Charity registration number 312162
WHITECHAPEL GALLERY
CONSOLIDATED ANNUAL REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2024

Charity re8i8tration number 312162
WHrrECHAPEL GALLERY
CONSOLIDATED ANNUAL REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2024

WHITECHAPEL GALLERY
LEGAL AND ADMINISTRATIVE INFORMATION
Charlty number
312162
Resiotered irfflee
7142 Whitechapel High Street
London
El 7QX
Audltor
Streets Audit LLP
clo The Old Exchange
64 West Stoekwell Street
Colchester
E88ex
Coi IHE
Banker8
Uoyds 15B Bank PLC
25 Gresham Street
London
EC2V 7HN
Investn*nt Manasers
JP Morgan International Bank Ltd
l Kni8htsbrid8e
London
SWIX 7LX
Insurance Brokers
Gallasher Heath
133 Houndsditch
London
EC3A 7AH
)licitors
Bates Well8 & Braithwaite
24 Cannon Street
London
EC4M 6YH

WHrrECHAPEL GALLERY
CONTENTS
Trustees, report
1-21
Statement of tru&tee8' re8ponsibilitie8
tndependent auditor's report
Con801idated statement of financial activitles
26-27
Con801idated balance sheet
QTharity balance sheet
29
Consolidated statement of cash flow8
Notes to the financia] statements
31-47

WHITECHAPEL GALLERY
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 MARCH 2024
The Board of Whitechapel Gallery Trustee Limited. which is thc sole trustee of the Whitechapel Gallery charity
present their annual report and financial ststements for the year ended 31 March 2024.
Board of Tru6tees
Thcfvllowing htwe sertEd on the Board thnjughoul the period to the dote of this report..
David Dibosa. thair
Erin Bell
Jonathan Kanagasooriam
Melanie Manchot
Sarah Miller
lan Pleace
Alexander Sainsbury (to Dec-23)
Nicola Kerr (to Dec-24)
Samantha Hill (to Aug-24)
Jeremy Achkar (from Jun-24)
Myfanwy Barrett ((rum Dec-23)
kngela de la Cruz (from Dcc-23)
Debashi8 Dry (from Dec-23)
Anya Gallaccio (from Dec-23)
Ebele Okobi (from Dec-23 to Jun-241
Marie McPartlin (from Jun-24)
William Mann (from Oct-24)
Frances Morris (from Oct-24)
Executive Team
Gilane Tawadros (from Oct-22) D]rL￿tOr
Tom Wilcox (to Oct-23) Deputy Director
Luke Grt'gory-joncs (from Nov-23) DL'puty Dirc¢tor
Ellie aowes {from Apr-23) Director of Finance and Cornpany Secretary
Dr Richard Martin (from Apr-21) Director of Participation
Rummana Naqvi (from Feb-23) Director of Development
' Mark Hone (to JAn-24) Head of OwatioD¥ & Building Projectr4
Pedro da C05ta (from Jan-24) Head of OperatiorL8 & Visitor &rviee8
Jennifer Lea (tu Jun-23) DArectur of Comtnunicationt
Natasha Plowright (from Jul 23) Director of Audiences and Communications
Helen Sainsbury (to Oct-23) Interim Head of Exhibition8
Elena Crippa (to Apr-24) Head of Exhibitions
Sophie Clark (to Sep-24) Interim Head of Exhibition6
LEila Haglham (from Sep-24) Head of Exhibitions
MaTtin Reyes (to Nov-241 Head uf People and Culture
Selma Basic Dowling (from Jan-25) People and Culture Managcr
Jane McGowan (Frorn Jan-25) Director of Finance

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Structure Governance and Mana
ernent
Whitechapel Gallery is a charitable trust governed by a Scheme of the Charity Commissioners dated 10 November
1981, as amended by &hemes dated 10 May 1988 and 9 March 2(Mll. The Gallery is registered for charitable
puryoses with the Charity Conmi￿10n, Charity Registration No 312161
The Gallery is governed by a corporate trustee: Whitechapel Gallery Trustee Limited. The Directors meet quarterly
and are assisted by various convnittees. described below.
There are four standing suknmmittees of the Board which each typically meet between 2 and 4 times per year..
Finance and Operationy Committee (Chair- Ian Pleace);
Ethics Committee (Chair- Sarah Miller);
Programme and Audiences Committee {Chair- Alex Sainsbury): and
PeuplL' and Culture Committee (Chair- Nficola Kcrr).
There is al80 a Nominatlons Committcc which 18 eonvened as necessary to consider appointments to the Board.
The day-to4ay activities of the Gallery are controlled by the Dlrector, Gilane Tawadros, who commenced
employment as Director in October 2022. Key management perBonnel, referred to aA the Senior Management Team.
run departments and fiupport the Director.
Remuneration for kLy mana8ement personnel is set by thL. Board, Dircetor and Deputy Director within bands that
are deterniined by sector benchmarks. experience and level of Tesponsibility within the management structure.
Governance Code
The Trustees arc aware of the Charity Commission's Govcrnance Code for Larger Charities (published July 2017).
The Code is based on seven principles of good governance: Organisational Purpose; Leadershipi Integrity..
Decision-makAn& Risk and Control; Board Effectiveness; Diversity, and Openness and Accountability.
The charity ¥trivLbS1 to meet the principle8 and outcomcA of the Code by applying the TecommcndL.d practicL.. The
Trustees have reviewed the Whitechapel Gallerfs Governance Code and are confident that it ali8ns with the
Charity Commission's rccommcndLxI practise.
Recrnitment Induetion and Trainin
of Trustee8
New Trustee5 are recruited acci)rdin8 to the Trustees, and Directofs on-going asscssments of the overall sklll8
required to be repTL'¥L'nled on the Board of Trustees and what additional Rkill8 are needed to complete the rL'quired
portfolio. Prospective new Trustees are recommended by the Nominations Committee to thc Chair who will asse85
the candidates and decide. in consultation with the Director, whether to propose their appointment. The Trustee5
take the final decision on the Chair'5 proposal.
Newly appointed Trustee￿ receive briefings Erom the Chair, Director and Deputy Director and are provided with
relevant Charity Commi55ion guidance. Training is considered by the Chair on a case-by-case basis.

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Public Benefit
The Board confiTms that it has siven due consideration to the Charity Comrni55ion's published guidan￿ on the
Public Benefit requiTement under the Charities Act 2011, including the guidance on public benefit and fee chargin
when rcviewins the Charity's aims and obj'ectives and in plannin8 future activities. The ChariWs activities clearly
relate to its legal objective5 of advancins education in the arts and the provision nf a gallory for the enhancement of
the cultural welfare of the local conimunity and the wider public. The activities undertaken 8nd achievements
described enable the reader to assess the contribution made by these activities towards furtherinb. the Charity's
0￿.eCtiVeS. The Charity's strategy 8tresses the importance of ensuring the accessibility of its exhibitions and
activities to all members of the public and ofEers free entry to exhibitions year-round. Specific ¢onlinnation 18 also
provided that Tru&tees roceived no rernuneration or benefits for thesr contribution to tho Charity and that no
Trustee wa8 connected to any artist or exhibitor professionally ensased by the Charity.
Objectlves and Activities
Charitable Objectives
The oLJ'ectives for which the Whilechapel Gallery was established are stated in the governing document of 10
November 1981 a6..
The prou$iopi and iiiaintcpttmce of an art gallery fur exhibition lu the public of modern ond historicol fixe art,. modmi and
hislorical desixn and applied art,. work done by SCIN￿[ children llnd locol communilies.
Promoting and encor4rA%ing the education of the public in the orts both in the Gallery and elsewhere. These objectives tsre met
by the operAtson of Ax arl sallery on Mileckapel High Street tn London, by relaled educalionol other activities.
Mi88ion, Vision and Approach
Vlslon
The Whitechapel Gallery will occupy a distinetlve and radical pngJition in the social and cultural landscape. We will
build on vur pioneering history as a place for eontemporary art and ideas, translatins and anim3tins it for our time.
Mi8sion
The Whitechapel Gallery is a gruund-breaklns art institution that has l￿A$ted for mure than 100 yLSarg. Wc make
contL'mporary art and idea5 accessible to local and slobal audience5 in thL. East End of London, recosniying the
critical role that art can play in firins up our ima8inations, reflecting our lived expcTiences and openin8 up new
possibilities for thinkin& Eeelins and dreaming.
Approach
l. We are pr()ud to be a cultural InSti￿tIon that is locally embedded and slubally connected. Whitechapel is a
gallery and a geographical destination, positioned accessibly on the high street (with a tube station in our
basementl).
2. We want our building to be a soulEul and xntimate destinatian for local, national and international viBitor6'. a
84xial and civic ￿￿paCe that is free and open to all.
3. Education sits at the heart of the Whitechapel Gallery. Our prosramme empha5ises close collaboration with local
families, schools and communities, who we value as key stakeholders in our organi5ation.
4. We take risks in programmins le55er known and neglected artists and in making challenging artwork8 and ideas
accessible to all our audiences. puttins artists and ideas at the centre of everytkung we do.
5. We focus proudly on the work of women artists and artists of colour. championing their contribution to
contemporary art and society and forging connections with new audiences. partners and participants in the
gallery's programmes.

WHrrECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
6. We are committed to making the Whitechapel Gallery a pemieable cultural institution that spills beyond its
gallery walls, actively seeking partnerships beyond the gallery, and creating opportunities for artists and audiences
to shape and infiuence what we do.
7. We are unafraid to have a social and political agenda, working with artists and idea8 that addre88 the key issues
and concerns of our times.
8. We are dedicatéd to safeguarding the long-terni future of the Whitechapel Gallery by building its cultural. s(Kial
and political capital and ensurins its 8u8tainability - artistically, environrnentally and economically.
Achievements and Perfornunce
An Overview
Whitechapel Callery's new Director Gilane Tawadros has brou8ht a wealth Of experience An leadins pioneerRng arts
organisations and has been working with Trustees and staff to renew Whitechapel Gallery's foundlng mi88ion for
the present day, makins contemporary art and ideas relevant and ac￿5$1b1e to all.
Having e8tablithLxI a new strategic direction for the or8ani8atioTh WhitechapLI Gallery has begun to roll out new
programmey acri)ss the Gallery including L￿hIbItionS and participatiun. alun88ide building-based inltiatives related
to acceys and environmental &u&tainability.
Like many other arts in8titutions, Whitechapel Gallery is facing a challengins financial environment, with increased
CO8ts, the impact of the cost of living crisis on earned income, and an increasingly cornpetitive funding landscape
across the sector. In order to combat these challenges, the Gallery 18 reassessirL8 Its bu8ine*s model in terms of
income and expenditurL'.
Asainst this back8round, we presented an ambitlOU5 and critically-acclaimL.d programme of exhibitions. events and
activities throughout the year, engaging new and diverse audiences in our work.
Whitechapel Gallery welcomed approximately 215,000 vi8itor8 in 2023-24, with an average monthly attendan￿ of
17,915 visitors and an avLbragL• weekly attendan￿ of 4.135 vitSiti)rs. Admission income for thL' year was £239,147.
This represents a dL￿rc.ase on the previous year whLYe admission income totalled £276,419. However, around 56%
of people surveyed during Our Summer season were first-time vi8ltors. with a substantial proportion cvmins from
our local area, supporting one of our key strategic aims.
Our di8ital engasement across key platforms reflects a similar growth pattern to the previous year. The Gallery
Web￿>lte recLltved 2.2m total page views while our lead ￿181 media channel, In8tagram, achleved a eolloctlve reach
OE 521,000 accounts.
Exhibltlons Prosramme
Summer Season 2Tr23 Uune - September 2023)
Lrfe 16 More Important than Art was a summer-long season of exhibitions, installations. perforniances. talks and
film screenings that explored the interface between art and everyday life taking place across multiple spaces acr055
the institution.
The group exhibition included work by Rana Besuni. William Cobbin& Sarah Dobai, Susan Hiller. Jerome,
Matthew Krishanu. Janette Parrib, John Smith, Alia Syed, Mitra Tabrizian, Mark Wallinser and Osman
You8efzada.

