MUSIC AT MALLING LTD REPORT AND ACCOUNTS FOR THE YEAR ENDED 30 NOVEMBER 2024 Company number . 08048051 Chatity Commission number . 1150337
MUSIC AT MALLING LTD Report and accounts for the year ended 30 November 2024 The Directors and Trustees have pleasure in presenting the report and accounts of Music at Malling Ltd (in this report 'Music@Malling' or 'Music at Malling,) for the year ended 30 November 2024. The Company and its aims The Company was registered at Companies House on 26 April 2012 as a company limited by guar- antee. On 4 January 2013 the company was entered on the Register of Charities, with the Registered Charity Number 1150337. Registered office: Went House, 83 Swan Street West Malling ME19 6LW Music@Malling brings outstanding musicians into the heart of the comrnunity through concerts and outreach with a programme that enriches audiences from the local are4 region and beyond. Funds are raised from public funding" trusts and foundations. sponsorship" private and coryorate dona- tions via our Friends and Patrons scheme. and ticket sales. The programme of concerts and outreach is developed by Artistic Director. Thomas Kemp, and promotes contemporary composers alongside classical music and j azz. Directors and Trustees The directors and trustees who held office throughout the year are: Alan Gibbins (Chairn]an) Jane Anderson Nick Crutchfield (Hon Treasurer) David Kemp The Festival Committee consists of the above and the following: Deborah Sutch (Company Secretary) Peter Cosier Veronica Cosi¢r Mary Gibbins Gwyneth Barkham Sophia Rahman Bella Gosling Management Thomas Kemp - Artistic Director Liz Webb - General Manager Jason Rowland - Animateur Nelson Sinclair-strong - Outreach and Inclusion Manager
MUSIC AT MALLING LTD While the bulk of the work towards the Festival is carried out by the Committee, we are very grate- ful to a number of volunteers who help with the logistics (moving pews and chairs etc) and with the provision of accommodation for some of the artists. Activity in 2024 In 2024 we built on the great success of Six Brandenburgs.. Six Commissions (June 2022 - cited by Fiona Maddocks in The Guardian as one of the l O best concerts and operas of 2022 ("a rewarding and uplifting hit"). and a progrdmme which will be repeated in three concerts with 4 additional commissions, at the Wigmore HaIl on 14 June 2025) and. in June 2023, FArih. Water, Air and fire - a programme of three concerts celebrating composer Deborah Pritchard, her creative partnership with Artist Maggi Hambling CBE. and her response to the work of Mark chag1. once again to de- liver two concert series while continuing with a wide-ranging outreach proaMMe. Bach+ 5 concerts over two days, 26 and 27 April 2024. Music@Malling Festival - 18 concerts running from 20th to 28th September 2024 Outreach - a continuing and comprehensive programme of differentiated outreach with work- shops, talks and perforniances engagtng children, young people and adults - live and online. Bach+ The programme included.. Bach for schools, the culmination of the work done by whole-class groups in primary schools. The sublime Goldberg Variations played by Steven Devine. Three of the Bach Cello Suites played by Richard Harwood, in two programmes which included compositions by Stevie Wishart, Deborah Pritchard, John Woolrich and Judith Weir. Two of Bach's Brandenburg Concertos played by Chamber Domaine under the baton of the festi- val's artistic director Thomas Kemp, with pieces by Deborah Pritchard, John Woolrich and Stevie Wishart. Judith Weir, Master of the King's Music, attended one of the concerts and reported it on her blog with great enthusiasm: "The best time to visit twest Malling] is any time Music@Malling is in op- eration.. . th¢ concerts feature a great deal of contemporary. often newly composed, music alongside the classics. and it's remarkable how successful this is with the local public. . .the programme is so adventurous." Comments frorn concertgoers included. * ¢4 You have given me so much undersL2nding with the amazing work you do. You have opened this whole world of joy for me and I am happy for you to quote me on that" * L a truly uplifting 24 hours"
