taking part in aworkshop
to discuss|
|||||the useful applications
ofgeometric
data|
|||||analysis,
building
on arecent Memorandum
of|
|||||Understanding
between Bristol and the Institute|
|||||ofStatistical Mathematics
in Tokyo, and with a|
|||||view to future collaboration,
2021 (TBC).|
|University|ofCambridge,|ofCambridge,|Support for an online conference including
four|
|---|---|---|---|
|Department|ofPolitics and||Scholars from Keio, Tokyo and Chuo|
|International||Studies,|Universities
and National
Institute for Defense|
|Forum on|Geopolitics||Studies to take part in Maritime Asia: the|
||||Securitization ofthe China Seas in the 19th to|
||||21st Centuries,
a conference ofhistorians
and|
||||international
relations
experts at Cambridge
to|
||||examine
security concepts, maritime
networks,|
||||and governance ofEast and South China Seas,|
||||Au ust 2021.|
|University|ofDerby,||Support for avisit to Japan by academics from|
|School ofArts|||Derby and Nottingham
Trent Universities
to|
||||engage in an interdisciplinary
research initiative|
||||to co-create artificial pet materials
that are|
||||multisensory
and tactile, and able to capture date|
||||on interaction,
autumn 2021.|
|University|ofEast||Support for travel by historian
and writer Susan|
|Anglia, Centre||for|Karen Burton to complete a literary, non-fiction|
|Japanese Studies (Dr|||work on the Welsh community
in Japan and on|
|Susan Burton)|||Japanese people who love Welsh culture,|
||||summer 2021.|
|University|ofEast||Support for avisit to Japan by two researchers
to|
|London, School ofHealth,|||investigate
the physiology
and biomechanics
of|
|Sport and Bioscience|||Japanese endurance
running,
leading to a|
||||publication,
areturn visit by the Japanese|
||||academics,
and future collaboration,
May 2021|
||||onwards.|
|University|ofGlasgow,||Support for UK-Japan visits by six poets to|
|School ofCritical Studies|||collaborate
in producing
original works of|
||||literature
for performances
touring Tokyo,|
||||Kyoto, Glasgow, London, and Norwich,
leading|
||||to stronger artistic and cultural
links, online|
||||documentation
and a short anthology,
October|
||||2021,|
|University|ofManchester,||Support for atwo-week visit to Japan to engage|
|School ofArts, Languages|||in archival research and strategy meetings
at|
|and Culture|||institutions
including
the National Diet Library,|
||||Ritsumeikan,
Waseda, Shizuoka and Nihon|
||||Universities
related to elderly care and geriatric|
||||science in Japan, 1868-1970s,resulting
in an|
||||academic paper and further collaborative|
||||research, August 2020.|
|University||of|Portsmouth,|Support for reciprocal visits by academics from|Support for reciprocal visits by academics from|
|---|---|---|---|---|---|
|School of|Computing|||Portsmouth
and Tokyo Metropolitan||
|||||Universities
collaborating
on research into motor||
|||||function
sensing
and rehabilitation
for ageing||
|||||people during
lockdown,
culminating
with a||
|||||conference
in the UK, summer 2021.||
|University||of|Reading,|Support for travel by academics from Tsukuba||
|School of|Biological|||University
tojoin amini-symposiiun
at Reading||
|Sciences||||to study social behaviours
that are controlled|by|
|||||hormones
such as estrogen,
with further||
|||||applications
for psychology,
and resulting
in||
|||||publications
and further collaboration,
spring||
|||||2021.||
|University||of||Support for travel by a group offive comprising||
|Southampton,|||Department|academics
and members ofthe Forestry||
|ofGeography|||and|Commission
and Forest Research to engage in a||
|Environmental|||Science|workshop
at Tokyo University
into how forest||
|||||management
affects wildlife,
water quality
and||
|||||invasive
species in the UK and Japan, October||
|||||2021 onwards.||
|University||of|York,|Support for travel to the 'Pacific Paratexts'||
|Department||ofEducation||conference
—focusing on factual and fictional||
|||||representations
ofthe Pacific, and the||
|||||relationship
between the West and Japan - to|use|
|||||technology
to widen access/participation
by||
|||||York Asia Research Network
members,||
|||||November 2021.||
|Wagner, Malene||||Support for travel to Japan in spring 2021 by|a|
|||||freelance writer/curator||
|||||completing
abook on modern
and||
|||||contemporary
Japanese prints from the||
|||||1950sto today to ensure the next generation's||
|||||interest in Japanese prints, to be published
in||
|||||s rin
2022.||
|Woodhouse||Grove School,||Support for a 12-day educational
visit by 15||
|Apperley|Bridge|||students
and three teachers||
|||||from Woodhouse
Grove School to visit their||
