## **Society for Education, Music and Psychology Research**
## **(SEMPRE)**
## **Minutes of the Annual General Meeting held on Wednesday 7 April 2021**
1.00 – 1.30pm via Zoom during the ‘RiME 2021 Conference’
_Please note that as a result of COVID, the SEMPRE AGM originally scheduled to take place on Monday 23 March 2020 during MET2020 was postponed due to the last minute cancellation of MET2020 and will be considered here in addition to the SEMPRE AGM for 2021: see Annexes for relevant papers collated into 2020 and 2021 respectively._
**1. Welcome** (Chair) – Our particular thanks to Dr Mary Stakelum (RCM), Conference Director, and Professor Evangelos Himonides for timetabling this meeting to take place during the 2021 12[th] International Research in Music Education (RiME) Conference, April 6-9.
**2. Apologies** Julie Ballantyne; Margaret Barrett; David Hargreaves; Sue Hallam; Evangelos Himonides; Ioulia Papageorgiou; Johan Sundberg; Aaron Williamon.
## **3. Minutes of the previous AGM held on Monday 25 March 2019, at the Faculty of Music, University of Cambridge during the ‘SEMPRE Graduate Conference 2019’**
Noted as correct.
## **4. Matters arising**
There were no matters arising from the previous AGM. It was noted that no elections were due in either 2020 or 2021.
**5. Chair’s Report** (Professor Graham Welch)
## **5.1. Special thanks**
- 5.1.1. _Committee_ My thanks again as Chair to everyone on the SEMPRE Committee, Officers and Trustees for their positive contributions to the work of the Society over the past twelve months and more.
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Despite the challenges of the pandemic and the need for extensive virtual communication, we continue to have a successful global presence in the worlds of music education and music psychology through our charitable work that embraces our portfolio of publications (three journals, web presence and book series), support for international conferences and small grants award schemes.
- 5.1.2. _Administrator_ (Josephine Borradaile) Our part-time Administrator, Josephine has continued to be central to our organisational success and we are very grateful for her persistent care, positivity and attention to detail. Her work is invaluable.
- 5.1.3. _Editors and Assistants_ (Journals): My sincere thanks to the respective teams who take such professional care and pride in leading our three SAGE journals:
- Professor Andrea Creech and Dr Paolo Ammirante [Psychology of Music];
- Associate Professor Julie Ballantyne and Dr Nicole Canham [Research Studies in Music Education]; and
- Professor Ian Cross and Dr Emily Payne [Music and Science].
- 5.1.4. My thanks also to our other SEMPRE colleagues, supporters and organisations who each make a singular contribution to our success as an international learned society.
- _Book Reviews Editor_ (Professor Evangelos Himonides)
- _Conference organisers_ (Dr Helen Prior & Dr Mary Stakelum)
- _Publishers_ (Sage and Routledge [formerly Ashgate])
- _All Our Authors_
- _All Our Reviewers_ of the article submissions to our journals and book series for their time, professionalism, expertise and commitment to the rigorous advance of knowledge in the various sciences (social, physical, clinical) associated with music.
- **5.2. Journals** – We note the ongoing success for our two established journals and our newer online journal, each produced by Sage: Psychology of Music (now in its 49[th] year of publication), Research Studies in Music Education and Music and Science. Our special thanks to Miriam Hodge and her colleagues at SAGE for their continued support for all our journals and mission: See Annexes for the highlights of 2019 and 2020 from SAGE.
## **5.3. SAGE Income over the past decade (January to December)**
_Income 2010_ = £61,312.15 _Income 2011_ = £59,673.18 _Income 2012_ = £102,480.50
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_Income 2013_ = £111,310.33 _Income 2014_ = £112,944.58
_Income 2015 =_ £128,134 _Income 2016 =_ £134,482.90 _Income 2017_ = £150,593.98 _Income 2018_ = £146,684.04
_Income 2019 =_ £159,460.48 _Income 2020 =_ c.£157,438
## **5.4. Routledge (formerly Ashgate SEMPRE Book Series)**
## **2019**
https://www.routledge.com/SEMPRE-Studies-in-The-Psychology-of-
Music/book-series/SEMPRE – currently 31 books published in the series, with a further 3 under contract.
## **2020**
https://www.routledge.com/SEMPRE-Studies-in-The-Psychology-ofMusic/book-series/SEMPRE N=36 books to date
## **2021**
https://www.routledge.com/SEMPRE-Studies-in-The-Psychology-ofMusic/book-series/SEMPRE N=38 books to date
## **5.5 SEMPRE Awards**
## **2019**
- During 2019 a total of £74,850 in grants were awarded with £63,251 paid as at 31 March 2019. This brings SEMPRE’s total awards since 2004/5 to £781,273.
## **2020**
- During 2020 a total of £119,586 in grants were awarded, with £10,865 paid as at 31 March 2020. This brings SEMPRE’s total awards since 2004/5 to £900,859. We continue our biennial support for the two main world conferences, ICMPC and ISME.
- Please note that the size of the total grants awarded includes monies set aside to fund the SEMPRE’s 50[th] Anniversary research awards, with initial findings being reported in 2022. N=27 applications were received by the 30 November 2020 deadline and eight awards were made, totalling £113,798.10.
## **5.6 Miller Investments**
## **2019**
These stand at £119,414.11
**2020**
These stand at £147,623.33
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- **5.7 SEMPRE International Projects:** Recent projects have involved initiatives in cultural education in India and Nepal; special needs projects in Pakistan, Haiti and Brazil; music for young children in Afghanistan; and several projects on music for inclusion and literacy in Kenya; plus music education in Uganda and family support through music in Gambia.
We also have a new commitment to supporting ISME in its new regional initiative to enrich and promote music education in under-served communities in various parts of the world, just launched in 2021, with five awards covering communities USA, Kenya, South Africa, Mexico and Malaysia.
**6. Treasurer’s Report overview for both 2019 and 2020** (Professor Karen Burland) (See Annex for the official accounts as reported to the Charity Commissioners for 2018/19. NB: an extension from the Charity Commission was granted for submission of the 2019-20 accounts and now the relevant extracts from this independent examination may also be found in Annex 2: AGM Reports 2021.) SEMPRE’s finances continue to be healthy; during 2019 we promised around £74,850 of awards and during 2020 we promised £119,586, bringing the total amount of awards SEMPRE has made since 2004/05 to £900,859. As mentioned above the increase in awards during 2020 reflects the special research awards made in relation to SEMPRE’s 50[th] Anniversary. SAGE royalties for 2019 were confirmed recently at £159,460.48, a significant increase on 2018: royalties to be received April 2021. Our forecast for 2020 is also looking very healthy with a forecast of c.£157,438. In March 2019, a further £50,000 (a total deposit of £150,000 since December 2015) was deposited with Miller Investments making an investments total of £168,503.21 as at 31 March 2020. This is the book cost and not the market value which was slightly under our total invested being £147,623.33 on 31 March 2020, although the markets were seen to be particularly challenging/ unstable at that point due to COVID. By comparison, on 26 November 2020 our market value had risen to £181,530.87 – a healthy £31,530.87 profit. The accounts for 2018-19 were approved by our auditors and reported to the Charity Commission on 31 January 2020. Whilst finances are looking healthy, with the significant awards made in 2020, I would recommend that the current rate of spending seems appropriate. Finally, I would like to thank Josephine once again for her continued efforts in supporting the Society – she is vital to its smooth operation.
**7. Membership Report** (Josephine Borradaile)
- SEMPRE individual membership stands at around 200-300 members mainly drawn from those working in the university sector. GfW drew the meeting’s attention to the fact that membership of SEMPRE provides the member with a 50% reduction in the article processing charge for Music & Science. See Annexes for reports.
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## **8. Editors’ Reports** (see Annexes for editors’ reports)
- **8.1.** _Psychology of Music_ (Professor Andrea Creech)
- **8.2.** _Research Studies in Music Education_ (Associate Professor Julie Ballantyne)
- **8.3** _Music & Science_ (Professor Ian Cross)
## **9. Conference Secretary and Conference Liaison Officer**
(report by Dr Helen Prior and Dr Mary Stakelum)
See Annexes for reports.
## **10. Webmaster’s Report** (Professor Evangelos Himonides)
See Annexes for reports.
## **11. Any Other Business**
- 11.1 To note that we have adopted a new environmental policy – see Annex 1
- 11.2 We remain committed to supporting diversity and inclusion in all our activities, as illustrated by our range of awards globally in each of the world’s regions. Dr Mary Stakelum continues to lead on our policy development related to Equality, Diversity and Inclusion, working with music colleagues across the higher education sector in the UK.
## **12. DONM**
The next AGM will be held in Spring 2022 – details to be confirmed.
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## **Annex 1: AGM 2020 Reports**
## **Report from SAGE**
## **Miriam Hodge**
MH reported that both PoM and RSME are doing really well – this has been a good year with an increase in submissions and usage. PoM’s impact factor has increased on 2018 (164 submissions), although there is no obvious reason why this has happened. RSME has had a slightly increase too – nice to see and there are no concerns to note. Referring to page 5 of the tabled report, MH noted that for both PoM and RSME the time between first and final decisions on paper acceptance had decreased, so a big thank you to all the editors for this.
