Trustees’ Annual Report for the period
From: 01 April 2023 Period start date To: 31 March 2024 Period end date Charity name: The Poetry Exchange
Charity registration number: 1185714
Objectives and Activities
| SORP reference | ||
|---|---|---|
| Summary of the purposes of the charity as set out in its governing document |
Para 1.17 | To advance the arts and culture, in particular poetry, for the public benefit, by producing events and activities that promote the public’s engagement with and appreciation of poetry, for the general public around the UK and worldwide. |
| Summary of the main activities in relation to those purposes for the public benefit, in particular, the activities, projects or services identified in the accounts. |
Para 1.17 and 1.19 |
The Poetry Exchange runs various activities that enable the widest possible range of people to engage with and appreciate poetry. Through our unique idea of poems as friends, we invite people from all walks of life to discover and share what poems mean to them. We talk with readers around the UK about the poem that has been a friend to them, making space for these individuals to explore and deepen their sense of personal connection with a chosen poem. We share some of these extraordinary conversations through The Poetry Exchange podcast, bringing poems to thousands of listeners around the world through the voices and stories of those who read them. We also run live events and workshops at festivals, libraries, universities, community centres and workspaces, inviting people of all ages and backgrounds to connect more closely with poetry, themselves and each other. |
| Statement confirming whether the trustees have had regard to the guidance issued by the Charity Commission on public benefit |
Para 1.18 | The trustees have had regard to the guidance issued by the Charity Commission on public benefit. |
Additional information (optional)
You may choose to include further statements where relevant about:
| SORP reference | ||
|---|---|---|
| Policy on grant making | Para 1.38 | |
| Policy on social investment including program related investment |
Para 1.38 | |
| Contribution made by volunteers |
Para 1.38 | Whilst we pay people appropriately wherever possible for their work (based on Artists Union England rates), our core team, community of practitioners and supporters will often give their time voluntarily, due to their passion for and commitment to The Poetry Exchange and its work. |
| Other |
Achievements and Performance
| SORP reference | ||
|---|---|---|
| Summary of the main achievements of the charity, identifying the difference the charity’s work has made to the circumstances of its beneficiaries and any wider benefits to society as a whole. |
Para 1.20 | This report is written following the devastating and unexpected loss of our founder and director, Fiona Bennett. It is with pain and sadness that we look back on 2023-24 – the final year before Fiona became ill – but at the same time with great pride and joy at all the amazing work we did together during this time. Our main achievement over 2023-24 was creating and delivering our unique anthology –Poems as Friends –_having secured a publishing contract for the book with Quercus Books in 2022-23._Poems as Friends: The Poetry Exchange 10th _Anniversary Anthology_is a celebration of the power of poetry in people’s lives. It gathers together a unique collection of poems brought to The Poetry Exchange over the last 10 years, accompanied by the stories of connection from readers who have known them as friends. Fiona Bennett and Michael Shaeffer are co-authors of The Poetry Exchange anthology and worked incredibly closely and intensively on gathering, reviewing, curating and editing the material to be included within the book, out of a vast and |
diverse range of poems and stories brought to The Poetry Exchange over the last 10 years. We have had over 300 nominations of poems as friends since 2014, so the task of selecting 60 of these, and how best to arrange and present them, was quite a task! It was also necessary to secure permissions from the poets or rights holders of the selected poems, as well as readers who brought these to The Poetry Exchange, to allow us to share their words and stories. Fiona and Michael worked consistently on the manuscript over 202324, with lots of back and forth with our editors at Quercus Books, whilst John Prebble, Ken Cockburn and Jessica Boatright, looked after rights and permissions. After a long but profoundly rewarding creative period, the first draft of Poems as Friends was delivered to Quercus Books in May 2023, with the final proof signed off in March 2024. Our anthology was published on 9[th] May 2024. “As Michael and I explored the treasure trove of the archive…themes of friendship emerged. You will find here poems that can sit with you in the dark and poems that bring the light, poems of celebration, elegy and comfort, and poems, that like good friends do, might challenge you to confront the thought that unsettles you or the truth you’ve felt in your bones but not yet found the words for.” – Fiona Bennet, from the introduction to Poems as Friends. Alongside the production of our anthology, our work on The Poetry Exchange podcast and live events continued as normal, with guests in 2023-24 including: UK poetry trailblazer Salena Godden; poetry luminary (and trustee) Roy McFarlane with a special tribute episode to Benjamin Zephaniah; and US poet and radio host Lois P. Jones, who greatly boosted our listenership and following in the USA.
