Charity Registration No. 291344
Company Registration No. 01871300 (England and Wales)
THE OPEN THEATRE COMPANY LIMITED
ANNUAL REPORT AND UNAUDITED FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2023
THE OPEN THEATRE COMPANY LIMITED
LEGAL AND ADMINISTRATIVE INFORMATION
Directors M Guilfoyle R Hawley (Chair) H Blackwood M Rose J Vaughan L Greenwood C E Stubbs Executive Director R Hayhow Secretary/ Associate M. Yee Bould (Business and Policies) Charity number 291344 Company number 01871300 Principal address Daimler Powerhouse Unit 4 Sandy Lane Business Park Coventry CV1 4DQ Registered office Daimler Powerhouse Unit 4 Sandy Lane Business Park Coventry CV1 4DQ Independent examiner Kendall Wadley LLP Merevale House 27 Sansome Walk Worcester WR1 1NU Bankers HSBC Bank 11 Victoria Square Droitwich Worcestershire WR9 8DH
THE OPEN THEATRE COMPANY LIMITED
CONTENTS
| Page | |
|---|---|
| Directors' report | 1 - 5 |
| Statement of directors' responsibilities | 6 |
| Independent examiner's report | 7 |
| Statement of financial activities | 8 - 9 |
| Balance sheet | 10 |
| Statement of cash flows | 11 |
| Notes to the accounts | 12 - 24 |
THE OPEN THEATRE COMPANY LIMITED
DIRECTORS' REPORT
FOR THE YEAR ENDED 31 MARCH 2023
The directors present their annual report and financial statements for the year ended 31 March 2023.
The financial statements have been prepared in accordance with the accounting policies set out in note 1 to the financial statements and comply with the Charity's Memorandum and Articles of Association, the Companies Act 2006 and "Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019)".
Objectives and activities
Our charity's purposes as set out in the company's memorandum of association are described as follows:
To promote, maintain, improve and advance education particularly by the production of educational plays and the encouragement of the Arts including the arts of drama, ballet, music, singing, literature, sculpture and painting.
Our vision is to transform the West Midlands into a radically creative space; a centre of best practice and excellence for young people with learning disabilities (YPWLD). We seek to develop and promote the creativity and artistry of young people with learning disabilities, and to work within a broader educational, cultural and societal context as a change-making organisation.
The directors have paid due regard to guidance issued by the Charity Commission in deciding what activities the Charity should undertake.
Achievements and performance
All our charitable activities focus on benefitting young people with learning disabilities. Our main activities during 2022-2023 are summarised below:
- Our Schools Programme increased by a further 20% enabling us to deliver 5,354 sessions in 20 special schools and colleges, reaching 2,542 young people with learning disabilities per week (i.e. 49,491 attendances/interactions per academic year).
We are the only arts-based company with such an extensive education programme in special schools. With a core staff team of 12 Practitioners plus freelance Practitioners (including YPWLD we’ve trained over the past 1015yrs). Our schools programme continues to build strong relationships and opportunities for collaborative working.
As well as the demand for our work in special schools increasing year-on-year, we were invited to be a key partner in a national initiative (Creativity Collaborative) to explore the role of creativity in mainstream primary schools. https://www.artscouncil.org.uk/news/introducing-our-new-creativity-collaboratives
Our schools work feeds into a wider programme of community initiatives as well as creative and artistic opportunities for the young people we serve. These strands of work are inter-related and feed into each other. During 2022-23, we reached over 2,500 children and young people with learning disabilities working within a wide range of communities including very under-served populations across areas including: Barrow-in-Furness, Sandwell, Tamworth, Birmingham, and Coventry.
We delivered over 37 bespoke programmes of work including:
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Space to Explore – an exploratory project to investigate the development of an Open Theatre aesthetic in partnership with 4 partner companies, enabled by an Arts Council Grant for £129,230, with a further £12,923 receivable at 31 March 2023.
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Commonwealth Games/ Wantok Project – was our flagship community project, as we partnered artists from Papua New Guinea (PNG) and Australia during the Spring and Summer Terms, creating an interactive show which toured across 5 community venues (Edgbaston Reservoir, Erdington High Street, Castle Bromwich Gardens, Blakesley Hall & Weoley Castle ruins) involving 216 participants through 18 separate events. https://www.opentheatre.co.uk/news_items/wantok/.
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THE OPEN THEATRE COMPANY LIMITED
DIRECTORS' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
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Coventry Programme (Coventry City of Culture and Coventry City Council) which was structured around 3 x unique programmes of work: UnCOVer/DisCOVer , Water Water Everywhere the River City Detectives Film Project – we delivered a total of 26 events for participants and audience including families of children and young people with learning disabilities.