|||||partner Teikyo Junior and||
|||||Senior Schools in Kani City, Gifu, leading to||
|||||sustainable
links and,||
|||||it is hoped, the introduction
ofJapanese to the||
|||||curriculum,
October 2022.||
|UK-side total||||||
|Ja an-side||||||
|Creative Arts
Committee|Creative Arts
Committee|Creative Arts
Committee|Executive|Support for travel to Japan by the director of
Amici Dance Theatre, and two choreographers||
|---|---|---|---|---|---|
|||||with physical
disabilities
to hold facilitation
and||
|||||mentoring
workshops
in Tokyo and Kobe, to||
|||||raise the profile ofintegrated
dance and to||
|||||nurture
disabled artists in Japan, late 2020.||
|Katsura,|Mr||Utazo|Support for a first visit to the UK by rakugo||
|||||artist Utazo Katsura who will perform rakugo in||
|||||English in London and at Liverpool
and Oxford||
|||||Universities
with aview to enhancing
cultural||
|||||and artistic links and future collaboration,||
|||||November 2021.||
|Keio University,||||Support for travel by a Keio academic to||
|Rehabilitation|||Medicine,|collaborate
with researchers
at Edinburgh
and||
|School ofMedicine||||Yokohama National
Universities
on differences||
|||||in physiotherapy
protocols and the application of||
|||||Magnetic Resonance Elastography
to measure||
|||||the mechanical
ro erties ofmuscle, 2021.||
|Mori Art|Museum|||Support for the installation
ofPhyllida Barlow's||
|||||artwork for display
in 'Another
Energy: Power to||
|||||Continue
Challenging
- 16Women Artists from||
|||||Around
the World', a show ofwork by women||
|||||artists who began their practice from the late||
|||||1950sto 1970s,Mori Art Museum,
April to||
|||||Se tember 2021.||
|NPO Ryukyu|||Tea,|Support for travel to the UK by nine Okinawan|K4,500|
|Bukubuku||Tea, Akeshino-||tea masters who will perform the Ryukyu||
|no-kai||||Bukubuku
Tea Ceremony
accompanied
by||
|||||classical Ryukyuan
music and dance and who||
|||||will provide ahistorical context and hold||
|||||workshops
at two venues
in London, autumn||
|||||2021 TBC.||
|Okinawan||Utahai||Support for travel to the UK by four musicians|E3,000|
|Committee||||from Okinawa
who, for the first time, will hold||
|||||performances
ofan Okinawan
'Utahai' or||
|||||'concert' with accompanying
workshops
to||
|||||celebrate modern
Okinawan
culture
in London||
|||||and Oxford, late November 2020.||
|Ritsumeikan|||University,|Support for a research trip to the UK by Dr|K2,000|
|Institute|for Disaster|||Hiroaki Ohashi to study planning
policy for||
|Mitigation||of|Urban|provincial
and rural revitalisation
in the UK,||
|Cultural|Heritage|||with a comparative
view to Japan, in||
|||||collaboration
with academics at UCL, LSEand||
|||||Newcastle
Universities,
s rin
2022.||
|Ja an-side||total||||
|The Daiwa Anglo-Japanese|The Daiwa Anglo-Japanese|Foundation|Foundation||
|---|---|---|---|---|
|Notes to the financial
statements|||(continued)||
|For the year ended 31March 2021|||||
|Total
Small Grants|||||
|Daiwa Foundation|||||
|Awards|||||
|Support was provided for|||||
|the
ollowin
ro'ects:|||||
|Clare Farrow Studio|||Support for an immersive
project by the||
|Project Partners:|||Japanese architect Toshiki Hirano titled||
|International|||'Reinventing
Texture', incorporating
design,||
|Architectural
Education|||music, and sound, which will feature in the||
|Platform,
University|of||London Design Biennale as the installation||
|Tokyo; Royal College|of||representing
Japan under the theme of||
|Art; London Design|||'Resonance',
at Somerset House,
1 to 27 June||
|Biennale|||2021.||
|Entelechy Arts|||Support for visits to Coventry
by Naoki||
|Project Partner:|||Sugawara
and Tomoya Takeda from||
|OiBokkeShi|||OiBokkeShi to develop anew co-production,||
||||'Theatre ofWandering'
focusing on dementia||
||||and wandering,
to be performed
in local streets||
||||and shops in Coventry
in August
and September||
||||2021.||
|Hiroshima
University,
Center for Peace
Project Partners:
University
ofGlasgow,
University
ofKent,
Birkbeck College,
Universi
ofLondon||The|Support for travel to Hiroshima
by four
academics for athree-day
event to consider the
physical
and psychological
impact ofaerial
threats, rising belligerence
and the impending
loss ofthe lived memories ofthe atomic-bomb
survivors,
June 2021.||
|Imperial
College London,|||Support for a collaborative
project between||
|Faculty ofMedicine|||Imperial
College and Kanazawa
University||
|Project Partner:|||which aims to identify the determinants
of||
|Kanazawa
University,|||hepatitis Bvirus (HBV) replication,
with results||
|School ofMedicine|||informing
anti-HBV therapies
and intervention||
||||strategies, participation
