Annual Review
2021/2022
OY AL
COLLEG
OF MUSIC
11
IiOYAL COLLEGE OF MUSIC

I

CONTENTS
Choirman's Welcome
Director 5 Me55age
Celebrating Success
PeFloFmance ond Pailnership5
Promoting Digital Innovation
Celebrating Our Heritage
Investing in Our Facililies
Pioneering Reseorch ond Knowledge Exchonge
Honouring Inlernolionol Musicions
Shoping Bright Futures
Global Alumni Communiw
Supporting Tolenl
Widening Access.. RCMJunior Deporlmenl
Widening Access. RCM Spoiks
Legocies
Our Generous Supporters
Mole Music Campaign." The Finale
2021 /2022 in Numbers
Thank You lo Oui Suppoilers
Siudenl Mumbeis
21
23
25
27
29
31
33
35
37
38
40
43
Finances
45
Council and Diredorale
46
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

CHAIRMAN'S WELCOME
The Royal College of Music is the world-leading conservotoire where
innovation and 140 years of Iradition combine to create an inspirational
environment kr our diverse body of student5, Staff and visitors.
li wos o proud moménl in December 2021
I Ihonk oll oui supporlérs. ond Èspxiolly
when our Presiderbl. The Former Prince ol
GeoFFrey Richards lor leoding the More Music
Wales, off icially opened Ihe More Music.
Campaign Committee. On Council, our
Reimogining the Royol College ol Music
Deputy Choirmon lone Borker retired ofter 15
developmenl Ihol h05 Ironslormgj our historic
Jr5 01 exemplory 5epdice, bul l om delight
campus Over the pa51 len years, with the
that she conlinue5 in Ihe honoTary role ol Vice
unrelén1ing hèlp ol our exlremèly generous
Presidenl WÈ were also sorry lo soy goodbye
supporlers. we have raised an astonishing
lo john Mickson. Vane￿￿ lalorche. Nalasha
42.5 million lo deliver oulslondirhg new
loges ond laura Williamson. bul welcome
facililie5. These include two FErlormonce
Coiherine Clorke 05 new Deputy ChoirmoD,
holls with slolpol-the orl digilol technology, Q
Richord GJvlding, Ingrid Peor50n ond
ol rehearsal and practice sp]ce5, an
S￿d￿nIs, Union PTe5idenl Tymon Zgorzelski.
InleroclivÈ Musèum, ond Ihe Courword ond
s￿1￿1 space al Ihe heart ol the College
As ever. we musl conlinue lo advoc(Jle lor
occe55, parlicularty in the UK where the crisis
We conlinLE lo support the very besl sludenfs,
in music educolion in our schools cause5
wholever Iheir Iinonciol meon5, (rom the UK, EU 9rove concern, ond where we urgent
ond beyond The More Music Camwign made tsnd lundamenlal polity change.
Il possiblè lor us lo aword over £4 million
in scholarships and other forms ol financial
Lord Block of BrenNvo￿l
ossislonce this year lo more thon holl ol our
chaimian
51udenls. 110150 increosed funds lor widenin
occe55 Ihrough oclivilies Such 05 RCM Sporks,
oui pioneering educational oulrojch
programmé. and h*lp&d promole Innovolion
wilh new academic appointhenls, as well as
improved research and digital resources.
Opposite
A mEmberol skrff
51gnin9 the RCM'S
book ol condo￿.
follcwing the Pts$$ino
(The lole Queen,
the RCM'S Potron
Since 1952
. T￿RG￿l Is ￿nknj
hle 2022 rjs ￿￿)i￿er$I￿Ra￿ki￿9S brfsubl￿}
As the new ￿adeMiC year started, we were deeply saddened
by the death of our Patron, Her Majesty Queen Elizabeth 11.
She had for so many years taken a great interest in our work
and our gifhd students. Our thoughts were very much with
all ihe members of her family - not least our Presidenl, The
former Prince of Wales - as they• along with the nation• grieved
for her. We remain grateful io our President for his enormous
commitment to our College and to the fuiure of music.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

DIRECTOR'S MESSAGE
l am delighted ond very proud that the RCM has been ranked number one
in the world kr perkrmin9 arts in the 2022 QS World University Rankings.
Wè èncouroge cr*liviV and enlrepiénèuiship Divèrsity ond Inclusion plon, we continued
lo expond the range ol topics, musicians
including our cutting-edge Digital Innovation
and repertoire studied by sluden15 across
lob where sludenfs can WOTk with Ihe lolesl
all progrommes.
KJluElopword Dolby Almos sound technology. In May. The lortner Prince ol Vvales made
Many inilialives ollow Ihe commuTriW to
dÈvÈlop orlislry kwond IhÉ Iradilionol
his tsnnual visit la conlér honours tsnd la meet
conlines ol classical music. such as our
some ol our young musicions The Presidenls
unique ComFosilion lor Screen course. and
Visil is always a sigrbilicanl moment ir) the
the RCM Accelerate scheme, which 5upwrls
Royol College ol Music 5 colendor, ond Ihi5
51uden15 lounching bu51ne53 Ideos.
yeor we honoUr￿ the conlribulions mode
exceptional mu51cian5 ITOM acT05S the world,
The quality ond range ol Ihe RCMS rèsearch
mony ol whom ore alumni
was also recwnised with the highesl scc>re
omongsl inslilulion5 specialising only in music
ID a number ol new appoinlmenls, Prolessor
in the lole51 Reseorch Excellence Fromework
RoèErt Adlinglon joins u5 05 Heod ol Research
results. Our new Wo1150n Cenlre In Music &
ond Prole550r Mork Bowden 05 Heod ol
Malerial Culiure, international collaboration5
P051graduale Taught Ptogrammes Marie 1100
ond Inves1menl In highguolity reseorch-léd
olso bècomes Hèod ol Wocdwind and Joson
leaching will bolster this.
Evans Head ol Brass, in succession lo Simon
Chonning ond Ni9el Black.
We 0150 ochieved on oulslonding score in the
Nolionol Siudenl Survey, with leochiTr9 ond
I Ihonk oll our supwrfer5 lor the success ol
leaining resouices. and Ihe RCM library rolÈd
the More Music ComFoign Iho]I will benelil
sluden15 lor generalions, and our 51all loi
hèlping us achiÈv& Ihe accolod& ol being
ronked number orbe in the world.
Opposite
The RCM
ilhormoni
performs Ihe xore
short film
I￿￿10-pIcture, in a
5howcose for oyr
Comp)sitI￿ For
Screen course
This year. we delivered lull opera and chamber
programmes. maslerclosses, ond concerts
leoluring under-repre5enled comw)ser5 and
celebroling the 150th onniversory ol Rolph
Vaughan Williams. k parl ol our Equity,
Prolessor Colin L(wson CBE FRCM
Diredor
It was wilh profound sadn•ss that we learned of
the death of Her Majesty Queen EliZab￿h 11. As Prin¢e55
Elizobeth in 1947 she ottended a Concert and distributed
prizes ot the College. As Patron, she later presented The
Queen Mother with an honorary degree and opened the
Britten Theotre. She was g proud rhgmpion of ¢los$i¢gl
mu$1¢ and showed unwovering dedication to the RCM.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

CELEBRATING SUCCESS
At the Royal College of Music, we nurture our exceptionally talenled
students, giving them the opportunity to develop as art15ts and knlfil
their ambitions.
Our studen1s, mony ol whom hove
Scholarships al the College, continue lo win
presligiou5 international compelilion5, reach
new oudiences through digiFol concer15,
lorge Innovolive creative portner5hips and
conlribulè lo pioneering research This Is o
snapshot ol just some ol Iheir achiewemenls.
Alim Bei5emLoyev won Fir51 Prize al Ihe
20? I leed5 Inlernolionol Piono Competition,
as well as the Royal liverpool Philharmoni¢
Sociéty Awoid lor 1hè Wsl péiloimance ol
conlemporary music and rhe medici.fv
Audience Prize. He also made his BBC
Prom5 debul ID july 2022.
Fellow piani51leneba Kanneh.M050n WOS
nomèd in clo￿lc Fms 30 Risin9 Siars list,
while Thomas Kelly won both the Firsl and
the Audience Prize al the 2022 Sheepdrove
Piano Compelilion, os well os Prize ol
the Hosling5 Inlernolionol Piono Cotnpelilion.
Hugh Culling won the 2021 Kaihleen Ferrier
Awards. LEcoming rhe lirsl counlerlenor lo
ever win the compelilion, ond was norned
os o BBC Rodio 3 New Generolion Ar1151
br ?022-24
Composition lor Scrttn sludenl levenl Aliunlas
was o linalisl in rhe 2021 Oiicons
Faculty International Film Music Compelilion
ond the Indie Film Music Conle5120?2,
ond Billy PalmeT IS now a compjser and
orchèsliolor lor Vid￿ games ond on arronger
lor rhe london Video Gome Orchestra.
Opposite
Alim kisemboyey
pe&rm5 atthe 2021
Leeds Internoliotul
FSano Competition
Further 5ucce55 lor the comp05ilion Faculv
come 05 Chelseo Becker won rhe Senior5
¢alegoD/ in Ihe 2021 BBC Young CompJs¢r
Compélilion. Alex Ho wos occeplèd onlo
boih the IPO Young Composers and RPS
Composer prooramme5 and was chosen as a
BBC Music MLigozioe Rising Sior 2022", ond
Mino S)lib Scored o Nike commerciol lo be
shown In US 5tore5
Flaulisl Hannah Gillingham was anrbounced
as a Britten Pears Young Arlisl 2022-23.
os were the Solomé Ouortel and mezzfr
sopron05 Annobel Kennedy ond Emmo
Rober15 Etnma w05 a150 award& Second
Prize ond lh* lovedoy Song Priz& ol Ihè
2022 Kathleen Ferrier Awards
A150 01 the 2022 Koihleen Ferrier Aword5,
Avi5hko Ediri51nghe, who 15 studying
CollobJrtslivÈ Piano Conducting, won
the Help Musicians Accompanist Prize
The work ol IhÈ RCM5 CÈnlrÈ lor PÈrlormoncè
Science wos reccgnis*J when dccloral
51udenl Debi Groham w05 made o fellow ol
the Royal Society lor Public Heolih.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

-A
The cast of young singers are uniformly lerrific... Accompanying
them the RCM Opera Orchestra prOdU￿d one of the best
performances I cqn recall heqring from them in the Britten Theatre.
clai￿ Wrnovr in OFera Todayon the RCM Opera Sbjdio's produ¢hon ol thnselandGTekl
io
ROYAL COLLEGE OF MUSIC I ANNUAi REWEW 2021/?02?

PERFORMANCE AND PARTNERSHIPS
The Royal College of Music is renowna kr the range, quality and depth of
ils artistic programme, supported by internationally acclaimed musicians.
Orcheslrol concerts condvcled W Sir Antonio
PoppJno, Mortyn BTabbin5, RaloÈl Poyore,
lac van Sieerb, Chloé van soelers1￿d
and Thomas zehe￿O1r gave students Ihe
chonce lo work with some ol the world s
leoding musicions.
Visiling Pioléssor ol Violin Moxim VÉngÈrov
led b)Ih chamber ond orchestral
maslerclasses with works including Mozarls
violin concerlos,. Bernord d'Ascoli, Alino
Ibrogimovo, Fronce3co Dego ond the Povel
Haos Quartet o(Fered luriher masleTc1055es.
New music le0￿[ed In our onnuol RCM
Comp0511ion lor Screen Shtrwc05e and in
o concert ol cutting-edge eleclronic music
curaled by Claudio Molilor while the
Ke￿ord Feslivol, the Festival ol Percussion
ond SutEr Sirin9 Sund(y ottrocEd new
oudience5 were broodcosl oround the
world on IhÈ RCMS YOUTU￿ thtsnnel Our
onnual colloboralion lor RGVI composers wilh
the Head On Festival in SOn* saw their
innovolive work shored IDlernolionolly.
The RCM continues 115 collathralion with the
Our v￿01 Faculy sludenls SFerbl on
Nonyong AcodÈmy ol Fine Ails li olso
inspiralional doy with soprano AD9ela
begon parlnerships with Ihe SiauHer Cenler
Gheorghiu, working Individuolly ond os o
lor Strings in Cremona, with 51udenls and
c1055 The RCM OFEro Siudio 0130 310ged
professors Irorn the SiriDg5 Foculy toking
highly piai5ed prauclions ol Honsel
In inlensive residencies, ond with the
Gre￿1 direc1ed W Stephèn Btsrlow, ol
Sjline Royale Academy in France.
jonathan Dove s Fli9hi direcled byleremy
Talented orgonisls from the Keyb￿]rd Foculty
Sams, ond ol Ihe Mcygic Flule which v¢os
visited Paris lor maslerclas5es, and Historical
51reomed OD operovisioD.eu. Od155ey5 wa5
PerlormoDce sluden15 emborked a concert
on impre551ve series ol six minioper05 written
lour lo the Inlernolionol &)roque Mu51C
and peiloim& by RCM S￿de￿I& working with Festival in Bolivia. We Ihank our kind dontsr5
owro comptsny Tèle o Tele
Philip Coiné MBE HonRCM. Ihe H*ihorp
We celebrated the 150th anniversory ol
Trust, the LIBER Foundation, Richard and
the birih ol RCM alumnu5 and professor
Sue Price. Caiherine Quinn, and Peler and
Ralph Vaughon Willioms and perlormed
Dimiw Spiller who mode this in5piralional
work5 by comp05er5 whom he Ioughi.
opportunity possible.
We a150 continued Io PTomole music by
undÈi"iÈprÈsenled composers. in Ihe lull-day
FeslivAII, and in a programme conducted
by Kevin john Edusei including work5 by
Samy Mousso and Anno c￿ne.
Opposite main
Visiting Proknsor
olviolin Moxi
Vengertrv instructs
an RCM vidiniSt in
o mo5terclo55
Opposite bohom left
The RCM (4)ero StDdio's
P￿uc￿lon ol Jonathan
Dove'5 Flwht
Opposite bohom righi
CandudDr Chloé van
SoeterS￿ewo￿S Wth
the RCM philharmonic
in reheorsol
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

PROMOTING DIGITAL INNOVATION
The Royal College of Music continues to upgrade it5 digital kcilities
05 the curriculum evolves and sludent demand For options in music
technology increases.
When Ihe CollÉgÈ resuméd in'pÈrson
Music, thè UnivÈrsiW ol Music ond Perlorming
leaching ond learning, sludenls mode lull
Arls Vienna, and Ihe Ntr]nhallan School ol
ol new locililies on campus. including
Music, is a rnojor innovation. This Erasmus+
new perlormance spaces and star￿01-thtrart,
Strategic Parlner5hip project bc0515 our
5ellx)peroled oudicwisuol recording equipment.
repulolion worldwide ond enobled our
We received 51gnilir.anl capilal lunding From
sludenls tro study online logeiher and ko
the l<Junduli<Jn und IrL)m 11IL Gurlitld
connÈcl in o nÈw digilol agÈ ol globol
Weston Foundolion lowords installing digital
leorning. Teoching slall olso por1icipaled in
lechnolwy in our new Ferlormance spaces.
intensive training and development aclivilies.
Ihe (Jlice lor Siudenls gr(Jnlpd oddilionol
The College has agoin shard livestreamed
Kjnding lo uFgrode our studio Control Room 3
ond prfrrecorded concer15, oper03 ond
Iknown as Ihe Digilal Innovation labl lo
tnaslerclo55es worldwide on the RCM
Include o Dolby Aimtrs 'spoliol audio syslÉm,
YOUTU￿ channel The channel received
so Ihol sluderbls can record, mix, masler and
g00,CQO views LENveen August 2021 ond
broadcast material in the mosl upltrdale and july 2022, ond Maxim Vengerovs Mozarl
KJKJr&ooking lowals. These developmen15 motk
violin concert05 maslercla35 alone h05 been
on Imwrtonl skep In our continued commiknenl
viewed more thon 50,(X)O limes.
Thé RCM Museum ond library conlinue la
roise the profile ol Iheir collections around the
world by openin9 them up lo an everwider
audience online. Thou50nd5 01 ifetn5 con be
viewed on Ihe Museum 5 website, the Iibrory
¢olalogue, and online via Gjogle Ar15 ond
Cu11ure, MIMO. MINIM-UK. Ar1 UK,
ArenaPAI, the Irblernel Archive IMSIP.
A It>Jm o15hJdenl Digi￿1 Learning
AmEossodor5 helFEd 10 5UPF￿rt ond promoFe
Opposite
Camp05ihon tsr
Screen professor
Mike Ladoucevr in
the nedy upgffjded
Duitol Innovation Lab
We also soughi lo learn from the rapid
chonges and innovations Ihal were introduced
during the pondemic. The re5eorch project
'Tronslorming Ferlormonce 009￿les..
Inleraclion5 new l£thnolcgy and
Iradilionol mÈihcds', Id W Dr Chrislin
Guilloumier and Dr Diano Solazar and
funded by the society lor Research in Higher
Educolion, explor&4 how digilol lechnologie5
contributed pJ511ively lo leoching during
Covid and a blend ol Iiadilional and
digitol meihods ol l*ching con Énhoncè
sludenl learning.
The GloLK]I Consewoloire Consortium,
lounched with the Roygl Dgnish Acodemy ol
Coll&9è and Ihe annuol Progiommes Sioll
Development Day brought Iweiher prolessors,
leochers and graduale leaching assislanls lo
explore new developmeD15 in technology
enhonced IEornin9.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

JJ.

CELEBRATING OUR HERITAGE
The exlraordinary treasures in the Royal College of Music Museum
and Library collections are accessible hr in-depth Study, with
studenls able to ￿searCh in person or explore online.
The new RCM MusÈum ownÈd lo Ihe public
in Oclober 2021 and has already welcomed
over I I.fflO visilors from across the world,
510ged over 30 concerts lealuriDg more thon
IIX) RCM 3ludeTr15, ond h051ed mony
wor&hop5 and lour5. The Museum opening
r￿e1Ved very pJsilivÉ prÈss and TV covÈiage.
wilh adverlisemenls on clo￿lc FM as well as
on london buses and digilal slreel hubs.
The RCM5 Weston Discovery CeDlre ond Urs
Rei31 leorning Swce ore olso open, ond the
Wollson Centre in Music & Malerial Culture
0 5pocÈ lor study, consèrvolion. digilisolion
and storage- has been availoble lo sludenls
and 51off since rhe summer ond 15 now open
lo the public by opwinlmenl.
Thi5 Far, the Museum acquira a pjrlrail ol
18ih£enluty on11"slovery composer Somuel
Arnold by Thomas Hardy, wilh support Irom
the Art Fund, the V&4 Purchase Fund ond a
per50nol conlribulion (rom RCM Direclor,
Prole550r Colin Low50n. It 0150 510ged
lempJraTy exhibilions
Mu51cal Porlioi15 in
Ebhomion lonJon. tsnd Hidden loosvres ol
the Rowl College olmusic, which included
Edward Elgar s Irom&one. Meonwhile.
conservolion, cataloguing ond digi11501io
ol the collection5 continues.
Thè libiory conlinues lo develop woys
lo Integrate the sFécial colleclions irblo
sludenls courses. both in person arhd via
digilised copies which ore uplcoded lo
the Inlernel Archive.
Opposite
An RCM 5hdent is
shown a historical
IDStrumenl in the
newWd150n Cent
in Music & Material
Cvlbjre
In Vaughan Williams 15(Jh anniversory
Y￿[, Sir Anlonio Poppona wos shown Ihè
autograph manuscript ol rhe composers
Fifth Symphony, one ol the librarys great
Ireosures, belore he conducted the RCM
Symphony Orchestro ￿[lO[Ming the work.
The manuscript wa5 on di5ploy loi the
oudience and leo￿red In the Iiveslrèjm
ol the concert
lollowing105eph Horovilz s deoth in Februory
202?, Ihe Librory h05 received the composer s
manu5crip15 and pe150nal archive. Joseph
boih $1udiÈd and loughi al Ihe RCM, ond os
a great supporter ol rhe library had long
wished his collection would come lo College.
Th15 is the tnosl signiliccnl comtJ)5er orchive
the RCM h05 receiv94 In over 40 yeors.
The librory leam hos sorled ond occessionéd
a number ol other archives this year, including
over 000 letters from the colleclioD ol violinisl
ond impresario André Mongeol. A member ol
sFgH olw discovered the ovlo9roph monu5cripl
ol a previously unknown dramalic scene
SomuÈl Coleridge-ToOor, NovrmohL71s Sjng.
Further (Jddilions include the Paul Campion
colledion ol lemers, autograph5 and images
ol letnole siDger511750 10 the present dayl.
The RCM librory received Ihe lop score for
any Higher Educalion library in the country in
the National SILpdenl Survey. li continues lo
look al woys to improve ils Service ond has
been oclively buildin9 the lending collection
wilh work5 by under"repre5enled comp05er5,
Ictusing on campos*rs From Alrico, Ihe
Alricon diaspora and From beyond Euro￿.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

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2012 - 2022
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INVESTING IN OUR FACILITIES
Our impressive new performance spaceS1 professional-grade
studi05 and interactive Museum ensure that RCM students have
the very best opportunities.
The Iranslormed RCM compus was officially
oFEned W The lortner Prince ol Wjoles in
December 2021 . The More Music
development Includ¢s a new Performance
Holl (Jnd Pèrlormonce Siudio which btsih
incorwrale digilol lechnology,. the n
Museum, the Garfield Weston Centre und the
Wollson Centre in Music & Moleriol Culture
which which will widen occe55 to the RCM5
colleclions, digilally enabled leaching and
prtsclits rooms,. ond o new Colé and Ihè
1851 Courtyard lor sludenls, slaH and visilors
lo enjoy.
Neorly ?00 public perlormonce5 were held
Aclion on energy eFFiciency ond corbjn
In the new College 5pace5 beMi*n Augusl
reduclion catnpu5 continue5 with the aim
2021 ond July 2022, wilh over 5,5
ol ochieving nÈ1 z&ro carbjn by 2035.
lickels sold. In a Vvelcome Experience Survey We have olso erbgaged with sluderbls and
in july 2022, 94% 01 respondents described
51off on sustainability I￿ues, wilh o number ol
the spaces os very go(A' or 'goTrJ' al
events toking ploce lo roise oworeness durin
mokin9 them leel welcome.
'Gr*n Week, in lonuory 20?2.
ID recognilion ol over 700 Supporters who
hove donoled & I,(X)O ond obove lo the
More Music Compoign over Ihe1051 decode,
their name5 are now displayed on a new
donor proieclion In Ihe Ctslé The gill ol
lerb uprighi Bluihner pianos Irorn the Allred
Reinhold Foundolion has also been
recogni5ed by noming the proclice ￿c￿m3
where they ore housed 'The Bluihner Proclice
Suile, and we have nama some new
Individuol pioclicé pcds olior generous
supporlers who have leli gifts lo the
Opposite
RCM ckninnon,
iod Black. Diredor
Develwent.
Horri$5. RCM ￿reCtor,
ProFes50r cdjn Laws￿,
[￿eM￿rS ofth
Develowentleam unveil
the donor p￿￿tIOn
in thecofe
Hoving beautiful locations to perform in is an importanl part of
receiving inspiration to continue creating. It's exciting to have Spates that
can hold o well-sized audience and that have such wonderfvl acousli¢s.
Beth Sbne, Flute und Bor4ue FIV￿ stsjenl whogm&ts& in July 2021
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

WHAT IS A GOOD CITY IN THE CONTEXT
OF THE GLOBAL SOUTH? THE ROLE OF
THE ARTS IN SOCIAL-CULTURAL URBAN
INFRASTRUCTURE
PERFORMING HERITAGE: BAROQUE
MUSIC IN BOLIVIA
This projeci hos help8d to prèserve o rich musical
legocy discovered in Bolivia dating back to the 16th
century. Some manuscripts arrived with EuropeLJn
rni5sionarie5, bJi others knture text in the
indigenov$ Guoroni longvoge. Hegd ol Hi$torieol
Perfomionce Ashley Solomon's reseorch, education
ond perfomionce proj8Ct, supwrted by the RCM'S
Global Challenges Reseorch Fund and highlighted
lor its impad by the REF, has enabled careers For
mv5iciuns ond teachers in Bolivio, e5tublished h¥0
en$etnble5- the Arokegndor B(>liMo choir ond
Jroque Orchestro- and kickstort￿ a historical
instrument building industry there. The music hos
been revived in performance and in Wide￿ proised
recordin95. As wdl as increo5ing the social,
educotionol und cvlturol inclusion of murginuli5ed
on
iverse ovdience$, Ihe projecF ho$ enhonc
cultural tourism.
RCM Reader in Pedormance Scientr and Digital
Leoming Dr Tonio Lis￿0 received o reseorch
9ront ol £199,000 Irorn the Britlsh Amdetnq5
Knowled￿ Frontiers 2022 Pr￿r￿Mme. Building
on robust evidence thol engogement with the orts
promotes wellbeing and Feelings ol connectedness,
her project combines music, Social 5cience5,
rnedicine ond urban plunning, und hcvse5 0
undersFonding ond enhoncin9 sociol-cvlturol
uA)an inlrostructure in Cities In s￿th Americo..
Solvodor (Brazill ond cochabam￿ (Boliviol.
It invoks large-scole wrveys in the cihes ond will
use rnusic to engQge Isol￿ed citizen5 Qnd integrote
lomilie$ ol those with d- bilitie5. Findings will
inform ￿lIcymoking, urban plonning ond
social-cultural inlrastruclure kr o 'good ciw.
18
ROYAL COLLEGE OF MUSIC I ANNUAI REVIEW 202112022

PIONEERING RESEARCH
AND KNOWLEDGE EXCHANGE
The Royal College of Music has been ronked the top UK conservatoire
ofkrin9 music as a sin9le subject by the ponel of the Research Excellence
Fromework (REFI 2021, which assesses the quality of research in UK
Higher Education institutions.
The overall reseorch environment al the RCM
performed porliculorly well, with 70% 01 Ils
re5eorch roled 05 world-leoding,, higher thon
ony oihei UK tnU51C tonseivaloire
Oier hall a Million pound5 in research graD15
was ogaiD oworded lo the College this yeJr,
Includin9 O 9ronl from the Bri115h Acodemy
and Leverhulme Tru511o the Curaloi ol the
RCM Museum Prolessor Gobri&l& Rossi
Rognoni and Professor Richard Wislreich
Their reseorch project, 'Malerialising Musical
Inslrumenls, will explore how surviving musical
In51rumen15 exFond our underslgndin9 01 the
hiskory ol tnu51c and enrich historical narialive5
Opposite
A parliciprAnllak
The College also come in the lop l 0% ol
by cent￿ For
PerFomiance Scien
al 2022 RCM
Fe5hval ol Percussion
'Public ond Communiv Engogemenl,,
occording lo the Knowledge Exchon9e
FromÈwoik 2021 . ThÈ College *orÈd very
Enlrepreneurship. calegory as well.
Thi5 rellecls the work ol the Innowolive
Crealive Coiee15 Cenlre, and Ihe ground-
brÈoking Centre lor Pèrlormonce SciÈncÈ
which has become an inlernolionally
dislirhclive trnlre lor research, leoching
ond Knowledge Exchonge.
MUSIC, MIGRATION AND MOBILITY
The AHRC-knnd￿ Music, Migmlion ond Mobility projecl12019-231 is developing innovolive
woys ol telling the slories ol a grcyJp ol migront musicions- émigrés From Nozi Europe-
who found refuge in Britain. Interadive Story maps, sheet music editions, oral hi5tr0ry
intrerview5 ond on exhibition in the RCM Museum lJonuarrApril 20231 will display and
di5seminote the multi-hceted norrulives ol these musiciuns, live5 05 0 meons ol odvoncing
going debotes obout migrotion, ￿bilIty ond Culture formotion In generol.
M)e proj8cI combines rtlledive proclice, digittsl humtsnities ond orchiv*bas8d historicol
research in the relatively new discipline of mobility studies. Ckjtputs kom the diHerent
research slronds will be avoiloble on an online resource which will enable the user to engage
with question5 01 identity und nahonol bdonging, while Following the transnational journeys
ond nelworks ol the mu51cion5 Qnd cornpo$er3.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

HONOURING INTERNATIONAL
MUSICIANS
RCM President, The former Prince of Wales, returned to the
College to honour some of those who have made oulstanding
contributions to music.
ID hi5 29th year as President, The Former
Prince ol Woles visiid the Royol College
ol Music lo confer honour5 on InFernalional
musicians. music Induslry prolÉssionols ond
RCM sludenls
The President enjoyed perlormonces
30me ol the College5 exceplionolly lolenled
sluden15
pianis15 Dmilrii Kalashnikov and
Viclor Maslov, who were QuÈÈn ElizobÈ1h
The Queen Moiher Rose Bowl winners in
2020 and 2022, respecliwely, as well as
Tagore Gold Medol winners violinist Chorlotte
SolusFeBridoux ond pionisl Dominic DoulTr￿.
Also os porl o11he visil. The Former Prince
ol Wales mel12year-old fvlirbs Sorni and
Mehdi Uwahemu. who have both just
groduoled from the RCM Sporks oulreoch
progromme lo loin the Rcmlunior DeFQrtmenl.
Oppo51te
The Former Prince
Iwoles presenL%
The Presidenys
Award kn 2022 to
Those who were mode a Fellow ol the Royal
College ol Mu51c Included M(O-lime Grommy
nominaled ￿XophOn151 Amy Dic&on,
composer Anno M&rè4iih MBE,. loundÈr ol
the Purcell Quarrel. Richaid Booihby,. violinisl
ond RCM professor Gobrielle lesler, who has
led orchestras lor recordings ol numerous film
ond television 5core5 including Horry Pottei
lord ol Ihe Ring5 and tbcloi Who", and
Thomas Trollér, Résident Oigtsnisl 01
Birminghom Symphony Hall and a recent
recipient ol the Queen s IJEdal lor Music.
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
21