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Culture Central Volunteering Programme - We are the lead partner developing access for Volunteers with disabilities within a Consortium Project led by Culture Central involving: Birmingham Museums Trust, Creative Black Country Consortium and Stoke Creates. This project is part of a national initiative to widen community volunteering opportunities in the cultural sector across the UK
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Coventry 5G Digital Project - As part of a major European investment in the testing and trialling of 5G technology, DCMS chose the West Midlands region as the UK’s first multi-city 5G test area. Open Theatre are part of 5G training programme in partnership with Coventry University exploring the use of 5G/Virtual technology with YPWLD
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Three Sisters Project – Collaboration with The Belgrade Theatre engaging a small group of 8 YPWLD during the October half term week in a Residency based on Chekov’s play The Three Sisters
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Fee Fi Fo Fum Immersive – Development of a new immersive work based on Jack and The Beanstalk at the Crescent Theatre during February Half Term 2023. The project engaged a cast of 4 emerging artists with learning disabilities and consisted of 23 performances reaching audiences of 400 people, mainly from the special schools with which we work on a regular basis
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Digital Doorways Unbounded This project is a continuation of digital work which began in previous years to help create access for young people with learning disabilities. This work continued to reach a new cohort helped by additional funding from The 29[th] May Trust
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Regular Programmes and One-Off Projects - We also delivered 174 one-off sessions supporting a further 1,642 attendances joining in regular weekly groups – One of a Kind, Open MAC, Friday Group and a new group - Creative Collaborative
Our Regular Group programmes were reinstated post Covid lockdown and the demand for engagement with new groups across the region also increased:
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One of a Kind (OOAK) (Average: 15 - 20 participants weekly)
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Friday Group (Average: 15 participants weekly)
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Open mac (10-12 families with children on the Autistic Spectrum, weekly sessions with siblings also joining in sessions)
To deliver such an extensive programme of work, we employ and train a team of specialised Practitioners on fulltime and freelance contracts, skilled in the delivery of our unique non-verbal physical theatre practice. This staff team also includes many of the YPWLD who were part of our schools’ programme and who have now become Trainee or Assistant Practitioners as well as young adult peer-mentors.
During 2022-2023, we engaged over 20 YPWLD in work experience, placements and apprenticeship opportunities providing support to transition into employment. One young man worked intensively with us as a Kickstart Trainee Apprentice through the government’s Kickstart programme, with additional support through a successful Access to Work grant.
Alongside the work which goes into training young people in our Practice, much time is spent supporting their wider needs such as: advice and signposting re: benefits, support with maintaining and/or supporting the delivery of their Education Health and Care Plans, administration of Access to Work grants, how to navigate selfassessment, as well as supporting mental health, housing, financial and relationships issues, writing references etc..
The delivery of our programme and the extensive wrap around pastoral support required to enable access barriers to be overcome, would not be possible without the support from a wide range of Trusts and Foundations as follows (see note 3 Annual Accounts).
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THE OPEN THEATRE COMPANY LIMITED
DIRECTORS' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
Financial review
The charity's main criteria for investments is to ensure the security of funds, therefore the company funds are held on deposit at a major high street bank.
The directors report the performance of the charity in the year to be as follows: incoming resources exceeded resources expended by £106,177 (2022 resources expended exceeded incoming resources by £108,269). Of this £36,883 outgoing resources related to restricted activities (2022 - outgoing £25,533 related to restricted activities). The free reserves of the charity stand at £69,442 (2022 - a deficit of £73,618).
Despite the extraordinary challenges we have faced moving through the Coronavirus Pandemic, the adverse position at the end of 2022 has now been reversed. We are now in a strong position to enter the next stage of development as a charity.
In January 2023 we received confirmation that our application for core funding to the Arts Council of England (ACE) had been successful. This funding secures our continued place as one of ACE’s National Portfolio organisations for the next three years. We were also awarded a significant uplift in this funding which helps to secure our financial position and next phase of development moving forward into the future.
We remain committed to our mission. The pandemic, and now the cost-of-living crisis, continues to raise profound societal and cultural issues which affect everyone but arguably, vulnerable individuals and families the most in our society. This makes it more essential to reinforce the value of inclusivity, wellbeing and creativity in helping to rebuild a better future inclusive of everyone.
Within this context there is an underlying need to redress the diversity balance in all aspects of our work. Our commitment to this is framed around the wider West Midlands More Than A Moment (MTAM) movement and pledge. This work is focused on dismantling the systems that have actively obstructed Black artists and creatives from achieving their potential in the arts and cultural industries. To this end, we initiated a bespoke training event in partnership with MTAM to seek ways of addressing this imbalance within our staff team of Practitioners. This work takes time, but early results have proven that progress can and is being made.
Our 2022-2023 programme provided new opportunities to create two flagship projects - Commonwealth Games project – Wantok and our involvement with Coventry City of Culture . The Commonwealth Games programme has enabled the building of international relationships with artists and companies from Papua New Guinea and Australia. These partnerships are leading us to explore new areas of work as a company and research the impact of our practice in other cultural settings.
Funding streams from Trusts and Foundations were (and continue to be) over-subscribed. The impact of the Coronavirus Pandemic for the company was also evident in real terms within the year. The availability of spaces to work and staffing (PAYE and freelance) for projects and operational functions continued to be impacted the most. Nevertheless, the company managed to develop and sustain the delivery of a major, new, and exciting programmes of work affecting change and transformation for the lives of many children and young people with learning disabilities.
