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2022-08-31-accounts

Wharf Theatre Annual General Meeting 2023

AGENDA FOR THE ANNUAL GENERAL MEETING OF THE WHARF THEATRE DEVIZES 31[st] MAY AT 1900HRS

1. WELCOME AND APOLOGIES

  1. CHAIRS ADDRESS

(See Chairs Report)

3. MINUTES

To approve the minutes of the last Annual General Meeting (See Minutes of AGM 1[st] JUNE 2021)

4. TRUSTEE REPORT

To update on the progress made by The Wharf. (See Trustees Report)

5. ARTISTIC DIRECTORS REPORT

To report on the new season and progression of the Youth Theatre. (See Artistic Directors Report)

  1. ANNUAL REPORT AND ACCOUNTS

To approve the attached annual reports and review the accounts.

  1. AIMS AND OBJECTIVES.

To review the aims and objectives of the previous year and present the aims for the following year (See Aims and Objectives)

8. VOTE ON FUNDRAISING PROJECT

To vote on what project is preferred by the membership to be the focus of any fundraising event. (See Appendix A)

9. VOTE TO INCREASE LIFETIME FRIEND OF THE THEATRE FEE

To discuss the increase of fees (See Appendix B – Increase to Lifetime Friend of the Theatre Proposal)

10. ELECTIONS AND RELECTIONS TO MANAGEMENT COMMITTEE AND TRUSTEES

To introduce and agree the changes to the management committee and to re-elect the management committee (See Appendix C - Management Committee Roles and Vacancies and Appendix D - Management Committee Application)

11. ANY OTHER BUSINESS

To include any proposals from the floor or questions resulting from the evenings meeting

12. CLOSE

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Trustees

Lewis Cowen

Anne Walker

Lyn Taylor

Management Committee

Pete Winterton – Chair and Bar Manager

Emma Edwards – Treasurer

Bethany Ramsay – Secretary

John Winterton – Artistic Director and Bookings Manager

Oliver Phipps - Front of House

Rob Bourne – Technical Manager

Carol Rendell - Buildings Manager

Jon Lewthwaite - Membership Secretary

Gill Barnes - Costumes Manager

Claire Blacker - Online Publicity Manager

Karen Ellis - Marketing Manager

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Minutes of AGM 28[th] April 2022

Minutes of AGM 2022

MINUTES FOR THE ANNUAL GENERAL MEETING OF THE WHARF THEATRE DEVIZES 28[th] APRIL AT 1900HRS

Present Full Members - 32 Non-Members - 2

Apologies received 8: Paul Morgan Linda Swann Jessica Bone Janet Church Emma Ingram Oliver Beech Gill Barnes Brian Alderman

1. WELCOME AND APOLOGIES

The Chair, Pete Winterton, welcomed all present and Bethany Ramsay, Secretary, read out the seven apologies received.

2. CHAIRS ADDRESS

The chair gave a review of the Chairs Address (Provided in the AGM Agenda pack). This covered the reopening of the theatre following Covid and the great work the new cleaners have been doing to keep the theatre clean and safe. The new grants for lighting and sound are being put into action with thanks to Oliver Phipps for the time spent sourcing areas for funding. Pete congratulated the previous shows on their successes through the season. Pete also gave special thank you on behalf of all of the management committee to Debby Wilkinson for all of her hard work as Artistic Director.

3. MINUTES

Minutes of last meeting were agreed with the amendment of the chairs name at the beginning of the document.

4. TRUSTEE REPORT

Lewis Cowen reported on behalf of the trustees. The trustees are very happy with the way that the Management Committee has got the theatre back on track after the temporary restrictions. They also passed their thanks onto Debby who has done an amazing job with tricky task of seeing the theatre through the closure. Lewis discussed the reinstating of the trustees for the purpose of oversight of the theatre for those who were unaware of the change. Within this, the trustees have been keeping oversight of the finances and reported that the bank balance was looking healthy and they were delighted with

recruitments of a new bookkeeper. Lewis closed by reaffirming that if anyone were to have an issues then to please get in touch with the trustees.