Pages 6 and 7: statistics show manuscripts accepted on a country basis. Interesting to note that PoM received submissions from Australia, India, Spain, USA and the UK. RSME showing a number from Finland, but curiously not so many from Australia.
Noted that PoM is within its page budget for this year, but that the RSME page budget has increased with its move to three volumes of the journal per year.
The turnaround time for SAGE receiving articles to the point of publication is average for the sector, although it would be nice if this was reducing.
Total bundle renewal rate in 2017-18 = 96%, so still very healthy with an anticipated attrition rate of 5-7%. Both journal package sales are excellent and there are increases too in the sale of back copies. Both journals are also experiencing an increase in downloads and that is without the figures included for November and December 2019.
PoM’s top downloaded article achieved nearly 15,000 downloads – interesting to know why this is so popular – maybe talk with the authors?
RSME experiencing more steady figures for downloads.
Page 15 – PoM’s impact factor for 2018 increased to 1.381. Spread of articles were excellent.
Page 16 – top cited article ‘Symptoms of anxiety and depression among Norwegian musicians compared to the general workforce’.
RSME’s top cited article was ‘Narrative Inquiry: a methodology for studying lived experience’. Page 20 – good to see that both journals are in the top 20 CiteScore Ranking for Music – PoM = 1 and RSME = 12.
## _Music & Science:_
MH noted that this journal was making excellent progress – thanks to IC, EP and SEMPRE for all your work. Need to wait another year or so before reviewing the impact factor.
Page 3 – there was a slightly lower submission rate in 2019 than there had been in 2018. IC to talk to this later.
Page 4 – the time to final decision has decreased. Page 5 – fewer number of articles published in 2019 than in 2018. Had been aiming for 20 per year. However, average number of days from receipt at SAGE to online production has decreased, which is good to see.
Page 6 – really positive to see that in only its second year post launch, the usage has increased from 27,000 to 43,000 and this does not include the figures for November and December 2019.
Page 7 – top download is about emotion – ‘Children’s recognition of emotion in music and speech’.
MH reported on the changes to the landscape with sustainable open access and the author becoming the customer. SAGE are investing in automatic work flows to provide the best author experience, but cannot forecast beyond the next 2 -3 years. Realise that there will be a potential impact on society royalties, however, open access is being pushed through by government and funders, consortia groups and SORCHA so publishers don’t have a good deal of choice. At this time, it has been good forward planning that SEMPRE has an open access journal as part of the SEMPRE offering.
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## **Psychology of Music Editor’s Report – Andrea Creech**
Acceptance Rate: 44.4% (2019)
Table 1: Manuscripts received, 1/01/18-5/12/18 compared with 1/01/19-5/12/19:
|||2018||2019|2019|2019|
|---|---|---|---|---|---|---|
|Manuscript Type|Original|Revised|Total|Original|
Revised|
Total|
|**Original Empirical Investigations**|**98**|**104**|**202**|**145**|
**93**|
**238**|
|**Short Research Reports**|**10**|**12**|**22**|**15**|
**2**|
**17**|
|**Theoretical Critical Papers**|**8**|**4**|**12**|**15**|
**5**|
**20**|
|**Total**|**116**|**120**|**236**|**175**|
**100**|
**275**|
Table 2: Summary statistics re. turnaround time
|Table 2: Summary statistics re. turnaround time||
|---|---|
||**Prior 12**|
|**Journal Statistics**|**Months**|
|Avg. days from submission to first decision|60.4|
|Avg. Reviewer turnaround time (days) -**Original**|25.6|
|Avg. Reviewer turnaround time (days) -**Resubmission**|0.0|
|Avg. Reviewer turnaround time (days) -**Revision**|12.2|
|Avg. Time to Assign Reviewer (days) -**Original**|13.7|
|Avg. Time to Assign Reviewer (days) -**Resubmission**|0.0|
|Avg. Time to Assign Reviewer (days) -**Revision**|3.5|
|Avg. days from submission to final decision|82.8|
## **Table 3: Decisions, by country**
|||**2018**|||**2019**||
|---|---|---|---|---|---|---|
|Country/Region|Accept|Reject|Total|Accept|Reject|Total|
|Argentina|2|0|2|0|0|0|
|Australia|7|1|8|11|5|16|
|Austria|1|0|1|1|1|2|
|Belgium|0|2|2|0|1|1|
|Bosnia and Herzegovina|0|1|1|0|0|0|
|Brazil|1|4|5|1|3|4|
|Canada|4|3|7|4|2|6|
|Chile|0|0|0|0|2|2|
|China|0|4|4|1|4|5|
|Croatia|0|0|0|1|0|1|
|Cyprus|0|0|0|0|2|2|
|Czech Republic|1|0|1|0|0|0|
|Denmark|0|2|2|0|0|0|
|Finland|3|0|3|1|1|2|
|Germany|5|3|8|6|5|11|
|Greece|0|1|1|0|0|0|
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|HongKong|1|1|2|0|0|0|
|---|---|---|---|---|---|---|
|Hungary|1|0|1|0|0|0|
|Iceland|1|0|1|0|0|0|
|India|0|3|3|0|4|4|
|Indonesia|0|1|1|0|0|0|
|Iran(the Islamic Republic of)|0|2|2|0|0|0|
|Israel|1|2|3|1|2|3|
|Italy|0|1|1|3|0|3|
|Japan|1|0|1|0|1|1|
|Kenya|1|0|1|0|0|0|
|Korea(the Republic of)|0|1|1|0|4|4|
|Malaysia|0|3|3|0|2|2|
|Mexico|0|0|0|1|0|1|
|Netherlands|0|1|1|1|0|1|
|Norway|1|1|2|0|0|0|
|Pakistan|0|1|1|0|0|0|
|Poland|0|0|0|1|0|1|
|Portugal|3|1|4|0|0|0|
|Romania|2|0|2|0|0|0|
|Serbia|1|0|1|0|0|0|
|South Africa|1|0|1|0|0|0|
|Spain|1|3|4|0|0|0|
|Sweden|1|0|1|0|0|0|
|Taiwan|0|3|3|0|0|0|
|Turkey|0|2|2|0|0|0|
|United Kingdom of Great Britain and Northern
Ireland|10|6|16|0|0|0|
|United States|15|11|26|0|0|0|
## **Outstanding actions in progress:**
- Open access articles for 45[th] year – ready to be submitted to Sage.
- Complaint regarding article published in 2013 – this is being handled by the team at Sage:
- Guéguen, N., Meineri, S., & Fischer-Lokou, J. (2014). Men’s music ability and attractiveness to women in a real-life courtship context. _Psychology of Music_ , 42(4), 545–549
https://doi.org/10.1177/0305735613482025 has received allegations calling into question the methodology and ethical standards of its research. We are investigating the matter thoroughly. We seek to protect the rights of our authors and we always investigate claims about research and publishing ethics concerning articles we publish. Equally, we seek to protect the reputation of the journal against malpractice. In accordance with the guidelines of the Committee on Publication Ethics (COPE), of which this journal is a member, we asked Nicolas Guéguen to provide an explanation and have yet to receive a response. We have also requested a report from the author’s institution, and have been told this will be forthcoming. In the meantime, the plan is to publish an Expression of Concern - whether this is 1) left up with no further follow-up action 2) later replaced with an exonerating statement/ correction statement/ retraction notice or 3) kept published alongside an exonerating statement/ correction statement/ retraction notice – can be determined at a later date.
As always, I wish to extend my sincere thanks to Paolo Ammirante and the team of assistant and associate editors as well as the Editorial Board and all our reviewers. I continue to be grateful for this supportive and patient team of colleagues. In particular, I want to recognise the help that Dr Maria Varvarigou has provided (as assistant editor).
## **Professor Andrea Creech, Editor: PoM**
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## _**Research Studies in Music Education**_
## **Editor’s Report – Assistant Professor Julie Ballantyne**
This year has seen the increase from two to three issues (April, July and October), as well as the Virtual Issue being published online to celebrate 25 years of RSME. In addition, we had an article selected for the SAGE Inspire microsite in 2019. There are currently 25 articles in the ‘online first’ section of the website, which is a good number, given the recent move to three issues a year.
In 2019, RSME manuscript submission, downloads and circulation have all continued to be strong. We are now ranked 8[th] on SCIMAGO (second only to JRME in music education), and 12[th] of 120 Music titles on CiteScore. We will need to wait until next year to see if our strategies for increasing self-citation have paid off.
Over the past 12 months, we received 42 new manuscripts, of which 37 went through the review process. Manuscripts were received from Australia, Brazil, Canada, Finland, Hong Kong, Hungary, Indonesia, Norway, Portugal, Singapore, South Africa, Spain, Thailand, Turkey, Uganda, Ukraine, the UK, and the US. Of the 60 papers that have been in the system over the past year, these are the acceptance rates.
