MUSIC AT MALLING LTD
REPORT AND ACCOUNTS FOR THE YEAR ENDED 30 NOVEMBER 2024
Company number . 08048051
Chatity Commission number . 1150337

MUSIC AT MALLING LTD
Report and accounts for the year ended 30 November 2024
The Directors and Trustees have pleasure in presenting the report and accounts of Music at Malling
Ltd (in this report 'Music@Malling' or 'Music at Malling,) for the year ended 30 November 2024.
The Company and its aims
The Company was registered at Companies House on 26 April 2012 as a company limited by guar-
antee. On 4 January 2013 the company was entered on the Register of Charities, with the Registered
Charity Number 1150337.
Registered office:
Went House, 83 Swan Street
West Malling ME19 6LW
Music@Malling brings outstanding musicians into the heart of the comrnunity through concerts and
outreach with a programme that enriches audiences from the local are4 region and beyond. Funds
are raised from public funding" trusts and foundations. sponsorship" private and coryorate dona-
tions via our Friends and Patrons scheme. and ticket sales. The programme of concerts and outreach
is developed by Artistic Director. Thomas Kemp, and promotes contemporary composers alongside
classical music and j azz.
Directors and Trustees
The directors and trustees who held office throughout the year are:
Alan Gibbins (Chairn]an)
Jane Anderson
Nick Crutchfield (Hon Treasurer)
David Kemp
The Festival Committee consists of the above and the following:
Deborah Sutch (Company Secretary)
Peter Cosier
Veronica Cosi¢r
Mary Gibbins
Gwyneth Barkham
Sophia Rahman
Bella Gosling
Management
Thomas Kemp - Artistic Director
Liz Webb - General Manager
Jason Rowland - Animateur
Nelson Sinclair-strong - Outreach and Inclusion Manager

MUSIC AT MALLING LTD
While the bulk of the work towards the Festival is carried out by the Committee, we are very grate-
ful to a number of volunteers who help with the logistics (moving pews and chairs etc) and with the
provision of accommodation for some of the artists.
Activity in 2024
In 2024 we built on the great success of Six Brandenburgs.. Six Commissions (June 2022 - cited by
Fiona Maddocks in The Guardian as one of the l O best concerts and operas of 2022 ("a rewarding
and uplifting hit"). and a progrdmme which will be repeated in three concerts with 4 additional
commissions, at the Wigmore HaIl on 14 June 2025) and. in June 2023, FArih. Water, Air and fire -
a programme of three concerts celebrating composer Deborah Pritchard, her creative partnership
with Artist Maggi Hambling CBE. and her response to the work of Mark chag￿1. once again to de-
liver two concert series while continuing with a wide-ranging outreach pro￿aMMe.
Bach+ 5 concerts over two days, 26 and 27 April 2024.
Music@Malling Festival - 18 concerts running from 20th to 28th September 2024
Outreach - a continuing and comprehensive programme of differentiated outreach with work-
shops, talks and perforniances engagtng children, young people and adults - live and online.
Bach+
The programme included..
*Bach for schools, the culmination of the work done by whole-class groups in primary schools.
*The sublime Goldberg Variations played by Steven Devine.
*Three of the Bach Cello Suites played by Richard Harwood, in two programmes which included
compositions by Stevie Wishart, Deborah Pritchard, John Woolrich and Judith Weir.
*Two of Bach's Brandenburg Concertos played by Chamber Domaine under the baton of the festi-
val's artistic director Thomas Kemp, with pieces by Deborah Pritchard, John Woolrich and Stevie
Wishart.
Judith Weir, Master of the King's Music, attended one of the concerts and reported it on her blog
with great enthusiasm: "The best time to visit twest Malling] is any time Music@Malling is in op-
eration.. . th¢ concerts feature a great deal of contemporary. often newly composed, music alongside
the classics. and it's remarkable how successful this is with the local public. . .the programme is so
adventurous."
Comments frorn concertgoers included.
* ¢4
You have given me so much undersL2nding with the amazing work you do. You have opened this
whole world of joy for me and I am happy for you to quote me on that"
* L
a truly uplifting 24 hours"