5. ARTISTIC DIRECTORS REPORT

Pete Winterton highlighted the Artistic Directors report from Debby Wilkinson as the outgoing Artistic Director (as provided in the AGM Agenda pack). This highlighted the return on a full season after Covid and the difficulties that have been faced with restrictions, regulations, and postponements. Debby had commented within this report that it had been a very successful season with shows doing very well at the box office helping the theatre get to a more financially stable place. Audience feedback has been wonderful with much praise for the professionalism of the shows, but also for the whole experience of attending the theatre. the remainder of 2022 is fully scheduled with all performing rights in place going forward. John Winterton, the interim Artistic Director and bookings manager, also commented that as mentioned all is booked for next season and he is in talks with directors regarding 2023. He is hoping to get this season planned quickly to give other volunteers, especially the publicity team, plenty of time to get everything they need in place. John is also looking to have a director’s open day for those who are interested in directing at the Wharf to come and ask questions and see how the Wharf is run.

6. TREASURER’S REPORT AND ACCOUNTS

Carol Rendell, Accounts Manager, reviewed the Treasures report (included in AGM Agenda pack). Most of previous financial year was spent in lockdown but the theatre managed to produce three productions within this time. All three made a profit to sold out, though reduced, audience. We also received £20,205 from the Local Council and donations.

The accounts within the pack are currently a draft as David Owen are auditing these ready to be submitted. Additionally, a new bookkeeper, Jenny Wilson, is working with Carol to reduce pressure and keep the accounts running on time.

Carol reported the bank balance as £71,000 with a reserve account being opened with £15,000 of this to be in control of the trustees.

The financial year, 2020-21, made a profit of £10,448 profit in this period with covid payments, membership costs, donations and ticket sales.

Carol opened the floor to questions to which there were none at this time

7. AIMS AND OBJECTIVES.

Bethany Ramsay, Secretary, highlighted the achievements against the aims and objectives from the previous year, this involved the production of seven shows, the introduction of reduced ticket prices for Friends of the Theatre to offset booking fees, the increase in volunteers, new lighting and sound equipment being purchased using grants from the local council, the youth theatre completing its second term, and a new show budget matrix to provide more realistic budgets for directors.

In the following year the overarching aims will remain however there are a few other areas will be looked into. Specifically, engaging more with local groups and the local community both in them coming to us for shows and us at the Wharf joining in more community events. The publicity team are working on developing a new newsletter based on the wants of the Friends of the Theatre. The Management Committee will continue to look closely at finances with the introduction of a reserve fund, reviewing the success of show budgets and children show discounted tickets, and the proposal to increase the Friend of the Theatre fee.

Beth opened the floor to question. There were none at this time. The aims and objectives in full can be found in the AGM Agenda Pack.

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8. PROPOSAL TO INCREASE FRIEND OF THE THEATRE FEE

Pete read out the proposal to increase the Friend of the Theatre fee from £20 to £25 (see AGM agenda pack) The floor was opened for thoughts on the proposal.

Louise Peak asked if there would also be a show fee for actors. Pete confirmed that there would not be a show fee but a £10 contribution toward script costs may be asked.

Jemma Brown queried that, with the rising cost of living and the Wharf Theatre’s finances doing well after funding JB, was this the best time to increase costs? David Thew responded that he did not think £5 is too expensive. Helen Langford also commented that it may not be the best timing and asked whether this would be better looked at within the next quarter. John Winterton agreed that the last time the fee was looked at the bank balance was low. Oliver Phipps reported that though he agreed the theatre was in a better place, this was due to grants, donations, and the selling of assets. Grants would be an unlikely source of income and we are back to relying on the original sources of income e.g. ticket sales. He commented that he can appreciate the timing implications with the cost of living but that we need to look at the financial future of the theatre. Debby Wilkinson furthered this saying that the ticket sales of the last season were very good but that there was no guarantee that this would continue.

Ann Walker commented that when looking monthly the raise would be approximately to £2 a month which is very low for a subscription but would add a small layer of security. Debby Wilkinson also pointed out the rise in electricity costs within the theatre.

Debby Wilkinson proposed postponing the decision and introducing the increase later in the year. Bethany Ramsay commented a date to increase had not been set, however, reminded all that this proposal was originally discussed two years ago along with a show fee and was postponed throughout Covid. Rob Bourne also commented that there wasn’t likely going to be a “good time” to raise costs.