SHAPING BRIGHT FUTURES
The Royal College of Music's Creative Careers Centre is recognised
inlernalionally for ils innovative oppr¢)ach to supporting young
musicions and paving the way to o successful career in music.
The RCM Is a world leader In CaT*T
dèvolopménl lor musicions tsnd our groduoles
are highly sought by a diverse range ol
employers. An impressive 86% 01 RCM
roduole5 From our 201 8-1 g cohort were io
employmenl or further study 15 month5 ofter
gradualing, al a challenging Iitne In the ar15
5Èclor, 05 were 94-1 00% during Ihe la51 live
ye(]rs ol the suNeying period
The Prolessionol Enga9emen15 Service
resumed busine55 in September 2021 hiring
musicions lor poid FErlormonce work. It
Inlrauced a new orcheslral inilialive, the
RCMS Prince Consorl R￿d OrchÈslro. ond
provided 31 J opporlunilies lor musicians lo
perform al venues including Kensington
Poloce, the Rryol Alberl Holl, Codogon Holl
ond The Ritz, eorning them over £180,000.
During the wndemic 1h& Centre adopl&d lo
oFFer o series ol career events online as well
as the Online Teaching Service, which
ottrocled clienls from the UK, the US and
lopon. More Ihon go leoching opporlunilies
lor 51udenls and graduate5 were created by
tho1 sèivicè combinèd wi1h Ihe re-opèned
in-person Te(]ching SeNice.
The Cenlre conlinua lo develop
exciling Funding schèmes." RCM Accelerolè
and the RCM Musicians Granl Fund. RCM
Accelerate supwrted seven groduoling
sluden15 with gronl funding ol up lo £5,030
eoch ond menloring lo develop o creolive
PTojecl, social enlerpr15e or business idea
The RCM Musicions, Granl Fund, tsvailtsble
lo linaltyear sludenls, provided 22 awords
lololling olmosl £30.CH30 In Financial
OSS151once l(yNords the purch05e ol
In51rumen15 ond lechnicol equipment.
Opposite
An RCM horn player
rehearses in the
Concert Hall
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
23

*•

GLOBAL ALUMNI COMMUNITY
The Royal College of Music is immensely proud of it5 community
of alumni from 87 countrie5 who are some of our finest global
ambassadors. Our world-.de ne￿Ork now slands at 20,655 alumni.
Mony ol our alumni mainloin close conltscl
wilh rhe College, some coming lo give
moslerclasses or lo leach. Former Maslers
51udenl in Composition lor Screen Kale Simko
hos returned 05 o prolessor, conduclor
Thom05 Blunl os o leocher cooching
P051gradualè OFÈra singÈr5, and Neil luck
lo lun on experimenlol music modulé.
Several 9roduole5 hove also been
Interviewed lor our olumni Iinkedln group,
Including violin 5cholaT Charlome Smith who
look over os Ihe new ediloi ol S8C Music
MJ9ozine in january 2022.
Our former students conlinue lo have
enormous succes5 prole55ionally, and in
competitions oround Ihe world.
Moll Glendening was oppJini& princiwl
clarinettisl wilh the Orchestra ol the Royal
Opero House and violinisl Roberlo Rui51
the orchestra leoder ol SiDlonia Cymru.
Composer Andrew Chen w05 Inviled lo
become a 2021-2? Royal Philharmoni
Soci*W Comwser, while loura Ayoub
composwj music lor the Nerflix series
Finding Olo.
Groduoles From our Comp05ilion lor Scr*n
course have a150 enio¥a signilicanl succe55
Mickey Dol& w*nl 10 los Angeles lo ￿tsMe
the assislanl lo American composer
Christopher Tin lalso an RCM olumnusl, and
Doniel Chonl-Burgess wotkd os 0551slanl lo
the Brilish cotnp05er Polrick Doyle.
Mony alumni pÈiloimed Jl IhÈ 2022
BBC Proms. including pianist and former
Benjomin Britten Piano Fellow Pawel
KolesDikov who performed p￿Ch 5 Gold&erg
VoiiLIIIon5 ond soprono Iou15e Alder os o
soloisl in Boch s Si M(i#hew P0551on, while
compo5Èr Chtsilolle Brtsy3 Wheie Itebeigs
Dtsnce Awtsy received Ils UK premier
Our olumni hove also won mony oward5.
Doni Howord won the pre511glOU5 Royol
Philharmonic S)ciety lorgfrscgle Compo5111o
Award lor her Trombone Concèrto. wrillÈn lor
the Royal liverpool Philhormonic and soloist
Peler Moore, and mezztrsoprono Esme
Bronwen-smiih won Fir51 Prize al the 2022
Koihleen Ferrier Aword3 ond ho3 since gone
on lo work with English Touring Opero
RCM olumni had luiiher success ol Ihe
2022 Rwal Cknr-seos league cOm￿lI110n
George Todica won the Kwknord Prize
and guilori51lock Honcher was the First Prize
ond Gold Medol winner.
Opposite
E5me Bronwen.
Smith ctynpetes
in Ik hnts15 OF
the Kdhleen
FerrierAwad5.
OCC¢Hnpanied
by Cu￿nI
5kndentAvi5hka
Edirisinghe.
owonthe
Help MUS￿l￿n$
Act¢)mponi5t Prize
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
25

SUPPORTING TALENT
The Royal College of Music remains committed to it5 kunding principle
that those with talent should have ihe opportunity to study with us,
regardless OF their means.
The RCM Scholarships Fund *nobles 9ilied
young music students from all over rhe world
and oll backgrounds lo acce55 luilion from the
besl prolessor5, enjoy unrivolled locilihes and
toke odvonlo9e ol the exceplionol
oppJrlunilie5 ollered by the College
Thanks lo the generosity ol rhe RCM
community, a record £131,830 was roised
ft)r Ihe Scholorships Fund In Ihe 2021 Big
Give Chri51m05 Chollenge
The RCMS Equity. DivÈr51ty Inclu510n
Malching Fund lor Scholaiships and
Bursaries, eslabli5hed in 2021 W Vicloria,
lody Roby OBE HonRCM, has doubled
ft)r the 2022/23 ocodetnic yeor. Thonk5 10
hvo new gift5 (rom lody Robey ond the VicFor
thhdaléh Foundation, IhÈ College now oim5
lo raise £2CK),O(X] W the end 012022.
Our scholars hove hod onoiher succe5slul
y￿[ In comFelilion5 Qnd os Ihw emN)rk on
coreers Boiilone Dowd Allen IDr thill
Schwarlz Scholor suppoiled by the Cuihberl
Smiih Scholarshipl joins Welsh Nalional
Opero as an associate arlisl, while lenor
Hugo Brady Ivictor and lillion HcLhhou5er
Scholorl mode hi5 solo debut ol the Borbicon.
Violinisijulia Blochula IHMD Mepr Violin
Prize Holder) and clarirbettisl Mebrakh
Haughion-lohnson IRCM Scholarl were both
owardÈd 2022 Royal Philharmonic ScÉiety
lulius Isserlis Scholarships, ond Mebrokh 0150
performed with the Chineke! Orchestra on
lour ol the louis Vuitron Men 5 loshion Show
Opp05ile
Rianna Henriq
Ivittor Dghdgleh
F￿ndatiOn khdarl
performs with the RCM
Swpho￿orcheStrQ
Cellist Shizuku Talsuno INord Angli
Education Scholarl joined Glyndeknurnes Pil
Perfect scheme, and Ilautisl and soxophonist
Rionno Henriques (Viclor Dohdoleh
Foundolion Scholorl ployed with the Nolionol
Youth ltszz OTchÈslrJ ond ol Ronnie Scotts.
Pianisl Mykyla Burzanilso Imilslein Medal
Award Holder supwrled by the Gordon
Calwoi Stone Scholor5hip and IDlernolioDal
SKJdenfs House) won the Inlercollegiole
Beethoven Prize, morking rhe third ygJr
running Ihol on RCM 51udènl h05 won th15
compelilion. Fellow pianisl RiÈko Makil
INoswod Chority Award Holderl w05
5eleded as piano Fellow lor the Philharrnonia
WASF In51rumenlol Fellow3hip Pro3romme.
Composition kholoi SomuÉl loveless Isouih
Square Trust Award Holderl meanwhile joined
the Erasmus+ programme ol the Royal
Consewaloire in Hogue, and conduclor john
Poul jennings Uomes Horner Scholor
supported by the Robeil Anderson Trust
Re51dÈnliol kho1015hipl mode his dÉbul wilh
Green Opero al Grimeborrb.
l am exlremely grat•ful to have b•en a scholar at the RCM.
The support of my donors made it possible for me lo develop as
a perfornier and r￿e1ve the incredible edu¢otion on offer.
DoF/&J Allen, Dr Martin schwartz 5chdar suppor& by the Cuihberl Smith schcla￿hIP
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
27

kl

WIDENING ACCESS.
RCMJUNIOR DEPARTMENT
The Royal College of Music Junior Deportment IRCMJDI offers training
at the highest level to young students aged 8 to 18, combinin9
individual lessons with chamber music, musicianship, and orchestral
and choral training.
The RCMJD is coMmi￿d lo nurlurin9 Ihe nexl
Worldf1055 musicions including To5min
generalion ol mu51c sludenls (rom a diverse
Little, Ken Burlon and Riot En￿rnble I
ronge ol bockgiounds tsnd lo ensuring Ihey
most*rclo￿É$, ond several sludenls perlormed
are not prevented Irom allending through
lor The former Printr ol Woles on his visil lo
financial hardship This year, over £200,OCD the College.
ol bursory supporl w05 ollc£oled lo lomilies
mo31 In nee
RCMID students continue lo dominole the UK
youth orcheslr05, winning o [￿ord number ol
28 places in the Nalional Youth OTcheslra,
Including lÉador Gobriollo BovÈ11o wha lokes
up a scholarship al Ihe RGVI in autumn 2022
More RCMID 51uden15 than ever reached the
colegory finals ol the BBC Young Mu5icion ol
the Yeor competition, Including the winner
Jordan Ashman
The RCMID actively reaches out lo and
recrui15 a diverse ran9e ol sluden15 and ha5
lormed wrlnerships with orgon1501ions Ihol
shore the some commilmenl, such os
Nucleo and Fuluie Talent All 51X 51uden15
on our Inougurol Fuluré Tolènl Tronsi1ions
programme continued Iheir studies al Ihe
Opwsite
The RCNVD Sympknny
Orchestro, conductttj by
Jwue5 Cohen, pe&rm5
atCado9an Hall
Being a wrl ol RCMID is o Iron51ormalive
Éxperience and aboul 70% 01 our sludenls
go on lo sludy music, with many ol Ihem
being oHered scholar5hip5 lo continue al
the senior RCM.
Thi5 year, our pupi15 perloim& In pre51igious
venues including lh& Rcwl Alberl Holl.
Souihthnk Cenlre, Cadogan Hall and
Wigrnore Hall. They were involved in more
thon I l O concerts 05 well os in o semi-
51o9ed perlormgnce ol Purcell s Dido ond
Aene05 Theie were a150 more than 400 5010
ond chambÈi pérlormonce opporluniliÈs. ond
we received over 200 enlries lo competitions
oFFering students the chonce lo work with
prole55ionoI occomp)ni51s.
RCWllD in September 2022.
From the very beginning of journey at RCMJD. I knew that it was
the plate I wanted kn be,. everyone wos so wel¢oming, and the level of
musicality overwhelmed me, motivating me to work harder than I had
ever done so before. Mosl importantly for me, RCMJD has helped me
achieve my biggest goals in life, as l ¢ontinue to pursue my musi¢al Career
a5 a violist with a full scholarship at the Royal College of Mus1C.
Rc<io Orlega Lgxz, Iirstrywr Unde￿raduate IABRSM Schohrl und RCWD dum
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
29

J.j-"j

WIDENING ACCESS. RCM SPARKS
RCM Sparks is the College's accessible learning and participation
programme, designed to engage young children in schools and the
local community where supporl is needed most.
RCM Sparks workshop5 oHer in5piralional
1g)rning experiences lo oll, regordIe￿ ol
linonc ol meons, wilh Iree or 5ub5id15ed
places ovailoble lor children lond thèir
'Gel Sel Play, held summer workshops in
some ol the mosl deprived ore05 01 the
Tri-Boiough, cultninaling in a 5howca5e al the
RCM. Troining wos also given lo IEYF sociol
enterprise nurseries lo supwrl Iheir music
leaching though the innowalive Musical
Future5 progromme, with funding provided by
the RCM3 Knowledge Exchonge Scheme.
RCM Sporks olso worked closèly wilh
Ihe RCM Museum lor Ihe Explorers and
Springboard music-making courses, ond
ol(ered occe35ible workshops ol the le51ivol ol
Percu53ion, the Conducting Feslivol, Fe51ivAII
and Ihe Gieal Exhibition Rwd Feslival
Opposite
An RCM Sporks
with an RCM mu51titsn
the 2022 Fe5hval
ol P&rcussion
The progrotnme is de5ign&4 by RCM sloFF
ond 5UPP)rted W sluden15 ond groduole5,
118 01 whom [￿e1Ved training and work
plocemenls Ihis yeor.
After rhe challenges ol online learning there
wos a return lo loce-lo-loce oclivity from
Seplember 20? I, ond RCM Spork5 hos
work& c105ely again with the Tri-Borough
Music Hub 10 bring live musicol aclivilies I
schools and lamilies in rhe london boroughs
ol Weslmin51er, Hammersmith & Fulham and
Kensinglon & Chelsea.
SchoJ15 Qlso returned lo the Colle9e lor
lunchiime concer15, gamelan worLhops and
créolive workshops. ond lo visil Ihe Mus&um
The prtrschool, eorly year5 'Mini Spark5,
progromme engoged with lomilie5 in the
surrounding Wrou9h5 on o weekly bJsi5, ond
led by RCM SFKJrks, rhe acclaimed 'Turtle
Song, singing and songwriting programme lor
people with Alzheimer5 or demenlio and Iheir
corer5 relurned, brin9lng the loy ol music lo
Ihe htnilie5 look parl
I've taken part in quite a few RCM Sparks pro1￿t5, and all
of them were really important for my development. It's o safe
environment for me to practise my leadership skills and l always
feel supported by the Sporks teum ond the workshop leoders.
RCM Sparks has made me realise I wani to do more creative
education and community work once I graduate.
RCM Sporks S￿dent Menlor
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?

LEGACIES
Legacy gifts, large or small, Iran5krm the live5 of young musicians.
They allow us to invest in the future, ensuring we provide world-class
opporlunilies For the mosl lalented musicians.
Thonks lo the exlraordinory generosity ol our
legolor3 we received gl .5 million In legocy
Income this y&]r. We are giotelul lo oll who
supporl the RCM in this meoninglul woy.
Gifts in Wi115 accounl lor on overage a third
ol the Colleges lolol lundroising eHorl5.
One in three scholor5 IS 51u(tying ol the RCM
lo gills in Vli115 and 91ft5 In metnory
ol o loved one.
Thi5 year, £070,000 in reoli5ed legocy gift5
W05 direcid lo the Scholorships Fund, with
over g I million awaded In 5cholaT5hips by
92 donors who lÈli gills in Wills or namèd
scholorship in memory ol a lovwj one.
Two EEquesls from Gerald Chorle5 Webster
ond jill Anderson helFEd u5 complele our
building deJelopmenl a5 parl ol the Mor¢
Music Compoign. RCM swces will
named in Iheir honour lo recognise Iheir
incredible conlribuliorhs lo the College.
A bequest from Sylvio G. Dou9hiry ond her
husknnd John Daughiiy will endow
scholarship in F*rFeluity lo ènrich young lives
lor generolions lo come, ensuring the couple's
love ol music live5 On.
Opposite
Cellist Maxim Coknr,
Her￿rt H(wd15
& Thom￿5 Fi￿dern
Scholor, p8rlLYms
al o lunch evenl
for RCM Legtsty
Ern5emb￿ mem￿r5
The RCM I￿acY Ensemble recognises
5upporler5 who hove pledged o gih in
their Will ond hos 9rown Qgoin Fo 186,
wilh 19 new pl&ger5 ioining Ihi5 year In
Februory, mole Ihon 60 m*M￿r$ all&nd*d o
lunch wilh perlormances from sludenls whose
Scholarships are lunded by legacy giving.
l can't say enough good things about the RCM. The outstandingi friendly
team give it o very personal tou¢h. l am delighted io be pledging 0 gift in
my Will, and am very proud to be part of this wonderful institution.
Eliz0￿￿h Blockmun. RCM Friend who hos pledg8d o legQCy twords RCM khdgrships Fund
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
33

OUR GENEROUS SUPPORTERS
Thanks to generous philonthropic support, the Royal College OF Music
has roised olmost £43 million towards the More Music.. Reimagining ihe
Royol College of Music Compoign, exceeding its torget OF £40 million.
The Compaign ha5 5u¢cesslully raised &25
It has an exciling year lor the RCM.
Our Sjuih Kènsinglon compus hos been
over £ I I million in endc>wed scholarships,
Irarbslormed by the More Music Camyjign
£4 million lo promole innovalion and
and we are delightèd Ihal our new 51oleel-
2 million fo widen occe55 Ihrough
Iheort perlormonce 5wces, Colé ond Museum
RCM Spork5 ond the junior De￿[￿ment.
ore now open. Philonihrow en3ure5 Ihol
We ore delighied Ihol our lirsl Summer
¢la551cal mu51c continues lo thrive and Ihal our
Fèslivol héld In july 2022 roisÉA &2CK).000
talented sludenls con lullil their pjlenliol a5
lo mark the final chapter ol Ihe Camwign
lulure wrlormers. educators ond researchers.
During 2021 /22, more than I,CQO
From becoming an RCM Friend lo leaving o
supporters donoled lo the RCM, demonstrating gift In your Will, every contribution truly mokes
the for"reoching Imwcl ol the College s work.
o dimerence, e3pEciglly during chollengln9
In 2021 /22, the RCM received maw
litne5. We are very gralelul lo all tnember5
signiliconl donations lo help secure the lulure
ol our wide ltsmily ol suppjrlèrs lor Iheii ro
ol excellence in music. We wish lo recognise
in helping lo secure the lulure ol music and
the 9enerous sUPPOrt ol the Eslole ollohn &
enabling us lo be the global lop performing
Sylvio Dou9hiry, the EsFgle ol &rold WebsFer,
Ihe Croucher Hong Kong chall￿ble TIu51,
ThÈ INollson Foundalion, The Garlield
INeslon Foundation, our senior wolunleers.
and all our loyol supporlers who hove made
the Compoign o resounding success.
Opposite
An RCMvidinis1
rehearses with the
RCM philharmonit in
the Amarylli5 Fleming
Concert Hull
Lily Horriss HonRCM
Director ol Development
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
3$

Opposite
An RCM postgraduate
conducbr reheorses with the
RCM Symphony Orchest
MORE MUSIC CAMPAIGN. THE FINALE
Campaign Success
Supporting the most
talented through
èndowed Scholarships:
£10 million target.
£11 million raised
Promoting innovati¢)n:
£3 million taryet,
£4.3 million raised
Klening access:
£2 million turyet,
£2.2 million raised
Strenwhen our facilitie5: building development
Tqrgetr.
£25 millign
"" 75%"-""
11
. 50%"-""'
11
"" 25%"-""
ttittttlDiOiQttttit
STRENGTHEN OUR FACILITIES
Total Yalsed:
£25 million
R•moindor
ROYAL CQLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
37

2021 /2022 IN NUMBERS
OVER
STUDENTS OF
55
TOTAL SUPPORTERS
NATIONALITIE
AWARDED
SCHOLARSHIPS
knE',11
Th.3￿ J £6M
IN SCHOLARSHIP
AND AWARDS
IN PHILANTHROPIC
SUPPORT RAISED
11
a8 The co51olloThuihun Dtsw's Flighion sluy in thé Bri￿￿ Th*u￿.J￿IY 2022

52%
39.2K
OF STUDENTS RECEIVEDS
FINANCIAL SUPPORT
DURING THEIR STUDIES
, S SUBSCRIBERS
TO THE RCM
YOUTUBE CHANNEL
ures
OVE
£1.5M , 267(
RECEIVED FROM
GIFTS IN WILLS
TICKETS SOLD
TO IN-PERSON
PERFORMANCES
ROYAL COLLEGE OF MUSIC / INNUAI REVIEW 2021/?02?
39

THANK YOU TO OUR SUPPORTERS
Music hos the ptswer lo tronsform lives. Your generosity enobles us lo reach ond nurtu￿ gifted
students so they can become leading mv5icions of the next generation, ond con contribute fully to
the worl&4ide musical commvnity, our society and economy. We would like to thunk all those listed
below, as well as those who wish lo ￿Main ononymous, who hove generously supported the RCM
be￿en l Augustr 2021 and 31 July 2022.
We would also like tro thank members ol the RCM Legacy En5ernble who hove so thoughthjlly
pledged a gift to the RCM in their Will.
MORI MV51C FQUNDING PATrQNS
The Esta￿ ofr￿ge Frgjeiick Burgan
The E510￿ ol Basil Colemgn
Th9 C1￿cher Hon9 Ktsn9 Choiiloblè Tiusi
The Esta￿ olCh(15yher CBE
HonDMus
Kin9dom Wsic EdL¢Q11￿ Group
Sandro & Reno Lavery HonRCM
F￿r910nd Fiwndotio
Ql*l & Ap915
The Ra loundolion & The 619 Gi
Sir sieg￿u￿d sitdunlury SethE￿Ent
b & Soroh Wi9ley
Henry Accomrnodothon Trus1
TheWor5hiplul Compary ol Musicians
Vicloriu. lody RobryOBE HonRCM
Thè Es101o ol Emmo Rose
MAJOR SUPPORIEIES
d 1851
lonie Aroro
Th9 NolionAI Hèiifo9o FDnd
oHi4 RichJid5 HonROvl &Volerie Richoids
ThE E510￿ ol Neville Woihen
Ru1h wp.st HonRCWi& 1he lale Di Mi¢h091W¢$1
tsoil eld woe51c￿ Foundalion
ThE Wollson Foundolion
Dasho SFenkmon OBE HonRCM
The E51ole ol Gergld Churle5 ￿ekn￿r
Thè Esla1o ol Nancy Ann Woll*ig
The Es￿le & Annabel Buchon MBE
Trevic￿r Duhd0￿h FcAJDthiion
E B M CthiifoblèTiusl
PRINCIPAL SUPPORTERS
Huowei TechnolcEie5 IUKI
Tho Esfolè CF K&nnÈih Vlgnès FRCM
LEADERSHIP SUPPORTERS
lone BGrker CBE FRCM
Blvthnèi PIOWS
Jone Avery In memry ol RobertAvery
C. Eech51eiTh hudorlElobrik AG
Michaèl & DoiD1hy Needloy
Nord Anglia Educolic
The loÈ Dr Murlin khworlz
Anfon Tasker
Pe￿1 & Annette Do
The Tr￿Fer5 Co￿F￿nY
Thè FishmDn9è19' CoMpJny
Marhn FioeThkel
Philipcoine MBE HonROM & Qhiisthn9 Coine
Eiedith & Den15 Coleman
Th9 Estolè alTh¢ymog Coiiièll
The Esta￿ ollohn & Marioriecoultthe
ThE olloTrlyD Cru
Th9 Estolè ollohn & 5ylviO D)u9h
The Esta￿ ol D
ThE Foe FouTr4glion
The Esfolè alAIWn F1051
G & K knye5 Chariloble Trust
ThE Harry & fyllo Gavnn CharilDblE Tw51
HEFCE
linda Hill HcnRCM & Tory Hill
ThE Victor & lilion H￿bhoUser FoundoliDll
HSH Heidi Princess Hohenzollèrn H￿RCm
Sara Ne150n Horner
The Humphiw Richold￿n Talor ChDiiPable Tru
ComMunity￿m￿l
J Poul GetylrChoiifobl*TIu51
WPPQRTERS
The Aldoma Foundalic
Rcberl ArdersDll
The Rowil Anderson Tr￿51
Dr linda Bee
MJrio Blorn>￿ MErnoiioI Fund
BoJ9
Tim Ashlty&lohn Booth
The Es￿le 4 Kgiherine BuilDn
c0th￿In& Cloike
Noel CoV￿ard Foundalion
Dione tbvie5
Dibl*
TheGilkert& Eileen Edgar Fc￿nd0hoTh
The HeodleyTnJs1
Hèss & rhè lot*Tony He
The E51ale of Ireja Kcgan(witch
Rosemary Milloi HODRCM & Richa￿ Milloi
John Nick3Dn 8 S.,
Pio IvlJ51co Itd
ieopold de RothKhiW 1959 Choll￿ble Tr￿4
PoloDd S0￿M
Thè Es101o ol HumFlr4 CBE FRCM
Aiehea Slow &leremy Furni&5
The Pe￿r SJwerW FcxJndDIIo
n &h￿ri&l Tè9nÈi
Foye Hamil￿n &lohn Sknrt
The HEdley FcAJndulio
HSH Di Princo DDnoiw von HoMnzollein
ThE E510￿ olwilliorn fvEuliD95
s Iwette Tion9
The wnour￿b1e &ciEty d Phe Knigh15 01 IhE
The Polon5ky Fcundotion
The E51ale of Gwenelh Uiquhart
The kknJ3￿n Fafflily
40
ROYAL COLLEGE OF MUSIC I ANNUAi REWEW 2021/?02?

511 G￿g& ￿cOb￿￿￿ CBE & Icdy lucoWsc
D(Nidlame3
Richod & &J5OnJorvi5
Tho Est0￿ ol Ro￿ly￿ knn Clifton Pathèi
Cock(ryne-GioDts kr IFe Art5 ond Ihe london
Comniunity Foundolio
GJrdon & Pènny Coowi
The Est0￿ ol h￿rgare1 I CwFei
Sweno Crox￿￿. Iomily & Irierd5 its memory
ol Long CIoxs0
loThJthan Del Moi
Mrslano CBE FRCM
Elizabeih BaÈ&
John Be￿h
lacty Bèrgman ARCM
John 8ertalol
lord Bbck & Btrllond
Elizaboih Bhckman
JcsJnna Koye
Chrislcphor Knoal
D(Nid & Mory loing
Jomw & thworel LOn¢05￿r
Loo Abw Londc
Mr5 BrEhdo Butyo
ss Volèiig Bsrom-Tayloi
Sir Roger & lodycoir HonRCM
Chri5 Chri5ieAoulou HonRC
Daphn£ Cloik
Sir Anthonycleavei FRCM
Colih Coombs
Mr CDlin C
Mr5 Kal10 de PtyeT
Mr Poul Dul
Dr Mork Chri5lim H059J50n
UBER lourda1iQn
Lordon VVomen5 ClIDic Foundalion
In memoryelTDny lukr
ug105 8 AdelèGordner
Lady Gibb
GlI￿rtA￿h
Irino &frnon
The Hon Richord IWeltoD HODRCM &
Richard HarnilE
Pe￿r & C¥nik￿ Hor
Dr R0￿mary Moson & Mr Pallè Uhdlopsé
The E51ole d PWlli3 Horne Menzies
Sir Pe1Er & lody Middlelon FRCM
Thè H￿ord & Abby Mils1oin FoJndoho
Gre￿ Hemu5
Scoll Elk.,
lain F￿101 HoThRCM & Robèil Ro
Pete Fozord
Soroh Gibb
OIIVIQ Graham
La(b/wic￿r1Q HaTli50n
Tho Vic101 & Lilian HOchho￿&￿ Founda1ic
Hel￿rt Howells TnJ51
Clryre Hy4ond
Richod & M., ko MyJnrfoid
Noswod Choii
Royal BJroLgh ol Kensiryton &Chelsea
DJtyid & IEW15
john &lockiè Lowor
Richard bOansellfvne5
The hlerTrrs Compory
vid MildoTh
ElleD ￿loneY
Music TDlk5
Richard & Rosomory N&lson
Mr MichaÈl Hd9gS
M3 Popw Hol&n
Su5Dn Holbnd
DcNid Holohon
8ryaD Hu3bJnd
Mr5 Co1herinehmèS Ecknoids
chaèl Kadwèll
Mr Kalze
Richoid Price FRCM & Sue Pric
Mod¢ Rodmon
SENSE Fouhdoiion Bru5*15
Keiih O'NiGn5
rdon Polmar Chorilablo Trus1
KaihiirE Palrn
lindo PeEL
Pick5sg1 Pot KgTrdall-Tay4oT
Mr Nicho105 King FROVI
Mr AloHhew Knighi
Piokssor Colin Lawson CBE FRCM
John LaY4K
KehhEih & Dophne Midffttrl
LorrainQ mig11￿1n1
MI￿ lthdeleiDe m1￿hell FRSA l¢uXffjJ5
GRVA ARO
Ellon Molon
Avril Nelwn GRSM ARCM &MrGrahJm
FeDrnhead
Mr Granl NÉwman & Mi Navillo Mctbno¥h
Mr John Nick30n & Mi Sirnon
PeneloFE. La￿ Sithell
Peter & D,"
Richord hicE FRCM8 Sue ￿1
51èinway & son
Jon15 ￿35￿1nd 08E HonRCM
Be1y & 1￿ lore Rober1 &Jiherlond
ChiiOoFhei & Anne ￿ul
R05ernaryToy4
The RO￿rI TurAbull Piono Fourdo1i
Rhoddy Volom￿Tr FRad
Anne VVad&woth 08E & B, wadsvrf￿th
Pelei Stoirs TnJ5t
Sud&￿l￿h loundali¢
lunis 5usskind OBE H￿R£m
an Szymon5ki
511 Po1or & Lady Woligrs
Carolyn Word &GJiryWaM5 IOBE
Sir Guy HonROLI
JD5oFWèinborgèi Itd
Jill 8 Michael We3Mro(A
Humphr4 Noiling￿ OBE FRCM
Terry& Iblerie CEboiDe
Mr5 &Je PudiloDFs￿PhenS
Damglano1 RittèimoTh DBE HontKwkns
Vicloiia, l(Ay RobeyOBE HonROIA
Mr5 HiWo Swr
Kyra Schottonst&in
Iou15a Tregei
Th8 William Wo11Dn & lo Nbrtallo Trus1
jill & Michoel
Qwnlin & sarah Williams
CORE CONIRIBLITORS
The AbiniJ-
Hommei Aword
Rowil Andof50n
The Ats￿r Foundalion
Soroh & Siephen Btsxpei
JDhn & Halina Bgnnort
s￿FIan & NilulerVoD B13moick
lord Bbck 8 hP¢rk ￿lI0nd
Mr Williom & MrsI4leiiè Sth¢kl
Burbura Simmonds
s￿FIe￿ SbJaiFSmith
Su50n Siurrrtk HohRI)
Mr RoWI15uthèiland
Igssor lord Winslon & LodyWins1on
ira Wity
The Worshiplul tspony ol Cullers
Tho Worshipful cL￿pOnY o15oddlgrs
RCM iEGACY ENSEMBLE
To5ke
Palricio & Thomp￿
Caroline VVa1115-Newport
Timothy Wilcox
Di Emma Adlord
Mi Roberic Andrews
Gary& Eleanor B1053
Peler B￿0￿3
Sir AnthOnYClea￿Er FROIA & La￿ Cl￿ver
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
41

