MILTON KEYNES FESTIVAL OF THE ARTS
ANNUAL REPORT AND ACCOUNTS For the Year Ending 30 June 2023
LEGAL AND ADMINISTRATIVE INFORMATION
The Milton Keynes Festival of the Arts (The Festival) is an unincorporated Association registered with the Charity Commission (Registered Number 293601).
The Festival operates in accordance with a constitution dated June 1968. Under this constitution, the Trustees are the Officials for the time being, made up of a Chair, Vice Chair, Honorary Secretary and Honorary Treasurer. Management of the Festival is vested in the General Committee consisting of the Officials together with other members all being elected annually at an Annual General Meeting.
Trustees
The trustees for the year under review have been:
Vice Presidents
Jocelyn Lord Adrian Boynton
Co Chairs
Honorary Secretary Janice Hughes Pat Haig Honorary Treasurer Christine Taylor FCA Kerry Bright (resigned chair Jan 2024)
Music and Drama
Dance
Alistair Haig Adam Scott Lewis Emily Haig Eloise Ferry Kerry Bright Keeley Robertson Keeva Buckley (appointed Jan 2024) Sharon Hart (resigned Jan 2024)
Trustees are generally appointed from volunteers who have experience in the Festival movement. Briefing is provided by the section heads in their duties and they are given training in the Festival’s child protection policies.
Affiliation
The Festival is a member festival of the British and International Federation of Festivals.
Auditors
Formal audit is not required by virtue of the limited financial turnover. Independent examination of the financial accounts is carried out by:
Andrew Paul ACA 15 Parsons Close, Church Crookham, Fleet, Hampshire, GU52 6HL
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Bankers
Charities Aid Foundation, National Westminster Bank, 25 Kings Hill, 501 Silbury Boulevard, West Malling Saxon Gate East Kent Milton Keynes ME19 4JQ MK9 3ER
AIMS OF THE ORGANISATION
The object of the festival, as set out in the constitution, is to advance the education of the public in the Arts and in particular the Arts of Music, Speech and Drama, and Dance in all their branches.
In furtherance of its objects it has powers to:
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1 hold or promote annual competitive festivals;
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2 present and promote public performances, concerts and recitals;
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3 affiliate to the British and International Federation of Festivals and to further the objects of that Federation.
OBJECTIVES AND ACHIEVEMENTS
The Festival takes place each year between February and March and consists of three separate section events, Dance, Music, and Speech and Drama in pursuit of the charity’s educational objective. The Festival is primarily structured around the needs of children and young people who account for over 90% of its entrants. It aims to develop an audience and support for the performing arts by encouraging parents, friends and the public to attend at its events. In addition, it may offer a number of classes for adult, amateur performers of any age.
The Festival may present workshops, to assist artistic development, and concerts, which severally promote the festival, give entrants a more structured performance opportunity and act as a showcase for their talents.
Within this structure, the committee seeks to provide an environment for performers which is supportive, encouraging, does not expose them to feelings of failure and, insofar as the festival is competitive, has rules necessary to ensure fairness and applies them.
Opportunities for young people to by perform in public can be very limited. Artistic development cannot be fully satisfied only by taking examinations.
COVID-19
In 2021 the Festival world was heavily impacted by the virus and government guidelines on social distancing in the world of performance events.
For 2022 and 2023 we were delighted to be able to return to a more normal offering.
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FINANCIAL RESULTS
Income was strong in most sections in 2023, apart from the Speech and Drama section where entries were down. Costs did increase across the board, however, resulting in a small loss overall.
Catering costs increased substantially in all sections. The provision of reasonable catering is essential, given the long days worked by adjudicators and volunteers. In 2023 less of the offering was provided by volunteers and more bought in from a professional caterer.
Our use of technology was also updated. In Dance in 2023 we invested in an on-line entry system provided by All England Dance, which offers the ability not only to manage entries but also to coordinate timetables and play music for the individual performances. In a qualifying year this will also mean that the clerical task of co-ordinating qualification information is removed. The system is paid for by a three-year licence fee (£850) and a levy per performance (£1,214).
We also invested in SumUp card machines this year for use in the Dance section, which had the unintentional side effect of encouraging the purchase by parents of lanyards for solo dancers and of lanyards and medals for groups which are placed, which we do not provide for free.
In this year representatives attended the BIFF National Conference in person, resulting in additional costs. In the previous period an on-line conference meant that there were limited costs involved.
