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|||||||Page|
|---|---|---|---|---|---|---|
|Trustees'<br>annual<br>report (incorporating|||the|director's|report)||
|Independent<br>examiner's<br>report to the|||trustees|||12|
|Statement offinancial|activities|(including||income and|||
|expenditure<br>account)||||||13|
|Statement<br>offinancial|position||||||
|Notes to the financial|statements||||||





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|Registered||charity|name|name|Newcastle<br>Arts Centre Trust|Newcastle<br>Arts Centre Trust|Limited|
|---|---|---|---|---|---|---|---|
|Charity registration|||number||701598|||
|Company|registration|||number|02383592|||
|Principal oNce and|||registered||67Westgate<br>Road|||
|oNce|||||Newcastle<br>upon|Tyne||
||||||Tyne &Wear|||
||||||NE1 1SG|||
|Ths trustees||||||||
||||||Mr M Tilley|||
||||||Mrs H E Burns|||
||||||Dr TW Yellowley||(Retired 2 March 2023)|
||||||Mr J Skill|||
||||||MRJBMcNiven|||
||||||Mr P R Grainger|||
||||||Mr P C Kenrlck|||
||||||Miss K Mujde|||
||||||Mrs A Fuller|||
||||||Mrs Z Champion||(Retired 2 March 2023)|
|Chairman|||||Mr P R Grainger|||
|Company|secretary||||Mrs H E Sums|||
|Independent||examiner|||GW Accountants|Ltd.||
||||||1 Jesmond Business Court|||
||||||217Jesmond<br>Road|||
||||||Newcastle<br>upon|Tyne||
||||||NE2 1LA|||
|Bankers|||||Royal Bank ofScotland|||
||||||Newcastle<br>upon|Tyne Branch||
||||||1 Hardman<br>Boulevard|||
||||||Manchester|||
||||||M3 3AQ|||





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|otable<br>hires for this|otable<br>hires for this|pe|riod include|:|||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
|REGULAR HIRES||||||HIRES OF NOTE<br>one||||hire|||
|CHARITY &|COMMUNITY|||||CHARITY &COMMUNITY|||||||
|Springboard|UK|||||Young Lives versus Cancer|||||||
|Stephenson|Locomotive Society|||||The Anne Frank Trust|||||||
|Streetwise||||||Omnibus|||||||
|||||||Crisis Newcastle|||||||
|||||||BsMagnIcent|||||||
|||||||Tyne Industrial<br>Archaeological|||||Group||
|||||||Northumberland<br>Pride|||||||
|||||||North of England<br>Refugee|||Service||||
|||||||Rail Futures<br>North East|||||||
|||||||The Young Foundation|||||||
|||||||Young Lives Matter|||||||
|ARTS &CULTURE||||||ARTS &CULTURE|||||||
|Art Classes by Jason|||Skill|||Live Music Now|||||||
|The Young Women's|||Film Academy||(tenant)|Some Voices Chair|||||||
|Art History lectures||by|Gain Nina|Anderson||Flamenco<br>night|||||||
|The Centre for Life-Long Learning||||—Explore||The University<br>Big Band|||||||
|Practical Art.||||||Hal Brown Comedy<br>Night|||||||
|Salseduce —Salsa||dance classes||and sodal.||Sip and Paint|||||||
|||||||Sixteen Oak Films (Ken||Loach)|||||
|||||||City Guides|||||||
|||||||The Operating<br>Theatre|(rehearsal|||||Space)|
|||||||Boho Arts Fundraiser|(supported|||||with free|
|||||||venue)|||||||
|||||||North East Films|||||||
|||||||Heritage Trust Network|||||||
|||||||NUTS<br>Newcastle<br>Universi|||||Theatre Socie||
|||||||DEVELOPMENT AGENCIES/LOCAL|||||||
|||||||AUTHORITY|||||||
|||||||The Green Party|||||||
|||||||CCZ (now Creative<br>Central||||Newcastle)|||
|||||||Generator<br>NE|||||||
|||||||North ofTyne Combined|||Authority||||
|||||||Digital Catapult|||||||
|||||||OTHER|||||||
|||||||The Green Party|||||||
|||||||Photo shoots Asssmbl||House.|||||