Opposite
An RCM okne pluyer
rthetsrses in the An)uryllis
Flemin9 Concert Hall
STUDENT NUMBERS
International
Home
365
475
138.3%)
149.8%1
111.9%)
Male
Female
448
147.0%)
502
152.7%)
Other
10.3%1
Postgraduate
Underyraduate
478
145.0°Al
150.2%)
Doctoral
46
14.8%1
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
43

Opposite
A chamber ensemble ol
RCM musicians perkrms
in the new 5tale-ofvthe.art
Perkbrmgncp Holl
FINANCES
In 202112022, the College made a deficit kr the year of £2 million. A￿r
adjusting to remove the impact of gains and losses and of changes lo pension
provisions, the underlying surplus was £3.1 million. In ihe previous year there
was an underlying surplus OF £1 .8 million.
2021122
2020121
Re￿rted Idelicitrl/surplu5 lor the year
12.01
Remove losse5/lgainsl on investments ond disposals
16.61
Retnove chon9e5 tro FEnSlQn prwi510n5
10.31
Under￿1￿9 Su￿1V5 bekre guins und1055es
ROYAL COLLIGE OF MUSIC I ANNUAI REVIEW 2021/?02?
45

COUNCIL AND DIRECTORATE
Pglron
The late (￿￿8
Coun¢il ex-offi<io gnd ele¢ted members
Prole550r Colin Iow50n CBE FRCM (Direclor
Kwin Porter HonRCM IDeputy Direcloil
Prole550r Vane￿0 Lalorche FRCM Iierrn Complet￿lU1V 20221
Professor Natasha Io9es HODRCM [r￿19￿ed FebrL4]ry 20221
Dr Ingrid Pear5e￿ HonROW loppoinlEA Morch 20221
Ann Somerville HonRCM lappoinlEA Augu5120211
Louro WilliaM￿n Isiudenls Union President. term
¢ompleledluly 20?21
Tymon Zgorzelski IS1udenls' Union Presidenl. elected
Augu51 ?0221
Presidenl
The Former Prince olwales
WictrPrÈsidents
The M051 ReA ond Ri Hon Ihe Lord Archbishop ol Conlerbury
The Mosi Revd ond Ri Hon Ihe Lord Archbishop ol York
The Rl Hon the lord Moyor ol bndon
Sir Anthony Cleovcr FRCM
Lody Middleton FRCM
Humphrw Noriington OBE FRCM
Ek]melanel RIMermn DBE Hontmus
Sir lan Sioutsker CBE FRI￿1
Professor Lord Winston ol Hammersmiih FRCM
Clerk to th8 COU￿11
Chorlome thilin HonRGII lunlil Augus120221
Sardra D'sjvza lappoinlEA Oclober 20221
Direclornte
Direclor Piolessor Colin lowson CBE FRCM Ichoir
Deputy Dire¢lor Kevin Poilei HonRCM IDeputy Choir)
Arh51ic tJ¢¢tor Stephenlohn5 FRCM
Director ol Communication5 T(Jlio Hull HonRCM
Direclor ol Development I ly Hal'l￿ HonRCM
Director ol Eslctte5 Aldo Beihomovic HonROvl
Director ol Finance Rochel Harris
Direclor ol Pwrurnmes Di Diana Solozor
Council independent members
The Pte5idenl
lord BloKk d 8¢ntwod Ichgiimgnl
lonc Barker CBE FRCM lfvpuw Choirrnanl
Iierm complet& july 20221
Coiherine Clarke lTreputy Chairmanl
I￿PUty Chairman from August 20221
&grone&s Fleet CBE
juglos GordrEr
Richord G>Jldin9 loppoinled C¢iokei 20211
Sir Geoi9e ltscobescu CBE
Ruih Keottch
John Nick50n Iierrn compleled july 20221
lornie NiokuQoGdwin
Andieol Ratcliffe
GeoFFrey Richaids HonRCM
Sir Guy Vleslon HonRCM
lomes Willioms
46
ROYAL COLLEGE OF MUSIC I ANNUAI REVIEW 202112022

88 HERITAGE
FUND
Phol(b crfjditii
Chri5 Chrithulou Iwge5 14, 1(k12, 18-22, NJ, 34-441,
Koihle8n F￿n￿rAwa￿S (pag8 241..
N¢bin Kl¢h¢rj¢h Iw99 81..
John Mitchdl Iwge 281,
Harry Ps•f￿diS 16. 3210
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OY AL
COLLEG
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Princ8 Consort knad
Lon&n Svn 2BS
United Kingdom
+4410120 7591 4300
r<m.oc.uk
www.r(m.ac.uk
/royalcollegeDknusic
RCMLond¢
RCMLonkn Yo4D
@RCMLondon
RCMLond(
.'bo.com/RCMiondon
Presidenl ktmer Prin￿ ofWole5
Chairman Black d Brenh
Dire¢lor Professor Colin Ltswson
CBE, MAllknnl, MA. PhD. Dmus. FRCW FRNCM. FLCM, HonRAM
The Royal College olmusic is u regis￿red charity- ND 309268
Reglstefed
UNDRAISING
REGUL4TOR
Prift& byDo￿l￿ Wss on FSU<erhfid pow.

Royal College of Music Annual Review and Financial Statements 2021/22 


1 



## Front cover 

Black drapes hung at the entrance to the Royal College of Music to mourn the passing of our Patron, Her Majesty Queen Elizabeth II. Photo: Chris Christodoulou 

2 



## Patron 

The late Queen 

## President 

The former Prince of Wales KG KT GCB OM AK QSO PC ADC 

## Vice-Presidents 

The Most Revd and Rt Hon the Lord Archbishop of Canterbury The Most Revd and Rt Hon the Lord Archbishop of York The Rt Hon the Lord Mayor of London Sir Anthony Cleaver FRCM Lady Middleton FRCM Humphrey Norrington OBE FRCM Dame Janet Ritterman DBE HonDMus Sir Ian Stoutzker CBE FRCM Professor Lord Winston of Hammersmith FRCM 

## Council independent members 

The President Lord Black of Brentwood (Chairman) Jane Barker CBE FRCM (Deputy Chairman) Catherine Clarke (Deputy Chairman) Peter Dart Baroness Fleet CBE Douglas Gardner Richard Goulding Sir George Iacobescu CBE Ruth Keattch John Nickson Jamie Njoku-Goodwin Andrew Ratcliffe Geoffrey Richards HonRCM Sir Guy Weston HonRCM James Williams 

[term completed July 2022] [Deputy Chairman from August 2022] 

[appointed October 2021] 

[term completed July 2022] 

## Council ex-officio and elected members 

Professor Colin Lawson CBE FRCM (Director) Kevin Porter HonRCM (Deputy Director) Professor Vanessa Latarche FRCM Professor Natasha Loges HonRCM Dr Ingrid Pearson HonRCM Ann Somerville HonRCM Laura Williamson Tymon Zgorzelski 

[term completed July 2022] [resigned February 2022] [appointed March 2022] [appointed August 2021] [Students’ Union:  term completed July 2022] [Students’ Union: elected August 2022] 

3 



## Clerk to the Council 

Charlotte Martin HonRCM Sandra D’Souza 

[resigned August 2022] [appointed October 2022] 

Finance and General Purposes Committee 

Jane Barker CBE (Chairman) Lord Black of Brentwood Douglas Gardner Richard Goulding Ruth Keattch Professor Colin Lawson CBE FRCM ( _ex officio_ ) 

[term completed July 2022] 

Audit Committee 

Andrew Ratcliffe (Chairman) Catherine Clarke Joanna Matthews Dr Paula Walter James Williams 

[appointed February 2022] 

Registered Office Royal College of Music Prince Consort Road London SW7 2BS 

Auditors BDO LLP UK 2nd Floor, 2 City Place, Beehive Ring Road Gatwick West Sussex RH6 0PA 

Bankers Royal Bank of Scotland PLC 36 St Andrew Square Edinburgh EH2 2YB 

Solicitors Boodle Hatfield LLP 240 Blackfriars Road London SE1 8NW 

4 



## CONTENTS 

Chairman’s message ................................................................................................................................................................................. 6 Director’s report ......................................................................................................................................................................................... 7 Annual review Financial review ................................................................................................................................................................................ 8 Progress of RCM Strategic Plan 2017 to 2027 ....................................................................................................................... 12 Inspirational programmes ........................................................................................................................................................... 14 Musical performance .................................................................................................................................................................... 16 Celebrating success ....................................................................................................................................................................... 17 Learning for all ................................................................................................................................................................................ 19 Employability ................................................................................................................................................................................... 21 Philanthropic Support................................................................................................................................................................... 22 Fund-raising Regulation .............................................................................................................................................................. 23 Equality, diversity & inclusion .....................................................................................................................................................24 Value for Money ............................................................................................................................................................................. 25 Environmental Impact .................................................................................................................................................................. 26 Estates ............................................................................................................................................................................................... 27 Financial statements Corporate governance and responsibilities of the Council ............................................................................................... 28 Independent auditor’s report to the Council of the Royal College of Music ............................................................... 32 Statement of principal accounting policies ............................................................................................................................ 36 Consolidated and RCM statement of comprehensive income ........................................................................................42 Consolidated and RCM statement of changes in reserves ...............................................................................................43 Consolidated and RCM balance sheet ....................................................................................................................................44 Consolidated cash flow ...............................................................................................................................................................45 Notes to the accounts ..................................................................................................................................................................46 

5 



## CHAIRMAN’S MESSAGE 


The Royal College of Music is one of the world’s leading conservatoires where innovation and 140 years of tradition collide in an environment that is truly inspirational for our students, staff and visitors alike. 

Our students are amongst the most talented musicians in the world and, in accordance with our founding principles, we support the very best students from the UK, EU and beyond with scholarships whatever their financial means. This year we awarded over £4million in scholarships and bursaries, made possible through donations from our incredibly generous supporters. 

In December 2021 it was a proud moment for all of us when our President, The former Prince of Wales, officially opened the More Music: Reimagining the Royal College of Music development which has transformed our historic campus on Prince Consort Road. The President 

took time to say a personal thank you to many of the supporters and philanthropists, the external team, and the staff who delivered the project. The performance by talented flautist and recent graduate Amy Gillen was outstanding. 

The More Music: Reimaging the Royal College of Music campaign also reached its finale in October 2022. Over the past six years, with the unstinting help of our generous supporters, we have raised an astonishing £42.5million, substantially more than the ambitious target of £40million we set ourselves. This has been a truly transformational campaign, delivering outstanding new facilities including two new performance halls with state of the art digital technology, valuable new rehearsal and practice spaces, an interactive museum and the iconic Courtyard and social space at the heart of the College. In addition to providing these facilities for our talented students from across the world, More Music has substantially increased funds available for scholarships and bursaries, which will continue to allow the world’s finest aspiring musicians to study at RCM, regardless of their means. It has also provided funds to widen access through activities such as RCM Sparks, our pioneering educational outreach programme, and to promote innovation through new academic appointments and development of accessible digital resources. 

I would like to thank our supporters for their continued generosity which is so important in making this possible, and I am especially grateful to Geoff Richards for leading the Campaign Committee. 

I know our supporters will be delighted that this year the Royal College of Music was ranked the top institution in the world for Performing Arts in the prestigious global QS rankings. This incredible accolade is testament to the commitment and quality of the College’s staff, and to the vision and hard work of the Director Colin Lawson and his leadership team, and I would like to thank each and every one of them. 

Standing at the very top of performing arts education throughout the world brings responsibilities. We must continue to advocate for access, particularly in the UK where the crisis in music education in our schools is cause for grave concern and we need fundamental and urgent policy change. 

Finally on Council, our Deputy Chairman, Jane Barker, retired In July following a remarkable and exemplary fifteen years of service to the College. She brought invaluable strategic and financial acumen to our work, and I am delighted that she will continue in the honorary role of Vice President. We were also sorry to say goodbye to John Nickson, Vanessa Latarche, Natasha Loges and Laura Williamson and I thank them all for their enormous contribution over the years.  In turn, I am delighted to announce Catherine Clarke as the new Deputy Chairman, and we welcome new Council members Richard Goulding, Ingrid Pearson, Ann Somerville and the new Students’ Union President Tymon Zgorzelski. I am indebted to all members of Council for the wisdom, expertise and energy they bring to our work, and their commitment to the future of music. 


Lord Black of Brentwood Chairman 

6 



## DIRECTOR’S REPORT 

I am delighted and very proud that this year we have been ranked number one in the world for Performing Arts in the QS World University Rankings. This achievement is an inspiration to us to continue to innovate and strive to improve as we look constantly to the future. We take great care in preparing our talented students to thrive in the professional musical world they will graduate into, and we aspire to go further than that and equip them with the tools and the creative mindset they need to act as agents for positive change and to shape the musical world of the future. 

We encourage this creativity and the entrepreneurship of our students through new initiatives such as the RCM Innovate awards which help graduating students to launch their own business ideas, and by investing in facilities such as the new cutting-edge Digital Innovation Lab to help them develop their skills in the technologies of the future. The College’s unique Composition for Screen course and broad-reaching research activities are catalysts for the whole community to develop artistry beyond the traditional confines of classical music. 

In fact our research is sector-leading, demonstrated by the highest score amongst institutions that specialise only in music in the recentlyannounced REF results. With a new Head of Research, the recent development of the Wolfson Centre in Music and Material Culture and our newest international collaborations we continue to invest in this important area which underpins the high quality research-led teaching that we provide for all of our students. 

The former Prince of Wales returned in May for the annual President’s Visit and conferred honours to leading names in classical music, including two-time Grammy-nominated saxophonist Amy Dickson; composer Anna Meredith MBE; founder of the Purcell Quartet, Richard Boothby; violinist and RCM Professor Gabrielle Lester who has led orchestras for recordings of numerous film and television scores including Harry Potter, Lord of the Rings and Doctor Who; and Thomas Trotter, Resident Organist at Birmingham Symphony Hall and a recent recipient of the Queen’s Medal for Music. The former Prince of Wales enjoyed performances by some of RCM’s exceptionally talented students Dmitrii Kalashnikov and Victor Maslov (Queen Elizabeth The Queen Mother Rosebowl) and Charlotte Saluste-Bridoux and Dominic Doutney (Tagore Gold Medals). 

Soon after the start of the Autumn term we returned to a normal programme of concerts with full audiences, starting with two large-scale and memorable performances of Brahms Requiem. We were honoured that our orchestral programme was conducted by an amazing range of prominent musicians; we celebrated the 150[th] anniversary of Ralph Vaughan Williams, as well as a diverse programme that included film music, Mahler and Stravinsky. We worked hard to ensure that music from under-represented composers was a theme all year, including rare performances of works of composers such as Ruth Gipps, Ina Boyle and Elizabeth Maconchy, a series of concerts for International Women’s Day and at FestivALL. It was wonderful to again enjoy a full and innovative opera programme, including some creative uses of technology, concerts from the RCM Jazz Orchestra, from individual faculties, the Chamber programme and Masterclasses. 

Our progress in other aspects of Equality, Diversity and Inclusion continues apace, supported by a new network of EDI and Wellbeing Ambassadors, and this year we implemented widespread EDI updates to syllabuses, including updated repertoire requirements, more inclusive assessment design, and improved representation on listening and reading lists. 

Finally I would like to add my own heartfelt thanks to our supporters for the phenomenal success of the More Music campaign which will benefit the most talented students of music from around the globe for generations to come, and to our staff for the part they have each played in achieving the accolade of being ranked number one in the world. 


Colin Lawson CBE FRCM Director 

7 



## FINANCIAL REVIEW 

|Performance *|Liquidity and Debt|
|---|---|
|Total income: £33.1m (£28.9m)|Borrowings: £4.7m (£6.8m)|
|Deficit for the year: £(2.0)m (£8.7m surplus)|Cash and short-term investments: £8.8m (£8.9m)|
|Underlying surplus before gains and losses:|Net Cash: £4.1m (£2.1m)|
|£3.1m (£1.8m surplus)|_Net cash includes short-term investments_|
|_Underlying surplus excludes USS pension adjustments_||
|||
|Investment|Financial Strength|
|Capital Expenditure: £0.9m (£1.9m)|Net assets: £109.2m (£110.3m)|



_* Comparative data for the prior year 2020/21 is shown in brackets throughout this review_ 

The reported deficit for the year was £(2.0)m, compared to a surplus of £8.7m in 2020/21, and included £2.0m of losses on our investments, following £6.9m of gains in the previous year. These gains and losses relate primarily to investments held by the restricted Scholarships and Awards fund, and are not reflective of the underlying operations of the College. Furthermore the deficit was after a £3.1m adjustment to increase the value of the USS pension provision. 

In order to provide a comparable measure of the College’s performance we have excluded these gains and losses and the impact of the USS pension adjustment to calculate the underlying surplus. The underlying surplus for the year was £3.1m compared with £1.8m in the previous year. The improved performance was driven by higher income from tuition fees, including a 26% increase in fees from students outside the EU reflecting the College’s continued success in attracting students from around the world, and other income streams such as catering and events as activities continued to get back to normal after the COVID-19 pandemic. Operating costs also increased reflecting the higher level of activity, although the College retained good control of its staff costs. 

The largest ongoing impact of COVID-19 on the finances of the College is the loss of the annual ABRSM donation which until 2018/19 provided around £1.5m of funding for the College’s core activities: the operations of ABRSM were severely affected by COVID-19 but are now starting to recover. We expect donations from ABRSM to re-start in 2022/23, initially at a much lower level, and that it will be a few years before donations are back up to their pre-pandemic level. 

||2021/22|2020/21|
|---|---|---|
||_£m_|_£m_|
|Reported (deficit)/ surplus for the year|(2.0)|8.7|
|Remove losses/ (gains) on investments/disposals|2.0|(6.6)|
|Remove changes topensionprovisions|3.1|(0.3)|
|Underlyingsurplus beforegains and losses|3.1|1.8|



We invested £0.9m (£1.9m) in Capital Expenditure in 2021/22, including £0.3m on ICT and £0.5m on student-facing digital provision. 

## Liquidity and Debt 

Cash balances and current asset investments at 31 July 2022 were a healthy £8.8m (£8.9m). Excluding balances relating to restricted funds, this represented 114 (91) liquidity days, in line with our policy to maintain operating cash in a range of 60 to 120 days. 

8 



Borrowings of £4.7m were £2.1m lower than last year; they included £4.0m drawn on the £11m Revolving Credit Facility (RCF) and the £0.7m balance on our long term loan from RBS which will be fully repaid by 2026. Including current asset investments our overall year end net cash was £4.1m (£2.1m). The College also holds in reserve non-current investments of £7.3m (£7.4m) managed by Ruffer LLP; this “General Fund” is a short/mid-term fund established to work in coordination with RCM’s working capital requirements and capital requirements. 

## Pensions 

Our pension liabilities total £6.2m (£4.3m). These liabilities relate to the Universities Superannuation Scheme (USS) and the RCM Pension and Assurance Scheme (RCMPAS). A third scheme, the Teachers’ Pension Scheme (TPS), is also significant covering most of our teaching staff. Each of these schemes is accounted and reported differently in the financial statements, reflecting their different nature. 

USS is a multi-employer scheme where the assets and liabilities are pooled and the College’s share cannot be separately identified; instead we account for liabilities arising under the scheme’s deficit recovery plan. At 31 July 2022 these liabilities stand at £5.3m, based on the 2020 valuation. In line with the deficit recovery plan our contributions increased from 21.4% to 21.6% in April 2022. 

For TPS we account for contributions on a “pay as you go” basis with contribution rates determined by the Exchequer. Currently we make contributions to TPS at 23.4% of the relevant salaries. We closed the RCMPAS to future accrual in 2007, and the scheme’s deficit is estimated at £0.9m, compared with an estimated £2.1m last year. 

## Investments 

The Investment Committee monitors the performance of RCM’s investment portfolios which have a total value of £49.7m (£50.7m).  The market value of our investments reduced in the year, decreasing by £1.9m, following the increase of £6.9m in 2020/21. 

There are three main funds: 

- Scholarship and Awards Fund £41.3m (£42.4m): a permanently endowed fund for scholarships and awards, managed during the year by Cazenove Capital and Sarasin & Partners; 

- General Fund £7.3m (£7.4m): an unrestricted short/mid-term fund established to work in coordination with RCM’s working capital and capital requirements, managed by Ruffer LLP; and 

- Junior Department Appeal Fund £0.8m (£0.9m): a permanently endowed fund for bursaries, managed during the year by Sarasin & Partners. 

RCM’s investment strategy and policy for responsible investment are set by the Finance & General Purposes Committee, on the recommendation of the Investment Committee. 

## Total Return 

The Council has exercised the power granted under s.104A(2) of the Charities Act 2011 to manage the Scholarships and Awards Fund (excluding the portion of it that is invested in CLV (RCM) LLP through the RCM subsidiary RCM Business Enterprises Limited), referred to below as “the fund”, on a total return basis from 1 August 2021. The power permits RCM to invest the fund to maximise the Total Return on investments (taking both capital values and income into consideration) and, therefore, to make available an appropriate portion of the Total Return for expenditure each year, after accounting, among other things, for preservation of the real term value of the permanent endowment. Until this power is exercised in full, the Total Return shall be an 'Unapplied Total Return' and remain as part of the permanent endowment. 

The initial value of the trust for investment and the initial value of the unapplied total return were established as at 31 July 2020. The date of the valuation for each individual endowment within the fund is the date that endowment was received, or a reasonable estimate thereof, and the calculation of the value of the trust for investment includes all funds in place at 31 July 2020. At that same date, the initial value of unapplied total return was determined as equal to the accumulated unapplied income from the trust for investment and the increase in value of the trust for investment since the date of valuation of each individual endowment within the fund. The Council took advice from Cazenove to inform its decisions, and to inform its policy on a suitable level of unapplied total return going forward. 

To support this change we held a review of our investment managers and in August 2021 the investments were split into two new portfolios held in the Charity Multi-Asset Fund managed by Cazenove Capital and the Sarasin Endowments strategy managed by Sarasin & Partners. 

9 



## Initial Allocation to the Income Fund 

The Council approved an initial allocation to the income fund equal to the accumulated unapplied income at 31 July 2021 to be used for scholarships and awards over the next 5-7 years, alongside the annual allocations (see below). This initial allocation was £2,342,626 and is included in the £3,585,524 transfer of unapplied total return allocated to income in 2021/22. 

## Investment Strategy and Objectives 

Our strategy is to maintain the real terms value of the fund over the long term, with reference to the UK’s Consumer Prices Index, and to produce a consistent and sustainable amount each year to be available for spend on scholarships and awards. Growth in the real terms value of the fund is achieved through adding capital to the fund through new legacies and endowments. 

The investment objective is to generate an average total return of 4.0% per annum over the Consumer Prices Index (CPI), after deduction of fees, over rolling five year periods, with an appropriate profile of risk. 

## Strategy for managing the fund on a total return basis 

Our strategy addresses market risk by maintaining an appropriate level of Unapplied Total Return at both the overall and individual fund level to provide a good level of assurance that the planned income distribution can be released each year, even when there is a temporary reduction in the value of the endowment due to stressed market conditions. We aim to distribute 3.4% of the simple average of the value of the fund at the three previous year ends to be used for scholarships and awards. This is set at lower than the 4.0% investment objective to allow for a reduced distribution on newer funds within the endowment as a suitable level of Unapplied Total Return is built up on those individual funds. 

We monitor the level of Unapplied Total Return by individual fund each year and adjust the target distribution %’s accordingly. We also ensure that no distribution is made from the original endowment for any fund. We also monitor and report each year on the real terms value of the original endowments at the aggregate level (including future sums received), comparing it to the overall fund value to gain assurance that we are taking the right steps to maintain the real terms value of the fund over the long term. We also gain assurance through monitoring the performance of the investment portfolio against short term benchmarks and longer term measures of CPI. 

Note 20 to the financial statements discloses the amounts set as opening Unapplied Total Return and the amounts allocated to income in the year from the Unapplied Total Return. 

## Future Outlook 

In both 2020/21 and 2019/20 the financial challenges associated with the Covid-19 pandemic were considerable, and the benefits of the mitigating actions we took to address our cost base are reflected in the improved results this year and leave us in a strong position going forward. We completed the £40 million investment in our buildings and facilities last year and closed the More Music fundraising campaign in October 2022: the campaign raised £42.5m overall including £25m for the building project. The generous donations of our supporters have been transformational enabling us to improve our facilities so substantially as well as continuing to help our students through scholarships, bursaries and innovation. Our global student recruitment remains strong reflecting our status as one of the leading conservatoires in the world. 

## Going Concern 

The accounts have been prepared on a going concern basis, and the Statement of Corporate Governance & Responsibilities of Council sets out the steps taken by the Board in reaching the conclusion that the going concern basis is appropriate. 

## Staff 

RCM’s teaching is undertaken mainly by hourly-paid professional musicians who provide one-to-one tuition for their students, with administration undertaken in the main by permanent, full or part-time salaried staff. RCM supports the national pay framework, with pay awards negotiated on behalf of RCM by the Universities and Colleges Employers Association through the negotiating body New JNCHES. The pay award for 2022/23 is not yet agreed with the trade unions but on the advice of UCEA it was implemented by employers at 3.0% in August 2021, with additional increases for those on the lower grades. The five main HE trade unions technically remain in dispute over the pay rounds for 2020/21 and 2021/22. 

10 



Unison is a trade union recognised by RCM and its elected representatives are permitted to take reasonable paid time off to carry out certain union duties. In the 12 months to 31 March 2022, the amount of time spent by RCM staff on trade union activities and the cost related to that time was: 

- number of union officials one 

- • time spent on union activities by both employees was in the band 1% to 50% • cost of staff time spent on union activities £889 • total RCM staff cost (excluding USS adjustment) £15.7million • staff cost related to union activities as a percentage of RCM’s total staff cost 0.005% • time spent on paid trade union activities 0.00% 

## Charities Act 2006 and principal regulator 

Under the Charities Act 2006, the Office for Students (OfS) is the principal regulator of those English higher education institutions (HEIs) that are exempt charities and the OfS is expected to promote charity law compliance by the exempt charities for which they are responsible.  Eighteen HEIs, including RCM, are registered charities and monitored and regulated as charities by the Charity Commission; this is in addition to OfS’ own accountability oversight. 

RCM is registered with the Fundraising Regulator.  Registration is on a voluntary basis and RCM is committed to adhering to the Regulator’s “Code of Fundraising Practice”. 

## Public benefit 

The RCM Council is cognisant of the Charity Commission's guidance on public benefit and in preparing this Strategic Review has given due consideration to this guidance and in particular to its supplementary public benefit guidance on advancing education and on fee charging. 

RCM’s charitable aims are to provide specialised musical education and professional training at the highest international level for performers and composers, within an environment that stimulates innovation and research. This enables talented students from all backgrounds to develop the musical skills, knowledge, understanding and resourcefulness that will be required to contribute significantly to arts and culture in this country and internationally. 

Those benefiting from RCM’s charitable aims are: RCM students, members of the public and the community when attending concerts and education outreach work. Outreach work is centred in the London Boroughs of Westminster, Hammersmith & Fulham and Kensington & Chelsea. These areas are densely populated with remarkable diversity, wide socio-economic disparities and pockets of high deprivation. More details of our concerts and outreach work may be found throughout this Strategic Review. 


Lord Black of Brentwood Chairman December 2022 

11 



## PROGRESS OF RCM STRATEGIC PLAN 2017 TO 2027 

## Transforming the College 

## Mission and principal objectives 

Royal College of Music provides specialised musical education and professional training at the highest international level for performers and composers, within an environment that stimulates innovation and research. This enables talented students from all backgrounds to develop the musical skills, knowledge, understanding and resourcefulness which will equip them to contribute significantly to musical life in this country and internationally. 

## Objects of the Royal College of Music 

The Mission Statement supplements RCM’s objects as set out in the 1883 Charter: 

• ‘the advancement of the Art of Music by means of a central teaching and examining body charged with the duty of providing musical instruction of the highest class, and of rewarding with academical degrees and certificates of proficiency and otherwise persons, whether educated or not at the RCM, who on examination may prove themselves worthy of such distinctions and evidences of attainment’; 

- ‘the promotion and supervision of such musical instruction in schools and elsewhere, as may be thought most conducive to the cultivation and dissemination of the Art of Music in the United Kingdom’; and 

- ‘generally encouragement and promotion of the cultivation of music as an art throughout the world’. 

## Strategic Plan 2017-27 

The College’s current Strategic Plan runs from 2017-2027, having been approved in 2017. The first three year phase of the Plan ran to 2020 and, therefore, concluded in the summer 2020. This initial planning period to 2020 focused on our major estates plans, the opportunities that these create to support student learning, our public engagement and research, and RCM’s significant international and digital strategies: 

• completion of the More Music building development in our Prince Consort Road estate and occupation of RCM Jay Mews, supported by the More Music campaign, encompassing fundraising for strategic priorities and projects including capital development, scholarships, academic initiatives and Junior College/Sparks; 

• enhancing RCM as a European conservatoire in response to Brexit, which will involve a range of specific actions, evolving as the wider economic and political context develops; 

- international initiatives, including in China-based collaborative projects; and 

• developing digital initiatives, including establishing the learn.rcm virtual learning environment and the Virtual Conservatoire in collaboration with other conservatoires. 

The overall Strategic Plan looks ahead across ten years between 2017 and 2027, setting out our Vision for RCM in 2027 and the guiding objectives and principles for new initiatives. The Vision Statement within the Strategic Plan was reviewed and revised in spring 2021, but the College paused consideration of the next three year period of the Plan during the Covid pandemic. The development of the next three year Plan will be informed by existing and developing sub-plans, including the ICT Strategy, estates strategy, teaching and learning and assessment strategy, several of which were reviewed during 2020/21. The Directorate has been consulting on a new three year plan, with discussions with several committees, including Senate, across 2021/22; Council member Peter Dart led a discussion at the July 2022 meeting of Council. A revised plan will be presented to the November 2022 Council meeting for approval. 

In setting RCM’s priorities and planning its activities the RCM Council has given careful consideration to the Charity Commission’s general guidance on public benefit. 

12 



## Outlook for 2022/23 

The overall economic and social outlook continues to be highly uncertain. While the world is starting to come out the other side of the Covid-19 pandemic, in some of the College’s key markets, notably China, severe Covid restrictions remain in place. Post-Covid and compounded by the Russian invasion of Ukraine, inflation is at a 40 year high and the College continues to experience the effects of the UK’s departure from the EU (though the effects of the latter are now built into our forward planning). 

