
## **Trustees’ Annual Report for the period** 

**From: 01 April 2023  Period start date   To: 31 March 2024  Period end date Charity name: The Poetry Exchange** 

## **Charity registration number: 1185714** 

## **Objectives and Activities** 

||SORP reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|To advance the arts and culture, in<br>particular poetry, for the public benefit, by<br>producing events and activities that<br>promote the public’s engagement with and<br>appreciation of poetry, for the general<br>public around the UK and worldwide.|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17 and<br>1.19|The Poetry Exchange runs various<br>activities that enable the widest possible<br>range of people to engage with and<br>appreciate poetry. Through our unique idea<br>of poems as friends, we invite people from<br>all walks of life to discover and share what<br>poems mean to them.<br>We talk with readers around the UK about<br>the poem that has been a friend to them,<br>making space for these individuals to<br>explore and deepen their sense of personal<br>connection with a chosen poem.<br>We share some of these extraordinary<br>conversations through The Poetry<br>Exchange podcast, bringing poems to<br>thousands of listeners around the world<br>through the voices and stories of those who<br>read them.<br>We also run live events and workshops at<br>festivals, libraries, universities, community<br>centres and workspaces, inviting people of<br>all ages and backgrounds to connect more<br>closely with poetry, themselves and each<br>other.|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public<br>benefit|Para 1.18|The trustees have had regard to the<br>guidance issued by the Charity<br>Commission on public benefit.|



**Additional information (optional)** 



## You may choose to include further statements where relevant about: 

||SORP reference||
|---|---|---|
|Policy on grant making|Para 1.38||
|Policy on social investment<br>including program related<br>investment|Para 1.38||
|Contribution made by<br>volunteers|Para 1.38|Whilst we pay people appropriately<br>wherever possible for their work (based on<br>Artists Union England rates), our core<br>team, community of practitioners and<br>supporters will often give their time<br>voluntarily, due to their passion for and<br>commitment to The Poetry Exchange and<br>its work.|
|Other|||



## **Achievements and Performance** 

||SORP reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|Para 1.20|This report is written following the<br>devastating and unexpected loss of our<br>founder and director, Fiona Bennett. It is<br>with pain and sadness that we look back on<br>2023-24 – the final year before Fiona<br>became ill – but at the same time with great<br>pride and joy at all the amazing work we<br>did together during this time.<br>Our main achievement over 2023-24 was<br>creating and delivering our unique<br>anthology –_Poems as Friends –_having<br>secured a publishing contract for the book<br>with Quercus Books in 2022-23._Poems as_<br>_Friends: The Poetry Exchange 10th_<br>_Anniversary Anthology_is a celebration of<br>the power of poetry in people’s lives. It<br>gathers together a unique collection of<br>poems brought to The Poetry Exchange<br>over the last 10 years, accompanied by the<br>stories of connection from readers who<br>have known them as friends.<br>Fiona Bennett and Michael Shaeffer are<br>co-authors of The Poetry Exchange<br>anthology and worked incredibly closely<br>and intensively on gathering, reviewing,<br>curating and editing the material to be<br>included within the book, out of a vast and|





diverse range of poems and stories brought to The Poetry Exchange over the last 10 years. We have had over 300 nominations of poems as friends since 2014, so the task of selecting 60 of these, and how best to arrange and present them, was quite a task! It was also necessary to secure permissions from the poets or rights holders of the selected poems, as well as readers who brought these to The Poetry Exchange, to allow us to share their words and stories. Fiona and Michael worked consistently on the manuscript over 202324, with lots of back and forth with our editors at Quercus Books, whilst John Prebble, Ken Cockburn and Jessica Boatright, looked after rights and permissions. After a long but profoundly rewarding creative period, the first draft of _Poems as Friends_ was delivered to Quercus Books in May 2023, with the final proof signed off in March 2024. Our anthology was published on 9[th] May 2024. _“As Michael and I explored the treasure trove of the archive…themes of friendship emerged. You will find here poems that can sit with you in the dark and poems that bring the light, poems of celebration, elegy and comfort, and poems, that like good friends do, might challenge you to confront the thought that unsettles you or the truth you’ve felt in your bones but not yet found the words for.”_ – Fiona Bennet, from the introduction to _Poems as Friends._ Alongside the production of our anthology, our work on The Poetry Exchange podcast and live events continued as normal, with guests in 2023-24 including: UK poetry trailblazer Salena Godden; poetry luminary (and trustee) Roy McFarlane with a special tribute episode to Benjamin Zephaniah; and US poet and radio host Lois P. Jones, who greatly boosted our listenership and following in the USA. 

