| Trustees | Mr R SBurton | |||||
|---|---|---|---|---|---|---|
| Mr A J Simpkin | ||||||
| Mr D Knaus | ||||||
| Mr P Drewitt | ||||||
| Ms MAllende | ||||||
| Mr C Condron | ||||||
| Mrs LH Momodu-Gordon | (Appointed | 26 May 2021) | ||||
| Ms M C McVeigh | (Appointed | 20 July 2021) | ||||
| Executive | and Artistic Director | Ms SMavlian | ||||
| Secretary | Ms SMavlian | |||||
| Charity number | 1053208 | |||||
| Company | number | 03043169 | ||||
| Principal | address | 28 Kensington | Street | |||
| Brighton | ||||||
| East Sussex | ||||||
| BN1 4AJ | ||||||
| Independent | examiner | S.R.A. Holmes | FCA | |||
| Victor Boorman | k, Co | |||||
| Europa House | ||||||
| Goldstone Villas | ||||||
| Hove | ||||||
| East Sussex | ||||||
| BN3 3RQ |
| Page | ||||
|---|---|---|---|---|
| Trustees' report |
1-8 | |||
| Statement of | trustees' | responsibilities | ||
| Independent | examiner's | report | 10 | |
| Statement of | financial | activities | ||
| Balance sheet | 12 | |||
| Statement of | cash flows | 13 | ||
| Notes to the accounts | 14-25 |
| Achievements against objectives set |
Achievements against objectives set |
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|---|---|---|---|---|---|---|
| Plans for 2020/21 | Actuals | |||||
| Talent Development | ||||||
| Present the | Due to covid, both venues remained closed, |
and the tour exhibitions had to be |
||||
| Jerwood/ | postponed to 2021/22. | |||||
| Photoworks Awards |
||||||
| tour exhibition in |
||||||
| Belfast and | ||||||
| Glasgow | ||||||
| Support emerging | We selected an artist to spend 5 months | at Wigwell Lodge as part | ofthe | |||
| talent through The |
second iteration ofThe Ampersand Foundation / Photoworks Residency; we |
|||||
| Ampersand | released 5 issues ofPhotography+ featuring |
the work | of50 artists | including | 12 | |
| Foundation | recent graduates as part ofour inaugural |
Photography+ Graduate |
Issue; and | |||
| Residency, | invited 39artists to take over the Photoworks' | instagram account |
for aweek | |||
| Photography+ and |
each, that is 3 more than the previous year. |
|||||
| Deliver portfolio | - 2 portfolio reviews sessions supposing | 18 | artists at | events in Derby and London | ||
| reviews and |
- 3 mentoring sessions |
|||||
| mentorship sessions |
||||||
| Continue the | We coordinated the second edition ofThe Ampersand |
Foundation | / Photoworks | |||
| collaboration with the |
residency. It was awarded to M6nica Alcazar-Duarte | from February —June, a 5- | ||||
| Ampersand Foundation |
month period. | |||||
| Launched the |
At the end of2020/21 we launched the |
open | call for | anew development | ||
| Ampersand Fellowship |
opportunity, the Ampersand/Photoworks |
Fellowship. | Aimed at artists with more | |||
| with the support ofThe | than 10years ofexperience, it provides |
af15,000 bursary to complete a new | ||||
| Ampersand Foundation |
body ofwork, mentorship opportunities, |
and | atouring exhibition. | |||
| Writer-in-residence | We continued the opportunity for awriter-in-residence |
to contribute with 5 |
||||
| atticles to our online magazine Photography+ |
during | 2020/21, |
| Creation ofnew work | Creation ofnew work | ||
|---|---|---|---|
| Produce and | We commissioned 19new works including: |
||
| commission work for |
- We produced the work of10aitists for the Photoworks Festival in a box and |
||
| the Photoworks | commissioned 1 new work by Lotte Andersen. |
||
| Festival, Festive | - We commissioned 5 new texts for the Photoworks Festival in abox |
