
## **Trustees’ Annual Report for the period** 

## **From  01/08/2024          Period start date   To    31/07/2025                       Period end date** 

## **Charity name: Portsmouth Choral Union** 

## **Charity registration number: 266974** 

## **Objectives and Activities** 

||SORP reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|The objects of the Society will be to<br>advance and maintain public education in,<br>and appreciation of, the art and science of<br>music in all its aspects by any means the<br>trustees see fit, including through the<br>presentation of public concerts and recitals.|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17 and<br>1.19|In 2024-2025 we planned a programme of<br>four concerts of music ranging from the<br>traditional classical Haydn_Creation_,<br>written in 1798, to Will Todd’s Jazz-inspired<br>_Passion Music_, written in 2021. We held a<br>lively open workshop with the composer<br>himself to give singers an opportunity to<br>learn this new work. We collaborated with<br>Portchester’s Castle Primary School on a<br>carol concert and enjoyed a rousing<br>concert of Opera Choruses.|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public<br>benefit|Para 1.18|The trustees have had regard to the<br>Charity Commission guidance on public<br>benefit.|



**Additional information (optional)** You may choose to include further statements where relevant about: 

SORP reference **N/A** Para 1.38 Policy on grant making 



|Policy on social investment<br>including program related<br>investment|Para 1.38|**N/A**|
|---|---|---|
|Contribution made by<br>volunteers|Para 1.38|The charity is entirely run by members on a<br>voluntary basis. Many members (including<br>the Trustees) and friends regularly<br>volunteer in roles in fundraising, behind-<br>the-scenes organisation and helping with<br>audiences and refreshments at events.|
|Other|||



## **Achievements and Performance** 

||SORP reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|Para 1.20|We started the 2024 -2025 season with a<br>new Deputy Music Director and<br>Accompanist in place, Mrs Sue Graham<br>Smith, Happily, she settled in quickly and<br>proved to be a tremendous asset to the<br>choir’s rehearsals and a key support and<br>backup to our Music Director Mr David<br>Gostick.<br>Our first performance of the season was a<br>classical choral favourite, Joseph Haydn’s<br>_The Creation_, working with the orchestra<br>Southern Pro Musica and with three gifted<br>young soloists. This was followed by a<br>traditional Christmas Carol concert<br>accompanied (and upstaged by) the school<br>choir from Portchester Castle Primary<br>School who we invited to share the<br>evening.<br>Our spring concert was planned to be a<br>real contrast in repertoire, with works by<br>two Modern composers. We sang Feel the<br>Spirit, a choral setting of spirituals by John<br>Rutter, and a recently-written work by Will<br>Todd, Passion Music, which is a retelling of<br>the Easter Story with a jazz/gospel fusion<br>with choral music. This was a challenging<br>step away from our usual classical comfort<br>zone but we were greatly enthused and<br>informed by a workshop with the composer<br>himself. This was also attended by<br>members of the Medici Choir from London<br>who we invited to sing in the concert with<br>us. We learned a lot about a more free-<br>form way of singing in harmony and were<br>able to perform in a way that passed on our<br>enjoyment and understanding of the music<br>to the audience.|





Our summer concert was another style again, with a night at the opera performing favourite opera choruses. Supported by two expert and dramatic opera soloists, Lynsey Docherty and David Pendred we had a fun evening with a slightly lighter note to finish the season. 

**Additional information (optional)** You may choose to include further statements where relevant about: 

|Achievements against<br>objectives set|Para 1.41|In 2024-2025 we gave 4 concerts ranging<br>in style from the modern to the classical<br>and held an educational workshop led by<br>the composer of one of the compositions.<br>We collaborated again with the Medici choir<br>and with young singers from Portchester<br>Castle Primary School. We were able to<br>work with professional orchestral musicians<br>and with a range of different expert soloists.|
|---|---|---|
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41|Our fundraising is mainly through<br>membership subscriptions and ticket sales,<br>plus internal fundraising events. We are<br>finding some external sources of income,<br>like the local charitable lottery.<br>We are planning some bigger events for<br>our 150thanniversary in four years time and<br>are exploring strategies for fundraising for<br>this.|
|Investment performance<br>against objectives|Para 1.41||
|Other|||



## **Financial Review** 

|**Financial Review**|||
|---|---|---|
|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|Our policy is to try to hold one year’s<br>running costs in reserve which we achieved<br>in this financial year.|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|We aim to maintain the minimum of one<br>season’s running costs in hand to act as a<br>reserve against years when concerts are<br>more expensive and against unforeseen<br>events.|
|Amount of reserves held|Para 1.22|£ 68,313.91 as of 31/07/2025|
|Reasons for holding zero<br>reserves|Para 1.22|N/A|
|Details of fund materially in<br>deficit|Para 1.24|N/A|
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|Our audience are still smaller than before<br>Covid, and we are also concerned that the<br>age profile of our audiences and<br>membership is creeping higher.|





## **Additional information (optional)** 

You may choose to include further statements where relevant about: 

|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|Member subscriptions and (normally) ticket<br>sales provide the majority of our income.<br>We also receive donations from members<br>and supporters and from the Portsmouth<br>Lottery. We also have a ‘Friends’ scheme<br>of supporters.|
|---|---|---|
|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46|We have one investment with a fund<br>tailored for charitable investments.|
|A description of the principal<br>risks facing the charity|Para 1.46|Rising costs are making it harder to afford<br>venues and put on full orchestral concerts.<br>We are also concerned about the smaller<br>audiences that now come to concerts.|
|Other|||