## **Additional information (optional)** 

You may choose to include further statements where relevant about: 

|Achievements against<br>objectives set|Para 1.41|
|---|---|





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|---|---|---|
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41|We had great success with fundraising in<br>2022-23, in securing a large grant of<br>£29,993 from Arts Council England towards<br>our core work of producing The Poetry<br>Exchange podcast and live events, in a<br>way that chimes with and supports the<br>release of The Poetry Exchange Anthology.<br>£26,994 was received in 2023-24, with the<br>remainder paid in 2024-25. This was a<br>major vote of confidence and form of<br>support from Arts Council England, who<br>have supported us with occasional, smaller<br>grants for specific projects in previous<br>years. Alongside this, the production of the<br>anthology itself was made possible through<br>the editorial fees and rights budget from<br>Quercus Books, who recognised how<br>special_Poems as Friends_was and<br>commissioned the book from Fiona,<br>Michael and The Poetry Exchange. £5,000<br>from Quercus was received in 2023-24,<br>with the remainder received in 2024-25.|
|Investment performance<br>against objectives|Para 1.41||
|Other|||





## **Financial Review** 

|**Financial Review**|||
|---|---|---|
|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|The Poetry Exchange is in a healthy<br>position at the end of 2023-24, with<br>£20,424 cash funds at year end. The<br>majority of this (£15,928) is restricted funds<br>out of the Arts Council England grant<br>(£26,994), which is carried over for<br>spend/activity in 2024-25 as planned. A<br>modest amount of unrestricted cash funds<br>are also carried over into 2024-25 (£4,497),<br>thanks to increased earned income and<br>individual donations over the last two years.|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|The trustees’ ambition is to generate<br>sufficient reserves to sustain the regular<br>costs of The Poetry Exchange’s ‘core’<br>programme for up to 4 months, which<br>would allow us sufficient time either to<br>pause or wind up our activity, or to raise<br>additional funds to continue beyond this<br>period.|
|Amount of reserves held|Para 1.22|No reserves in place at this stage.|
|Reasons for holding zero<br>reserves|Para 1.22|Whilst The Poetry Exchange does not<br>currently hold formal reserves, we operate<br>as a very light-touch organisation with no<br>offices, salaried staff or other overheads to<br>consider. Therefore this does not pose a<br>significant risk to The Poetry Exchange’s<br>viability.|
|Details of fund materially in<br>deficit|Para 1.24||
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|The Poetry Exchange operates sustainably<br>as a small charity, through having no<br>offices, salaried staff or other overheads to<br>consider, and by only undertaking work<br>when we have sufficient funds/resources to<br>do so.|



|**Additional information (optional)**<br>You may choose to include further statements|**Additional information (optional)**<br>You may choose to include further statements|where relevant about:|
|---|---|---|
|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|We were successful in securing a large<br>grant of £29,993 from Arts Council England<br>this year, towards our core work of<br>producing The Poetry Exchange podcast<br>and live events. We also saw a large<br>increase in earned income in the form of<br>the commission from Quercus Books for<br>The Poetry Exchange Anthology (£5k<br>received this year, of a £11k total<br>commission). We also maintained a fair<br>level of income from other<br>partner/commissioned activity (£3,120) and<br>individual donations (£2,100), although<br>these were down on 2022-23 since we<br>decided to focus on the production of The<br>Poetry Exchange anthology.|
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|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46||
|---|---|---|
|A description of the principal<br>risks facing the charity|Para 1.46|Risk: lack of continuity or capacity due to<br>high levels of freelance and/or volunteer<br>work.<br>Mitigation: The Poetry Exchange is run by a<br>passionate team and community, and we<br>scale our work depending on the resources<br>and time available.|
|Other|||