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
As part of the project. we hosted Whitechapel Radio Station which broadcast live and online. hosting a series of
talks with artists, collectives, writers and musicians. Somali Museum ￿Came in-house residents providing a virtual
and physical space for the varied stories of Somalia and Somali people based globally and in the UK. Cornbining an
art gallery, library, archive, museurn, dance and music studio in one space, the museum reimagined what a
'museum' is and what it can do.
Throushout the summer. performances, tskeovers and public talks brought together contributors fmm across
creative di5¢iplines di5cussin8 key contemporary questions around hou5in& health, migration and democracy.
Highlight event partners and contributors included Bow Arts, Chi8enhale Gallery, Healing Justice London, 2023
Writer-in-Residence Martin O'Brien and writer Lauren Elkin.
ArtisLs and play spccialists Sarah Mar8h and Stephanie Jefferie8 were commiysionod to create an immerBive and
tactile installatiun for the public to engage with L%ntitled Sculpting Conversations and in the Zilkha Auditorium. we
screened thL. Artl8t's Film International pro8rarnme featuring contemporary moving imases works by artists on
the theme of diaspora.
In August, the 2023 cohort OE Whitechapel Gallery and iSBU'A MA in Curatlng Art and Public Pro8rammes
pre¥ented It All Started With o Thread. an cxhibition exploring the notion of a thrcad as a method and MC￿taPhor for
connection, collaboration and conversation.
Autumn Season 20W24 (October 2023- January 2024)
Nlcole Ei8enman: What Happened brou%ht tOgL%ther over l(M) work8 from acroNN the artl8Vs th￿e-decade career
featuring large-scale p.aintinss, sculpturey, m(muprint9J, animation and drawin895.
Johanna Billln8 presented her moving imase work Each Moment Prebent5 (2023) exploring idea8 of collaboration,
Chan￿ and education. Realised over several years, the film was produced in aS￿￿latiOn with Bristol City Council
and commissioned by Bristol Grammar School.
The work of poet, writer and arti8t Anna Mende1880hn was presented for the first tlme in a public institution.
Bringing together a selection of Mendels50hn'5 poetry and works on paper which examined how war, faseism and
incarceratxon influence the ways we expres8 and give form to hi8tory and social experience.
Ed8e Effects was a participatory project that took inspiration from nature to shape an ongoing serie5 of artist
residencies with primary and secondary schoo15 in Newham, Fast London led by artist Iohanna Ta8ada Hoffbeck.
featuring contributions by writer and sardener Sonya Patel Ellis and artist Sam Ayre. Edse Effects was a project
bout stewardship of the planet and promotion of a mindful under%tanding of our placc in nature. This exhibition
took place from January until May.
Spring Season 2024 (Febrnary- April 2024)
Artist Zineb Sedlra transformed the Gallery's exhibition space into a series of film sets. Originally conceived for the
French Pavilion at the 59th Venice Biennale in 2022, Dreams Houe No Tilles was an immerxive installation comprising
film. sculpturei photography and performance, that intcrweaved the artisvs biography with activist film￿> produced
across France. Alseria and Italy in the 19605 and 19705. A free daily screening prograrnme selected by Sedira
accompanied the exhibition focusing on films that inspired and influenced her practiee.
L4)ndon-bayed inteTdi5ciplinary artist and experimental tnusic producer Andrew Pierre Hart was commissioncd to
creatc a new work which reflccted on on INhitechapel's lonsstanding history as a home for misrant and diasporic
conurLunitie5.

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONfINUED)
FOR THE YEAR ENDED 31 MARCH2024
Galleries 1, 8 & 9
Life is More Important Than Art: 14 June- 3 September 2023
Nicole Ei8enman.' What Happened: 11 October 2023- 14 January 2024
Zineb Sedira.. Dreams Have No Titles: 15 February - 12 May 2024
Gallery 2
Susan Hiller. J Street Project (Index), 2(Ki24)5: 14 June- 3 September 2024
Johanna Billing". Each Moment Presents What Happens: 11 October- 4 February 2024
Zineb Sedira Pre%L*nts: 15 February - 9 June 2024
Gallery 4
Somali Museum: Any-space-whatever. 14 June- l October 2023
ATma Mendelsyohn: SpcaL Poetess: 11 October 2023- 21 January 2024
Edge Effects.. 30 January - 6 May 2024
Gallery 5
rt All Starts with a Thread: 18 AuguBt 2023 - 14 January 2024
G•llery 7
Sculpting Conversations.. 14 June - 14 Septernl￿r 2023
Nicole Eisenman: What Happened: 11 October 2023- 14 January 2024
Andrew PAerre Hart BiovData FIowL3 and Other Rhythms- A Local Story: 15 February- 7 July 2024
Auditoiium and s￿dI0. Arti8ts' Film Internatlonal
Artists, Film International.. 13 June - 17 September 2023
Whiteehapel Radio Station.. 14 June- 16 September 2023
Partlcipation Pro8ramme
During 2023-24, the Gallery undertook a strategic review of the Department of Education and Public Prograrnmes
de8i8ned to build upon a history of pioneering educational practiceB. ThL first Atagc involved comMit￿lOning
cxternal researchLirx to complete" a reviL'W of the current programmo, benchmarking it with cumparable
organisations. This review way prebented and discu8scd with all staff and Trustccy leading to a series of workshop5
and meetings to develop a new strate8y for the Department. The new strategy defines the pro8ramrnc as a testing
ground for art and ideas,. shifts the language used to describe the programme from the more traditional term
'education' towards creativity, participation and ¢ollaboration (including renaming the Department a8
ParticipBtir)n)' strongly emphasi8e8 a commitment to local communities and socially-engaged practices; and collate8
ambitions lor the periud 2024-27 acro83 an intcrsL'nerationaL artist-led, multi-disciplinary pro8ramme spanning a
wide range of lifo 8tages.
Programmlng Hishlishts 20￿24
Familieg Prosramrne
Sculptrng Conversalions Uune-kptember 2023) offered a participatory drop-in Spa￿ wlth interactive
sensory objects aimed at familie8 and younger audience5, created by artists Sarah Marsh and Stephanie
Jefferies.
Regular programming throughout the year included Family DayB and creative workshops aimed at
intergenerational audiences.

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
S¢hoo15 and Teacher6
The participatory exhibition Edge Efrcts Uanuary-may 2024), focusing on Urban ecologies. was developed
in partnership with student5 and teachers at Vicarage Primary School and Plashet School in Newham,
where 300 pupi15 t()ok part in workshops in Autumn 2023, folli)wed by EuTther creativo workshops during
the exhibition run. The proioct wa5 led by artist Juhanna Tagada Hoffbeck and CUTator Kirsty Luwry. and
also featured work by writcr Sonya Patcl Ellis and artist Sam Ayre alongside students from the
participating schools.
Regular programming included professional development sessions foT networks of local teachers in Tower
Hamlets and Newham. artist-led creative workshops held at the Gallery and in local schools, supported
exhibition visits for school￿. and digital re80urces.
Youth Pro8ramrne8
The participatory exhibition Escape the Slick, developed by the Gallerfs youth collective Duchamp & Son8
with artist Gaby Sahhar, was extended from January to Augu8t 2023 in Gallerie8 5 & 6, supported by
additional IivL' prosramming and a podcast L'pisodL. An oxternal Lvaluation report on the projL*t
emphasi%Ld thL' POSitiVLi resp()nses it receivcd Erom audiences and paTtieipants, and particularly the setL%e
of a8ency and conumunity it generated within thc youth collectfve.
18 Million Minds was a major project on youth mental health, developed in partnership with artist the
vacuum cleaner and Chisenhale Gallery, culminating in two live peTforrnance8 led by youn8 people in
August 2023.
RL'gular pro8rarnmin% includL.d collaboratlve seNsion8 fLsaturing Duchamp & S(]n￿ workins with artiEstt4
8uch a5 Kneed and MohammL.d Z. Rahman, ￿aSona1 Young Creative8 Nights, rnulti-disciplinary creative
work¥hops fur youns people, and a weck-lon8 prosramme exploTing contemporary art.
Community Fro￿aMme&
The Somali Museum exhibition in Gallery 4 UuDe-SeptL'mber 2023) waff developL.d by Numbi Arts, a Somali-
led, Pan-AFrican organisatic)n ba8L.d in Tc)wer Hamletfs. It featured film, phntC)gTaphy. music and Sound
media, and was accompaniL.d by thL Gallcry hosting thc operuns celebration of Numbi Fest (attended by
over 1000 people) and a series of Somali language cafe sessions.
Elo Melo Festival, held in August 2023, was a ￿lebratIon of British-Bansladeshi culture developed in
partnership with local collective Oitij-jo and attended by over 600 people.
A larse new public mural by Shira7. Bajoo in Globc Town, Bethnal GreeTh npened in July 2023. DevLloped
acroB5 tcamy at the Gallery in partnerghip with Tower Hamjety Council, the mural iy a colourful
phvtographic collase of archival matLrials that speak to thLTr rich history of the local area, with an onlinL
digital hub devoted to the project on the Gallerfs website.
Other community partners engaging with the Gallery throushout the year included.. Healing Justi
Londo￿ You Make It, Deaf Unity, Crisis. Freedom Press, Bow Arts, Queen Mary University of tA)ndon,
and the Art Working Parent% Alliance.
The gallcry's Access programme included BSL Tours, Audio De8cription Tours and Printed and di8ital
rvaources.
Notably, the new Participation stratesy - operational for 2024-25 - intcgrates local partnerships acro85 the
programme and removes the di51inclion between'community Pro8ramme5' and 'Public Programmes,.
P.ubllc Pro8ramme8
As part of the broader summer proiect Lifr is More Iinportartt Than Art, the Gallery hosted a wide-ransin
multi-disciplinary public programme in Gallery 2 featuring performance. film, music. food and
discussions. These events were develoFd with a range of local partners and many were livfrstreamed on
the Whitechapel Radio Station.
As Writer in Residence for 2023, the artist Martin O'Brien was cnnunissioned to make three new durational
perforfflances with accompanying text5 published on the Gallery's website.
Other Programme highlights included talks with the artists Zineb Sedira. Nicole Ei5enman and Johanna
Billin& contributions from the short-listed artists for the 2023 JaTman Award lin partnership with Film
London), event5 with WTlter6 Lauren Elkin and Adam Shalz. and a rLew perfonnance by Terry Smith.
Digital pro8ramrnin8 included four new podcast episodes.

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONfiNUED)
FOR THE YEAR ENDED 31 MARCH 2024
Pllbjic Events Listin
I A .1 2023 - 31 March 2024
ate
itle
Famil Da
Esca
e the Slick.. Youth Takeover
Audio Descri
tion Tour: Access, Gesture, Paint
peculation.. Documents of Contemporary Art
Strand
amilicb Pro
outh Pro
ccess Pro
blic Prosratnmes
ramme
amme
mme
-may-23
18-May-23
An Ambulance to the Future (rhe Second Chance)..
arlin IYBrien
Discussion.. Life ig More Important Than Art
blic Programmes
-Jun-23
ublic Prosrammes
9-Jun-23
07-Jul-23
Numbi FLbt
Rehearsin8 Futures Part I: Life-Affirmin% Cornmuni
PraclicL
lia SyL.d's Fatima's LEtter'. 16mm ScreLnin&y
ublic Pro
ublic Programtne5
ammes
l-Jul-23 & 24..
-23
5-Jul-23
ublic PTogramme5
Audio Description Tour: Lifo 18 More Important Tha
Arl
CCL'EpY PrugrammL'
O-Jul-23
2-Jul-23
()un
Creatives Ni
ht
verture for the Future (An Ashen Place): Marli
'Brien
Meet the Staff
East London Art Prize x Whitecha
2.8 Million Minds.. A Sharin
lorin
CuntLIrn
Art Week
Audiu DL8cription Tour.. Life is More Imp()rtant Tha
Art
e Fight for FreL. TimL.: Hclen Hc8ter and Nick Srnicek
outh Pro
ublic ProgrammoB
amme
7-Jul-23
3-Au
-23
2-Au
-23
15-18-Au
7-Au8-23
outh Pro
blic Pro
outh Pro
outh Pru
ccess Programme
el Galle
ammes
ammes
ra
arnmcs
7-Aus-23
blic ProgrammLIM
8-Au
3-Au
-23
-23
RS Grassrouttl SL'rie4: Musie Venue Trust
Conversations: Sarah + Ste
h in Situ
RS Grassroots Series.. Dalston Su
erstore
L05 Angeles in Whiteehapel.. Book Launch and Group
alk
WRS Grassroots Series.. Geor
Tavern
Elo Molo Festival.. Oitij-jo x Whilechapel Gallery
ublic Pro
amilies
ublic Pro
ublic Programmes
amrnes
I-AU
1-Sep-23
amme8
ublic Pro
ublic Programmc5
9-5ep-23
ucham
& Sjns.. Tastcr Evenin
e VoicL of tho Peo
RS Takeover.. Theatrum Mundi
narchist Bookfair
eachers, Preview.. Nicole Eisenman
Conversation: Johanna Billin& Judith Winter and
ilane Tawadros
Creative5 Ni
ht
Smith.. Mirror 2
outh Pru
ublic Pro
ublic Pro
ublic Pro
hools & Teacher5
blic Programmes
ammes
7-Oct-23
2-Oct-23
3-Oct-23
9-Oct-23
4-Oct-23
oun
outh Pro
blic Pro
ammes
ammes

