| SORP reference | |||||||
|---|---|---|---|---|---|---|---|
| Summary | ofthe purposes of | Para 1.17 | To promote public appreciation of, and |
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| the charity as set out | in its | education in, classical music in and around |
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| governing | document | Whittington, Oswestry, in particular by |
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| organising chamber music festivals |
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| Summary activities |
ofthe main in relation tothose |
Para 1.17and 1.19 |
Our mission isto provide world class performances ofchamber music at affordable |
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| purposes | forthe public | prices and to encourage young people and the |
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| benefit, | in parbcular, | the | general public to participate. The trustees are | ||||
| activities, services accounts |
projects identified |
or in |
the | aware ofthe Charity Commission's guidance public benefit and take it into account when making decisions that may affect the |
on | ||
| accessibility ofits activities tothe public at | |||||||
| large (e.g.ticket prices, transport, access for |
the | ||||||
| disabled). Under-25's are entitled to free tickets | |||||||
| under a scheme sponsored by The Cavatina |
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| Trust. | |||||||
| Our venue has excellent acoustics and sight- | |||||||
| lines, particularly suited to chamber music. We |
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| identify young award-winning stars ofthe music |
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| world and attract them to perform at this rural |
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| outpost by providing a residency with top |
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| quality facilities and support, as well as a | |||||||
| chaHenging | |||||||
| and unusual pregramm. Since its inception |
in | ||||||
| May 2012the festival has gained a reputation | |||||||
| for excellence plus a loyal and slowly expanding | |||||||
| audience. | |||||||
| Outreach activities include school workshops |
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| (50-100children), talks on the programme, | |||||||
| demonstrations by the artists toe.g. !ocal U3A |
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| groups, and some concerts are broadcast live |
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| over the internet to a diverse international | |||||||
| audience ofseveral thousand. |
| Statement confirming whether the trustees have had regard to the guidance issued by the Charity |
The trustees are aware ofthe SORP guidance and have ensured the public benefit ofthe Trust's activity. |
|---|---|
| Commission on public |
|
| benefit |
| You may c | ho | ose to | indude fu |
rther statements | where relevant about: |
|---|---|---|---|---|---|
| SORP reference | |||||
| Policy on | grant making | ||||
| Policy on | social investment | Para 1.38 | |||
| including | program | related | |||
| investment | |||||
| The festival programme is decided by the |
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| Contribution volunteers |
made | by | Artistic Director, Sophia Rahman, who also chooses the artists, and receives afee for her services. |
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| Otherwise, the charity is run entirely on a |
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| voluntary basis and the trustees are responsible |
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| for all executive action involved in planning, |
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| publicising, funding and managing the festival |
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| and for legal and financial advice. | |||||
| We are fortunate to have in addition a |
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| substantial number ofvolunteers who are |
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| willing to perform a wide range oftasks before | |||||
| and during the festival. |
| We appointed a new Artistic Director, | |||
|---|---|---|---|
| Sophia Rahman, four new trustees and a |
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| new treasurer to fill vacancies created by | |||
| Summary ofthe main achievements of the charity, identifying the difference the charity*s work has made to the circumstances ofits |
Para 1.20 | retirement and one resignation. We were able to hold a3&ay Covid-secure festival only days after the easing ofGovernment restrictions on May 17ih. The requirement for social distancing forced the move to a |
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| beneficiaries and any wider benefits to society as a whole. |
la~ger church in Oswestry which normally accommodates 350people. Even so, we could only sell 70tickets per concert which |
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| meant using part ofthe substantial reserves derived from the cancellation ofthe 2020 |
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| festival. | |||
| Artists were thrilled to perform, and the |
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| audience to enjoy, live music again affer 15 | |||
| months ofdeprivation. | |||
| The pandemic meant that no outreach work |
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| was possible. |
| Financial Review | Financial Review | |||
|---|---|---|---|---|
| Review ofthe charity's financial position at the end ofthe period |
Para 1.21 | Having spent f16,826delivering the festival, because ofunexpected donations and a legacy, we finished the year with a balance off13,558. The Trust holds no fixed assetsand all funds are |
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| held in a bank account. | ||||
| Statement explaining the policy for holding reserves stating why they are held |
Para 1.22 | The Reserves Policy states that we need reserves to cover anticipated expenditure coming due after the delivery ofthe festival |
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| {TheProject Reserve) as well as commitment | to | |||
| expenditure forthe following year's festival |
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| which has to be made before knowing what |
our | |||
| income will be, {TheFriends' Reserve), typically about 3096ofthe expected total budget. |
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| Amount ofreserves held |
Para 1.22 | f13,558.00 | ||
| Reasons for holding zero | Para 1.22 | |||
| reserves | ||||
| Details offund materially | in | Para 1.24 | ||
| deficit | ||||
| Explanation ofany |
Para 1.26 | |||
| uncertainties about the |
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| charity continuing as a going |
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| concern |
| Description ofcharity's | |||
|---|---|---|---|
| trusts: | |||
| Type ofgoverning document (trL!st deed, royai charter) |
Constitution —registered |
1September 2016 | |
| amended 20/10/17 | |||
| How isthe charity | Para 125 | ClO | |
| constituted? | |||
| Ce.g un!ncorporated | |||
| assoc!atior!, CIG) | |||
| Trustee selection methods including details ofany constitutional provisions e.g. election to post or name of any person or body entitled |
Para 1.25 | After an initial induction and period of mutual evaluation, appointment ofnew trustees is voted on at an ordinary meeting. New trustees are given a copy ofthe CIO constitution and are made aware ofthe |
|
| to appoint one or more trustees |
aims ofthe Charity |
| Charity's | principal | address | Ashfield, | ||
|---|---|---|---|---|---|
| Bronygarth, | |||||
| Oswestry, | |||||
| Shropshire | SY10 | 7LY |