Jemma Brown asked whether it had been considered as to which was better: an advertising campaign that highlighted that within rising costs we had decided not to raise ours resulting in more ticket sales, or to raise it to gain the extra money through fees? LC commented that this could result in overreliance on ticket sales pressuring the theatre to only do “popular” shows rather than follow the charities aims.

Louise Peak also queried whether some would rather drop out completely rather than pay the extra resulting in a loss. Oliver Phipps asked if people would prefer to have two layers where active participants (e.g. actors) would pay the £25 whereas those wanting to support the theatre only pay the £20. Lewis Cowen commented this seemed unfair to those wanting to have an active role to pay a script contribution and a higher rate and may effect casting.

Helen Langford asked when this would come into effect. It was suggested that this be in August. Pete Winterton confirmed it would come into effect on the individuals next renewal after the start of September.

The proposal was put to a vote with 20 members voting for and 5 against. The increase will be put into effect at the start of September.

9. ELECTIONS AND RELECTIONS TO MANAGEMENT COMMITTEE AND TRUSTEES

Beth Ramsay reported that the only change to the management committee at this time was Jon Lewthwaite taking over the role of membership secretary. This was agreed.

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Pete Winterton discussed the application to the management committee and confirmed anyone could apply to be part of this. Beth Ramsay also highlighted that the role of Artistic Director would be discussed at the next meeting therefore anyone wishing to take on this role could apply.

10. ANY OTHER BUSINESS

Corrine Bishop asked if we had considered taking part in the carnival. Pete Winterton confirmed we had done so in the past and had wanted to continue but the carnival had been cancelled in previous years. Beth Ramsay confirmed she would be looking into this.

Lesley Scholes queried why the Wharf does not put banners on the Green to get our name out there. Karen Ellis confirmed that this had been investigated but banners around town had been very costly at approximately £2000 a month with a yearlong contract. Banners for on the Green had been refused to the Wharf as the stipulation had been that it was for an event that did not charge for entry.

Oliver Phipps mentioned that the theatre was looking into doing a discovery day this summer to get the name out more. He was hoping also to start hosting Arts meetings with other local groups to get more people together to talk about what we are all doing and support each other more.

11. CLOSE

Pete Winterton thanked everyone for their attendance and the meeting closed at 8:05

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Reports and Financial Statements from 1[st] September 2021 to 31 August 2022

Charity Registered No. 900417

Contents:

Legal and Administrative information

Report of the trustee board

Statement of financial activities

Aims and objectives

Balance sheet

Independent examination

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Legal and Administrative Information

The trustee board presents its directors report and finalised financial statements to be audited for the period from 1[st] September 2021 to 31[st] August 2022

Administrative details of the charity, its trustees and advisors

Charity Registered No. 900417

Principal Address: Wharfside, Devizes, Wiltshire, SN10 1EB

Trustees that served during the period

Independent Examiner

Richard Hopkins

Bank

Barclays Devizes Branch, 3 St John’s Street, Devizes, SN10 1BQ

Structure, governance, and management

Governing Document

The charity was formed in 1973 and registered as a charity on 19[th] April 1990. It is governed by a trust deed. In Feb 2015 at an AGM this was replaced by a new governing document based on the most appropriate Charities Commission template. This was amended slightly at an EGM in September 2015.

Organisational Structure

There is a trustee board, which meets at least 2 times a year to determine the strategic direction of the charity. The management committee meet minimum 6 times a year to manage the running of the theatre overseen by the Trustees.

Recruitment and Training

The Wharf Theatre is completely run by volunteers, but it still takes its training requirements seriously to ensure those that serve the board and management committee also gain skills required to run a charity.

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Report of the Trustee Board

At the risk of repeating ourselves from last year’s report, the trustees are delighted with the progress of the theatre over the last 12 months. Audiences have been good, the programme has been a satisfying mixture of classics and up-to-date, perhaps more popular, fare, and on the whole we consider the theatre is living up to its mission statement.

We continue to be concerned, though, at the unclear state of the financial accounts and are very pleased that this now seems to be on the way to being rectified. We are most grateful to Carol for all the hard work she has put in since she has been in the post of treasurer and are pleased she will continue to render service to the theatre in a different role.

We look forward to working with the new treasurer and to seeing a regularised set of accounts when they are prepared.