Nevertheless, enrolments to study at RCM in 2021 were strong. We plan continued very modest growth in overseas student numbers for the next few years, while EU recruitment inevitably declines, as RCM starts to benefit from additional space resulting from its More Music building development and the occupation of RCM Jay Mews. 

The draft Budget for 2022/23 shows a small surplus and we expect a challenging year due to cost inflation and the wider economic outlook. We propose to invest £1.5m of Capital Expenditure in 2022/23, and in 2023/24 and beyond we have planned capital spend of at least £1m per annum. 

## Principal risks and uncertainties 

The RCM Risk Management Strategy and Policy sets out the respective roles of the RCM Directorate, Council, Finance & General Purposes Committee and Audit Committee in managing risk. It also sets out the key controls and our approach to risk management. The RCM Risk Register identifies key risks, likelihood of occurrence, potential impact on RCM and actions being taken to reduce and mitigate risks. The risks themselves are prioritised using a consistent simple three tier scoring system to denote the priority level of each strategic risk. These are: red (high priority); amber (medium priority); and green (low priority). 

The Register is subject to annual review by the RCM Directorate and is monitored and up-dated throughout the year with an annual report on risk management presented to all committees involved in managing risk, including the Council. The risk register had its final review of the academic year by Directorate in June 2022. 

There is currently just one risk scored red: ‘Failure to maintain and upgrade digital and ICT hardware and software, particularly with the greatly increased requirements caused by changes in learning and teaching practices during Covid19; RCM suffers debilitating cyber-attack/security breach.’ There is a full action plan in place addressing this risk which is the subject of regular discussion and monitoring at Directorate, as well as by Audit and other committees. 

There are seven amber risks, of which the highest scored are: 

- Financial sustainability at risk, including Covid-related factors; reduction in funding following OfS specialist funding review. The OfS specialist funding review is expected to report future funding for 2022/23 onwards in November 2022. 

- Failure to provide fitting surroundings for delivering excellence for staff/students. While the Courtyard redevelopment project is now complete, the new spaces are still being mobilised and hybrid working is still at a relatively early stage. 

The RCM Council reviews annually key performance indicators and these reflect guidance from the OfS national Financial Sustainability Strategy Group which developed a basis for monitoring and reporting institutional sustainability through an annual sustainability report (ASSUR). 

13 



## Inspirational Programmes Enhancing learning and teaching 

During 2021-22 the College resumed a full schedule of in-person teaching and learning, enabling our students to make the most of our rich curriculum of practice-led and collaborative learning experiences using new facilities including the Museum, two new performance spaces, and state-of-the-art self-operated audio-visual recording equipment now installed in all performance venues. 

At the same time, we reflected on the rapid changes and innovations during Covid with a view to identifying learning and teaching practices that should be retained and developed further. The RCM curriculum at all levels continues to evolve, incorporating progressive and technology-enhanced pedagogies that will support the musicians of tomorrow. 

One major project in this area is the Global Conservatoire Consortium. This Erasmus+ Strategic Partnership project reached a milestone in October 2021 with the launch of the first Global Conservatoire transnational online module, designed and delivered by the College. A cohort of 22 students from the RCM, the Royal Danish Academy of Music, the University of Music and Performing Arts Vienna, and Manhattan School of Music commenced their online studies together on the RCM module ‘Music and Words’. Over the course of 2021-22 a further six undergraduate and postgraduate elective modules were launched by the four partner institutions. Teaching staff also participated in intensive training and development activities, hosted by the Royal Danish Academy of Music and RCM. During these events, teachers, managers, and researchers shared experiences from the project to date and reflected on ways to enhance online and transnational pedagogies in 21[st] Century conservatoires. 

The research project ‘Transforming performance pedagogies: interactions between new technology and traditional methods’ explored similarly innovative ideas. Led by Dr Christina Guillaumier and Dr Diana Salazar and funded by the Society for Research in Higher Education, this project explored how digital technologies contributed to new paradigms in instrumental and vocal teaching during Covid. Drawing upon interviews with RCM staff and students, the research examined how a blend of traditional and digital methods of instrumental teaching could enhance student learning. The final outcomes of the project will inform future staff development activities at the College, encouraging professors to embrace blended approaches in principal study lessons. 

Following a major programme review in 2020, the second year of our new BMus programme was rolled out during 202122, including two new BMus 2 core modules. BMus 2 Professional Musician focusses on students’ professional development through digital skills, reflection, and career planning. The module’s emphasis on musicians’ agility and resilience is especially important in the post-Covid environment. The second new module, Music Leadership 1, uses an innovative collaborative delivery model that combines the expertise of the College’s Music Education and Sparks teams. The module curriculum introduces a range of issues in music education today, encouraging all of our BMus students to develop confidence in communication and advocacy and setting them on the path to become confident, socially-engaged practitioners and leaders of the future. 

In light of staffing changes at postgraduate level, the Masters Review was postponed and will now be conducted during academic session 2022-2023, with delivery of the new programmes from September 2023. During summer 2022 a consultation commenced, with views and feedback sought from current students and staff, recent graduates, and industry representatives on our current MMus, MPerf and MComp programmes. Emerging themes include enhancing curriculum flexibility, strengthening students’ employability, promoting inclusive curriculum design, and embedding digital artistry. We look forward to working on the review during 2022-23 with the College’s new Head of Postgraduate Taught Programmes and Professor of Music, Professor Mark Bowden. A respected academic and composer of chamber, orchestral, and vocal music, Professor Bowden will join the College in September 2022. 

In December 2021 we were delighted to receive capital funding of £227,443 from the Office for Students to upgrade and develop our digital facilities. Thanks to this award, Control Room 3 has been fully upgraded and opened to students and staff in spring 2022. This new studio features an industry-standard Dolby Atmos surround sound system and a versatile technical set-up that allows students to record, mix, master and broadcast a range of media. Since Covid, the College has seen an exponential increase in student demand for curriculum options in music technology and Control Room 3 is already in high demand by undergraduate and postgraduate students. The development marks an important step in upgrading our digital teaching facilities to realise our digital ambitions. 

14 



The College’s partnership with Nanyang Academy of Fine Arts (NAFA) in Singapore continues to flourish. We were delighted to welcome final year NAFA BMus students to London for their international placement in the spring. The first year of the BEd (Instrumental/Vocal Teaching) programme in Singapore has been very successful, and in April 2022 the College approved the very first Masters degrees to be offered by NAFA. Delivery of the new MPerf and MComp programmes will commence in August 2023, following a similar model to the well-established BMus programme. 

Our NSS 2022 results were strong. In terms of sector performance, our overall satisfaction was second in the UK for conservatoires. Once again, we performed extremely well in the area of library resources. The scores for teaching, especially for staff explaining things and making the subject interesting, were excellent. 

We recognise the importance of our outstanding staff for delivering and innovating the curriculum. We continue to identify ways in which we can recognise staff contribution and develop our people. In June the annual Programmes Staff Development Day brought together nearly fifty professors, teachers and graduate teaching assistants, in-person and online. This day-long programme covered topics including staff wellbeing, inclusive teaching practices, online instructional design, new features in our virtual learning environment, and improvisation techniques. The day was also an opportunity for informal sharing and networking. 

## Research and Knowledge Exchange 

The REF 2021 (Research Excellence Framework) results were announced in May 22, with the RCM ranked top UK conservatoire offering music as a single subject. Since the last REF exercise the RCM’s research environment is now more highly rated as internationally excellent than any other UK music conservatoire. Two RCM case studies were judged to have demonstrated predominantly outstanding impact, whilst a third demonstrated a combination of considerable and very considerable impact. 

In July 2022, RCM had 9 externally funded research and knowledge exchange projects (value to RCM, £0.6m); and 6 further bids are being prepared with an overall value of £0.5m. New funded research for 2022 includes the two year £0.2m British Academy International Knowledge Frontiers 2022 project ‘What is a good city in the context of the Global South: The role of the arts in social-cultural urban infrastructure’. The project focuses on understanding and enhancing social-cultural urban infrastructure in Salvador (Brazil) and Cochabamba (Bolivia), surveying both cities to ascertain citizens’ experiences of social-cultural engagement and how this is associated with public wellbeing. A music intervention aims to integrate families of those with disabilities across the divide of urban otherness. The award is the only music-based research project in this year’s International Knowledge Frontiers scheme. 

The College continues its focus on knowledge exchange (KE) through the KE Working Group and in line with the College’s Knowledge Exchange Concordat (KEC) Action Plan commitments. The KEC action plan includes a new College-wide Public Engagement Strategy, which is currently being developed to align with the College’s new Strategic Plan. 

## Doctoral Research Training and Studentships 

The RCM’s membership of the London Arts and Humanities Partnership (LAHP, 2019 to 2024) continues to encourage high-quality applications and reap rewards in terms of studentships. Applicants for the RCM doctoral programme can apply for research studentships, which cover full fees and provide a generous maintenance grant for three years of fulltime, or six years of part-time study. As of 2020, Overseas students may apply to LAHP, with individual institutions covering the financial shortfall between the AHRC grant and institutional fees. A number of studentships have been ring-fenced for students from under-represented backgrounds. The 2022 competition awarded 77 studentships across eight universities and 26 humanities disciplines. One Collaborative Doctoral Award was won by an RCM applicant in Early Years Education in partnership with MERYC England. Two further doctoral awards have been made in Music Education and Performance Science. This brings the current total of LAHP-funded students studying at RCM to eleven. 

15 



## MUSICAL PERFORMANCE Bringing the notes to life 

The RCM is renowned for the range and depth of its artistic programme.  The College places learning and teaching at the heart of all its concert programmes, to develop the skills and expectations of professional level performance.  We are supported in this by regular visits from, and close relationships with, the leading musicians around the world. Public engagement and knowledge exchange forms an equally important part of our programming, and it has been a relief to have been once again performing in normal conditions to live audiences from the middle of autumn 2021. 

## Autumn 2021 

Orchestral concerts saw the return of the leaders of the Chamber Orchestra of Europe, this time performing Schumann.  Thomas Zehetmair directed two memorable performances of Brahms German Requiem, while the RCM Philharmonic have been investigating film music from Harry Potter and Game of Thrones, Wagner’s orchestral music with Martyn Brabbins, and an innovative concert of waltzes in many guises led by Jac van Steen. String Band contrasted Mozart and Tchaikovsky with The Ayoub Sisters, Jac van Steen returned to conduct Mahler’s 4[th] Symphony, and the term ended with a vital and thought-provoking production of The Magic Flute, now available on the international opera site, operavision.eu. 

Other performances of note included RCM Wind Orchestra, conducted by RCM alumna and conducting teacher, Natalia Luis Bassa, RCM Jazz Orchestra, joined by Zoe Rahman, and masterclasses from, amongst others, Bernard D’Ascoli, Francesca Dego, Alina Ibragimova, and the Pavel Haas Quartet. Our annual collaboration for RCM composers with the Head On art festival in Sydney, Australia saw their highly innovative work shared internationally. 

## Spring 2022 

The spring term focused on RCM alumnus and professor, Ralph Vaughan Williams, whose 150[th] anniversary fell this year, and on some of the composers that he taught during his lifetime.  The programme included rare performances of music by composers including Ruth Gipps, Ina Boyle, and Elizabeth Maconchy.  Orchestral concerts with Sir Antonio Pappano, Martyn Brabbins, Rafael Payare and Jac van Steen will live long in the memory, and gave our students the opportunity to work with musicians of the highest calibre. Maxim Vengerov returned to lead both chamber and orchestral masterclasses, the latter on Mozart’s delightful violin concertos, while our opera studio students spent an inspirational day with Angela Gheorghiu, working individually and as a class. 

Chamber music is a constant and inspiring thread in our performance programme.  Highlights in the spring included a two-day Chamber Music Festival using all our new performance venues, including Wellesz’s Octet and a new work by Dr Jonathan Cole. Other performances of note included Claire Teal performing with the RCM Jazz Orchestra and the RCM Baroque Orchestra and Chorus performance of Bach’s Easter Oratorio. 

The production of Humperdinck’s Hansel and Gretel challenged the often saccharine storyline by a setting in the former East Germany around the time of the fall of the Berlin Wall. The Keyboard Festival, based around the music of Skriabin, Super String Sunday and the Percussion Festival brought in new audiences and were broadcast around the world. We also supported the Students’ Union concert fund-raising for Ukrainian refugees. 

## Summer 2022 

In the summer term we enjoyed the first visit from French conductor Chloé van Soeterstède, in a programme of Brahms and Jesse Montgomery.  The annual RCM Composition for Screen Showcase, with a dazzling array of new scores for film, was played by live ensemble and electronics together. Live electronics in a different guise illuminated the concert of The Fly, a curated electro-acoustic programme.  Odysseys was the title for this iteration of our biennial series of six minioperas written by RCM composers and performed by members of the Opera and Vocal Faculty.  Technically challenging and innovative, the variety, drama, humour and reflection in these operatic vignettes was highly impressive. 

We welcomed Kevin John Edusei to conduct a programme including Samy Moussa, Anna Clyne, and the original version of Stravinsky’s Firebird.  Jeremy Sams brought his directorial skills to Jonathan Dove’s _Flight_ , full of humour and insight.  Our final full-day FestivALL presented fourteen concerts in a single day, all of music by, or inspired by, underrepresented composers.  This has been a major theme of our programming throughout the year, and we have taken great strides forward in our artistic planning, taking responsibility for promoting access, accessibility, and a voice for all. 

16 



## CELEBRATING SUCCESS 

## Shining Examples 

At the RCM, we nurture exceptionally talented students in a creative environment, giving them the opportunity to develop as artists and fulfil their ambitions. Over the last year, RCM students have achieved success in many forms, winning prestigious international competitions, reaching new audiences, forging new creative partnerships and contributing to a dynamic research agenda. Below is a mere snapshot of student successes across 2021/22. 

## Keyboard 

Alim Beisembayev: won First Prize at the Leeds International Piano Competition, alongside contemporary performance and audience prizes. He made his BBC Proms debut on 25 July. 

Jeneba Kanneh-Mason: named in Classic FM’s 30 Rising Stars list alongside alumni Charlotte Saluste-Bridoux (violin) and Martin James Bartlett (piano). 

Thomas Kelly: won First and Audience Prizes at the Intercollegiate Sheepdrove Piano Competition, Second Prize at the Hastings International Piano Concerto Competition and a finals place at the Leeds International Piano Competition. 

## Vocal 

Hugh Cutting: won the 2021 Kathleen Ferrier Awards, the first countertenor in the competition’s history to do so. He was named in BBC Radio 3’s New Generation Artists list for 2022-24. 

Charlotte Bowden: becomes a 2022 Glyndebourne Festival Jerwood Young Artist - appearing as Barbarina in _Le nozze di Figaro_ . She made her Wigmore Hall debut and was a 2022 Kathleen Ferrier Awards finalist. 

Emma Roberts: won Second and Loveday Song Prizes at the 2022 Kathleen Ferrier Awards. RCM alumna Esme Bronwen-Smith won First Prize. Emma was recently announced as a 2022-23 Britten Pears Arts Young Artist. 

## Composition 

Chelsea Becker: won the Seniors category in the 2021 BBC Young Composer Competition. 

Alex Ho: named an LPO Young Composer, RPS Composer 2021/22 and a BBC Music Magazine Rising Star. 

Liam Taylor-West: new composition called _Making Space_ was premiered by the BBC Concert Orchestra at the Southbank Centre. 

## Conducting 

John Paul Jennings: named Assistant Conductor with Fulham Opera and a semi-finalist at the Blue Danube International Opera Conducting Competition. 

Ondřej Soukup: appointed Music Director of King's College London Symphony Orchestra, and Resident Student Conductor with the University of London Symphony Orchestra. 

## Historical Performance 

Dominika Maszczynska: performed at the International Festival of Renaissance and Baroque Music _Misiones de Chiquitos_ in Bolivia with the RCM Baroque Orchestra and the Bolivian choir Arakaendar. 

Zsombor Tóth-Vajna: released two albums on Hungarian label Harmonia Caelestis including works for harpsicord by Girolamo Frescobaldi and a selection of previously unrecorded flute sonatas. 

## Percussion 

Toril Azzalini-Machecler: performed with the Britten Pears Arts Contemporary Ensemble at the 2022 Aldeburgh Festival. He also took part in Nkoda’s ‘Noise Nights’ concert series in April 2022. 

## Strings 

Silvestrs Kalniņš and June Lee: successfully auditioned for the LSO String Experience scheme. 

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The Salomé Quartet: took part in the first partnership residency at the Stauffer Center for Strings in Cremona. They were accepted onto the 2022/23 Britten Pears Arts Young Artists programme. 

## Woodwind 

Mebrakh Haughton-Johnson: performed at the Louis Vuitton Men’s Fashion Show in Paris with Chineke! Orchestra. 

## Centre for Performance Science 

Frederick Lam: is developing OccuPain, a mobile app designed to help musicians with occupational pain. 

Berenice Beverley Zammit: had an article on performance anxiety published in _The Strad_ magazine and presented her research findings at ISPS 2021 and the RMA/BFE Postgraduate Student Conference. 

## Research 

Debi Graham: was made a Fellow of the Royal Society for Public Health. 

## Composition for Screen 

Billy Palmer: started a career as a composer and orchestrator for games designed for PCs, PlayStation, XBox and online gaming platforms. He is also an arranger with the London Video Game Orchestra. 

Guillermo Pita: produced orchestrations for Spanish TV and radio, including Spain’s Junior Eurovision entry. 

## RCM in the Press 

‘The cast of young singers are uniformly terrific... Accompanying them, the RCM Opera Orchestra produced one of the best performances I can recall hearing from them in the Britten Theatre.’ – Claire Seymour for Opera Today, reviewing the RCM Opera Studio’s production of Hansel and Gretel, March 2022. 

‘Although a student production, you wouldn’t have known this at all by the quality of the staging, singing, production, and certainly the orchestra’; John Vandevert for Opera Wire, reviewing the RCM Opera Studio’s production of Flight, July 2022. 


Thomas Kelly performs at Conductors' Podium performance in AFCH, taken by Chris Christodoulou 

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## LEARNING FOR ALL 

## RCM Junior Department 

The RCMJD offers advanced training at the highest level to young musicians aged 5-18 years, providing individuallytailored programmes of one-to-one instrumental/vocal/composition lessons, supported by chamber music, orchestra, choir and musicianship classes. The RCMJD is committed to ensuring that successful applicants are not prevented from attending the RCMJD through financial hardship and this academic year the RCMJD has allocated over £200,000 of support to families where there is the most need.  Attending the RCMJD is a truly transformative and empowering experience. A large proportion of our students (about 70%) go on to study music, and many have been offered scholarships to continue their musical studies here at the RCM. 

Given the increasingly challenging landscape facing young musicians in Britain today, the RCMJD has a significant role to play in supporting and nurturing the musical potential of the next generation of music students from a diverse range of backgrounds. A number of exciting musical initiatives ensure that we reach out and recruit students from diverse backgrounds and that as many students as possible are enabled to progress through to senior RCM. The RCMJD has formed partnerships with several musical organisations who share the same commitment to addressing the lack of diversity in music education, such as Nucleo and Future Talent. In September 2021 we inaugurated our new Future Talent Transitions programme, designed to help students to transition from access programmes to the junior conservatoire in partnership with Future Talent and all six students enrolled on this programme will continue their studies at the RCMJD in September 2022. Our artistic programming reflects and celebrates the diversity of our student body and works by under-represented composers featured in every major RCMJD concert. 

Artistically, this academic year has been incredibly successful.  JD students have been involved in over 110 concerts as members of more than 100 RCMJD ensembles.  We presented a semi-staged performance of Dido and Aeneas and we have welcomed world-class musicians to lead masterclasses, including Tasmin Little, Ken Burton and the Riot Ensemble. Our pupils have performed all over the country in some of the finest and most prestigious musical venues, including the Royal Albert Hall, the 606 Club, St James’s Piccadilly, Saddler’s Hall, the Guildhall, the Southbank Centre and Cadogan Hall, and several JD students performed for The former Prince of Wales on his recent visit to the College. Our exceptional chamber music programme continues to flourish and our chamber competition finalists performed at the Wigmore Hall in early July. RCMJD students continue to dominate the orchestral lists of all major youth orchestras, including the NCO and the NYO. 28 students - a record number - won places in the National Youth Orchestra in 2021, including RCMJD student Gabriela Bavetta who currently leads the NYO and who will take up a scholarship at the RCM in 2022.  JD students have also enjoyed significant successes in national and international competitions: a record number of JD students competed in the BBC Young Musician of the Year competition this year, with seven JD students - past, present and future - through to the category finals of the competition. 

## RCM Sparks 

RCM Sparks is RCM's Learning and Participation programme providing an accessible pathway of musical learning designed to engage children from early years to age 18. Sparks run public events and activities for schools and special programmes in the local area, partnering with other institutions to provide the benefits of music education where they are needed most. Sparks work is based around learning pathways which cater for children’s changing needs as they develop, so that we can continue to foster musicianship and learning skills throughout their educational journey. The programme is designed by RCM staff and led by outstanding leaders; last year Sparks worked with 118 RCM students and graduates giving them up to date and relevant training and placement experience developing a new generation of reflective music leaders. Sparks workshops offer inspirational learning experiences for all participants, regardless of financial means, with free or subsidised places available for children (and their families) who are eligible. 

Following a return to face-to-face activity from September 2021, Sparks has worked closely with the Tri-Borough Music Hub as a strategic delivery partner to bring live music and creative enrichment activities to schools and families in the London Boroughs of Westminster, Hammersmith & Fulham and Kensington & Chelsea. We were delighted to welcome 

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visiting schools back to the RCM for lunchtime concerts, gamelan workshops, creative workshops and for visits to the RCM Museum. The Minis Sparks early years programme engaged with local families in the surrounding Boroughs on a weekly basis, supporting musical engagement from birth to pre-school. The RCM's Knowledge Exchange scheme provided funding for the innovative Musical Futures scheme which offers a training programme for early years’ practitioners from the LEFY social enterprise nurseries to support high level music provision in their settings. Get, Set, Play held workshops during the Summer term in some of the most deprived areas in the Tri-Borough. These highly engaging sessions culminated in a showcase at the RCM in July and will start musical pathways with Sparks and some will progress to lessons with the Tri-Borough Music Hub. Sparks Juniors children and families attended their weekly programme with the RCMJD teaching team and have made positive progress during the year, following the challenges of online learning. 

Sparks has worked closely with the RCM Museum for our Explorers and Springboard courses and some of the school's engagement. In conjunction with RCM faculties, Sparks offered accessible workshops at festival days including the Percussion Festival, FestivALL, the Conducting Festival and the Great Exhibition Road Festival. The renowned Turtle Song, led by RCM Sparks in partnership with the RCM Museum and Turtle Key Arts, returned for a ten-week programme for people with Alzheimer's or dementia and their carers, bringing Museum artefacts to life, training RCM students and bringing the joy of music to the families taking part. 


Chloe van Soeterstede conducts the RCM Philharmonic, taken by Chris Christodoulou 

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## EMPLOYABILITY 

## Supporting talent and shaping futures 

RCM is a world-leader in career development for musicians. We emphasise the need for students to be well-rounded, confident, and versatile communicators - in their professional engagements, and beyond. RCM graduates are highly employable - the Higher Education Statistics Agency graduate employment survey showed that an impressive 86% of RCM graduates from our 2018-19 cohort were in employment or further study fifteen months after graduating (NB this percentage was captured at an unprecedented and challenging time for employability in the arts sector), as were between 94 - 100% during the last five years of the surveying period. 

RCM’s Creative Careers Centre (CCC) is recognised internationally for its innovative approach to supporting young musicians. It offers resources, guidance, funding opportunities, bespoke career advice / coaching, mentoring, online workshops and presentations by industry specialists, and a broad range of professional opportunities, including performances and teaching work. For many students, the CCC helps pave the way to a successful career in music. The CCC also leads on academic modules within our degree programmes, focusing on entrepreneurship, career development, creative project management, careers in music administration, and business-skills training. CCC partners with leading consultants, reputable arts organisations, and local communities, delivering unique career-building opportunities, and a direct route to the music industry. We enable musicians to discover their professional identity, gain practical experience, develop new skills with an entrepreneurial mind-set, and build a fulfilling professional portfolio. In addition to those already mentioned, services include weekly one-to-one support in CV / biography and job application writing, funding, marketing, self-promotion, and career planning / coaching sessions; and student / graduate aimed jobs / opportunities bulletins. We also offer access to a wide variety of professional contacts and a curated range of career-focused videos, podcasts, factsheets, interviews, and directories. The services of the CCC are available to all students and alumni for up to five years after graduation. 

As the pandemic progressed, the CCC adapted its services, support, and offer accordingly. A popular online careers event series continued, as well as the Online Teaching Service, which attracted clients from the UK, USA, and Japan. Teaching is a creative, valuable component of many musicians’ careers, and a worthwhile way to share musical passion and expertise. As a result, this year, the in-person Teaching Service, which matches members of the public to student and graduate educators, reopened. Through both teaching service initiatives, the CCC provided over 90 different teaching opportunities. Having been closed from March 2020 to September 2021, the Professional Engagements Service resumed business this year. Musicians were hired by organisations and members of the public to perform at events, work as freelance orchestral and session players, accompanists, répétiteurs, chorus members, and composers. This year, the service evolved to include a new professional orchestral initiative - the RCM’s Prince Consort Road Orchestra - which hired both students and graduates. The orchestra attracted three large-scale opportunities, which provided valuable work for musicians at an otherwise precarious time. By the end of July 2022, the service had provided musicians for 314 opportunities (of which 196 were work-placements for international students). Performances took place at venues including the Ritz, Kensington Palace, Cadogan Hall, and the Royal Albert Hall. Collectively, musicians earned over £ 180,000. 

The CCC continued to develop two new and exciting schemes this academic year: RCM Accelerate, and the RCM Musicians' Grant Fund. RCM Accelerate supported 7 graduating RCM students with grant funding (up to £ 5,000) and mentoring, which took 1 existing initiative to the next level, and helped kick-start 1 new creative project, 2 social enterprises, and 3 business ideas. The RCM Musicians’ Grant Fund, available to final year students, provided 32 musicians with over £ 35,000 in financial assistance towards the purchase of musical instruments and/or equipment. Passionately driven by, and constantly adapting to, the parameters of an increasingly competitive and complex music industry, the Creative Careers Centre is globally considered a leading light in the challenging field of student to professional transition. 

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## PHILANTHROPIC SUPPORT 

## Supporting access, excellence and opportunity 

## More Music: Reimagining the Royal College of Music Campaign (Finale) 

By the end of July 2022, we secured the full £25 million in cash and pledges of our £25 million target for the More Music Building Development. We are delighted that our first Summer Festival held in July 2022 raised £200,000 to mark the final chapter of the Campaign. During 2021-22 more than 1,000 supporters donated to the Royal College of Music (RCM), demonstrating the effectiveness and impact of the RCM’s fundraising activities. 

In 2021/22, the RCM received many significant donations to help secure the future of excellence in music. We wish to recognise the Estate of John & Sylvia Daughtry, the Estate of Gerald Webster, the Croucher Hong Kong Charitable Foundation, The Wolfson Foundation, The Garfield Weston Foundation and the inspired support from our senior volunteers and loyal supporters who have made the campaign a success. 

The RCM’s internal and dedicated fundraising and alumni engagement team carefully follow the UK Code of Fundraising Practice and our approach is set out in detail in the Fund-raising Regulation page below. 

## Our students – supporting the most talented 

In 2021/22, the RCM awarded over £3.4 million in scholarship support, benefitting over 50% of the student body, thanks to the generous support of many individuals, trusts, organisations and legators. Each donation has played an essential role in enabling us to fulfil our mission to provide exceptional music education to talented young musicians from all backgrounds. We also received two new matching gifts of £50,000 each from Lady Robey and the Victor Dahdaleh Foundation for the Equity, Diversity and Inclusion (EDI) Matching Fund for Scholarships and Bursaries to strengthen support for this vital area of our work. 

## Our future – supporting our core mission 

It has been an exciting year for the RCM. Our South Kensington campus has been transformed by the More Music Campaign and we are delighted that our new state-of-the-art performance spaces, Café and Museum are now open. We also have a new dynamic donor display in our café to recognise all supporters of the More Music Campaign who gave £1,000 or more to help us reach our target. Philanthropy at the RCM is helping to ensure that classical music in Britain and beyond continues to thrive and that our talented students can fulfil their potential as future performers, educators and researchers. 

From becoming an RCM Friend to leaving a gift in your Will, every contribution truly makes a difference. We especially value this kind commitment following a challenging two years, and we owe a humble debt of gratitude to all our supporters for their key role in helping to secure the future of music and enabling us to be the global top performing arts institution. 

## Our spaces – providing unique venues for events 

Our first full year of offering venue hire since 2015 has been a huge success, with over 70 external events taking place in RCM venues, bringing in revenue for the college of more than £268,000. We received 363 event enquires this year (compared to 50 last year), and this is expected to remain steady in future years as we continue to tailor our offering. 

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## FUNDRAISING REGULATION 

As part of our commitment to the Charities (Protection and Social Investment) Act 2016, the statement below outlines how the Royal College of Music (RCM) undertakes its fundraising activities. 

- 1) _What is the approach taken by the RCM for the purpose of fund-raising, and whether a professional fund-raiser or commercial participator carried on any of those activities?_ 

RCM directly employs a team of fundraising professionals to develop connections and seek donations from trusts and foundations, corporations, alumni and other individuals who have an interest in our work. In 2021/22, this fundraising was carried out to advance and support our mission and included a combination of digital appeals and individual fundraising. In 2021/22, the College did not use the services of external fundraising agencies. 

2) Was the RCM or any person acting on its behalf subject to an undertaking to be bound by any voluntary scheme for regulating fund-raising, or any voluntary standard of fund-raising, in respect of activities on behalf of the College, and, if so, what scheme or standard? 

RCM is governed by the Fundraising Code of Practice and subscribes to the Fundraising Regulator. Additionally, the College is an active member of the Council for the Advancement and Support of Education (CASE) and we maintain involvement with the Chartered Institute of Fundraising (CIoF), to help us ensure best practice on an ongoing basis. 

3) Was there any failure to comply with a scheme or standard mentioned under paragraph (2)? 

The College has not identified, nor been notified of, any failures to comply with the Code of Fundraising Practice, or of any other best practice as noted by CASE, the CIoF or the Data & Marketing Commission for the purposes of fundraising or engagement. 

4) Did RCM monitor activities carried on by any person on its behalf for the purpose of fund-raising, and, if so, how did it do so? 

