
## **Trustees’ Annual Report for the period** 

## **From  01/08/2021          Period start date   To    31/08/2022                       Period end date** 

## **Charity name: Portsmouth Choral Union** 

## **Charity registration number: 266974** 

## **Objectives and Activities** 

||SORP reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|The objects of the Society will be to<br>advance and maintain public education in,<br>and appreciation of, the art and science of<br>music in all its aspects by any means the<br>trustees see fit, including through the<br>presentation of public concerts and recitals.|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17 and<br>1.19|After 18 months disrupted by Covid-19<br>which for much of the time made group<br>singing impossible or set extreme<br>restrictions, we were finally able to resume<br>rehearsing and giving concerts in autumn<br>2021, albeit with continuing regard to<br>recommendations for social distancing and<br>other safety measures. Between August<br>2021 and July 2022 we were able to stage<br>4 full concerts, one of which was given as<br>part of a series celebrating and supporting<br>the Organ Restoration Project in St Mary’s<br>Church, Fratton, Portsmouth. We also held<br>a Come and Sing with proceeds donated to<br>Key Changes Music Therapy, a<br>Winchester-based charity that uses music<br>therapy to alleviate the emotional effects of<br>mental illness, learning disability, social<br>deprivation and developmental delay in<br>children and adults.|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public<br>benefit|Para 1.18|The trustees have had regard to the<br>Charity Commission guidance on public<br>benefit.|





## **Additional information (optional)** 

## You may choose to include further statements where relevant about: 

||SORP reference||
|---|---|---|
|Policy on grant making|Para 1.38|**N/A**|
|Policy on social investment<br>including program related<br>investment|Para 1.38|**N/A**|
|Contribution made by<br>volunteers|Para 1.38|The charity is entirely run by members on a<br>voluntary basis|
|Other|||



## **Achievements and Performance** 

||SORP reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|Para 1.20|After such a disrupted year in 2020-2021,<br>we were finally permitted to start indoors<br>singing rehearsals again in autumn 2021<br>with a full risk assessment in place to<br>reduce the risks of Covid-19 transmission.<br>For our first concert piece of the term we<br>chose Fauré’s_Requiem_, which we had<br>been rehearsing at times between<br>lockdowns. We put on a small autumn<br>concert with a reduced-size choir, as many<br>of our members were not yet able to return<br>to singing in concerts, and with a socially-<br>distanced audience. It was exciting to be<br>able to do a concert again and to see an<br>audience enjoying our music after all the<br>restrictions.<br>We were encouraged to be more ambitious<br>for our Christmas concert and perform<br>Bach’s_Christmas Oratorio_. This is a large<br>work and normally we would have done a<br>large November concert and not had time<br>to rehearse this, so it made for a nice<br>change. We were not sure until quite late<br>that we would be able to do the concert, as<br>there was concern about a new Covid<br>variant and ticket sales were low. To our<br>surprise we were able to go ahead and<br>there was a big rush for tickets on the day,|





leaving us rushing to put out more chairs in distanced groups. In the spring our Music Director completed a retranslation of Joseph Haydn’s _Seven Last Words of Our Saviour on the Cross_ , with help from choir member and composer Ian Schofield in producing the newly-set arrangement. This work retells the end of the Easter story and was a first performance for the choir. By this stage we had been able to relocate from the church we were using for rehearsals before Christmas back to our usual pre-Covid school venue, having assessed how we might use it safely and with most of the choir having been vaccinated at least once. We felt we were adapting well to new ways of working for concerts as well although ticket sales continued to be unpredictable and the choir was still not back to full size. Although restrictions eased as the year advanced we were cautious, given the older age of many of our members and audience, and continued with some Covid precautions throughout the year. Our fourth concert of the year was planned to celebrate the newly refurbished organ in St Mary’s Church, but technical problems pushed back its reconstruction and our concert was delayed until the end of July. So instead in June we held a Come and Sing Gilbert and Sullivan extravaganza, inviting other singers to come to rehearsals with us and then performing the full ‘ _HMS Pinafore’_ in semi-staged form with soloists from the choir led by Philip Blake-Jones from the former D-Oyley-Carte Opera Company. Sadly this was not attended as well as we had hoped but all those who came, including our guests, had a very good time and we were able to raise a considerable sum of money for Key Changes Music Therapy based in Winchester ( _Registered Charity number 1124102_ ). We then held the organ concert in July with Vierne _Messe Solennelle_ , Poulenc’s _Organ Concerto_ , Parry’s _Hear my Words_ and Bairstow’s _Blessed City_ , accompanied by Daniel Cook, Organist of Durham Cathedral. 