We have continued the practice of selecting the most highly downloaded article from the current issue, and awarding that article free downloads for 6 months. At the same time, we recommend ways that the authors can capitalize on their achievement and boost engagement with their work. The current article selected for free-download is:
Dobos, B., Piko, B. F., & Kenny, D. T. (2019). Music performance anxiety and its relationship with social phobia and dimensions of perfectionism. _Research Studies in Music Education, 41_ (3), 310–326. https://doi.org/10.1177/1321103X18804295
At the operational level, we continue to run IThenticate on all submissions to ensure that academic integrity is maintained. IThenticate thus far has been a very easy addition to the manuscript checking process, and we have found it useful for avoiding and/or identifying possible instances of piecemeal publication. This year we have trialed and implemented a new copyediting procedure that we hope will now streamline the editing process further. Kiran Yadav is now managing the copyediting at the Sage end, and we are finding this new partnership highly productive. We have also revised our letters to reviewers, which has resulted in a higher positive response from potential reviewers (although we still struggle in some areas), and have implemented the strategy of sending copies of the decision and all review comments to both reviewers. This has been well received. Our next task will be to refresh the editorial board (as flagged in the June report) as securing expert reviewers for manuscripts remains an ongoing challenge, and often contributes to significant delays in the submission process.
We are currently in the process of reviving the Perspectives section of the journal. This section is currently mentioned on the website as an option for authors, but has yet to be an option when submitting. We are working with Miriam to make this a ‘clickable’ option when submitting, and to provide a bit more detail on the website regarding how a Perspectives article differs from a research article. The intention is that all Perspectives articles will still be blind peer refereed and of an equal standard to other submissions. The Perspectives section of the journal will be the place to submit articles that may not follow the format of a standard journal article, or may be predominantly a discussion/debate paper. Articles featured in this
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section of the journal will likely be of interest to readers for the value they add in raising awareness of topical issues in the field. I welcome the thoughts of the SEMPRE committee about this.
I’d like to thank Dr Nicole Canham, SEMPRE and SAGE team for their continuing support of this journal. It has been a good year!
## **Julie Ballantyne, Editor: RSME**
## _**Music & Science**_ **Editorial Assistant’s report – Emily Payne**
At present, the _Music & Science_ website hosts 51 research articles (Vol. 1: 33; Vol. 2: 18), 2 book reviews (vol. 1) and 3 conference reports (vol. 1), with 3 more research articles in production.
Of the 56 papers accepted for publication, the following countries are represented:
|Country|Vol. 1|Vol. 2|
|---|---|---|
|Argentina|1||
|Australia|6|3|
|Canada|4|3|
|Finland|3|2|
|France|1||
|Germany|6|1|
|Israel|1||
|Japan|1||
|Sweden|2|1|
|Switzerland|1||
|The Netherlands|1||
|UK|7|3|
|USA|5|4|
At present, there are 11 submissions or revisions where we await reviewer scores; 13 papers are awaiting major revisions by the authors.
## **Statistics**
Manuscripts received by year (original submissions):
|Month|2017|2018|2019|
|---|---|---|---|
|Jan||2|3|
|Feb||2|2|
|Mar||7|7|
|Apr||4|4|
|May||2|5|
|June|10|6|2|
|July|11|6|3|
|Aug|16|4|5|
|Sep|4|2|2|
|Oct|8|10|5|
|Nov|2|5|3|
|Dec|3|5||
||54|55|41|
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Time until first decision (original submissions since June 2017): Average days: 71 (N=131)
Time to Accept (since June 2017):
Research articles (N=50): _M_ =196 days (SD=104 days); range: 46–437 days. Book reviews/conference reports (N=5): _M_ =27 days (SD=22.9 days); range: 0–49 days.
Rejection/acceptance rate: 42.2 % (N=41) / 57.7% (N=56)
## **Special Collections**
## _1) Musics, selves and societies_
Work continues on _Music & Science_ ’s first Special Collection, ‘Musics, selves and societies’. Contributors and the current state of their manuscripts are listed below. We thank Katie Overy (University of Edinburgh) for her continued work as guest editor for this Special Collection.
## _2) Music and autobiographical memory_
The first submission for the ‘Music and autobiographical memory’ Special Collection has been received (see details below). We thank Amy Belfi (Missouri University of Science and Technology and Kelly Jakubowski (Durham University) for their work as guest editors for this Special Collection.
## **Dr Emily Payne, Editorial Assistant: Music & Science**
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## **SEMPRE Conference Update**
## Recent event:
## AUTUMN 2019
Expression, communication and learning Place: Newton Park Campus, Bath Spa University Dates: Thursday 7 November, 2019 – Friday 8 November, 2019 Official website: https://www.bathspa.ac.uk/news-and-events/events/sempre-autumn-conference/
Forthcoming events: SPRING 2020
Researching Music - Education - Technology (MET2020) Celebrating ten years of MET 23–24 March 2020 quick link: bit.ly/sempremet2020 twitter hashtag: #sempremet Senate House, University of London Chairs: Dr Evangelos Himonides (UCL); Dr Ross Purves (UCL); Dr Andrew King (University of Hull); Dr Francisco Cuadrado (Universidad Loyola Andalucía)
## AUTUMN 2020
The value of music psychology research in a complex world: Implications, applications and debates 10-11 September 2020 University of Leeds Emily Payne
## **Events in association with SEMPRE**
## Recent events:
_International Symposium on Performance Science_ 16-19 July 2019 Hosted by Melbourne Conservatorium of Music https://easychair.org/cfp/ISPS2019
_SysMus 2019_ 10–12 September 2019 https://www.hdpk.de/en/research/sysmus19/
_Psychology and Music - Interdisciplinary Encounters_
24–26 October 2019
Hosted by Faculty of Music, University of Arts, Belgrade, Institute of Psychology, Faculty of Philosophy, University of Belgrade and Serbian Psychological Society https://psychologyandmusicconference2019.wordpress.com
## _Music & lifetime memories: An interdisciplinary conference_
1–2 November 2019
- - https://musicscience.net/events/music memory conference/
## _2[nd] SIMM Seminar_
25–28 November 2019
www.simm-platform.eu/seminars (will be updated with information on the 2nd seminar)
## Forthcoming events:
_2nd International Conference on Music Psychology and Music Performance_ Asociación Española Psicología de la Música
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Madrid 16[th] –19[th] September 2020. _SYSMUS2020_ University of York 15–17 September 2020
_ESCOM2021 28-31 JULY, 11TH TRIENNIAL CONFERENCE Connectivity and diversity in music cognition_
28th-31st July 2021.
https://icmpc2021.sites.sheffield.ac.uk/home
DELEGATE NUMBERS (TOTAL) c.600: 200 present in Sheffield, 400 at hubs around the world. PROJECTED STUDENT/UNWAGED DELEGATE NUMBERS: c.300
## _ISME 35th World Conference, Brisbane, Australia_
17-22 July, 2022 https://www.isme.org/events/35th-isme-world-conference-2022
## **SEMPRE Environmental Policy**
This policy is intended to inform conference organisers of SEMPRE’s position regarding environmental concerns. It is also intended to outline the environmental responsibilities of those organising or hosting SEMPRE Conferences, or Conferences in Association with SEMPRE.
SEMPRE recognises the intrinsic value of researchers meeting together to share research at conferences, and more specifically, the value of doing so face-to-face. The current climate crisis, however, demands a response from every individual, and requires changes in behaviour to minimise the adverse effects of sharing research. Accessibility should be maintained for those with disabilities who are unable to adapt to some of these changes; other changes will help facilitate equal access.
Adherence to the following guidelines will be considered when conference organisers apply to run a SEMPRE Conference, or a Conference in Association with SEMPRE:
1. Air travel and driving should be avoided where possible, and train or coach travel encouraged instead. If individual delegates must fly or drive, they may wish to consider whether they are able to combine their journey with another activity to which they would otherwise also fly, e.g., a holiday, a visit to another nearby academic institution, and/or location-based data gathering. It may also be worth individuals considering offsetting their travel emissions.
2. Pragmatically, the funding SEMPRE is able to provide is limited, and more delegates will be able to be funded to attend an event if travel costs are low. This may mean delegates avoiding flying and using alternative transport, and/or researchers attending more local events rather than each event having delegates attending from all over the world. If conferences can be attended from within their own continent or country, and measures taken to ensure remote (virtual) global access, emissions from travel will be reduced and the number of funded delegates increased.
3. Organisers should seriously consider the viability of making the research presented at conferences available from a distance, either through a recorded podcast or similar, or through webcasting. This reduces the necessity of distant non-presenting delegates having to travel to the conference.
4. Organisers should seriously consider the viability of delegates presenting remotely, using Zoom, Skype, Facetime, or other video conferencing software. Again, this reduces the need for travel.
5. Organisers should balance the 'pull' of world-renowned keynote speakers with the likely carbon emissions generated from their travel. Serious consideration should be given to the possibility of a remote keynote address if the keynote speaker is not located within the same continent. If a speaker can attend several nearby events in a row rather than travel home in between, this should be encouraged.
6. Discussions are a highly valuable part of the conference experience. Organisers should consider the use of software to facilitate this online.
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7. International conferences with multiple hubs are possible and have been undertaken by other organisations. Guidelines on running such events are available and organisers are urged to consider this possibility.
Where events are attended physically:
1. Try to arrange for all conference events and accommodation to be within walking distance. Where this is not possible, highlight public transport links.
2. All conference materials should be made available digitally to avoid large quantities of printed material.
3. If materials (pens, notebooks, badges, bags, etc) from previous conferences are available, these should be used in preference to buying new ones. Consider whether such freebies are used beyond the life of the conference before purchasing them.
4. Avoid single use plastics wherever possible.
5. Where possible, try to use locally sourced materials.
6. Where possible, try to use caterers who use locally sourced ingredients, or where in-house caterers are used, ask whether ingredients are locally sourced. Where possible, consider increasing the proportion of plant-based foods in relation to animal-based foods. Try to minimise food waste – are there practical ways in which this can be done locally?