## **Structure, Governance and Management** 

|Description of charity’s<br>trusts:||N/A|
|---|---|---|
|Type of governing document<br>(trust deed, royal charter)|Para 1.25|Foundation model constitution|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|Charitable Incorporated Organisation (CIO)|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para 1.25|New trustees appointed by existing trustees<br>i.e. Alison McManus, Roy McFarlane,<br>Andrea Witzke Slot.<br>Every trustee must be appointed for a term<br>of three years by a resolution passed at a<br>meeting of the charity trustees.<br>In selecting individuals for appointment as<br>charity trustees, the charity trustees must<br>have regard to the skills, knowledge and<br>experience needed for the effective<br>administration of the CIO.|



**Additional information (optional)** You may choose to include further statements where relevant about: 

||||
|---|---|---|
|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51||
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51||
|Relationship with any related<br>parties|Para 1.51||
|Other|||



## **Reference and Administrative details** 

|Charity name|The Poetry Exchange|
|---|---|
|Other name the charity uses||
|Registered charity number|1185714|





|Charity’s principal address|26 Monument Court<br>Woolners Way<br>Stevenage<br>SG1 3AD|
|---|---|
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**Names of the charity trustees who manage the charity** 

|1<br>2<br>3<br>4<br>5<br>6<br>7<br>8<br>9<br>10<br>11<br>12<br>13<br>14<br>15<br>16<br>17<br>18<br>19<br>20|**Trustee name**|**Office (if any)**|**Dates acted if not for whole**<br>**year**|**Name of person (or body) entitled**<br>**to appoint trustee (if any)**|
|---|---|---|---|---|
||Alison McManus|Chair|||
||RoyMcFarlane||||
||Andrea Witzke Slot||16/04/2023 –<br>31/03/2024||
||Fiona Bennett||||
||John Prebble||01/04/2023 –<br>06/02/2024||
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## – Corporate trustees names of the directors at the date the report was approved 

**Director name** 

Name of trustees holding title to property belonging to the charity 

**Trustee name Dates acted if not for whole year** 



## **Funds held as custodian trustees on behalf of others** 

Description of the assets held in this capacity 

Name and objects of the charity on whose behalf the assets are held and how this falls within the custodian charity’s objects Details of arrangements for safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

|**Names and addresses of advisers (Optional information)**|**Names and addresses of advisers (Optional information)**|**Names and addresses of advisers (Optional information)**|
|---|---|---|
|**Type of**<br>**adviser**<br>**Name**<br>**Address**|||
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|**Name of chief executive or names of senior staff members (Optional information)**|||
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## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

## **Other optional information** 



## **Declarations** 

## **The trustees declare that they have approved the trustees’ report above.** 

## **on behalf of the charity’s trustees** 

|**Signature(s)**<br>**Full name(s)**<br>**Position (eg Secretary,**<br>**Chair, etc)**<br>**Date**|<br>Alison McManus (Apr 7, 2025 13:37 GMT+1)||
|---|---|---|
||Alison McManus|Andrea Witzke Slot|
||<br>Chair||
||07/04/2025||
||07/04/2025||






|**The Poetry Exchange**|**The Poetry Exchange**|**The Poetry Exchange**|**1185714**||
|---|---|---|---|---|
|**Receipts and payments accounts**||||**CC16a**|
|**For the period**<br>**from**|**01/04/2023**|**To**|**31/03/2024**||



