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2022-06-30-accounts

BEDFORD CHORAL SOCIETY

ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2022

Registered Charity No. 291518

Contents
Page
Society Information 1
Report of the Musical Director 2 - 3
Report of the Trustees 4 - 6
Report of the Independent Examiner 7
Statement of Financial Activities 8
Balance Sheet 9
Notes to the Financial Statements 10 - 12

BEDFORD CHORAL SOCIETY

SOCIETY INFORMATION

Charity Registration Number: Registered Office:

291518

11 Main Road Biddenham Bedford MK40 4BB

President:

Baroness Young of Old Scone

Principal Officers and Board of Trustees:

Chairman Vice Chairman General Secretary General Treasurer

Diana Shooter Debbie Ward Jeremy Reynolds (appointed 11th October 2021) Daniel Cocks (resigned 11th October 2021) Ian Herbert (appointed 11th October 2021)

General Committee:

Chorus Secretary Communications Manager Ordinary Member

Liz Smith Helen Walker D-J Alino-Wilcockson

Other Officers:

Archivist Gilly Cowan Chorus Treasurer Jane Dann Communications & Chamber Choir Gill Jackson Communications Cathy Wood, Jill Bonney Database Manager David Butler Friends Secretary & Concert Stewards Mitzi Lewis Health and Safety Viki Evans Librarian Ruth Braybrook Making Music Rep & Sponsorship Eddie Thompson Proms Liaison Paula Grayson Refreshments Angela Gallivan Ticket Sales Manager Caroline Muzolf Venue Hire Peter Thomas Website Jane Thomas, Gilly Cowan

Musical Director Assistant Chorus Master

Ian Smith Tim Grant-Jones

Bankers:

National Westminster Bank Plc

Independent Examiner:

Website:

Paul Wright FCCA (ret.) www.bedfordchoralsociety.org.uk

Page 1

BEDFORD CHORAL SOCIETY

REPORT OF THE MUSICAL DIRECTOR for the Year Ended 30 June 2022

Well we are getting back to ‘normal’ (or at least the ‘new normal’) and able to have uninterrupted face-to-face rehearsals again! Thank you to all the members of the choir without whom the choir would not exist! Thank you for ‘coming back’ after the disruption of the last 2 years. Thank you to all the Trustees and other committee members and everyone else with a specific responsibility who plan and implement all that we need to do. And thank you too to Tim for his continued and continual support and masterful accompaniment at rehearsals and for being prepared to ‘step in’ when I am not available. I say every year, and I really mean it, the strength of this choir is the team that runs it. It is very much a phenomenal team effort, and especially this year as we come out of all the restrictions.

Our first concert of the season was designed to be a crowd-puller after the disruption of the previous year so we performed (for the third time in the choir’s history) Rossini Petite Messe Solennelle with soloists Irene and Rebecca Grant-Jones, Simon Berridge and Edward Grint. The piece is a real romp and far from solemn and audience and choir enjoyed getting back to music-making together with this fun work. The soloists also sang some duets for us to hear the quality of their voices.

It was also a year of our biennial Christmas Concert which this time we performed at Bunyan Meeting. We also experimented with giving an afternoon concert in order to try to attract entire families, with children. I think it was a musical success but did not really achieve the ‘family’ aspect as much as we had hoped. In 2023 we will need to consider timing and programme and what we are trying to do with this concert.

After Christmas we were on to the long-awaited, and for some eagerly anticipated and for others cautiously anticipated rehearsals for our performance of the postponed Bach B Minor Mass . This monumental masterpiece is hard (which I had said throughout the rehearsals in 2020 on Zoom and reiterated when we resumed rehearsals). Everyone really pulled out all the stops and created a magnificent performance. This is the 6[th] time the choir has performed this work and, in my view, by far the best of the 4 in which I have been involved. The commitment of everyone in learning this masterpiece paid off handsomely in performance. Very well done and thank you.