MUSIC AT MALLING LTD Musicfftmalling Festival The main festival, given as always during the last ten days of September, once again celebrated a wide range of music across the centuri, fron] the Tudor period to the present day. A flavour of the breadth of the festival can be seen from: The concert given by the Marian Consort to open the festival. Alongside Byrd, Blow, Tomkins and Purcell there were pieces by Deborah Pritchard (including a world première of Heart ofLight with Greta Mutlu as violin soloist) and John Woolrich. The Fretwork concert fearing Lawes, Gibbons and Purcell, with contemporary pieces written for viols by John Woolrich and Sir George Benjamin. Richard Harwood's completion of the cycle of Bach cello suites begun in April. with contempo- rary cello pieces from Brian Elias and Gavin Bryars. Concerts marking the 150th anniversary of the birth of Schonberg, setting his music in the context of Gern]an Romanticism with -a concert of beloved Lieder by Schubert and Brahms and Schonberg's Ode to Naploeon narrated by celebrated tenor. Mark Padmore. The concert was completed by a wonderful perforniance of Brahms, Piano Ouintei Op. 34 given by Chamber Domaine. -a concert given by the Smith Quartet with soprano Else TOTP. featuring Schubert's Quartettsatz, the world première of Gavin Bryars, Fifth String QuarteL and not least Schonberg's groundbreaking String Quartet No2. -The Fidelio Trio's perfomlance of Beethoven's Piano Trio The Ghost, Schonberg's luminous Verklarte Nacht and contemporary compositions by Brian Elias and John Woolrich. Connaught Brass perfornied a wide-ranging programme at Pilsdon BanL including Dowland, Pur- cell, Gershwin and Weill.. a concert run in collaboration with the Kirckn]ann Concert Society. Other notable performances included.. Alessandro Fisher giving an outstanding perforn]ance of Schubert's Die Schone Miillerin in the drawing room at Ightham Mote. The song cycle cornposed in 182J sets texts by Wilhelm Muller whose direct descendant Beatrice lived in Ightham Mote in the late C19th. The curator of Ightham Mote, Amanda-Jane Doran. introduced the evening. Alessandro was also part of the star-studded lineup for a concert recreating the original spirit of the Schubertiade, with part songs and lieder. Sholto Kynoch conducted proceedings frorn the piano with Alessandro, Harriet Burns, Katy Thomson, Katie Bray, Bethan Langford and Frederick Long. Tom Bowes presented the life of Paganini. with a virtuoso perfomance of his fiendish Caprices. Adrian Bradbury and Andrew West began a survey of Brahms, Cello Sonatas. Sonatas by Handel and Carbonelli played by Steven Devine and Bojan Cicic. Mexican guitarist Morgan Szymanski perforn]ed Spanish and South American favourites along- side works especially composed for him by Stephen McNeff and Alec Roth at Ightham Mote. Peter Moore - winner of the BBC Young Musician of the Year and Principal Trombone of the London Symphony orchestr perfomied music frorn Brahms to Broadway with Anna Huntley - Mezzo Soprano and Michael McHale - Piano. Several of the lunchtime concerts were attended by classes from local primary and secondary schools.
MUSIC AT MALLING LTD Music@Malling Festival (continued) The festival was rounded off by two jazz concerts. The first from Ca]lum Au and friends - Tromba- Fonics, featuring four trombones perforniing special aangeMentS from the Great American Song- book. The second celebrating the centenary of Gershwin's Rhapsoty in Blue with James Pearson and Friends which was met with great acclaim by the capacity audience. Two further events at the festival should be noted. At Ightham Mote we presented a talk between composer John Woolrich and local artist Ana Maria Pacheco about the relationship between art and music. The talk included the world première per- formance of Be Aware, a new work by John Woolrich which provided a soundscape for Ana Maria Pacheco's seven reliefs about the Seven Deadly Sins. The installation was featured at Ightham Mote to the end of October 2024 and enjoyed by hundreds of visitors. 'At the Swan in West Mallin& one of our featured artists, Brian Elias, celebrated the release of two recordings of his music on Signum featuring music and artists heard at the festival over recent years. Guy Rickards wrote in Gramophone that the Brian Elias compositions were "the finest album of contemporary chamber music I have encountered this yeaf". Our commitment to contemporary composers is cl&3r from the above description of festival activity. Most of the composers were present for the perfonnance of their worL giving introductions to their compositions, helping the audience put ¥hat they are going to hear into context" and making them- selves available to discuss their music with concert-goers. The whole festival was delivered by first class professional musicians. Activity in 2024 - Venues Music@Malling is fortunate in the ratFge of venues it is able to use. We are delighted to have been able to continue our relationship with the National Trust at Ightham Mote as described above. And we have been able to hold concerts and workshops in St Mary's Church, West Malling" All Saint's, Tudeley" MaIling Abbey. St.Benedict's Centre which Music@Malling uses for outreach and talks. and the medieval Pilsdon Bam. We are most grateful for the generosity of all of the venues in allowing us to use these wonderful spaces.