## **Structure, Governance and Management** 

|Description of charity’s<br>trusts:|||
|---|---|---|
|Type of governing document<br>(trust deed, royal charter)|<br>Para 1.25|Written constitution dated 30thJanuary<br>2018|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|Unincorporated association|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para 1.25|All Trustees are elected at our Annual<br>General Meeting of members or by<br>Extraordinary Vote of members following<br>any mid-term resignations.|



|**Additional information (optional)**<br>You may choose to include further statements|**Additional information (optional)**<br>You may choose to include further statements|where relevant about:|
|---|---|---|
|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51|All Trustees are made aware of their<br>responsibilities under the law as Charity<br>Trustees using guidance from the Charity<br>Commission.|
|||We co-operate with other musical groups<br>and other choral charities in the area to|





|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|avoid clashes of concert dates as far as<br>possible and to collaborate on selected<br>projects|
|---|---|---|
|Relationship with any<br>related parties|Para 1.51|N/A|
|Other|||



## **Reference and Administrative details** 

|Charity name|Portsmouth Choral Union|
|---|---|
|Other name the charity uses|PCU|
|Registered charity number|266974|
|Charity’s principal address|21, Second Avenue, Emsworth, Hampshire, PO10 8HP|
|||





**Names of the charity trustees who manage the charity** 

|1<br>2<br>3<br>4<br>5<br>6<br>7<br>8<br>9<br>10<br>11<br>12<br>13<br>14|**Trustee name**|**Office (if any)**|**Dates acted if not for whole**<br>**year **|**Name of person (or body) entitled**<br>**to appoint trustee (ifany)**|
|---|---|---|---|---|
||Mrs Sylvia Mary<br>Lock|Chair|||
||Mrs Jane Helliwell|DeputyChair|||
||Dr Andrea<br>Hegedus|Treasurer|||
||Mrs Sonia<br>Schofield|Registrar|||
||Mrs Lois Houston|Marketing and<br>PublicityOfficer|||
||Dr Alison Barker|Secretary|||
||Julie Ann Smith|Ticket Manager|||
||Carolyn Ann<br>Keyzor|Soprano<br>Representative|Until 31stJuly 2025||
||Susan Florence<br>Ward|Soprano<br>Representative|From 7thOctober 2025||
||Lesley Evelyn<br>Chapman|Alto Representative|||
||Dr David Gweirydd<br>Griffiths|Tenor<br>Representative|||
||Mr James<br>Sweasey|Bass Representative|Until 1stOctober 2024||
||Mr Anthony<br>Spender|Bass Representative|From 1stOctober 2024<br>until 7thOctober 2025||
||Mr Paul Alistair<br>Hately|Bass Representative|From 7thOctober 2025||



Corporate trustees – names of the directors at the date the report was approved 

**Director name** 

Name of trustees holding title to property belonging to the charity 

|**Trustee name**|**Dates acted if not for whole year**||
|---|---|---|
||||
||||
||||
||||
||||
||||
|**Funds held as custodian trustees on behalf of others**|||
|Description of the assets<br>held in this capacity|N/A||
|Name and objects of the<br>charity on whose behalf the|N/A||





assets are held and how this falls within the custodian charity’s objects Details of arrangements for safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

**Type of Name Address adviser** 

**Name of chief executive or names of senior staff members (Optional information)** 

## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

## **Other optional information** 



## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

|**Signature(s)**<br>**Full name(s)**<br>**Position (eg Secretary,**<br>**Chair, etc)**<br>**Date**|||
|---|---|---|
||Alison Margaret Barker|Sylvia Mary Lock|
||<br> <br>Secretary|Chair|
||15/05/2026||
||15/05/2026||





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CHARITY COMMISSION
FOR ENGLAND AND WALES
Independent examinerfs
report on the accounts
Section A
Independent Examiner's Report
Report to the trustoesl
members of
fH C+loAfvL IAAJIDKJ
On accounts for the year
endad
31,
£0£4-
Charlty no
{if any)
L£6974
Set out on page$
(rpw•mtx ty) rwJmLws d adtJrfK)nai th*ts1
I report to the trustees on my examination of the accounts of the above
charity ('the Trust-) for the year ended
Rasponsibilities and As the charity trustees of the Trust. you are responsible for the preparation
basis of report of the accounts in accordance with the requirements of the Charities Ad
2011 {-the Act.).
I report in resped of my examination of the Trust's accounts carried out
under section 145 of the 2011 Act and in carrying out my examination, I
have followed the applicable Directions given by the Charity Commission
und8r sèction 145{5}Ib) of the Act.
I have complete(I my examination. I confim that no material matters have
ome to my attention {other than that disd0s8d below.) in connection wth
the examination which gives me cause to believe that in, any material
respect:
accounting records were not kept in accordance with section 130 of
the Act or
the accounts do not accord ¥Mth the accounting records
Independent
examinerfs statement
I have no ¢))ncems and have come across no other matt8rs in connedion
with the examination lo which attention should be drawn in ordor to enab18 a
proper urKlerstanding of the accounts to be reached.
. Please delet8 the words in the bockets rf they do not apply.
Slgnod:
Date:
12
oq
Name:
)Prf4NiÉ f l24£qc4
Relevant professlonal
qualification{s) or body
(if any):
IcAev
Address:
13 e&7É£S RoPrf) Lo￿s HÉATA
So21 tse
IER
October 2018