RESERVES AND PUBLIC BENEFIT
Our reserves remain healthy. Venues and adjudicators all have to be booked in advance and expect to be paid even if an event has to be cancelled. The reserves at the balance sheet date would enable us to meet these costs without any income arising. The Music section also needs to be able to cover the cost of piano hire and tuning if we were to lose our major sponsor, Kawai UK Ltd.
The Trustees are confident that sufficient reserves have been built up to enable them to meet any costs or lost revenue that may arise from a hiatus in their events.
In 2023 we again applied for and received the Body of Persons Approval (BOPA) which obviates the need for individual child licences in all three sections.
The committee has considered the guidance issued by the Charity Commission on the provision of public benefit. Charity law requires the use of the Festival’s funds to further the charitable objectives of the festival to be considered by the trustees each year. The Committee will continue each year to consider how best to use these surplus funds to achieve the charity’s objective in the future.
In the Dance section we charge lower entry fees for the Platform section (appropriate for school children wanting professional adjudication for their examination portfolios and for dancers who have not entered a festival before) to make this section more accessible to a wider range of performers. We are also actively seeking to involve other sections of the community, including local Indian dance schools.
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We also decided to increase our place medals to the first four places. This increased our medal costs, (which were already high since we had used up our existing stocks) but did mean that a number of entrants who in past years would have ended outside the medal placings were able to take away a more significant souvenir, which we felt to be a good use of our charitable funds.
In our 50[th] anniversary year we embarked on the provision of Bursaries intended to provide opportunities for talented performers to further develop their skills. We continued to provide this in the Dance section in 2023 and our adjudicator nominated Hannah Digby to receive the award, which was paid in October 2023, after our period end, when she began studying at Laine Theatre Arts.
In the Music section a small bursary was awarded to one of the piano competitors to fund entry to a national piano competition.
We put funds aside in the Choirs section, to provide bursaries for state schools for which the cost of transport to a festival venue can be prohibitive, although there were no applications for this support.
RISK POLICY
The principal risks affecting the festival centre around the need to provide a safe environment for our young participants to perform in, and the financial threat to an organisation which has always been self-funding. An annual risk assessment is carried out using the model provided by our umbrella organisation the British and International Federation of Festivals (BIFF). The financial risks have been dealt with above.
Our child protection policy is revisited in each financial year, following the guidelines developed by our umbrella organisation, and administered by the Honorary Secretary, Janice Hughes. Our policy is published on our website and in all syllabi and programmes issued by the Festival.
In addition to our general obligations to meet child protection standards the awards of Body of Persons Approval by Milton Keynes Council will depend on our continuing to meet those standards.
In accordance with the General Data Protection Regulation (GDPR) as a Festival, we are required to ensure processes are in place to ensure that all the personal data which we handle regularly through entry forms, volunteer details and sponsor or donor information are safeguarded. Names, addresses, dates of birth, email addresses are all personal data which processed as part of festival planning. Under the legislation we are required handle such data with care, and retain it only insofar as it is required for the purposes for which it is collected and that all subjects are aware of the data we hold and have the opportunity to request its deletion.
SECTION REPORTS
Dance Report
2023 was not an All England year, but there has been a significant change to AED qualifying dances – additional small groups, open sections, separate lyrical sections, etc so entries reflected this. We also have a growing interest from Asian dance schools, where the entry numbers are increasing each year. Total entry income was therefore very healthy and box office money reflected this too.
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There was no separate Dance Gala event in 2023. A smaller Gala is held as part of the main event so this generates no additional income / costs.
Music, Ensembles and Choirs
Our 2023 festival was our 55th celebratory event and we were thrilled to have a very healthy increase in the number of performers taking part in our music section, particularly in the Piano section. Feedback from parents, teachers and performers was very positive as always.
Following our soloists’ weekend seven of our talented music festival performers were invited back to take part in our virtual Milton Keynes Young Musician of the Year showcase and we were delighted to welcome Gill Johnston and Martin Wakely to provide constructive feedback and encouragement to what was an impressive programme. The judges were unanimous in their decisions and highly complimentary about each performers' playing. Each performer was presented with a finalists' trophy, a small amount of prize money and certificate and the impressive piano and cello performance of Matias Yung was rewarded with the title of Milton Keynes Young Musician of the Year 2023. Second place went to Tham Luanghvisut, saxophonist, and third place went to talented pianist Rebecca Bazlov.