||
| Commission, | - We created the second Festive Digital oppoitunity and commissioned Zhidang |
||
| Zhong to create a digital seasonal greeting card | |||
| - We selected our second writer-in-residence opportunity and commissioned |
|||
| Tshepiso Mabula to write 5 essays for our online magazine Photography+ during |
|||
| 2020/21 | |||
| - We commissioned 7photographers/curators/writers commissioned to create |
a | ||
| suite ofteaching resources | |||
| Continue partnership |
We created the project gueer Heritage Wow project. A group of self-identified |
||
| with Queer in Brighton | queer individuals, met fortnightly and develop work for the Photoworks Festival- |
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| included in the festival box, online and as part ofthe festival events programme. |
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| Diversity, reach and engagement |
|||
| Further consolidate | the | Our programming continued to address awide range ofsubjects and themes |
|
| impact ofour work | in | including LGBTQ+, POC, socio-economic, health/wellbeing and disability. 40% |
|
| formal education | or the artists featured across our programmes was Black or POC. |
||
| through the University |
|||
| ofBrighton partnership | |||
| Develop new | We co-presented with Liverpool Biennial the work ofthe north American artist |
||
| partnerships to extend |
Xaviera Simmons, and a co-commission with the Ballarat International Foto |
||
| our reach nationally | Biennale anew body ofwork by the French Alix Marie and participated in |
||
| and internationally | poitfolio reviews in London and Derby developing this way new partnerships |
and | |
| extending our reach nationally and internationally. |
|||
| Continue to grow our | Photoworks' digital presence continued to grow during the 2020/21. Our |
||
| digital channels | Facebook following grew by 2,2%,Twitter by 1.9%and Instagram by 12.2% |
||
| including Photography |
102k —more than 12kmore followers than the previous year —from more than 30 |
||
| + | different countries. |
||
| Rebrand and web |
We completed our rebrand and web redevelopment project and was launched |
in | |
| redevelopment project |
June 2020.In the first year our website saw a99,31%increase in page views. |
| Children and young people (CYP) |
Children and young people (CYP) |
Children and young people (CYP) |
Children and young people (CYP) |
|
|---|---|---|---|---|
| Continue to offer CYP | We supported 14participants to successfully gain a Bronze Arts Awards (AA) |
|||
| opportunities | plus 8Discover Awards, | |||
| programme | through | |||
| Arts Award | and | |||
| Photography | Club | |||
| Deliver aprogramme | We organised 5 photography clubs throughout the year, one less than the previous |
|||
| ofCYP activities | year, addressed to young people with protected characteristics (socio-economic/ |
|||
| including Photography |
LGBTQ+), engaging nearly 600 CYP. 1ofthem were addressed to LGBTQ+ |
|||
| Club and schools | young people; another two were in collaboration with the University ofBrighton; |
|||
| engagement | another one was in collaboration with Culture Shift partnership for anew |
|||
| photography club Sussex Recovery College; the fifth one was in paitnership |
with | |||
| Council for British Archaeology, an artist led photography training for adult |
||||
| leaders. | ||||
| Further research and | Although covid has had an impact on the pace ofdeveloping the national digital |
|||