The scale of the company’s operation significantly increased over this time, presenting new challenges and opportunities which helped to increase our resilience as a company. We now have an even stronger foundation for the future including a new management structure and plans to refresh and grow Board membership.
Reserves Policy
The Board of Trustees and management team continue to examine the company's requirements for reserves in light of the effects of 2021-22 financial picture and also main risks to the organisation.
At the close of 2022-23, the Board of Trustees and Management team are aware that much of our reserves were used thus creating an overall deficit at the close of the last financial year. The Board were made aware of the position in advance and agreed to the Turnaround Plan to ameliorate the situation.
The clearest sign that the plan continues to work is that we have since successfully built back our reserves in line with our reserves policy.
The Board of Trustees and the Leadership Team anticipate that we will continue to increase the amount for reserves. Close monitoring enables the Leadership Team and Board to act as required.
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THE OPEN THEATRE COMPANY LIMITED
DIRECTORS' REPORT (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
Going concern
At the time of approving the financial statements the charity has sufficient resources to be able to fund activities for the next twelve months and on this basis the Board consider the going concern position of the charitable entity to be secured.
Accrued Plans affecting 2022-23
We received funding for the Coventry Schools Programme in February 2023 with support from the Alan Edward Higgs Charity. The related project (InterACT) took place in the Summer Term 2023.
Structure, governance and management
Open Theatre is a not-for-Profit charitable company limited by guarantee, incorporated on 12 December1984 and registered as a charity on 12 June 1985.
The company was established under a Memorandum of Association which established the objects and powers of the charitable company and is governed under its Articles of Association. In the event of the company being wound up members are required to contribute an amount not exceeding £10.
The directors who served during the year and up to the date of signature of the financial statements were: M Guilfoyle
R Hawley (Chair) H Blackwood
M Rose J Vaughan L Greenwood C E Stubbs
In addition R Hayhow is Executive Director.
L Greenwood is a young person representative.
All trustees give their time voluntarily and receive no benefits from the charity.
An "out of pocket" expenses policy is operated and a small budget is allocated to cover the cost of hospitality for Board Away Days.
The directors of the company are also charity trustees for the purposes of charity law and under the company’s Articles are known as members of the Management Committee (or Board members). Under the requirements of the Memorandum and Articles of Association the members of the Management Committee must retire each year after which they must be re-elected at the next Annual General Meeting.
Looking forward to next year, a plan has been created to expand members of our Management Committee. To maintain a broad skill mix and ensure that the company reflects the diversity of the region, individuals are being approached to offer themselves for election to the Management Committee (Board). This will run alongside an ‘open call’ approach for new Board members through targeted websites, networks and publications.
Most trustees are already familiar with the work of the charity in terms of the balance of delivery with our wider sector development remit. All new members will be provided with a full Induction process including the opportunity to meet with participants, staff members and see the work of the company in action.
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THE OPEN THEATRE COMPANY LIMITED
DIRECTORS' REPORT (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2023
Risk management
In terms of Risk Management, a review of the major risks to which the charity is exposed is being conducted. A risk register has been established and is updated at least annually. New systems or procedures are being established to mitigate the risks the charity faces.
Internal control risks are minimised by the implementation of procedures for authorisation of all transactions and projects.
The Senior Leadership Team (SLT) is responsible for ensuring that the charity delivers the services specified and that key performance indicators are met. The SLT also has responsibility for the day-to-day operational management of the company, individual supervision of the staff team and also for ensuring that staff have opportunities to extend develop their skills and working practices in line with good practice.
This report has been prepared taking advantage of the small companies exemption permitted by the Companies Act 2006.
Signed by order of the Board on 29 November 2023.
R Hawley (Chair)
Director
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THE OPEN THEATRE COMPANY LIMITED
STATEMENT OF DIRECTORS' RESPONSIBILITIES
FOR THE YEAR ENDED 31 MARCH 2023
Law applicable to charities in England and Wales requires the Trustees to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the charity and of the surplus or deficit of the charity for that period. In preparing those financial statements the Trustees have:
-selected suitable accounting policies and applied them consistently;
-made judgements and estimates that are reasonable and prudent;
-stated whether applicable accounting standards have been followed, subject to any material departures disclosed and explained in the financial statements; and
-prepared the financial statements on a going concern basis (unless it is inappropriate to presume the charity will continue in operation).
The Trustees have overall responsibility for ensuring that the charity has an appropriate system of controls, financial and otherwise. They are also responsible for keeping proper accounting records which disclose with reasonable accuracy at any time the financial position of the charity and enable them to ensure that the financial statements comply with the Charities Act 1993. They are also responsible for safeguarding the assets of the charity and hence for taking reasonable steps for the detection and prevention of fraud and other irregularities.
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THE OPEN THEATRE COMPANY LIMITED
INDEPENDENT EXAMINER'S REPORT
TO THE DIRECTORS OF THE OPEN THEATRE COMPANY LIMITED
I report to the directors on my examination of the financial statements of The Open Theatre Company Limited (the Charity) for the year ended 31 March 2023.