Additional information (optional)
You may choose to include further statements where relevant about:
| Achievements against objectives set |
Para 1.41 |
|---|---|
| Performance of fundraising activities against objectives set |
Para 1.41 | We had great success with fundraising in 2022-23, in securing a large grant of £29,993 from Arts Council England towards our core work of producing The Poetry Exchange podcast and live events, in a way that chimes with and supports the release of The Poetry Exchange Anthology. £26,994 was received in 2023-24, with the remainder paid in 2024-25. This was a major vote of confidence and form of support from Arts Council England, who have supported us with occasional, smaller grants for specific projects in previous years. Alongside this, the production of the anthology itself was made possible through the editorial fees and rights budget from Quercus Books, who recognised how special_Poems as Friends_was and commissioned the book from Fiona, Michael and The Poetry Exchange. £5,000 from Quercus was received in 2023-24, with the remainder received in 2024-25. |
| Investment performance against objectives |
Para 1.41 | |
| Other |
Financial Review
| Financial Review | ||
|---|---|---|
| Review of the charity’s financial position at the end of the period |
Para 1.21 | The Poetry Exchange is in a healthy position at the end of 2023-24, with £20,424 cash funds at year end. The majority of this (£15,928) is restricted funds out of the Arts Council England grant (£26,994), which is carried over for spend/activity in 2024-25 as planned. A modest amount of unrestricted cash funds are also carried over into 2024-25 (£4,497), thanks to increased earned income and individual donations over the last two years. |
| Statement explaining the policy for holding reserves stating why they are held |
Para 1.22 | The trustees’ ambition is to generate sufficient reserves to sustain the regular costs of The Poetry Exchange’s ‘core’ programme for up to 4 months, which would allow us sufficient time either to pause or wind up our activity, or to raise additional funds to continue beyond this period. |
| Amount of reserves held | Para 1.22 | No reserves in place at this stage. |
| Reasons for holding zero reserves |
Para 1.22 | Whilst The Poetry Exchange does not currently hold formal reserves, we operate as a very light-touch organisation with no offices, salaried staff or other overheads to consider. Therefore this does not pose a significant risk to The Poetry Exchange’s viability. |
| Details of fund materially in deficit |
Para 1.24 | |
| Explanation of any uncertainties about the charity continuing as a going concern |
Para 1.23 | The Poetry Exchange operates sustainably as a small charity, through having no offices, salaried staff or other overheads to consider, and by only undertaking work when we have sufficient funds/resources to do so. |
| Additional information (optional) You may choose to include further statements |
Additional information (optional) You may choose to include further statements |
where relevant about: |
|---|---|---|
| The charity’s principal sources of funds (including any fundraising) |
Para 1.47 | We were successful in securing a large grant of £29,993 from Arts Council England this year, towards our core work of producing The Poetry Exchange podcast and live events. We also saw a large increase in earned income in the form of the commission from Quercus Books for The Poetry Exchange Anthology (£5k received this year, of a £11k total commission). We also maintained a fair level of income from other partner/commissioned activity (£3,120) and individual donations (£2,100), although these were down on 2022-23 since we decided to focus on the production of The Poetry Exchange anthology. |
| Investment policy and objectives including any social investment policy adopted |
Para 1.46 | |
|---|---|---|
| A description of the principal risks facing the charity |
Para 1.46 | Risk: lack of continuity or capacity due to high levels of freelance and/or volunteer work. Mitigation: The Poetry Exchange is run by a passionate team and community, and we scale our work depending on the resources and time available. |
| Other |
Structure, Governance and Management
| Description of charity’s trusts: |
N/A | |
|---|---|---|
| Type of governing document (trust deed, royal charter) |
Para 1.25 | Foundation model constitution |
| How is the charity constituted? (e.g unincorporated association, CIO) |
Para 1.25 | Charitable Incorporated Organisation (CIO) |