**Additional information (optional)** 



You may choose to include further statements where relevant about: 

|Achievements against<br>objectives set|Para 1.41|In 2021-2022 we were able to get back to<br>holding four concerts and a Come and Sing<br>that gave audiences chance to hear live<br>music performances again after an 18-<br>month gap. We also found ways to offer<br>opportunities to guests to come and enjoy<br>singing with us and to raise money for a<br>worthwhile music charity. Our core<br>membership really appreciated the care we<br>took to maintain safe conditions for all this<br>and the chance to get back to making<br>music together.|
|---|---|---|
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41|The choir is heavily reliant on membership<br>subscriptions and tickets sales. Due to<br>Covid our membership was down by about<br>30%, with some members unable to return<br>and normal recruitment much reduced.<br>Ticket sales were also down, partly due to<br>the requirements for social distancing and<br>caution on the part of potential concert-<br>goers. However we felt that we needed to<br>get back to a full and ambitious concert<br>programme to fulfil our choir’s aims and<br>reward those who could come. We also<br>had not done as much forward planning as<br>usual as the uncertainty of Covid had<br>repeatedly disrupted our plans for 18<br>months making it difficult to plan effectively.<br>We therefore had to use reserves to<br>support this season’s music making.|
|Investment performance<br>against objectives|Para 1.41||
|Other|||



## **Financial Review** 

|**Financial Review**|||
|---|---|---|
|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|Our policy is to try to hold one year’s<br>running costs in reserve. At the end of the<br>previous period we were holding a slightly<br>higher reserve than usual, but we had to<br>use this to cover the current year when<br>costs returned to normal but income did<br>not..|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|We aim to maintain the minimum of one<br>season’s running costs in hand to act as a<br>reserve against years when concerts are<br>more expensive and against unforeseen<br>events.|
|Amount of reservesheld|Para 1.22|£48,306.33|
|Reasons for holding zero<br>reserves|Para 1.22|N/A|





|Details of fund materially in<br>deficit|Para 1.24|N/A|
|---|---|---|
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|We will need to be able to recruit more<br>members and audience in the future to<br>improve our income levels.|



**Additional information (optional)** You may choose to include further statements where relevant about: 

|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|Member subscriptions and (normally) ticket<br>sales provide the majority of our income.<br>We also receive donations from members<br>and supporters and from the Portsmouth<br>Lottery. We also have a ‘Friends’ scheme<br>of supporters; in the year 2021- 2022 we<br>identified that this needed a relaunch as it<br>was no longer meeting our needs.|
|---|---|---|
|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46||
|A description of the principal<br>risks facing the charity|Para 1.46|Our risks at present stem from the reduced<br>size of the choir and audience due to Covid<br>which is having a negative impact on our<br>income whilst our outgoings are rising.|
|Other|||



## **Structure, Governance and Management** 

|Description of charity’s<br>trusts:|||
|---|---|---|
|Type of governing document<br>(trust deed,royalcharter)|<br>Para 1.25|Written constitution dated 30thJanuary<br>2018|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|Unincorporated association|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para 1.25|All Trustees are elected at our Annual<br>General Meeting of members or by<br>Extraordinary Vote of members following<br>any mid-term resignations.|



**Additional information (optional)** 



## You may choose to include further statements where relevant about: 

|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51|All Trustees are made aware of their<br>responsibilities under the law as Charity<br>Trustees using guidance from the Charity<br>Commission.|
|---|---|---|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|We co-operate with other musical groups<br>and other choral charities in the area to<br>avoid clashes of concert dates as far as<br>possible and to collaborate on selected<br>projects|
|Relationship with any<br>related parties|Para 1.51|N/A|
|Other|||



## **Reference and Administrative details** 

|Charityname|PortsmouthChoralUnion|
|---|---|
|Other name the charity uses|PCU|
|Registered charity number|266974|
|Charity’s principal address|21, Second Avenue, Emsworth, Hampshire, PO10 8HP|
|||