in academic conferences||
||||and enhanced
links, June to December 2020.||
|Lancaster University|||Support for reciprocal visits by academics|at|
|Management
School|||Lancaster and Hitotsubashi
Universities
to||
|Proj ectPartners:|||cooperate and hold workshops
in the field of||
|Hitotsubashi
University,|||Design Thinking,
leading to enhanced||
|Research Institute of|||innovation
success through
its practical||
|Economy, Trade and|||application,
May and August 2021.||
|Industry
(RIETI)|||||
##
|Loughborough
University,|Support for travel to Japan by twelve||
|---|---|---|
|School ofArchitecture,|architecture
students
from Loughborough||
|Building and Civil|University
as part ofan extracurricular||
|Engineering|architectural
exchange school comprising||
|Project Partners:|students
from Loughborough
and five||
|Hiroshima
Design Lab at|universities
in Japan, that aims to generate||
|Hiroshima
Institute of|international
collaboration
in design and cultural||
|Technology,|exchange,
spring and autumn 2021.||
|Kengo Kuma Labs at|||
|Universi
ofTo
o,|||
|SPUD|Support for travel by a group from spudYOUTH||
|Project Partner:|to visit the result ofa design project involving||
|Daikanyama
Teens|teens from Shibuya and the New Forest,||
|Creative|featining
model making,
drawing,
photography,||
||digital media, dance and performance,
reflecting||
||the interests ofboth
rou
s, March 2022.||
|Tohoku Medical and|||
|Pharmaceutical|||
|University,
Division of
Pathology
Project Partner:
University
ofLeeds, Division of
Pathology
and Data|Support for scientific collaboration
between
Tohoku Medical and Pharmaceutical
University
and the University
ofLeeds in the clarification
and classification oftumour
deposits in
colorectal cancer, June 2021 to May 2022.||
|Anal
ties|||
|University
ofBirmingham,|Support for travel by UK-based Shakespeare||
|Shakespeare
Institute|researchers
taking part in amajor||
|Project Partner:|interdisciplinary
conference on Shakespeare|and|
|Waseda University|translation
at Waseda University,
September||
||2021 onwards.||
|University
ofLeeds,|Support for travel to Japan by three UK-based||
|Faculty ofBiological|researchers to facilitate a long-term
collaborative||
|Sciences|research programme
in coral demography
and||
|Project Partners:|reeftropicalisation
in Japan comprising||
|University
ofthe Ryukyus,|scientists from the University
ofLeeds,||
|Kuroshio Biological|University ofOxford, University
ofthe||
|Research Foundation,|Ryukyus,
Kuroshio Research Institute,
and||
|Kyushu
University's|Kochi University,
auttnnn 2020.||
|Amakusa
Marine|||
|Biological Laboratory|||
|University
ofLeeds,||Support for reciprocal visits|by researchers
in|K7,000|
|---|---|---|---|---|
|School ofChemical|dk|the UK and Japan developing|anovel pyrolysis-||
|Process Engineering||catalytic process for treating|low value and||
|Project Partner:||problematic
nitrogen-containing
waste plastics|||
|Tohoku University,||to produce high value nitrogen-functionalised|||
|Graduate
School of||carbon nanotubes,
April 2021 to March 2023.|||
|Environmental
Studies|||||
|University
ofthe Arts||Support for travel to London|in 2021 by artists|67,000|
|London, Central Saint||taking part in a new initiative: apublic forum for|||
|Martins, School ofArt||the exchange ofknowledge|and the creation of||
|(CSM)||new UK-Japan partnerships,|accompanying
an||
|Project Partners:||exhibition ofwork by graduates
from Central|||
|Tokyo University
ofthe||Saint Martins
and from Tokyo University ofthe|||
|Arts,||Arts, Lethaby Gallery.|||
|Youkobo Art S ace|||||
|Total
Awards||||f87,000|
|Total Small Grants|and|||K237,000|
|Awards|||||
|||Unrestricted|Funds|Restricted Funds|Total Funds|Total Funds|
|---|---|---|---|---|---|---|
||||||31March 2020|31March 2019|
|Income|||467,443|452|467,895|323,642|
|Expenditure|||||||
|Costs ofgenerating fttnds|||||||
|Fund managers'
fees|||(23,426)||(23,426)|(20,557)|
|Charitable
activities|||||||
|Scholarships|||(781,744)||(781,744)|(669,972)|
|Grants, Awards &Prizes|||(452,397)||(452,397)|(532,727)|
|Events|||(311,467'1||(311,467)|(331,128)|
|Cultural
Relations|||(42,256)||(42,256)|(44,563)|
|Total charitable
activities expenditure|||(1,587,864)||(1,587,864|(1,578,390)|
|Total expenditure|||(1,611,290)||(1,611,290)|(1,598,947)|
|Net gain/(loss)
on investment|funds||(3,464,404)|(5,176)|(3,469,580)|1,558,957|
|Net Income/(expenditure)|||(4,608,251)|(4,724)|(4,612,975)|283,652|
|Net movement
in funds|||(4,608,251)|(4,724)|(4,612,975)|283,652|
|Total funds brought forward|||41,587,994|61,483|41,649,477|41,365,825|
|Total funds carried forward|||36,979,743|56,759|37,036,502|41,649,477|