MUSIC AT MALLING LTD
Musicfftmalling Festival
The main festival, given as always during the last ten days of September, once again celebrated a
wide range of music across the centuri￿, fron] the Tudor period to the present day.
A flavour of the breadth of the festival can be seen from:
*The concert given by the Marian Consort to open the festival. Alongside Byrd, Blow, Tomkins and
Purcell there were pieces by Deborah Pritchard (including a world première of Heart ofLight with
Greta Mutlu as violin soloist) and John Woolrich.
*The Fretwork concert fea￿ring Lawes, Gibbons and Purcell, with contemporary pieces written for
viols by John Woolrich and Sir George Benjamin.
Richard Harwood's completion of the cycle of Bach cello suites begun in April. with contempo-
rary cello pieces from Brian Elias and Gavin Bryars.
*Concerts marking the 150th anniversary of the birth of Schonberg, setting his music in the context
of Gern]an Romanticism with
-a concert of beloved Lieder by Schubert and Brahms and Schonberg's Ode to Naploeon narrated
by celebrated tenor. Mark Padmore. The concert was completed by a wonderful perforniance of
Brahms, Piano Ouintei Op. 34 given by Chamber Domaine.
-a concert given by the Smith Quartet with soprano Else TOTP. featuring Schubert's Quartettsatz,
the world première of Gavin Bryars, Fifth String QuarteL and not least Schonberg's groundbreaking
String Quartet No2.
-The Fidelio Trio's perfomlance of Beethoven's Piano Trio The Ghost, Schonberg's luminous
Verklarte Nacht and contemporary compositions by Brian Elias and John Woolrich.
*Connaught Brass perfornied a wide-ranging programme at Pilsdon BanL including Dowland, Pur-
cell, Gershwin and Weill.. a concert run in collaboration with the Kirckn]ann Concert Society.
Other notable performances included..
*Alessandro Fisher giving an outstanding perforn]ance of Schubert's Die Schone Miillerin in the
drawing room at Ightham Mote. The song cycle cornposed in 182J sets texts by Wilhelm Muller
whose direct descendant Beatrice lived in Ightham Mote in the late C19th. The curator of Ightham
Mote, Amanda-Jane Doran. introduced the evening.
*Alessandro was also part of the star-studded lineup for a concert recreating the original spirit of the
Schubertiade, with part songs and lieder. Sholto Kynoch conducted proceedings frorn the piano with
Alessandro, Harriet Burns, Katy Thomson, Katie Bray, Bethan Langford and Frederick Long.
Tom Bowes presented the life of Paganini. with a virtuoso perfomance of his fiendish Caprices.
*Adrian Bradbury and Andrew West began a survey of Brahms, Cello Sonatas.
*Sonatas by Handel and Carbonelli played by Steven Devine and Bojan Cicic.
*Mexican guitarist Morgan Szymanski perforn]ed Spanish and South American favourites along-
side works especially composed for him by Stephen McNeff and Alec Roth at Ightham Mote.
*Peter Moore - winner of the BBC Young Musician of the Year and Principal Trombone of the
London Symphony orchestr￿ perfomied music frorn Brahms to Broadway with Anna Huntley -
Mezzo Soprano and Michael McHale - Piano.
Several of the lunchtime concerts were attended by classes from local primary and secondary
schools.