The summer concert was one of the rare occasions that I did not conduct the choir. Paul SearleBarnes was invited to conduct and did a magnificent job. I missed the concert as I was away (which is why I was not conducting) but all reports that I had indicated that the concert went very well indeed, albeit to a disappointingly small audience. Everyone seemed to enjoy the Gounod and Parry and the Sibelius orchestral piece went down very well too.

I am very impressed by the number of members who participated in the Zoom rehearsals throughout the year. There is nothing like in-person rehearsals for satisfaction but Zoom rehearsals can be good for note-bashing because all parts can work simultaneously, especially when we have talented section leaders that we have had. Thank you to all those who led sectional rehearsals at any time over the last 18 months, it was worth it!

Page 2

BEDFORD CHORAL SOCIETY

REPORT OF THE MUSICAL DIRECTOR (continued) for the Year Ended 30 June 2022

And finally, the annual Proms in the Park went ahead with the choir participating again. As always a big ‘thank you’ to Paula Grayson who takes on all the liaison and administration of this event which is a great fund-raiser for the choir! This year was a record audience (estimated 7,000 in attendance) and always the largest number of people we sing to at any one time. Thanks also this year to Helen and others who worked on a recruitment leaflet and spent time distributing the leaflets to the Proms audience. We will have to wait to see if that bears fruit!

So our aims for the 2021/2022 were to:

We have certainly achieved some of these (particularly a and b) and so must work on the others this year. So I very much look forward to this coming season and continued success and good health!

Ian G. Smith Musical Director August 2022

Page 3

BEDFORD CHORAL SOCIETY

REPORT OF THE TRUSTEES for the Year Ended 30 June 2022

The trustees present their annual report and financial statements of the charity for the year ended 30 June 2022.

Structure, governance and management

The charity was established by the adoption of a constitution on 30 September 1974. The last substantive review of the constitution took place in 2000. There were further minor amendments in 2015; in 2019 to clarify the distinction between General Committee members and Trustees and to provide explicit powers to invest the charity's funds; and in 2021 to make the role of Vice President optional, to permit the appointment of Trustees in addition to the Principal Officers, and to streamline the process for appointing General Committee Members and other Officers as described below.

The Board of Trustees consists of the Principal Officers of the Society - Chair, Vice-Chair, General Secretary and General Treasurer - plus up to four additional Trustees, who together are responsible for the Society in all its various activities. The Principal Officers are elected by the members at the Annual General Meeting and hold office for a three year term. Principal Officers may not hold an office for more than two consecutive three-year terms (except as specifically permitted by the constitution). Additional Trustees are also elected by the members at the Annual General Meeting, and may hold the position for no more than two consecutive three-year terms.

The General Committee consists of the Principal Officers and other Members as shown on page 1, who together are responsible for the day-to-day running of the Society. Other Officers, again as shown on page 1, have specific responsibilities for the operations of the Society, report to the General Committee, and will attend General Committee meetings when needed. Ordinary Members are elected at the Annual General Meeting for a three-year term; other Members of the General Committee and other Officers are appointed by the Trustees.

There are two sub-committees of the General Committee: the Communications Committee, chaired by the Communications Manager; and the Programming Committee, chaired by the Muscial Director.

The Musical Director, who is appointed by the Trustees, attends both the Trustees' meetings, and meetings of the General Committee.

Principal Activities

The aims and objects of the Society are:

  1. The study and practice of choral music in order to foster the public knowledge and appreciation of such music by means of public performance;

  2. To provide a regular series of first class choral concerts by maintaining a chorus, and by engaging orchestras and artists of high repute;

  3. For the general purposes of such charitable bodies or such other purposes as shall be exclusively charitable as the Trustees may from time to time decide.

Page 4

BEDFORD CHORAL SOCIETY

REPORT OF THE TRUSTEES (continued) for the Year Ended 30 June 2022

Activities and achievements

A review of the Society's activities and achievements for the year is included within the Report of the Musical Director on page 2.