MUSIC AT MALLING LTD Activity in 2024 - Feedback In 2024 our feedback was predominandy online for the first time with over 140 responses to two surveys. We have noted above the accolade frorn Judith Weir. In addition James Murphy from the Royal Philhamionic Society referred to us: "I had a fantastic time at your gem of a festival. All classical music lovers should venture your way" One of the artists taking part ""having been a festival or- ganiser. . . many times over the last 30 years I must also say that I, m impressed at what you achieve". Michael White wrote in the Catholic Herald". "an enterprising festival that programmes repertory by Beethoven and Schubert, but also by living composers such as Brian Elias that you wouldn't expect" Some of the comments received from concert-goers are included below" * (4 World class musicians in our little town The quality was stellaf,. Superb quality music-making and adventurous, rewarding prograrnming" I like to hear new music I've never heard before" There were many other comments along these lines. * ¢£ * <( * L Activity in 2024 - Outreach and Inclusion In 2023, Music@Malling received Arts Council England funding to commission a report from edu- cation consultant, Judith Robinson. This looked at our outreach historically and offered ways to im- prove our collation of dats from feedback and insights into nurseries, primary and secondary schools in the local areas as defined in the English Indices of Deprivation (2019). These findings have resulted in 2024 in the delivery of concerts and outreach and developing rela- tionships with 3 nurseries, 8 primary and 4 secondary schools. As described above, in April 2024 we ran a series of workshops in primary schools culminating in a schools concert as part of Bach+ with whole-class groups in primary school composing music inspired by Bach and perfonning alongside professional musicians. A teacher at one of the participating schools commented.. "l just wanted to say a big thank you for arranging Music@Malling workshops and concerts. The children and parents absolutely loved it ' In September 2024 we held workshops at Ightham Mote in collaboration with the National Trust based on a painting by Ana Maria Pacheco - The Unicorn in the Garden. This cross-disciplinary project for primary and secondary schools brought together heritage. music and art in workshops and perforn]ances. "Thanks so much for Oanis1ng this. We had a fantastic day" _ Teacher, St George's Wrotham. We have Created the position of Outreach and Inclusion Manager for Nelson Sinclair-strong to plan, organise and implement our programme of differentiated outreach and embed music into local communities.