MUSIC AT MALLING LTD
Music@Malling Festival (continued)
The festival was rounded off by two jazz concerts. The first from Ca]lum Au and friends - Tromba-
Fonics, featuring four trombones perforniing special a￿angeMentS from the Great American Song-
book. The second celebrating the centenary of Gershwin's Rhapsoty in Blue with James Pearson
and Friends which was met with great acclaim by the capacity audience.
Two further events at the festival should be noted.
*At Ightham Mote we presented a talk between composer John Woolrich and local artist Ana Maria
Pacheco about the relationship between art and music. The talk included the world première per-
formance of Be Aware, a new work by John Woolrich which provided a soundscape for Ana Maria
Pacheco's seven reliefs about the Seven Deadly Sins. The installation was featured at Ightham Mote
to the end of October 2024 and enjoyed by hundreds of visitors.
'At the Swan in West Mallin& one of our featured artists, Brian Elias, celebrated the release of two
recordings of his music on Signum featuring music and artists heard at the festival over recent
years. Guy Rickards wrote in Gramophone that the Brian Elias compositions were "the finest album
of contemporary chamber music I have encountered this yeaf".
Our commitment to contemporary composers is cl&3r from the above description of festival activity.
Most of the composers were present for the perfonnance of their worL giving introductions to their
compositions, helping the audience put ¥*hat they are going to hear into context" and making them-
selves available to discuss their music with concert-goers.
The whole festival was delivered by first class professional musicians.
Activity in 2024 - Venues
Music@Malling is fortunate in the ratFge of venues it is able to use. We are delighted to have been
able to continue our relationship with the National Trust at Ightham Mote as described above. And
we have been able to hold concerts and workshops in St Mary's Church, West Malling" All Saint's,
Tudeley" MaIling Abbey. St.Benedict's Centre which Music@Malling uses for outreach and talks.
and the medieval Pilsdon Bam.
We are most grateful for the generosity of all of the venues in allowing us to use these wonderful
spaces.

MUSIC AT MALLING LTD
Activity in 2024 - Feedback
In 2024 our feedback was predominandy online for the first time with over 140 responses to two
surveys.
We have noted above the accolade frorn Judith Weir. In addition James Murphy from the Royal
Philhamionic Society referred to us: "I had a fantastic time at your gem of a festival. All classical
music lovers should venture your way" One of the artists taking part ""having been a festival or-
ganiser. . . many times over the last 30 years I must also say that I, m impressed at what you
achieve". Michael White wrote in the Catholic Herald". "an enterprising festival that programmes
repertory by Beethoven and Schubert, but also by living composers such as Brian Elias that you
wouldn't expect"
Some of the comments received from concert-goers are included below"
* (4
World class musicians in our little town
The quality was stellaf,.
Superb quality music-making and adventurous, rewarding prograrnming"
I like to hear new music I've never heard before"
There were many other comments along these lines.
* ¢£
* <(
* L
Activity in 2024 - Outreach and Inclusion
In 2023, Music@Malling received Arts Council England funding to commission a report from edu-
cation consultant, Judith Robinson. This looked at our outreach historically and offered ways to im-
prove our collation of dats from feedback and insights into nurseries, primary and secondary
schools in the local areas as defined in the English Indices of Deprivation (2019).
These findings have resulted in 2024 in the delivery of concerts and outreach and developing rela-
tionships with 3 nurseries, 8 primary and 4 secondary schools. As described above, in April 2024
we ran a series of workshops in primary schools culminating in a schools concert as part of Bach+
with whole-class groups in primary school composing music inspired by Bach and perfonning
alongside professional musicians. A teacher at one of the participating schools commented.. "l just
wanted to say a big thank you for arranging Music@Malling workshops and concerts. The children
and parents absolutely loved it '
In September 2024 we held workshops at Ightham Mote in collaboration with the National Trust
based on a painting by Ana Maria Pacheco - The Unicorn in the Garden. This cross-disciplinary
project for primary and secondary schools brought together heritage. music and art in workshops
and perforn]ances. "Thanks so much for O￿anis1ng this. We had a fantastic day" _ Teacher, St
George's Wrotham.
We have Created the position of Outreach and Inclusion Manager for Nelson Sinclair-strong to plan,
organise and implement our programme of differentiated outreach and embed music into local
communities.