Financial review

The Society incurred net expenditure of (£3,038) in the year (2021: net expenditure of (£1,767)), broadly in line with expecations. The year saw a return of concerts but, as expected, audience numbers (and therefore ticket sales income) were impacted by ongoing Covid-19 concerns. Member subscriptions re-commenced after being cancelled for the previous year.

Investment policy and performance

The Society's investment policy was reviewed in 2018 and a decision taken to gradually move a portion of the Society's reserves into stockmarket based investments in order to improve returns. A Fidelity Investment account was opened in November 2018 and as at 30th June 2022, £20,000 had been invested in a low-cost global stockmarket tracking fund.

As at 30th June 2022 the value of this investment had grown to £26,067 (2021: £26,714).

Reserves policy

The trustees have reviewed the reserves of the Society. The revised policy is to hold enough funds to cover 12 months operating costs to allow for unforseen contingencies including concert losses. Based on a typical year's activities this would indicate reserves in the region of £35K. In addition, it was agreed that a reserves amount would be held to cover the unrealised gain on the Society's stockmarket investment; this currently stands at £6K.

Free reserves as at 30th June 2022 were £76,264. This is above the target total of £41K. This surplus has been largely generated by previous legacies and grants, which have not yet been spent due to the Covid pandemic. The General Committee will make recommendations for utilising this surplus in line with the Society's aims and charitable objectives.

Plans for the future

For the 2022-23 Season the Society is planning to hold three concerts at the Bedford Corn Exchange in November, March and June, as well as performing at the annual Proms in the Park concert at Bedford Park. In addition, the Chamber Choir will sing at selected public events and, on request, at weddings and funerals.

Page 5

BEDFORD CHORAL SOCIETY

REPORT OF THE TRUSTEES (continued) for the Year Ended 30 June 2022

Trustees’ responsibilities in relation to the financial statements

The charity trustees are responsible for preparing a trustees’ annual report and financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).

The law applicable to charities in England and Wales requires the charity trustees to prepare financial statements for each year which give a true and fair view of the state of affairs of the charity and of the incoming resources and application of resources of the charity for that period. In preparing the financial statements, the trustees are required to:

The trustees are responsible for keeping proper accounting records that disclose with reasonable accuracy at any time the financial position of the charity and to enable them to ensure that the financial statements comply with the Charities Act 2011, the applicable Charities (Accounts and Reports) Regulations, and the provisions of the Trust deed. They are also responsible for safeguarding the assets of the charity and taking reasonable steps for the prevention and detection of fraud and other irregularities.

By order of the Board

Chairman – D Shooter General Treasurer - I Herbert

Date

Page 6

REPORT OF THE INDEPENDENT EXAMINER TO THE TRUSTEES OF BEDFORD CHORAL SOCIETY

I report on the accounts of the company for the year ended 30 June 2022 which are set out on pages 8 to 12.

Respective responsibilities of trustees and examiner

The trustees are responsible for the preparation of the accounts. The trustees consider that an audit is not required for this year under section 144(2) of the Charities Act 2011 (the 2011 Act) and that an independent examination is needed.

It is my responsibility to:

Basis of independent examiner's report

My examination was carried out in accordance with the general Directions given by the Charity Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit and consequently no opinion is given as to whether the accounts present a “true and fair view” and the report is limited to those matters set out in the statement below.

Independent examiner's statement

In connection with my examination, no matter has come to my attention:

have not been met; or

2 to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached.