| Trustee selection methods including details of any constitutional provisions e.g. election to post or name of any person or body entitled to appoint one or more trustees |
Para 1.25 | New trustees appointed by existing trustees i.e. Alison McManus, Roy McFarlane, Andrea Witzke Slot. Every trustee must be appointed for a term of three years by a resolution passed at a meeting of the charity trustees. In selecting individuals for appointment as charity trustees, the charity trustees must have regard to the skills, knowledge and experience needed for the effective administration of the CIO. |
Additional information (optional) You may choose to include further statements where relevant about:
| Policies and procedures adopted for the induction and training of trustees |
Para 1.51 | |
| The charity’s organisational structure and any wider network with which the charity works |
Para 1.51 | |
| Relationship with any related parties |
Para 1.51 | |
| Other |
Reference and Administrative details
| Charity name | The Poetry Exchange |
|---|---|
| Other name the charity uses | |
| Registered charity number | 1185714 |
| Charity’s principal address | 26 Monument Court Woolners Way Stevenage SG1 3AD |
|---|---|
Names of the charity trustees who manage the charity
| 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 |
Trustee name | Office (if any) | Dates acted if not for whole year |
Name of person (or body) entitled to appoint trustee (if any) |
|---|---|---|---|---|
| Alison McManus | Chair | |||
| RoyMcFarlane | ||||
| Andrea Witzke Slot | 16/04/2023 – 31/03/2024 |
|||
| Fiona Bennett | ||||
| John Prebble | 01/04/2023 – 06/02/2024 |
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– Corporate trustees names of the directors at the date the report was approved
Director name
Name of trustees holding title to property belonging to the charity
Trustee name Dates acted if not for whole year
Funds held as custodian trustees on behalf of others
Description of the assets held in this capacity
Name and objects of the charity on whose behalf the assets are held and how this falls within the custodian charity’s objects Details of arrangements for safe custody and segregation of such assets from the charity’s own assets
Additional information (optional)
Names and addresses of advisers (Optional information)
| Names and addresses of advisers (Optional information) | Names and addresses of advisers (Optional information) | Names and addresses of advisers (Optional information) |
|---|---|---|
| Type of adviser Name Address |
||
| Name of chief executive or names of senior staff members (Optional information) | ||
Exemptions from disclosure
Reason for non-disclosure of key personnel details
Other optional information
Declarations
The trustees declare that they have approved the trustees’ report above.
on behalf of the charity’s trustees
| Signature(s) Full name(s) Position (eg Secretary, Chair, etc) Date |
Alison McManus (Apr 7, 2025 13:37 GMT+1) |
|
|---|---|---|
| Alison McManus | Andrea Witzke Slot | |
Chair |
||
| 07/04/2025 | ||
| 07/04/2025 |
| The Poetry Exchange | The Poetry Exchange | The Poetry Exchange | 1185714 | |
|---|---|---|---|---|
| Receipts and payments accounts | CC16a | |||
| For the period from |
01/04/2023 | To | 31/03/2024 |
Section A Receipts and payments
| A1 Receipts | Unrestricted funds to the nearest £ 3,120 5,000 1,550 550 10,220 10,220 1,197 577 228 149 3,000 5,000 10,151 |
Restricted funds to the nearest £ |
Endowment funds to the nearest £ |
Total funds to the nearest £ 28,094 3,120 5,000 1,550 550 38,314 38,314 38,314 3,240 202 2,200 2,900 905 536 149 2,136 844 552 3,000 6,928 23,593 |
Last year to the nearest £ |
|---|---|---|---|---|---|
| Arts Council England National Lottery Project Grants |
28,094 | 9,900 | |||
| Earned income - fees from partners |
3,120 | 5,195 | |||
| Earned income - fees for Anthology from Quercus |
5,000 | - | |||
| Donations - fundraising event(s) | 1,550 | 1,573 | |||
| Individual donations | 550 | 2,035 | |||
| Sub total(Gross income for AR) |
10,220 | 28,094 | 18,703 | ||
| A2 Asset and investment sales, (see table). |
|||||
| Sub total | 18,703 | ||||
| Total receipts A3 Payments |
|||||
| 28,094 | 18,703 | ||||
| Artists' fees & expenses | 1,197 | 2,043 | 3,240 | 3,966 | |
| Venue hire & materials | 202 | 202 | 1,252 | ||
| Producing & marketing | 2,200 | 2,200 | 1,997 | ||
| Audio production | 2,900 | 2,900 | 3,209 | ||
| Other freelance support | 905 | 905 | 2,078 | ||
| Rights & permissions | 536 | 536 | 150 | ||
| Advertising & promotion | 149 | 149 | 576 | ||
| Software, subscriptions, insurance |