Responsibilities and basis of report
As the directors of the Charity (and also its directors for the purposes of company law) you are responsible for the preparation of the financial statements in accordance with the requirements of the Companies Act 2006 (the 2006 Act).
Having satisfied myself that the financial statements of the Charity are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of the Charity’s financial statements carried out under section 145 of the Charities Act 2011 (the 2011 Act). In carrying out my examination I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act.
Independent examiner's statement
Since the Charity’s gross income exceeded £250,000 your examiner must be a member of a body listed in section 145 of the 2011 Act. I confirm that I am qualified to undertake the examination because I am a member of ICAEW, which is one of the listed bodies.
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
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1 accounting records were not kept in respect of the Charity as required by section 386 of the 2006 Act; or
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2 the financial statements do not accord with those records; or
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3 the financial statements do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a true and fair view which is not a matter considered as part of an independent examination; or
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4 the financial statements have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102).
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the financial statements to be reached.
Sarah Morley ACA for and on behalf of Kendall Wadley LLP
Merevale House 27 Sansome Walk Worcester WR1 1NU
Dated: 29 November 2023
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THE OPEN THEATRE COMPANY LIMITED
STATEMENT OF FINANCIAL ACTIVITIES INCLUDING INCOME AND EXPENDITURE ACCOUNT FOR THE YEAR ENDED 31 MARCH 2023
Current financial year
| Unrestricted Restricted funds funds 2023 2023 Notes £ £ Income from: Donations and legacies 3 161,171 247,509 Activities in furtherance of the charity's objects 4 380,960 - Total income 542,131 247,509 Expenditure on: Raising funds 5 13,891 - Charitable activities 6 381,313 288,259 Total resources expended 395,204 288,259 Gross transfers between funds 11 (3,867) 3,867 Net income/(expenditure) for the year/ Net movement in funds 143,060 (36,883) Fund balances at 1 April 2022 (73,618) 39,883 Fund balances at 31 March 2023 69,442 3,000 |
Total Total 2023 2022 £ £ 408,680 379,894 380,960 248,945 789,640 628,839 13,891 7,025 669,572 730,083 683,463 737,108 - - 106,177 (108,269) (33,735) 74,534 72,442 (33,735) |
|---|---|
The statement of financial activities includes all gains and losses recognised in the year.
All income and expenditure derive from continuing activities.
The statement of financial activities also complies with the requirements for an income and expenditure account under the Companies Act 2006.
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THE OPEN THEATRE COMPANY LIMITED
STATEMENT OF FINANCIAL ACTIVITIES (CONTINUED) INCLUDING INCOME AND EXPENDITURE ACCOUNT
FOR THE YEAR ENDED 31 MARCH 2023
Prior financial year
| Prior financial year | ||||
|---|---|---|---|---|
| Unrestricted | Restricted | Total | ||
| funds | funds | |||
| 2022 | 2022 | 2022 | ||
| Notes | £ | £ | £ | |
| Income from: | ||||
| Donations and legacies | 3 | 174,392 | 205,502 | 379,894 |
| Activities in furtherance of the charity's objects | 4 | 208,539 | 40,406 | 248,945 |
| Total income | 382,931 | 245,908 | 628,839 | |
| Expenditure on: | ||||
| Raising funds | 5 | 336 | 6,689 | 7,025 |
| Charitable activities | 6 | 458,763 | 271,320 | 730,083 |
| Total resources expended | 459,099 | 278,009 | 737,108 | |
| Net incoming/(outgoing) resources before transfers | (76,168) | (32,101) | (108,269) | |
| Gross transfers between funds | 11 | (6,568) | 6,568 | - |
| Net income/(expenditure) for the year/ | ||||
| Net movement in funds | (82,736) | (25,533) | (108,269) | |
| Fund balances at 1 April 2021 | 9,118 | 65,416 | 74,534 | |
| Fund balances at 31 March 2022 | (73,618) | 39,883 | (33,735) |
The statement of financial activities includes all gains and losses recognised in the year.
All income and expenditure derive from continuing activities.
The statement of financial activities also complies with the requirements for an income and expenditure account under the Companies Act 2006.
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THE OPEN THEATRE COMPANY LIMITED
BALANCE SHEET
AS AT 31 MARCH 2023
| 2023 Notes £ Fixed assets Tangible assets 12 Current assets Debtors 13 60,465 Cash at bank and in hand 37,667 98,132 Creditors: amounts falling due within one year 14 (25,690) Net current assets/(liabilities) Total assets less current liabilities Income funds Restricted funds 15 Unrestricted funds |
2022 £ £ £ - 255 29,984 13,851 43,835 (77,825) 72,442 (33,990) 72,442 (33,735) 3,000 39,883 69,442 (73,618) 72,442 (33,735) |
|---|---|
The company is entitled to the exemption from the audit requirement contained in section 477 of the Companies Act 2006, for the year ended 31 March 2023. The members have not required the company to obtain an audit in accordance with section 476 of the Companies Act 2006.