WH￿ECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
6Qct-23
6-Oct-23
BSL Tour.. Nicole Ei8enman
Loop by Loop, Stitch by Stitch: Knitting Workshops
Acce55 Pro
amilies
ro
rammey
amme
//
Yout
2-Nov-23
02-Nov-23
l-Nov-23
Activism: Documents of Contem
Audio Descri
tion Tour.. Nicole Eisenman
arman Nowl The Film London Jarnwi Award's New
Pioneers
Ideas: So hie K Rosa
issuc 6.. W<inlin '
aintcd LOVL
Audio Descri
tion Tour.. Nicole Eisenman
In Conversation: Nicole Eisenman and Mark Godfrey
orar
Art
ublic Pro
ccess Pro
Public Programmes
rammes
amme
6-Nov-23
Nov-23
U-Nov-23
2-Dcc-23
7-Dec-23
ublic Pro
ublic Pro
ublic Pro
Acce.95 Pro
Public Prosrarnmes
rammes
raTnmLS
ramme,
amme
-Dec-23
4-Dec-23
&S x Kneed.. Our Future Libraries
Fading Out of Dead Air (fran5missions for th
ecro
olis
.. Martin O'Brien
Lotle L.S.- This Ener
Wasted b Fli
hl
Natural D
cs with Johanna Ta
yada Hoftbeck
ild HLalin8 Edges with Ra4heeqa Ahmad
outh Pro
ublic Prosramme5
arnmes
8-Jan-24
3-FL.b-24
-Feb-24
ublie Pro
ublic Pro
ublic Pr()grammLI8
ammes
rammes
17-Feb-24
7-Feb-24
-Fe￿24
Famil Da
.. Dreams HavL No Titles
ano
licon 360.. Vasiliki Pa
oslolou
Algerian Cinema: Zineb Sedira and Olivier Hadouchi
amiliL)s Pro
ublic Pro
Public Pro8rammes
ramrne
ramme%
4-Feb-24
atheTin8 Storm.. Collaborative World Buildin
Worksho
with David Bland
BSI., Tour.. DTe8m8 Have No Titles
.ilkin
Documents of Contem
ora
Crcative5 Ni
ht
Ideab: Adam Shati on Frantz Fanon
odern CocknÉ'
Festival
ubtexts.. Re
ene818
outh Programmes
7-Mar-24
09-Mar-24
4-Mar-24
4-Mar-24
6-Mar-24
8-Mar-24
Aecess Pro
Pvblic Pro
outh Pro
Public Pru
amilies Pro
ublie Pro
mme
Art
ammes
oun
ammes
rammes
ramme
ramme8
Publishin
Pro
amme
Life Is More Important Than Art
Published by Whilcchap¢l Gallery
2023
Johanna Billing: Each Moment Pre8enls What Happe
Published by Whitechapel GallLry
2023
Nicole Eisenman: What Happened
Published by Whitechapel Gallery
2023
Andrew Pierre Hart: Bio-Data Flows and Other Rhythms- A Local Story
Published by Whitechapel Gallery
2024

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
DOCUn￿nts of Contem
Art Series:
Documents of Contemporary Art: Activtsm
Edited by Afonso Dias Ramos and Tom Snow
Published by Whitechapel Gallery
2023
Documents of Contemporary A￿. WAlking
Edited by Tom Jeffreys
Published by Whiteehapel Gallery
2024
Eneotsrasln8 Attendance
During the financial year 2023-24, we welcoTned approximately 215.tJIO visitor5 to the Gallery. maintaining overall
visitor figures e5tabliBhed in the prevfious year (2022-2023). AverasLS munthly and weekly viyitor numbers likewiBe
remained consistent with an average 17.5LK) visitors monthly and an average 4￿00 vSsitors weekjy.
Combined income froTn exhibition ticket sales for the Spring and Autumn seasons waB £239,147. Ticket sales for the
year are recorded aB 31A74 reflecting a decrea8e against the previous year due to our Summer Season being free
and non-ticketed. The decision to not charge for this sea80n, was taken to Increa￿ accessibility to OUT programme
and LmcouragLI nLIW ViAitors to the Gallery. Around 561Tr of people surveyed durin8 thi8 period wcrc fir8t-time
visitors, with a Nubstantial proportion comin8 from our local area- supporting a key strategic aim.
Our digital engasement across our key platforms reflects a similar growth pattern to the previous year and
supports our aim to focus our resources on depth of engagement over st8ti8tical increase. The Gallery website
receives around 2.2m total page views per annum, and circa 500,000 unique users, while our lead 80ci8l media
channel, Insta8ram, achieved a collective reach of 521.0(Kl accounts and an average of 120 likes per p08t. Our focu8
Instagram (over Facebook and Twitter) a¥ uur mu8t cffectivL communication and engagement tool IEJ
commensurate with analysis of socxal mL￿la uyer behaviour5 aeross the soctor and has allowed us to develop a
fo¢uscd approach to content that has inereased overall reach and engagement.
Key Fi8ureo:
l Aprll 2023- 1 April 2024
Vt8itor Figures..
Exhibition Income:
Total Ticket SaleN:
214,468
£239,147
31,474
-io-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
rin
2023
l April 2023 - 7 May 2023
Visitor Numbers from April l..
26,832
age Views..
Not Mvail.
TLStagram:
Not Avail
Actio￿ Gesture, Paint
9 Feb to 7 May 2023
alleryl,8&9
6.50 (£17.15 with gift aid)
xhibition Income
om April I:
0289
Unique Vi5itor5'.
ot avail*
acebook..
Not Avail
icket8 Sold from April I:
ct10￿ Gebture, Perfomiance
7 lan to 31 Mar 2023
allery 7
otal Visitor Number5:
,112
cape the Slick
3 Jan to 6 Aus 2023
allery5&6
otal Exhlbition Income:
otal Ticket Sold;
,859
ummer 2023
June- 17 September
otal Visitor Numbers:
7,480
Page View8.,
15, 799
nstagram:
Reach:
175(Kl
Lifo Is More Important Than Arl
4Jun- 3 Sep 2023
All Galleries
Free
otal Exhibition
N/A
Income..
nique USLYS:
25, 189
acebook:
ot Avail
otal Ticket &)Id:
IA
mall Museum
halevLJr
14 Jun- l Oct 2023
allery 4
UK: Any-Spacc-
ulpting Conversations
4 Jun- 3 Sep 2023
allery 7
It All Starts with a Thread
18 Aug 2023 - 14 Jan 2024
alle
5&6
-li-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Autumn 2023
11 Oct 2023- 14 Jan 2024
otal Visitor Numbers:
71,595
Pase Views:
58,000
Instagram..
Reach 153,723
ew Followers: 9,131
Nicole Eisenman: What Happened
11 Oct 2023 - 14 Jan 2024
alleTies 1, 7, 8 & 9
2.50 (£13.45 with gAft aid)
otal Exhibition Income..
£127.0(KJ
Unique Users..
172263
Facebook.
Reach.. 155.091
New Follower8: 367
otal Tickets &)Id:
18,074
ohanna Billins.. Each Moment Presen
hat Happen8
11 Oct 2023- 4 FL.b 2024
allery 2
Ana Mendelssohn: Speak P(Etess
11 Oct 2023- 21 Jan 2024
allery 4
rin
2024
5 Feb- l April 21Y24
isitOT Number8 until l April:
age Views:
61,269
Jnstasram:
Reach: 153,300
Npw Follower8.' 6500
,393
ineb Sedira: Dreams Have No Titles
5 Feb- 12 May 2024
alleries 1, 8 & 9
2.50 (£13.45 with gift aid)
Exhibltion IncomL' until I
April:
1,858
Unique Users:
149,233
Fa￿bOok..
Reach: 1011(KJ
New Followers: 215
ickets Sold until l April-
,429
Zineb &7dira Presents...
15 FL.b - 9 Jun 2024
allery 2
otal Vit4itOT Numbers:
82,492
Andrew Pierre Heart
Bio Data Flows and Other RhythmB -
Local Story
5 Feb - 7 Jul 2024
allery
otal Exhibition Income:
£55,564
otal Tickets &)Id:
,940
Edse Effects
O jan - 26 May 2024
allery4
'Accurate figures across our di8ltal channels for Spring 2023 are not availablc due to changes in Google Analytics.
Where there is missins data we have used averages from the other three seasons to calculate figures for the year
overall.
-12-

WHrrECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Audience Surveyin8
The Gallery uses required and bespoke surveys platforms to gather quantitive and qualitative information on our
audien￿.
As an Arts Council England National Portfolio Organisation, we use their appointed platforni Illuminate to
contribute to their sector-wide data and intelli8ence on audience demographics, motivations and behaviours. We
also use the evaluation platform Culture Counts to help infonn and srow our audience development strategy.
Development
A total of £2,272.849 of donated and unrestricted general income was rai8ed in the year 2023-24.
The Whitechapel Gallery is a regigtL'red charity that relies on the philanthropic support OE individuals, companies,
charitablc trusts and foundations, and statutory funders. The Gallery hab active eircles of Patrons and
Commi85ionins Council supporteTS, Wlth annual contributions ransing from £500 to Over £10,000 per annum. The
Exhibitions Pro￿arnMe is supported by individual donors, international foundations. gallerieB and corporate
spon30rship. The Whitechapel Gallery's Participation Programme is made possible through the senerous support
of a number of charitable Irusls and foundation5, individuals and COTnpanies. These pro8rammes are a180
supportL.d through ()ur annual Art Icon Gala and Auction. held in March 2024. We are also rLliant on othLr incume
Streams for core tsupport and capital rLnewal fundin8.
The Whitechapel Gallery has a professional fundraising department led by Rummana Naqvi. The team 13
responsible for fundraisins from individuals, events, trust and Foundations and businesses and works within the
guidelines set out by the Fundraising Resulator and Code OE Fundrai8in8 Practice.
An Ethics Cornmittee is chaired by Sarah Miller, Tru¥tee INhitechapel GallLry and includeB external F￿LrS and
internal staff mernbers to enBure due diligencL' Pr<￿eSseS are conducted at the Gallery.
The Whitechapel Gallery does not engage any fundraising agencles to carry out Eundraising on its behalf, nor do we
engage in fundraisins activities that would place vulnerable people at risk. No fundraisins-related complaints were
received in thc period.
Gallery Supportets 2023-24
The Whitechapel Gallery would like to thank its supporters, whose generosity enables the Gallery to reali* its
pioneertns programme$, including those who wish to remain anonymous:
-13-

