
## **Trustees’ Annual Report for the period** 

**From 01 August 2023 To 31 July 2024** 

**Charity name: The Royal Tunbridge Wells Choral Society Charity registration number: 273310** 

## **Objectives and Activities** 

||SORP<br>reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|**To educate the public in the art and science of**<br>**music  and  in  particular  the  art  of  choral**<br>**singing, through the presentation of public**<br>**concerts  and  in  such  other  ways  as  the**<br>**Society shall determine from time to time by**<br>**the decision of its Committee.**|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17<br>and 1.19|**The Society gave four concerts during the**<br>**reporting period.  Requiems by Durufle and**<br>**Faure  at  the  Assembly  Hall  Theatre  in**<br>**November;  a  Christmas  concert  featuring**<br>**works  by  a  local  composer  at  St  Mary’s,**<br>**Goudhurst in December; Beethoven’s Mass**<br>**in C and Handel Coronation Anthems at the**<br>**AHT in April ’24 and a summer concert of jazz**<br>**arrangements at Holmewood House School**<br>**Theatre in June.**<br>**In  addition,  in  April  the  choir  travelled  to**<br>**Wiesbaden in Germany ( the twin town of**<br>**Tunbridge Wells’) where they were able to**<br>**demonstrate our shared cultural bond with**<br>**the  community  in  Wiesbaden  through**<br>**participation in a repeat performance of the**<br>**Beethoven/Handel concert in the Marktkirche**<br>**with the Frankfurter Sinfoniker.**<br>.<br>**We were also able to resume our annual carol**<br>**singing  visit  to  Halliwell  for  the  first  time**<br>**since the epidemic (having been cancelled**<br>**last year due to extreme weather).**<br>**.**|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public|Para 1.18|**Membership of the Society is open to anyone**<br>**who is able to attend the weekly term time**<br>**rehearsals.  A membership subscription is**<br>**payable with concessions made from time to**|





|benefit||**time for those who may not be able to pay the**<br>**full fee.**|
|---|---|---|
|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|||
||SORP<br>reference||
|Policy on grant making|Para 1.38||
|Policy on social investment<br>including program related<br>investment|Para 1.38||
|Contribution made by<br>volunteers|Para 1.38|**The Society is run entirely by volunteers,**<br>**principally through a dedicated and hard**<br>**working Committee, with the active support**<br>**of all its members.**|
|Other|||



## **Achievements and Performance** 

||SORP<br>reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|Para 1.20|**Choir numbers continued to steadily increase**<br>**over the reporting period, welcoming many**<br>**new as well as returning members.**<br>**The choir tackled a broad range of musical**<br>**styles this season, under the tutelage of our**<br>**Musical  director,  Robyn  Sevastos  and**<br>**accompanist Craig Hudson  Their support,**<br>**expertise,**<br>**enthusiasm**<br>**and**<br>**musical**<br>**leadership continues to be both appreciated**<br>**and vital.**<br>**The four concerts staged during the season**<br>**were well received, as was the performance in**<br>**Wiesbaden.   Attendance  numbers  at  the**<br>**Assembly  Hall  concerts  continued  to**<br>**improve.**|



**Additional information (optional)** You may choose to include further statements where relevant about: 



|Achievements against<br>objectives set|Para 1.41||
|---|---|---|
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41|**No extraordinary fundraising activities were**<br>**undertaken during the reporting period with**<br>**the weekly raffle raising in excess of £900.**<br>**The choir trip to our twin town of Wiesbaden**<br>**(following an invitation originally issued in**<br>**2019) was partially subsidised from reserves,**<br>**by approx. £6,500.  This equated to cost of**<br>**coach travel and guest participation at a post-**<br>**concert  dinner.   Attending  members  were**<br>**responsible  for  meeting  their  own**<br>**accommodation  and  incidental  expenses.**<br>**This  subsidy  made  it**<br>**possible  for  choir**<br>**members to attend who would not otherwise**<br>**have been able to afford to take part in the**<br>**experience.**|
|Investment performance<br>against objectives|Para 1.41|**For  sound  financial  governance  and  to**<br>**optimise  improving  interest  rates  a**<br>**significant sum was moved from our current**<br>**account  to  our  deposit  account  .  The**<br>**increased  revenue  from  such  interest**<br>**received is shown in the accounts.**|
|Other|||