The directors acknowledge their responsibilities for complying with the requirements of the Companies Act 2006 with respect to accounting records and the preparation of financial statements.
The members have not required the company to obtain an audit of its financial statements for the year in question in accordance with section 476.
These financial statements have been prepared in accordance with the provisions applicable to companies subject to the small companies regime.
The financial statements were approved by the Directors on 29 November 2023
R Hawley (Chair) Trustee
Company Registration No. 01871300
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THE OPEN THEATRE COMPANY LIMITED
STATEMENT OF CASH FLOWS FOR THE YEAR ENDED 31 MARCH 2023
| 2023 Notes £ Cash flows from operating activities Cash generated from/(absorbed by) operations 18 Net cash used in investing activities Net cash used in financing activities Net increase/(decrease) in cash and cash equivalents Cash and cash equivalents at beginning of year Cash and cash equivalents at end of year |
2022 £ £ £ 23,816 (38,117) - - - - 23,816 (38,117) 13,851 51,968 37,667 13,851 |
|---|---|
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THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2023
1 Accounting policies
Charity information
The Open Theatre Company Limited is a private company limited by guarantee incorporated in England and Wales. The registered office is Daimler Powerhouse, Unit 4 Sandy Lane Business Park, Coventry, CV1 4DQ.
1.1 Accounting convention
The financial statements have been prepared in accordance with the Charity's Memorandum & Articles of Association governing document], the Companies Act 2006, FRS 102 “The Financial Reporting Standard applicable in the UK and Republic of Ireland” (“FRS 102”) and the Charities SORP "Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102)" (effective 1 January 2019). The Charity is a Public Benefit Entity as defined by FRS 102.
The Charity has taken advantage of the provisions in the SORP for charities not to prepare a Statement of Cash Flows.
The financial statements are prepared in sterling, which is the functional currency of the Charity. Monetary amounts in these financial statements are rounded to the nearest £.
The financial statements have been prepared under the historical cost convention. The principal accounting policies adopted are set out below.
1.2 Going concern
At the time of approving the financial statements the charity has sufficient resources to be able to fund activities for the next twelve months and on this basis the Board consider the going concern position of the charitable entity to be secured.Thus the directors continue to adopt the going concern basis of accounting in preparing the financial statements.
1.3 Charitable funds
Unrestricted funds are available for use at the discretion of the directors in furtherance of their charitable objectives.
Restricted funds are subject to specific conditions by donors as to how they may be used.
1.4 Income
Income is recognised when the Charity is legally entitled to it after any performance conditions have been met, the amounts can be measured reliably, and it is probable that income will be received.
Cash donations are recognised on receipt. Other donations are recognised once the Charity has been notified of the donation, unless performance conditions require deferral of the amount.
1.5 Expenditure
Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement, and the amount of the obligation can be measured reliably.
Expenditure is classified by activity. The costs of each activity are made up of the total of direct costs and shared costs, including support costs involved in undertaking each activity. Direct costs attributable to a single activity are allocated directly to that activity. Shared costs which contribute to more than one activity and support costs which are not attributable to a single activity are apportioned between those activities on a basis consistent with the use of resources. Central staff costs are allocated on the basis of time spent, and depreciation charges are allocated on the portion of the asset’s use.
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THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
1 Accounting policies
(Continued)
Resources expended are included in the Statement of Financial Activities on an accruals basis, inclusive of VAT which cannot be recovered. Liabilities are recognised as they occur. Expenditure is included within the category to which it relates.
1.6 Tangible fixed assets
Tangible fixed assets are initially measured at cost and subsequently measured at cost or valuation, net of depreciation and any impairment losses.
Tangible fixed assets are stated at cost less depreciation. Items are capitalised where the purchase price exceeds £100. Depreciation is provided at rates calculated to write off the cost less estimated residual value of each asset over its expected useful life, as follows:
Computer equipment 33% cost/25% of net book value Improvements to office 20% cost
The gain or loss arising on the disposal of an asset is determined as the difference between the sale proceeds and the carrying value of the asset, and is recognised in the statement of financial activities.
1.7 Impairment of fixed assets
At each reporting end date, the Charity reviews the carrying amounts of its tangible assets to determine whether there is any indication that those assets have suffered an impairment loss. If any such indication exists, the recoverable amount of the asset is estimated in order to determine the extent of the impairment loss (if any).
1.8 Cash and cash equivalents
Cash and cash equivalents include cash in hand, and deposits held at call with banks.
1.9 Financial instruments
The Charity has elected to apply the provisions of Section 11 ‘Basic Financial Instruments’ and Section 12 ‘Other Financial Instruments Issues’ of FRS 102 to all of its financial instruments.
Financial instruments are recognised in the Charity's balance sheet when the Charity becomes party to the contractual provisions of the instrument.
Basic financial assets
Basic financial assets, which include debtors and cash and bank balances, are initially measured at transaction price including transaction costs and are subsequently carried at amortised. Financial assets classified as receivable within one year are not amortised.