7. Use a carbon calculator when organising your event, such as this one: https://juliesbicycle.com/reporting/
We are also reviewing our investments policy in the light of the above concerns.
## **Dr Helen Prior and Dr Mary Stakelum**
## **Treasurer’s Report**
SEMPRE’s finances continue to look healthy and during 2019 we have promised around £74,850 of awards with a total of £781,273 made since 2004/05. SAGE royalties for 2018 of £146,684.04 were received on 23 April 2019, a slight dip compared to 2017 (£151,678) – most likely the result of exchange rate fluctuations. For 2019 the forecasted figure for SAGE royalties is c.£151,083.57. In March 2019 a further £50,000 was deposited with Miller Investments – the value of our investments as at 4 December 2019 stands at £174,940. An updated detailed overview of awards and the current financial position are shown in two documents available from Josephine if required (Financial Summary/Awards Summary). Our accounts for 2018-19 have been submitted to our auditors and queries answered – we are waiting for the final sign off to come through this month. Finances are healthy and I would recommend that the current rate of spending is appropriate. Finally, I would like to thank Josephine once again for her continued efforts in supporting the Society – she is vital to its smooth operation.
## **Professor Karen Burland (SEMPRE Treasurer)**
14
SEMPRE AGM 7[th] April 2021 MINUTES
## **Membership Report** (Josephine Borradaile)
15
SEMPRE AGM 7[th] April 2021 MINUTES
## **Webmaster’s Report Professor Evangelos Himonides**
EH was unable to provide a detailed report as Google has caused problems with the reporting tools. However, everything is working well and fully accredited with ICO to comply with data handling. EH has made some amendments to the website in response to AL’s suggestions, but please let EH and JB know if further amendments are required. After the launch of new SAGE website there was no way to tap into a feed, so EH has been liaising with SAGE and created code snippets embedded onto the SEMPRE website.
16
SEMPRE AGM 7[th] April 2021 MINUTES
Extract from SEMPRE’s independently examined accounts for 2018-19
17
SEMPRE AGM 7[th] April 2021 MINUTES
SEMPRE
BALANCE SHEET
FOR THE YEAR EIIOED 31 MARCH 2019
2019
2018
Note
Ftxtd #s$•t$
CuThent asset5
Debtors
Inveslmenls
C85h at bank hand
151,520
189.010
93.847
165.775
66.179
170,807
12
414.377
402.761
Creditois." amounts falling due within
one year
13
17,4841
123.4701
14e¢ ¢urvent assets
406.893
379.291
Tot81 aS¥Bts le55 current114blllti
406,893
379.291
Net a55ets excluding pensior a55et
406,893
379,291
Total net a88ets
406.8g3
379,291
Charity lund5
RÈslrictÈtl funds
Unre*ricted funds
406,893
379.291
TDtsI fund5
406,893
379.291
The financial stalements were approved and aulhorised for issue by the frustses on and signed on
their behalf by..
)Ki. acw ZOZO
Profgssor'Gra
m F Welch
(Chair of +nJ3(ee51
The tx)les on page8 12 10 18 furm part ol the8& flnandal slalemenls.
18
SEMPRE AGM 7, April 2021 MINUTES
## **Annex 2: AGM 2021 Reports**
Miriam Hodge noted that she would be presenting the highlights for all three journals rather than a more detailed analysis.
## _PoM and RSME_
Both journals had performed very well during 2020 in the midst of an extraordinarily difficult year and SAGE wanted to extend a really big thank you to all editors and members of SEMPRE for enabling this to happen.
MH reported that here had been an increase in manuscript submissions for both PoM and RSME from 2018 to 2019: 37.6% for PoM and 8.3% for RSME. The acceptance rate for PoM has held at 43% for both 2019 and 2020 ,whereas RSME’s rate of acceptance has reduced from 59% to 46%.
PoM has gone up in all of the rankings. In terms of the SCOPUS metrics, both journals are in the top 10 with PoM at no 2 and RSME no 6 out of 148 journals. PoM is also at the top of the cite scores for the music category.
MH noted JB’s point re: RSME on re: page 8 and the increase in average days from receipt at SAGE to online publication: this increase is in part due to both COVID effects and possibly some author COVID effects too. MH to share an update later re: why the increase in number of days has happened.
## _Music & Science_
MH reported that Music & Science is performing incredibly well (in terms of all the usual markers SAGE uses) and how heartening this is, given that the journal was only launched online officially at the start of 2018: huge thanks to Ian and Emily. Usually the first 5 years are tricky and the rate of submissions is a really key factor. However, the submissions for Music & Science have continued at a steady rate despite the implementation of the APC which is excellent. Really good too that the number of articles published is rising: would be good to keep production at 20 and above.
MH noted that in 2020 downloads could reach 80,000 – very healthy compared with other launch statistics for such a new journal.
MH recognised the hard work that had gone into commissioning articles and once again extended her thanks to Ian and Emily.
19
SEMPRE AGM 7[th] April 2021 MINUTES
## _**Psychology of Music**_
## **Editor’s Report – Andrea Creech**
## 1. Acknowledgements
First, I would like to send all of my good wishes to the committee, hoping that you are staying safe and well.
I would like to in particular record my thanks to every one of our reviewers who have soldiered on during the pandemic, continuing to provide detailed and constructive reviews for authors, despite also shouldering much increased workloads as universities around the world have made rapid switches to online provision.
As always, I wish to thank Paolo Ammirante and Maria Varvarigou for their tireless support. I would also like to in particular thank Alexandra Lamont, Graham Welch and Miriam Hodge for their support in helping to resolve the Guéguen retraction.
2. Update on complaint regarding Guéguen et al., 2014 : https://doi.org/10.1177/0305735613482025,
This matter is now concluded. Following the advice of five further expert reviewers, the paper was retracted. The authors have been notified. Please note that this means that the paper may still be accessed, but it is now marked as retracted, and the retraction notice accompanies any download of the paper. Following this issue, we are in the process of updating the author ethics declaration on the submission system to provide more transparency. We are also looking at ways in which the reviewer guidelines can be updated in this regard.
## 3. Possible Special Issue – the Power of Music (Hallam).
Evangelos is supporting Sue Hallam in producing an update of the Power of Music extended literature review. Following Alex Lamont’s suggestion, I am exploring whether a Special Issue of PoM would be suitable for this. I personally am in favour, given Sue’s long service to PoM, SEMPRE and the field more broadly. Also, there have been at least 19,000 downloads of the original, and the update is likely to generate significant traffic for PoM.
## **4. Journal statistics:**
## **Manuscripts received**
|**anuscripts received**|||||
|---|---|---|---|---|
||3 Dec 2019
(previous 12 months)||3 Dec 2020
(previous 12 months)||
||Original|Revisions|Original|Revisions|
|Empiricalpapers|158|103|179|148|
|Short research
reports|15|2|15|7|
|Theoretical
papers|17|7|15|8|
||190|112|209|163|
## **Manuscript decisions**
|**anuscript decisions**|||
|---|---|---|
||3 Dec 2019
(previous 12 months)|3 Dec 2020
(previous 12 months)|
|**Accept **|**69(40.8%)**|**65(43.9%)**|
|**Reject**|**100(59.2%)**|**83(56.1%)**|
20
SEMPRE AGM 7[th] April 2021 MINUTES
## **Manuscript processing**
|Journal Statistics|Prior 12 Months|
|---|---|
|Avg. days from submission to first decision|70.2|
|Avg. Reviewer turnaround time (days) -**Original**|25.2|
|Avg. Reviewer turnaround time (days) -**Resubmission**|0.0|
|Avg. Reviewer turnaround time (days) -**Revision**|12.9|
|Avg. Time to Assign Reviewer (days) -**Original**|17.3*|
|Avg. Time to Assign Reviewer (days) -**Resubmission**|0.0|
|Avg. Time to Assign Reviewer (days) -**Revision**|4.6|
|Avg. days from submission to final decision|90.7|
***Please note that this includes often having to make several reviewer requests**
## **Manuscripts accepted by country**
|**Country/Region**|**Accept**|**Reject**|
**Total**|
**Total**|
**Accept**|**Reject**|**Total**|**Total**|
|---|---|---|---|---|---|---|---|---|
||12 months to 3 Dec|||2019|12 months to 3 Dec|||2020|
|Argentina|||||0|1||1|
|Armenia|||||0|1||1|
|Australia|11|6||17|
6|3||9|
|Austria|1|1||2|
1|1||2|
|Belgium|0|1||1|
2|0||2|
|Brazil|1|3||4|
4|4||8|
|Canada|4|2||6|
3|3||6|
|Chile|0|2||2|||||
|China|1|4||5|
4|12||16|
|Colombia|||||0|1||1|
|Croatia|1|0||1|
1|1||2|
|Cyprus|0|2||2|||||
|Ecuador|||||0|1||1|
|Finland|1|1||2|
2|1||3|
|France|||||0|1||1|
|Germany|6|5||11|
3|2||5|
|Hong Kong|||||0|1||1|
|Hungary|||||0|1||1|
|Iceland|||||0|1||1|
|India|0|3||3|
0|6||6|
|Indonesia|||||0|3||3|
|Iran (the Islamic Republic of)|||||1|2||3|
|Ireland|||||1|0||1|
|Israel|1|2||3|
0|1||1|
|Italy|3|0||3|
3|2||5|
|Japan|0|1||1|
0|2||2|
|Korea (the Republic of)|0|4||4|
2|4||6|
|Malaysia|0|2||2|
1|2||3|
|Mexico|1|0||1|||||
|Netherlands|1|0||1|
1|1||2|
21
SEMPRE AGM 7[th] April 2021 MINUTES
|New Zealand||||0|1|1|
|---|---|---|---|---|---|---|
|Norway||||0|2|2|
|Poland|1|0|1|
2|0|2|
|Portugal|0|3|3|
1|2|3|
|Serbia|0|1|1|
0|1|1|
|Singapore|2|0|2|
3|0|3|
|Spain|1|10|11|
3|7|10|
|Sweden|1|1|2||||
|Thailand||||0|1|1|
|Tunisia||||0|1|1|
|Turkey|0|4|4|
1|3|4|
|Ukraine|0|1|1||||
|United Arab Emirates||||0|1|1|
|UK|8|14|22|
6|6|12|
|United States|19|16|35|
20|21|41|
|Zimbabwe||||0|1|1|
22
SEMPRE AGM 7[th] April 2021 MINUTES
## _**Research Studies in Music Education**_ **Editor’s Report – Julie Ballantyne**
Thank you to Nicole Canham, Miriam Hodge and Kiran Yadav who have kept RSME going from strength to strength in 2020, despite all the challenges we have faced. We have published three issues of the journal, and there are currently 26 articles in the ‘online first’ section of the website.