## **Section A Receipts and payments** 

|**A1 Receipts**|**Unrestricted**<br>**funds**<br>**to the nearest**<br>**£**<br>**3,120**<br>**5,000**<br> **1,550**<br>**550**<br>**10,220**<br> <br>**10,220**<br>**1,197**<br>**577**<br>**228**<br>**149**<br>**3,000**<br>**5,000**<br> **10,151**|**Restricted**<br>**funds**<br>**to the**<br>**nearest £**|<br>**Endowment**<br>**funds**<br>**to the nearest £**|**Total**<br>**funds**<br>**to the nearest**<br>**£**<br>**28,094**<br>**3,120**<br>**5,000**<br>**1,550**<br>**550**<br>**38,314**<br>**38,314**<br>**38,314**<br>**3,240**<br>**202**<br>**2,200**<br>**2,900**<br>**905**<br>**536**<br>**149**<br>**2,136**<br>**844**<br>**552**<br>**3,000**<br>**6,928**<br>**23,593**|**Last year**<br>**to the**<br>**nearest £**|
|---|---|---|---|---|---|
|Arts Council England National<br>Lottery Project Grants||**28,094**|||**9,900**|
|Earned income - fees from<br>partners|**3,120**||||**5,195**|
|Earned income - fees for<br>Anthology from Quercus|**5,000**||||**-**|
|Donations - fundraising event(s)|**1,550**||||**1,573**|
|Individual donations|**550**||||**2,035**|
|**_Sub total_**_(Gross_<br>_income for AR)_|**10,220**|**28,094**|||**18,703**|
|||||||
|**A2 Asset and investment**<br>**sales, (see table).**||||||
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|**_Sub total_**|||||**18,703**|
|**_Total receipts_**<br>**A3 Payments**||||||
|||**28,094**|||**18,703**|
|||||||
|Artists' fees & expenses|**1,197**|**2,043**||**3,240**|**3,966**|
|Venue hire & materials||**202**||**202**|**1,252**|
|Producing & marketing||**2,200**||**2,200**|**1,997**|
|Audio production||**2,900**||**2,900**|**3,209**|
|Other freelance support||**905**||**905**|**2,078**|
|Rights & permissions||**536**||**536**|**150**|
|Advertising & promotion||**149**||**149**|**576**|
|Software, subscriptions,<br>insurance|**577**|**1,559**||**2,136**|**1,963**|
|Travel, tickets, subsistence -<br>core team & trustees|**228**|**616**||**844**|**-**|
|Supporter & donor care|**149**|**403**||**552**|**-**|
|Anthology - author fees|**3,000**|||**3,000**|**-**|
|Anthology - rights &<br>permissions|**5,000**|**1,928**||**6,928**|**-**|
|**_Sub total_ **|**10,151**|**13,441**||**23,593**|**15,191**|





||**A4 Asset and investment**|||||||||
|---|---|---|---|---|---|---|---|---|---|
||**purchases, (see table)**|||||||||
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||**_Sub total_**|||||||||
||**_Total payments_**|**10,151**||**13,441**|||**23,593**||**15,191**|
|**_t of receipts/(payments)_**||**69**||**14,653**|||**14,721**||**3,512**|
||**A5 Transfers between**|||||||||
||**funds**|||||||||
||**A6 Cash funds last year**|||||||||
||**end**|**4,428**||**1,275**|||**5,703**||**2,191**|
||**_Cash funds this year_**<br>**_end_**|**4,497**||**15,928**|||**20,424**||**5,703**|
|||||||||||