Paul Wright FCCA (ret.) 8 Larkway Bedford MK41 7JW

Date

Page 7

BEDFORD CHORAL SOCIETY

STATEMENT OF FINANCIAL ACTIVITIES for the Year Ended 30 June 2022

Unrestricted
Funds
£
Notes
Income
Fundraising and donations:
Subscriptions
2
16,270
Other fundraising and donations
2
3,536
Income from charitable activities:
Concert income
3
8,856
Other choir activities
3
4,080
Investment income
360
Total Income
33,102
Expenditure
Expenditure on charitable activities
Concert expenditure
4
( 24,530)
Rehearsals and administration
5
( 11,610)
Total Expenditure
( 36,140)
Net Income /(Expense) before transfers
( 3,038)
Transfers between Funds
-
( 3,038)
7
( 647)
Net Movements in Funds
( 3,685)
Funds brought forward 1st July 2021
79,949
Funds carried forward at
30 June 2022
76,264
Realised and unrealised gains/(losses) on investment
assets
Net Income/(Expense) before other
recognised gains
Unrestricted
Funds
£
Notes
Income
Fundraising and donations:
Subscriptions
2
16,270
Other fundraising and donations
2
3,536
Income from charitable activities:
Concert income
3
8,856
Other choir activities
3
4,080
Investment income
360
Total Income
33,102
Expenditure
Expenditure on charitable activities
Concert expenditure
4
( 24,530)
Rehearsals and administration
5
( 11,610)
Total Expenditure
( 36,140)
Net Income /(Expense) before transfers
( 3,038)
Transfers between Funds
-
( 3,038)
7
( 647)
Net Movements in Funds
( 3,685)
Funds brought forward 1st July 2021
79,949
Funds carried forward at
30 June 2022
76,264
Realised and unrealised gains/(losses) on investment
assets
Net Income/(Expense) before other
recognised gains
Unrestricted
Funds
£
Notes
Income
Fundraising and donations:
Subscriptions
2
16,270
Other fundraising and donations
2
3,536
Income from charitable activities:
Concert income
3
8,856
Other choir activities
3
4,080
Investment income
360
Total Income
33,102
Expenditure
Expenditure on charitable activities
Concert expenditure
4
( 24,530)
Rehearsals and administration
5
( 11,610)
Total Expenditure
( 36,140)
Net Income /(Expense) before transfers
( 3,038)
Transfers between Funds
-
( 3,038)
7
( 647)
Net Movements in Funds
( 3,685)
Funds brought forward 1st July 2021
79,949
Funds carried forward at
30 June 2022
76,264
Realised and unrealised gains/(losses) on investment
assets
Net Income/(Expense) before other
recognised gains
Restricted
Funds
£
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Total
Funds
2022
£
16,270
3,536
8,856
4,080
360
33,102
( 24,530)
( 11,610)
( 36,140)
( 3,038)
-
( 3,038)
( 647)
( 3,685)
79,949
76,264
Total
Funds
2021
£
25
8,347
-
168
403
33,102 8,943
( 24,530)
( 11,610)
-
( 10,710)
( 36,140) ( 10,710)
( 3,038)
-
( 1,767)
-
( 3,038)
( 647)
( 1,767)
5,210
( 3,685)
79,949
3,443
76,506
76,264 79,949

The notes on pages 10 to 12 form part of these accounts.

Page 8

BEDFORD CHORAL SOCIETY

BALANCE SHEET As At 30 June 2022

Notes
Fixed Assets
Tangible assets
6
Investments
7
Current Assets
Debtors
8
Cash at bank and in hand
Total Current Assets
Creditors
Amounts falling due within one year
9
Net Current Assets
Net Assets
The funds of the charity
10
Unrestricted funds
Restricted funds
Total Charity Funds
2022
£
-
26,067
26,067
548
50,429
50,977
( 780)
50,197
76,264
76,264
-
76,264
2021
£
-
26,714
26,714
-
53,576
53,576
( 341)
53,235
79,949
79,949
-
79,949

The financial statements on pages 8 to 12 were approved by the trustees on and were signed on its behalf by :

Chairman : D Shooter

General Treasurer: I Herbert

Page 9

BEDFORD CHORAL SOCIETY

NOTES TO THE FINANCIAL STATEMENTS for the Year Ended 30 June 2022

1 ACCOUNTING POLICIES

Accounting convention

The accounts (financial statements) have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard for Smaller Entities published on 16/07/14, the Financial Reporting Standard for Smaller Entities (FRSSE), and the Charities Act 2011 and applicable regulations.

The accounts have been prepared under the historical cost convention with items recognised at cost or transaction value unless otherwise stated in the relevant note(s) to these accounts.