In the last 12 months, RSME manuscript submission, downloads and circulation have all continued to be strong. We have moved up the rankings, and are now ranked 6[th] on SCIMAGO (in ‘music’). We have definitely increased our citations (including self-citations), but more work needs to be done here.
In our June report, we anticipated that submissions overall for this calendar year might be slightly down. We have certainly noted additional delays with reviewing time, or author revisions. However, we have received slightly more manuscripts than last year, and there are 90 that have gone through the system in the past 12 months.
_Figure 1: Manuscripts in the system (past 12 months)_
Over the past 12 months, we received 60 new manuscripts, which is an increase of almost 30% based on last year’s figures. We have been more stringent about our two-stage review process this year, which has meant that the number of manuscripts going out for review has been reduced, and the acceptance rate has slightly decreased. This year approximately 70% of manuscripts were accepted, as opposed to 80% in late 2018/late 2019 year. Of the 73 papers that have had a decision over the past year, these are the acceptance rates:
23
SEMPRE AGM 7[th] April 2021 MINUTES
_Figure 2 All manuscripts received from 25/11/2019 to 30/11/2020_
We continue to receive manuscripts from around the world, but with some clear concentrations in particular geographic areas. This information is helpful for considering ways we can build the readership and submissions more consistently in other territories.
The most highly downloaded article from 2020 is:
Kallio, A. A. (2020). Decolonizing music education research and the (im)possibility of methodological responsibility. _Research Studies in Music Education_ , _42_ (2), 177– 191. https://doi.org/10.1177/1321103X19845690
I have been letting key researchers know about the Perspectives section of the journal, and have invited submissions (suggesting a due date of the end of the year). Watch this space.
Finally, we wish you all a lovely Christmas break, and a better year next year than 2020!
Sincerely, Julie Ballantyne
24
SEMPRE AGM 7[th] April 2021 MINUTES
## _**Music & Science**_ **Assistant Editor’s progress report – Emily Payne**
At present, the _Music & Science_ website hosts 88 research articles (Vol. 1: 33; Vol. 2: 21; Vol. 3: 30; Vol 4), 3 book reviews (Vol. 1: 2; Vol 2: 1) and 6 conference reports (Vol. 1: 3; Vol. 3: 3), with 5 more research articles in production.
Of the 103 papers accepted for publication, the following countries are represented:
|Country|2017/18*|2019|2020|2021|Total|
|---|---|---|---|---|---|
|Argentina|1||||1|
|Australia|5|4|6||15|
|Austria||1|||1|
|Canada|6|2|1|1|10|
|Finland|3|2|3||8|
|Germany|6|2|1|1|10|
|Israel|1||1||2|
|Japan|1||||1|
|Netherlands|1||1|1|3|
|Norway|||1||1|
|Portugal||||1|1|
|Sweden|2|1|1|1|5|
|Switzerland|1||1|1|3|
|UK|8|3|10|3|24|
|USA|5|4|7|2|18|
*Date = decision date (not publication date)
At present, there are 31 submissions or revisions where we await reviewer scores; 7 papers are awaiting revisions (major) by the authors.
## **Statistics**
Manuscripts received by year (original submissions):
|Month|2017|2018|2019|2020|2021|
|---|---|---|---|---|---|
|Jan||2|3|6|4|
|Feb||2|2|2|9|
|Mar||7|7|3|8|
|Apr||4|4|7|1|
|May||2|5|6||
|June|10|6|2|3||
|July|11|6|3|4||
|Aug|16|4|5|8||
|Sep|4|2|2|1||
|Oct|8|10|5|6||
|Nov|2|5|3|6||
|Dec|3|5|16|9||
||54|55|57|61|22|
Time until first decision (original submissions since June 2017): Average days: 77 (N=231)
Time to Accept (since June 2017):
25
SEMPRE AGM 7[th] April 2021 MINUTES
Research articles (N=94): _M_ =253 days (SD=152 days); range: 61–721 days. Book reviews/conference reports (N=10): _M_ =14 days (SD=20 days); range: 0–49 days.
Rejection/acceptance rate:
|jection/acceptance rate:|||
|---|---|---|
|**Year**|**Reject**|**Accept **|
|2017|42.9%(N=12)|57.1%(N=16)|
|2018|42.9%(N=18)|57.1%(N=24)|
|2019|52.4%(N=22)|47.6%(N=20)|
|2020|41.7%(N=25)|58.3%(N=35)|
|2021|42.9%(N=6)|57.1%(N=8)|
Overall: 44.4% (N=83) / 55.6% (N=104)
## **Special Collections**
## _1) Musics, selves and societies_ (N=11)
|**Status**|**N**|
|---|---|
|Published|6|
|Major Revisions|3|
|Invite Reviewers|1|
|AwaitingEditor’s Decision|1|
## _2) Music and autobiographical memory_ (N=10)
|**Status**|**N**|
|---|---|
|Published|7|
|AwaitingReviewer Scores|1|
|Major Revisions|1|
|Reject|1|
## _3) Music Psychology Research in a Complex World_ (N=7)
|**Contributor**|**N**|
|---|---|
|Accept|1|
|Awaiting Reviewer Scores|4|
|Reject|2|
We wish to thank the guest editors for their continued efforts on these Special Collections. Thanks also to Miriam Hodge and the team at SAGE for their continued support.
## **Emily Payne**
26
SEMPRE AGM 7[th] April 2021 MINUTES
## **SEMPRE Conference Update, December 2020**
## SPRING 2020
Researching Music - Education - Technology (MET2020) Celebrating ten years of MET 23–24 March 2020 quick link: bit.ly/sempremet2020 twitter hashtag: #sempremet Senate House, University of London
Chairs: Dr Evangelos Himonides (UCL); Dr Ross Purves (UCL); Dr Andrew King (University of Hull); Dr Francisco Cuadrado (Universidad Loyola Andalucía)
- **This event was postponed because of the current COVID-19 situation.**
## AUTUMN 2020
SEMPRE Autumn 2020 Conference 9–11 September, 2020 (N.B. earlier start date) University of Leeds (online) Keynote Speaker: Professor Alexandra Lamont
**The conference took place successfully online** . There was no fee to participate. A special issue of Music and Science will be related to the conference.
## SPRING 2021
SEMPRE Spring 2021 Conference 6-9 April 2021 This is an online collaboration between MET2020 and RiME2021
All registered MET2020 participants and presenters will have free access to the 12th International Conference for Research in Music Education (RiME2021). Hosted online by the Royal College of Music https://www.rcm.ac.uk/research/rime2021/ with support from SEMPRE, it takes place 6[-] 9 April 2021. During the RiME2021 conference, a dedicated MET celebration symposium will be held synchronously (7 April 2021, 13:30-16:00 tbc). In addition to this event, a video-showcase curated from video presentations of papers accepted for MET 2020 will be published on the SEMPRE website.
## **Events in association with SEMPRE**
## Forthcoming events:
_Virtual Workshop “The Psychology of Live Music Performance”_
Durham University 19 June 2020 (9:15-16:00 BST)
Organizers: Dr Liila Taruffi (Durham University) Dr Mats Küssner (Humboldt-Universität zu Berlin). Invited speakers: Prof. Stephanie Pitts (University of Sheffield), Prof. Karen Burland (University of Leeds), Prof. Andy Hamilton (Durham University), Dr Hauke Egermann (University of York) Artists: Paolo Cognetti, Giulia Vismara
_SYSMUS2020_
University of York 15–17 September 2020 https://sites.google.com/york.ac.uk/sysmus2020/home
- **This conference ran online.**
## _2nd International Conference on Music Psychology and Music Performance_
Asociación Española Psicología de la Música Madrid
16[th] –19[th] September 2020.