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|||||Newcastle|Newcastle|Newcastle|Arts Centre Trust|Arts Centre Trust|Arts Centre Trust|Limited|Limited||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
||||||Company|||Limited|by Guarantee||||
|Trustees'|||Annual||Report||(Incorporating<br>the Director's Report)|||||(contrnuedJ|
|||||||Year||ended 5|ril 2023||||
|JEDBUTTRESS|||||||||KIRSTI BEAUTYMAN||||
|Sculpting||& Dioramas||workshop||(x2)|||Character<br>Design||for Children's|Beck illustration|
|Casting|||||||||||||
|Monster||Making|||||||||||
|Winter Miniatures|||||||||||||
|Advanced||Diodes|and|Dioramas|||||||||
|BETHANY STEAD|||||||||MARK BLETCHER||||
|Ancient Clay|||||||||Life Drawing|Late|(x33)||
||||||||||Life Drawing|Now|||
||||||||||Contemporary|Still|Life Drawing|in Oils|
||||||||||Experimental|Kitchen Lithography|||
||||||||||Paintin<br>from|Ima|inatlon —Line|&Wash|
|RUBY AUJLA &|||RACHEL||COX||||NICK CHRISTIE||||
|Unleash||Your Imagination|||(x6)||||Screen Printing<br>with Paper Stencils (x2)||||
||||||||||Mono Screen|Printing|||
||||||||||Dry Point Etching||||
|HANNAH||FOULDS|||||||||||
|Painting|with Texture||||||||||||
|Experimental<br>Landscapes|||||||||||||





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|worked<br>hard<br>to produce<br>an <br>Assembly<br>House.|interesting|and|varied|programme<br>in both<br>the|galler|y,|s|h|ow|case<br>and||
|---|---|---|---|---|---|---|---|---|---|---|---|
|EXHIBITIONS 2022/28||||||||||||
|KELSEY LYNN MAYO (ARTIST/STUDIO||||SIAN JORDAN (ARTIST/STUDIO||||HOLDER)||||
|HOLDER)||||'DELICATE BLOOMS'||||||||
|'RETHINKING<br>THE CRAFTSPERSON'||||APRIL 2022||||||||
|19m MARCH —16~APRIL|2022|||THE SHOWCASE||||||||
|THE GALLERY||||||||||||
|||||A series ofwatercolour<br>portraits.|||"delicate and|||||
|Rethinking<br>the Craftsperson|in a world|submerged||soft, but there is a striking|boklness||||within the|||
|In technology.||||playful bursts ofcolour, tamed<br>brush strokes. "||only|||by|graceful||
|NATASH LOYDELL||||THE ROYAL PHOTOGRAPHIC|||SOCIETY|||||
|'SLOWDANCE||||'DOCUMENTARY<br>PHOTOGRAPHER||||||OF THE||
|MAY 2022||||YEAR 2021'||||||||
|THE SHOWCASE||||W MAY —4&JUNE 2022||||||||
|||||THE GALLERY||||||||
|Slow Dance is an exhibition|of handcrafted||glass|||||||||
|that draws upon the artist's|interests<br>in|relics, local||The RPS Documentary<br>Photographer|||||ofthe Year|||
|history and folktalss. Weaving<br>mytho-poetic||||is an international<br>competition||attracting||||||
|personal<br>narratives<br>with extensive research|||and|exceptional<br>visual storytellers||from||across the||||
|regard for both art and cultural<br>conservation,||||world. This is a touring<br>exhibition.||||||||
|Natasha's<br>work questions<br>when art becomes||||||||||||
|artefact, and the necessity offorms of pilgrimage||||||||||||
|in historical faiths vs the contem<br>ora||ev|da .|||||||||
|NEWCASTLE COLLEGE||||NEWCASTLE COLLEGE||||||||
|'BA DESIGN, APPLIED AND DIGITAL ART||||'BA FINE ART DEGREE SHOW'||||||||
|DEGREE SHOW'<br>1P<br>MAY —8m JUNE 2022||||8m —25m JUNE 2022<br>THE ASSEMBLY HOUSE||||||||
|THE ASSEMBLY HOUSE||||||||||||
|Final degree project work exhibited<br>and||curated||Final degree project work <br>the fine art students<br>from|exhibited<br> Newcasde|||and curated<br>College.|||by|
|by the graphics,<br>illustration,|photography,|digital||||||||||
|art students<br>from Newcastle|College.|||||||||||