## **Financial Review** 

|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|**The Society's financial position at year end is**<br>**healthy.  We continue to hold an appropriate**<br>**buffer of reserve funds which ensures we**<br>**can  maintain  existing  levels  of  activity**<br>**without undue worry.   Subscription income**<br>**increased  due  to  continued  growth  in**<br>**membership numbers.**|
|---|---|---|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|**The  Society  has  never  aimed  to  make  a**<br>**surplus from its activities but retains cash**<br>**reserves in the interests of prudence.  For**<br>**instance, the Society has always recognised**<br>**the  financial  risk  of  a  series  of  poorly**<br>**attended  concerts.   Not  only  did  this**<br>**philosophy allow us to quickly resume full**<br>**operations post pandemic it allows artistic**<br>**freedom in repertoire choice to confidently**<br>**showcase  choral  works  that  are  perhaps**<br>**less well known to the general public.**|
|Amount of reserves held|Para 1.22|**£45,774**|
|Reasons for holding zero<br>reserves|Para 1.22||
|Details of fund materially in<br>deficit|Para 1.24||
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23||



## **Additional information (optional)** You may choose to include further statements where relevant about: 

|The charity’s principal<br>sources of funds (including<br>any fundraising)|The charity’s principal<br>sources of funds (including<br>any fundraising)||**The Society has significant expenses in the**<br>**provision of rehearsal venues, concert**<br>**halls, music hire, professional soloists and**<br>**instrumentalists for concerts and publicity.**<br>**Our income derives from members'**<br>**subscriptions, patrons' contribution,**<br>**concert ticket sales, donations, legacies,**<br>**occasional sponsorship and advertising.**<br>**Members are also prepared to raise valuable**<br>**income from regular raffles.**<br>**Such expenditure is necessary if we are to**<br>**put on the best possible performances in**<br>**keeping with our object of entertaining and**<br>**education the public and maintaining the**<br>**tradition of high quality classical choral**<br>**music in the local area.**<br>**Subscription income increased as choir**<br>**member numbers increased.  This is turn**|
|---|---|---|---|
||The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|**The Society has significant expenses in the**<br>**provision of rehearsal venues, concert**<br>**halls, music hire, professional soloists and**<br>**instrumentalists for concerts and publicity.**<br>**Our income derives from members'**<br>**subscriptions, patrons' contribution,**<br>**concert ticket sales, donations, legacies,**<br>**occasional sponsorship and advertising.**<br>**Members are also prepared to raise valuable**<br>**income from regular raffles.**<br>**Such expenditure is necessary if we are to**<br>**put on the best possible performances in**<br>**keeping with our object of entertaining and**<br>**education the public and maintaining the**<br>**tradition of high quality classical choral**<br>**music in the local area.**<br>**Subscription income increased as choir**<br>**member numbers increased.  This is turn**|





|||**means we have been able to hold the**<br>**subscription rates without increase (with**<br>**concessions as detailed previously).**|
|---|---|---|
|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46||
|A description of the principal<br>risks facing the charity|Para 1.46||
|Other|||





## **Structure, Governance and Management** 

|Description of charity’s trusts:|||
|---|---|---|
|Type of governing document<br>(trust deed, royal charter)|Para 1.25|**Revised constitution adopted 05**<br>**September 2011 as amended 24 October**<br>**2016.**|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|**unincorporated association**|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled to<br>appoint one or more trustees|Para 1.25|**The Society is run by an elected Committee**<br>**of Officers and ordinary members, all of**<br>**whom  are  Trustees  by  virtue  of  their**<br>**membership of the Committee.**<br>**Officers may serve for an indefinite period**<br>**subject  to  re-election  by  the  general**<br>**membership  at  each  Annual  General**<br>**Meeting. **<br>**Ordinary  members  of  the**<br>**Committee are elected for a fixed term of**<br>**three years. They may be re-elected after a**<br>**period/gap of at least a year.  Additional**<br>**members may be co-opted to the Committee**<br>**as necessary and subject to approval by the**<br>**Society at the next available opportunity.**<br>**The  Musical  Director  and  Rehearsal**<br>**Accompanist may also attend Committee**<br>**meetings as ex-officio non voting members.**|