- **This conference has been postponed because of the COVID-19 situation**
27
SEMPRE AGM 7[th] April 2021 MINUTES
## _ESCOM2021 28-31 JULY, 11TH TRIENNIAL CONFERENCE Connectivity and diversity in music cognition_
28th-31st July 2021. https://sites.google.com/sheffield.ac.uk/escom2021/home
Likely to run in online hubs. Discussions about financial support to subsidise conference fees are ongoing.
## **Helen Prior and Mary Stakelum**
## **Treasurer’s Report**
SEMPRE’s finances continue to look healthy and during 2020 we have promised around £119,586 of awards (which includes £80,000 ring fenced for the 50[th] Anniversary awards) with an overall total of £900,859 made since 2004/05. The projected figure for SAGE royalties for 2020 is £157,438 – slightly less than 2019’s royalties of £159,460.48: this income will be received in late April 2021. An updated detailed overview of awards and the current financial position are shown in two documents available from Josephine if required (Financial Summary/Awards Summary). Our accounts for 2019-20 are in process for our Charity Commission return at the end of January 2021. Finances are healthy and I would recommend that the current rate of spending is appropriate. Finally, I would like to thank Josephine once again for her continued efforts in supporting the Society – she is vital to its smooth operation.
## **Karen Burland (SEMPRE Treasurer)**
28
SEMPRE AGM 7[th] April 2021 MINUTES
**Membership Report** (Josephine Borradaile)
29
SEMPRE AGM 7[th] April 2021 MINUTES
## **Webmaster’s Report**
## **Professor Evangelos Himonides**
No detailed statistical report is presented for the website because everything is healthy and there has been no development from the ICO about Brexit as yet. At the moment we are continuing to follow whatever has previously been needed to be compliant with EU directives – EH noted that SEMPRE does not handle much in the way of sensitive information. EH announced that the SEMPRE website had been migrated to a UK server for increased server security. Despite a significant amount of warfare from both Russia and China, security is being maintained through the use of regular migration.
30
SEMPRE AGM 7[th] April 2021 MINUTES
Extract from SEMPRE’s independently examined accounts for 2019-20
31
SEMPRE AGM 7[th] April 2021 MINUTES
SEMPRE
BALANCE SHEET
AS AT 31 MARCH 2020
As reststed
2019
2020
Note
Investments
12
146.746
118,233
146,746
118.233
Cunont ass•ts
Dèbtors
Cash al bank and in hand
13
165,149
143,511
151.520
144.824
308,660
296,144
Creditors.. amounts falling due
one year
14
{9,9451
(7,484)
Net cuThentassets
298,715
288,660
Totsl assèts bss eurrént Ilabllld•s
445,461
406,893
Total nota3¥•ts
445,461
406,893
Chorlty ftsndj
Unrestricted funds
445,461
4CE.893
Total funds
445,461
4a6.893
The financial statements were approved and authorised for issue by the Trustegs on
2711-1&1
and signed on thelr behalf by:
Professor Grdham F Wolch
(Trustee)
The notes on pages 11 to 19 form part of these financial statements.
32
SEMPRE AGM 7, April 2021 MINUTES
**Charity number: 295670**
## **SEMPRE**
## **UNAUDITED**
**TRUSTEES' REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
RPG Crouch Chapman LLP Chartered Accountants & Statutory Auditor 14-16 Dowgate Hill London EC4R 2SU
## **SEMPRE**
## **CONTENTS**
||Page|
|---|---|
|Reference and administrative details of the charity, its Trustees and advisers|1|
|Trustees' report|2 - 6|
|Trustees' responsibilities statement|7|
|Independent examiner's report|8|
|Statement of financial activities|9|
|Balance sheet|10|
|Notes to the financial statements|11 - 19|
## **SEMPRE**
## **REFERENCE AND ADMINISTRATIVE DETAILS OF THE CHARITY, ITS TRUSTEES AND ADVISERS FOR THE YEAR ENDED 31 MARCH 2021**
|Trustees|Professor Ian Cross|
|---|---|
||Professor Adam Ockelford|
||Professor Graham F Welch, Chair|
||Dr Mary Stakelum|
||Dr Alex Lamont|
|Charity registered
number
295670
Principal office
Collage Artspace 2
4 Coburg Road
London
N22 6UI
Secretary
Professor Adam Ockelford
Treasurer
Dr Karen Burland-Clark
Accountants
RPG Crouch Chapman LLP
Chartered Accountants
14-16 Dowgate Hill
London
EC4R 2SU
Financial Advisers
SCM Private LLP
Waverley Court
Wilteil Road
Lichfield
Staffordshire
WS14 9ET
Independent Examiner
Jeremy Tyrrell
RPG Crouch Chapman LLP
14-16 Dowgate Hill
London EC4R 2SU||
Page 1
## **SEMPRE**
## **TRUSTEES' REPORT FOR THE YEAR ENDED 31 MARCH 2021**
The Trustees present their annual report together with the financial statements for the year ended 31 March 2021.
The financial statements comply with the Statement of Recommended Practice: Accounting and Reporting by Charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective from 1 January 2019) and the Financial Reporting Standard applicable in the United Kingdom and Republic of Ireland (FRS 102) and Charities Act 2011.
## **Objects and Activities**
The object of the Society is the advancement of education and research concerning the Psychology of Music and Music Education for the benefit of people throughout the world.
In furtherance of the above object, but not further or otherwise, the Society through its Trustees, has the following powers:
- To bring together, through the medium of regular regional, national and international conferences and associated publications (in print and electronic forms), researchers, policy makers and practitioners in the field of music education and music psychology and contingent fields arts and sciences who may be working in comparative isolation, and to foster a positive relationship between practising music teachers, music psychologists, music therapists, community musicians, other practitioners, policy makers and researchers and their respective fields of activity;
- To support, in any appropriate way, research undertaken in the psychology of music and music education by members of the Society and others working in the field. This may include financial support at the discretion of the Trustees, should funds be available (for example, for the SEMPRE Awards programme);
- To enable individuals involved in research to inform others about their work and obtain comment and criticism;
- To publish periodically journals, including the Society’s current journals as at the date of adoption of this Constitution (being the following: ‘Psychology of Music’, ‘Research Studies in Music Education’ and ‘Music and Science’), either acting alone or with an appropriate internationally recognised publisher;
- To publish book series, including as at the date of adoption of this Constitution ‘SEMPRE Studies in the Psychology of Music’;
- To make grants, awards or loans of money and to give guarantees;
- To co-operate with other bodies;
- To raise funds (but not by means of taxable trading);
- To borrow money and give security for loans (but only in accordance with the restrictions imposed by the Charities Act 2011 (as amended or re-enacted from time to time));
- To acquire or hire property of any kind;
Page 2
## **SEMPRE**
## **TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2021**
- To let or dispose of property of any kind (but only in accordance with the restrictions imposed by the Charities Act 2011 (as amended or re-enacted from time to time));
- To set aside funds for special purposes or as reserves against future expenditure;
- To deposit or invest in funds in any manner (but to invest only after obtaining such advice from a financial expert as the Trustees consider necessary and having regard to the suitability of investments and the need for diversification);
- To delegate the management of investments to a financial expert, but only on terms that:
- i) the investment policy is recorded in writing for the financial expert by the Trustees; ii) every transaction is reported promptly to the Trustees;
- iii) the performance of the investments is reviewed regularly with the Trustees;
- iv) the Trustees are entitled to cancel the delegation arrangement at any time
- v) the investment policy and the delegation arrangement are reviewed at least once a year; vi) all payments due to the financial expert are on a scale or at a level which is agreed in advance and are reported promptly to the Trustees on receipt;
- vii) the financial expert must not do anything outside the powers of the Trustees;
- To insure the property of the Society against any foreseeable risk and take out other insurance policies to protect the Society when required;
- To employ paid or unpaid agents, staff or advisers;
- To enter into contracts to provide services to or on behalf of other bodies;
- To establish or acquire subsidiary companies to assist or act as agents for the Society;
-
- To do all such other things as shall further the object of the Society.
## **Public benefit**
SEMPRE is achieving public benefit by assisting in the advancement and promotion of education and research concerning the Psychology of Music and Music Education for the benefit of people throughout the world.
## **Achievements and Performance**
In the past year, SEMPRE has continued its charitable awards programme. Given that 2022 is SEMPRE's 50th Anniversary year, we launched a set of Anniversary awards, leading to eight awards totalling £113K. Research topics encompass a wide range of disabilities, special needs and support for disadvantaged groups, drawn from the UK, Europe, North and South America. Meanwhile, we have continued to support special needs and, separately, disadvantaged young people in Brazil, musicians in Afghanistan, and several projects on music for inclusion and literacy in sub-Saharan Africa. This is in addition to the regular and systematic financial support for individual students and unwaged researchers to attend primarily on-line/virtual psychology of music and music educationrelated conferences globally through support for local organising groups to maximise their virtual conference connections.
SEMPRE has also continued to expand its portfolio of publications, with further volumes in the Routledge SEMPRE series and in its three academic research journals, Psychology of Music, Research Studies in Music Education and Music and Science.
Page 3
## **SEMPRE**
## **TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2021**
Overall, we have continued to fulfil our distinctive international mission to support research and scholarship, and its applied practice, in the fields of music psychology and music education.