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|Newcastle<br>Arts Centre Trust Limited|Newcastle<br>Arts Centre Trust Limited||
|---|---|---|
|Company<br>Llmlted|by Guarantee||
|Trustees'<br>Annual<br>Report (Incorporating<br>the Director's Report) f~r/sum|||
|Year ended 5|rll 2023||
|PETER HANMER|RORY SPENCER||
|'SEEKING ARMAGEDDON'<br>15m OCTOBER 12™<br>NOVEMBER 2022|'FREE ART'<br>15~OCTOBER —12~NOVEMBER 2022||
|THE GALLERY|THE SHOWCASE||
|'Seeking Armageddon'<br>brings together over 10|Glasgow-based<br>illustrator,<br>writer and designer.||
|years ofapocalyptic<br>musings<br>in sculpture,|This exhibition<br>is an experimental<br>display of||
|installation,<br>and ink from award<br>winning<br>Northeast|drawings<br>by the artist, that seeks to encourage||
|based visual artist Peter Hanmer.<br>Evoking the|audience<br>participation<br>whilst challenging<br>the||
|spirit ofGulliver's<br>Travels, Hanmer<br>blurs the line|muddy concept of art ownership.<br>Throughout|the|
|between fantasy and reality, presenting<br>multiple|course ofthe show, the entire contents ofthe||
|miniature<br>Dioramlc vistas populated<br>by humanoid|exhibition<br>will be given away —all signed and||
|protagonists.|editioned<br>by the artist. All art must gol||
|MIKE TILLEY|MIKE TILLEY||
|'STEAM DREAMS'<br>19m MARCH 16™<br>APRIL 2022<br>THE GALLERY|'MONTAGUE<br>WHICKHAM: VINTAGE NIGHT<br>PHOTOGRAPHY'<br>29™<br>JANLIARY<br>26rH FEBRUARY 2022||
||THE GALLERY||
|Experience the magic oftrains that featured<br>In|||
|many famous<br>movies, at this Interactive,<br>Insighfful|Who was Montague<br>Whlckhamt<br>Many years|ago,|
|family<br>event.|Mike Tlfiey bought a box of old lantern<br>slides from||
|A special event for the Christmas<br>Holiday|an auction<br>in Newcastle. This turned<br>out to be a||
|featuring<br>working<br>models snd images from classic|lecture set on night photography<br>by a||
|movies including<br>The Adams<br>Family, Thomas and|photographer<br>named<br>Montague<br>Whickham,<br>who||
|Friends,<br>Hany Potter end Polar Express.|was unknown.<br>Most ofthe slides are of London,||
|Hundreds<br>offamous cinema films have induded|all taken before the First World War and show|his|
|train travel as an essential<br>part ofthe plot from|considerable<br>skill and talent as a picture maker.||
|thrillers<br>by Hitchcock to comedies<br>such as Some|Because lantern<br>slides sre contact prints direct||
|Like it Hot and the romance of Brief Encounter.|from the original negatives,<br>they were easy to||
|(Model making<br>by Rebecca Pumell<br>and Jed|scan and make fresh digital prints. This formed an||
|Buttress).|exhibition<br>which was shown at the Arts Centre|and|
||a selection now form this Showcase exhibition.||