MUSIC AT MALLNG LTD
Activity in 2004 - Outreach and Inclusion (continued)
During the year we actively encouraged children, young people and families to attend concerts.
This included whole class groups attending lunchtime concerts at Malling Abbey and St Mary's
Church and included meeting perforniers after the concert for question and answer session.
Activity in 2024 - the Music@.Malling Scratch Orchestra
Scratch Orchestra had 10 sessions in 2024. The concept is for families to compose and perforn] mu-
sic together led by animateur Jason Rowland. Held at the St Benedict's Centre, Malling Abbey. over
250 children, young people and adults have benefitted from the sessions. The families corne from
West Malling and further afield including Kings Hill. Aylesfor(L Maidstone. Snodland, Medway,
Tonbridge.Tunbridge Wells and Ashford. Several families participate regularly and many children
and young people have been involved in Music@Malling outreach in local primary and secondary
schools.
90 % rated the experience as "totally brilliant" A parent commented: "To have a Scratch Orchestra
nearby is fantastic. I think it's really important to tneet other children and see them playing their
instruments. . . the performance was wonderful"
The Music@Malling Scratch Orchestra was supported by the Cobtree Charity Trus( Kent Commu-
nity Foundation, Arts Council England, Scops Arts Trust and the Henry Smith Charity.
Activity in 2024 - Side-by-side
Side-by-side activities included Callum Au Big Band (Jazz)" Marian Consort (vocal) and Chamber
Domaine (Strings), enabling young musicians to rehearse and perform in professional ensembles.
Activity in 2024 - Young Artist Programma
In 2024 Music@Mallins bcsan a partsi¢rship with the Kircknian Concert Society with concerts and
outreach given by Connaught Brdss Quintet - an outstanding young professional ensemble. Plans
for 2025 include a commission from contemporary composer Dani Howard for the ensemble.
Activity in 2024 - Outreach, Partnerships and Collaborations
Partnerships include=
Sound and Music
The National Trust
The Kirckman Concert Societt.
Chamber Domaine

MUSIC AT MALLtNG LTD
Activity in 2024 - Administration
The majority of ticket purchases are now made on-line and we are able to take credit card payments
at the door - very few payments were made in cash.
Music@Malling are very grateful to Was Down Swan Street for providing a box office in West
Malling High Street.
The website has been further improved on prior years and had 2,660 new users. Ticketing is now
with Trybooking which we have found to be much easier to work with than Eventbrite.
We continued to work on our offer for season tickets holders with restaurant offers, special events
and significant savings on concerts across 2024. The benefits to Music@MallÉng are clear: devel-
oping a core audience - which helps attendance at less popular events" having a certain amount of
income from ticket sales upfront. fostering ongoing interest in Music@MaEling and a network of
people who will promote the festival and its aCti￿ltieS to others.
Press and Marketing
Music@Malling developed its social media through having sessions with Rachel Milllchip a lead-
ing specialist in social media for the arts. This was particularly effective for Instagram here we sig-
nificantly grew our audiences. In 2024 we had 1085 followers, 3860 interactions and 90k views. On
X we had 6.2 % engagement with 1.6k followers and 77.5k impressions. With Facebook our posts
reached8.4k people and had 4.4k engagements.
Music@Malling has a monthly newsletter and through our feedbacL we have established that this
is a key way to engage with our audiences. There are 1319 contacts and a 58 % open rate. We also
used Mailchimp for online surveys for the first time. Music@Malling regularly consults Arts
Council England Digital Culture Network and this has enabled us to have an audit for our website
and develop online f¢¢dbaGk with data.
Our website had 7.93k users which was up 148 % from 2023. 2.66k users were new (up 41 %). 210/0
of OUF audiences were new to our activities. Through our marketing we aim to retain and build on
this.
WildKat PR carried out our press campaigns and this included features in Classical MusÉc. Interlude
and The Strad.
Music@ Malling continues to produce paper marketing but has reduced the quantities of print, fo-
cusing on online advertising, social media and newsletters. We use Culture Calling for email mar-
keting.