Basic financial liabilities
Basic financial liabilities, including creditors are initially recognised at transaction price. Financial liabilities classified as payable within one year are not amortised.
Trade creditors are obligations to pay for goods or services that have been acquired in the ordinary course of operations from suppliers. Amounts payable are classified as current liabilities if payment is due within one year or less. If not, they are presented as non-current liabilities.
Derecognition of financial liabilities
Financial liabilities are derecognised when the Charity’s contractual obligations expire or are discharged or cancelled.
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THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
1 Accounting policies
(Continued)
1.10 Employee benefits
The cost of any unused holiday entitlement is recognised in the period in which the employee’s services are received.
1.11 Retirement benefits
Payments to defined contribution retirement benefit schemes are charged as an expense as they fall due.
2 Critical accounting estimates and judgements
In the application of the Charity’s accounting policies, the directors are required to make judgements, estimates and assumptions about the carrying amount of assets and liabilities that are not readily apparent from other sources. The estimates and associated assumptions are based on historical experience and other factors that are considered to be relevant. Actual results may differ from these estimates.
The estimates and underlying assumptions are reviewed on an ongoing basis. Revisions to accounting estimates are recognised in the period in which the estimate is revised where the revision affects only that period, or in the period of the revision and future periods where the revision affects both current and future periods.
3 Donations and legacies
| Unrestricted Restricted funds funds general 2023 2023 £ £ Donations and gifts 3,411 - Grants awarded, ACE and others 157,760 247,509 161,171 247,509 |
Total Unrestricted Restricted funds funds general 2023 2022 2022 £ £ £ 3,411 100 - 405,269 174,292 205,502 408,680 174,392 205,502 |
Total 2022 £ 100 379,794 |
|---|---|---|
| 379,894 |
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THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
| 3 Donations and legacies Grants receivable for core activities Coventry City of Culture Trust National Lottery (Heritage) Peter Sowerby Dutch Embassy The Lord Mayor's Charity Commonwealth Games Severn Trent The Patrick Trust 29th May 1961 Trust Arts Admin ltd Coventry City Council ACE - National Portfolio Organisations The West Midlands UnCOVer/DisCOVer City of Culture Western Power Distribution Garfield Weston Foundation Jack Frogs Bodenham Trust Edward Gostling Foundation Heart of England CHOEPF Roger & Douglas Turner Charitable Trust Heart of England - Graham Griffiths Fund The Clothworkers Foundation The Field Family Trust Baren Davenport's Charity The Eveson Trust Barbara Ward Foundation Boshier Hinton Foundation Alan Edward Higgs Charity David Solomon Charitable trust The D'Oyly Carte Trust DWP - Kickstart |
- - - - - - 1,000 - 4,000 - - 152,760 - - - - - - - - - - - - - - - - - - - 157,760 |
- 24,900 - - 5,000 46,674 - 1,000 - - 14,666 64,615 - 10,000 9,982 10,000 2,000 200 10,000 2,000 3,000 2,000 3,600 2,000 800 15,000 7,000 1,100 3,000 500 3,000 5,472 247,509 |
- 24,900 - - 5,000 46,674 1,000 1,000 4,000 - 14,666 217,375 - 10,000 9,982 10,000 2,000 200 10,000 2,000 3,000 2,000 3,600 2,000 800 15,000 7,000 1,100 3,000 500 3,000 5,472 405,269 |
- - - - - - - - - - 14,666 152,760 2,866 - - - 4,000 - - - - - - - - - - - - - - - 174,292 |
(Continued) 56,500 56,500 24,900 24,900 9,735 9,735 8,865 8,865 - - - - - - - - - - 8,000 8,000 - 14,666 97,502 250,262 - 2,866 - - - - - - - 4,000 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 205,502 379,794 |
(Continued) 56,500 56,500 24,900 24,900 9,735 9,735 8,865 8,865 - - - - - - - - - - 8,000 8,000 - 14,666 97,502 250,262 - 2,866 - - - - - - - 4,000 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 205,502 379,794 |
|---|---|---|---|---|---|---|
| 379,794 |
- 15 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2023
4 Activities in furtherance of the charity's objects
| Performance fees and workshop income Analysis by fund Unrestricted funds - general For the year ended 31 March 2022 Unrestricted funds - general Restricted funds |
2023 £ 380,960 380,960 |
2022 £ 248,945 |
|---|---|---|
| 208,539 40,406 |
||
| 248,945 |
5 Raising funds
| Unrestricted | Unrestricted | Restricted | Unrestricted | |
|---|---|---|---|---|
| funds | funds | funds | funds | |
| 2023 | 2022 | 2022 | 2022 | |
| £ | £ | £ | £ | |
| Fundraising and publicity | ||||
| Other fundraising costs | 13,891 | 336 | 6,689 | 7,025 |
| 13,891 | 336 | 6,689 | 7,025 |
- 16 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
6 Charitable activities
| Staff costs Depreciation and impairment Executive director Associates, artists and trainers Educational activity Travel and subsistence Professional Fees Arts festival costs Bursaries Share of support costs (see note 7) Share of governance costs (see note 7) Analysis by fund Unrestricted funds - general Restricted funds |
2023 £ 404,503 255 51,505 127,093 4,034 43,810 10,875 2,166 - 644,241 14,560 10,771 669,572 381,313 288,259 669,572 |
2022 £ 400,690 563 51,270 187,324 26,111 27,429 4,000 - 1,170 |
|---|---|---|
| 698,557 17,394 14,132 |
||
| 730,083 | ||
| 458,763 271,320 |
||
| 730,083 |
- 17 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
7 Support costs
| Staff costs Computer costs Administrative expenses Insurance Interest paid Accountancy Analysed between Charitable activities |
Support costs Governance costs £ £ - 9,211 2,485 - 9,111 - 2,383 - 581 - - 1,560 14,560 10,771 14,560 10,771 |
2023 £ 9,211 2,485 9,111 2,383 581 1,560 25,331 25,331 |
Support costs Governance costs £ £ - - 4,002 - 11,276 - 2,116 - - - - 14,132 17,394 14,132 17,394 14,132 |
2022 £ - 4,002 11,276 2,116 - 14,132 |
|---|---|---|---|---|
| 31,526 | ||||
| 31,526 |
Governance costs includes amounts due to Kendall Wadley LLP of £1,560 (2022- £1,320) for fees in connection with the independent examination.