RCM did not use the paid services of any non-staff member for fundraising in 2021/22. We have a dedicated group of senior volunteers who support fundraising in close collaboration with RCM’s internal Development team, focused on building relationships with sophisticated investors and philanthropists. Additionally, the College works with external suppliers such as those who print and send large mailings on our behalf, normally once or twice a year. In these cases, we have robust contracts in place to ensure those companies comply with the relevant data protection legislation. 

5) What is the number of complaints received by the RCM or a person acting on our behalf about activities carried out for the purpose of fund-raising? 

The RCM has a process to monitor and address any complaints about fundraising, and in 2021/22, we had no complaints about fundraising raised through this process. 

6) What does the RCM do to protect vulnerable people and other members of the public from behaviour within subsection (2) during, or in connection with, such activities? 

Our approach is to make sure that our appeals are proportionate to an individual’s links to the RCM, with several ways to tailor how they hear from us and with opt-in only e-communication. This approach is part of our ongoing commitment to protecting vulnerable people while ensuring that those who want to support can do so in a way that works for them. Staff engaged in fundraising are made aware of the Chartered Institute of Fundraising’s ‘Treating Donors Fairly’ guidance, as well as section 1.3 of the Code of Fundraising Practice, as part of their induction. If any member of staff has reason for concern about the potential vulnerability of any constituent or prospective donor, they will not progress further cultivation of that individual until a further assessment can be made. 

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## Equality, Diversity, and Inclusion 

## Framing the debate, defining our values 

In line with College’s Equality, Diversity, and Inclusion policy, EDI is a cornerstone of RCM curriculum enhancement. For academic session 2021-22 the College implemented widespread EDI updates to syllabuses, including updated repertoire requirements, more inclusive assessment design, and improved representation on listening and reading lists. We now invite all external examiners to provide feedback on our progress with EDI in the curriculum, and every staff development event now includes at least one training activity focussed on EDI. 

## Developing the Repertoire 

For 2021-22 we asked Heads of Faculties and Heads of Programmes to make every effort to improve representation when inviting visiting speakers, professors, artists and examiners to work with our students. We recognise how important role models are to our students and the positive impact diverse voices have on our artistic community. Visiting musicians and speakers for 2021-22 have included Natalie Murray Beale, Jonathan Lemalu, Noriko Ogawa, Rafael Payare, Uchenna Ngwe, Samantha Stimpson, and Diljeet Bhachu. In the College’s artistic programme we continue to promote works by underrepresented composers including Lili Boulanger, Judith Weir, Valerie Coleman, Samy Moussa, Anna Clyne, Jennifer Bellor and Jessie Montgomery, whose work ‘Strum’ was performed by our quartet in residence the Harlem Quartet. The College’s second ‘FestivALL’, a celebration of diversity in music, featured a wide range of student-curated concerts, panels, and Junior Department performances. 

## Tackling racism and other discrimination 

Across the College, our EDI training initiatives continue to grow and are now reaching a wider range of staff. In December 2021 we launched the EDI and Wellbeing Ambassador initiative. A cohort of ten members of staff have been trained to act as point of reference for staff and students with concerns or questions around EDI. In addition to compulsory EDI training for all new staff, we are now offering regular training for all staff in Unconscious Bias, Being an Active Bystander, and Mental Health Awareness. During 2021-22 we also launched an updated anonymous reporting form for any member of the College community to report an incident of bullying, harassment, discrimination or microaggressions. 

## Access & Participation 

The College’s Access & Participation Plan sets out the College’s targets and activities, as approved by the OfS. These cover a range of underrepresented groups. At the end of 2021-22 our admissions figures show that we are on-target with our recruitment of undergraduate Black, Asian and ethnically diverse students and POLAR quintile 1 students. The following table reports on our Black, Asian, and ethnically diverse recruitment against OfS targets: 

|UK Domiciled Undergraduates|2022/23|2021/22|
|---|---|---|
|Applications|31|31|
|Offers|17 (9 standard, 8 contextual)|15 (9 standard, 6 contextual)|
|Acceptances|11 (6 standard, 5 contextual)|10 (7 standard, 3 contextual)|
|Enrolments|11 of 75*|15 of 67 **|
|Target Enrolments (out of total estimated|10|10|
|enrolments of 67)|||
|New Black, Asian, and ethnically diverse|£40,625|£46,250|
|scholarships|||



_* Estimate at August 2022_ 

_** In 2021/22 the number of enrolments was higher than acceptances. It is likely this was because some students did not declare their ethnicity on their initial application._ 

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## VALUE FOR MONEY 

## Shared services and procurement 

Value for money (VfM) is important to us and to our students. The College strives to deliver the best for our students by optimising the effectiveness of expenditure in support of the student experience. We endeavour to use all of our resources to fulfil our commitments to students, funders and partners – whilst ensuring the current and future success of the College. Financial decision making is scrutinised by the Council, with student representation from the Students’ Union. 

Shared services and collaborations are an important part of RCM’s operation as we seek to obtain value for money, in all senses of the term. We have a long and successful history of working with others, including: 

- UCAS Conservatoires: the admissions service created and owned by eight Music Conservatoires; 

- Virtual Conservatoire: a collaboration with Royal Academy of Music (RAM), and Conservatoire for Dance & Drama to develop new teaching, learning and performance methodologies and spaces; 

- National network of museums: in partnership with RAM, Horniman Museum and University of Edinburgh, delivering scientifically refined records on more than 40,000 musical instruments; 

- Imperial College: provide services where both partners benefit from economies of scale from higher volumes, including catering, occupational health and student/staff health; 

- KCG: universities’ internal audit consortium with around fifteen members; 

- The Energy Consortium: a leader of collaborative energy procurement, particularly to higher education institutions and colleges; 

- Exhibition Road Cultural Group: champions the collective view of its members, encouraging cross-fertilisation of audiences between members; running joint events; and sharing staff expertise; and 

- Invest to Save: focuses on reducing carbon emissions for members in the Exhibition Road Cultural Group. 

Strong procurement practices are important for achieving and delivering VfM solutions and our procurement program continued to support this goal by providing: 

- procurement advice: contract management, tenders and supplier engagement delivery strategies; 

- procurement guidance: documentation including order form templates, specification writing and decision flow charts to help embed best practice throughout RCM; 

- training: procurement training to RCM staff to refresh basic procurement knowledge, and improve procurement practices across RCM; 

- strategy: an overall procurement strategy to reflect RCM’s updated strategic plan; and 

- contracts database: to store and maintain up-to-date contract documentation to help manage risks throughout the life of a contract. 

RCM buys procurement services from Ensemble Purchasing, a cost sharing company owned by HEIs, to provide shared procurement services. RCM is also an active member of the London Universities Purchasing Consortium (LUPC), a London-wide procurement consortium owned by higher education institutions and third sector organisations. 

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## ENVIROMENTAL IMPACT 

## Making a difference 

The Royal College of Music is fully committed to minimising any negative environmental, social and economic impacts that arise from our operations, and to maximising all opportunities for us to have a positive environmental impact. Good environmental practices are very important to us, and we have a long-standing programme to manage our environmental impacts effectively. Our approach is certified to ISO14001:2015, which is the globally recognised gold standard for environmental management. Our environmental policy sets out our key commitments to: 

- aim to be a centre of excellence for environmental management within higher education and promote best practice; 

- reduce our environmental impacts and maximise all opportunities for us to have a positive environmental impact: 

- • minimise negative environmental impacts through sustainable procurement, by reducing our carbon footprint, through reducing paper use and by ensuring all waste streams are 100% recyclable; 

- ensure regulatory compliance through an effective cycle of audits and assessments; 

- support our core purpose by embedding sustainability across all aspects of RCM including teaching, research, composition and performance; 

- encourage positive impacts and incentives through collaborations and partnerships; 

- promote environmental initiatives through communications with internal and external stakeholders; 

- provide sufficient resources to ensure staff, students and visitors have the skill and knowledge to meet their responsibilities set out in the RCM’s environmental standards; and 

- maintain an effective management system by ensuring our core objectives are a priority at governance level. 

Our action on energy efficiency and carbon reduction has been managed through our Carbon Management Plan. For the first stage we set a target to reduce our carbon emissions from gas use and electricity by 34% from a 2004/05 baseline by 2020. We significantly exceeded this, reducing our emissions by 60% even while our estate grew, ahead of the HEFCE sector target of 42%. 

In line with the Government’s climate change targets, in the next stage of our Carbon Management Plan we aim to achieve net zero carbon by 2035. This means that: 

- continuing from our 2004/05 baseline, we will reduce our electricity and gas use emissions by 73% by 2027 and 100% by 2035; and 

- we will meet annual and cumulative emissions budgets that align with these targets, through emissions reductions. 

In 2021/22 we started work to decarbonise the heating and hot water systems. This involved installing electric water heaters to provide hot water to basins in the Blomfield Building toilets. Upgrades were also made to the insulation of the valves in the main boiler room. 

To achieve net zero, we will also need to reduce our indirect emissions, including those relating to procurement, investments, and staff and student travel. We aim reduce our indirect emissions to zero by 2035, by taking action where we have direct control and by encouraging our partners to reduce emissions. 

With 2019/20 as our baseline, we aim to reduce emissions from our electricity, gas use and other indirect emissions by 100% by 2034/35 and by 43% by 2026/27. Interim targets for 2026/27 are based on reductions of 33% for our electricity and gas use and of 47% for our indirect emissions. 

As well as working on minimising environmental impacts, the RCM has also progressed its broader sustainability programme in 2021/22. This year has seen a strong focus on student and staff engagement on sustainability issues; through Green Week in January 2022 we held a week of events that gave students and staff opportunities to learn about sustainability, including how they can make a positive impact through their day-to-day lives and through music-making. We also developed an Education for Sustainable Development strategy to enhance and support the teaching of sustainability themes through the RCM curriculum and extra-curricular activities. 

A new RCM-wide Sustainability Strategy will be launched in 2022/23. 

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## ESTATES 

## Providing fitting surroundings for gifted musicians 

RCM was founded in 1883 and the main Blomfield Building opened for teaching of music in 1894.  Subsequent additions include: the Concert Hall (1901), the South Building (1965), the Opera Theatre (1986), Prince Consort Village (2016), RCM Jay Mews (2019), the More Music building development (2020) and the Wolfson Centre in Music & Material Culture (2021). 

We have adopted an estates strategy which outlines how we will continue to develop our estate in order to support learning, teaching and research and to realise our artistic vision by providing: 

- concert, opera and other performance spaces that reflect contemporary standards of sound insulation and lighting; 

- well-resourced, digitally enabled and comfortable teaching & practice rooms, appropriate to the needs of students; 

- space for specialist areas such as musical instrument workshops, museum, student accommodation, library, recording studios, percussion space and computer rooms for composition and general ICT; 

- an events space that is maintained at a level which attracts clients from the music, educational, professional and commercial world; 

- flexible office space for academic and administrative staff; and 

- good quality student, staff and visitor social spaces, designed to protect the wellbeing, health and safety of the RCM community, with a welcoming environment to all those using the RCM. 

In order to support our vision, we embarked on an ambitious Estates development programme. A number of projects have been delivered over the last few years: 

- the More Music building development was completed in March 2020, just under three years from the start of construction in 2017, and within budget. It includes two new performance venues, new social spaces and new facilities for food and drink; 

- our new Museum, located at the heart of the More Music development has undergone a complete redevelopment and opened to the public in October 2021.  This interactive space maintains one of the richest and most relevant collections of music-related objects in the UK and Europe and hosts regular performances by RCM musicians; 

- the Wolfson Centre in Music & Material Culture was completed in May 2021 and forms part of the College’s strategy for widening access to its archive collections under the umbrella of the new Museum. This space provides easy access to parts of the Collections to teach small classes, as well as undertaking individual research by RCM Professors; 

- staff moved to new offices in RCM Jay Mews (formally known as Markova House) in January 2020, which also houses valuable new rehearsal and practice facilities as well as additional accommodation for teaching, research and office space. 

- a campus optimisation exercise was implemented in September 2021 to promote agile and flexible working, and to provide additional music and teaching rooms and hot desking areas across the Campus; and 

- the RCM hall of residence, Prince Consort Village, opened in 2016 providing high-quality accommodation for more than 400 students. Situated on Goldhawk Road, it comprises studio apartments, en-suite rooms and standard rooms. 

We continually invest in our facilities to ensure RCM students have the very best opportunities. Our impressive performance spaces are matched by top-quality academic and technical provision, such as our historic library and professional grade studios. 

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## CORPORATE GOVERNANCE & RESPONSIBILITIES OF COUNCIL 

## Good governance 

This statement of corporate governance and responsibilities of Council covers the period from 1 August 2021 up to the date of these Financial Statements. 

## Committee of University Chairs (CUC) Higher Education Code of Governance 

RCM is compliant with the CUC Higher Education Code of Governance, as revised in September 2020.  The RCM Council conducted an assessment of its own compliance with this code in autumn 2020 and reported to Council in November 2020.  The Council agreed to adopt the CUC’s new Higher Education Code of Governance along with its core values and six key elements.  It also approved the assessment of the College’s compliance with the Code, noting that compliance is on an ‘apply or explain’ basis.  Recognising the need for proportionality given the size of the College, the Council considered the few areas of the Code with which the College does not currently completely comply.  The Council noted the recommendation that a Senior Independent Governor (SIG) be appointed, but agreed that the size and current governance structure of the College did not warrant such a separate appointment; the Council does however have a Deputy Chairman.  The Council agreed that references to academic freedom and freedom of speech would be incorporated into the terms of reference for Council and Senate and to the role description of Council members.  In July 2022, the Council approved the proposal for its next effectiveness review, an expectation of the Code, to be undertaken in the 2022/23 academic year. 

## Statement of primary responsibilities 

The Council is responsible for: 

- approving the mission and strategic vision of the College, long-term business plans, key performance indicators (KPIs) and annual budgets, and ensuring that these meet the interests of stakeholders; 

- appointing the Director and putting in place suitable arrangements for monitoring his/her performance; 

- • ensuring the establishment and monitoring of systems of control and accountability, including financial and operational controls and risk assessment, clear procedures for handling internal grievances and for managing conflicts of interest; and 

- monitoring institutional performance against plans and approved KPIs, which are, where possible and appropriate, benchmarked against other institutions 

## Structure of corporate governance 

The RCM Council, which meets at least four times a year, is responsible for the strategic direction of RCM and for all major developments.  In fulfilling its responsibilities for administration and management of RCM’s affairs, the Council approves the annual revenue and capital budgets and audited financial statements for each financial year prepared in accordance with relevant accounting standards.  The Council’s membership and powers are laid down in RCM’s Royal Charter and Statutes.  The maximum number of Council members is 25, three of whom are elected from among RCM staff and at least 10 of whom are independent members.  The President, Director, Deputy Director and Students’ Union President are _ex officio_ members.  The Chairman and Deputy Chairman are drawn from the independent members.  For the purposes of the Charities Act 2011, members of Council are RCM trustees. 

The Council is responsible for interactions between RCM and the OfS, and its designated bodies, and for ensuring RCM’s compliance with all OfS’ conditions of registration and accounts direction.  The Council has nominated the RCM Director as the accountable officer who has the responsibilities set out by the OfS for an accountable officer. 

The Council has a Finance and General Purposes Committee (F&GPC) which meets five times a year.  The F&GPC’s responsibilities include monitoring performance in relation to approved budgets and oversight of the Directorate’s risk management responsibilities.  The F&GPC scrutinises the annual financial statements ahead of consideration by Audit Committee and Council and reviews financial forecasts and management accounts and makes recommendations to Council.  In reviewing and approving the Financial Regulations, the F&GPC ensures regularity and propriety in the use of public funding.  The F&GPC also reviews minutes of the Health and Safety Committee in order to monitor compliance and practice on behalf of Council.  The Investment Committee (meets at least twice a year) and the Estates Committee 

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(meets three times a year) are sub-committees of the F&GPC, are constituted formally with terms of reference and are each chaired by an independent member of Council. 

The Audit Committee reports directly to Council. It normally meets three times a year and has a key role in the RCM accountability framework.  It advises the Council on the effectiveness of arrangements for risk management, control and governance, efficiency and effectiveness (value for money), for management and quality assurance of data submitted to the Higher Education Statistics Agency, the Student Loans Company, OfS and other bodies.  Meetings are held with external auditors (BDO LLP) to discuss audit findings, and with internal auditors (KCG) to consider internal audit reports and recommendations for improvement of the internal control system, together with management’s responses and implementation plans.  The Audit Committee considers RCM’s annual financial statements, taking into account the views of external and internal auditors, the F&GPC and Directorate, and makes recommendations to the Council.  The Audit Committee also receives reports on value for money, which provide assurance that RCM has appropriate arrangements to achieve value for money.  The Audit Committee meets privately with each of the external and internal auditors at least once a year. 

The Remuneration Committee sets salaries and terms and conditions of the RCM Director and other senior staff.  Its constitution and terms of reference are in-line with the CUC Higher Education Senior Staff Remuneration Code and the Committee produces an annual report for the RCM Council on remuneration of the Director and other senior staff (this can be found on RCM’s website).  The Director is not a member of the Remuneration Committee. 

The Nominations Committee makes recommendations to the Council for the appointment of new Council members, committee membership and for honorary awards. 

The Senate reports to the Council and advises it on all academic matters. It meets at least three times a year dealing with academic policies and quality assurance; sub-committees support its work. 

The Directorate meets regularly and is responsible for managing RCM in the context of the Strategic Plan and Mission Statement.  The Directorate reviews and updates RCM’s Strategic Plan and produces annual planning statements and reviews, for consideration by Senate and F&GPC and for approval by Council. The Directorate is also responsible for implementing risk management policies and identifying and evaluating significant risks facing RCM for F&GPC’s consideration. 

Transparency is achieved by ensuring details of the structure of corporate governance are readily accessible on the RCM website, including Committee structures, their terms of reference and membership, and schedules. 

## Basis of financial statements 

The Council is satisfied that RCM has adequate resources to continue in operation for the foreseeable future, and is satisfied that there is no material uncertainty in relation to that. For this reason the ‘going concern’ basis continues to be adopted in preparation of the financial statements. 

In July a five year Financial Forecast to 2026/27 was approved by Council which showed a sustainable plan throughout the period. A full stress test was included with the five year forecast including amongst other downside scenarios the impact of higher cost inflation, reduced Overseas student numbers and lower income from donations. The combined stress test demonstrated that the College would not run out of funds, even in the worst-case scenario where all adverse scenarios took place concurrently and no mitigating actions were taken. 

In August 2022 the £11m RCF was extended by one year to October 2025, providing reassurance over the availability of funding over that period. 

In October, F&GPC reviewed an update of the scenarios and stress test which reflected the latest student numbers and other known changes and was satisfied that the conclusions above remained valid. F&GPC noted that management achieved a surplus for 2021/22 that was significantly better than the budget and that the amount drawn on the RCF reduced by £2million during the year to£4million at 31 July 2022. 

F&GPC reported to Council that RCM has adequate resources to continue in operation for the foreseeable future, and is satisfied that there is no material uncertainty in relation to that. For this reason the ‘going concern’ basis continues to be adopted in preparation of the financial statements. 

As well as taking into account the work done by F&GPC and its recommendation, the Council noted that the College’s projected unrestricted cash plus investments remained higher than its borrowings throughout the five year plan period, 

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and that the new Revolving Credit Facility would remain in place until October 2025.  On this basis, whilst the Council recognise that there are uncertainties in the forecast, the Council do not consider that there is material uncertainty. 

The Council reviews the annual sustainability report, incorporating key performance indicators. The Council is responsible for keeping proper accounting records which disclose with reasonable accuracy at any time RCM’s financial position and enable it to ensure that financial statements are prepared in accordance with the Royal Charter, the Accounts Direction issued by the Office for Students, the Terms and conditions of funding for higher education institutions issued by the Office for Students and the Terms and conditions of Research England Grant, the Statement of Recommended Practice: Accounting for Further and Higher Education and applicable accounting standards. In addition, under the Terms and conditions of funding for higher education institutions issued by the Office for Students, the Council, through its designated office-holder, is required to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the College and of its surplus or deficit and cash flows for that year. The Council has also given careful consideration to the requirements contained in the Charities Act 2011 and in particular to the Charity Commission’s guidance on public benefit. 

In preparing the financial statements, the Council has ensured that: suitable accounting policies are selected and applied consistently; reasonable and prudent judgements and estimates are made and applicable accounting standards are followed; and the financial statements have been prepared on the going concern basis unless it is not appropriate to presume that RCM will continue in operation. 

Financial statements are published on the RCM website in accordance with UK legislation governing preparation and dissemination of financial statements, which may vary from legislation in other jurisdictions.  Maintenance and integrity of the website is the responsibility of the members of the Council and this responsibility extends to the integrity of the financial statements contained therein. Through work undertaken on its behalf, by the F&GPC and Audit Committee, the Council believes that it has taken reasonable steps to: 

- ensure that there are appropriate financial and management controls in place to safeguard public funds and funds from other sources; 

- ensure that OfS and Research England funds are used only for the purposes for which they have been given; 

- safeguard RCM’s assets and prevent fraud; and 

- secure the economical, efficient and effective management of RCM’s resources and expenditure. 

## Accounting records 

All accounting records have been made available to the auditors for the purpose of their audit and all transactions have been properly reflected and recorded in the accounting records. All other records and related information which might affect the truth and fairness of the financial statements, including minutes of Council and other meetings, have been made available to the auditors. As far as the Council is aware, there is no relevant audit information of which the auditors are unaware. 

## Internal control and risk management 

The Council has responsibility for maintaining a sound system of internal control that supports achievement of policies, aims and objectives, while safeguarding public and other funds and assets for which it is responsible, in accordance with the responsibilities assigned to the Council in the Charter and Statutes and the OfS terms and conditions of funding for higher education institutions.  The system of internal control is designed to manage rather than eliminate risk of failure to achieve policies, aims and objectives; therefore, it provides only reasonable and not absolute assurance of effectiveness. The internal control system is based on an ongoing process designed to identify risks that might hinder realisation of our policies, aims and objectives, to evaluate the nature and extent of those risks and to manage them efficiently, effectively and economically. This process was in place during the year ended 31 July 2022 and up to the date of approval of the financial statements, and accords with OfS guidance. The Council has responsibility for reviewing the effectiveness of the internal control systems and the following processes have been established: 

- the Council meets at least four times per annum and considers RCM’s plans and strategic direction; 

- the Council receives minutes of each Audit Committee meeting, together with an annual report which provides an opinion as to RCM’s arrangements for risk management, internal control, governance, data quality and value for money; 

- the Council receives regular reports from the Directorate on steps it is taking to manage risks, including progress reports on key projects; 

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- the F&GPC is responsible for oversight of risk management and the Audit Committee for keeping under review the effectiveness of risk management, control and governance arrangements; 

- a system of key performance indicators has been developed and agreed; these are used to consider performance and make an overall assessment of institutional sustainability; 

- a risk prioritisation methodology based on risk ranking has been established; 

- an RCM-wide risk register is maintained and this is reviewed regularly by the Directorate, in order to identify and update the record of risks facing RCM; 

- training for managers with responsibility for areas involving high-level risk includes attendance at relevant workshops; 

- an annual review conducted by the Directorate is presented in writing to the F&GPC for discussion, and reported to the Council. 

The review of effectiveness of the internal control system is informed by reports from internal auditors, who have maintained adoption of the 2018 OfS Audit Code of Practice, even though it is no longer required under the OfS Terms and conditions of funding, while also complying with the more limited requirements contained in “Regulatory advice 2: Registration of current providers for 2019/20”. The internal auditors submit regular reports, which include their opinion on the adequacy and effectiveness of the system of internal control, with recommendations for improvement.  The Council’s review of effectiveness of the internal control system is also informed by the work of the Directorate, who are responsible for developing and maintaining the internal control framework, and by comments from the external auditors in their various reports. 

During the period of this report, no significant internal control weaknesses or failures were identified. 

## Equality, Diversity and Inclusion 

RCM is committed to its equal opportunities policy and aims to ensure that no student, member of staff or visitor is subjected to unfair discrimination.  The Equality Act 2010 covers the following ‘protected characteristics’: age, disability, gender reassignment, race, religion or belief, sex, sexual orientation, marriage and civil partnership, pregnancy and maternity; RCM policies, procedures and training programmes reflect the Act. 

The Equality, Diversity and Inclusion policy and action plan was approved by Council in November 2020 and the EDI Committee of Council and Senate monitors and ensures action in accordance with the action plan. 

The RCM Access & Participation Plan embodies RCM’s strategic plan for providing access to an inspirational learning experience for the widest possible range of students and serves as a mechanism to measure our compliance with the Equality Act.  Key objectives focus on disability, social deprivation and the black and minority ethnic population seeking to: encourage applications, enable participation and enable student success; and raise aspiration to engage with music and to study at higher education level. 

Further information on new Equality, Diversity and Inclusion at the RCM may be found on our public facing website - - - https://www.rcm.ac.uk/about/strategies values/people equality diversity/ 



Lord Black of Brentwood Chairman December 2022 

Professor Colin Lawson CBE FRCM Director December 2022 

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## INDEPENDENT AUDITOR’S REPORT TO THE COUNCIL OF THE ROYAL COLLEGE OF MUSIC 

## Opinion on the financial statements 

In our opinion, the financial statements: 

- give a true and fair view of the state of the Group’s and of the College’s affairs as at 31 July 2022 and of the Group’s and the College’s income and expenditure, gains and losses, changes in reserves and of the Group’s and the College’s cash flows for the year then ended; 

- have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and 

- have been prepared in accordance with the requirements of the Charities Act 2011. 

We have audited the financial statements of The Royal College of Music (“the College”) and its subsidiaries (“the Group”) for the year ended 31 July 2022 which comprise the consolidated and  College statement of comprehensive income, consolidated and College statements of changes in reserves, the balance sheets for the group and College, the consolidated cash flow statement and notes to the financial statements, including a summary of significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102 _The Financial Reporting Standard applicable in the UK and Republic of Ireland_ (United Kingdom Generally Accepted Accounting Practice). 

## Basis for opinion 

We conducted our audit in accordance with International Standards on Auditing (UK) (“ISAs (UK)”) and applicable law. Our responsibilities under those standards are further described in the Auditor’s responsibilities for the audit of the financial statements section of our report. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion. 

## _Independence_ 

We are independent of the Group and the College in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. 

## Conclusions relating to going concern 

In auditing the financial statements, we have concluded that the Council’s use of the going concern basis of accounting in the preparation of the financial statements is appropriate. 

Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on the Group and the College’s ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue. 

Our responsibilities and the responsibilities of the board members with respect to going concern are described in the relevant sections of this report. 

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## Other information 

The board is responsible for the other information. The other information comprises the information included in the annual review other than the financial statements and our auditor’s report thereon. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon. 

Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the audit or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether there is a material misstatement in the financial statements or a material misstatement of the other information. If, based on the work we have performed, we conclude that there is a material misstatement of this other information we are required to report that fact. 

## We have nothing to report in this regard. 

## Opinion on other matters required by the Office for Students (“OfS”) and UK Research and Innovation (including Research England) 

In our opinion, in all material respects: 

- Funds from whatever source administered by the College for specific purposes have been properly applied to those purposes and managed in accordance with relevant legislation. 

- Funds provided by the OfS and UK Research and Innovation (including Research England) have been applied in accordance with the relevant terms and conditions 

- The requirements of the OfS’s Accounts Direction (OfS 2019.41) have been met. 

We have nothing to report in respect of the following matters in relation to which the OfS requires us to report to you if, in our opinion: 

- The College’s grant and fee income, as disclosed in note 2 to the accounts, has been materially misstated. 

- The College’s expenditure on access and participation activities for the financial year, as has been disclosed in note 8 to the accounts, has been materially misstated. 

## Matters on which we are required to report by exception 

We have nothing to report in respect of the following matter where the Charities (Accounts and Reports) Regulations 2008 requires us to report to you if, in our opinion: 

- the information in the Council’s Annual Report for the financial year for which the financial statements are prepared is inconsistent in any material respect with the financial statements; or 

- adequate accounting records have not been kept; or 

- the financial statements are not in agreement with the accounting records and returns; or 

- we have not received all the information and explanations we require for our audit. 

## Responsibilities of the Council 

As explained more fully in the Council members’ responsibilities statement, the Council members are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the Council members determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error. 

In preparing the financial statements, the Council members are responsible for assessing the Group and the College’s ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the Council members either intend to liquidate the Group or the College or to cease operations, or have no realistic alternative but to do so. 

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## Auditor’s responsibilities for the audit of the financial statements 

Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements. 

## _Extent to which the audit was capable of detecting irregularities, including fraud_ 

Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud is detailed below: 

Based on our understanding of the Group and the sector in which it operates, we identified that the principal risks of non-compliance with laws and regulations are related to their registration with the Office for Students ("OfS) and their ongoing conditions of registration, and we considered the extent to which non-compliance might have a material effect on the Group Financial Statements or their continued operation.  We also considered those laws and regulations that have a direct impact on the financial statements such as compliance with the OfS Accounts Direction and tax legislation.  Auditing standards limit the required audit procedures to identify non-compliance with these laws and regulations to enquiry of the Board and other management and inspection of regulatory and legal correspondence if any. 

We evaluated management’s incentives and opportunities for fraudulent manipulation of the financial statements (including the risk of override of controls) and determined that the principal risks were related to posting inappropriate journal entries to manipulate financial results and management bias in accounting estimates. 

The audit procedures to address the risks identified included: 

- Reading minutes of meetings of those charged with governance, reviewing internal audit reports and reviewing correspondence with HMRC and relevant regulators to identify any actual or potential frauds or any potential weaknesses in internal control which could result in fraud susceptibility. 

- Discussions with management, including consideration of known or suspected instances of noncompliance with laws and regulations and fraud, including direct representation from the Accountable Officer 

- Reviewing the College's fraud register to confirm any actual or suspected instances of fraud during the year. 

- Challenging assumptions made by management in their significant accounting estimates, in particular in relation to assumptions applied in estimating the defined benefit pension liability in respect of the RCM Pension & Assurance scheme, assumptions used to estimate the present value of the College’s obligation in respect of the funding deficit plan for the USS pension scheme, estimates made in the assessment of impairment for the College's investment in the ABRSM and estimates made in preparing financial forecasts to support management's assessment of going concern. 

- In addressing the risk of fraud, including the management override of controls and improper income recognition, we tested the appropriateness of certain manual journals, reviewed the application of judgements associated with accounting estimates for the indication of potential bias and tested the application of cut-off and revenue recognition. 

- Identifying and testing journal entries, in particular any journal entries posted from staff members with privilege access rights or from generic user accounts, journals posted by key management, journals posted by individual compared to expectations based on their job role and responsibilities and journals with irregular posting patterns by period. 