## **Additional information (optional)** You may choose to include further statements where relevant about: 

|<br>Policies and procedures<br>adopted for the induction<br>and training of trustees|<br>Para 1.51||
|---|---|---|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|**The Committee, all of whom are Trustees, is**<br>**the governing body.  Officers hold specific**<br>**functions  and  a  Management  Sub-**<br>**Committee leads much of the day to day**<br>**work  of  programme  planning,  rehearsal**<br>**organisation and other detailed operational**<br>**issues.**<br>**The Society is a long standing member of**<br>**Making  Music  (formerly  the  National**<br>**Federation  of  Music  Societies)  which**<br>**provides advocacy, advice and support as**<br>**well  as  insurance  and  collection  of**<br>**Performing Rights Society fees.**|
|Relationship with any<br>related parties|Para 1.51||
|Other|||





## **Reference and Administrative details** 

|Charity name|**Royal Tunbridge Wells Choral Society**|
|---|---|
|Other name the charity uses||
|Registered charity number|**273310**|
|Charity’s principal address|**c/o Michael Selway**<br>**Edensor**<br>**Linden Park Road**<br>**Tunbridge Wells**<br>**KENT      TN2 5QL**|
|||





**Names of the charity trustees who manage the charity** 

|1<br>2<br>3<br>4<br>5<br>6<br>7<br>8<br>10<br>11<br>12<br>13<br>14|**Trustee name**|**Office (if any)**|**Dates acted if not for whole**<br>**year**|**Name of person (or body)**<br>**entitled to appoint trustee (if**<br>**any)**|
|---|---|---|---|---|
||Michael Selway|Chair|||
||Clive Steward|Vice Chair|||
||Ailsa McMahon|Treasurer|||
||Janet Noble|General Secretary<br>Minutes Secretary|||
||Sheila Jones|Concert Secretary|Stood down October 2023||
||Laura Marshall<br>JennySelway|Concert Secretary<br>(joint appt)|Elected October 2023||
||Jane Walters|MembershipSec.|||
||Judith Henderson|Librarian|||
||Isobel Lowe|PublicitySecretary|||
||Nicolas Franck||Stood down January2024||
||Catherine Palmer||Elected October 2023||
||||||
||||||
||||||



– Corporate trustees names of the directors at the date the report was approved **Director name NONE** 

Name of trustees holding title to property belonging to the charity 

|**Trustee name**|**Dates acted if not for whole year**||
|---|---|---|
||||
|**NONE**|||
||||
||||
||||
||||





## **Funds held as custodian trustees on behalf of others** 

Description of the assets held in this capacity None 

Name and objects of the charity on whose behalf the assets are held and how this falls within the custodian charity’s objects 

Details of arrangements for safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

**Type of Name Address adviser** 

**Name of chief executive or names of senior staff members (Optional information)** 

## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

## **Other optional information** 



Declarations
The trustees declare that they have approved the trustees, report above.
Signed on behalf of the charity'8 trustees
Signature{s)
Full name(s)
Position (eg Secretary.
Chair. etc)
Mi chael Selway
chai r
JAN£f r4(£Le
Date
27/05/2025

## **ROYAL TUNBRIDGE WELLS CHORAL SOCIETY** 

## **SUMMARY OF FINANCIAL ACTIVITIES** 

## **FOR THE YEAR ENDED 31 JULY 2024** 

|**GENERAL INCOME AND EXPENDITURE**<br>**Income**<br>Subscriptions & donations<br>Other income<br>**Expenditure**<br>Core expenditure on musical activities<br>Other expenditure<br>**CONCERT ACCOUNTS**<br>Autumn<br>Christmas<br>Spring<br>Summer<br>**OTHER EVENTS**<br>Wiesbaden trip - receipts<br>Expenditure<br>Net (deficit)<br>Wine tasting net<br>**Net (deficit) on other events**<br>**Overall surplus/(deficit) for the year**<br>**Accumulated funds at beginning of year**<br>**Accumulated funds at end of year**<br>**General income surplus**(see detail page 3)<br>**Net (deficit) on concerts**(see detail page 4)|31 JULY 2024|
|---|---|
||9,924<br>2,036|
|||





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**ROYAL TUNBRIDGE WELLS CHORAL SOCIETY** 