Recognition of income

All income is recognised once the charity has entitlement to the income, there is sufficient certainty or receipt and so it is probable that the income will be received, and the amount of income receivable can be measured reliably.

Fixed assets and depreciation

Depreciation is provided on assets owned by the charity at the following rates based on the estimated useful life and their anticipated residual value:

Piano 10% p.a. (straight line basis) Furniture and equipment 25% p.a. (straight line basis)

Unrestricted
Funds
£
2
FUNDRAISING AND DONATIONS
Subscriptions
16,270
Gift Aid
2,621
Friends contributions
575
Easyfundraising + Amazon Smile
220
Legacies
-
Other Donations
120
Other fundraising and donations
3,536
3
INCOME FROM CHARITABLE ACTIVITIES
Concert Income
Ticket sales
7,782
Programme sales
674
Programme advertisements
400
8,856
Other Choir activities
Proms performance fee
2,850
Chamber choir fees
1,115
Member Refreshment sales
-
Sale of music and other income
115
4,080
Restricted
Funds
£
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Total Funds
2022
£
16,270
2,621
575
220
-
120
3,536
7,782
674
400
8,856
2,850
1,115
-
115
4,080
Total Funds
2021
£
25
230
445
163
7,000
509
8,347
-
-
-
-
-
-
-
168
168

Page 10

BEDFORD CHORAL SOCIETY

NOTES TO THE FINANCIAL STATEMENTS - continued for the Year Ended 30 June 2022

Unrestricted
Funds
£
4
CONCERT EXPENDITURE
Promotion
472
Musical performer fees and costs
18,063
Programmes
1,220
Venue hire/other
4,775
24,530
5
REHEARSALS AND ADMINISTRATION
Rehearsal costs
10,010
Hire/Purchase of music
456
Video/photoshoots/online recording
-
Singing lesson taster sessions
-
Website - development/maintenance
175
Archive renewal
-
Making Music subscription
502
Sponsorship & adverts
350
Sundry expenses
117
Audit fees
-
11,610
6
FIXED ASSETS
Piano
£
Cost b/f
3,200
Additions
-
Cost c/f
3,200
Depreciation b/f
(3,200)
Charge for year
-
Depreciation c/f
(3,200)
Net book value b/f and c/f
-
Restricted
Funds
£
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Furniture &
Equipment
£
803
-
803
(803)
-
(803)
-
Total Funds
2022
£
472
18,063
1,220
4,775
24,530
10,010
456
-
-
175
-
502
350
117
-
11,610
Total
2022
£
4,003
-
4,003
(4,003)
-
(4,003)
-
Total Funds
2021
£
-
-
-
-
-
7,386
41
840
810
175
646
497
-
315
-
10,710
Total
2021
£
4,003
-
4,003
(4,003)
-
(4,003)
-

Page 11

BEDFORD CHORAL SOCIETY

NOTES TO THE FINANCIAL STATEMENTS - continued

for the Year Ended 30 June 2022

7
INVESTMENTS
Movement in investments
Market value brought forward at 1st July 2021
Add: additions at cost
Disposals at carrying values
Add: net gain/(loss) on revaluation
Market value as at 30th June 2022
Investments at market value comprised:
Fidelity Index World Fund P-Acc
8
Prepayments
Concert Income
Other
9
CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR
Ticket sales in advance
Concert expenditure
Rehearsal cost
Sundry creditors
10 MOVEMENT OF FUNDS
Balance
Income
Expenditure
b/fwd
£
£
£
Restricted funds
-
-
-
Unrestricted funds
General Reserves
79,949
33,102
( 36,787)
79,949
33,102
( 36,787)
DEBTORS
2022
£
26,714
-
-
( 647)
26,067
26,067
-
503
45
548
230
530
-
20
780
Transfers
£
-
-
-
2021
£
20,504
1,000
-
5,210
26,714
26,714
-
-
-
-
321
-
-
20
341
Balance
c/fwd
£
-
76,264
76,264

Page 12