## **Section B Statement of assets and liabilities at the end of the period** 

|**Unrestricted**<br>**funds**<br>**to nearest £**<br>**4,497**<br>**4,497**<br>**Unrestricted**<br>**funds**<br>**to nearest £**<br>**-**<br>**Fund to which**<br>**asset belongs**<br>**Fund to which**<br>**asset belongs**<br>**Fund to which**<br>**liability relates**<br>**Details**<br>**Details**<br>**Details**<br>**_Total cash funds_**<br>(agree balances with receipts and<br>payments account(s))<br>**Details**<br>**Details**|**Unrestricted**<br>**funds**<br>**to nearest £**<br>**4,497**<br>**4,497**<br>**Unrestricted**<br>**funds**<br>**to nearest £**<br>**-**<br>**Fund to which**<br>**asset belongs**<br>**Fund to which**<br>**asset belongs**<br>**Fund to which**<br>**liability relates**<br>**Details**<br>**Details**<br>**Details**<br>**_Total cash funds_**<br>(agree balances with receipts and<br>payments account(s))<br>**Details**<br>**Details**|**Restricted**<br>**funds**<br>**to nearest £**<br>15,928<br>**15,928**<br>**Restricted**<br>**funds**<br>**to nearest £**<br>**-**<br>**Cost**<br>**(optional)**<br>**-**<br>**Cost**<br>**(optional)**<br>**-**<br>**Amount due**<br>**(optional)**<br>**-**|**Endow**<br>**ment**<br>**funds**<br>**to nearest**<br>**£**|
|---|---|---|---|
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||||**Endow**<br>**ment**<br>**to nearest**<br>**£**|
||||**-**|
||||**Current**<br>**value**<br>**(optional)**|
||||**-**|
||||**Current**<br>**value**<br>**(optional)**|
||||**-**|
||||**When due**<br>**(optional)**|
|||**-**||






**----- Start of picture text -----**<br>
Signed by one or two<br>Date of<br>trustees on behalf of all the  Signature Print Name<br>trustees  approval<br>07/04/<br>Alison McManus 2025<br>Alison McManus (Apr 7, 2025 17:14 GMT+1)<br>07/04/<br>Andrea Witzke Slot 2025<br>**----- End of picture text -----**<br>


_Notes: £496.80 paid to trustee Roy McFarlane and £2415.00 paid to trustee Fiona Bennett for artistic services to The Poetry Exchange over 2023-24. A resolution was in place and updated by all trustees to allow for Roy McFarlane and Fiona Bennett to receive these payments at specific moments during 2023-24, given their unique skills and experience within The Poetry Exchange team._ 




## **Independent examiner's report on the accounts** 

## **Section A                        Independent Examiner’s Report** 

**Report to the trustees/** The Poetry Exchange **members of On accounts for the year** 31/3/24 **Charity no** 1185714 **ended (if any) Set out on pages** Page 1 only (remember  to include the page numbers of additional sheets) 

   - I report to the trustees on my examination of the accounts of the above charity (“the Trust”) for the year ended **31 / 03 / 2024** . 

- **Responsibilities and** As the charity trustees of the Trust, you are responsible for the preparation **basis of report** of the accounts in accordance with the requirements of the Charities Act 2011 (“the Act”). 

I report in respect of my examination of the Trust’s accounts carried out under section 145 of the 2011 Act and in carrying out my examination, I have followed the applicable Directions given by the Charity Commission under section 145(5)(b) of the Act. 

**Independent** I have completed my examination.  I confirm that no material matters have **examiner's statement** come to my attention (other than that disclosed below *) in connection with the examination which gives me cause to believe that in, any material respect: 

- accounting records were not kept in accordance with section 130 of the Act or 

- the accounts do not accord with the accounting records 

I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in order to enable a proper understanding of the accounts to be reached. 

* _Please delete the words in the brackets if they do not apply._ 

> **Signed:** Gary Brown **Date:** 31/3/25 **Name:** Gary Brown **Relevant professional** Chartered Accountant (ACA) **qualification(s) or body (if any): Address:** 1 Main Street Frolesworth Leicestershire 

1 

**October 2018** 

**IER** 



## **Section B                           Disclosure** 

Only complete if the examiner needs to highlight matters of concern (see CC32, Independent examination of charity accounts: directions and guidance for examiners). 

**Give here brief details of** None to disclose **any items that the examiner wishes to disclose** . 

2 

**October 2018** 

**IER** 