Our audit procedures were designed to respond to risks of material misstatement in the financial statements, recognising that the risk of not detecting a material misstatement due to fraud is higher than the risk of not 

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detecting one resulting from error, as fraud may involve deliberate concealment by, for example, forgery, misrepresentations or through collusion. There are inherent limitations in the audit procedures performed and the further removed non-compliance with laws and regulations is from the events and transactions reflected in the financial statements, the less likely we are to become aware of it. 

A further description of our responsibilities for the audit of the financial statements is located on the Financial Reporting Council’s website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our auditor’s report. 

In addition, we also report to you whether income from funding bodies, grants and income for specific purposes and from other restricted funds administered by the College have been properly applied only for the purposes for which they were received and whether income has been applied in accordance with the Statutes and, where appropriate, with the Terms and Conditions of Funding with the OfS and UK Research and Innovation (including Research England). 

## Use of our report 

This report is made solely to the Council, as a body, in accordance with paragraph 154 of the Charities Act 2011. Our audit work has been undertaken so that we might state to the College’s Council those matters we are required to state to them in an auditor’s report and for no other purpose.  To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the College and the Council as a body, for our audit work, for this report, or for the opinions we have formed. 


Paula Willock (Senior Statutory Auditor) For and on behalf of BDO LLP, Statutory Auditor Gatwick, United Kingdom 

## Date: 02 December 2022 

BDO LLP is a limited liability partnership registered in England and Wales (with registered number OC305127). 

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## STATEMENT OF PRINCIPAL ACCOUNTING POLICIES 

## 1. Basis of preparation 

These financial statements have been prepared in accordance with the Statement of Recommended Practice (SORP): Accounting for Further and Higher Education and in accordance with Financial Reporting Standard 102 (FRS 102). RCM is a public benefit entity and has therefore applied the relevant public benefit provisions of FRS 102. 

## 2. Basis of consolidation 

The consolidated financial statements include RCM and all its subsidiaries for the financial year to 31 July 2022. The results of subsidiaries acquired or disposed of during the period are included in the consolidated statement of income and expenditure from the date of acquisition or up to the date of disposal. Intra-group transactions are eliminated on consolidation. The consolidated financial statements do not include the income and expenditure of the Students' Union as RCM does not exert control or dominant influence over policy decisions. 

3. Parent company disclosure exemptions In preparing RCM’s financial statements, advantage has been taken of the following disclosure exemptions available in FRS 102: 

- no separate cash flow statement has been presented for RCM; and 

- no separate disclosure has been given for the aggregate remuneration of the key management personnel of RCM as their remuneration is included in the totals for the group as a whole. 

## 4. Judgements in applying accounting policies and key sources of estimation uncertainty In preparing these financial statements, management have made the following judgements: 

## Leases 

in determining whether leases entered into by RCM as a lessor or a lessee are operating or finance leases, management has assessed whether risks and rewards of ownership have been transferred from the lessor to the lessee on a lease by lease basis. With regard to the lease granted by RCM to CLV for student accommodation at Prince Consort Village, management determined that this transaction was a service concession. However, each year RCM nominates bedrooms for students in the range of zero to 417 and the only liability which could fall on RCM is any rental shortfall on its nominated rooms in each year. In this arrangement there are no payments which meet the definition of ‘minimum lease payments’, therefore no such amount has been included on the balance sheet. As such RCM has treated this as a property transaction, whereby RCM disposed of a building and entered into a series of lease transactions, part of the consideration for which was preferential nomination rights. The value of these rights cannot be measured reliably and they are held at nil value in the balance sheet. 

## Tangible assets and investments 

in determining whether there are indicators of impairment of RCM’s tangible and investment assets, management have taken into consideration factors including economic viability and expected future financial performance of assets. 

## Pensions 

in determining the estimate of the RCM Pension & Assurance defined benefit scheme obligation management has reviewed the critical underlying assumptions. Management also reviewed the critical assumptions used to estimate the present value of RCM’s obligation in respect of the funding deficit plan for the Universities Superannuation Scheme. 

## The Associated Board of the Royal Schools of Music (ABRSM) 

RCM has a 25% interest in ABRSM which is carried at cost. ABRSM is not considered to be an associate; although RCM holds an effective 25% interest in ABRSM, it controls less than 20% of the votes on the Board, and as a result RCM does not significantly influence the level of donations it receives from ABRSM. 

The impact of Covid on the trading environment for ABRSM was considerable and it has temporarily suspended donations to RCM and the other members.  RCM has carried out an impairment review of the investment in ABRSM by estimating the present value of the future cash flows under a range of scenarios and concluded that there is no impairment at 31 July 2022. 

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## 5. Income recognition 

Fee income is stated gross of expenditure which is not a discount and credited to the consolidated statement of comprehensive income over the period in which students are studying. Where a tuition fee is reduced by a discount for prompt payment, income receivable is shown net of the discount. Bursaries and scholarships are accounted for gross as expenditure and not deducted from income. Investment income is credited to the statement of comprehensive income and expenditure on a receivable basis. Funds which RCM receives and disburses as a paying agent on behalf of a funding body are excluded from the statement of comprehensive income and expenditure where RCM is exposed to minimal risk or enjoys minimal economic benefit related to the transaction. 

## Grant funding 

Government revenue grants including funding council block grant and research grants are recognised in income over the periods in which RCM recognises the related costs for which the grant is intended. Where part of a government grant is deferred it is recognised as deferred income within creditors and allocated between creditors due within one year and due after more than one year as appropriate. Grants (including research grants) from non-government sources are recognised in income when RCM is entitled to the income and performance related conditions have been met. Income received in advance of performance related conditions being met is recognised as deferred income within creditors on the balance sheet and released to income as the conditions are met. 

## Donations and endowments 

Donations and endowments with donor-imposed restrictions are recognised in income when RCM is entitled to the funds. Income is retained within “restricted reserves” until such time that it is utilised in line with such restrictions at which point the income is released to general reserves through a reserve transfer. Donations with no restrictions are recognised in income when RCM is entitled to the funds. Investment income and appreciation of endowments is recorded in income in the year in which it arises as either restricted or unrestricted income according to the terms and restrictions for each individual endowment fund. There are four main types of donations and endowments identified within reserves: 

1. restricted donations - the donor has specified that the donation must be used for a particular objective; 2. unrestricted permanent endowments - the donor has specified that the fund is to be permanently invested to generate an income stream for the general benefit of RCM; 

3. restricted expendable endowments - the donor has specified a particular objective other than the purchase or construction of tangible fixed assets, and RCM has the power to use the capital; and 

4. restricted permanent endowments - the donor has specified that the fund is to be permanently invested to generate an income stream to be applied to a particular objective. 

## Capital grants 

Government capital grants are recognised in income over the expected useful life of the asset. Other capital grants are recognised in income when RCM is entitled to the funds subject to any performance related conditions being met. 

## Trade debtors 

The estimate for receivables relates to the recoverability of the balances outstanding at year end. A review is performed on an individual debtor basis to consider whether each debt is recoverable. 

## 6. Accounting for retirement benefits 

The principal pension schemes for RCM staff are the Universities Superannuation Scheme, Teachers Pension Scheme, RCM Pension and Assurance Scheme and National Employment Savings Trust. Accounting policies for each scheme are shown in note 27 to the financial statements. 

## 7. Employment benefits 

Short term employment benefits such as salaries and compensated absences are recognised as an expense in the year in which the employees render service to RCM. Any unused benefits are accrued and measured as the additional amount RCM expects to pay as a result of the unused entitlement. 

## 8. Operating leases 

Costs in respect of operating leases are charged on a straight-line basis over the lease term. Any lease premiums or incentives are spread over the life of the lease. 

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## 9. Foreign currency 

Transactions in foreign currencies are translated into pounds sterling being RCM’s functional currency at the foreign exchange rate ruling at the date of transaction. Foreign exchange differences arising on translation are recognised in the statement of comprehensive income. Non-monetary assets and liabilities that are measured in terms of historical cost in a foreign currency are translated using the exchange rate at the date of the transaction. Non-monetary assets and liabilities denominated in foreign currencies that are stated at fair value are translated to the functional currency at foreign exchange rates ruling at the dates the fair value was determined. 

## 10. Fixed assets 

Fixed assets are stated at cost or valuation less accumulated depreciation and accumulated loses. Tangible fixed assets are depreciated over their useful lives, taking into account residual values where appropriate. The useful lives of the assets and residual values are assessed annually and may vary depending on a number of factors. In re-assessing asset lives, factors such as technological innovation, product life cycles and maintenance programmes are taken into account. Residual value assessments consider issues such as future market conditions, the remaining life of the asset and projected disposal values. 

## Land & buildings 

Leasehold land and buildings were valued on the basis of depreciated replacement cost at 31 July 1991 by Wilks, Head and Eve, Chartered Surveyors. Subsequent additions have been included at cost. Freehold buildings are included at cost. There is no indication of any impairment in the value of these assets. Costs incurred in relation to land and buildings after initial purchase or construction are capitalised to the extent that they increase the expected future benefits to RCM. Freehold land is not depreciated as it is considered to have an indefinite useful life. Buildings are depreciated as follows: 

- Freehold buildings 50 years 

- • Leasehold land and buildings 50 years or, if shorter, the period of the lease • Building improvements 20 years 

No depreciation is charged on assets in the course of construction. Freehold land and buildings are the land for student accommodation and a residential property in London. Leasehold land and buildings are the Prince Consort Road campus; a 999-year lease, expiring in 2890, which is non-assignable. In the event that RCM ceases to operate in accordance with its Royal Charter, the property reverts to the landlord. 

RCM owns freehold land in Ravenscourt Park and entered into an agreement with Campus Living Villages (CLV) for development and operation of its hall of residence, Prince Consort Village (PCV) which opened in March 2016. RCM granted a 51-year lease and in return received a lease premium of £15.6million, which is being amortised over the period of the lease; the lease will be returned to RCM after 51 years on payment of a nominal fee (£1). CLV’s 51-year program incorporated construction followed by a 50-year operating program.  The build cost of PCV was £24.1million and, in order to fund construction and provide the RCM lease premium, CLV contracted with M&G for an income strip, which will be repaid over 51 years. If CLV default on the repayments, there is no liability on RCM to repay this debt to M&G. Each year RCM nominates bedrooms for students in the range of zero to 417 and the only liability which could fall on RCM is any rental shortfall on its nominated rooms in each year. In this arrangement there are no payments which meet the definition of ‘minimum lease payments’ therefore no such amount has been included on the balance sheet. As such RCM has treated this as a property transaction, whereby RCM disposed of a building and entered into a series of lease transactions, part of the consideration for which is preferential nomination rights. The value of these rights cannot be measured reliably and so they are held at nil value in the balance sheet. 

## Musical instruments 

Musical instruments were valued at estimated current cost for assets in their condition at 31 July 1998 or at cost for later additions or at valuation for donated instruments. Differences on valuation were credited to a revaluation reserve and are being released over each instrument’s estimated remaining life, with assets depreciated over 10 to 20 years. Musical instruments costing less than £5,000 per individual item are written off to the income and expenditure account in the year of acquisition at cost. 

## Furniture and equipment 

Furniture and equipment, including computers and software, costing less than £5,000 is recognised as expenditure in the year of acquisition at cost. All other equipment of £5,000 or more is capitalised at cost. Depreciation methods, useful lives 

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and residual values are reviewed at the date of preparation of each balance sheet. Capitalised equipment is stated at cost and depreciated over its expected useful life as follows: 

- General equipment, furniture and fittings 5 years 

- Computer and recording equipment 4 years 

## Investments 

Non-current asset investments are held on the balance sheet at fair value. Investments in associates and subsidiaries are carried at cost less impairment in RCM's financial statements. Current asset investments are held at fair value with movements recognised in the surplus or deficit for the year. 

## Financial assets 

Financial assets, other than investments, are initially measured at transaction price (including transaction costs) and subsequently held at amortised cost, less any impairment. 

## 11. Finance costs and financial liabilities 

Finance costs are charged to comprehensive income over the term of the debt using the effective interest rate method so that the amount charged is at a constant rate on the carrying amount. Issue costs are initially recognised as a reduction in the proceeds of the associated capital instrument. 

Financial liabilities are classified according to the substance of the financial instrument's contractual obligations, rather than the financial instrument's legal form. Financial liabilities are initially measured at transaction price (including transaction costs) and subsequently held at amortised cost. 

## 12. Heritage assets 

Heritage assets consist of reference material in the library and the museum collection of portraits, performance archives and other works of art of significant historical interest to musicians. Heritage assets are not depreciated as their long economic life and high residual value means depreciation will not be material. Heritage assets valued at £5,000 and more are included where practicable in the financial statements. 

The RCM library holds collections of printed and manuscript music, books, letters and other archival collections. No valuation has been obtained for the collection as a whole, or individual items, for reasons of cost and practicality. Assets acquired before August 2009 have not been valued due to their scale and uniqueness: valuation costs would exceed the benefit derived to the users of the financial statements. Assets donated or purchased with a value of more than £2,000 between 1 August 2009 and 31 July 2014 are included in the financial statements where values have been reasonably obtainable. From 1 August 2014, assets donated or purchased with a value of £5,000 or more are capitalised. Preservation and management are explained in the Library Collection Development Policy, with policies for selection, donations, retention and disposal of heritage assets. The policy precludes disposal of any item unless it is a duplicate. Costs of preservation are funded from various sources including grants, donations and RCM funds. 

The RCM museum collection comprises around 1,000 items, most of which are instruments or parts of instruments. The collection also includes archival material. A financial valuation took place in 2010/11 and most of the collection was viewed by experts from Sotheby’s and Bonham’s and instruments valued at £4.4million were added to the balance sheet in the 2010/11 financial statements. 

The Portraits and Performance History Collection (PPHC) is a collection of photographs, art, printed items and manuscripts dating from c1620 to present day and is available for viewing to members of RCM, visiting researchers and members of the public. Portraits and other works of art are stated at valuation in the financial statements and are not depreciated. There is no reason to believe that there has been any impairment in the value of these assets. A majority of these works were donated to RCM, though occasional purchases have been made over the years. No overall valuation has been made of the collection, though many works of art were valued in 2005 and are included in the financial statements. The cost of undertaking valuations for the remaining collections acquired prior to August 2009 outweigh the benefits to the readers of the financial statements. The PPHC continues to accept donations and make purchases if materials complement and enhance existing holdings and can be accommodated in appropriate conditions. RCM has adopted the principle that, except for sound curatorial reasons, there is a strong presumption against the disposal of any items of the PPHC. 

39 



Heritage assets are not depreciated as their long economic life and high residual value means depreciation will not be material. There is a Museum Acquisitions and Disposals Policy, including instructions for selection, donations, retention and disposal of assets and RCM has adopted the principle that, except for sound curatorial reasons, there is a strong presumption against the disposal of any items in the museum collection. The museum is accredited with the Museums, Libraries and Archives Council and adheres to national standards of care and access, including a specific budget for conservation which is applied to the upkeep of playable instruments and cleaning and care of the whole collection. 

## 13. Cash and cash equivalents 

Cash includes cash in hand, deposits and overdrafts. Cash equivalents are short term, highly liquid investments (deposits of three months or less) that are readily convertible to known amounts of cash with insignificant risk of change in value. 

## 14. Provisions, contingent liabilities and contingent assets 

Provisions are recognised in the financial statements when: RCM has a present obligation (legal or constructive) as a result of a past event; it is probable that an outflow of economic benefits will be required to settle the obligation; and a reliable estimate can be made of the amount of the obligation. The amount recognised as a provision is determined by discounting the expected future cash flows at a pre-tax rate that reflects risks specific to the liability. 

A contingent liability arises from a past event that gives RCM a possible obligation whose existence will only be confirmed by the occurrence or otherwise of uncertain future events not wholly within the control of RCM. Contingent liabilities also arise in circumstances where a provision would otherwise be made but either it is not probable that an outflow of resources will be required or the amount of the obligation cannot be measured reliably. A contingent asset arises where an event has taken place that gives RCM a possible asset whose existence will only be confirmed by the occurrence or otherwise of uncertain future events not wholly within the control of RCM. Contingent assets and liabilities are not recognised in the balance sheet but are disclosed in the notes. 

## 15. Accounting for associates 

An entity is treated as an associated undertaking where the group exercises significant influence over its operating and financial policy decisions. In the group accounts, interests in associated undertakings are accounted for using the equity method of accounting. The consolidated income & expenditure account includes the group's share of the operating results, interest, pre-tax results and attributable taxation of such undertakings. In the consolidated balance sheet interest in associated undertakings is shown as the group's share of identifiable net assets, including any unamortised premium paid on acquisition. RCM's fully-owned subsidiary RCM Business Enterprises Limited holds a 20% holding in CLV (RCM) LLP and this interest is accounted for using the equity method in the consolidated accounts. 

## 16. Taxation 

RCM is an exempt charity within the meaning of Part 3 of the Charities Act 2011 and is therefore potentially exempt from taxation in respect of income or capital gains received within categories covered by section 478- 488 of the Corporation Tax Act 2010 (CTA 2010) or section 256 of the Taxation of Chargeable Gains Act 1992, to the extent that such income or gains are applied to exclusively charitable purposes. RCM receives no similar exemption in respect of Value Added Tax. Irrecoverable VAT on inputs is included in the costs of such inputs. Any irrecoverable VAT allocated to fixed assets is included in their cost. 

## 17. Reserves 

Reserves are classified as restricted or unrestricted. Restricted endowment reserves include balances which are held as a permanently restricted fund which RCM must hold in perpetuity. Other restricted reserves include balances where the donor has designated a specific purpose and RCM is restricted in the use of these funds. 

## 18. Total Return 

The total return basis of managing the Scholarships and Awards Fund (excluding the portion of it that is invested in CLV (RCM) LLP through the RCM subsidiary RCM Business Enterprises Limited), was implemented on 1 August 2021. This approach permits RCM to invest the fund to maximise the Total Return on investments (taking both capital values and income into consideration) and, therefore, to make available an appropriate portion of the Total Return for expenditure each year, after accounting, among other things, for preservation of the real term value of the permanent endowment. Until this power is exercised in full, the Total Return is shown as an 'Unapplied Total Return' and remains as part of the permanent endowment. 

40 



## Total Return Accounting 

The initial value of the trust for investment and the initial value of the unapplied total return were established as at 31 July 2020. The date of the valuation for each individual endowment within the fund is the date that endowment was received, or a reasonable estimate thereof, and the calculation of the value of the trust for investment includes all funds in place at 31 July 2020. At that same date, the initial value of unapplied total return was determined as equal to the accumulated unapplied income from the trust for investment and the increase in value of the trust for investment since the date of valuation of each individual endowment within the fund. The Council took advice from Cazenove to inform its decisions, and to inform its policy on a suitable level of unapplied total return going forward. 

## 19. Prior Period Adjustment 

The prior period adjustment moves £317,780 from the endowment reserve to the restricted reserve following a review of the accounting treatment of historic funds as part of the Group’s adoption of total return accounting for the Scholarship & Awards Fund, during which it was identified that certain restricted funds that were not endowed had been incorrectly included in the endowment reserve. The adjustment also reclassifies £409,653 of net surplus recognised on these funds in the year to 31 July 2021 from restricted endowment comprehensive income to restricted comprehensive income. No other Financial Statement line items are affected by this adjustment and there is nil impact on previously reported surpluses or net assets. 

41 



## **Consolidated and RCM statement of comprehensive income** 

## **Year ended 31 July 2022** 

|**Note**<br>**Income**<br>Tuition fees<br>1<br>Funding body grants<br>2<br>Research grants and contracts<br>3<br>Other income<br>4<br>Investment income<br>5<br>**Total income before endowments and donations**<br>Donations and endowments<br>6<br>**Total income**<br>**Expenditure**<br>Staff costs before pension adjustment<br>7<br>Pension adjustment<br>7<br>Total staff costs<br>7<br>Other operating expenses<br>8<br>Depreciation<br>10<br>Interest and other finance costs<br>9<br>**Total expenditure**<br>**Surplus before gains and share of operating surplus of associates**<br>Loss on disposal of tangible fixed assets<br>Gain/(loss) on disposal of investments<br>Change in fair value of investments<br>12<br>**Surplus/(Deficit) for the year**<br>Actuarial gain/(loss) in respect of pension schemes<br>27<br>**Total comprehensive income for the year**<br>Represented by:<br>Restricted endowment comprehensive income for the year<br>Restricted comprehensive income for the year<br>21<br>Unrestricted comprehensive income for the year<br>Revaluation reserve comprehensive income for the year<br>23|**Consolidated**<br>**RCM**<br>Consolidated<br>RCM<br>£<br>£<br>£<br>£<br>restated<br>restated<br>**16,815,413**<br>**16,815,413**<br>15,190,402<br>15,190,402<br>**6,259,882**<br>**6,259,882**<br>5,883,460<br>5,883,460<br>**301,490**<br>**301,490**<br>535,641<br>535,641<br>**2,739,217**<br>**2,758,061**<br>1,634,444<br>1,634,444<br>**1,579,663**<br>**1,579,663**<br>1,189,757<br>1,232,389<br>**Year ended 31 July 2022**<br>Year ended 31 July 2021|
|---|---|
||**27,695,665**<br>**27,714,509**<br>24,433,704<br>24,476,336<br>**5,398,239**<br>**5,398,239**<br>3,148,838<br>3,148,838|
||**33,093,904**<br>**33,112,748**<br>28,866,121<br>28,908,753|
||**15,721,440**<br>**15,721,440**<br>15,368,098<br>15,368,098<br>**3,114,996**<br>**3,114,996**<br>(267,493)<br>(267,493)|
||**18,836,436**<br>**18,836,436**<br>15,100,605<br>15,100,605<br>**11,048,449**<br>**11,020,976**<br>8,860,881<br>8,807,084<br>**2,886,690**<br>**2,886,690**<br>2,571,344<br>2,571,344<br>**209,392**<br>**209,392**<br>225,921<br>225,921|
||**32,980,967**<br>**32,953,494**<br>26,758,751<br>26,704,954|
||**112,937**<br>**159,254**<br>2,107,370<br>2,203,799<br>**(74,504)**<br>**(74,504)**<br>(319,171)<br>(319,171)<br>**232,452**<br>**232,452**<br>1,651,680<br>1,651,680<br>**(2,236,018)**<br>**(2,236,018)**<br>5,239,036<br>5,239,036|
||**(1,965,133)**<br>**(1,918,816)**<br>8,678,915<br>8,775,344<br>**891,000**<br>**891,000**<br>1,031,000<br>1,031,000|
||**(1,074,133)**<br>**(1,027,816)**<br>9,709,915<br>9,806,344|
||**(3,640,847)**<br>**(3,594,530)**<br>6,398,392<br>6,494,821<br>**2,417,305**<br>**2,417,305**<br>405,616<br>405,616<br>**430,922**<br>**430,922**<br>2,366,982<br>2,366,982<br>**(281,513)**<br>**(281,513)**<br>538,925<br>538,925|
||**(1,074,133)**<br>**(1,027,816)**<br>9,709,915<br>9,806,344|



The statement of comprehensive income is in respect of continuing activities. 

The accounting policies and notes form part of these financial statements. 

42 



## **Consolidated and RCM statement of changes in reserves Year ended 31 July 2022** 

|**Consolidated**<br>**Balance at 1 August 2020 - as previously stated**<br>Reclassification from endowment to restricted reserves - Prior period adjustment<br>**Balance at 1 August 2020 - restated**<br>Surplus from the income and expenditure statement<br>Other comprehensive income<br>Transfer of unapplied total return allocated to income<br>Transfers between revaluation and income and expenditure reserve<br>Reclassification from unrestricted reserves to endowment reserves<br>**Total comprehensive income for the year**<br>**Balance at 1 August 2021**<br>Surplus from the income and expenditure statement<br>Other comprehensive income<br>Transfer of unapplied total return allocated to income<br>Transfers between revaluation and income and expenditure reserve<br>**Total comprehensive income for the year**<br>**Balance at 31 July 2022**<br>**Royal College of Music**<br>**Balance at 1 August 2020 - as previously stated**<br>Reclassification from endowment to restricted reserves - Prior period adjustment<br>**Balance at 1 August 2020 - restated**<br>Surplus after taxation from the income and expenditure statement<br>Other comprehensive income<br>Transfer of unapplied total return allocated to income<br>Transfers between revaluation and income and expenditure reserve<br>Reclassification from restricted to unrestricted reserves<br>**Total comprehensive income for the year**<br>**Balance at 1 August 2021**<br>Surplus after taxation from the income and expenditure statement<br>Other comprehensive income<br>Transfer of unapplied total return allocated to income<br>Transfers between revaluation and income and expenditure reserve<br>**Total comprehensive income for the year**<br>**Balance at 31 July 2022**|**Endowment**<br>**£**<br>**42,446,509**<br>(317,780)<br>**Income**|**Restricted**<br>**£**<br>**353,964**<br>317,780<br>**and expenditure a**|**Unrestricted**<br>**£**<br>**43,960,298**<br>-<br>**43,960,298**<br>2,147,755<br>1,031,000<br>-<br>(538,925)<br>(272,848)<br>**2,366,982**<br>**46,327,280**<br>(741,591)<br>891,000<br>-<br>281,513<br>**430,922**<br>**46,758,202**<br>**Unrestricted**<br>**£**<br>**43,960,298**<br>-<br>**43,960,298**<br>2,147,755<br>1,031,000<br>-<br>(538,925)<br>(272,848)<br>**2,366,982**<br>**46,327,280**<br>(741,591)<br>891,000<br>-<br>281,513<br>**430,922**<br>**46,758,202**<br>**ccount**<br>**ccount**|**£**<br>**13,823,293**<br>-<br>**13,823,293**<br>-<br>-<br>-<br>538,925<br>**538,925**<br>**14,362,218**<br>-<br>(281,513)<br>**(281,513)**<br>**14,080,705**<br>**£**<br>**13,823,293**<br>-<br>**13,823,293**<br>-<br>-<br>-<br>538,925<br>**538,925**<br>**14,362,218**<br>-<br>(281,513)<br>**(281,513)**<br>**14,080,705**<br>**Revaluation**<br>**reserve**<br>**Revaluation**<br>**reserve**|**£**<br>**100,584,064**<br>-<br>**Total**<br>**reserves**|
|---|---|---|---|---|---|
||**42,128,729**<br>7,402,454<br>-<br>(1,276,910)<br>-<br>272,848<br>**6,398,392**<br>**48,527,121**<br>(55,323)<br>(3,585,524)<br>**(3,640,847)**<br>**44,886,273**<br>**Endowment**<br>**£**<br>**41,992,927**<br>(317,780)<br>**Income**|**671,744**<br>(871,294)<br>-<br>1,276,910<br>-<br>**405,616**<br>**1,077,360**<br>(1,168,219)<br>3,585,524<br>**2,417,305**<br>**3,494,666**<br>**Restricted**<br>**£**<br>**353,964**<br>317,780<br>**and expenditure a**|||**100,584,064**<br>8,678,915<br>1,031,000<br>-<br>-<br>-|
||||||**9,709,915**|
||||||**110,293,979**<br>(1,965,133)<br>891,000<br>-<br>-|
||||||**(1,074,133)**|
||||||**109,219,846**|
||||||**£**<br>**100,130,482**<br>-<br>**Total**<br>**reserves**|
||**41,675,147**<br>7,498,883<br>-<br>(1,276,910)<br>-<br>272,848<br>**6,494,821**<br>**48,169,968**<br>(9,006)<br>(3,585,524)<br>**(3,594,530)**<br>**44,575,437**|**671,744**<br>(871,294)<br>-<br>1,276,910<br>-<br>**405,616**<br>**1,077,360**<br>(1,168,219)<br>3,585,524<br>**2,417,305**<br>**3,494,666**|||**100,130,482**<br>8,775,344<br>1,031,000<br>-<br>-|
||||||**9,806,344**|
||||||**109,936,826**<br>(1,918,816)<br>891,000<br>-<br>-|
||||||**(1,027,816)**|
||||||**108,909,010**|



The accounting policies and notes form part of these financial statements. 

The prior period adjustment moves £317,780 from the endowment reserve to the restricted reserve following a review of the accounting treatment of historic funds as part of the Group’s adoption of total return accounting for the Scholarship & Awards Fund where it was identified that certain restricted funds that were not endowed had been incorrectly included in the endowment reserve. The adjustment also reclassifies £409,653 of net surplus recognised on these funds in the year to 31 July 2021 from restricted endowment comprehensive income to restricted comprehensive income. No other Financial Statement line items are affected by this adjustment and there is nil impact on previously reported surpluses or net assets. 