Drama
Our Drama section, also held at Walton High School, is a 2 day event. For Drama we use two rooms (including stage and auditorium on Sunday). Entries in 2023 were unfortunately down, affecting both entry fees and door money. Programme sales were also down – an outline programme was available on-line and not everyone wanted a hard copy.
PUBLICITY
The website is kept up to date and we appear on Twitter and two Facebook pages which are used to promote the festival and advise entrants of any news or impending closing dates.
All section organisers look out for new prospective entrants / drama schools / community choirs to approach about the festival. Over 200 syllabuses are sent out by mail to prospective Music and Drama entries and in addition section leaders message them via their social networking platform / email.
Thanks and Acknowledgements .
We are privileged to have the continued sponsorship by Kawai Pianos who donate several of their beautiful concert grand and upright pianos to our music festival for our performers’ use and we are grateful for their generous support and for also agreeing to extend their patronage to the Milton Keynes Young Musician of the Year competition. Without their ongoing support the festival would not be able to accept as many piano entrants as we do (over 400 performances in 2023) so we are ever grateful for their kindness and generosity and to their Milton Keynes retail partner, Bonners Music. Kawai have agreed to continue their support in 2024.
We are greatly indebted to members of the general and section committees who support the festival by their work throughout the year. In addition, we enjoy the support of a number of
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volunteers who help with the actual festival events; their help is always needed and very much appreciated.
Finally, we are most grateful to the management, staff and volunteers of The Venue at Walton High School for their help over the last few years and for their assistance with arrangements for the festival events.
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Independent Examiner's Report to the Trustees of Milton Keynes Festival of the Arts
I report to the charity trustees on my examination of the accounts of the charity for the year ended 30 June 2023 which are set out on pages 8 to 11.
Responsibilities and basis of report
As the charity’s trustees you are responsible for the preparation of the accounts in accordance with the requirements of the Charities Act 2011 (‘the Act’).
I report in respect of my examination of the charity’s accounts carried out under section 145 of the Act and in carrying out my examination I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the Act.
Independent examiner's statement
I have completed my examination. I confirm that no material matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
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accounting records were not kept in respect of the charity as required by section 130 of the Act; or
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the accounts do not accord with those records.
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
Signed
Andrew Paul ACA 15 Parsons Close, Church Crookham, Fleet, Hampshire, GU52 6HL
29 April 2024
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Milton Keynes Festival of the Arts
Receipts and Payments for the period ending 30 June 2023
| Incoming Resources Festival Sections Festival Entries Box Office - Admissions Programme Sales Other Income Note 1 Other Income Note 2 Total income Resources Expended Festival sections Adjudicators fees and expense Hire of halls and equipment Medals and Prizes Syllabus and Programme printing Catering costs Licence and copyright fees Note 1 General costs Annual General Meeting & Expenses Bank Charges BIFF Conference fees BIFF costs Other Admin costs Note 3 Total resources expended Operating (deficit) / surplus for the year Young Musician of the Year net costs Dance Gala costs Anniversary Fund: Dance Bursaries Music Bursaries Note 4 (Deficit) / Surplus for the year Opening funds Closing Funds |
2022 20,065 11,300 1,250 2,680 |
- 2023 35,295 40 |
2021 - 16,330 11,773 2,185 1,795 |
2022 32,083 166 |
|---|---|---|---|---|
| 40 | 10,175 11,634 1,199 1,226 1,836 454 |
|||
| 10,233 11,687 3,606 1,960 4,896 3,007 |
||||
| 35,335 | 32,249 | |||
| 35,389 1,959 |
26,524 525 |
|||