577 | 1,559 | 2,136 | 1,963 | |
| Travel, tickets, subsistence - core team & trustees |
228 | 616 | 844 | - | |
| Supporter & donor care | 149 | 403 | 552 | - | |
| Anthology - author fees | 3,000 | 3,000 | - | ||
| Anthology - rights & permissions |
5,000 | 1,928 | 6,928 | - | |
| **Sub total ** | 10,151 | 13,441 | 23,593 | 15,191 |
| A4 Asset and investment | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| purchases, (see table) | |||||||||
| Sub total | |||||||||
| Total payments | 10,151 | 13,441 | 23,593 | 15,191 | |||||
| t of receipts/(payments) | 69 | 14,653 | 14,721 | 3,512 | |||||
| A5 Transfers between | |||||||||
| funds | |||||||||
| A6 Cash funds last year | |||||||||
| end | 4,428 | 1,275 | 5,703 | 2,191 | |||||
| Cash funds this year end |
4,497 | 15,928 | 20,424 | 5,703 | |||||
Section B Statement of assets and liabilities at the end of the period
| Unrestricted funds to nearest £ 4,497 4,497 Unrestricted funds to nearest £ - Fund to which asset belongs Fund to which asset belongs Fund to which liability relates Details Details Details Total cash funds (agree balances with receipts and payments account(s)) Details Details |
Unrestricted funds to nearest £ 4,497 4,497 Unrestricted funds to nearest £ - Fund to which asset belongs Fund to which asset belongs Fund to which liability relates Details Details Details Total cash funds (agree balances with receipts and payments account(s)) Details Details |
Restricted funds to nearest £ 15,928 15,928 Restricted funds to nearest £ - Cost (optional) - Cost (optional) - Amount due (optional) - |
Endow ment funds to nearest £ |
|---|---|---|---|
| Endow ment to nearest £ |
|||
| - | |||
| Current value (optional) |
|||
| - | |||
| Current value (optional) |
|||
| - | |||
| When due (optional) |
|||
| - |
----- Start of picture text -----
Signed by one or two
Date of
trustees on behalf of all the Signature Print Name
trustees approval
07/04/
Alison McManus 2025
Alison McManus (Apr 7, 2025 17:14 GMT+1)
07/04/
Andrea Witzke Slot 2025
----- End of picture text -----
Notes: £496.80 paid to trustee Roy McFarlane and £2415.00 paid to trustee Fiona Bennett for artistic services to The Poetry Exchange over 2023-24. A resolution was in place and updated by all trustees to allow for Roy McFarlane and Fiona Bennett to receive these payments at specific moments during 2023-24, given their unique skills and experience within The Poetry Exchange team.
Independent examiner's report on the accounts
Section A Independent Examiner’s Report
Report to the trustees/ The Poetry Exchange members of On accounts for the year 31/3/24 Charity no 1185714 ended (if any) Set out on pages Page 1 only (remember to include the page numbers of additional sheets)
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I report to the trustees on my examination of the accounts of the above charity (“the Trust”) for the year ended 31 / 03 / 2024 .
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Responsibilities and As the charity trustees of the Trust, you are responsible for the preparation basis of report of the accounts in accordance with the requirements of the Charities Act 2011 (“the Act”).
I report in respect of my examination of the Trust’s accounts carried out under section 145 of the 2011 Act and in carrying out my examination, I have followed the applicable Directions given by the Charity Commission under section 145(5)(b) of the Act.
Independent I have completed my examination. I confirm that no material matters have examiner's statement come to my attention (other than that disclosed below *) in connection with the examination which gives me cause to believe that in, any material respect:
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accounting records were not kept in accordance with section 130 of the Act or
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the accounts do not accord with the accounting records
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in order to enable a proper understanding of the accounts to be reached.
- Please delete the words in the brackets if they do not apply.
Signed: Gary Brown Date: 31/3/25 Name: Gary Brown Relevant professional Chartered Accountant (ACA) qualification(s) or body (if any): Address: 1 Main Street Frolesworth Leicestershire
1
October 2018
IER
Section B Disclosure
Only complete if the examiner needs to highlight matters of concern (see CC32, Independent examination of charity accounts: directions and guidance for examiners).
Give here brief details of None to disclose any items that the examiner wishes to disclose .
2
October 2018
IER