43 



## **Consolidated and RCM balance sheet** 

## **Year ended 31 July 2022** 

|**Note**<br>**Non-current assets**<br>Fixed assets<br>10<br>Heritage assets<br>10,11<br>Investments<br>12<br>Investment in subsidiary company<br>13<br>**Current assets**<br>Trade and other receivables<br>14<br>Investments<br>15<br>Cash and cash equivalents<br>Less: Creditors: amounts falling due within one year<br>17<br>**Net current assets**<br>**Total assets less current liabilities**<br>Creditors: amounts falling due after more than one year<br>18<br>**Provisions**<br>Pension provisions<br>19<br>**Total net assets**<br>**Restricted reserves**<br>Income and expenditure reserve - endowment reserve<br>20<br>Income and expenditure reserve - restricted reserve<br>21<br>**Unrestricted reserves**<br>Income and expenditure reserve - unrestricted<br>Revaluation reserve<br>23<br>**Total reserves**|**Consolidated**<br>**RCM**<br>**£**<br>**£**<br>**69,408,230**<br>**69,408,230**<br>**5,550,757**<br>**5,550,757**<br>**53,759,280**<br>**52,048,418**<br>**-**<br>**1,710,862**<br>**128,718,267**<br>**128,718,267**<br>**2,253,046**<br>**2,051,625**<br>**2,500,000**<br>**2,500,000**<br>**6,339,588**<br>**6,202,833**<br>**11,092,634**<br>**10,754,458**<br>**(3,979,223)**<br>**(3,951,883)**<br>**7,113,411**<br>**6,802,575**<br>**135,831,678**<br>**135,520,842**<br>**(20,387,121)**<br>**(20,387,121)**<br>**(6,224,712)**<br>**(6,224,712)**<br>**109,219,845**<br>**108,909,009**<br>**44,886,273**<br>**44,575,437**<br>**3,494,666**<br>**3,494,666**<br>**46,758,201**<br>**46,758,201**<br>**14,080,705**<br>**14,080,705**<br>**109,219,845**<br>**108,909,009**<br>**As at 31 July 2022**|Consolidated<br>RCM<br>£<br>£<br>restated<br>restated<br>71,064,692<br>71,064,692<br>5,543,757<br>5,543,757<br>54,750,057<br>53,039,195<br>-<br>1,710,862<br>131,358,506<br>131,358,506<br>1,805,523<br>1,440,375<br>-<br>-<br>8,910,811<br>8,891,466<br>10,716,334<br>10,331,841<br>(10,056,547)<br>(10,029,207)<br>659,787<br>302,634<br>132,018,293<br>131,661,140<br>(17,406,450)<br>(17,406,450)<br>(4,317,864)<br>(4,317,864)<br>**110,293,979**<br>**109,936,826**<br>48,527,121<br>48,169,968<br>1,077,360<br>1,077,360<br>46,327,280<br>46,327,280<br>14,362,218<br>14,362,218<br>**110,293,979**<br>**109,936,826**<br>As at 31 July 2021|Consolidated<br>RCM<br>£<br>£<br>restated<br>restated<br>71,064,692<br>71,064,692<br>5,543,757<br>5,543,757<br>54,750,057<br>53,039,195<br>-<br>1,710,862<br>131,358,506<br>131,358,506<br>1,805,523<br>1,440,375<br>-<br>-<br>8,910,811<br>8,891,466<br>10,716,334<br>10,331,841<br>(10,056,547)<br>(10,029,207)<br>659,787<br>302,634<br>132,018,293<br>131,661,140<br>(17,406,450)<br>(17,406,450)<br>(4,317,864)<br>(4,317,864)<br>**110,293,979**<br>**109,936,826**<br>48,527,121<br>48,169,968<br>1,077,360<br>1,077,360<br>46,327,280<br>46,327,280<br>14,362,218<br>14,362,218<br>**110,293,979**<br>**109,936,826**<br>As at 31 July 2021|
|---|---|---|---|
||||131,358,506|
||||1,440,375<br>-<br>8,891,466|
||||10,331,841<br>(10,029,207)|
||||302,634|
||||131,661,140<br>(17,406,450)<br>(4,317,864)|
||||**109,936,826**|
||||48,169,968<br>1,077,360<br>46,327,280<br>14,362,218|
||||**109,936,826**|



The financial statements were approved and authorised for issue by the Council on 2 December 2022 and were signed on its behalf on that date by: 



Professor Colin Lawson, Director Lord Black of Brentwood,  Chair of Council 

The accounting policies and notes form part of these financial statements. 

44 



## **Consolidated cash flow Year ended 31 July 2022** 

|**Note**<br>**Cash flow from operating activities**<br>(Deficit)/Surplus for the year<br>**Adjustment for non-cash items**<br>Depreciation<br>10<br>(Gain) on disposal of fixed asset investments<br>Loss/(gain) on fair value of investments<br>(Increase) in debtors<br>14<br>(Decrease)/Increase in creditors<br>Increase/(decrease) in pension provision<br>19<br>Receipt of donated assets<br>Amortised lease income<br>**Adjustment for investing or financing activities**<br>Investment income<br>5<br>Interest payable<br>9<br>Endowment income<br>6<br>Loss on the disposal of fixed assets<br>Capital grant income<br>**Net cash (outflow)/inflow from operating activities**<br>**Cash flows from investing activities**<br>Proceeds from sale of fixed assets<br>Capital grants receipts<br>Disposal of non-current asset investments<br>Investment income<br>5<br>Payments made to acquire fixed assets<br>Purchase of non-current asset investments<br>New fixed term deposits<br>Fixed term deposits expired<br>**Net cash outflow from investing activities**<br>**Cash flows from financing activities**<br>Interest paid<br>9<br>Endowment cash received<br>Repayments of amounts borrowed<br>**Net cash inflow from financing activities**<br>**Increase/(decrease) in cash and cash equivalents in the year**<br>Cash and cash equivalents at beginning of the year<br>Cash and cash equivalents at end of the year|**Year ended 31**<br>**July 2022**<br>**£**<br>**(1,074,133)**<br>**2,886,690**<br>**(232,452)**<br>**2,236,018**<br>**(447,523)**<br>**(175,727)**<br>**1,906,848**<br>**(379,428)**<br>**(304,908)**<br>**(1,579,663)**<br>**152,722**<br>**(631,716)**<br>**77,004**<br>**(737,688)**<br>**1,696,044**<br>**2,500**<br>**284,419**<br>**39,945,831**<br>**1,579,663**<br>**(937,304)**<br>**(40,958,620)**<br>**(2,500,000)**<br>**-**<br>**(2,583,511)**<br>**(152,722)**<br>**631,716**<br>**(2,162,750)**<br>**(1,683,756)**<br>**(2,571,223)**<br>**8,910,811**<br>**6,339,588**|Year ended 31 July<br>2021<br>£<br>9,709,915<br>2,571,344<br>(1,651,680)<br>(5,239,036)<br>(422,922)<br>410,792<br>(1,602,611)<br>(187,000)<br>(304,908)<br>(1,189,757)<br>108,923<br>(376,406)<br>319,171<br>(715,173)|
|---|---|---|
|||1,430,652|
|||-<br>143,283<br>7,852,545<br>1,189,757<br>(1,941,943)<br>(8,061,151)<br>-<br>2,500,000|
|||1,682,491|
|||(108,923)<br>376,406<br>(2,162,750)|
|||(1,895,267)|
||||
|||1,217,876|
|||7,692,935<br>8,910,811|



The accounting policies and notes form part of these financial statements. 

45 



## **Notes to the accounts for the year ended 31 July 2022** 

|||**Year ended 31 July 2022**|**Year ended 31 July 2022**|Year ended 31 July 2021|Year ended 31 July 2021|
|---|---|---|---|---|---|
|||**Consolidated**|**RCM**|Consolidated|RCM|
|||**£**|**£**|£|£|
|**1**|**Tuition fees**|||||
||Full-time UG home and EU|**2,981,401**|**2,981,401**|2,994,277|2,994,277|
||Full-time PG home and EU|**2,388,241**|**2,388,241**|2,485,660|2,485,660|
||Part-time home and EU|**243,329**|**243,329**|231,763|231,763|
||Non-EU|**9,313,956**|**9,313,956**|7,494,002|7,494,002|
||Other|**1,888,486**|**1,888,486**|1,984,700|1,984,700|
|||**16,815,413**|**16,815,413**|15,190,402|15,190,402|
|**2**|**Funding body grants**|||||
||Recurrent grant|||||
||Teaching|**4,607,637**|**4,607,637**|4,378,237|4,378,237|
||Research|**921,638**|**921,638**|501,205|501,205|
||HEIF|**388,755**|**388,755**|335,207|335,207|
||Specific grants|||||
||Staff related inherited liabilities|**19,535**|**19,535**|15,850|15,850|
||Other grants|**143,754**|**143,754**|156,610|156,610|
||Capital grants released in the year|**178,563**|**178,563**|496,351|496,351|
|||**6,259,882**|**6,259,882**|5,883,460|5,883,460|
||There is NIL on other capital grant that has been recognised in the year relating to correct amortisation charges on grants received (FY|||||
||20-21 £392,899 )|||||
||The table below shows the sources of grant and fee income.|||||
||**Grant and fee income**|||||
||Grant income from OfS|**4,619,926**|**4,619,926**|4,964,023|4,964,023|
||Grant income from other bodies|**1,941,446**|**1,941,446**|1,646,775|1,646,775|
||Fee income for taught awards (exclusive of VAT)|**14,534,640**|**14,534,640**|12,854,457|12,854,457|
||Fee income for research awards (exclusive of VAT)|**392,289**|**392,289**|351,245|351,245|
||Fee income from non-qualifying courses (exclusive of VAT)|**1,888,485**|**1,888,485**|1,984,700|1,984,700|
|||**23,376,785**|**23,376,785**|21,801,200|21,801,200|
|**3**|**Research grants and contracts**|||||
||BIS research councils|**284,436**|**284,436**|388,664|388,664|
||UK-based charities|**-**|**-**|1,621|1,621|
||Government (UK and overseas)|**17,054**|**17,054**|13,871|13,871|
||Other|**-**|**-**|131,485|131,485|
|||**301,490**|**301,490**|535,641|535,641|
|**4**|**Other income**|||||
||Residences, catering and conferences|**694,211**|**694,211**|66,351|66,351|
||Other capital grants|**559,125**|**559,125**|218,822|218,822|
||Other services rendered|**365,411**|**365,411**|30,329|30,329|
||Lease premium - Prince Consort Village|**304,908**|**304,908**|304,908|304,908|
||Other income|**815,562**|**834,406**|1,014,034|1,014,034|
|||**2,739,217**|**2,758,061**|1,634,444|1,634,444|
||Other income in 2020/21 includes £191,697 claimed through the Coronavirus Job Retention Scheme.|||||
|**5**|**Investment income**|||||
||Investment income on endowment assets - unrestricted|**137,498**|**137,498**|45,970|45,970|
||Investment income on endowment assets - restricted|**1,409,007**|**1,409,007**|1,142,942|1,185,574|
||Other interest receivable|**33,158**|**33,158**|845|845|
|||**1,579,663**|**1,579,663**|1,189,757|1,232,389|



46 



## **Notes to the accounts for the year ended 31 July 2022** 

|**Note**<br>**6**<br>**Donations and endowments**<br>New endowments with restrictions<br>Restricted donations<br>Unrestricted donations - Other<br>**7**<br>**Staff costs**<br>Salaries<br>Social security costs<br>Movement on USS provision and related finance charge<br>9, 19<br>Other pension costs<br>27|**Consolidated**<br>**RCM**<br>Consolidated<br>RCM<br>**£**<br>**£**<br>£<br>£<br>**631,716**<br>**631,716**<br>376,406<br>376,406<br>**2,748,033**<br>**2,748,033**<br>3,148,838<br>3,148,838<br>**2,018,490**<br>**2,018,490**<br>907,173<br>907,173<br>**Year ended 31 July 2022**<br>Year ended 31 July 2021|
|---|---|
||**5,398,239**<br>**5,398,239**<br>4,432,417<br>4,432,417|
||**12,495,198**<br>**12,495,198**<br>12,140,877<br>12,140,877<br>**1,095,164**<br>**1,095,164**<br>1,054,628<br>1,054,628<br>**3,114,996**<br>**3,114,996**<br>(267,493)<br>(267,493)<br>**2,131,078**<br>**2,131,078**<br>2,172,592<br>2,172,592|
||**18,836,436**<br>**18,836,436**<br>15,100,605<br>15,100,605|



|Emoluments of the Director<br>Basic salary<br>Payment in lieu of pension<br>Benefits in kind<br>Emoluments excluding pension contributions<br>Pension contributions*<br>Emoluments including pension contributions|**Year ended 31**<br>**July 2022**<br>Year ended 31<br>July 2021<br>**£**<br>£<br>**228,000**<br>228,000<br>**34,884**<br>34,884<br>**11,949**<br>10,987|
|---|---|
||**274,833**<br>273,871<br>**12,730**<br>4,560|
||**287,563**<br>278,431|



*The Director is a member of USS, with an enhanced opt-out which commenced in April 2016. The employer contribution is only for life assurance and incapacity cover.  Benefits in kind relate to private healthcare. 

In determining the Director's pay for 2021/22, the Remuneration Committee took into account the context in which the RCM was operating: 

a.           The national negotiations on an annual cost of living award for 2021/22, with a final offer from UCEA of a 1.5% uplift to the pay spine with higher increases on the lowest points 

b.           The current financial position of RCM, and the progress at RCM in 2020/21 

c.           Pay in the wider economy and the financial impact of the COVID-19 global pandemic 

d.           Benchmarking information on vice-chancellor pay, specifically at direct competitor institutions and institutions of a similar size and standing, although it was noted that the impact of the pandemic had impacted the availability of some contextual benchmarking data. 

At the remuneration committee meeting held on 17 June 2021, the Director provided a verbal overview of RCM progress over the year.  Key points noted included the success of the campus redevelopment, the successful pivot to digital delivery, the high level of student satisfaction and the current financial health of the RCM and the wider HE sector. The Committee discussed the exceptional leadership of the Director during a very challenging period. The Committee reluctantly accepted the Director’s wishes to receive no pay increase in 2021/22 in the light of the constraints on the College as a result of the pandemic. The Director is not a member of the Remuneration Committee. A full report was presented to the RCM Council at its meeting on 7 July 2021. 

The Annual Report of the Remuneration Committee is available on the RCM website. 

47 



**Notes to the accounts for the year ended 31 July 2022** 

## **7 Staff costs (continued)** 

i. The head of the provider’s basic salary is 6.3 times the median pay of staff (2021: 4.9 times), where the median pay is calculated on a full-time equivalent basis for the salaries paid by the provider to its staff. 

ii. The head of the provider’s total remuneration is 6.6 times the median total remuneration of staff (2021: 5.8 times), where the median total remuneration is calculated on a full-time equivalent basis for the total remuneration by the provider of its staff. 

|Basic pay of senior staff excluding Director<br>£100,000 - £104,999<br>£115,000 - £119,999<br>£150,000 - £154,999<br>Average staff numbers by major category:<br>Academic departments<br>Academic services<br>Premises<br>Administration and central services|**2022**<br>**2021**<br>**Headcount**<br>Headcount<br>3<br>3<br>1<br>1<br>1<br>1|
|---|---|
||5<br>5|
||**FTE**<br>FTE<br>**163**<br>130<br>**38**<br>54<br>**24**<br>22<br>**57**<br>56|
||**282**<br>262|



The methodology for the average staff FTE's was reviewed by the College to ensure a consistent, transparent approach to calculating FTEs for hourly paid staff.  If the prior year FTEs had been restated then the FTE equivalents would be: 

|Average staff numbers by major category:<br>Academic departments<br>Academic services<br>Premises<br>Administration and central services|FTE<br>164<br>31<br>20<br>40|
|---|---|
||255|



## **Key personnel** 

Key personnel are those persons having authority and responsibility for planning, directing and controlling the activities of the RCM. This comprises members of Council and the executive directors.  There was no compensation for loss of office paid to key personnel during the year. The total remuneration, including employer pension contributions, of the RCM's eight executive directors included in 2021/22 for Key personnel was £1,305,832 (2020/21: £1,266,593). 

## **Council Members** 

RCM Council members are trustees for charitable law purposes.  All transactions involving organisations in which a member of Council may have an interest are conducted in accordance with the RCM's financial regulations and procedures. Ex-officio and elected members of Council are RCM staff and as such are remunerated in the normal course of their duties.  No Council member received any remuneration or waived payments during the year or the previous year. 

48 



## **Notes to the accounts for the year ended 31 July 2022** 

|**Note**<br>**8**<br>**Other operating expenses**<br>Academic and related expenditure<br>Research related expenditure<br>Catering<br>Learning resources<br>Scholarships and awards<br>Grant to RCM Students' Union<br>Professional fees<br>Premises<br>Courtyard business as usual costs<br>Other expenses<br>Other operating expenses include:<br>External auditors' remuneration in respect of audit services<br>External auditors' remuneration in respect of audit related services<br>External auditors' remuneration in respect of non-audit services<br>Internal auditors' remuneration - internal audits<br>Operating lease rentals<br>Land and buildings<br>Other<br>**Access and Participation**<br>Access Investment (i)<br>Financial Support<br>Disability Support (ii)<br>Research and Evaluation (iii)<br>The table below shows the expenditure on access and participation in the year.|**Consolidated**<br>**RCM**<br>Consolidated<br>RCM<br>**£**<br>**£**<br>£<br>£<br>**586,704**<br>**586,704**<br>297,943<br>297,943<br>**38,259**<br>**38,259**<br>188,296<br>188,296<br>**425,813**<br>**425,813**<br>142,382<br>142,382<br>**324,647**<br>**324,647**<br>305,456<br>305,456<br>**4,344,723**<br>**4,344,723**<br>3,497,856<br>3,497,856<br>**13,291**<br>**13,291**<br>37,966<br>37,966<br>**327,438**<br>**327,438**<br>402,712<br>402,712<br>**2,304,569**<br>**2,304,569**<br>1,894,013<br>1,894,013<br>**17,125**<br>**17,125**<br>28,137<br>28,137<br>**2,665,880**<br>**2,638,407**<br>2,066,120<br>2,012,323<br>**Year ended 31 July 2022**<br>Year ended 31 July 2021|
|---|---|
||**11,048,449**<br>**11,020,976**<br>8,860,881<br>8,807,084|
||**52,200**<br>**52,200**<br>45,756<br>45,756<br>**6,340**<br>**6,340**<br>6,540<br>6,540<br>**-**<br>**-**<br>1,107<br>1,107<br>**37,360**<br>**37,360**<br>36,578<br>36,578<br>**148,073**<br>**148,073**<br>155,422<br>155,422<br>**45,533**<br>**45,533**<br>29,197<br>29,197<br>**256,639**<br>**256,639**<br>253,065<br>253,065<br>**226,625**<br>**226,625**<br>138,750<br>138,750<br>**17,642**<br>**17,642**<br>-<br>-<br>**32,769**<br>**32,769**<br>28,333<br>28,333|
||**533,675**<br>**533,675**<br>420,148<br>420,148|



(i) £145,094 of these costs are included in the overall staff costs figures included in the financial statements, see note 7 (2020-21: £137,349) (ii) £14,254 of these costs are included in the overall staff costs figures included in the financial statements, see note 7 (2020-21: £0) 

(iii) £26,769 of these costs are included in the overall staff costs figures included in the financial statements, see note 7 (2020-21: £26,333) 

|**9**<br>**Interest and other finance costs**<br>Loan interest<br>Loan commitment fee<br>Exchange differences<br>Net finance charge on pension schemes<br>USS<br>RCM Pension and Assurance Scheme<br>Relevant information can be found on our website:<br>https://www.rcm.ac.uk/about/strategies-values/people-equality-diversity/|**152,722**<br>**152,722**<br>108,923<br>108,923<br>**6,818**<br>**6,818**<br>22,573<br>22,573<br>**-**<br>**-**<br>30,543<br>30,543<br>**31,000**<br>**31,000**<br>17,882<br>17,882<br>**18,852**<br>**18,852**<br>46,000<br>46,000|
|---|---|
||**209,392**<br>**209,392**<br>225,921<br>225,921|



49 



## **Notes to the accounts for the year ended 31 July 2022** 

|**10**<br>**Fixed Assets: consolidated and RCM**<br>**Cost or valuation**<br>At 1 August 2021<br>Additions<br>Transfers<br>Disposals<br>**At 31 July 2022**<br>**Depreciation**<br>At 1 August 2021<br>Charge for the year<br>Disposals<br>**At 31 July 2022**<br>**Net book value**<br>**At 31 July 2022**<br>**At 1 August 2021**|**Freehold land**<br>**and buildings**<br>**£**<br>1,708,781<br>-<br>-<br>-<br>**1,708,781**<br>83,079<br>5,175<br>-<br>**88,254**<br>**1,620,527**|**Leasehold land**<br>**and buildings**<br>**£**<br>76,287,879<br>24,870<br>-<br>-<br>**76,312,749**<br>12,887,204<br>1,918,832<br>-<br>**14,806,036**<br>**61,506,713**|**Musical**<br>**instruments**<br>**£**<br>9,984,590<br>463,878<br>8,500<br>(5,500)<br>**10,451,468**<br>6,241,133<br>362,594<br>(5,500)<br>**6,598,227**<br>**3,853,241**|**Furniture,**<br>**equipment and**<br>**software**<br>**£**<br>4,702,664<br>569,778<br>277,976<br>-<br>**5,550,418**<br>2,775,605<br>600,089<br>-<br>**3,375,694**<br>**2,174,724**|**Assets in the**<br>**course of**<br>**construction**<br>**£**<br>367,800<br>248,705<br>(286,476)<br>(77,004)|**Heritage**<br>**assets**<br>**£**<br>5,543,757<br>7,000<br>-<br>-|**Total**<br>**£**<br>98,595,471<br>1,314,231<br>-<br>(82,504)<br>**99,827,198**<br>21,987,021<br>2,886,690<br>(5,500)<br>**24,868,211**<br>**74,958,987**|**Total excluding**<br>**heritage assets**<br>**£**<br>93,051,714<br>1,307,231<br>-<br>(82,504)|
|---|---|---|---|---|---|---|---|---|
||||||**253,025**|**5,550,757**||**94,276,441**|
||||||-<br>-<br>-|-<br>-<br>-||21,987,022<br>2,886,690<br>(5,500)|
||||||-|-||**24,868,211**|
||||||**253,025**|**5,550,757**||**69,408,230**|
||**1,625,702**|**63,400,675**|**3,743,457**|**1,927,058**|**367,800**|**5,543,757**|**76,608,449**|**71,064,693**|



The additions to leasehold land and buildings relate to the RCM More Music courtyard redevelopment and the Wolfson Centre in Music and Material Culture. The remaining assets in the course of construction relate to digital and ICT projects, musical instruments, registry systems and other estates projects. 

|**11**<br>**Heritage assets: consolidated and RCM**<br>Purchases<br>Busts and portraits<br>Instruments<br>Donations<br>Busts and portraits<br>**Total acquisitions capitalised**|**2022**<br>2021<br>2020<br>2019<br>2018<br>**£**<br>£<br>£<br>£<br>£<br>**7,000**<br>49,967<br>6,875<br>56,500<br>11<br>**-**<br>**-**<br>-<br>-<br>6,000<br>**-**<br>**-**<br>-<br>8,000<br>-|2017<br>£<br>-<br>-<br>64,500|
|---|---|---|
||**7,000**<br>49,967<br>6,875<br>64,500<br>6,011|64,500|



50 



## **Notes to the accounts for the year ended 31 July 2022** 

|**12 Non-current investments: consolidated**<br>**Consolidated: consolidated**<br>**At 1 August 2021**<br>Acquisition of shares - less movement in cash held by fund managers<br>Cost of disposals<br>Change in market value<br>**At 31 July 2022**<br>**Non-current investments: RCM**<br>**At 1 August 2021**<br>Acquisition of shares - less movement in cash held by fund managers<br>Cost of disposals<br>Change in market value<br>**At 31 July 2022**<br>**Non-current investments: consolidated**<br>Funds managed by external fund managers:<br>Scholarships and awards fund<br>General fund<br>Junior department appeal fund<br>Junior department expendable fund<br>Fund held by Charities Aid Foundation<br>ABRSM<br>Investment in loan to associate<br>**Split of stock held by external fund managers:**<br>Fixed interest stocks (listed)<br>Equities (listed) and unit trusts<br>Alternatives<br>Cash held by investment managers|**Share of profits**<br>**of associated**<br>**undertakings**<br>**Loan to**<br>**associate**<br>**Other fixed asset**<br>**investments**<br>**Total**<br>**£**<br>**£**<br>**£**<br>**£**<br>-<br>1,710,862<br>53,039,195<br>**54,750,057**<br>-<br>-<br>40,958,620<br>40,958,620<br>-<br>-<br>(39,713,379)<br>(39,713,379)<br>-<br>-<br>(2,236,018)<br>(2,236,018)|**Share of profits**<br>**of associated**<br>**undertakings**<br>**Loan to**<br>**associate**<br>**Other fixed asset**<br>**investments**<br>**Total**<br>**£**<br>**£**<br>**£**<br>**£**<br>-<br>1,710,862<br>53,039,195<br>**54,750,057**<br>-<br>-<br>40,958,620<br>40,958,620<br>-<br>-<br>(39,713,379)<br>(39,713,379)<br>-<br>-<br>(2,236,018)<br>(2,236,018)|
|---|---|---|
||-<br>**1,710,862**<br>**52,048,418**<br>**53,759,280**||
||**£**<br>**£**<br>53,039,195<br>**53,039,195**<br>40,958,620<br>40,958,620<br>(39,713,379)<br>(39,713,379)<br>(2,236,018)<br>(2,236,018)<br>**52,048,418**<br>**52,048,418**<br>41,272,932<br>**41,272,932**<br>7,315,602<br>**7,315,602**<br>815,786<br>**815,786**<br>286,293<br>**286,293**<br>49,690,613<br>**49,690,613**<br>-<br>-<br>82,805<br>**82,805**<br>-<br>-<br>2,275,000<br>**2,275,000**<br>-<br>1,710,862<br>-<br>**1,710,862**|**£**<br>**£**<br>53,039,195<br>**53,039,195**<br>40,958,620<br>40,958,620<br>(39,713,379)<br>(39,713,379)<br>(2,236,018)<br>(2,236,018)|
|||**52,048,418**<br>**52,048,418**|
|||41,272,932<br>**41,272,932**<br>7,315,602<br>**7,315,602**<br>815,786<br>**815,786**<br>286,293<br>**286,293**|
||-<br>**1,710,862**<br>**52,048,418**<br>**53,759,280**||
|||3,330,636<br>**3,330,636**<br>35,782,674<br>**35,782,674**<br>8,394,603<br>**8,394,603**<br>2,182,698<br>**2,182,698**|
|||**49,690,611**<br>**49,690,611**|



## **Connected charitable institution** 

The RCM has a 25% interest in the Associated Board of the Royal Schools of Music (ABRSM) which is carried at cost.  The ABRSM is a registered charity (number 292182) and a company limited by guarantee (registered number 1926395) established by four royal schools of music for the benefit of music education. The ABRSM has no share capital and the liability of the members in the event of winding up is limited to £1 per member. In the event of winding up, the ABRSM's constitution requires its governing body to consider, in the first instance, transfer of surplus assets to another body that is equipped to carry on the work of ABRSM. 

The impact of Covid on the trading environment for ABRSM has been considerable and it has temporarily suspended donations to RCM and the other members. An impairment review has been carried out by estimating the present value of the estimated future cash flows and concluded that there is no impairment at 31 July 2022. 

## **13 Investment in subsidiary company** 

RCM has a 100% holding in RCM Business Enterprises Limited (RCM BEL) which holds a 20% share in the associated undertaking CLV (RCM) LLP. CLV (RCM) LLP operates student accommodation in Ravenscourt Park (Prince Consort Village).  Funds to purchase the share in CLV (RCM) LLP came from the RCM's restricted permanent endowments and all funds generated from the 20% holding will be used to provide scholarships and awards to RCM students.  The 20% stake represents a £1.7 million interest bearing loan.  The share of net assets in the associated undertaking, when distributed, will be used to fund scholarships and awards to RCM students. 

51 



## **Notes to the accounts for the year ended 31 July 2022** 

|Notes<br>**14**<br>**Trade and other receivables**<br>Amounts falling due within one year<br>Other trade receivables<br>Other receivables<br>Prepayments and accrued income<br>Amounts due from subsidiary companies<br>**15**<br>**Current asset investments**<br>Term deposits<br>**16**<br>**Consolidated reconciliation of net debt**<br>**Net (debt)/cash 1 August**<br>Movement in cash and cash equivalents<br>New unsecured loans<br>Repayment of unsecured loans<br>**Net cash 31 July**<br>**Change in net debt**<br>**Analysis of net debt:**<br>**Cash and cash equivalents**<br>Borrowings: amounts falling due within one year<br>Unsecured loans<br>Borrowings: amounts falling due after more than one year<br>Unsecured loans<br>**Net cash/(debt)**<br>**17**<br>**Creditors: amounts falling due within one year**<br>Unsecured loans<br>Trade payables<br>Social security and other taxation payable<br>Accruals and deferred income|Notes<br>**14**<br>**Trade and other receivables**<br>Amounts falling due within one year<br>Other trade receivables<br>Other receivables<br>Prepayments and accrued income<br>Amounts due from subsidiary companies<br>**15**<br>**Current asset investments**<br>Term deposits<br>**16**<br>**Consolidated reconciliation of net debt**<br>**Net (debt)/cash 1 August**<br>Movement in cash and cash equivalents<br>New unsecured loans<br>Repayment of unsecured loans<br>**Net cash 31 July**<br>**Change in net debt**<br>**Analysis of net debt:**<br>**Cash and cash equivalents**<br>Borrowings: amounts falling due within one year<br>Unsecured loans<br>Borrowings: amounts falling due after more than one year<br>Unsecured loans<br>**Net cash/(debt)**<br>**17**<br>**Creditors: amounts falling due within one year**<br>Unsecured loans<br>Trade payables<br>Social security and other taxation payable<br>Accruals and deferred income|**Consolidated**<br>**RCM**<br>**£**<br>**£**<br>**87,408**<br>**87,408**<br>**397,564**<br>**397,564**<br>**1,768,074**<br>**1,188,199**<br>**-**<br>**378,454**<br>**2,253,046**<br>**2,051,625**<br>**2,500,000**<br>**2,500,000**<br>**2,500,000**<br>**2,500,000**<br>**At 31 July**<br>At 31 July<br>**2022**<br>2021<br>**£**<br>£<br>**2,056,373**<br>(1,324,253)<br>**(2,571,223)**<br>1,217,876<br>**-**<br>-<br>**2,162,750**<br>2,162,750<br>**1,647,900**<br>2,056,373<br>**408,473**<br>(3,380,626)<br>**6,339,588**<br>8,910,811<br>**(162,751)**<br>(6,162,750)<br>**(4,528,937)**<br>(691,688)<br>**1,647,900**<br>2,056,373<br>**Consolidated**<br>**RCM**<br>**£**<br>**£**<br>**162,751**<br>**162,751**<br>**717,944**<br>**717,944**<br>**355,255**<br>**355,255**<br>**2,743,273**<br>**2,715,933**<br>**3,979,223**<br>**3,951,883**<br>**Year ended 31 July 2022**<br>**Year ended 31 July 2022**|Consolidated<br>£<br>4,457<br>302,624<br>1,498,442<br>**-**<br>1,805,523<br>**-**<br>**-**<br>Consolidated<br>£<br>6,162,750<br>345,130<br>265,934<br>3,282,733<br>10,056,547<br>Year ended<br>Year ended|RCM<br>£.<br>4,457<br>302,624<br>850,547<br>282,747<br>31 July 2021|
|---|---|---|---|---|
|||||1,440,375|
|||||**-**|
|||||**-**|
|||||RCM<br>£<br>6,162,750<br>345,130<br>265,934<br>3,255,393<br>31 July 2021|
|||||10,029,207|



52 



## **Notes to the accounts for the year ended 31 July 2022** 

|**Consolidated**<br>**RCM**<br>**Note**<br>**£**<br>**£**<br>**18**<br>**Creditors: amounts falling due after more than one year**<br>Deferred income - PCV lease premium<br>**12,772,367**<br>**12,772,367**<br>Deferred income - other<br>**3,085,817**<br>**3,085,817**<br>Unsecured loans<br>**4,528,937**<br>**4,528,937**<br>**20,387,121**<br>**20,387,121**<br>Analysis of unsecured loans:<br>**Due within one year or on demand**<br>**17**<br>**162,751**<br>**162,751**<br>Due between one and two years<br>**162,751**<br>**162,751**<br>Due between two and five years<br>**4,366,187**<br>**4,366,187**<br>Due in five years or more<br>**-**<br>**-**<br>**Due after more than one year**<br>**4,528,937**<br>**4,528,937**<br>**Total unsecured loans**<br>**4,691,688**<br>**4,691,688**<br>**Amount**<br>**Term**<br>**Included in unsecured loans**<br>**£**<br>The Royal Bank of Scotland<br>691,688<br>2026<br>The Royal Bank of Scotland<br>4,000,000<br>2025<br>**Total**<br>**4,691,688**<br>**Year ended 31 July 2022**|Consolidated<br>£<br>13,077,275<br>3,637,487<br>691,688<br>Year ended|RCM<br>£<br>13,077,275<br>3,637,487<br>691,688<br>31 July 2021|
|---|---|---|
||17,406,450|17,406,450|
||6,162,750<br>162,751<br>488,250<br>40,688|6,162,750<br>162,751<br>488,250<br>40,688|
||691,688|691,688|
||6,854,438|6,854,438|
||**Interest rate**<br>**%**<br>5.30<br>SONIA + 0.80|**Borrower**<br>RCM<br>RCM|



The College has a term loan with RBS expiring in October 2026. The loan is amortising in equal annual instalments to the expiry date. 