We will continue to monitor the administration of the theatre but on the whole are satisfied with the current management committee and the manner in which they work together for the benefit of our audiences and the wider community.

Lewis Cowen

Lyn Taylor

Ann Walker

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Report of the Management Committee Chairs Report

It doesn't seem like it's been that long since I was writing notes for the last AGM but here we are again…

Once again, we have had some amazing shows in the last twelve months, some funny, some very moving but all extremely well done. I even managed to “volunteer” again for a show. I first became aware I had volunteered when I was given the script four weeks before opening night. Although I must say I was very proud that I managed to get the part script perfect. It's just a shame that this was over the course of a week and not on any one performance.

While we are talking about shows, I would like to congratulate John on his first year as Artistic Director. Comments I have heard is that there is a very varied programme of events so there is something for everyone. Proving this, I have had the opportunity to speak to people during the show and many have told me that this is their first visit to the Wharf Theatre and how much they enjoyed their visit.

This year there have been some changes to the Management Committee. Carol has stepped down as Treasurer. I speak for all in the Management Committee when I say we would like to thank her for all her hard work over the years in the past. She won’t be leaving us though; she will be taking on the role of Buildings Manager. Emma Edwards will be joining the team as our new Treasurer, so we look forward to working with her in the future.

The Tech team has also been busy since our last AGM. We have a new floor on the stage (which took a little longer than expected). They managed to install the new LED lighting, a new sound computer, and several other techie things that sounded like they were talking a foreign language to me when they were telling me about them.

I'd like to finish off by saying how amazing the open day was at the beginning of April. Everyone here worked incredibly hard on the day. There must have been well over one hundred people who came, had a tour, bought tickets and even signed up as Friends of the Theatre. Hopefully this means that we may get a few more volunteers to help around the theatre. A massive thank you to all who put in their time and effort into each and every event. All the way through from getting them set up to being here on the day.

Pete Winterton

Chair

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Report of the Management Committee Artistic Director’s Report

Once again it is time to put pen to paper, as it were, to report on what a year we have had since the last AGM, and what a year it was!

2022 saw many fantastic productions. Starting off with Love song with a great cast (I may be a little biased) and super direction by Freddie Underwood, we had audiences both laughing and in tears. I apologise to anyone who left us red eyed but I'm sure you enjoyed it as much as the cast did. We followed that with a show written and directed by Helen Langford, World Under the Wood, which was another resounding success. It is always nice to see a self-written show doing well. We restarted the season with Hedda Gabler and Lewis Cowen had put together another strong cast who entertained everyone who came along. Ticket sales picked up to the end of the week once word had got round just how good it was. Picnic at Hanging Rock, directed by Debby Wilkinson. Another show that benefitted from word of mouth that saw some very full houses. Definitely one of our more mysterious productions but incredibly well acted by such a hardworking cast playing multiple parts in multiple accents!

Let’s not forget all who came to visit us in 2022. DMT's first visit to us with a selection of musical numbers from various shows. I think they enjoyed coming to the Wharf and I hope it won’t be the last time they visit. I also managed to catch their show this year. Oh, to have that much wing space, well any wing space! Titco joined us in November for another fun evening of musical show songs set as an intimate cosy dinner party with the bonus of the incredibly friendly Bruno. It was nice to have had two of Devizes' musical theatre groups in the same year on the stage. Also, in the calendar were two very different than we have had before. The Lesson first, critically acclaimed and much more serious theatre than we usually host, followed by the London Skiffle Orchestra which was much more of a jolly evening, and equally entertaining, if in a totally different way.

On then to the Panto, and what can you say, with little over three weeks left before the show was due to start, we had the sold out signs on the board. It is a testament to the ongoing standard of production that we can sell out a show with that much time still to go. I would advise our Friends of the Theatre to get their tickets as soon as they become available this year as I know some people missed out. (Don't forget Friends have early access to tickets so you can pick up yours before they go on general sale.) Always ending the year with a bang, Little Red Riding Hood was full of talent, laughs, and fun with some of the cast joining us for other productions soon.