| develop national digital |
schools' resource for photography, we have now completed the wireframe and |
|||
| schools resource for | build on Photoworks' website is now underway. |
|||
| photography | model and | |||
| secure national cultural |
||||
| and strategic partners | ||||
| Leadership, | diversity, | |||
| skiUs development | ||||
| progress | ||||
| Staffing | Despite covid, we continued an ongoing programme that enabled us to maintain |
|||
| all the staff in work during the pandemic. | ||||
| Ensure professional | Some individuals also took advantage ofthe extensive training offer online during |
|||
| development | the pandemic to upgrade their skills in the History ofPhotography. |
|||
| opportunity | for all staff | |||
| throughout | the year | |||
| Strengthen | governance | Aregistered charity since 1995,Photoworks is supported by astrong governance |
||
| and Board diversity | by | structure that meets quarterly. The board is responsible for fiduciary matters |
||
| recruiting new trustees |
including protecting public interest, fulfilling legal obligations, maintaining |
|||
| financial overview and managing risk. They have a duty ofcare including |
||||
| compliance and safeguarding responsibilities. They are responsible for strategic |
||||
| guidance and holding the executive to account on progress oforganisational |
||||
| objectives. We work closely with our trustees' extensive networks to gain deeper |
||||
| impact for our work in its creation and dissemination particularly artistically |
and | |||
| digitally. | ||||
| The board includes high profile and active artists. Finance and fundraising |
||||
| subcommittees support the executive with financial reporting, budgeting and |
||||
| fundraising strategies respectively. |
||||
| Photoworks has an iterative equalities plan with adiversity champion trustee. |
Our | |||
| programme has a strategic focus on the protected characteristics ofsexual |
||||
| orientation and gender, in paiticular LGBTQ+ groups. We also deliver targeted |
||||
| programmes for people facing socio-economic barriers to arts engagement. |
| Unrestricted | Designated | Restricted | Total | Total | ||||
|---|---|---|---|---|---|---|---|---|
| funds | funds | funds | ||||||
| 2021 | 2021 | 2021 | 2021 | 2020 | ||||
| Notes | ||||||||
| Income from: | ||||||||
| Voluntary income |
345,898 | 345,898 | 331,403 | |||||
| Charitable activities |
35,179 | 145,193 | 180,372 | 166,684 | ||||
| Investments | 611 | 611 | 845 | |||||
| Total income | 381,688 | 145,193 | 526,881 | 498,932 | ||||
| Raising funds | 17,036 | 17,045 | 23,870 | |||||
| Charitable activities |
319,208 | 40,056 | 359,264 | 395,804 | ||||
| Total resources expended | 336,244 | 40,065 | 376,309 | 419,674 | ||||
| Net incoming | resources | before transfers | 45,444 | 105,128 | 150,572 | 79,258 | ||
| Gross transfers | between | funds | (38,982) | 38,982 | ||||
| Net income for the year/ | ||||||||
| Net movement | in fnnds | 6,462 | 38,982 | 105,128 | 150,572 | 79,258 | ||
| Fund balances | at 1 April | 2020 | 126,490 | 124,965 | 73,828 | 325,283 | 246,026 | |
| Fund balances | at 31March 2021 | 132,952 | 163,947 | 178,956 | 475,855 | 325,284 |
| 2021 | 2020 | |||||||
|---|---|---|---|---|---|---|---|---|
| Notes | ||||||||
| Fixed assets | ||||||||
| Tangible assets | 10 | 5,329 | 130 | |||||
| Current assets | ||||||||
| Stocks | 11 | 2,924 | 5,766 | |||||
| Debtors | 12 | 83,163 | 16,303 | |||||
| Cash at bank and in | hand | 416,785 | 327,021 | |||||
| 502,872 | 349,090 | |||||||