| 521 96 570 290 482 |
- 96 0 290 139 |
|||
| 559 - |
500 - |
|||
| 37,348 | 27,049 | |||
| £(2,013) (559) |
£5,200 329 1,396 |
|||
| 500 55 |
(1,725) | |||
| (2,572) (555) |
3,475 (500) |
|||
| (3,127) 36,004 |
2,975 33,029 |
|||
| £32,877 | £36,004 |
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Milton Keynes Festival of the Arts
Funds Available for the period ending 30 June 2023
| NatWest Current CAF Cash CAF Gold Unrestricted Funds |
2022 - 2023 25,810 2,388 4,679 £32,877 |
2022 - 2023 25,810 2,388 4,679 £32,877 |
2021 - 2022 32,071 1,503 2,430 **£36,004 ** |
2021 - 2022 32,071 1,503 2,430 **£36,004 ** |
|---|---|---|---|---|
| £32,877 | **£36,004 ** |
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Note 1 Section Surpluses and Deficits
| Incoming Resources Festival Sections Festival Entries Box Office - Admissions Programme Sales Other Income Resources Expended Festival sections Adjudicators costs Hire of halls and equipment Medals and Prizes Syllabus and Programme Catering costs Licence and copyright fees Section (Deficit) / Surplus General income General costs YMOY Dance Gala |
Dance 2022 - 23 |
Dance 2022 - 23 |
Music 2022 2022 - 23 |
Music 2022 2022 - 23 |
Drama 2022 - 23 |
Drama 2022 - 23 |
Music & Drama Choir / Ensembles Total 2023 2022 2022 - 23 2022 2022 - 23 |
Music & Drama Choir / Ensembles Total 2023 2022 2022 - 23 2022 2022 - 23 |
Music & Drama Choir / Ensembles Total 2023 2022 2022 - 23 2022 2022 - 23 |
Music & Drama Choir / Ensembles Total 2023 2022 2022 - 23 2022 2022 - 23 |
|
|---|---|---|---|---|---|---|---|---|---|---|---|
| 2022 2022 - 23 |
2022 | ||||||||||
| 11,372 7,797 1,000 2,452 |
9,661 5,763 7,315 1,271 1,005 200 1,434 194 |
2,228 1,537 50 34 |
7,991 2,808 250 228 |
5,864 702 3,597 695 110 0 360 0 |
805 20,065 861 11,300 80 1,250 0 2,680 |
||||||
| 16,330 | |||||||||||
| 11,773 | |||||||||||
| 2,185 | |||||||||||
| 1,794 | |||||||||||
| 3,754 7,659 2,377 1,511 2,273 2,215 |
22,621 19,789 |
19,415 3,436 4,703 7,623 2,778 182 1,144 0 378 1,077 2,033 237 656 |
7,428 11,692 |
1,437 1,016 0 71 590 121 |
3,849 3,235 |
11,277 6,140 3,794 1,144 449 2,623 777 |
10,921 1,397 6,247 339 3,297 234 953 85 352 0 585 0 210 15 11,644 673 -723 724 |
1,746 492 10,233 714 11,687 64 3,606 43 1,960 174 4,896 7 3,007 |
35,295 | 32,082 | |
| 10,175 | |||||||||||
| 11,634 | |||||||||||
| 1,199 | |||||||||||
| 1,225 | |||||||||||
| 1,836 | |||||||||||
| 454 | |||||||||||
| 13,385 6,030 |
14,927 | 1,494 | 35,389 | 26,523 | |||||||
| 2,832 | (4,264) | 614 | (3,650 | 252 (40) 1,959 559 |
(94) | 5,559 | |||||
| (166) | |||||||||||
| 815 | |||||||||||
| 329 | |||||||||||
| 1,396 | |||||||||||
| Revenue Bursaries (Net costs) |
555 | 500 | |||||||||
| (3,033) | (2,750) | ||||||||||
| (Deficit) / Surplus for period | £(3,127) | £2,975 |
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Note 2 General Income:
| Bank interest Dbase refund osts: Bank charges General non-attributable costs SumUp Cash readers Insurance Conference fees Other costs Total non-section costs |
2023 2022 40 6 - 160 |
|---|---|
| 40 £166 |
|
| 2023 2022 96 96 - 139 482 - 290 290 570 - 521 - |
|
| £1,959 £525 |
Note 3 General Costs:
Gala net costs
| Young Musician of the Year Dance Gala |
2023 2022 559 329 - 1,396 |
|---|---|
| £559 £1,725 |
The Young Musician of the Year event is held every year to celebrate outstanding performances from soloists in our Music festival.
The Gala Dance event was a one-off event held at the beginning of the previous period to celebrate the winners of the on-line solo dance sections and to give regular participants who were going on to further education a last chance to perform on the stage at Walton High.
No performers fees were charged for either event and the costs of both are reflected in the appropriate financial statements.
Note 4 Bursaries
The Festival regularly puts aside funds for bursaries intended to benefit talented performers in Dance and Music.
Funds were again set aside from reserves for a £500 bursary for a dancer going on to study full time in the Autumn. (See Trustee report page 4.) A small bursary was paid in the Music section, to enable a participant from 2022 to enter a national piano competition.
Actual payments in 2023 (2022) were as follows
| 23 (2022) were as follows | |
|---|---|
| 2022 Piano Bursary 2021 / 2022 dance bursaries |
2023 2022 55 - 500 500 |
| £555 £500 |
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