MUSIC AT MALLNG LTD Activity in 2004 - Outreach and Inclusion (continued) During the year we actively encouraged children, young people and families to attend concerts. This included whole class groups attending lunchtime concerts at Malling Abbey and St Mary's Church and included meeting perforniers after the concert for question and answer session. Activity in 2024 - the Music@.Malling Scratch Orchestra Scratch Orchestra had 10 sessions in 2024. The concept is for families to compose and perforn] mu- sic together led by animateur Jason Rowland. Held at the St Benedict's Centre, Malling Abbey. over 250 children, young people and adults have benefitted from the sessions. The families corne from West Malling and further afield including Kings Hill. Aylesfor(L Maidstone. Snodland, Medway, Tonbridge.Tunbridge Wells and Ashford. Several families participate regularly and many children and young people have been involved in Music@Malling outreach in local primary and secondary schools. 90 % rated the experience as "totally brilliant" A parent commented: "To have a Scratch Orchestra nearby is fantastic. I think it's really important to tneet other children and see them playing their instruments. . . the performance was wonderful" The Music@Malling Scratch Orchestra was supported by the Cobtree Charity Trus( Kent Commu- nity Foundation, Arts Council England, Scops Arts Trust and the Henry Smith Charity. Activity in 2024 - Side-by-side Side-by-side activities included Callum Au Big Band (Jazz)" Marian Consort (vocal) and Chamber Domaine (Strings), enabling young musicians to rehearse and perform in professional ensembles. Activity in 2024 - Young Artist Programma In 2024 Music@Mallins bcsan a partsi¢rship with the Kircknian Concert Society with concerts and outreach given by Connaught Brdss Quintet - an outstanding young professional ensemble. Plans for 2025 include a commission from contemporary composer Dani Howard for the ensemble. Activity in 2024 - Outreach, Partnerships and Collaborations Partnerships include= Sound and Music The National Trust The Kirckman Concert Societt. Chamber Domaine
MUSIC AT MALLtNG LTD Activity in 2024 - Administration The majority of ticket purchases are now made on-line and we are able to take credit card payments at the door - very few payments were made in cash. Music@Malling are very grateful to Was Down Swan Street for providing a box office in West Malling High Street. The website has been further improved on prior years and had 2,660 new users. Ticketing is now with Trybooking which we have found to be much easier to work with than Eventbrite. We continued to work on our offer for season tickets holders with restaurant offers, special events and significant savings on concerts across 2024. The benefits to Music@MallÉng are clear: devel- oping a core audience - which helps attendance at less popular events" having a certain amount of income from ticket sales upfront. fostering ongoing interest in Music@MaEling and a network of people who will promote the festival and its aCtiltieS to others. Press and Marketing Music@Malling developed its social media through having sessions with Rachel Milllchip a lead- ing specialist in social media for the arts. This was particularly effective for Instagram here we sig- nificantly grew our audiences. In 2024 we had 1085 followers, 3860 interactions and 90k views. On X we had 6.2 % engagement with 1.6k followers and 77.5k impressions. With Facebook our posts reached8.4k people and had 4.4k engagements. Music@Malling has a monthly newsletter and through our feedbacL we have established that this is a key way to engage with our audiences. There are 1319 contacts and a 58 % open rate. We also used Mailchimp for online surveys for the first time. Music@Malling regularly consults Arts Council England Digital Culture Network and this has enabled us to have an audit for our website and develop online f¢¢dbaGk with data. Our website had 7.93k users which was up 148 % from 2023. 2.66k users were new (up 41 %). 210/0 of OUF audiences were new to our activities. Through our marketing we aim to retain and build on this. WildKat PR carried out our press campaigns and this included features in Classical MusÉc. Interlude and The Strad. Music@ Malling continues to produce paper marketing but has reduced the quantities of print, fo- cusing on online advertising, social media and newsletters. We use Culture Calling for email mar- keting.
fUSIC AT MALLING LTD Financial result The results for the financial year are set out in the accompanying financial accounts. The signifi- cant activity undertaken in the year has maintained our income (£113k) and expendittjre {£116k) at over £ I Ook for the year. although slightly below the amounts recorded in 2023 (£117k and £1 l Ok respectively). Again, we have managed (as we always aim to do) to keep the net result clos¢ to break even. We finished the financial year with a small deficit of £2.971 against 2023 when we showed a surplus of £6.722. The festival could not offer the highest quality concerts and events without the support of grants and donations from grant giving bodies and generous individuals. We are hugely grateful to all of them. Grants and donations for the year totalled £82k (2022 £93k), including major donations from Kent Community Foundation (10.7k); Garfield Weston (£1 Ok). the Henry Smith Trust (£8k)' the D'oyly Carte Charitsble Trust {3.5k)' Scops Arts Trust (£5k)" the Cobtree Trust (£2.5k)' the Cole Trust (£1 .2k)' the Leche Trust (£2k}" the Hinrichsen Foundation (£1.5k}" Malling Memorial Institute (£1 k)" Vaughan Williams Foundation (£2.5k)' Tonbridge and Malling Borough Council (£1 k). West Malling Parish Council (£ Ik)" Whitehead Monckton Foundation (£750)" Marchus Trust (£3,000); and many generous private donations including many through the Big Give which matched dona- tions from our supporters. The Friends and Patrons Scheme is gaining traction. Music@Mallin8 are very grateful to West Malling Flowers for sponsorship in kind. Ticket sales continued to recover from the 2020121 low point of the pandemic. At £30k these were comfortably ahead of 2023 (£24k) Musicians, fees were £67k (2023 58k) Support costs were broadly as in 2023 with some change in the mix as may be seen in note 3 to the financial gtatem¢nts Funding and going CODeern The quality of the programme offered by the Festival is confirn]ed by the rdnge of financial support we received and which is described above. The Committee is mindful of the requirement for any company to be able to meet its liabilities as they fa]1 due. The scope of the festival is adjusted in line with available finance. The Chaiman has been pleased to provide working capital facilities (and donations where neces- sary) to enable the management of cash flows.