## **GENERAL INCOME AND EXPENDITURE ANALYSIS** 

## **FOR THE YEAR ENDED 31 JULY 2024** 

|31 JULY 2024<br>£<br>£<br>£<br>**INCOME**<br>**Subscriptions & donations**<br>Patrons<br>1,208<br>Legacies, donations, sponsors<br>1,100<br>2,308<br>Members<br>15,551<br>17,859<br>**Other income**<br>Gift Aid tax reclaim<br>2,160<br>Bank interest<br>1,003<br>Sale and hire of music & folders<br>216<br>Self help<br>Raffles<br>919<br>CD and music sales<br>60<br>Easyfundraising/Amazon<br>-<br>979<br>4,358<br>22,217<br>**EXPENDITURE**<br>**Core expenditure on musical activities (rehearsals)**<br>Musical director<br>5,280<br>Accompanist<br>2,380<br>Hall hire<br>2,264<br>9,924<br>**Other expenditure**<br>Making Music (inc Insurance)<br>543<br>IT/Web hosting/Zoom<br>345<br>Committee, sundries<br>314<br>Purchase of drinks tokens, cups etc<br>-<br>Music library/storage<br>569<br>Purchase of music folders<br>203<br>Bank charges<br>62<br>2,036<br>(11,960)<br>**SURPLUS FOR THE YEAR**<br>10,257||_31 JULY 2023_|_31 JULY 2023_|
|---|---|---|---|
||_£_<br>961<br>_47_<br>_30_|_£_<br>_1,907_<br>_365_<br>_40_<br> <br> <br> <br>_1,038_|_£_<br>_1,538_<br>_605_|
||||_2,143_<br>_14,223_|
||||_16,366_<br> <br> <br> <br> <br>_3,350_|
|||||
|||_4,800_<br>_2,016_<br>_2,146_||
||||_19,716_<br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br>_(10,832)_|
|||_8,962_||
|||_433_<br>_328_<br>_305_<br>_109_<br>_630_<br>_-_<br>_65_||
|||_1,870_||
|||||
||||_8,884_|





## **ROYAL TUNBRIDGE WELLS CHORAL SOCIETY** 

## **CONCERT ACCOUNTS FOR THE YEAR ENDED 31 JULY 2024** 

|**INCOME**<br>Ticket sales<br>Programme sales/advertising<br>Music hire/sales<br>**EXPENDITURE**<br>Assembly Hall hire & related costs<br>Hall hire & staging other<br>Conductor<br>Soloists vocal & instrumental<br>Orchestra/band<br>Organ hire<br>Music hire/purchase<br>Printing, publicity, drinks, gifts<br>**NET (DEFICIT)**|£<br>5,255<br>392<br>224<br>5,871<br>4,121<br>-<br>620<br>750<br>1,465<br>590<br>227<br>348<br>8,121<br>(2,250)<br>**Autumn**<br>**2023**<br>**Fauré**<br>**Duruflé**|£<br>761<br>-<br>215<br>976<br>-<br>312<br>300<br>150<br>-<br>-<br>136<br>455<br>1,353<br>(377)<br>**Christmas**<br>**2023**<br>**Goudhurst**|£<br>4,330<br>373<br>416<br>5,119<br>3,850<br>-<br>620<br>1,350<br>2,760<br>340<br>545<br>520<br>9,985<br>(4,866)<br>**Spring 2024**<br>**Beethoven**<br>**Handel**|£<br>1,579<br>-<br>306<br>1,885<br>-<br>600<br>300<br>210<br>-<br>-<br>342<br>437<br>1,889<br>(4)<br>**Summer**<br>**2024**<br>**Chilcott**|**Total for**<br>**Year**||**_Total_**<br>**_previous_**<br>**_year_**|
|---|---|---|---|---|---|---|---|
||||||**£**<br>11,925<br>765<br>1,161||**_£_**<br>_13,893_<br>_935_<br>_708_|
||||||13,851||_15,536_|
||||||7,971<br>912<br>1,840<br>2,460<br>4,225<br>930<br>1,250<br>1,760||_7,913_<br>_862_<br>_1,670_<br>_2,025_<br>_4,655_<br>_-_<br>_1,245_<br>_1,803_|
||||||21,348||_20,173_|
||||||(7,497)||_(4,637)_|





## **ROYAL TUNBRIDGE WELLS CHORAL SOCIETY** 

## **NOTES TO THE ACCOUNTS** 


**----- Start of picture text -----**<br>
31 JULY 2024<br>31.7.24 31.7.23<br>Debtors and Prepayments Note 1<br>£ £<br>Next season's costs paid in advance 118   224<br>118   224<br>Creditors and Accruals Note 2<br>£ £<br>Concert invoice paid after year end 340   -<br>340   -<br>**----- End of picture text -----**<br>


5 