| Creditors: | amounts | falling due within | one | |||||
| year | 13 | (32,346) | (23,936) | |||||
| Net current | assets | 470,526 | 325,154 | |||||
| Total assets | less current liabilities | 475,855 | 325,284 | |||||
| Income funds | ||||||||
| Restricted funds | 14 | 178,956 | 73,829 | |||||
| Unrestricted | funds | |||||||
| Designated | funds | 15 | 163,947 | 124,965 | ||||
| General unrestricted | funds | 132,952 | 126,456 | |||||
| 296,899 | 251,421 | |||||||
| 475,855 | 325,284 |
| 2021 | 2020 | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| Notes | |||||||||
| Cash flows from operating | activities | ||||||||
| Cash generated from operations |
18 | 97,147 | 48,365 | ||||||
| Investing | activities | ||||||||
| Purchase | oftangible fixed assets | (7,994) | |||||||
| Investment | income received | 611 | 845 | ||||||
| Net cash | (used in)/generated | from investing | |||||||
| activities | (7,383) | 845 | |||||||
| Net cash | used in financing | activities | |||||||
| Net increase in cash and cash |
equivalents | 89,764 | 49,210 | ||||||
| Cash and | cash equivalents at |
beginning ofyear | 327,021 | 277,811 | |||||
| Cash and | cash equivalents | at | end ofyear | 416,785 | 327,021 |
| 2021 | 2020 | ||
|---|---|---|---|
| Donations and gills |
16,432 | 49,088 | |
| Grants receivable for core activities | 323,253 | 268,315 | |
| Donated goods and services | 6,213 | 14,000 | |
| 345,898 | 331,403 | ||
| Donations and gifts |
|||
| Individual donations |
16,432 | 49,088 | |
| Grants receivable for core activities | |||
| Arts Council ofEngland core funding | 273,253 | 268,315 | |
| Arts Council ofEngland coronavirus | recovery grant | 50,000 | |
| 323,253 | 268,315 |
| Grants | Sales ofbooks | Other events | Total | Total | ||||
|---|---|---|---|---|---|---|---|---|
| received for | and | and projects | 2021 | 2020 | ||||
| specific | magazines | income | ||||||
| projects | ||||||||
| Sales within | charitable | activities | 27,276 | 7,903 | 35,179 | 33,973 | ||
| Performance | related | grants | 145,193 | 145,193 | 132,711 | |||
| 145,193 | 27,276 | 7,903 | 180,372 | 166,684 | ||||
| Analysis by |
fund | |||||||
| Unrestricted | funds | 27,276 | 7,903 | 35,179 | ||||
| Restricted funds | 145,193 | 145,193 | ||||||
| 145,193 | 27,276 | 7,903 | 180,372 | |||||
| For the year | ended | 31March 2020 | ||||||
| Unrestricted | funds | 15,775 | 18,198 | 33,973 | ||||
| Restricted funds | 132,711 | 132,711 | ||||||
| 132,711 | 15,775 | 18,198 | 166,684 | |||||
| Performance | related grants | |||||||
| Jerwood/Photoworks | Awards | 2,000 | 2,000 | 10,000 | ||||
| Connect the | 3Ts | 545 | 545 | 5,740 | ||||
| Explorers | 2,250 | 2,250 | 16,200 | |||||
| The Queer Project | 2,000 | 2,000 | ||||||
| All Sorts/BHCC 2020 | 4,900 | 4,900 | ||||||
| Ampersand | 20,000 | 20,000 | ||||||
| Historic England | 90,333 | 90,333 | ||||||
| CBA | 3,150 | 3,150 | ||||||
| English Heritage | 20,015 | 20,015 | ||||||
| Other | 100,771 | |||||||
| 145,193 | 145,193 | 132,711 |
| Unrestricted | Restricted | Total | Total | ||||
|---|---|---|---|---|---|---|---|
| funds | funds | 2021 | 2020 | ||||
| Costs of enera in | volunt | income | |||||
| Other fundraising | costs | 7,055 | 7,055 | 9,198 | |||
| Staff costs | 9,431 | 9,431 | 14,600 | ||||
| Depreciation | and impairment | 550 | 559 | 72 | |||
| 17,036 | 17,045 | 23,870 | |||||
| For the year | ended 31March | 2020 | |||||
| Costs ofgenerating | voluntary | income | 23,867 | 23,870 |
| Promotin |
hoto a h ractices |
|||||