WHITECHAPEL GALLERY
TRUSTEES, REPORT {CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
owards Tomorrow Cham
. Daskalopoulos
ichael and Nina Zilkna
ion8
Education & Pu
Ile Events Pro
AldKate Connect BID
Pllal Cjroup
Phillips
ower Harniets Artg & Muyic Education
rvice (THAMFSI
rhe London B()ruugh ofTower Hamlets
tsnley PickerTrust
he Whitechapel Gallery Education
ouncil-
uli¢ & Dcb&6hi5 Dey
lex Sain8bury
amme
irnPL Nkontthou
tie & Felix Robyns
atcher & Jill Thomp80n
nd th05E who with to remain
nunymuus
Ma
or Donor$ and S
orters
Artscouncil England Cqtaiyst
EndowmentFund
Bloomberg Philanthropies
- Da&kalopuuluB Collection
iyrd Foundation
i￿(jy1Q Founation
Frcelands Foundotiun
Collcii(?nc Maramotti
M8x Mar
Paul Mellon Centre for StudieB in British
Art
e Ro%É Foundat*on
icho¢.1 & Nina Zilkha
liecha
el Galle
Curalo
drsan & Jennifer O'carroll
ba Nsugbe
udrty Wallrock
nd those who wish lo remain
nDllyrnoll9
it¢¢h
nd Members
loornber8 Philanthropie5
raAer8 Property UK
a7.elli Art House
Gallery
el Galle
Co
orate Patrons
Itech el Calle
edrie Bardawil
Keith & Helen aark
adie CulL¥g HQ
Beth & Michele Coloeci
an¥e Co￿ad
Francesca Consi811
Michacl & Elizabcth Corley
Xiaochi Dons
rah Elson
Dar￿a & Alan Gemeg
ippyHnuldaworth
Lesley Hyn
arie Krauss
rank Krikhaar
Kate MacGarry
at Maugué
ary F. McNich(Trla
leike MorA8
Indi OIivLr
ureen Paley
ominic Palfreyman
1)ory1 de Pre/. & Victoria Thoma
Maria-cruz Rashldlan
M8rin8 Rui/.-Cvlumcy
Alex Sainsbury & ElinorJanB7.
rrill & lan Scheer
emnic8 *hw8bach
Elisabeth von Schwar7.kopE
HÈnrierta Shields
Karen & Mark Srnith
Bina & Philippe von Stauffenber8
hriBtoph & Marion Tyestler
haron Zhu & Michael Tian
notlc Anthony
Palr
EKhlbitlon
am
Anlun K¢rn Gallery
ErinBell
ir Frank Buwling
lgurand Ana&tasia Bukhman
Richard Chan
hLCtty vf tA)ndon Corporation
1le7.ione Maramulli
r)e Ying Found8ti()Th
Martinand Rebe¢¢a Ei¥enberg
Fluxus Art Project8
oodman Gallery
rcen Family Art Foundation
IivLbr H&arni&nn
Hauscr& Wirth
Hiyeox
InslLtuiEran4ai5 01 Pari
Max M#rA
olle/.iono Maramotti
Kale MacGarry
ML'nnour, Paris
angLX)nwala Foundatson
cnnic Collection
rais Rubins
ony and Elham Sal8rné
Ima Feriani Ciallery
arySteEle Bnd Steven Rice
aria and Malek Sukkar Vielmetter Lo$
nseleB
ehael Zilkha
e Whitcchapel Gallery Commls8lLiiiins
uncil
he Whttechapel Gallery Patrons
nd th(k4e who wish to rernBin
onymous
Itecha
orters
Idg&te Cnnnect BID
lonmberg PhilBnthropiL'B
hampagne Pommery
rozier Fine Arts
rtdrigoni
i5cox (Artworks In5uronce Partner)
ayhuwk
ax Mara
oIIL'£ione Maramotti
ni Colour15i8nase Partner)
all
Itech
Co
m16$1onin
ou
rota Audemllrs
rin ￿.11
mily de Pauw
Irene Panagopoulvs
ienle SaikaliB Bay
Itetha
Edu¢•tlon C unell
ulie and t)ebayhib Dey
lex Sginjbu
itecha
anDu
Elle Khouri Art Foundation
nd thTrse who wish to rernain
nonymous
ol Galle
Global Clr¢le
rk 11a￿15
nd thoyc whu wish to remain
nonyrnoui
Itecha
allt
Directoej
Erin Bell & Michael CohL'n
irk Boll
Pilar Corrta8
ulie & Debashi8 Dey
Rami Kim
14-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
We remain 8rateful for the on80ing support of Whltechapel Gallery Members.
The Whitechapel Gallery is PToud to be a National Portfolio Orsanisation of Arts COW￿11 England.
Plan8 for future periods
Confirniation of Arts Council England NPO funding until March 2026 is a strong basis for en8urin8 a resilient
bu8ine88 model at Whitechapel Gallery in the.thort to medium term.
A process of devisins and articulating a nL'W vision, mission. strategy and business model at the Gallery was
instisaled in OelDbcr 2022 by Gilane Tawadros upon her appointment as Director and announced in early 2023. The
new vision builds on Whilechapel Gallery'5 pioneerins history as a place for contemporary art and ideas and its
distinctive ￿nd radic81 position in the social and cultural landscape, translating and animating it for our time. I'he
new Strategic Plan 2023-25 Sets out obiectives for safeguarding the lon8-term future of the Whitechapel Gallery by
building its culturaL yocial and political capital and enyuring it5 8UStainability
aTtistically, environmenlally and
ecunomically.
Pro
amme Plans 202￿25
Gallerie8 1 8 & 9
Zineb Sedira: Dreams Have No Title8
15 February 2024 - 12 May 2024
Gavin Janlies: To Be Freel A Retr08peclive 1970-2025
12 June 2024 - 1 *tember 2024
Ly8ia Clark: The l And The You
2 October 2024- 12 January 20
Sonla Boyce: An Awkward Relation
2 October 2024 - 12 January 2025
Donald Rodney: Viscetal Canker
12 February 2025 - 4 May 2025
Galle
Zlneb Sodira Presents...
15 February 2024 - 9 june 2024
Max Mara Art Prize for Women - Domlnlque Whlte: Deadwelsht
2 July 2024 - 15 September 2024
Sonia Boyce x Lysia Clark
2 October 2024- 2 February 2025
Donald Rodney Film Programme: Home as Sanctuary a8 Body In a Stste ot Siese
12 February 2025 - 25 May 2025
Galle
Edge Effects
30 January 2024 - 26 May 2024
Gavin Janties: Arthive
12 June 2024- 4 August 2024
Archipela80: Vi&ions in Orbit
15 August 2024 - 5 Ianuary 20
Donald Rodney Archive
12 February 2025 - 4 May 2025
15-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
Galle
Peter Kennard: Archive of DisBent
23 July 2024 - 19 January 2025
Common Room8
15 February 2025 onwards
5&6
Galle
Andrew Pierre Hart: Bio-Data Flow8 and Other Rhythm•- A Local Story
15 February 2024- 7 July 2024
Peter Kennard: Archlve of Di68ent
23 July 2024- 19 lanuary 2025
Moving Ground8 . 15 Years of Duchamp & Sons
5 February 2025 - 4 May 2025
Result$ for the year
The 2023-2024 financial year prOdU￿d an overall deficit of £207.377. This was a Significant improvement fvom the
previous financxal year;"2022-2023 delivered a deficit of £1,300,120. The £1,092,743 reduction in deficit in 2023-2024
is driven by a combination of changes to the historic busine88 model of the or8ani5atioTh including si￿1E1CantIY
reducins eoBts and growins areas of incorne generation and fundraisins, a8 well 85 £315J57 due to 8ains on
investments.
Throu8hout thc 202>2024 financial year, the Gallery navigated cumplL'X CXtL'rnal circum81ances. The8L' include
increases in utility costs, the ongoing impact of Covid-19 on audicncc bchaviours, cost increases for shippin8 and
materials, poor investment performance, general inflationary pre55ure8 and increased staff costs.
For thc 2023-2024 financial year, the Gallery ha8 been able to deliver the reduced deEiat through a number of
different strate8ies and actions:
Reducing direct exhibitions cxpenditure by having fewer international loans and curatins exhibitions Wlth
fewer works
Reducing the volume of smaller exhibitions
Increasing commercial income from venue hires by investins in Spccialist staff and technical capacity
Increosing commercial income by dedicating access to Gallery 2 for larser scale event bookinss
Increasing commercial income. from Ilmited edition sales through increased art fair attendance and
investment in frcommerce capacity
Targeting reduction 0£ a ranse of other direct and overhead costs and the elimination of waste
Demonstrable changes to the business model have been supported during this period by the Arts Council
England's Transform funding programme which runs from 2023-2026. For the period 2023-2024 this directly
supported investment in the commercial capacity of the Editions and Venue Hiro teams, as woll as overall support
for reinvigorating the business model. This initiative will build year on year until 2026-2027.
Whilst the Gallery achieved a reduced deficit of £207J77 for 2023-24 flnancial year operatAn8 cash out flow was
£481,559. an increase of £160,954 on 2022-2023 primarily due to WOTking capital movements.
-16-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
2024-2025 Financial year is also expected to produce a deficit and in response to this the Gallery has begun a further
short terni prosramme of income generation and cost reduction. Additionally, the Gallery has received the
necessary approvals t() drawdown £0.7m from one of its endowment funds.
The Gallery is comniitted to achieving annual surpluses from the 2025-26 financial year onwards and has made
e¥isnificant chanse5 10 its stratcsy and business mudcl in ordcr to adhi)re to this. During 2025-2026 year there will be
? new fundraisins campaign for the 125-year anniversayy which is expected to generate significant fund5 for capitsl
inve8tsnent and bolster the Galle￿S reserves.
Sub8ldiary Comp#nle8
Whitechapel Gallery Ventures Limited was incorporated on 1 April 2005 as a private limited company, wholly
owned by WhilechaFI Gallery Trustee Limited on behalf of Whitechapel Gallery.
Whitechapel Gallery Ventureb LimitL.d was Lytablishod lo mana8C the commercial trading activities OE INhitechapel
GallLry ineluding bales of limited L.diliDn%, Gallery hirLTr5. catali)gucs, publications, mcrchandi5e and caterin8
services. The rnain aim5 of the trading subsidiary are to ensender the development of entrepreneurial practice at the
Whitechapel Gallery and generate proflts that contribute to the Gallery's charitable objectives.
Ediltons sale8 proved onee again to be the strongest income stream. Venue hires and publtcation sales offer
cnn8iderable opportunitiots for improved financxal pcrformance,. delivering this is a key part of Whitochapcl
Gallerfs new Einancial strategy.
WhitLrhapel Gallery EstatL¥ Trust Limited is a company limited by guarantee and eharity Tesistered in Engl￿d &
Wales. Its principal fun¢tion is owning the freehold to the Whitechapel Gallery building and leasin8 it to
Whitechapel Gallery for the provTsion and maintenance of an art sallery for exhibition to the public of:
- Modern and Hi8torical Eine art
- Modern and Historical desi￿ and applied art
- Work done by fychoul childrcn or students or by persons residcnt in the neighbourhood of the arL' and to promotc
and enCoura￿e the education of the public in the arts.
-17-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
RerAYve8 Policy
Unrestricted Fund8
The General Fund represents the free reserves of the Charity and is an unrestricted regerve maintained to enable the
Gallery to carry on its charitable activitiL%: The Trustees aim to hold an unrestricted fund balance equivalent, to at
least one quarter of annual expenditure which would be equal to approximately in £1.2m for 2023-24. There were
free reserves at the year-end of £168,517 (2022-23: £91724). The Gallery therefore holds unrestricted funds of
approximately £1,107,000 less than the balance deemed necessary to operate 8UStainably at a reasonable level of
risk. The Trustee8 are committed to achieving the target level of General Fundr4 Within the next 10 year8, and the
turnaround process debcribed above was undertaken wlth thls obiectlve In mind.
Endowment Funds
The Gallery ha5 two permanent endowment funds. held in investment portfolios managed by JP Morgan and the
returns they generate forni unrestricted income for the Gallery. The year to March 2024 8aw a ri6e in endowment
fund valuationt5.
The Trnnsform Fubjre Fund Is a permancnt cndowment fund of £2.6m bryantcd by Arts Council England in 2011,
and operated on a total return basis. £450k of the capital wa8 drawn down in 2016 to be repaid in equal instalments
over the following ten year8. At 31 March 2024 the fund had a value of t2.641,252 (31 March 2023: £2,498,744) and
made unrealised gain on investment of £275￿24. (2022-13: loss of £120.369) in the year. The Catalyst Future Fund is
a separate fund c(IngitJtin% of monie5 raised by the WhitL￿haPel Gallery and matched by Arts Council England. This
is a permanent endowment expiring in November 2037, followin8 which the endowment bL*()mL¥ cxpcndable. This
fund had a value of £650,970 as at 31 March 2024 (2022-23: £650501) and returned a £468 sain P022-23: £954 loss)
for the Gallery in the year. In July 2020 the Gallery obtained permission from Arts Council England and the Charity
Commission to de-restrict and draw down the 50% of this fund that they had initially raised, a total of £805.617. in
order to address historic debts and the impact of the Covid-19 pandemic. The remaining Eunds were held in cash
pending reinvestment. A long-terni repayment plan ha8 been agreed with Arts Council England.
Rcstrieted Fund8
The Capital Fund comprises funds received for the Whitechapel Proiect for refurbishment work undertaken on the
Gallery's buildings. The fund value was £5,915,497 at 31 March 2024 (2022-23.. £6,154,664), which has all been
invested in fixed Asthots. The Capital Renewal Fund is re8trictod to the rnaintenan￿ of the Gallcry'A current
buildings and infrastructure in an agreed drawdown schedule to 2031. At 31 March 2024 the fund had a value of
£416,523 (2022-23.. £520,002), comprising investments of £401,163 managcd by JP Morgarn £7,354 held An cash at
Lloyd5 bank. and fixcd assets of £31,892. In the year it funded £21.655 in capital depreciation. The rc8tricted
Bloombers Fund holds income received from Bloomberg Philanthropies as part of their Di8ital Accelerator
Program, to a value of £144595 at 31 March 2024.
-18-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Desi
ated Funds
The Building Fund represents money invested in building works not covered by the restricled Capital Fund. The
fund value was £5,185,051 at 31 March 2024 (2022-23.. £5.278.060)- The balance ig all invested in fixed assets. The
Des]￿ted Capital WL)rks Fund holds amount8 designated towards urgent capital works that arcn't covered by the
restricted Capital Renewal fund, to a valuLJ OE £293B15 at 31st March 2024. Capital works to the value of £9,789.
were funded in the year to 31 March 2024 and are held in the Designated Capital Works Asset Fund. Tho
Designated Roof Repair Fund holds fur￿$ received to offset the cost of urgent roof Tepairs, to a value of £24.750 at
31 March 2024.
The Desi￿ted CRM Development Fund holds funds to invest in a new customer relationship managemeDt system
that was delayed from 2020-21, to a value of £15,0(M) at 31 March 2024. The nL%W CRM systern wa.4 implemented in
September 2024. The Designated A55Lt Fund holdii fund5 debignatcd to cover thc c05t of variou5 a55Lt purchafjes, tu
a value vf £105,141 ai 31 March 2024. The Do5Lgnated Catalybl Fund represent5 the sum de-r¢stricted for a fixed
period from the Catalyst Endowment Fund with the permission of the funder, Arts Council England, lo a value of
£805,617. The Designated Iwona Blazwiek Artistic Fund holds income which will be used lo fund projects that
embody Iwona Blaz.wick's unwavering belief in creativity, and require extra resource to re81ise. to a value of
£32,072.
Investment Policy & Return8
An executive subacomrnittee has been e8tabli8hed to oversee the investment of the endawments and Capital
Renewal Fund, and advi¥L the Director and Deputy DirLftor in researching new, more effeclivLi ways for thL% charity
to inveAt. The TrusteLllI' policy is to balance the necd for rcvenuL and the grnwth of the equity of the invested fund8.
An Order from the Charity Commisyion ￿'Ving the charity the power to Use a total return approach to investment
of the Transform Future Fund was obtained in April 2012.
JP Morgan Ltd. was appointed as investment advi80r and fund manager in 2011 following a tender process. The
Transforrn Future Fund and Catalyst FuturL% Fund endowments and the Capital RL￿eWal Fund have bL*n placed in
managed fund9. The Inve8tment Subeommittee has becn charged with reviLwill8 the PLrforrnance of fundN and
invL%tment risk profile.
The Trustees will review annually the level of risk most appropriate for the gallery given the prevailing state of the
economic and political environment, which will inforni the mix of investment portfolio. The Investment su
committee will keep an ongoing overview of inve8tment performance and, with the investment advi40rs, make
dju¥tmentM to Investment as8L.t allocation as needed.
In line with the Total Return approach applled to the investment of the Transform Future Fund endowment. the
Tru51ees will annually decide on the portion of the fund's returns lo draw for general revenue expenditure by the
Gallery. Maintaining the Core capital endowment and ensurin8 its lons-term growth will be key factors considered
in the draw-down deci810n.
Drawdown from the Capital Renewal Fund is restricted to the maintenance of the Gallery's current buildings and
infrastructure and used according to an agreed schedule of works.
Over the course of the year the TTU8tees continually reviewed the overall inve5trnent performance a8ainst knth the
Whitechapel's investment objectives and the wider sector benchmarks since inception. The conclusion was that the
Performan￿ of invesiments in 2023-24 wats reflective of ovetall markLlt factor5, and in the l()nser-tLirm the portfoli06
were providing a satisfactory return and they wore largely happy with JP Morgan's managemLnt of the funds.
However, in October 2023 it was decided to retender for investment management services. This process resulted in
the appointment of Investec Wealth & Investment (UK) to take over the investment mamagement service for the
Whitechapel Gallery, with the transfer arransed to take place in the 2024-2025 financial year.
-19-

WHrrECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Any available unrestricted reserves are held in cash which is deposited to secure the i￿st possible return8 in short-
term cash investments.
Due to a confiict of interest arising from a connected person. the current Chair of the Finance and Owations
Committee reeu8es himself from decisions regarding the selection of investment management Servi￿ provider,
allocation of investment funds and choice of investrnents.
Goln8 Concern
In asseg8ins the charity8 fmancial position. the Trustee$ have congidered its plaD3 for the foreseeable future, the
risk8 to which it is exposed and detailed cash proiections. In line with many charlties the forecast voluntary ineome
18 dependent upon continuing support from individuals, businesses, trll￿ts and foundations. and public bodics.
Funding fvom Arts Council England 18 confirmed at a,437.955 PLY yL'ar until March 2026 and an exten4ion has been
applied for until March 2027.
In common with many other arts organisations across the United Kingdom, the Gallery will continue to face testing
macro-economic and funding conditions heading into 2024-25. Detailed budgets for 2024-25 Show an expected
deficlt for the year, a8 a ret4uIt of a multitude of Eactors.. including thL' impact of escalating costs and the impact of
thc cost of living criyi8 on self-8enerated income including ticket income, edition sales, VLinuL. hire and caterin& as
well as an expectL.d decrease in fundraising and dcvelopment incorne.
In response to the detailed modelllng the Gallery has be8un overhauling its financial systems and PToce5se5 and
implemented a short-term programme of income 8eneration and cost reduction. Additionallyi the Gallery has
received the nece58ary approvals to drawdown £0.7m from one OE its endowment funds within the 202¥25 financial
year.
Whitcchapcl Gallery is working to achieve annual Burplu5cs from thc 2025-26 financial year onwardB and has made
significant changes to its Btrategy and business model in order to adhere to this. Durin8 2025-2026 year there will be
a new fundraising Campai￿ for the I￿year onniver8ary which is expected to generdte Bignificant funds for capital
investment and bolster the Gallery's re8erves.
A detailed 2025-26 budget and cash flow proiections have been prL'pared, Eorecasting positive cash balances
through to March 2026. The Trustees are comrnitted to working to achieve the target level of reserves within the
next 10 years t￿ough consistent unrestricted surpluses generated by the new stratesy and business model.
-20-

WHITECHAPEL GALLERY
TRUSTEES, REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Ri8k Management
The Trustees have a￿SSed thLS major risks to which the charity is exposL.d, in particular those relating to the
specific operational areas of the charity, its investments and its finances. The principal risks include:
Achievement of income and expenditure projections
Recession and economic climate impact on revenue generatins activities
Material reduction in fundraised income
IT and digital infrastructore is not fil for purpose
IT and data security is eompromi8ed
Buildins infrastructurc / core services fail.
Reccsbion and economic climate affects supplier8
ThÈ Trustees believe that they have established effective 3y3tems to mitigate these Specifie risks by regular
examination of financial performance and other key indicators to identify any necessory corrective action. and by
ensuring that robuyt controls exist over key financial and other system8. The strategic risk re8iSter ib reviewL.d
quarterly by thL Senior Management Team, the Finance and Operation8 Cummittee and the Board of Trustees.
The Gallery's applieatlon for 'Approval under Part 6, Section 136 of the Tribunals. Courts and Enforcement Aet
200r was 8ranted by the secretary of State on 21 June 2010. Approved statUB allows for 'immunity from Beizure for
cultural obj'ects which have been imported into the UK for the purpose of exhibition, provided that reCO￿lSed due
diligence procedures and provcnance checks have boon carried out. During 2023-24, the Gallery did not di8play any
ubiects which required immunity frorn seizure.
ThL trusteem, rLTOrt wa25 approved by the Board of TrustLiLI%.
D DibuBa
Trnstee
31 January 2025
-21-

WHITECHAPEL GALLERY
STATEMENT OF TRUSTEES, RESPONSIBILITIES
FOR THE YEAR ENDED 31 MARCH 2024
The trustees are responsible for prLpaTill8 the Trustees, Report and the financial statements in accordance with
applicable law and United Kingdom Accounting Standards (United Kingdom Generally Aceepted Accounting
Practice).
The law applicable to eharitie8 in England and Wales requireB the trustccs to prepare financial statements for each
financial year whith give a true and Eair triew of the statLb of affairs of the charity and of the incoming resource8 and
application of resources of the charity for that year.
In PTepaTin8 these Einancial statements, the trustees are required to:
- select suitable accountins policies and then apply them consistently;
- observe the methods and principlos in the Charities SORP.
- make judgements and estimates that are reasonable and prudent;
state whether applicable accounting standards have been followed, gubiect to any material departures disc108ed
and explained in the Einancial NtatementB; and
preparL. the financial statements on the solns concern ba8is unless it is inappropriate to presume that the charity
will continue in operation.
The trusteeB are responsible for keeping sufficient accounting records that di8c105e with reasonable accuracy at any
time the financial position OE the charity and enable them to ensure that tho financial qtatomentA comply with the
Charitie25 Act 2011, the Charity (Accounts and Report8) Re8ulations 2008 amd thc provisions 0£ the tru.gt deed. They
are also responsible for 5afLguardin8 the assets of the charity and hence for taking reasonable steps for the
prevention and detection of fraud and other irregularities.

WHITECHAPEL GALLERY
INDEPENDENT AUDITOR'S REPORT
TO'THE TRUSTEES OF WHITECHAPEL GALLERY
Opinion
We have auditrd the financial 5tatement8 of Whitechapel Gallery (the 'charity') for the year ended 31 March 2024
which comprise the statement of financial activities, the balance sheet, thL' slaternent of cash fluws and notes to the
financial statements, including significant aecounting policies. The financial reporting framework that has i￿n
applied in their preparation is Jpplicable law and United Kingdom Accounting Standards, including Financial
Reporting Standard 102 The Finaiiciftl Reporting Standllrd ftpplicable irt the UK Republic of Ireland (United Kingdom
Generally Accepted Accounting Practice).
In our opiniun. the financial statements..
sive a true and fair view of the stale of the charity's affair5 as at 31 March 2024 and of its incoming resources
nd application of resources, for the year then ended-
have bcen properly prepared in accordance with United Kinsdom Generally Accepted Accountins Practice.
and
have been prepared in accordancc with the rcqulrernents of the Charities Act 2011.
B￿16 for opinlon
We conductL.d our audit in accordance with International Standards on Auditing (UK) (ISAS (UK)) and applicable
law. Our responsibilities undcr those standards are furthcr described in thc Audltvr's responsibilities fur Il* oudit uf
the finoncial staleinemts section of our report. We are independent of the charity in accordanee wlth the ethical
requirements that are relevant to our audit of the financial statements in the UK, including the FRC'S Ethical
Standard, and we have EulEilled our other ethical re8ponsibilities in accordance with these requirements. We believe
that the audit Lividence we have obtained IN sufficient and appropriate to provide a basis for our opinion.
Conclu8ionJ relatins to soin8 concern
In auditing the Financial statements, we havc concluded that the trustees, use of the goins concern bo8i8 of
accaunting in the preparati()n of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events or
conditions that, individually or collectively, may cast Si￿lfIcant doubt on the charity's ability to continue as a 80ing
concern for a period of at least twelve month8 from when the financial statements are authoribed for issue.
Our resporLgibilities and the resp(mgibilities of thL' trustl￿ Wlth rc5pect to going concern are deycribed in the
relevant sections of this report.
Other infotmation
The other infortnation compriNes the information included in the annual report other than the flnanciol statements
and our auditor's report thereon. The truslces arLI responsiblc for the other ADfurmatiun contained within the annual
report. Our opinion on tho financial statements doe5 not cover the othcr in£ormalion and we do not express any
form of assurance conelusion thereon. Our reBponsibility is to read the other information and, in doins so, consider
whether the other information is materially inconsistent with the financial statements or our knowledge obtained in
the course of the audit, or otherwise appears to be materially misstated. If we identify such material inconsisteDcies
or apparent material misslatL%menL8, we are requiTLd to dL.termine whi'ther this gives rige to a material mi.%fjtatemLint
in the financial slaternLnts themselves. If, based on the work we have PL'rformLd, we conclude that thLre is a
aterial rni55tatement of this other infonnation, we are required to report that fact.
We have nothing to report in this resard.