We started off 2023 with another run of sell out shows, both our own production of Ladies Day, which was very well received and introduced new actors to our stage, and with visiting shows. Again, a nice variety with improvised comedy from Instant wit and more traditional theatre comedy from Ode to Joyce (Grenfell), both bringing in different audiences. To finish with The Man who Left the Titanic which I was particularly impressed with as a visiting show. Our final show of Measure for Measure, Liz Sharman treated us to one of Shakespeare’s lesser performed plays but well received by all who came to see it even stating, “it made Shakespeare accessible”.

At time of writing, we have not yet been on stage with the Railway children, but tickets are going well and we should expect more full houses to add to this year's collection.

In addition to the live productions this year we also had our first evening hosting the

Devizes Film Club who have been left homeless since the cinema has yet to reopen. Something very different to anything we have done previously in my time at the theatre, but again well received and sold out. We are currently in talks to bring further films into the theatre with them.

I hope you have found something in the year that you have wanted to come and see. With another season coming up that includes another wide selection of both our own productions, and visiting shows, I am confident something will appeal to you. I look forward to seeing you in the theatre sometime soon.

John

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Report of the Management Committee Financial Report

It has been a very busy year with our productions and the one-night shows. All of our productions made a good profit especially the pantomime as you can see on the table on the next page. We have made a profit of £12,137. Currently in the bank we have £52,920 and £15,000 in the deposit account. The major purchase in the 21-22 financial year was the new lighting and a few other technical bits, which was £10,292. We did have help from Wiltshire Council. There is also an increase in price of the electric and gas with a couple of bills over £400 and the rest between £200-£300.

This is my last AGM as Treasurer, Emma will be taking on the role and I would like to wish her luck. Finally, I would like to thank everyone who has supported me through the years I have been Treasurer.

Carol

PREPAYMENTS

LADIES DAY ROYALTIES 540.00
SCRIPTS 99.00
PICNIC AT HANGING
ROCK
ROYALTIES 450.00
SCRIPTS 90.00
THE RAILWAY CHILDREN ROYALTIES 612.00
HIGOS INSURANCE 1121.00

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Income and Expenditure Account

TOTAL
Income
4000 Ticket Sales 49,307.76
External ticket sales 8,926.49
4001 Bar Sales 11,172.22
4020 Memberships 3,704.73
4050 Donations 511.74
Sales of Product Income 10,102.20
Total Income £83,725.14
Cost of Sales
5001 Bar Purchases 4,454.70
5002 Ice Cream Purchases 1,054.80
5003 FOH Purchases 603.07
Programme Costs 1,013.00
5004 Raffle Costs 86.74
5005 Costumes 1,621.83
5006 Set Building 1,844.35
5007 Props 1,312.12
5008 Scripts 645.93
5009 Youth Theatre 3,558.50
5010 Royalities 2,120.28
5011 Room Hire 42.00
5012 VISITING SHOWS 6,854.50
Total Cost of Sales £25,211.82
TOTAL £58,513.32
Expenditures
6201 Advertising/Promotional 2,297.40
7100 Rent 1,400.00
7101 Rates 670.80
7200 Heat & Light 7,265.89
7500 Telephone 540.58
7501 Printing, Postage and Stationery 235.78
7800 Repair and maintenance 5,039.49
7801 Cleaning 5,174.75
7900 Bank charges 818.25
8001 Subscriptions 180.00
GIFTS 78.00
Insurances 2,016.56
LICENSE 70.00
Office/General Administrative Expenses 1,952.92
Other Professional Services 1,800.00
Technical purchase 10,292.42
PUBLICITY 6,011.50
Travel and Accommodation 20.40
Total Expenditures £45,864.74
NET INCOME/(EXPENDITURE) £12,648.58

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Balance Sheet

Wharf Theatre Devizes

Balance Sheet

As of August 31, 2022

TOTAL
Fixed Asset
Tangible assets
0030 Fixtures and Fittings Cost 26,786.90
0031 Fixtures and Fittings Depreciation -13,358.12
0040 Plant & Equipment 5,617.29
0041 Plant & Equipment Depreciation -3,273.97
Total Tangible assets £15,772.10
Total Fixed Asset £15,772.10
Cash at bank and in hand
1200 current account 39,334.38
1205 Deposit Account 0.39
1230 Cash on hand 760.39
Total Cash at bank and in hand £40,095.16
Debtors
1100 Debtors 3,300.00
Total Debtors £3,300.00
Current Assets
1105 Prepayments 2,912.00
1300 Stock Asset 1,131.00
Total Current Assets £4,043.00
NET CURRENT ASSETS £44,043.53
Creditors: amounts falling due within one year
Trade Creditors
2100 Creditors
NET CURRENT ASSETS (LIABILITIES) £44,043.20
TOTAL ASSETS LESS CURRENT LIABILITIES £59,815.63
TOTAL NET ASSETS (LIABILITIES) £59,815.63
Charity funds
3000 Retained Earnings
3001 Opening Balance Equity 47,677.98
Surplus/(Deficit) 12,648.58
Total Charity funds £59,815.63