fUSIC AT MALLING LTD
Financial result
The results for the financial year are set out in the accompanying financial accounts. The signifi-
cant activity undertaken in the year has maintained our income (£113k) and expendittjre {£116k) at
over £ I Ook for the year. although slightly below the amounts recorded in 2023 (£117k and £1 l Ok
respectively). Again, we have managed (as we always aim to do) to keep the net result clos¢ to
break even. We finished the financial year with a small deficit of £2.971 against 2023 when we
showed a surplus of £6.722.
The festival could not offer the highest quality concerts and events without the support of grants
and donations from grant giving bodies and generous individuals. We are hugely grateful to all of
them.
Grants and donations for the year totalled £82k (2022 £93k), including major donations from Kent
Community Foundation (10.7k); Garfield Weston (£1 Ok). the Henry Smith Trust (£8k)' the D'oyly
Carte Charitsble Trust {3.5k)' Scops Arts Trust (£5k)" the Cobtree Trust (£2.5k)' the Cole Trust
(£1 .2k)' the Leche Trust (£2k}" the Hinrichsen Foundation (£1.5k}" Malling Memorial Institute
(£1 k)" Vaughan Williams Foundation (£2.5k)' Tonbridge and Malling Borough Council (£1 k). West
Malling Parish Council (£ Ik)" Whitehead Monckton Foundation (£750)" Marchus Trust (£3,000);
and many generous private donations including many through the Big Give which matched dona-
tions from our supporters. The Friends and Patrons Scheme is gaining traction.
Music@Mallin8 are very grateful to West Malling Flowers for sponsorship in kind.
Ticket sales continued to recover from the 2020121 low point of the pandemic. At £30k these were
comfortably ahead of 2023 (£24k)
Musicians, fees were £67k (2023 58k)
Support costs were broadly as in 2023 with some change in the mix as may be seen in note 3 to the
financial gtatem¢nts
Funding and going CODeern
The quality of the programme offered by the Festival is confirn]ed by the rdnge of financial support
we received and which is described above. The Committee is mindful of the requirement for any
company to be able to meet its liabilities as they fa]1 due. The scope of the festival is adjusted in line
with available finance.
The Chaiman has been pleased to provide working capital facilities (and donations where neces-
sary) to enable the management of cash flows.

MUSIC AT MALLING LTD
Future plans
Music@Malling is planning a further Spring Series and an autumn festival with 15 events. We are
presendy raising funds for these and their shape will depend on how success￿1 we are.
It is hoped that outreach for 2025 will be run across the year including"
-L£t's Get Creatii"e - for pre-schix)I children in three Icral nurserN' sch(K)Is.
-Prirnary' Inspirations - ii'orkshops and concerts engaging eight Iixal piimarv schools.
-composition Vw'orkshops and perforniances iviih GCSE and A lei'el students al 51(Kal secondary
schools
-workshops wÉth l(Kal charities Spadework (learning and physical disabilities) and the Th. Isdon
Community (for those at a crisis in their lil'es ).
The participation of people of all ages in the programme described in outline in this report, support-
ed by our concessionary pricing policy, demonstrates the achievement of these aims" and we will be
building further on this in future festivals.
We now regard the development of relationships with arts-related bodies, as described above, as an
important part of our remit.
At the conclusion of the 2022 festiva] we were delighted to be awarded a KALC (Kent Association
of Local Councils) Community Award for services to the community of West Malling, referring in
particular to the success of the music festival.
Risk management
The Directors and Trustees confirni that they have carried out a review of the maj or risks that Music
@Malling presently faces. and have considered the necessary procedures to minimise any potential
impact should those risks materialise. These include the identification and mitigation of all per-
ceived risk of physical accident to audiences and perforn]¢rs. Financial risks are dealt with earlier in
this report.
10

MUSIC AT MALLFNG LTD
Directors, and Trustees, responsibilities in relation to the financial statements
Company law requires the Directors and Trustees to prepare financial statements that give a true
and fair view of the state of affairs of the Company and Charity at the end of the financial period
and of its surplus or deficit for the financial period.
In so doing, the Directors and Trustees are required to:
Select suitable accounting policies and apply them consistently
Make sound judgements and estimates that are reasonable and prudent
Prepare the financial statements on a going concern basis unless it is appropriate to presume
that the Company will not continue in business
The Directors and Trustees are responsible for maintaining proper accounting records which dis-
close with reasonable accuracy at any time the financial position of the Charity and
enable them to ensure that the financial statements comply with the Companies Act 2006. They are
also responsible for safeguarding the assets of the Charity and for taking reasonable steps for the
prevention and detection of fraud and other irregularities.
Independent examiner
The Ttustees are most grateful to hfjke Darbyshire for agreeing to continue as our Independent Ex-
aminer of Music at Malling Limited.
By order of the Board
David Kemp, Hon Company Secretary
13 March 2025
11