WHrrECHAPEL GALLERY
INDEPENDENT AUDITOR'S REPORT (CONTINUED
TO THE TRUSTEES OF WHITECHAPEL GALLERY
Matter8 on which we are required to report by exception
We have nothing to report in respect of the following matters in relation to which the aiarities (Accounts and
Reports) Regulations 2008 require us to report to you if, in our opinion:
the information given in the financial statements is inconsxstent in any material respect with the trustees,
report,. or
sufficient accounting record5 have not I￿) kept. or
the financial statements are not in agreernent with the accounting records; or
we have not received all the infomiation and explanations we require for our audit.
Responsibilltle8 of trustees
As explained more fully in the statement of trustees, responsibilities, the trustees are responsible for the preparatlon
of the financial statements and for beins satisfied that they 8ive a true and fair view, and for such internal control as
the trustees deterniine is necessary to enable the preparation of financial 6taternents that are free from material
mi88tatement, whL.ther due to fraud or error. In preparing the financial statemcntl>, thc trustees aro reAponsiblL. for
as8essin8 thL' charity's ability to continue ai> a going concern, di8closin& a¥ applicable. mattL¥f8 related to going
concem and utiins the going cuncem basis of accounting unlL'b5 the trustee5 eithcr intend to ￿a￿L. operatio￿, or
have no realistic alternative but to do go.
Auditor'8 re8pollBibilitle& tor the audit of the financial Btaternents
Wc have been appointed as auditur undeT section 144 of the Charities Act 2011 and report in accordancc with the
Act and relevant regulations made or having effect thereunder.
Our obicctives are to obtain reasonable a88urance about whether the financial statements as a whole are free from
matcrial misstatemLnt, whether duL to fraud or L%rror, and to i8Bue an auditOT'8 TL¥ort that includL'.¥ our opinion.
Reasonable aysurance is a high level of assurancc but is not a guarantee that an audit conducted in accordance with
ISA8 (UK) will always detect a material rnisstatement when tt exists. Misstatements can arise from fraud or error
and are considered material if, individually or An the aggregate, they could reasonably be expected to influence the
economic decision5 of user5 taken on the basis of these financial statements.
The extent to which ()ur procedurcs are capable of dLStL'cting irregularities, including fvaud, is detailcd bclow.
Irregularities, including fraud, are instances of non•CDmpliance with laws and regulations. We identified and
assessed the risks of materi81 misstatement of the financial statements from inegularities, whether due to fraud or
error, and discusfied these between our audit team members. We then desisned and performed audit procedures
respon$ivL' to those riskg. includins obtainin8 audit evidLin¢c sufficient and appropriate to provide a basis for our
opinion.
We obtained understanding of the legal and regulatory frameworks within which the charity and group
operates, focusing on those laws and regulations that have a direct effect on the determination of material aTnounts
and disclosures in the financial statement5. Thc laws and regulations we conqidered in this context were the
Charitie5 Act 2011, together with the Charities SORP (FRS 102). We assessed the required cijmpliance with these
laws and regulations a5 part of our audit procedures on the related financial statement items.
In addition, we considered provisions of other laws and regulations that do not have a direct effect on the financial
statements but compliance with which Tnight be fundamental to the charity'5 and the 8roup's ability to operate or to
avoTd a material penalty. We also considered the opportunities and incentives that May exist within the charity and
the group for fraud. The laws and regulations we considered in this context for the UK operations were General
Data Protection Regulation {GDPR), Health and Safety legislation and Employrnent legislation
-24-

WHITECHAPEL GALLERY
INDEPENDENT AUDrroR'S REPORT (CONTINUED)
TO THE TRUSTEES OF WHITECHAPEL GALLERY
Auditing standards limit the required audit procedures to identify non-complian￿ with these laws and regulations
to enquiry of the Trustees and other management and inspection of regulatory and legal correspondence. if any.
WLI identified the greatest risk of material impact on the financial statements from irregularities, including fraud, to
within the timing of recogmition uf income and the override of controls by management. Our audit procedures to
respond to these risk5 included enquirie5 0( management, and the Finance Sub Committee about their own
identification and assessment of the rlsks of irregularities. sample leslins on the posting of journals, reviewins
accounting estimates for biases. reviewing resulatory correspondence witli the Charity Commission and reading
minutes of rneetings of ihose charged with governance.
Because uf the inherent limitations of an audit, there is a risk that we will not detLrt all irregularitiL'$, including
those leading to a material rni55tatement in the financial statements or non-compliance with regulation. Thi5 risk
increase8 the more that compliance with a law or regulation is removed from the events and transactions reflected
in the financial statements, a8 we will be less likely to become aware of instances of nonwcomplianee. The risk is also
greatLY re8ardin% irregularitie8 occurring due to fraud rathLY than error, as fvaud involves intentional concealment,
forsery, collusion, omis¥*ion ur misropresentation.
A further description of our responsibilities is available on the Financial Reportins Council's website at: https'.//
www.frc.ors.uk/auditorsresponsibilities. This description forms part of our auditor's report.
Other matter8
Your attention is drawn to the fact that the charity ha5 prepared finanaal statements in accordance with
Accounting and Reporting by Charities.. Statement of Recommended Practice applicable to charities preparing
their accuunty in accordancLJ with the Financial RL'porting Standard applicable in the UK and RLpublie of Ireland
{FRS 1n2)" lag amended) in prLferL'nce to thL Accountins and Rep()rting by Charitiet5'. StatLment of RecommL'nded
Praclice ibtsued on l April 2005 which is referred lo in the cxtant resulationy but has now been withdrawn.
This has been done in order for the financial statements to provide a true and Eair view in accordance with current
Generally Accepted Accounting Ptactice.
U8e of Ollr report
This report is made solely to the charity's trustees. as a body, in accordance with pjrl 4 of the Charities (Accounts
and Report5) Regulation5 2008. Our audit work has been undertaken so that we might slate lo the charity's trustees
thuge malterb we arL' required to State lo them in an auditor's rep()rl and for no uthor purpoye. Tu the fulle%t Extent
permitted by law, we do not aecept or a&sume re5ponsil)ilily t() anyone other than the charity and the charity's
trustees a5 a body, for our audit worl for this report, or for the opinlons we have formed.
Daniel Insley BA ACA (Senior Statutory Auditor)
for and on behalf of Streets Audlt LLF
31 January 2025
Chartered Aecountants
Statutory Auditor
c/0 The Old Exchange
64 West S￿￿kWell Street
Colchester
Es8ex
COI IHE
Streets Audit LLP is eligible Eor appointment as auditor of the charity by virtue of its eligibility for appointment as
auditor of a company under section 1212 of the Companies Act 2006.

WHITECHAPEL GALLERY
CONSOLIDATED STATEMENT OF FINANc￿L A￿[VITIEs
FOR THE YEAR ENDED 31 MARCH 2024
Current financial year
Unre6trictod
funds
2024
Re8tricted Endowment
funds
funds
2024
2024
Total
Total
2024
Notes
Income fro￿.
Donations and lesacies
Charitable activities
Exhibitions
Edueation
2.561,283
718.258
3.279.541
2,946,933
447,029
49,979
447,029
49,979
620.545
95,381
Other tradins activitieB
Inve8tnwits
651031
651031
6,722
443,129
2,751
Total Income
3,n7,044
718,258
4A35,302
4,108,739
Expenditure on..
Rai8ing Eunds
Charitable activities
Exhibitson8
Education
1,058,948
1,058,948
1,037,125
1530.107
541,401
7T7,601
49,979
3,307,7U8
591280
3,626,941
605,369
Total charitable expenditure
3,071508
827,580
3,899,088
4,231310
Total expenditure
4,130A56
827,580
4,958,036
5,269,435
Net 8ains/Oos8e8) on
investments
13
39,065
276,292
315J57
39,424)
Net Income/l¢xpendlturel
(413,4121
(70,257)
276.292
{207,377) 11,300,120)
Transfers between funds
407,528
(274212)
(133,3161
Net movement in fund&
io
(5,884)
1344,469)
142.976
(207.377) (1,3((J.120)
Reconclliatlon of funds:
Fund balan￿8 at l April 2023
6,728214
6,947,584
3.149,246
I6￿25.044
18,125.164
Fund balances at 31 March 2024
6.722J30
6,603,115
3,292.222
16,617,667
16,825,044
The statement of financial activitie5 indudes all gains and losse5 recO￿lsed in the year. All income and expenditure
derive from continuing activities.
-26-

WHITECHAPEL GALLERY
CONSOLIDATED STATEMENT OF FINANCIAL A￿1VITIEs (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Prior financial year
Unrestricted
funds
Reotricted Endowment
fund8
funds
2023
2023
Total
2023
Notes
Income from:
Donations and legacies
Charitable activities
Exhibition8
Education
1272,849
674,084
1946.933
620￿45
95281
620,545
95,381
Other trading activities
Investmcnts
443,129
2,751
443.129
2,751
Total Income
3A34,655
674,084
4,108,739
Expendlture Im:
Rai8ing fund8
Exhibitions
Educatinn
1,037,125
2.918,987
488.120
1,037,125
3,626,941
605,369
707,954
117,249
Total expendlture
4,444,112
825,203
5.269,435
Net 8aiDs/Oos8es) on investments
13
8,102)
(121,322)
39,424)
Net Income
(1￿09￿77)
{169,221)
(121,322) P?(M),120J
Trarn¥fers betweLin funds
(153,323)
153,323
Net movement in fund8
io
(1,162,900)
(15,898)
(121,322) (l,31￿.120)
Reeoncillation of funds:
Fund balances at l April 2022
7,891,114
6.963,482
3,270568
18,125.164
Fund balance6 at 31 March 2023
6,728,214
6,947584
3,149,246
16,825,044
-27-

WHITECHAPEL GALLERY
CONSOLIDATED BALANCE SHEET
AS AT31 MARCH2024
20
Note8
Fixed aB8et8
Tangible assets
Investments
15
16
11,410,725
3.817.717
I1.744￿24
3,502,358
15,228,442
15,246W2
Current 009th
Stocks
Debtors
Investments
Cash at bank and in hand
18
19
267,661
I,￿￿,288
115,934
585,129
295554
115,975
1,113,758
1272,012
2,497,131
Creditor8: amounts falling due wlthln oDe
year
(882,784
{918,969)
Net current a98ets
1,389,225
1,578.162
Total a88et8 leB8 current Ilabllille8
16,617.667
16,8Z5,044
The fund8 of the charity
Endowment funds
Restricted income fundB
Unrestricted funds
3,292,222
6,603,115
6,722,330
3.149246
6,947584
6,728,214
24
25
16.617,667
16,825,044
The financial ststcments were approved by the trustees on 31 January 2025
D Dibosa
Trustee

WHITECHAPEL GALLERY
CHARITY BALANCE SHEET
AS AT31 MARCH2024
2024
2023
Notes
Fixed assets
Tangible assets
Investments
15
16
11,410.724
3,817,n8
11.744523
3502,359
15,228,442
15.246182
Current a86et8
Stocks
Debtors
Investment8
Cash at bank and in hand
18
19
48,169
1,340,661
115.934
54Y,914
45.791
925,227
115,975
1,078.378
1054,678
2,165,371
CTedltOT8: amounts follins due withln one
year
(704,791)
(621274)
Net current a88et&
1,349.11117
1,543,097
Total a8Bets le8J cuffent liabilitie
16.578,329
16.789,979
The fund8 of the charity
EndowmL'nt funds
Restricted income fund8
Urttstricted funds
3,291222
6,603,115
6,682,992
3,149.246
6,947,584
6,693,149
16,578,329
16,789,979
The financial statement8 were approved by thc trustees on 31 January 2025
D Dibo8a
Trustee
-29-

WHITECHAPEL GALLERY
CONSOLIDATED STATEMENT OF CASH FLOWS
FOR THE YEAR ENDED 31 MARCH 2024
2024
2023
Note6
Cash flows from operating activities
Cash absorbed by operation5
29
(481.559)
(320,6051
Inve8tins aetAvities
Purchase of tansible fixed assets
Net interest received / {paid)
(53.830)
6,7fAI
1160,593)
(4,399)
Net cash used In Inve8tln8 actlvltleg
(47.070)
(164,9￿)
Net ¢agh ujed in financing activitie6
Net decrease in ca8h and ca8h equivalent&
(528,629)
(4855971
Cash and cash equivalents at beginning of year
1,113,758
1,599255
Cash and cllBh equlvalent$ at end of year
585,129
1,113,758