MUSIC AT MALLING LTD Future plans Music@Malling is planning a further Spring Series and an autumn festival with 15 events. We are presendy raising funds for these and their shape will depend on how success1 we are. It is hoped that outreach for 2025 will be run across the year including" -L£t's Get Creatii"e - for pre-schix)I children in three Icral nurserN' sch(K)Is. -Prirnary' Inspirations - ii'orkshops and concerts engaging eight Iixal piimarv schools. -composition Vw'orkshops and perforniances iviih GCSE and A lei'el students al 51(Kal secondary schools -workshops wÉth l(Kal charities Spadework (learning and physical disabilities) and the Th. Isdon Community (for those at a crisis in their lil'es ). The participation of people of all ages in the programme described in outline in this report, support- ed by our concessionary pricing policy, demonstrates the achievement of these aims" and we will be building further on this in future festivals. We now regard the development of relationships with arts-related bodies, as described above, as an important part of our remit. At the conclusion of the 2022 festiva] we were delighted to be awarded a KALC (Kent Association of Local Councils) Community Award for services to the community of West Malling, referring in particular to the success of the music festival. Risk management The Directors and Trustees confirni that they have carried out a review of the maj or risks that Music @Malling presently faces. and have considered the necessary procedures to minimise any potential impact should those risks materialise. These include the identification and mitigation of all per- ceived risk of physical accident to audiences and perforn]¢rs. Financial risks are dealt with earlier in this report. 10
MUSIC AT MALLFNG LTD Directors, and Trustees, responsibilities in relation to the financial statements Company law requires the Directors and Trustees to prepare financial statements that give a true and fair view of the state of affairs of the Company and Charity at the end of the financial period and of its surplus or deficit for the financial period. In so doing, the Directors and Trustees are required to: Select suitable accounting policies and apply them consistently Make sound judgements and estimates that are reasonable and prudent Prepare the financial statements on a going concern basis unless it is appropriate to presume that the Company will not continue in business The Directors and Trustees are responsible for maintaining proper accounting records which dis- close with reasonable accuracy at any time the financial position of the Charity and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the Charity and for taking reasonable steps for the prevention and detection of fraud and other irregularities. Independent examiner The Ttustees are most grateful to hfjke Darbyshire for agreeing to continue as our Independent Ex- aminer of Music at Malling Limited. By order of the Board David Kemp, Hon Company Secretary 13 March 2025 11