## **Investment Policy and Performance**
In accordance with the trust’s constitution, the trustees have the power to deposit or invest funds, employ a professional fund-manager and arrange for the investment or other property of the trust to be held in the name of a nominee subject to the Trustee Act 2000. The bulk of the trust’s free reserves are currently held in a common investment fund managed by SCM Private LLP.
## **Financial Review**
The Trust had total net income, as defined in the Statement of Recommended Practice, for the year of £17,681 (2020: £38,568).
This is after taking into account the effects of net gains on investments of £42,692 (2020: net losses of £24,787). Net income before investment gains was a deficit of £25,011 (2020: surplus of £63,355).
## **Reserves Policy**
Funds which are not required for immediate use (including those which will be required for use at a future date) must be placed on deposit or invested until needed.
The charity maintains sufficient, but not excessive, reserves in order to continue its charitable objectives in the foreseeable future.
## **Structure, Governance and Management**
The Society is constituted under a Constitution originally agreed at the AGM on 13th April 2002 and subsequently revised on 29th July 2016.
The Society consists of the members, the Trustees, and the Committee, which includes the Officers of the Society.
## The Trustees
The Trustees that served during the year were as follows;
Professor Ian Cross Dr Alex Lamont Professor Adam Ockleford Dr Mary Stakelum Professor Graham F Welch, Chair
The Trustees have responsibility for the general management and administration of the Society.
The Trustees may delegate any of their powers or functions to committees consisting of two or more individuals appointed by them (but at least two members of every committee must be a Trustee) and all proceedings of committees must be recorded in the minute book and reviewed regularly by the Trustees. They may impose conditions when delegating and may revoke or alter a delegation at any time.
There shall be at least three, but not more than five, Trustees.
Page 4
**SEMPRE**
## **TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2021**
Trustees are appointed by the Committee from among its number. Each Trustee holds office until the fifth anniversary of his or her appointment, when he or she must retire but shall be eligible for reappointment.
Every Trustee, after appointment or re-appointment, must sign a declaration of willingness to act as a charity trustee of the Society.
A retiring Trustee or member of the Committee is entitled on written request to an indemnity from the Society in respect of any liabilities properly incurred while he or she held office.
The Chair of Trustees is appointed by the Trustees from their number, and may be removed from that office by the Trustees at any time. A person can serve at the same time as both the Chair of Trustees and the Chair of the Committee. The Chair of Trustees does not automatically cease to be a Trustee as a result of ceasing to be the Chair of Trustees.
## The Committee
The Committee, as established by the Trustees, has responsibility for supporting the Trustees in their management and administration of the Society.
The Trustees delegate such powers to the Committee in relation to management and administration of the Society as the Trustees deem fit from time to time. Such delegation includes the following powers:
- To appoint, from among its number, the Trustees.
- To make standing orders consistent with this Constitution to govern proceedings at General Meetings.
- To make rules consistent with this Constitution to govern its proceedings and proceedings of committees (including itself).
- To make regulations consistent with this Constitution to govern the administration of the Society including the operation of bank accounts and the commitment of funds.
- To resolve, or establish procedures to assist the resolution of, disputes within theSociety.
The Committee consists of the Chair of the Committee as elected by the members, the other Honorary Officers of the Society as elected by the members; the Lay Officers, who are lay members elected by members with specific designated roles; up to two Doctoral Student
Representatives, nominated by members and appointed by the Committee; and any individuals coopted by the Committee to fill any vacancies arising.
The Committee comprises not fewer than thirteen and normally not more than eighteen members.
The Honorary and Lay Officers of the Society have such roles and duties as may be determined from time to time by the Trustees (or the Committee, where it has been given due delegated authority by the Trustees).
The Honorary Officers of the Society (all of whom serve on the Committee) comprise the Chair of the Committee, the Secretary, the Treasurer, the Editors of the Society’s Journals, and such other persons to fulfil such honorary positions as may be approved by the members at General Meeting from time to time (whether following a proposal of the Trustees, the Committee or of the members).
Page 5
## **SEMPRE**
## **TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2021**
In the event of any casual vacancy on the Committee, the Committee has the power to co-opt a member to fill the vacancy; such a co-opted member shall exercise the full rights of a member of the Committee and serve until the next Annual General Meeting, at the end of which he or she must retire but shall become eligible for election by the members.
The Trustees have considered the risks to which SEMPRE is exposed. The major risk concerns the continued demand for the charity’s publications and the Trustees consider that the risk of a fall in subscriptions is mitigated by:
A Board of Trustees with the necessary experience and competence to ensure continued research and the subsequent publishing of findings and opinions in the publications that are relevant to practitioners and researchers in the fields of music education and music psychology, both individually and combined.
Regular Trustees’ meetings with effective reporting to ensure proper review of Operations, Achievement and Performance.
Regular and positive engagement with our international commercial publishing partners to ensure the fitness of our publication portfolio.
## **Going Concern**
With solid levels of reserves, a firm control over expenditure, and in the absence of any material uncertainties over the Charity’s ability to continue, it is considered by the Trustees to be a going concern for the forthcoming year and the foreseeable future. Thus the Trustees continue to adopt the going concern basis in preparing the accounts.
The Trustees present their annual report together with the financial statements for the year ended 31 March 2021.
Approved by order of the members of the board of Trustees and signed on their behalf by:
................................................ **Professor Graham F Welch**
Date: 28 January 2022
Page 6
## **SEMPRE**
## **STATEMENT OF TRUSTEES' RESPONSIBILITIES FOR THE YEAR ENDED 31 MARCH 2021**
The Trustees are responsible for preparing the Trustees' report and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).
The law applicable to charities in England & Wales requires the Trustees to prepare financial statements for each financial which give a true and fair view of the state of affairs of the charity and of its incoming resources and application of resources, including its income and expenditure, for that period. In preparing these financial statements, the Trustees are required to:
- select suitable accounting policies and then apply them consistently;
- observe the methods and principles of the Charities SORP (FRS 102);
- make judgments and accounting estimates that are reasonable and prudent;
- state whether applicable UK Accounting Standards (FRS 102) have been followed, subject to any material departures disclosed and explained in the financial statements;
- prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charity will continue in business.
The Trustees are responsible for keeping adequate accounting records that are sufficient to show and explain the charity's transactions and disclose with reasonable accuracy at any time the financial position of the charity and enable them to ensure that the financial statements comply with the Charities Act 2011, the Charity (Accounts and Reports) Regulations 2008 and the provisions of the Trust deed. They are also responsible for safeguarding the assets of the charity and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
Approved by order of the members of the board of Trustees and signed on its behalf by:
................................................ **Professor Graham F Welch**
Date: 28 January 2022
Page 7
## **SEMPRE**
## **INDEPENDENT EXAMINER'S REPORT FOR THE YEAR ENDED 31 MARCH 2021**
Independent Examiner's Report to the Trustees of SEMPRE ('the charity')
I report to the charity Trustees on my examination of the accounts of the charity for the year ended 31 March 2021.
Responsibilities and Basis of Report
As the Trustees of the charity you are responsible for the preparation of the accounts in accordance with the requirements of the Charities Act 2011 ('the 2011 Act').
I report in respect of my examination of the charity's accounts carried out under section 145 of the 2011 Act and in carrying out my examination I have followed the applicable Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act.
Independent Examiner's Statement
Your attention is drawn to the fact that the charity has prepared the accounts in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) in preference to the Accounting and Reporting by Charities: Statement of Recommended Practice issued on 1 April 2005 which is referred to in the extant regulations but has been withdrawn.
I understand that this has been done in order for the accounts to provide a true and fair view in accordance with the Generally Accepted Accounting Practice effective for reporting periods beginning on or after 1 January 2019.
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
1. accounting records were not kept in respect of the charity as required by section 130 of the 2011 Act; or
2. the accounts do not accord with those records; or
3. the accounts do not comply with the applicable requirements concerning the form and content of accounts set out in the Charities (Accounts and Reports) Regulations 2008 other than any requirement that the accounts give a 'true and fair' view which is not a matter considered as part of an independent examination.
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
Signed: Dated: 31 January 2022
Jeremy Tyrrell (FCA)
14-16 Dowgate Hill London EC4R 2SU
Page 8
## **SEMPRE**
## **STATEMENT OF FINANCIAL ACTIVITIES FOR THE YEAR ENDED 31 MARCH 2021**
|Note
**Income from:**
Charitable activities
4
Investments
5
Other income
6
**Total income**
**Expenditure on:**
Charitable activities
7
**Total expenditure**
**Net (expenditure)/income before net gains/(losses)**
**on investments**
Net gains/(losses) on investments
**Net movement in funds**
**Reconciliation of funds:**
Total funds brought forward
Net movement in funds
**Total funds carried forward**|Unrestricted
funds
2021
£
149,559
3,893
230
153,682
178,693
178,693
(25,011)
42,692
17,681
445,461
17,681
463,142|Total
funds
2021
£
149,559
3,893
230
153,682
178,693
178,693
(25,011)
42,692
17,681
445,461
17,681
463,142|Total
funds
2020
£
169,647
4,808
2,845|
|---|---|---|---|
||||177,300
113,945|
||||113,945
63,355
(24,787)|
||||38,568
406,893
38,568|
||||445,461|
The Statement of Financial Activities includes all gains and losses recognised in the year.
The notes on pages 11 to 19 form part of these financial statements.