WH￿ECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2024
Accountins policies
Charity information
Whitechapel Gallery is a charitable trust {Charity Resistration number 3121621. The address of the re8iStered
office is 77-82 Whitechapel Hish Stroet.
1.1 Accountins convention
The financial statement5 have been prepared in accordance with the charity's Scheme of the Charity
Commxssioners dated 10 November 1981, as amended by Scheme5 dated 10 May 1988 and 9 March 2001, the
Charities Act 2011, FRS 102 "The Financial Reporting St8ndard applicable in the UK and Republic of Ireland"
("FRS 102") ajid the Charities SORP "Accounting and Repnrting by Charities.. Statement of Recommended
Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard
applicable in the UK and Republic of Ireland (FRS 1021" (effective l January ￿￿91. The charity is a Public
Benefit Entity as defined by FRS 102.
The financial statements have departed from the Charities (Accounts and Reports) Regulations 2008 only to
the extent required to provide a true and fair view. This departure has involved following the Statement of
Recommended Practice for charitieB applying FRS 102 rather than the version of the Statement of
RecI)mn￿nded Practicc which is refcrred tc? in thL. Resulativns but which ha5 8ince beLm WlthdTawn.
ThL. Einancial 8tatLments are prepared in sterlinpy which IB the functional Currency of the charity. Monetary
amounts in these financial statements are rounded tu the nL'are8t £.
The Einancial statLmentN have been Prepared under the historical coejt convLmtiory modified to include the
revaluation uf freehold propertie8 and to include investmLnt prupertiees and CLJrtain financial instruments at
fair value. The prin¢lpal accountins policies adopted are set vut bL.Iuw.
12 Golns concern
In asse55lnS the charitys financial pos1tio￿ thc Trustee5 havc considered its plans for thc foresecable future,
the risks to which it is exposed and detailed cash proiectiong. In line with many charities the forecast
voluntary income is dependent upon continuing support from individuals, businesses, trusts and
Eoundation8, and public bodies. Funding frorn Art8 Council England is confirmed at £1,437,955 per ycar from
2023 - 2026.
Whitechapel Gallcry and its ncw leadership is working to achieve annual suryluse5 frorn the 202>24 financial
year onward5 and has made significant changes to its stratesy and business model in order to adhere to this.
Under new leader.4hipi there ha8 been an overhaul of Whitechapel Gallery's governance strncture including
and the recruitment ()f new Board rnembers from DccenthL*r 2023 and a review of Board members, terms.
Three new sub-conimitteegj have been created..
Ethics Committee (Chair Sarah Miller).
Programme and Audiences Committee (Chair Alex Sainsbury),. and
People and Culture Committee (Chair Nicola Kerr)
Together with the Finance and Operations Committee and wider Board the revised sovernance structure
provides external expert15e, guidance and oveTsisht to allow for tiThely idcntification and rnitisation of risks.
Following these steps, the Trustees continue to be satisfied that they will have sufficient funds to meet
operational need5 for at least 18 months from the date of si￿7n8 these financial statements and accordingly it
continues to remain appropriate to prepare the financial statements on the going concern bas1S.
-31-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
Accountin8 policie8
(Continued)
1.3 Charitable fund8
Unrestricted fund4 are where no restrictions have been placed on the use of the monies received as lon8 as
they are spLmt within the charAtable obj'eetives of the organisation. This includes desi8nated funds where
Trustees have set aside the funds for a particular purpose.
Restricted funds are those funds suliect to donor-imposed restrictions as to their use.
Pernvnent endowment funds are where funds have been donated and restrictions are placed on the
conversion of the ori8]nal capital sum into income.
IA Income
Incomc is reeognised when the charity is legally entitled to it after any pcrformance conditions have been met,
the amounts can be measured reliably, and it is probable that income will be received.
Voluntary incomL¥ comprising grantr4 and donations is allocated to each category of income Ntrcams in the
year that thL' receipt is probable and the amount is quantifiable.
Gifts in kind are recognised on receipt at the full value to the or8ani8ation.
Guvernment grants arc reCo￿lsed on the pLYforniance modL.I, when the Charity has complied with any
conditiunt4 attaching to the grant and the grant will be received,
Tradin8 income comprises cataloguesr publications, editions, posters. rental and gallery hire.
Investment income 18 included within the Statement of Financial Activitie￿ in the year in which it is
receivablL.
Income relating to exhibitions which 8pan the year end are accounted for in the year in which the ticket sales
occur. Touring exhibitions organi8ed by the Gallery which tour to other venues are accounted for in the year
in which the exhibition occurs.
IS Expendlture
Expenditure is included within the £Anancial statements on an accruals basis. Expenditure incurred on
exhibitions for future years is included on the balance sheet a8 deferred expenditure.
Cost of activities in thc furtheran￿ of the Charitys obiectives includes the direct cost of the actlvities. Where
such costs relate to more than one functional cost category. they have been allocated on either an estimate of
time or on floor spaee basi8, as appropriate.
Fundraising costs are those incurred in seeking voluntary contributions and do not include the costs of
disseminating inforniation in 8UPPOrt of charitable activities.
Governance e05ts are those incurrcd in connection with administration of the Charity and cornpliar￿e with
constitutional and statutory requirements.
-32-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Accountin8 policies
(Continued)
1.6 Tangible fixed assets
Tangible fixed a8sets in excess of £1,000 are inilially measured at cost and subBequently measured at eo8t or
valuatiory net of depreciation and any impairment losses.
Depre¢iation is reeognised so as to write off the cost or valuation of assets less their residual values over their
Useful lives on the Eollowins bases:
Freehold land and buildings
50 years
Unrestricted Funds Equipment, Furniture & 4 year5
Fitting5
Restricted Funds Equipment, Furniture &
Fittin8S
Restricted Funds Web8ite & Other FittinsB
3, 4 and 11 year5
3 years
FreL,hold land and a88cts in the COUThL' of construction are not depreciated.
The gain or Ioss arising on the dibposal of an a55et Is determined as the difference between the Sale proceeds
and the carrying value of the asset. and i5 recognised in the statement of financial activities.
1.7 Fixed a88et Inve8tments
All fixed a￿t invcBtments are stated at market valuL'.
Realised and unrealised sain8 and 1085es on fixcd a85et investment8. based on year•end maTket valucs, arc
credited or charged through the SOFA.
Current asset investment8 are Btated after impairnient calculations that take into account moving annual total
sale8
1.8 lmpa1rn￿nt 0£ fixed a&&et&
At each reporting end date, the charlty rcview5 the carrylns amounts of ity tangible assets to deterniinc
whether there is any indication that those a￿et8 have suffered an impairment loss. IE any such indication
exists, the recoverable amount of the asset is estimated in order to determine the extent of the impairment loss
(if any).
1.9 Stocks
Stock is ststed at the lower of cost and net realisable value. Net realisable value is the price at which Stock can
be sold in the nonnal course of bu8inesB after allowing for marketing, selling 8nd di8tributson costs.
Provisions are made where necessary for obsolete, slow moving and defective stock.
Net reali8able value 15 the estimated selling wice less all estimoted c08ts of completion and co8tB to be
incurred in marketin& selling and distribution.
1.10 Cash and cash equivalents
Cash and cash cquivaients include cash in hand, deposits held at call with banks, other short-term liquid
investments with ori8inal maturities of three month5 or less, and bank overdTafis. Bank averdrafts are shown
within borrowings in current liabilities.

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Ac¢ountAn8 policies
(Continued)
1.11 Financial instrnments
Whitechapel Gallery has financial a&qets and financial liabxlities of a kind that qualify a8 basic financial
instrumenty. Ba.$ic financial instruments are initially recognisLd at transaction value and subsequently
measurLsd at amortiiled cost using the effective intL'rc8t method. Financial assets held at amortised cost
comprise cash at bank and in hand. together with trade and other debtors. Financial liabilitiL% held at
amortised cost comprise trade and other creditors, and accruals.
Investments, including bonds held 88 part of an investment portfolio are held at fair value at the Balance
Sheet datc, with gains and1055es beins reCO￿ls0d within income and expenditure. tnvestments in subsidiary
undL'rtakings are held at cost le85 impairnKmt.
1.12 Employee benefits
The c05t of any unu¥ed holiday entitlement is recognised in the PL'rAod in which the employee's servitt6 arc
reccivcd,
Termination bEnefit8 are reco￿lsed immediately as an expense when the ch￿lty is demonstrably committed
to terminate the employment of an employee or to provide termination benefits.
1.13 Total return inveBtment policy
The Trustees have ad()ptod a tatal return approach to investment uf the Tr8nNform Future Fund and spendin
as permittL.d undLIT a direction received from the Charity Commission. A base date of 31 March 2012 hay bcL'n
adopted for the applying thc total return.
Critical accountins eBtimate& and judgements
In thLi application OE the charity's accounting pulicie8, the trustees are required to make judsLYnL'nL¥, CAtimates
and assumptions about the carrying amount of assets and liabilities that arLi nut rL'adily apparent from othèr
sourceg. The estimates and associated assumptions are based on historical experience and other factors that
are considered lo be relevant. Actual results may differ from the8e estimates.
The estimates and underlying assumptions are reviewed on an ongoins basis. Revisions to accounting
estimates arL' recu8ni9ed in the period in which the eytimate i¥ rcvised where the revision aEfect8 only that
pcriod. or In the period of the revision and future period5 where the revision affects buth currcnt and future
period5.
Key sour¢e8 of e$tlmation un¢ertainty
Current a8&et investments
Current asset investments are initially valued at their expected nwket value, which is subj'ect to an annual
adjustment and impairment based on sales in the year.
Depreciation
Fixed a55ets are depreciated over the course of their useful economic life. In order to calculate the depreciation
charge, judgements are required on the length of the likely useful life and the likely proceeds (if any) of the
asset if sold at the end of its life.

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Income from donations and legaeles
Unteatricted Restricted
funds
fund8
Total Unrestrieted Restricted
£und8
fund8
2023
Total
2024
2023
Donations and sifts
Grants
1,123,328
1.437,955
n8,258
1,841586
1,437,955
734,894
1,537,955
674.084
1.408,978
1,537.955
2,561.283
n8,258
3,279,541
1272.849
674.084
2.946.933
Donation8 and 8ift8
Exhibition fundins
Education Eundins
Whitechapel project
income
Benefits cventy and
semeral donations
Whitechapel patrons and
cowrate donation
Whitechapel
membery/group and List
Kick8tarter income
Le8acy income
Art8 Council England
Other
516,779
49,979
516,779
49,979
431,835
42.249
431,835
41249
75,000
75,000
177,438
65,CMX)
242,438
514,188
125.000
639,188
437,294
437,294
179,391
179?91
18,465
18,465
24.587
16.728
24,587
16,728
133,058
133,058
86,500
357,n73
86J)O
357,073
1.123,328
718,258
1,841,586
734,894
674,084
1,408,978
In¢om¢ from eharltable aetlvltle6
Unre8trlcted
funds
2024
UnreJtricted
fuDd8
2023
Exhibition8
Sale of soods
447,029
620545
Edueation
Sale of goods
49,979
95J81
497,008
n5.926

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Income from other trading activitieB
Untestricted Unre8trACted
lund8
funds
2024
Other income
652,031
443,129
In¢ome from Inve8tment8
Unrebtri¢ted Unrestrlct¢d
fund8
funds
2023
Interest receivable
6.722
2,751
Expenditure on raising funds
Unrebtrlcted Unre8trlcted
fund8
funds
2024
Fundraisins and publiclty
Seekin8 donatiDfL4i grants and legacies
Support cost&
33,047
744,660
n2AOO
712,4
7T/.707
Tradins coats
Other ttading activltles
311,139
246,315
Investment management
35,409
13,103
Total costs
1.058,948
1,037,125
-36-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED
FOR THE YEAR ENDED 31 MARCH 2024
L%penditure on eh&itable activitie8
Exhibltions
2024
Edueation
Totsl Exhlbition8
2023
Edutation
2023
Total
2024
Direct CO8ts
Staff costs
Depreciation and
impairment
Direct C08t8
559.917
213.183
773,100
795.979
199.767
995,746
387,630
1,088,735
387,630
1,181,182
379.732
1,185,424
379,732
1320265
92,447
134.841
1036,282
305,630
2,341,912
2,361,135
334,608
1695,743
Share of Support and governance ¢o&ts (Jee note 9)
Support
1,220,430
2T/,276
Governamce
50.996
8,474
1,497,706
59A70
1,199.711
66,095
259,745
11,016
1.459,456
77.111
3,307,708
591,380
3,899,088
3,626,941
605,369
4,232,310
ADalyJis by fund
Unrestricted funds
Restricted funds
2.530,107
777,601
541A01
49,979
3,Iy71508
827,580
2,918,987
707,954
488.120
117,249
3,407,107
825,203
3,307,708
591,380
3￿99,088
3,626.941
605,369
4,231310
Support CO8ts alloeated to actAVitle
2024
2023
Staff costs
Property costs
Telecommunication5 and postage
i)hotocopying and stationery
Devllopment costs
Governance costs
1,437,832
626.114
8.610
13.043
99,071
84,906
1.464,391
520,921
8569
6,058
204,177
110,158
2.269.576
2.314.274
Analysed beiween:
Fundraising
Exhibitions
Education
n2,4C(I
1,2n,426
285,750
777,707
1,265,806
270.761
2.269,576
2,314274
-37-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
10 Net movement in fund8
2024
The net movement in funds 15 Stated after char8ing/(crediting):
Fees payable for the audit of the charity's financial statements
Depreciation of owned tangible fixed assets
19,930
387,630
20,125
379,732
11 TNotee8
None of the trustees lor any persons connected with them) received any remuneration or benefits from the
charity durin8 the year.
12 Employee8
The average rnonthly number of cmployees during the year was:
2024
Number
2023
Number
Exhibition
Education
Development
Building and comrnunication
Whitechapel GallLry VLnturLis Ltd
Adminiytration
Casual 8taff
Archive
13
12
14
11
35
Total
77
102
Employment eojts
2024
2023
Wage8 and salaries
Sjaal security costs
Other pension costs
1,980,235
161,625
69.072
2,2U2,485
189,961
74,964
1210,932
1467.410
-38-

WHrrECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Employee8
(Continued)
The number of employee5 whose annual remuneration was more than £60,000
is as follows..
2024
Number
Nuthber
£60,(MJI - £70.000
£70,001- £80,000
£80,001- £￿,(￿)0
10,IXll - £120,000
Remuneratlon of key mana8ement pezsonnel
The remuneration ol key management personnel was as follows..
2024
2023
A88resate compensation
592,971
404,412
Key Management Per80nnel definition was extended to include two roles of Head of People and Culture and
Head uf Visitur ServicLiS in 2023-2024. TherL' wa8 all￿ a 8ignifAcant impact interim cover in 2023-2024.
13 Gain8 and Io&Bed on Anve6tments
Re8tricted Endowrnent
fund8
fund8
2024
2024
Total
Re8trlcted Endowment
funds
funds
2023
2023
Total
2024
2023
Gain81(losse8) ari5ins on..
Revaluation OE
investments
39,065
276292
315257
(18,102) (121,3221 Q39.424)
14 Taxatlon
The charity is exempt from taxation on its activities ￿cause all its income is applicd for charltable purpose8.
-39-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH2024
15 Tan8lble fixed assets
Group
Freehold land Unre8tricted Restricted Restricted
and bulldlnB•
Fund&
Fund
Fund&
Equipnient, Equlpmenl Webslte &
Furniture & FllrnI￿re &
Other
Fitting8
Fittings
Fittlng8
Total
Cost
At 1 April 2023
Additions
16,608,788
878.339
355,232
4,800
246,604
49,030
18,088,963
53,830
At 31 March 2024
16,608,788
878339
360,032
295,634
18.141793
Depreciation and impalnnent
At l April 2023
Depreciation char8ed in the year
5,iW5.788
331176
1178D39
306,484
21,656
63,827
33,798
6,344,438
387.630
At 31 March 2024
5,427,964
878,339
328,140
97,625
6,732,068
CarryAn8 amount
At 31 March 2024
11.180.824
31.892
198.009
11,410,725
At 31 March 2023
11,513.000
48,747
182,777
11,744525
Charity
Freehold land Unre8trlcted Re8tri¢ted Restricted
and bulldlny
Fund8
Fund8
Funds
EqulpmenL Equipmen¢ Website &
Furniture & Furniture &
Other
Fittinss
Fittin88
Fittin88
Total
Co8t
At l April 2023
Additions
16,608.788
878.339
355,232
4,800
246.604
49,030
18,088,963
s3￿0
At 31 Manh 2024
16,608.788
878,339
360,032
295,634
18,142,793
Depreciation and impairnient
At l April 2023
Depreciation charsed in the year
5,095,788
332,176
878239
306A84
21,656
63,827
33,798
6J44.438
387,630
At 31 March 2024
5,427.964
878,339
328,140
97,625
6.732.068
Carrying amount
At 31 March 2024
11.180.824
31.892
198,(M)9
11,410,725
At 31 March 2023
11,513,000
48,748
181777
11,744,525
-40-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
16 Fixed 288et inve8tments
EF Catalyst EF Transform
RF Capital
Totsl
Cost or valuation
At l April 2023
Valuation changes
Disp05als
650,501
2,482,407
249,360
26,464
369,450
36,006
3,060
3502.358
469
29,993
At 31 March 2024
650.970
2,758,231
408.516
3017,717
Carrylng amount
At 31 March 2024
650.970
2,758,231
40B,516
3017.n7
At 31 March 2023
650,501
2,482,407
369,450
3.502J58
17 Financial in8trument8
2024
2023
Carrying amount of financlal JsBets
Instruments measured at fair.value through profit or los8
766,904
766,476
18 Stocks
Group
2024
Charlty
2024
2023
2023
Finished goods and goods Eor resale
267,661
295,554
48,169
45,791
19 Debtor8
Group
2024
Charlty
2024
2023
23
Amounts talling due withln one year:
Trade debtors
Amount5 owed by subsidiary underlakings
Other dcbtor5
Prepayments and accrned incorne
373,605
212,703
323,410
691207
24.357
263.454
141.899
511059
6,896
264,373
65A29
864.254
18.452
740,689
1.303,288
9n,844
1,303,428
915227
-41-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Current asset inveBtments
Group
2024
Charity
2023
2024
Unlisted investments
115,934
115.975
115,934
115,975
21 Credltor$: amounts fallins due within one year
Group
2024
Charity
2024
2023
2023
Other taxation and social security
Deferred income
Trade crediton>
Amounts owed to subsidiary undertakings
Other creditOT8
Accruals
73,652
121,604
545,544
44.660
96.683
188,195
9,122
69.764
296J67
70,852
121,NM
294,349
96,683
334,172
72,027
335,245
55.052
123.117
51698
882,787
918,969
704,791
621274
Deferred Income
2024
OthL'r dcfcrred Income
96,683
121,fAM
Deferred income is included in the financial statements as followg:
2024
Deferred income 18 included within:
Current liabilitie8
96.683
121,604
Movements in the year:
Deferred income at l April 2023
Released from previous periods
Resources deferred in the year
121,604
(121,6Q4)
96.683
51551
(52551)
121h04
Deferred incorne at 31 March 2024
96,683
121fj04

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONfINUED)
FOR THE YEAR ENDED 31 MARCH 2024
23 Endowment funds
Endowment fund5 represent assets which must be held permanently by the charity. Incomc arising on the
enduwment Eunds can be used in accordance with the ob]'ectEJ c)f the charity and is included as unTestricted
income. Any capital sains or Losses arising on the assets form part of the fund.
At l April 2023
TranJfeT8
Gains and At 31 March
106se8
2024
Pernunent endowmentB
Transfonn Future Fund
Catalyst Future Fund
2.498,744
650,502
(133.3161
275,824
1641,252
650.970
3.149.246
(133,316)
276,292
3.291222
Prevlou8 year:
At l Aprll 2022
Tranbfers
Galn8 and At 31 March
los$e8
Pennanent endowments
Trnnsform FutUTL. Fund
Catalyst Future Fund
1619,113
651,455
(120,369)
(9531
2,498.744
650,502
3,270,568
(121,322)
3,149,246
-43-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Re8trlrted funds
The restricted funds of the charity comprise the unexpended balan￿ of donations and grant5 held on trust
subieet to specific conditions by donors as to how they may be used.
At l April 2023
Incomins
resources
Re80urees
expended
Tran6fer6
Galn8 and At 31 March
IosBes
2024
Capital Renewal
Fund
Capital Fund
Bloomberg
Fund
A￿ Transform
Fund
Cockayne
Paul Mellun
Freelands
Future
publications
Pro8ramn
Fund
520,002
6,154,664
Pi,6551
(239,167)
20,889)
39,065
416523
5,915,497
119,595
(54,548)
9i1,047
86,5(MJ
20,IXKI
40,OIXI
15.OLKI
(77278)
9,122
20.(M)O
40.(M)O
15,(M)O
14,750
14,750
153,323
SI7,￿8
{434.8321
53,323)
81176
6,947,584
n8,258
(827.580)
(274,212)
39,065
6,603,115
Prevlou8 year. At l April 2022
Incomin8
re80ur¢e8
Re60urce8
expended
TranB£ers
Gains and At 31 Marth
Capital Renewal
Fund
Capital Fund
Re4tricted
Programme
Fund
Restricted
Bloomberg
Fund
569,473
6,394,009
(31.3691
(239.3451
{18,102)
520.(K12
6,154,664
549,084
(549,084)
153.323
153223
125,000
{5,405)
119595
6.963,482
674,084
825,203
153.323
(18,102)
6,947.584

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Restricted funds
(Conlinued)
Copital ReFw(vAI Fund - a combination of an Arts Council manased fund awardcd in 2011 restrictcd to the
maintenance of the Gallery's current buildings and infrastructure, drawn down over the next 20 years, a
£75,IM)O fund awarded by the Headley Tru8t and £3,803 awarded by London Borough of Tower Hamlets in
2018-19. In the year they collect5vely funded £31,369 in capital depreciation cost5 to the Gallery.
Cdpital Fund - the balance of the fund repre4ents the exce&9 as at 31 March 2024 of Incon￿ received towards
thL. INhitechapeL Project over expenditure incurred on depreciatlon of thL asset from l April 2010.
Restricted Programme Fuff d- this holds income restricted to Programme activities.
The regtricted Bloomberg Fund holds income received from Bloomber8 Philanthropies as part OE their Digital
Accelerator Program.
Unre5trlcted funds
The unreBtricted fund8 of the charity comprise the unexpended balances of donations and grants which are
not subject lo specific conditions by donorB and 8rantors as to how they may be used. These include
designated funds which have been set aside out of urThtricted fund8 by the trustees for Specific purposes.
At l April 2023
Incomins
resource8
Rejourceo
expended
Tran8fern At 31 March
2024
Building
Capital Works Fund
Capital Works Asset
Roof Repair Fund
CRM Fund
Assets Fund
Iwona Blazwick Artistic Fund
Catalyst Fund
GenL•ral funds
5,278,060
293,315
101656
24,750
15,(M)O
80,120
35,972
81)5,617
91724
(93,0091
5,185.051
293,315
92,867
24,750
15,000
105,141
32,072
805,617
168,517
(9,789)
(24,009)
{11959)
49,030
9.059
3,707,985
13,99U,690)
358A98
6,728.214
3,717.044
(4,130,456)
407,528
6.722J30
-45-

WHITECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENfs (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
UnreBtricted funds
(Continued)
Prevlous year:
At l AprAI %Y22
Incoming Re80urces
re80urce8
expended
Transfers At 31 March
21)23
Building Fund
Capital Works Fund
Capital Works Asset
Roof Repaid Fund
CRM Fund
Asset Fund
IB Artisite Fund
Catalyst Fund
General fund8
5,3n,138
401,000
(93,079)
5,278J)59
293215
102,656
24,750
15,IM)O
80.120
35.972
805,617
(107,685)
107,685
(5,029)
24.750
15.(MK)
16,594
(10,911)
74A37
35,972
805,617
1,257,015
3,398,683
(4.335,213)
(227,760)
7A91,114
3,434,655
4,444,232
(153,323)
6,728,214
An•ly818 of net a88ets beiween funds
Unrestricted
funds
Restricted Endowment
fund8
fuDd8
2024
2024
Total
2024
At 31 March 2024:
Tangible asset8
Investments
Current assets/(liabilities)
5,036,080
133,316
1552,934
6.374,645
408,517
(180,047)
11,410,725
3.817.717
1289,225
3,275,884
16.338
6.722,330
6,603,115
3,292,222
16.617.667
Unrestrieted
funds
2023
Re8trlcted Endowment
fund8
fund8
2023
Total
2023
At 31 March 21J23:
Tangible a￿ts
Investments
Current as8ets/OiabiiitieB)
5,46ll,837
(i)
1,267,378
6,283,687
369,451
294,446
11.744.524
3,502,358
1578,162
3,131908
16238
6,728,214
6,947,584
3,149.246
16,825,044
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WHrrECHAPEL GALLERY
NOTES TO THE FINANCIAL STATEMENfs (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
Operating lea8e Commitn￿nts
Le88ee
At the reporting end date the charity had oulslandins commitments for future minimum lease payments
under non-cancellable operatins leases, which fall due as follows..
2023
Within one year
BetweLm two and five year8
In over five years
4.600
18,400
4515,764
9233
33,080
4,520,364
4,538,764
4,562.6T/
Related party tran8action8
There WLYe no disclosable rL.lated party transactions durAn8 the year (2023- none).
29 Cash generated from operation8
2024
. Deficit for the year
(207,377) (1,300.120)
Adjustments for:
Investment income recogni8ed in statement of financial activities
Fair value gains and losses on investments
Depreciation and impairnient of tangible fixed assels
(6.722)
(315,357)
387,630
4,4(Kl
139,424
397,957
Movement8 in workin8 capltal:
Decrease In 8tock8
{Increase)/decrease In debtor6
(Decrease) in creditors
(Decrea8e)/increase in deferred income
27,893
{331,444)
(11,261)
(24,921)
14,108
400,905
(46.332)
69￿53
Cayh abborbed by operation
(481,559)
(320,605)
30 AnalyBig of changes in net fund8
The charity had no material debt during the year.
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