MUSIC AT mALLG LTD Independent examiner's report to the Trustees of Music at Malling Ltd I report to the Trustees on my examination of the accounts of the company for the Ye end- ed 30 November 2024, which are set out on pages 14 to 18. Respective responsibilities of trustees and examiner The Trustees (who are also the directors of the company for the purposes of company law) are Tesponsible for the preparation of the accounts in accordance with the Tequirements of the Companies Act 2006 ('the 2006 Act,). The Trustees considei that an audit is not required for this year under part 16 of the 2006 Act and that an independent examination is needed. It is my responsibility to: Examine the accounts under section 145 of the Charities Act 2011" Follow procedures laid down in the general directions given by the Charity Commis- sion under section 145(5)(b) of the Charities Act. and to state whether particular matters have come to my attention. Basis of independent examiner's report My examination was carried out in accordance with the general directions given by the Charity Cotnmission. An examination includes a review of the accounting records kept by the charity and a compatison of the accounts presented with those records. It also includes consideration of any unusual itelns 01 disclosures in the accounts. and seeking explanations from you as Trustees concerning any such matters. The procedures undertaken do not pro- vide all the evidence that would be required in an audit and consequently no opinion is giv- en as to whether the accounts present a 'true and fair view, and the report is Iimited to those matters set out in thc statcmcllt below. Independent examiner's ststement In connection with my examinatio no matter has come to my attention which gives me reasonabIe cause to believe that in any material respect . accounting records We not kept in accordance with section 386 of the 2006 Act: or the accounts do not comply with the accounting requitements of section 396 of the 2006 Act other than any requirement that the accounts give a 'true and fair. view which is not a matter considered as part of an independent examination. or 12
MUSIC AT MALLING LTD Independent examiner's report to the Trust of Music at Malling Ltd (continued) the accounts have not been prepared in accordance with the Charities SORP (FRS 102) I have no concerns and have come across no other matters to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached. MJ Darbyshire FCT Libbits, Seven Mile Lane, Mereworth 13 March 2025
mus AT 14LLING LTD Ststwn•ntofllnan¢ial xthTit588 {includlng kncmand EX11• xc•unt) for th• y•r¥MlwJ Xl Nwwnljw S)24 Tcrtal furth INde 81 (Note 21 2(E4 .Incomlng resouY¢o8from genwatlnq lund• , Voluntary i[Ce .,Donatior6 and granls Incle 21 ,A¢tivlthes for 98n•ratlno fund8 n249 93.139 28.621 1.171 Interest el¢ Totsl Ineoming T0Ure•S Costs ol gva• lund¥ Charltabl• ktivitias ConrtS and music w¢ykshc 25. 41252 CKh8r LXKSts lTr)te 31 45.613 49.113 52217 Governance Totsl re8ourcts •xpwded Incom•tor y8•r -18.1 15.(KJ -1971 R¢concillation of fund• .Tota] furKls broughl lotward Transler belvJe8n lunds 824 .Totsl fundg Carr1 fon¥#rd 14
SICAT MILLING LTD Bakifre Slkyl at 30 224 k4 CurrentAwts DeUc$ 61 Cash * aThl in haNJ 2.607 9.136 year (we n Net CurrentAssets Unresb1cted Jnds 4.375 Restrlcted funds Total fvnds Tl Try#ees coASi(JertI Cthnkwny 6 eniiw lo exem[1)n from IIE to fo¥e an je11 tr ol Section 477 01 ComkwsAct 2[ aTrJ nwters ha¥e rKJt re(wtre(J ts C(mnpanY otthn an aiMJ ol ts acco5 fortlE year erKJed 30 ¥em 2024 in dae wNh SedK)n 476 ACL Tntslees s¢Itt5 for er6ur¥w 1171 cOmry acLwnlwJ records wlh cwirty wlh SectKm 386 0lll Ad anL1 lor preparing lina1 staterrEnts give a IFue an(1 lar wew ol Yate ot att15 ol ts company & 30 Noverntr 2024 and of rts resvk lor the tei¥JY tt)en erYed In rthr(e wlh Sectw ol theAd and ollErw&e wlth requements 011 CijmtenEs Ad relalry lo ac(xwts as lar as lo the m[l. com4r1e$. regrme. Slgngj.. AB Gl)trw crolrrron Crutttlrehj Hon Treasurer Aprmved by the Boanl on 13 2025 The on tIE lolbwtng pages lonn rort ol 15