Page 9
## **SEMPRE**
## **BALANCE SHEET AS AT 31 MARCH 2021**
|Note
Investments
12
**Current assets**
Debtors
13
Cash at bank and in hand
Creditors: amounts falling due within
one year
14
**Net current assets**
**Total assets less current liabilities**
**Total net assets**
**Charity funds**
Unrestricted funds
**Total funds**|154,131
255,027
409,158
(137,998)|2021
£
191,982
191,982
271,160
463,142
463,142
463,142
463,142|165,149
143,511
308,660
(9,945)|2020
£
146,746|
|---|---|---|---|---|
|||||146,746
298,715|
|||||445,461|
|||||445,461
445,461|
|||||445,461|
The financial statements were approved and authorised for issue by the Trustees and signed on their behalf by:
## ................................................
## **Professor Graham F Welch**
Date: 28 January 2022
The notes on pages 11 to 19 form part of these financial statements.
Page 10
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
1. General information
SEMPRE is a registered charity, charity number 295670. Its principal office is Collage Artspace 2, 4 Coburg Road, London N22 6UI. The objective of the charity remained the advancement of education and research concerning the Psychology of Music and Music Education for the benefit of people throughout the world.
## 2. Accounting policies
## Basis of preparation of financial statements
The financial statements have been prepared in accordance with the Charities SORP (FRS 102) - Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019), the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Charities Act 2011.
The financial statements have been prepared to give a 'true and fair' view and have departed from the Charities (Accounts and Reports) Regulations 2008 only to the extent required to provide a 'true and fair' view. This departure has involved following the Charities SORP (FRS 102) published in October 2019 rather than the Accounting and Reporting by Charities: Statement of Recommended Practice effective from 1 April 2005 which has since been withdrawn.
SEMPRE meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy.
## Income
All income is recognised once the charity has entitlement to the income, it is probable that the income will be received and the amount of income receivable can be measured reliably.
Income tax recoverable in relation to investment income is recognised at the time the investment income is receivable.
Other income is recognised in the period in which it is receivable and to the extent the goods have been provided or on completion of the service.
## Expenditure
Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably. Expenditure is classified by activity. The costs of each activity are made up of the total of direct costs and shared costs, including support costs involved in undertaking each activity. Direct costs attributable to a single activity are allocated directly to that activity. Shared costs which contribute to more than one activity and support costs which are not attributable to a single activity are apportioned between those activities on a basis consistent with the use of resources. Central staff costs are allocated on the basis of time spent, and depreciation charges allocated on the portion of the asset’s use.
Page 11
**SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
2. Accounting policies (continued)
## Expenditure (continued)
Expenditure on charitable activities is incurred on directly undertaking the activities which further the charity's objectives, as well as any associated support costs.
All expenditure is inclusive of irrecoverable VAT.
## Interest receivable
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the charity; this is normally upon notification of the interest paid or payable by the institution with whom the funds are deposited.
## Investments
Fixed asset investments are a form of financial instrument and are initially recognised at their transaction cost and subsequently measured at fair value at the Balance sheet date, unless the value cannot be measured reliably in which case it is measured at cost less impairment. Investment gains and losses, whether realised or unrealised, are combined and presented as ‘Gains/(Losses) on investments’ in the Statement of financial activities.
## Debtors
Trade and other debtors are recognised at the settlement amount after any trade discount offered. Prepayments are valued at the amount prepaid net of any trade discounts due.
## Cash at bank and in hand
Cash at bank and in hand includes cash and short-term highly liquid investments with a short maturity of three months or less from the date of acquisition or opening of the deposit or similar account.
## Liabilities and provisions
Liabilities are recognised when there is an obligation at the Balance sheet date as a result of a past event, it is probable that a transfer of economic benefit will be required in settlement, and the amount of the settlement can be estimated reliably.
Liabilities are recognised at the amount that the charity anticipates it will pay to settle the debt or the amount it has received as advanced payments for the goods or services it must provide.
Provisions are measured at the best estimate of the amounts required to settle the obligation. Where the effect of the time value of money is material, the provision is based on the present value of those amounts, discounted at the pre-tax discount rate that reflects the risks specific to the liability. The unwinding of the discount is recognised in the Statement of financial activities as a finance cost.
Page 12
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
2. Accounting policies (continued)
## Financial instruments
The charity only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method.
## Fund accounting
The charity only has general funds. General funds are unrestricted funds which are available for use at the discretion of the Trustees in furtherance of the general objectives of the charity and which have not been designated for other purposes.
Investment income, gains and losses are allocated to the appropriate fund.
## Cash Flow Exemption
The financial statements do not include a cash flow statement because the
3. Critical accounting estimates and areas of judgment
Estimates and judgments are continually evaluated and are based on historical experience and other factors, including expectations of future events that are believed to be reasonable under the circumstances.
Critical accounting estimates and assumptions:
The charity makes estimates and assumptions concerning the future. The resulting accounting estimates and assumptions will, by definition, seldom equal the related actual results.
The trustees include in the accounts an estimate for the value of the final quarter's royalties receivable on the charity's SAGE portfolio as these figures are not usually available yet at the time of the accounts preparation. This estimate is based on 1/4th of the figure SAGE estimates as due for the next year.
Page 13
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
4. Income from charitable activities
|Royalties
Individual memberships
Conference contributions
Total 2021
Royalties
Individual memberships
Conference contributions
Total 2020|General
2021
£
146,791
2,768
-
149,559
General
2020
£
164,214
3,233
2,200
169,647|Total
funds
2021
£
146,791
2,768
-|
|---|---|---|
|||149,559|
|||Total
funds
2020
£
164,214
3,233
2,200|
|||169,647|
5. Investment income
|Dividends
Interest
Dividends
Interest|General
2021
£
3,537
356
3,893
General
2020
£
4,416
392
4,808|Total
funds
2021
£
3,537
356|
|---|---|---|
|||3,893|
|||Total
funds
2020
£
4,416
392|
|||4,808|
Page 14
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
6. Other incoming resources
|Other incoming resources
Other incoming resources|General
2021
£
230
General
2020
£
2,845|Total
funds
2021
£
230|
|---|---|---|
|||Total
funds
2020
£
2,845|
Page 15
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
7. Analysis of expenditure on charitable activities
## Summary by fund type
|Awards
Bank interest and charges
Conference costs
Editorial and website
Investment management costs
PPS
Small equipment
Sundry
Travel and subsistence
Support costs
Awards
Bank interes and charges
Conference costs
Editorial and website
Investments management costs
PPS
Small equipment
Sundry
Travel and subsistence
Support costs|General
2021
£
135,304
777
1,157
20,652
993
-
524
2,222
120
16,944
178,693
General
2020
£
72,823
1,136
85
22,339
1,024
418
1,677
1,726
579
12,138
113,945|Total
funds
2021
£
135,304
777
1,157
20,652
993
-
524
2,222
120
16,944|
|---|---|---|
|||178,693|
|||Total
funds
2020
£
72,823
1,136
85
22,339
1,024
418
1,677
1,726
579
12,138|
|||113,945|
Page 16
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
8. Support Costs
|Governance costs
Administration
Insurance
Rent
IT
Governance costs
Administration
Insurance
Rent
IT
9.
Governance costs
Accountancy fees
Accountancy fees|Un-
restricted
2021
£
3,360
10,254
683
1,090
1,557
16,944
Un-
restricted
2020
£
1,980
9,851
307
-
-
12,138
General
2021
£
3,360
General
2020
£
1,980|Total
funds
2021
£
3,360
10,254
683
1,090
1,557|
|---|---|---|
|||16,944|
|||Total
funds
2020
£
1,980
9,851
307
-
-|
|||12,138|
|||Total
funds
2021
£
3,360|
|||Total
funds
2020
£
1,980|
Page 17
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
## 10. Staff costs
The average number of persons employed by the charity during the year was as follows:
||2021|2020|
|---|---|---|
||No.|No.|
|Trustees|5|5|
|No employee received remuneration amounting to more than £60,000 in either year.|||
Key management comprises the Trustees, who did not receive any remuneration during the year (2020: none).
11. Trustees' remuneration and expenses During the year, no Trustees received any remuneration or other benefits (2020 - £NIL). During the year ended 31 March 2021, no Trustee expenses have been incurred (2020 - £NIL).
12. Fixed asset investments
|Cost or valuation
At 1 April 2020
Additions
Disposals
Revaluations
At 31 March 2021
Net book value
At 31 March 2021
At 31 March 2020|Listed
investments
£
146,746
65,344
(62,800)
42,692
191,982
191,982
146,746|
|---|---|
Page 18
## **SEMPRE**
## **NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021**
13. Debtors
|14.
15.|Due within one year
Other debtors
Prepayments and accrued income
Creditors: Amounts falling due within one year
Trade creditors
Accruals
Financial instruments
Financial assets
Financial assets measured at fair value through income and
expenditure|2021
£
153,441
690
154,131
2021
£
2,640
135,358
137,998
2021
£
191,982|2020
£
164,475
674|
|---|---|---|---|
|||||
||||165,149|
||||2020
£
-
9,945|
|||||
||||9,945|
||||2020
£
146,746|
Financial assets measured at fair value through income and expenditure comprise the charity's investment portfolio.
## 16. Related party transactions
There were no related party transactions during the year (2020: none).
## 17. Funds
The charity only has general funds. All figures in the accounts therefore represent unrestricted, general funds.
Page 19