MUSIC AT mALL￿G LTD
Independent examiner's report to the Trustees of Music at Malling Ltd
I report to the Trustees on my examination of the accounts of the company for the Ye￿ end-
ed 30 November 2024, which are set out on pages 14 to 18.
Respective responsibilities of trustees and examiner
The Trustees (who are also the directors of the company for the purposes of company law)
are Tesponsible for the preparation of the accounts in accordance with the Tequirements of
the Companies Act 2006 ('the 2006 Act,). The Trustees considei that an audit is not required
for this year under part 16 of the 2006 Act and that an independent examination is needed.
It is my responsibility to:
Examine the accounts under section 145 of the Charities Act 2011"
Follow procedures laid down in the general directions given by the Charity Commis-
sion under section 145(5)(b) of the Charities Act. and
to state whether particular matters have come to my attention.
Basis of independent examiner's report
My examination was carried out in accordance with the general directions given by the
Charity Cotnmission. An examination includes a review of the accounting records kept by
the charity and a compatison of the accounts presented with those records. It also includes
consideration of any unusual itelns 01 disclosures in the accounts. and seeking explanations
from you as Trustees concerning any such matters. The procedures undertaken do not pro-
vide all the evidence that would be required in an audit and consequently no opinion is giv-
en as to whether the accounts present a 'true and fair view, and the report is Iimited to those
matters set out in thc statcmcllt below.
Independent examiner's ststement
In connection with my examinatio￿ no matter has come to my attention which gives me
reasonabIe cause to believe that in any material respect .
accounting records We￿ not kept in accordance with section 386 of the 2006 Act: or
the accounts do not comply with the accounting requitements of section 396 of the 2006
Act other than any requirement that the accounts give a 'true and fair. view which
is not a matter considered as part of an independent examination. or
12

MUSIC AT MALLING LTD
Independent examiner's report to the Trust￿ of Music at Malling Ltd (continued)
the accounts have not been prepared in accordance with the Charities SORP (FRS 102)
I have no concerns and have come across no other matters to which attention should be
drawn in this report in order to enable a proper understanding of the accounts to be reached.
MJ Darbyshire FCT
Libbits,
Seven Mile Lane,
Mereworth
13 March 2025

mus￿ AT ￿14LLING LTD
Ststwn•ntofllnan¢ial xthTit588 {includlng kncmand EX￿1￿1• xc•unt) for th• y•r¥MlwJ Xl Nwwnljw S)24
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81
(Note 21
2(E4
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, Voluntary i[￿C￿e
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n249
93.139
28.621
1.171
Interest el¢
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Costs ol g￿va￿￿• lund¥
Charltabl• ktivitias
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25.
41252
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45.613
49.113
52217
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824
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14

SICAT MILLING LTD
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AB Gl)trw
crolrrron
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Aprmved by the Boanl on 13 2025
The on tIE lolbwtng pages lonn rort ol
15