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|||Year ende|d 5April|2023|2023||
|---|---|---|---|---|---|---|
|||||2023||2022|
|||||Unrestricted|||
||||Note|funds<br>6|Total funds<br>8|Total funds<br>f|
|Income and endowments|||||||
|Donations<br>and legacies|||5|613|613|42,667|
|Charitable<br>activities|||6|117,800|117,800|95,300|
|Investment<br>income|||7|684|684|21|
|Total income||||119,097|119,09?|137,988|
|Expenditure|||||||
|Expenditure<br>on charitable||activities|8,9|167,572|167,572|110,499|
|Other expenditure|||11|||85|
|Total expenditure||||167,572|167,572|110,584|
|Net (expenditure)/Income||and net movement|In funds|(48,475)|(48,475)|27,404|
|Reconciliation<br>offunds|||||||
|Total funds brought|forward|||234,165|234,165|206,761|
|Total funds carried|forward|||185,690|185,890|234,165|





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||||||Unrestricted|Total Funds|Unrestricted|Total Funds|
|---|---|---|---|---|---|---|---|---|
||||||Funds<br>K|2023<br>f|Funds<br>f|2022<br>E|
||Donations||||||||
||Donations||||613|613|||
||Grants||||||||
||Government||grant income||||42,667|42,667|
||||||613|613|42,667|42,667|
|B.|Charitable|activities|||||||
||||||Unrestricted|Total Funds|Unrestricted|Total Funds|
||||||Funds|2023|Funds|2022|
||||||E|6|6|6|
||Rent received||||23,968|23,968|18,858|18,858|
||Room hire||||43,501|43,501|32,707|32,707|
||Gallery income||||1,237|1,237|2,746|2,746|
||Jazz Cafe income||||2,906|2,906|1,105|1,105|
||Course Fees||||45,206|45,206|39,059|39,059|
||Equipment|hire|||887|887|325|325|
||Other income||from charitable|activities|95|95|500|500|
||||||117,800|117,800|95,300|95,300|
|7.|Investment|Income|||||||
||||||Unrestricted|Total Funds|Unrestricted|Total Funds|
||||||Funds<br>E|2023<br>E|Funds<br>E|2022<br>f|
||Bank interest||receivable||684|684|21|21|
|8.|Expenditure||on charitable activities by fund type||||||
||||||Unrestricted|Total Funds|Unrestricted|Total Funds|
||||||Funds|2023<br>f|Funds<br>f|2022<br>E|
||Events & performances||||82,148|82,148|34,496|34,496|
||Trust event|costs|||72,655|72,655|72,671|72,671|
||Support costs||||12,769|12,769|3,332|3,332|
||||||167,572|16?,572|110,499|110,499|





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||||||||Year ended 5 April|Year ended 5 April|Year ended 5 April|Year ended 5 April|Year ended 5 April|20|23||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|9.|Expenditure||on charitable||||activities by activity type||||||||||
|||||||||||Activities|||||||
|||||||||||undertaken|||Support|Total funds||Total fund|
|||||||||||directly<br>f|||costs<br>f|2023<br>5||2022<br>E|
||Events & performances||||||||||82,148|||82,148||34,496|
||Trust event costs||||||||||72,655|||72,655||72,671|
||Governance||costs||||||||||12,769|12,769||3,332|
|||||||||||154,803|||12,769|167,572||110,499|
|10.|Analysis|of|support costs||||||||||||||
|||||||||||||Analysis of|||||
||||||||||||support costs||||||
||||||||||||||activity<br>1<br>f|Total 2023<br>f||Total 2022<br>F|
||Finance|costs|||||||||||2,579|2,679||1,169|
||Support <br>Support|costs <br> costs||—Accountancy<br> —Consultancy||||fees<br>Fees|||||2,562<br>7,628|2,562<br>7,628||2,163|
||||||||||||||12,769|12,769||3,332|
|11.|Other expenditure||||||||||||||||
|||||||||||Unrestricted||Total Funds||Unrestricted|Total Funds||
||||||||||||Funds||2023|Funds||2022|
|||||||||||||||f|||
||Bad debts written||||off|||||||||85||85|
|12.|Independent|||examination|||fees||||||||||
|||||||||||||||2023||2022|
|||||||||||||||f||5|
||Fees payable|||to the independent|||||examiner for:||||||||
||Independent||examination|||ofthe financial statements||||||||2,562||2,163|
|13.|Staff costs||||||||||||||||
||The totai|staff||costs and employee|||||benefits for||the reporting||period are|analysed as|follows:||
|||||||||||||||2023||2022|
|||||||||||||||||E|
||Wages and salaries|||||||||||||26,389||6,326|
||The average||head||count|of|employees|||during|the year|was 2 (2022:||1).The average||number<br>of|
||full-time|equivalent|||employees|||during the year|||is analysed||as follows:||||
|||||||||||||||2023||2022|
|||||||||||||||No.||No.|
||Number|ofstaff||||||||||||2||1|