|---|---|---|---|---|---|---|
| Activities | Support costs | Governance | Total | 2020 | ||
| undertaken | costs | |||||
| directly | ||||||
| Staffcosts | 98,041 | 37,723 | 2,000 | 137,764 | 163,885 | |
| Depreciation | and impairment | 2,236 | 2,236 | 289 | ||
| Other costs | 182,065 | 30,694 | 6,505 | 219,264 | 231,630 | |
| 280,106 | 70,653 | 8,505 | 359,264 | 395,804 | ||
| Analysis by |
fund | |||||
| Unrestricted | funds | 240,087 | 70,616 | 8,505 | 319,208 | |
| Restricted funds | 40,019 | 37 | 40,056 | |||
| 280,106 | 70,653 | 8,505 | 359,264 | |||
| For the year | ended 31March 2020 | |||||
| Unrestricted | funds | 179,704 | 95,480 | 8,725 | 283,909 | |
| Restricted funds |
111,883 | 12 | 111,895 | |||
| 291,587 | 95,492 | 8,725 | 395,804 |
| 7 | Support and | governance | costs | |||||
|---|---|---|---|---|---|---|---|---|
| Support costs | Governance | 2021 | 2020 | Basis ofallocation | ||||
| costs | ||||||||
| Staff costs | 37,723 | 2,000 | 39,723 | 60,400 | Split directors salary | |||
| Depreciation | 2,236 | 2,236 | 289 | Support | ||||
| Office rent | 9,953 | 9,953 | 11,200 | Support | ||||
| Storage costs | 314 | 314 | 75 | Support | ||||
| Insurance | 1,801 | 1,801 | 1,844 | Support | ||||
| Office move | costs | 1,990 | 1,990 | Support | ||||
| Printing, postage and stationery |
1,966 | 1,966 | 2,357 | Suppoit | ||||
| Travel | 214 | 214 | 4,506 | Support | ||||
| Marketing costs |
6,455 | 6,455 | 10,516 | Support | ||||
| Recitutment | costs | 918 | 918 | 1,247 | Support | |||
| Bank charges | 1,048 | 1,048 | 798 | Support | ||||
| Sundial expenses | 413 | 413 | 1,202 | Support | ||||
| Stafftraining | 465 | 465 | 1,196 | Support | ||||
| Website | 3,226 | 3,226 | 1,566 | Suppoit | ||||
| Computer costs |
1,931 | 1,931 | 296 | Support | ||||
| Bookkeeping | 2,242 | 2,242 | 2,480 | Governance | ||||
| Board expenses | 63 | 63 | 45 | Governance | ||||
| Accountancy | 4,200 | 4,200 | 4,200 | Governance | ||||
| 70,653 | 8,505 | 79,158 | 104,217 | |||||
| Analysed between |
||||||||
| Charitable activities |
70,653 | 8,505 | 79,158 | 104,217 |
| 2021 | 2020 | ||
|---|---|---|---|
| Number | Number | ||
| Employment | costs | 2021 | 2020 |
| Wages and salaries | 136,080 | 163,892 | |
| Social security | costs | 8,147 | 11,495 |
| Other pension | costs | 2,968 | 3,098 |
| 147,195 | 178,485 |
| 10 | Tangible fixe | d assets | ||||
|---|---|---|---|---|---|---|
| Computer | Fixtures, | Total | ||||
| equipment | fittings & | |||||
| equipment | ||||||
| Cost | ||||||
| At 1 April 2020 |
19,280 | 7,136 | 26,416 | |||
| Additions | 7,994 | 7,994 | ||||
| Disposals | (11,073) | (3,470) | (14,543) | |||
| At 31March | 2021 | 16,201 | 3,666 | 19,867 | ||
| Depreciation | and impairment | |||||
| At 1 April 2020 |
19,280 | 7,006 | 26,286 | |||
| Depreciation | charged | in the year | 2,665 | 130 | 2,795 | |
| Eliminated in |
respect | ofdisposals | (11,073) | (3,470) | (14,543) | |
| At 31March | 2021 | 10,872 | 3,666 | 14,538 | ||
| Carrying amount |
||||||
| At 31March | 2021 | 5,329 | 5,329 | |||
| At 31March | 2020 | 130 | 130 | |||
| 11 | Stocks | |||||
| 2021 | 2020 | |||||
| Finished good | s and g | oods for resale | 2,924 | 5,766 |
| 12 | Debtors | |||||
|---|---|---|---|---|---|---|
| 2021 | 2020 | |||||
| Amounts falling due |
within | one year: | K | |||
| Trade debtors | 2,100 | 8,458 | ||||
| Accrued income | 77,535 | 7,845 | ||||
| P repayments | 3,528 | |||||
| 83,163 | 16,303 | |||||
| 13 | Creditors: amounts | falling | due within one year | |||