8 Employees
Number of employees
The average monthly number of employees during the year was:
| Executive Director Associate Director Associate (Business & Policies) Administrator and other Employment costs Wages and salaries Social security costs Other pension costs |
2023 Number 1 1 1 17 20 2023 £ 422,326 32,146 10,747 465,219 |
2022 Number 1 1 1 18 |
|---|---|---|
| 21 | ||
| 2022 £ 411,725 30,096 10,139 |
||
| 451,960 |
There were no employees whose annual remuneration was £60,000 or more.
9 Directors
During the year, 0 directors (2022 - 0) were refunded expenses (2022 - £nil).
- 18 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
10 Taxation
The charity is exempt from tax on income and gains falling within section 505 of the Taxes Act 1988 or section 252 of the Taxation of Chargeable Gains Act 1992 to the extent that these are applied to its charitable objects.
11 Transfers
During the year under review and the preceding year, transfers were made from unrestricted funds to restricted funds to cover restricted expenditure on completed projects.
12 Tangible fixed assets
| Computer equipment Improvements to office £ £ Cost At 1 April 2022 6,096 5,546 At 31 March 2023 6,096 5,546 Depreciation and impairment At 1 April 2022 5,841 5,546 Depreciation charged in the year 255 - At 31 March 2023 6,096 5,546 Carrying amount At 31 March 2023 - - At 31 March 2022 255 - 13 Debtors 2023 Amounts falling due within one year: £ Trade debtors 60,465 Prepayments and accrued income - 60,465 |
Total £ 11,642 |
|---|---|
| 11,642 | |
| 11,387 255 |
|
| 11,642 | |
| - | |
| 255 | |
| 2022 £ 29,540 444 |
|
| 29,984 |
Trade debtors includes £12,923 representing the final grant claim due from ACE in respect of the Space to Explore Project.
- 19 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2023
14 Creditors: amounts falling due within one year
| Creditors: amounts falling due within one year | ||
|---|---|---|
| Other taxation and social security Trade creditors Other creditors Accruals and deferred income |
2023 £ 8,823 13,100 2,192 1,575 25,690 |
2022 £ 26,327 36,291 7,221 7,986 |
| 77,825 |
- 20 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
15 Restricted funds
The income funds of the charity include restricted funds comprising the following unexpended balances of donations and grants held on trust for specific purposes:
| Balance at 1 April 2021 r £ Digital Doorways/Unbounded 49,565 Party Animal & Tom n Rob 5,670 UnCOVer/ DisCOVer 8,833 Behind Closed Doors 1,348 Space to Explore - Jack's Frogs - Beyond The Trees - Ronnie & Johnny - Commonwealth Games - Fee Fi Fo Fum - Clothworkers - Friday Group - One of a Kind - Open Mac - Core Activities - Coventry Schools Project - 65,416 |
Movement in funds Incoming esources Resources expended £ £ - (31,766) 3,685 (15,605) 95,755 (90,672) - - 77,596 (69,628) 29,525 (27,025) 9,735 (10,053) 19,612 (19,150) 10,000 (14,110) - - - - - - - - - - - - - - 245,908 (278,009) |
Transfers Balance at 1 April 2022 r £ £ - 17,799 6,250 - - 13,916 - 1,348 - 7,968 - 2,500 318 - - 462 - (4,110) - - - - - - - - - - - - - - 6,568 39,883 |
Movement in funds Incoming esources Resources expended £ £ - (17,799) - - 34,900 (48,816) - (1,348) 66,078 (74,046) 2,000 (4,500) - - - (462) 58,874 (58,582) 9,982 (9,982) 3,600 (3,649) 15,000 (15,000) 3,400 (3,400) 7,000 (7,000) 43,675 (43,675) 3,000 - 247,509 (288,259) |
Transfers Balance at 31 March 2023 £ £ - - - - - - - - - - - - - - - - 3,818 - - - 49 - - - - - - - - - - 3,000 3,867 3,000 |
Transfers Balance at 31 March 2023 £ £ - - - - - - - - - - - - - - - - 3,818 - - - 49 - - - - - - - - - - 3,000 3,867 3,000 |
|---|---|---|---|---|---|
| 3,000 |
- 21 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
15 Restricted funds
(Continued)
Digital Doorways - funding received via the National Lottery Community Project Fund as a response to the Covid-19 pandemic and a need to reach children and young people with learning disabilities and their families. The project completed in July 2021.