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|15.|Tangible fixed asset|s|||||
|---|---|---|---|---|---|---|
|||||Equipment|Work of Art|Total|
||Cost||||||
||At 6 April 2022 and|5 April 2023||1,404|420|1,824|
||Depreciation||||||
||At 6 April 2022 and|5 April 2023||1,404||1,404|
||Carrying<br>amount||||||
||At 5 April 2023||||420|420|
||At 5 April 2022||||420|420|
|16.|Debtors||||||
||||||2023|2022|
||Trade debtors||||31,426|14,318|
||Amounts<br>owed by undertakings||in which the charity has a||||
||paniclpating<br>interest||||33,392|33,392|
||Prepayments<br>and accrued income||||32,438|2,880|
||||||97,256|50,590|
|17.|Creditors: amounts|falling due|within one year||||
||||||2023|2022<br>f|
||Bank bans and overdrafts||||6,150|6,150|
||Trade creditors||||6,498|2,250|
||Accruals and deferred|income|||17,725|17,109|
||Social security and other taxes||||84|59|
||Other creditors||||90|74|
||||||30,547|25,642|
|18.|Creditors: amounts|falling due|after more than one year||||
||||||2023|2022|
|||||||F|
||Bank loans and cverdrafts||||14,799|21,188|





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|Government|Government||grants|grants|grants|||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|The amounts|||recognised|||in the financial||statements||for|government|grants are as follows:<br>2023<br>2022||
|||||||||||||K|F|
|Recognised||in|income||from donations||and||legacies:|||||
|Government||grants||income|||||||||42,667|
|Analysis|of|charitable||||funds||||||||
|Unrestricted||funds||||||||||||
|||||||||||At|||At|
|||||||||6 April 2022<br>6|||Income<br>6|Expenditure<br>f|5 April 2023|
|General|funds||||||||234,165||119,097|(167,572)|185,690|
|||||||||||At|||At|
|||||||||6 April 2021|||income|Expenditure|5 April 2022|
||||||||||6|||r||
|General|funds||||||||206,761||137,988|(110,584)|234,165|
|Analysis|of|net assets||||between funds||||||||
|||||||||||||Unrestricted|Total Funds|
|||||||||||||Funds|2023|
||||||||||||||6|
|Tangible|fixed||assets|||||||||420|420|
|Current|assets|||||||||||230,616|230,616|
|Creditors|less||than|1 year||||||||(30,547)|(30,547)|
|Creditors|greater than||||1|year||||||(14,790)|(14,799)|
|Net assets||||||||||||185,690|1S5,690|
|||||||||||||Unrestricted|Total Funds|
|||||||||||||Funds|2022|
|Tangible|fixed||assets|||||||||420|420|
|Current assets||||||||||||280,575|280,575|
|Creditors|less||than|1 year||||||||(46,830)|(46,830)|
|Creditors|greater than||||1|year||||||||
|Net assets||||||||||||234,165|234,165|



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