| 2021 | 2020 | |||||
| Other taxation | and social security | 683 | 792 | |||
| Trade creditors | 4,457 | 2,440 | ||||
| Other creditors | 1,423 | 1,556 | ||||
| Accruals | 25,783 | 19,148 | ||||
| 32,346 | 23,936 |
| Movement | in funds | |||||
|---|---|---|---|---|---|---|
| Balance at | Income | Expenditure | Balance at | |||
| 1April 2020 | 31March 2021 | |||||
| K | K | |||||
| ACE assets | 46 | (46) | ||||
| Jerwood/Photoworks | Awards | 9,000 | 2,000 | (5,693) | 5,307 | |
| ACE - Catalyst | 44,615 | (2,160) | 42,455 | |||
| BMAG Photo Club | 731 | (731) | ||||
| Connect the 3Ts | 396 | 545 | (941) | |||
| Sussex Community | Foundation | 180 | (180) | |||
| Explorers | 1,993 | 2,250 | 4,243 | |||
| Chalk Cliff Trust | 5,000 | 5,000 | ||||
| Rampion Fund | 559 | (559) | ||||
| Souter Trust | 2,000 | (798) | 1,202 | |||
| Saturday Photography |
Club | 3,160 | (3,160) | |||
| Fidelity - LGBTQ | 1,500 | 1,500 | ||||
| CAF America | 4,648 | (4,648) | ||||
| The Queer Project | 2,000 | (2,000) | ||||
| All Sorts/BHCC 2020 | 4,900 | (2,080) | 2,820 | |||
| Ampersand Fellowship |
20,000 | (650) | 19,350 | |||
| Historic England | 90,333 | 90,333 | ||||
| CBA | 3,150 | (900) | 2,250 | |||
| English Heritage | 20,015 | (15,519) | 4,496 | |||
| 73,828 | 145,193 | (40,065) | 178,956 |
| Balance at | Transfers | Balance at | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1April 2020 | 31 | March 2021 | |||||||||||
| Brighton Photo Biennial | 44,959 | 37,272 | 82,231 | ||||||||||
| Photoworks Annual |
21,613 | (21,613) | |||||||||||
| Learning &Participation | Projects | —Individual | Giving | 13l | (131) | ||||||||
| Programme Activity Funded by |
Individual | Giving | 50,217 | 417 | 50,634 | ||||||||
| Digital Programme | 154 | (154) | |||||||||||
| Marketing | 6,595 | (94) | 6,501 | ||||||||||
| Learning &Participation | Projects | - Core | 1,296 | 2,285 | 3,581 | ||||||||
| Festival 22 Commissions | 9,000 | 9,000 | |||||||||||
| CRM | 5,000 | 5,000 | |||||||||||
| Finance Upgrade | 2,000 | 2,000 | |||||||||||
| PR | 5,000 | 5,000 | |||||||||||
| 124,965 | 38,982 | 163,947 | |||||||||||
| Analysis ofnet assets between | funds | ||||||||||||
| Unrestricted | Designated | Restricted | Total | Total | |||||||||
| funds | funds | funds | |||||||||||
| 2021 | 2021 | 2021 | 2021 | 2020 | |||||||||
| Fund balances at 31March 2021 | are | ||||||||||||
| represented by: |
|||||||||||||
| Tangible assets | 5,329 | 5,329 | 130 | ||||||||||
| Current assets/(liabilities) | 127,623 | 163,947 | 178,956 | 470,526 | 325,154 | ||||||||
| 132,952 | 163,947 | 178,956 | 475,855 | 325,284 | |||||||||
| Related party transactions | |||||||||||||
| Remuneration ofkey inanagement |
personnel | ||||||||||||
| The remuneration ofkey |
management | personnel | is | as | follows. | ||||||||
| 2021 | 2020 | ||||||||||||
| Aggregate compensation |
49,154 | 75,000 |
| 18 | Cash generated from |
operations | operations | 2021 | 2020 | |
|---|---|---|---|---|---|---|
| Surplus for the year | 150,572 | 79,258 | ||||
| Adjustments for: |
||||||
| Investment income recognised |
in statement offinancial | activities | (611) | (845) | ||
| Depreciation and impahment |
oftangible fixed assets | 2,795 | 361 | |||
| Movements in working |
capital: | |||||
| Decrease in stocks | 2,842 | 3,148 | ||||
| (Increase)/decrease in |
debtors | (66,860) | 13,296 | |||
| Increase/(decrease) in |
creditors | 8,411 | (40,915) | |||
| (Decrease) in deferred | income | (5,938) | ||||
| Cash generated from |
operations | 97,149 | 48,365 |