The Party Animal is a radio play written by Madeleine Levy and performed by seven actors on the Autistic Spectrum. The radii play was broadcast on Switch Radio and the whole project was developed in partnership with Alternative Voices, supported by Switch Radio and funded by Arts Council England.
Tom N Rob: Break Free is a captivating duet of comedic dance theatre, created by talent and friendship in its purest form and devised and performed by two dancers, one with and one without a learning disability. Funded by Arts Council England, performed at Birmingham Hippodrome.
UnCOVer /DisCOVer project is our major Coventry City of Culture Programme of work for 2021-22 which is made up of 3 streams: Water Water Everywhere, Frogs & Suchlike and River City Detectives . The Uncover Discover Project is a catalyst for reinvigorating our work with Coventry Special Schools and a framework to increase funding investment into creative work with young people with learning disabilities within the city.
Behind Closed Doors - Jake Jarvis was awarded a bursary to create a project engaging 15 children and young people with learning difficulties to explore the extent digital technology can be used to enhance the role of artistic development and strong human connection and mentorship fpr children and young people with learning disabilities.
Space to Explore - a major Arts Council of England funded project to enrich our non-verbal physical theatre practice and performance aesthetics through a programme of artistic residencies with internationally renowned artists such as The Ashton Brothers (Netherlands), Clownmania with Angela De Castro .
"Jack's Frogs" - Formed part of our major Coventry City of Culture programme by engaging and developing his unique idea by emerging artist Jack Foulks inspired by uncovering the River Sherbourne. This visual and public art project evolved into a major city project involving a frog trail, large-scale frog sculptures and an exhibition.
- 22 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2023
15 Restricted funds
(Continued)
Beyond the Trees - was Open Theatre's pilot immersive outdoor production created specifically by and for young people with learning disabilities (YPWLD), kindly supported by the Peter Sowerby Foundation which took place in Birmingham's Martineau Gardens at the end of a second national lockdown due to Covid 19. The project engaged seven young people with learning disabilities in paid performance roles and engaged audiences of over 80 people including local families with children with learning disabilities
Ronnie & Johnny - The production of a new, three episode short film situation comedy written by disabled artist Rob Bate, filmed by Sean Bould. Ronnie and Johnny tells the story of two friends with disabilities and their unique adventures. Episode three received an honourable mention at the Birmingham Film Awards in 2021.
Commonwealth Games - Commissioned by Birmingham 2022 Festival and funded by the British Council, "Wantok" is a collaboration by Open Theatre with artists from Mama Dojo , Australia and Enspire , Papua New Guinea. Forming the first phase of this major project. Children and young people from Birmingham Special Schools engaged in a special workshop programme as part of the Commonwealth Games Cultural programme in preparation for the 2022 Games.
Fee Fi Fo Fum - funding for a new immersive work based on Jack and the Beanstalk
Clothworkers - a grant to enable the purchase of audio equipment for young people with learning disabilities.
Friday Group - funding received to restart regular group programmes
One of a Kind - funding received to restart regular group programmes
Open Mac - funding received to restart regular group programmes
Core Activities - funding received to support the core costs of the charity
Coventry Schools Project - Funding received to implement InterACT
- 23 -
THE OPEN THEATRE COMPANY LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2023
| 16 Analysis of net assets between funds Unrestricted funds Restricted funds 2023 2023 £ £ Fund balances at 31 March 2023 are represented by: Tangible assets - - Current assets/(liabilities) 69,442 3,000 69,442 3,000 |
Total Unrestricted funds Restricted funds 2023 2022 2022 £ £ £ - 255 - 72,442 (73,873) 39,883 72,442 (73,618) 39,883 |
Total 2022 £ 255 (33,990) (33,735) |
|---|---|---|
17 Related party transactions
Remuneration of key management personnel
The key management personnel is deemed to be the artistic director, employment costs total £51,505 (2022 - £51,270).
| 18 Cash generated from operations Surplus/(deficit) for the year Adjustments for: Depreciation and impairment of tangible fixed assets Movements in working capital: (Increase)/decrease in debtors (Decrease)/increase in creditors Cash generated from/(absorbed by) operations |
2023 2022 £ £ 106,177 (108,269) 255 563 (30,481) 9,443 (52,135) 60,146 23,816 (38,117) |
|---|---|
- 24 -