The College also has an £11m revolving credit facility (“RCF”) with RBS expiring in October 2025. The total amount outstanding under this facility at 31 July 2022 was £4m. The original term of the RCF was to October 2024, the College exercised an extension option under the facility in August 2022 to extend the expiry date to October 2025. 

|**19**<br>**Provisions for pension liabilities  (consolidated and RCM)**<br>At 31 July 2021<br>Movements in 2021/22<br>**At 31 July 2022**<br>**Pension enhancement**|**USS**<br>**(note 7)**<br>**RCMP&AS**<br>**(note 27)**<br>**Total**<br>**£**<br>**£**<br>**£**<br>2,166,864<br>2,151,000<br>**4,317,864**<br>3,133,848<br>(1,227,000)<br>**1,906,848**<br>**5,300,712**<br>**924,000**<br>**6,224,712**<br>**Obligation to fund deficit**|**USS**<br>**(note 7)**<br>**RCMP&AS**<br>**(note 27)**<br>**Total**<br>**£**<br>**£**<br>**£**<br>2,166,864<br>2,151,000<br>**4,317,864**<br>3,133,848<br>(1,227,000)<br>**1,906,848**<br>**5,300,712**<br>**924,000**<br>**6,224,712**<br>**Obligation to fund deficit**|**USS**<br>**(note 7)**<br>**RCMP&AS**<br>**(note 27)**<br>**Total**<br>**£**<br>**£**<br>**£**<br>2,166,864<br>2,151,000<br>**4,317,864**<br>3,133,848<br>(1,227,000)<br>**1,906,848**<br>**5,300,712**<br>**924,000**<br>**6,224,712**<br>**Obligation to fund deficit**|
|---|---|---|---|
|||**924,000**|**6,224,712**|
|||||



Assumptions for calculating the provision for pension enhancements on termination under FRS 102, are: 

||**USS pension**|**RCM pension**|
|---|---|---|
|Discount rates|3.31%|3.50%|
|Salary inflation rates (USS: 2022 to 2038)|3.00% - 2.75%|3.00% - 2.75%|
|**USS deficit**|||



The obligation to fund the past deficit on the Universities' Superannuation Scheme (USS) arises from a contractual obligation with the scheme for total payments relating to benefits arising from past performance. In calculating the value of the USS provision the RCM management has used salary costs (adjusted for salary and headcount changes), the current funding rate and applied a discount rate to estimate the present value. 

The College has applied the amendments to FRS102: Interest rate benchmark reform (Phase 1 and 2).  Applying the practical expedient introduced by the amendments, when the benchmarks affecting the Colleges loans are replaced, the adjustments to contractual cashflows are reflected as an adjustment to the effective interest rate and do not result in an immediate gain or loss which may have been required if the practical expedient was not available or adopted.  All loans had transitioned to alternative interest rate benchmarks at the year end. 

53 



## **Notes to the accounts for the year ended 31 July 2022** 

|**20**<br>**Endowment reserves: RCM**<br>**Balance at start of the year - restated**<br>Reclassification from unrestricted to restricted reserves<br>New endowments<br>Investment Income<br>Expenditure<br>Decrease in market value of investments and realised gains<br>Transfer of unapplied total return allocated to income<br>**Total endowment comprehensive income for the year**<br>**Balance at the end of the year: RCM**<br>**Endowment reserves: consolidated**<br>RCM subsidiary<br>**Balance at the end of the year: consolidated**<br>**Scholarships & Awards Fund Permanent Endowment**<br>**Statement of Total Return for the portion of the fund managed under Total R**|Restricted<br>Restricted<br>**2022**<br>2021<br>expendable<br>endowments<br>permanent<br>endowments<br>**Total**<br>Total<br>£<br>£<br>**£**<br>£<br>restated<br>290,000<br>47,879,968<br>**48,169,968**<br>**41,675,147**<br>-<br>-<br>**-**<br>272,848<br>-<br>631,716<br>**631,716**<br>376,406<br>47<br>1,407,263<br>**1,407,309**<br>1,169,968<br>(47)<br>(161,150)<br>**(161,197)**<br>(179,665)<br>(3,707)<br>(1,883,128)<br>**(1,886,835)**<br>6,132,174<br>-<br>(3,585,524)<br>**(3,585,524)**<br>(1,276,910)|
|---|---|
||(3,707)<br>(3,590,824)<br>**(3,594,530)**<br>6,494,821|
||286,293<br>44,289,144<br>**44,575,437**<br>48,169,968<br>-<br>310,836<br>**310,836**<br>357,153|
||286,293<br>44,599,980<br>**44,886,273**<br>48,527,121|
||**eturn: RCM**|



|At 1 August 2020<br>New endowments<br>Investment income<br>Increase in market value of investments and realised gains<br>Less investment manager fees<br>**Total return for the year**<br>Unapplied total return allocated to income<br>**At 1 August 2021**<br>New endowments<br>Investment income<br>Decrease in market value of investments and realised gains<br>Less investment manager fees<br>**Total return for the year**<br>Unapplied total return allocated to income<br>**At 31 July 2022**<br>Funds not managed under total return<br>**Permanent endowment reserve at 31 July 2022**|Investment Fund<br>Unapplied Total<br>Return<br>**Restricted**<br>**Permanent**<br>**Endowment**<br>£<br>£<br>**£**<br>22,727,087<br>16,593,966<br>**39,321,053**<br>376,406<br>-<br>**376,406**<br>-<br>1,067,128<br>**1,067,128**<br>-<br>5,985,500<br>**5,985,500**<br>-<br>(164,157)<br>**(164,157)**|Investment Fund<br>Unapplied Total<br>Return<br>**Restricted**<br>**Permanent**<br>**Endowment**<br>£<br>£<br>**£**<br>22,727,087<br>16,593,966<br>**39,321,053**<br>376,406<br>-<br>**376,406**<br>-<br>1,067,128<br>**1,067,128**<br>-<br>5,985,500<br>**5,985,500**<br>-<br>(164,157)<br>**(164,157)**|
|---|---|---|
||-<br>6,888,471<br>**6,888,471**<br>-<br>(1,276,910)<br>**(1,276,910)**||
||23,103,493<br>22,205,527<br>**45,309,020**<br>631,716<br>-<br>**631,716**<br>-<br>1,286,658<br>**1,286,658**<br>-<br>(1,838,904)<br>**(1,838,904)**<br>-<br>(40,456)<br>**(40,456)**||
||-<br>(592,702)<br>**(592,702)**<br>-<br>(3,585,524)<br>**(3,585,524)**<br>-<br>-||
||**23,735,209**<br>**18,027,301**<br>**41,762,510**||
|||**2,526,634**|
|||**44,289,144**|



|**21**<br>**Restricted reserves: consolidated and RCM**<br>**Balance at 1 August 2021 - restated**<br>Income<br>Expenditure<br>Decrease in market value of investments and realised losses<br>Transfer of unapplied total return allocated to income<br>**Total restricted comprehensive income for the year**<br>**At 31 July 2022**|Scholarships<br>**2022**<br>**2021**<br>& awards<br>**Total**<br>Total<br>£<br>**£**<br>£<br>restated<br>**1,077,360**<br>**1,077,360**<br>**671,744**<br>2,286,436<br>**2,286,436**<br>2,594,743<br>(3,453,657)<br>**(3,453,657)**<br>(3,466,037)<br>(998)<br>**(998)**<br>-<br>3,585,524<br>**3,585,524**<br>1,276,910|
|---|---|
||**2,417,305**<br>**2,417,305**<br>405,616|
||**3,494,666**<br>**3,494,666**<br>1,077,360|



54 



## **Notes to the accounts for the year ended 31 July 2022** 

|**22 Capital and other commitments**<br>Commitments contracted for<br>Commitments not yet contracted for but approved by RCM Council|**Consolidated**<br>**RCM**<br>Consolidated<br>RCM<br>**£**<br>**£**<br>£<br>£<br>**25,134**<br>**25,134**<br>35,595<br>35,595<br>**809,136**<br>**809,136**<br>812,483<br>812,483<br>**31 July 2022**<br>31 July 2021|
|---|---|
||**834,270**<br>**834,270**<br>848,078<br>848,078|



Provision has not been made for the capital commitments shown above at 31 July 2022. 

## **23 Revaluation reserve** 

|Balance at 1 August 2021<br>Transferred to income and expenditure reserve<br>**Balance at 31 July 2022**<br>**24 Lease obligations**<br>**Consolidated and RCM**<br>Total rentals payable under operating leases:<br>**Paid during the year**<br>**Future minimum lease payments due**<br>Not later than 1 year<br>Later than 1 year and not later than 5 years<br>Later than 5 years<br>**Total lease payments due**|**Tangible**<br>**assets**<br>**Heritage**<br>**assets**<br>**Investments**<br>**Total**<br>**£**<br>**£**<br>**£**<br>**£**<br>3,387,823<br>4,926,000<br>6,048,395<br>**14,362,218**<br>(165,780)<br>-<br>(115,733)<br>**(281,513)**|
|---|---|
||3,222,043<br>4,926,000<br>5,932,662<br>**14,080,705**|
||31 July 2021<br>**Land and**<br>**Buildings**<br>**Other**<br>**leases**<br>**Total**<br>Total<br>**£**<br>**£**<br>**£**<br>**£**<br>**148,073**<br>**45,533**<br>**193,606**<br>203,129<br>**31 July 2022**|
||**151,615**<br>**22,724**<br>**174,339**<br>187,125<br>**162,730**<br>**22,724**<br>**185,454**<br>236,734<br>**1,072,830**<br>**3,787**<br>**1,076,617**<br>1,080,240|
||**1,387,175**<br>**49,235**<br>**1,436,410**<br>1,504,099|



## **25 Related party transactions** 

The total amount of donations received without conditions from Trustees and Related Parties was £392,140. 

During the year, the RCM received services from the Association of British Orchestras of £1,272, of which James Williams is the Director and an appointed member of the RCM Council.  There were no other related party transactions, other than normal transactions with the Associated Board of the Royal Schools of Music and with Queen Alexandra House (QAH), the lessor for RCM Jay Mews.  Aida Berhamovich, the Director of Estates, sits on the Board of QAH.  No payments were paid to Council members for serving as Council members and there were no expenses paid to Council members other than routine expenditure on services provided for the Council members collectively. 

## **26 Subsidiary undertakings** 

RCM Business Enterprises Limited is a subsidiary company (which is registered in England & Wales), wholly-owned or effectively controlled by the RCM.  RCM Business Enterprises Limited is exempt from the requirements to audit individual accounts by virtue of the Companies Act 2006 s.479A. 

55 



**Notes to the accounts for the year ended 31 July 2022** 

## **27 Pension schemes** 

Different categories of staff were eligible to join one of four different schemes: 

- Universities’ Superannuation Scheme (USS) 

- Teachers’ Pension Scheme (TPS) 

- RCM Pension and Assurance Scheme (RCMP&AS) 

- National Employment Savings Trust (NEST). 

Under the provisions of FRS 102 section 28 "employee benefits”, both USS and TPS are multi-employer defined benefit pension schemes. The USS has provided employers with a standard methodology for calculating their share of the agreed funding deficit plan and we have used this methodology to account for these liabilities in line with FRS 102. The RCM is unable to identify its share of the underlying assets and liabilities of TPS and we have accounted for contributions to this scheme as though it is a defined contribution scheme. The RCMP&AS is a closed defined benefit scheme, and NEST is a defined contribution scheme for those staff who are not eligible to join TPS or USS. 

||**Year ended 31 July 2022**|**Year ended 31 July 2022**|Year ended 31 July 2021|Year ended 31 July 2021|
|---|---|---|---|---|
||**Consolidated**|**RCM**|Consolidated|RCM|
||**£**|**£**|£|£|
|**Statement of comprehensive income - net pension cost in year**|||||
|USS|**1,132,191**|**1,132,191**|1,076,167|1,076,167|
|TPS|**970,263**|**970,263**|934,723|934,723|
|NEST|**28,625**|**28,625**|24,409|24,409|
||**2,131,078**|**2,131,078**|2,035,300|2,035,300|
|RCMP&AS|**379,128**|**379,128**|375,000|375,000|
||**2,510,206**|**2,510,206**|2,410,300|2,410,300|
|**Other comprehensive income - actuarial loss/(gain) in respect of pension schemes**|||||
|USS|**3,133,848**|**3,133,848**|(249,611)|(249,611)|
|RCMP&AS|**(1,227,000)**|**(1,227,000)**|(1,353,000)|(1,353,000)|
||**1,906,848**|**1,906,848**|(1,602,611)|(1,602,611)|
|**Statement of Financial Position - Pension scheme liability (note 19)**|||||
|USS|**5,300,712**|**5,300,712**|2,166,864|2,166,864|
|RCMP&AS|**924,000**|**924,000**|2,151,000|2,151,000|
||**6,224,712**|**6,224,712**|4,317,864|4,317,864|



## **The Universities Superannuation Scheme** 

The institution participates in Universities Superannuation Scheme (USS) which is the main scheme covering most support staff.  The Scheme is a hybrid pension scheme, providing defined benefits (for all members), as well as defined contribution benefits.  The assets of the scheme are held in a separate trustee-administered fund.  USS is a multi-employer scheme and is accounted for as set out in the accounting policies. 

The total cost charged to the Consolidated Statement of Comprehensive Income is £3,114,996 (2021: -£267,493). 

The 2020 valuation was the sixth valuation for the scheme under the scheme-specific funding regime introduced by the Pensions Act 2004, which requires schemes to have sufficient and appropriate assets to cover their technical provisions. At the valuation date, the value of the assets of the scheme was £66.5 billion and the value of the scheme’s technical provisions was £80.6 billion indicating a shortfall of £14.1 billion and a funding ratio of 83%. 

The latest available complete actuarial valuation of the Retirement Income Builder section of the Scheme is at 31 March 2020 ("the valuation 

date"), which was carried out using the projected unit method. 

The key financial assumptions used in the 2020 valuation are described below.  More detail is set out in the Statement of Funding Principles (uss.co.uk/about-us/valuation-and-funding/statement-of-funding-principles) 

|CPI assumption|Term dependent rates in line with the<br>1.1%p.a. to 2030,reducinglinearlyby0.1%p.a. to a|
|---|---|
|Pension increases(subject to a floor of 0%)|CPI assumptionplus 0.05%|
|Discount rate (forward rates)|Pre-retirement: 2.75% p.a.<br>Post retirement: 1.00%p.a.<br>Fixed interest gilt yield curve plus:|



56 



## **Pension schemes (continued)** 

## **The Universities Superannuation Scheme (continued)** 

The main demographic assumption used relates to the mortality assumptions.  These assumptions are based on analysis of the scheme's experience carried out as part of the 2020 actuarial valuation. The mortality assumptions used in these figures are as follows: 

|Mortalitybase table|101% of S2PMA "light" for males and 95% of S2PFA for females.|
|---|---|
|Future improvements to mortality|CMI_2019 with a smoothing parameter of 7.5,an initial|
|**2022**<br>2021<br>Males currently aged 65 (years)<br>23.9<br>24.7<br>Females currently aged 65 (years)<br>25.5<br>26.1<br>Males currently aged 45 (years)<br>25.9<br>26.7<br>Females currently aged 45 (years)<br>27.3<br>27.9<br>The current life expectancies on retirement at age 65 are:||



A new deficit recovery plan was put in place as part of the 2020 valuation, which requires payment of 6.2% of salaries over the period 1 April 2022 until 31 March 2024 at which point the rate will increase to 6.3%.  The **2022** deficit recovery liability reflects this plan.  The liability figures have been produced using the following assumptions: 

||**2022**|2021|
|---|---|---|
|Discount rate|3.31%|0.87%|
|Pensionable salary growth|2.75%-3% p.a.|2%-2.75% p.a.|
|The employers' contribution rates are as follows:|||
|**Effective date**|**Rate**||
|1 October 2019 to 30 September 2021|21.10%||
|1 October 2021 to 31 March 2022|21.40%||
|1 April 2022 to 31 March 2024|21.60%||
|1 April 2024 to 30 April 2038|21.40%||



## **Teachers' Pension Scheme** 

The TPS is a statutory, contributory, unfunded, defined benefit scheme, operating under the Teachers' Pensions Regulations 1997, as amended. Contributions are credited to the Exchequer on a "pay as you go" basis under arrangements governed by the Superannuation Act 1972, with a notional asset value ascribed to the scheme in order to determine contribution rates. 

The Government Actuary carries out formal actuarial reviews of TPS to ascertain the level of future contributions.  The last review was carried out as at 31 March 2016 and at the date of this review the scheme had a funding shortfall of £22 billion and a recovery plan to pay off this shortfall was adopted.  Key assumptions are shown in the table above, other assumptions include a real rate of return on investments of 4.45% and a real rate of salary growth of 4.2% above CPI. 

Employee contributions are based on tiered contribution rates dependent on salary bandings based on a full-time equivalent and the contribution rates as at 31 July 2022 ranged from 7.4% to 11.7%. 

## **National Employment Savings Trust (NEST)** 

The government set up NEST as a scheme that employers can use to meet their pension auto enrolment duties.  This is a defined contribution scheme and is provided by the RCM for those staff who are not eligible to join TPS or USS.  Currently employers contributions are 3% with employees' contributions at 5%. 

57 



## **Pension schemes (continued)** 

## **RCM Pension & Assurance Scheme** 

The RCMP&AS is a closed scheme with 62 pensioners and 97 deferred members of whom 14 are current RCM employees.  The Scheme is valued every three years by a professionally qualified independent actuary using the projected unit method, and in the intervening years, the actuary reviews progress of the Scheme.  The most recent actuarial valuation was at 1 August 2019.  At 1 August 2019 the scheme had a funding shortfall of £3.7 million and the RCM Council has agreed a recovery plan to pay off the shortfall over eight years and one month from the effective date of the valuation, with the contribution being £31,250 per month from 1 August 2020 to 31 August 2027, increasing each August in line with inflation.  The RCM accounts for the RCMP&AS in accordance with FRS 102 section 28. 

## Assumptions 

The financial assumptions used to calculate scheme liabilities under FRS102 are: 

||**As at 31**|**July 2022**|As at 31|July 2021|
|---|---|---|---|---|
|||**%pa**||%pa|
|Price Inflation (RPI)|||||
|- pre-retirement||**3.60**||3.60|
|- post-retirememt||**3.40**||3.50|
|Price Inflation (CPI)||**2.80**||2.90|
|Rate of increase in salaries*|**2.75% - 3.00%**||2.00% - 2.75%||
|Rate of increase of pensions in payment for members in relation|||||
|to post April 1997 service||**3.20**||3.20|
|Discount rate||**3.50**||1.60|



* 3% pa for the next 4 years and 2.75% pa thereafter. 

The most significant non-financial assumption is the assumed level of longevity. The table below shows the life expectancy assumptions used in the accounting assessments based on the life expectancy of male and female members at age 65. 

|||||Current age 65|Current age 65|Current age 45|Current age 45|
|---|---|---|---|---|---|---|---|
|||||Male|Female|Male|Female|
|At|31|July|2020|86.9|88.8|88.2|90.3|
|At|31|July|2021|86.9|88.9|88.3|90.3|



The 2021 balance sheet includes a provision of 2% (2020: 2%) of the value of the liabilities in respect of the requirement to equalise for the effect of unequal Guaranteed Minimum Pensions. 

## **Scheme assets** 

The Scheme's assets are invested across several different asset classes, as follows. 

||**As at**|**31 July 2022**|As at 31 July 2021|
|---|---|---|---|
|||**£000s**|£000s|
|**Scheme assets**||||
|Equities||**2,753**|3,179|
|Corporate bonds||**909**|1,128|
|Liability-driven investment||**3,507**|4,652|
|Multi-asset funds||**2,264**|3,065|
|Multi-asset Credit funds||**2,053**|2,652|
|Cash||**245**|276|
|Insured pensions||**811**|966|
|Total||**12,542**|15,918|
|**Analysis of the amount shown in the balance sheet:**||||
|Scheme assets||**12,542**|15,918|
|Scheme liabilities||**(13,466)**|(18,069)|
|**Scheme deficit: net pension liability shown in**||||
|**pension provisions**|19|**(924)**|(2,151)|



58 



## **Pension schemes (continued)** 

## **RCM Pension & Assurance Scheme (continued)** 

|**RCM Pension & Assurance Scheme (continued)**|||
|---|---|---|
||**As at 31 July 2022**|As at 31 July 2021|
||**£000s**|£000s|
|**Analysis of the amount charged to operating profit**|||
|Current service cost|**-**|-|
|Past service costs|**(71)**|-|
|**Total operating charge**|(71)|-|
|**Analysis of the amount charged to interest payable**|||
|Net interest on net defined benefit liability|**(31)**|(46)|
|**Net charge to other finance income**|**(31)**|(66)|
|**Analysis of other comprehensive income**|||
|Experience (loss)/gain on liabilities|**4,521**|331|
|Gain on assets|**(3,630)**|700|
|**Total before deduction for tax**|**891**|1,031|
|**Analysis of movement in the present value of liability**|||
|**Present value of liabilities at the start of the year**|**18,069**|18,581|
|Current service cost (net of member contributions)|**0**|0|
|Past service cost|**71**|0|
|Interest cost|**286**|257|
|Actual member contributions (including notional contributions)|**0**|0|
|Actuarial loss/(gain)|**(4,521)**|(331)|
|Actual benefit payments|**(439)**|(438)|
|**Present value liabilities at the end of the year**|**13,466**|18,069|
|**Analysis of movement in the fair value of scheme assets**|||
|**Fair value of assets at the start of the year**|**15,918**|15,077|
|Interest income|**255**|211|
|Actuarial gain on assets|**(3,630)**|700|
|Actual contributions paid|**438**|368|
|Actual benefit payments|**(439)**|(438)|
|**Fair value of scheme assets at the end of the year**|**12,542**|15,918|
|**Actual return on Scheme assets**|||
|Gain on assets|(3,630)|700|
|Interest income|255|211|
||**(3,375)**|911|



## **28 Post balance sheet events** 

There are no post balance sheet events to report. 

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## INDEPENDENT AUDITOR’S REPORT TO THE COUNCIL OF THE ROYAL COLLEGE OF MUSIC 

## Opinion on the financial statements 

In our opinion, the financial statements: 

- give a true and fair view of the state of the Group’s and of the College’s affairs as at 31 July 2022 and of the Group’s and the College’s income and expenditure, gains and losses, changes in reserves and of the Group’s and the College’s cash flows for the year then ended; 

- have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and 

- have been prepared in accordance with the requirements of the Charities Act 2011. 

We have audited the financial statements of The Royal College of Music (“the College”) and its subsidiaries (“the Group”) for the year ended 31 July 2022 which comprise the consolidated and  College statement of comprehensive income, consolidated and College statements of changes in reserves, the balance sheets for the group and College, the consolidated cash flow statement and notes to the financial statements, including a summary of significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102 _The Financial Reporting Standard applicable in the UK and Republic of Ireland_ (United Kingdom Generally Accepted Accounting Practice). 

## Basis for opinion 

We conducted our audit in accordance with International Standards on Auditing (UK) (“ISAs (UK)”) and applicable law. Our responsibilities under those standards are further described in the Auditor’s responsibilities for the audit of the financial statements section of our report. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion. 

## _Independence_ 

We are independent of the Group and the College in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. 

## Conclusions relating to going concern 

In auditing the financial statements, we have concluded that the Council’s use of the going concern basis of accounting in the preparation of the financial statements is appropriate. 

Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on the Group and the College’s ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue. 

Our responsibilities and the responsibilities of the board members with respect to going concern are described in the relevant sections of this report. 

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## Other information 

The board is responsible for the other information. The other information comprises the information included in the annual review other than the financial statements and our auditor’s report thereon. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon. 

Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the audit or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether there is a material misstatement in the financial statements or a material misstatement of the other information. If, based on the work we have performed, we conclude that there is a material misstatement of this other information we are required to report that fact. 

## We have nothing to report in this regard. 

## Opinion on other matters required by the Office for Students (“OfS”) and UK Research and Innovation (including Research England) 

In our opinion, in all material respects: 

- Funds from whatever source administered by the College for specific purposes have been properly applied to those purposes and managed in accordance with relevant legislation. 

- Funds provided by the OfS and UK Research and Innovation (including Research England) have been applied in accordance with the relevant terms and conditions 

- The requirements of the OfS’s Accounts Direction (OfS 2019.41) have been met. 

We have nothing to report in respect of the following matters in relation to which the OfS requires us to report to you if, in our opinion: 

- The College’s grant and fee income, as disclosed in note 2 to the accounts, has been materially misstated. 

- The College’s expenditure on access and participation activities for the financial year, as has been disclosed in note 8 to the accounts, has been materially misstated. 

## Matters on which we are required to report by exception 

We have nothing to report in respect of the following matter where the Charities (Accounts and Reports) Regulations 2008 requires us to report to you if, in our opinion: 

- the information in the Council’s Annual Report for the financial year for which the financial statements are prepared is inconsistent in any material respect with the financial statements; or 

- adequate accounting records have not been kept; or 

- the financial statements are not in agreement with the accounting records and returns; or 

- we have not received all the information and explanations we require for our audit. 

## Responsibilities of the Council 

As explained more fully in the Council members’ responsibilities statement, the Council members are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the Council members determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error. 

In preparing the financial statements, the Council members are responsible for assessing the Group and the College’s ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the Council members either intend to liquidate the Group or the College or to cease operations, or have no realistic alternative but to do so. 

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## Auditor’s responsibilities for the audit of the financial statements 

Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements. 

## _Extent to which the audit was capable of detecting irregularities, including fraud_ 

Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud is detailed below: 

Based on our understanding of the Group and the sector in which it operates, we identified that the principal risks of non-compliance with laws and regulations are related to their registration with the Office for Students ("OfS) and their ongoing conditions of registration, and we considered the extent to which non-compliance might have a material effect on the Group Financial Statements or their continued operation.  We also considered those laws and regulations that have a direct impact on the financial statements such as compliance with the OfS Accounts Direction and tax legislation.  Auditing standards limit the required audit procedures to identify non-compliance with these laws and regulations to enquiry of the Board and other management and inspection of regulatory and legal correspondence if any. 

We evaluated management’s incentives and opportunities for fraudulent manipulation of the financial statements (including the risk of override of controls) and determined that the principal risks were related to posting inappropriate journal entries to manipulate financial results and management bias in accounting estimates. 

The audit procedures to address the risks identified included: 

- Reading minutes of meetings of those charged with governance, reviewing internal audit reports and reviewing correspondence with HMRC and relevant regulators to identify any actual or potential frauds or any potential weaknesses in internal control which could result in fraud susceptibility. 

- Discussions with management, including consideration of known or suspected instances of noncompliance with laws and regulations and fraud, including direct representation from the Accountable Officer 

- Reviewing the College's fraud register to confirm any actual or suspected instances of fraud during the year. 

- Challenging assumptions made by management in their significant accounting estimates, in particular in relation to assumptions applied in estimating the defined benefit pension liability in respect of the RCM Pension & Assurance scheme, assumptions used to estimate the present value of the College’s obligation in respect of the funding deficit plan for the USS pension scheme, estimates made in the assessment of impairment for the College's investment in the ABRSM and estimates made in preparing financial forecasts to support management's assessment of going concern. 

- In addressing the risk of fraud, including the management override of controls and improper income recognition, we tested the appropriateness of certain manual journals, reviewed the application of judgements associated with accounting estimates for the indication of potential bias and tested the application of cut-off and revenue recognition. 

- Identifying and testing journal entries, in particular any journal entries posted from staff members with privilege access rights or from generic user accounts, journals posted by key management, journals posted by individual compared to expectations based on their job role and responsibilities and journals with irregular posting patterns by period. 

Our audit procedures were designed to respond to risks of material misstatement in the financial statements, recognising that the risk of not detecting a material misstatement due to fraud is higher than the risk of not 

34 



detecting one resulting from error, as fraud may involve deliberate concealment by, for example, forgery, misrepresentations or through collusion. There are inherent limitations in the audit procedures performed and the further removed non-compliance with laws and regulations is from the events and transactions reflected in the financial statements, the less likely we are to become aware of it. 

A further description of our responsibilities for the audit of the financial statements is located on the Financial Reporting Council’s website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our auditor’s report. 

In addition, we also report to you whether income from funding bodies, grants and income for specific purposes and from other restricted funds administered by the College have been properly applied only for the purposes for which they were received and whether income has been applied in accordance with the Statutes and, where appropriate, with the Terms and Conditions of Funding with the OfS and UK Research and Innovation (including Research England). 

## Use of our report 

This report is made solely to the Council, as a body, in accordance with paragraph 154 of the Charities Act 2011. Our audit work has been undertaken so that we might state to the College’s Council those matters we are required to state to them in an auditor’s report and for no other purpose.  To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the College and the Council as a body, for our audit work, for this report, or for the opinions we have formed. 


Paula Willock (Senior Statutory Auditor) For and on behalf of BDO LLP, Statutory Auditor Gatwick, United Kingdom 

## Date: 02 December 2022 

BDO LLP is a limited liability partnership registered in England and Wales (with registered number OC305127). 

35 