**Names of the charity trustees who manage the charity** 

|1<br>2<br>3<br>4<br>5<br>6<br>7<br>8<br>9<br>10<br>11<br>12|**Trustee name**|**Office (if any)**|**Dates acted if not for whole**<br>**year **|**Name of person (or body) entitled**<br>**to appoint trustee (ifany)**|
|---|---|---|---|---|
||Mr PhilipStokes|Chairman|To 4thOctober 2022||
||Mrs Jane Helliwell|DeputyChair|||
||Dr Andrea<br>Hegedus|Treasurer|||
||Mrs Sonia<br>Schofield|Registrar|||
||Mrs Lois Houston|Marketing and<br>PublicityOfficer|||
||Dr Alison Barker|Secretary|||
||Mrs Rosemary<br>Kerridge|Ticketing Manager|To 4thOctober 2022||
||Sylvia Mary Lock|Soprano<br>Representative to 4th<br>October 2022, then<br>Chair|From 4thOctober 2022||
||Carolyn Ann<br>Keyzor|Soprano<br>Representative|From 4thOctober 2022||
||Sarah Louise<br>Spender|Alto Representative|||
||Mr John Cook|Tenor<br>Representative|||
||Mr James<br>Sweasey|Bass Representative|||
||Note that some of<br>these Trustees are<br>current but have<br>been appointed<br>since the year<br>covered by this<br>report.||||
||||||
||||||



– Corporate trustees names of the directors at the date the report was approved 

**Director name** 

Name of trustees holding title to property belonging to the charity 

**Trustee name Dates acted if not for whole year** 



## **Funds held as custodian trustees on behalf of others** 

Description of the assets held in this capacity Name and objects of the charity on whose behalf the assets are held and how this falls within the custodian charity’s objects Details of arrangements for safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

## **Type of Name Address adviser Name of chief executive or names of senior staff members (Optional information)** 

## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

## **Other optional information** 



## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

|**Signature(s)**<br>**Full name(s)**<br>**Position (eg Secretary,**<br>**Chair, etc)**<br>**Date**|||
|---|---|---|
||Alison Margaret Barker|Sylvia Mary Lock|
||<br> <br>Secretary|Chair|
||27/04/23||
||27/04/23||





PoTtsmoulh Choral Unlon
R•¢•lpt• •nd paym•nl•
From 1•t
uBt 2021 to 318tJul 2022
Se¢tlon A Recel
andP
eTrts
Al Recel ts
Subsui I￿n$
Sub donatk)n$
Dona￿On6 and S
16 636.00
458.00
1 266.00
6 528.77
0.00
5.50
0.00
693.13
749.00
14.48
326.00
389.51
295.00
526.14
320.00
394.50
5 185.36
0.00
0.00
0.00
122.49
693.50
87.05
0.00
0.00
0.00
onsornhl
Fund Rals-
Merthandise Sate5
100 Club
E-Fundin
Portsmuth Lotte
Incon* from ReCo￿1n
Incon* from P
raTnmè$
Incorne fmm MUS￿ Librd
Incon* from Fiiends Subs
Rgd Srarves
Sund
Interest from Investnwnwsavln
Bank Inleresl
tions
44.17
75.49
0.00
0.27
27 887.80
18 365.06
A2 Asset ald Investment Sates
ents
Pnfessional Fees
Donatlons
Hall Hi
Storyd
Publici
Sundries
Insuranee
Bank Cha
Admin and Ststione
Bookkee
l Accountan
Loss from Investment￿s8￿￿
Deficit from Recortt
Oeficrt from Pro
Deficit from Tour Refunds
DgfK4t f￿*M Concerts
11 733.90
350.00
2 049.51
11.177.75
0.00
534.34
1 470.00
400.79
585.20
613.00
162.00
79.61
200.00
0.00
0.00
25.00
34 430.00
500.00
eofsta
1 243.45
610.06
382.00
200.00
101.59
200.00
o.oo
0.00
0.00
16 508.33
36 601.67
50 177.69
A4Asset and In*stment Purthases
Net of Rece
713.87
41 812.63
8alars¢8 BIF￿1 from PTrvbu8 Year
62 163.87
93 976.50
Fund Balance Carrf8d fowFJ
53 450.00
62 163.87

