2022-04-30-accounts

presented during the Accounting Year under review consisted of two of
these three pairs ofad-hoc Concerts, five ofthe Concerts in the 2021-2022
Season and an additional Grand Concert that was experimentally
presented in Eastbourne and accompanied by an optional Cream Tea
On 06/06/2021, Sebastian Comberti, Cello, and Maggie Cole, Piano,
played works by Beethoven, Kenneth Victor Jones, Popper and Schumann.
The two Concerts attracted audiences of thirty-seven and thirty-four
people
On 11/07/2021, the London Mozart Players Chamber Ensemble played
works by Beethoven, Britten and Mozart. The two Concerts attracted
audiences offorty-two and forty-six people
On 24/10/2021, the London Mozart Players Chamber Ensemble played
works by Beethoven, Devienne and Paul Lewis. The Concert attracted an
audience of ninety-one people
On 05/12/2021, the Bach Players played works by Biber, Clerambault,
Erlebach, Kasperger, hlisabeth Jacquet de La Guerre, Marin Marais and
Robert de Visee. The Concert attracted an audience of eight-seven
people
On 09/01/2022, the Marmen Quartet played works by Brahms, Salina
Fisher, Haydn and Ligeti. The Concert attracted an audience ofseventy-
nine people
On 06/02/2022, The London Mozart Players and Howard Shelley, Piano,
played works by Beethoven, Hummel and Mozart. This was the
additional Grand Concert that was experimentally presented in
Eastbourne and it attracted an audience ofone hundred and thirty-three
people
On 06/03/2022, Ruth Rogers and Kate Comberti, Violins, Sally Beamish,
Viola, Sebastian Comberti, Cello, Viv McLean, Piano, and Peter Thomson,
Vocals, along with the New Sussex Singers, Sebastian Charlesworth,
Director, and Howard Beach, Piano, presented aTribute to Kenneth Victor
Jones, curated by Sally Beamish. As well as works of his own and some
of his arrangements of works by Gershwin, it included works by Bartok,
Glihre and Walton. The Concert attracted an audience of one hundred
and twenty-one people and was made possible by the unexpected receipt
ofa Legacy from the Estate of Kenneth Victor Jones
On 03/04/2022, the Birdsong Band presented a mixture of classical, jazz
and folk music under the title of King Alfred, the Owl and the Nightingale.
It included works by Irving Berlin, Jeremiah Clarke, Albert Eric Maschwitz
and Manning Sherwin, Messiaen, Prokofiev and Stravinsky, together with
arrangements of folk music by Tim Laycock, Eliphalet Oram Lyte and
Charles E.Pratt. Itattracted an audience ofthirty people and was one of
the Concerts aimed specifically at families

				financial risk to the Charity is that Concerts and Recitals have to be
				planned in the absence of any certainty that Income from Membership
				Fees and the sale ofSingle Tickets will eventually prove to be sufficient to
				cover the Expenditure associated with presenting them. That being the
				case, it isthe Policy ofthe Trustees to aim to hold Reserves that would be
				sufficient to cover the Expenditure associated with presenting all of the
				Concerts and Recitals in a typical Season. This is currently in the region
				off10,000. At the end ofthe Accounting Year under review the Charity
				held Assets that were considerably in excess ofthis figure but this was due
				solely tothe unexpected receipt ofthe Legacy from the Estate of Kenneth
				Victor Jones
				The Charity does not engage in Fund-Raising and does not receive any
				Grants
				Other than through the receipt of occasional Legacies and incidental
				Donations, Income is generated solely through Membership Fees and the
				sale ofSingle Tickets and is applied solely to the presentation ofConcerts
				and Recitals
				People who choose to become Members ofthe Society enjoy the benefit
				ofbeing admitted to all or as many ofthe Concerts and Recitals as remain
				in a particular Season free of charge. They pay a Membership Fee that
				generally gives them a discount on the cost of purchasing Single Tickets
				for all ofthose Concerts and Recitals. As a result, Income generated by
				Membership Fees usually exceeds that generated by the sale of Single
				Tickets
				The Society is eligible to receive subsidies from the CAVATINA Chamber
				Music Trust that underwrite the cost of people under the age oftwenty-
Further	Financial	Review	Details	six being admitted to qualifying Concerts without charge but no such
				subsidies were received during the Accounting Year under review
				An Estate Agent in Seaford provides benefit in kind by acting as a Box
				Office and printing Programme Notes
				Membership ofthe National Federation of Music Society provides access
				to cost-effective Third-Party Liability Insurance and a Database of
				Programme Notes
				Membership ofthe Brighton and Hove Arts Council raises local awareness
				ofthe Society and assists with the promotion ofConcerts and Recitals
				The Charity holds no Financial Investments
				The Governing Document dictates that the Financial Accounts of the
				Charity are Audited or Examined only tothe extent required by Legislation
				but it is the Policy of the Trustees that they be Independently Examined
				even when there is no such requirement

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