SIC AT MALLING LTD
Noles Èo accourrts lorthe year ew 30 JY24
1. Attountlrnj pollc*s
precedlThJ year.
(a) Basls of arxovniirvj
The linarKial st*ernents have ljeen wepwed ri*onrAI coslO)rNertkJn amydm wlth ItsCorrwNes Act 2(Y)6
Ire siaiement ol RerxJmrnenOe(J pract￿.. Accounts"ry aTrl ReiM)rting by Cl*rftEs I￿￿d in N*rch 2(M)S andlhe
crlanl￿S SORP IFRS l(r21.
.Ib) Fund aco)untlng
. unre4rided l￿dS are avwFatle for ￿ at tl* diWAel￿ d #E tru¥ees kn ILW[h￿an￿ oltt* ¥lvthies ol cw.
. reslrfcted funds are subjected lo rethcl*?ns on Iheir ex￿￿￿[L￿e L*ywx.
A Jarge ma￿rttY of resir￿e￿I ￿r￿lS is fo¥ Il* sch(K)Is aThJ outreach programTre 6nd lor clarrty of t*esthI￿n. &e
IrKlude(J In the re$l￿ted ol Ihe Statwrt of ￿[I￿rial ACtlthi* See We 2 I(￿ lwtt*rexp￿1￿lWjFL
Icl Irrcomlrrg re>)urces
All ￿Orni￿ re￿u[ce5 are #ate￿￿nI ol tinamal ertI￿ lo, aTKI ￿tI￿lty certavi to
receive. the income anrt the an￿￿rt can te wtth a(xxxacy. TIE are lo rortithr
ca¢e9)tss of I￿jme.
. vol￿tary iTKowe B I￿l¥e0 ty way of grnnts arnl aThl 6 •) ttTrll ffj tt* Slalernenl ol Aaiiftles when
re￿￿a￿e.
- Do￿ted SeTh￿ and lacnll￿s are inckM*d al Ihe to tr* rtorty whwE ths can ts (wanlllvl. The of sentrs
provi(W Lry volunteers has Ind￿led Tn
. Iwming resources IT￿ concert& mLL5iC WOrtthJt6 arKI progarrrfr* att¥eit*ng are aCcO￿tell eamed.
{0) Rwurces exp￿ded
Expen(1Dj￿ ￿ recrsnlsed on an accrval trAsis as a liatllty Twhen [￿ul￿. Ex[￿re ary VAT Car￿(1 t* [￿ty
recovereij. a￿1 Is as part the exF*thJ￿ to whth it relale&
.Costs ot gerEratuig fur*ts o)sfs a&q)CHled wtth L*lr*ity Ihe Fethai aTrd as￿&1 WLNkst*)rs ¢J)#s
I[￿l￿de those which Can ￿ aHocaled (¥r*dl¥. W{￿paIty rnvsrxn& ￿ I￿>¥e IrKJraJ txtys rEcewry to t￿m.
. GoverrH￿￿ costs rt￿le ttw a89xlaloJ wlh Il* (xInsll￿l1￿1I stalLrtory rewyenwts ol CW.
16

MUSIC AT ￿LLING LTD
Notes to tl* accourts lorthe ethj W No¥emter W24
Z Donafjons and graRts
workshop a￿1 tt* Scoich Ckchetrd.
Certain garts are lorthe ccMnmBsI(ffity ￿ rvlornwe rA corrteFry)rdry rn￿c. (**Tt*d in theTnrJees' retK*L W at
r*omoles an a￿1 successlul of u)NL¥ntmry twl INS ts gwaly refor￿1 rr￿ eslat4ishvJ worfl .
The Trustees are mlndfu ol the resirtlh)ns alla¢W to gants aKt are sali51Ed 1143t tefjrs uThl8r whth grants are awardexl are
meL They cons(*rthat txeahJwJ crtrt rnusklans'iine al ttheen oYrteFnForary aThJ ottv rrwsr wo￿1 LE aTL¥lrary.
'.8￿ grarts lorc¢y*em￿)ftry arKI comm6sh)ns arrA)￿l £9.IJXI. ￿ CO￿ ol comrTh&gcthJ [ErfOrrro￿e are esb"mated to ,.
be wel In excess ¢S lfgU￿ with com6&in to £&￿x).
In 2LY24 unreslrthd (knnaIM)￿ iJxluthd £12.1KK) I￿3.. £6.(￿J) c￿.￿nan ot t￿ Fethai ab) iyovthd lor
rAtlkl as lrtTrm iimeio Mh Spa
3. Costs ol genvaang lund> ttorlWle xtrllles
These Indu￿".
21Y24
ar24
Tcrf
Tolal
Artistic Diredor's lee
AlM￿￿tra00n
16.573
18.073
15.907
Hlre ol verllJ&S
3.130
4.130
Comm159or6 atm) must ht
&955
6,955
Plar#) aThJ I￿r￿￿rd lyre
Prfrning and W￿l¢itY inc wetr6N8
. F¢Irn￿g and e(Jrtlng
Toftel hire
3.874
3.874
11641
378
Sound and11g)ti
&635
Otl*r ir
Ir￿Ura￿E
4. Tws*e remuntratlon
No InEtoe fenAwatth divty rfl.
5. Taxauon
As a charlty. at ts exefflFI Irom on Ir￿ lalry wilNn sec1kTh 505 ofthe Taxe5 Att 1988. lax
Ch￿YeS have trb Ihe GI￿11y.
6. Debtors
124
Gift Ahj ￿*la￿￿e
Atnounts dtE frt)m wrwr5 ￿ tht sabs
17