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Show by Show for Autumn/Winter Season 21/22

JCS GLORIOUS DICK WHITTINGTON ALLO ALLO LOVESONG REVLON GIRL WORLD UNDER THE WOOD
TICKET SALES 9512 4171 11810 8356 3645 5394 2012
PROGRAMMES 193.5 66.5 162.5 125.5 61 91.5 62
RAFFLE 190 85 158 95 46 110 80
SCRIPTS 40 70
TOTAL 9895.5 4322.5 12130.5 8576.5 3792 5665.5 2154
ROYALITIES 1691 540 454 612 576 450
PROPS 129 236 62 16 241
SET 150 50 286 0 402 24
COSTUMES 305 109 0 0 154
POSTERS 206 206 206 206 180 209 206
BANNERS 112 112 112 112 112 112 112
PROGRAMMES 190 105 245 160 115 112 115
SCRIPTS 638 81 161 69 86
PHOTO 200 200 200 200 200 100 150
ROOM HIRE 42
TOTAL 3187 1294 1651 2082 1314 1529 1002
PROFIT/LOSS 6708.5 3028.5 10479.5 6494.5 2478 4136.5 1152

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Show by Show for Autumn/Winter Season 21/22

External show ticket sales

SHOW TICKETS SOLD PAYMENT PROFIT
THE NAVY LARK 1265 924 341
TOMMY COOPER 745 535 210
PAUL SIMON 1663 1382 281
SISTER ACT 2786 2157 629
BACK TO BLACK 1744 1305 439
LONDON
SKIFFLE
723 550 173

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Aims and Objectives Progress and Proposals

The following shows progress towards the community aims for the charity during 2022/2023.

To promote drama and music through the education, training, and encouragement of members, supported and mentored by more experienced personnel.

To build confidence and self-esteem in young people through the Wharf Youth Theatre Group by teaching acting skills and by producing an annual youth production in

conjunction with drama workshops and similar activities. (In conjunction with the previous aim)

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theatre in the coming months. The Senior group have worked towards taking qualifications and have recently all passed their LAMDA examination. A massive well done to all involved in this, as well as the young people themselves, for this fantastic achievement!

To expand the existing range of cultural opportunities in the Devizes area by offering a wide variety of different genres of dramatic and musical performances produced in house by members, and to host visiting players and theatre groups from both inside and outside the Devizes area.

To manage the theatre in a fiscally responsible manner that; ensures safe operation for all users and visitors, complies with our obligations as a charity, ensures the company is long term financially viable, supports the local community and economy through using local services and suppliers where practicable.

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various teams and develop, which help of the show budget matrix, what would be a reasonable budget for the show. The individual teams, with collaboration with the director, are then able to manage this budget. This has removed some of the demand from directors and helped to ensure productions have realistic budgets that can be adhered to.

To build confidence and self-esteem in young people through the Wharf Youth Theatre Group by teaching acting skills and by producing an annual youth production in conjunction with drama workshops and similar activities. (In conjunction with the previous aim)

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Proposal for Objectives 2023/2024

The following are the community aims for the charity during 2023/2024.

To promote drama and music through the education, training, and encouragement of members, supported and mentored by more experienced personnel.

To build confidence and self-esteem in young people through the Wharf Youth Theatre Group by teaching acting skills and by producing an annual youth production in conjunction with drama workshops and similar activities. (In conjunction with the previous aim)

To expand the existing range of cultural opportunities in the Devizes area by offering a wide variety of different genres of dramatic and musical performances produced in house by members, and to host visiting players and theatre groups from both inside and outside the Devizes area.