Porl•m¢xth Cl￿1 Unl¢)n
A•s•ts and Uabllltl••
t 2021 *> 31st Jul 2022
1stA
Sedlon Bstatttrnent ofAssets•nd Uabllltles
Cost
Cost
81 Cash Funds
CAF Cash Accounts
ank
G4F Gold Account
tour
Pe
Cash
3 103.85
699.38
200.00
9 598.16
96.11
200.00
B2 ¢XherMone
Pa
nts in Advancg:
Stv
500.00
100.00
B3 In¥*stment Assets
M & G Charibond
48 306.33
51 529.16
B4 Assets Retalned forthe
Charivsown use
Ke
board
urthased 13103r20
Com
aUd￿hUb
urchased 16110r20
678.58
311.86
678.58
311.86
B5 Llabllltles
crual- PRS& Recordings
Accrual- Bookkeep5ng
150.00
200.00
150.00
200.00
Totsl of AssetslessLlabllltles
53,450.00
62,163.87
ggn*ures
nedb
one orfvK) Imst8es on behaff of al the tnjstees
natu
Print Na
val Date
LWR LGck
Akfso
7.3.23
Y.5.23.

(HARITY COMMISSION
FOR ENGLAND AND WALES
Independent examinerfs report on the
accounts
•&"Section A i•MiIthJ" Independent Examlnefs Report •Ji1[￿.
Report to the trust••sl
members of
TAe
oQTSMooTH CHo(LAL UNitspI
On accounts for the year
ended
Charity no
(if any)
31" JyLq 2022
Set outon pages
-f -Fke lie£wef
£ofzA +
I fL)sl eeg
I reFKJrt to the Irustees rry examinatK)n of the accounts of the above
charity (Ihe Trustl for the year ended
Regponsibilities and
basis of report
As the chartys trustees. you are responsible forthe prepwation of the
aCc￿nts in ￿(¥dan￿ with the requrements ofthe Charities Act 2011
(Ihe Acr).
I reFQrt in resFecl of ￿ exaffunatx)n of the Tru$fs &counts carried cNJt
under section 145 ofthe 2011 Acl and in ¢2ryng out my examination. I
have foNcrwed all the awArable 0￿￿tiOnS gNen ty the Charity Commi8sM)n
uryjer sethn 14515Xb) ofthe ACL
Independent
examinerfs statement
apP1Ka￿￿. Delete [ ] rfnot applKable
I ha¥e comp￿￿ ry ex*rMnatitin. I CLMffimi that no material matters hw
cowt to nry atten￿n in conn￿1￿￿ *fjth the examination (other than that
dis¢bsed beb*") wFKh gives me cause to bel￿ that in, any rnateiial
resFecl:
the arr￿Untir0 recA)rds were rKrt kept in ac£otdance with section 130
of the Charities Acl: or
the accounts rfKI nol ac£ord with the ￿ountIng reC￿d$. or
the aco)unts dKI nol ¢4Jrpty with the appl￿ble reqUi￿n￿rtts
cor)cemirvJ the fonn and content of accounts set (Krt in the Charitie5
(Accounts and Rep￿ts) Regulations 2008 other than any requirement
that the a￿nIS gt¥e a Irue and fairf whth is not a mailer
considered as part of an inde￿ndent exarnÉnalion.
I have no cortems and have coffe ￿0$S r*) thr matters in connection
with the examinatK)n to attention should be drawn in this report
(Kder lo enat4e a worer understanding of the ac￿Unts to be re￿hed.
. Please delete Ihe wo￿$ in the brackets rfthey do not apply.
Slgned:
Dale:
Name:
Tr4IcHÉLLe
2zwfgqc4tsJ
Relevant PTofesslonal
quallllcation(sl or body
IcAewJ )
IER
Oct 2018

Irf any):
Addre5S:
12 fcTeQS L)P
JTHPrM6kny￿, SOZI LÉ
Section B
Disclosure
Onty complete if the examiner needs lo hohlight material matters of ￿nCeM
(see CC32. Independent examinatw)n of charity accounts: directh?ns and
guidance for exarrmners).
Give here brief detsils of
any items that the
examiner wishes to
disclose.
IER
Oct 2018