SIC AT MALLING LTD Noles Èo accourrts lorthe year ew 30 JY24 1. Attountlrnj pollcs precedlThJ year. (a) Basls of arxovniirvj The linarKial sternents have ljeen wepwed rionrAI coslO)rNertkJn amydm wlth ItsCorrwNes Act 2(Y)6 Ire siaiement ol RerxJmrnenOe(J pract.. Accounts"ry aTrl ReiM)rting by ClrftEs Id in Nrch 2(M)S andlhe crlanlS SORP IFRS l(r21. .Ib) Fund aco)untlng . unre4rided ldS are avwFatle for at tl diWAel d #E tru¥ees kn ILW[han oltt ¥lvthies ol cw. . reslrfcted funds are subjected lo rethcl?ns on Iheir ex[Le Lywx. A Jarge marttY of resireI rlS is fo¥ Il sch(K)Is aThJ outreach programTre 6nd lor clarrty of testhIn. &e IrKlude(J In the re$lted ol Ihe Statwrt of [Irial ACtlthi See We 2 I( lwttrexp1lWjFL Icl Irrcomlrrg re>)urces All Orni reu[ce5 are #atenI ol tinamal ertI lo, aTKI tIlty certavi to receive. the income anrt the anrt can te wtth a(xxxacy. TIE are lo rortithr ca¢e9)tss of Ijme. . voltary iTKowe B Il¥e0 ty way of grnnts arnl aThl 6 •) ttTrll ffj tt Slalernenl ol Aaiiftles when reae. - Doted SeTh and lacnlls are inckMd al Ihe to tr rtorty whwE ths can ts (wanlllvl. The of sentrs provi(W Lry volunteers has Indled Tn . Iwming resources IT concert& mLL5iC WOrtthJt6 arKI progarrrfr att¥eitng are aCcOtell eamed. {0) Rwurces expded Expen(1Dj recrsnlsed on an accrval trAsis as a liatllty Twhen [ul. Ex[re ary VAT Car(1 t [ty recovereij. a1 Is as part the exFthJ to whth it relale& .Costs ot gerEratuig furts o)sfs a&q)CHled wtth Llrity Ihe Fethai aTrd as&1 WLNkst)rs ¢J)#s I[lde those which Can aHocaled (¥rdl¥. W{paIty rnvsrxn& I>¥e IrKJraJ txtys rEcewry to tm. . GoverrH costs rtle ttw a89xlaloJ wlh Il (xInslll11I stalLrtory rewyenwts ol CW. 16
MUSIC AT LLING LTD Notes to tl accourts lorthe ethj W No¥emter W24 Z Donafjons and graRts workshop a1 tt Scoich Ckchetrd. Certain garts are lorthe ccMnmBsI(ffity rvlornwe rA corrteFry)rdry rnc. (Ttd in theTnrJees' retKL W at romoles an a1 successlul of u)NL¥ntmry twl INS ts gwaly refor1 rr eslat4ishvJ worfl . The Trustees are mlndfu ol the resirtlh)ns alla¢W to gants aKt are sali51Ed 1143t tefjrs uThl8r whth grants are awardexl are meL They cons(rthat txeahJwJ crtrt rnusklans'iine al ttheen oYrteFnForary aThJ ottv rrwsr wo1 LE aTL¥lrary. '.8 grarts lorc¢yem)ftry arKI comm6sh)ns arrA)l £9.IJXI. CO ol comrTh&gcthJ [ErfOrrroe are esb"mated to ,. be wel In excess ¢S lfgU with com6&in to £&x). In 2LY24 unreslrthd (knnaIM) iJxluthd £12.1KK) I3.. £6.(J) c.nan ot t Fethai ab) iyovthd lor rAtlkl as lrtTrm iimeio Mh Spa 3. Costs ol genvaang lund> ttorlWle xtrllles These Indu". 21Y24 ar24 Tcrf Tolal Artistic Diredor's lee AlMtra00n 16.573 18.073 15.907 Hlre ol verllJ&S 3.130 4.130 Comm159or6 atm) must ht &955 6,955 Plar#) aThJ Irrd lyre Prfrning and Wl¢itY inc wetr6N8 . F¢Irng and e(Jrtlng Toftel hire 3.874 3.874 11641 378 Sound and11g)ti &635 Otlr ir IrUraE 4. Twse remuntratlon No InEtoe fenAwatth divty rfl. 5. Taxauon As a charlty. at ts exefflFI Irom on Ir lalry wilNn sec1kTh 505 ofthe Taxe5 Att 1988. lax ChYeS have trb Ihe GI11y. 6. Debtors 124 Gift Ahj lae Atnounts dtE frt)m wrwr5 tht sabs 17