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To manage the theatre in a fiscally responsible manner that; ensures safe operation for all users and visitors, complies with our obligations as a charity, ensures the company is long term financially viable, supports the local community and economy through using local services and suppliers where practicable.

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– Appendix A Fundraising Projects

The Management Committee have identified some ways that The Wharf could be improved following fundraising. Though this list is not exhaustive, the committee would like to find out what area the membership would like the focus to be on in any potential fundraising. The fundraising itself may come from multiple sources including social events, specific performances, grants, or JustGiving.

Additional, suggestions are welcome bearing in mind that these suggestions are not to change the structure of the building and could be completed without closing The Theatre. We will be looking to vote on the night using a QR code so do bring your phones.

The current suggestions are:

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– Appendix B Proposal to Increase Friend of the

Theatre Fees

The Trustees and Management Committee are proposing an increase of the lifetime “Friend of the Theatre fee”. Currently, this cost stands at £200. The decision to increase this is due to having increased the cost of the annual membership from £20 a year to £25. The Trustees and Management Committee are proposing an increase from £200 to £250 to bring these prices in line with a lifetime fee being the cost of an annual fee over 10 years.

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– Appendix C Management Committee Roles and Vacancies

The current Management Committee are due for re-election. If anyone is interested in standing for one of these roles, then an application form needs to be filled in and submitted a week before the AGM. This is to ensure that the applicant and the current member of the Management Committee can prepare to discuss with the membership present why they think they would be best fit for the role and a vote take place. There are also roles that are currently vacant listed below which can be applied for in the same way.

The roles are listed below with a brief description of the responsibilities (these are not exhaustive).

Bar Manager (currently Pete Winterton) – Bar stock purchasing and replenishment, managing the till, ensuring prices are up to date and fair, and holding the licenses.

Treasurer (Currently Emma Edwards) – Managing QuickBooks, managing bill payments, invoices, and reimbursements, liaising with accountants, sending invoices to visiting productions, and completing show by show accounts.

Secretary (Currently Bethany Ramsay) – Writing agenda and minutes for meetings, planning and writing packs for the AGM, scheduling meetings, and ensuring the Wharf Drive is up-to-date

Artistic Director and Bookings Manager (Currently John Winterton) – Creating the season programme, liaising with directors, overseeing new directors, applying for licenses, researching and communicating with visiting productions, managing the Wharf calendar including booking rehearsal space, agreeing prices with visiting productions and writing invoices. (This can be split into two roles)

Front of House (Currently Oliver Phipps) – Managing the volunteer rota and ensuring roles are filled, ensuring Front of House is clean and tidy before performances, ensuring volunteers are trained in the areas they work in.

Technical Manager (Currently Rob Bourne) – Managing the technical team and ensuring members are upskilled, ensuring performances and technical rehearsals have a technical team and lighting and sound is programmed, ensuring equipment is maintained and up-todate and working with visiting productions.

Buildings Manager (Currently Carol Rendell) – Ensuring the compliance package is completed annually and that necessary works take place, management of the maintenance list, and ensuring necessary personnel can access the building.

Membership Secretary (currently Jon Lewthwaite) – Management of MemberMojo, ensuring members are updated on TicketSource to access discounts, and DirectDebit lists are up-to-date

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Costumes Manager (Currently Gill Barnes) – Maintaining and sourcing costumes, cataloguing costumes, managing the costume store and its volunteers, and ensuring performances have costumes.

Online Publicity Manager (Currently Claire Blacker) – Managing the website and ensuring notices and newsletters are sent

Marketing Manager (Currently Karen Ellis – Stepping down) – Managing the publicity team, developing and building The Wharf publicity, writing copy for advertisement, ensuring physical publicity is in place

Social Media Manager Vacant – Managing the social media posts and ensuring posts go our regularly, liaising with the publicity team, and increasing the reach of the Wharf

Youth Manager Vacant – Overseeing involvement with young people at the Wharf by liaising with chaperones and youth directors and becoming point of contact for queries and concerns.

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– Appendix D Management Committee Application

Name:
Address:
Phone Contact: Email:
Signed Date

Biography (Please complete a summary of yourself, skills, and experience)

What interests you about becoming a member of the management committee and how would you like to contribute (mention specific roles of interest)?

Please return this form to secretary@wharftheatre.co.uk

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