Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
Company registration number: 01113093 Charity number: 266128
TRUSTEES' REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED
30 JUNE 2024
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
CONTENTS
| Page | |
|---|---|
| Reference and administrative details of the Company, its Trustees and advisers | 1 |
| Trustees' report | 2 - 9 |
| Independent auditors' report on the financial statements | 10 - 13 |
| Statement of financial activities | 14 |
| Balance sheet | 15 - 16 |
| Statement of cash flows | 17 |
| Notes to the financial statements | 18 - 34 |
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
REFERENCE AND ADMINISTRATIVE DETAILS OF THE COMPANY, ITS TRUSTEES AND ADVISERS FOR THE YEAR ENDED 30 JUNE 2024
| Trustees | Judy Gibbons, Chair of OTTL (from 6 December 2023) |
|---|---|
| Richard Humphreys, Chair of OTTL (resigned 6 December 2023) | |
| Feras Al-Chalabi, Chair of Finance & Risk Committee to June 2024 | |
| Carolyn Backhouse | |
| Harriet Varley | |
| Robert Lisney | |
| Victoria Kent | |
| Anita Arora | |
| Corinne Meredith | |
| Lesley Gregory | |
| India Semper-Hughes | |
| Marina Jones (appointed 6 December 2023) | |
| David Marks, Chair of Finance & Risk Committee from June 2024 (appointed 13 March 2024) |
|
| Richard Buxton, Chair of Development Board (appointed 13 June 2024) | |
| Indiana Lown-Collins (appointed 3 October 2024) | |
| Company registered number 01113093 Charity registered number 266128 Registered office and Principal office 1 Clarence Street Richmond Surrey TW9 2SA Company secretary Hanna Streeter Independent auditors Menzies LLP Chartered Accountants Magna House 18-32 London Road Staines-Upon-Thames TW18 4BP Bankers Royal Bank of Scotland PLC Richmond Surrey TW9 1DF Solicitors Harbottle & Lewis Hanover House 14 Hanover Square London W1R 0BE |
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT FOR THE YEAR ENDED 30 JUNE 2024
The Directors, who act as trustees for the purposes of charity law, have pleasure in presenting their report together with the audited financial statements for the year ended 30 June 2024.
STRUCTURE, GOVERNANCE AND MANAGEMENT
The Orange Tree Theatre Limited (the Charity) is a registered charity governed by its Articles of Association and a company limited by guarantee. It is headed by the Board of Directors, to which the Executive Team of Artistic Director (Joint CEO) and the Executive Director (Joint CEO) of the Orange Tree Theatre report. The Finance & Risk Committee, consisting of certain Board members and the Executive Team, also reports to the Board.
The company’s registration number is 1113093 and its registered charity number is 266128. The registered office is 1 Clarence Street, Richmond, Surrey, TW9 2SA.
A separate charitable limited company, the New Orange Tree Theatre Trust, owns the freeholds of the theatre and 47 Kew Road (its rehearsal space and workshop), both of which are currently leased to be used by the Charity.
The role of the Board of Directors is to oversee the direction and activities of the Charity, including its policies and procedures, to ensure that they are in accordance with its charitable objects. The Board oversees the strategic direction of the Charity, although the strategy is proposed by and implementation is achieved through the Artistic Director and Joint CEO, Tom Littler, and the Joint CEO, Hanna Streeter. In December 2023 Richard Humphreys resigned from the Board following a successful eight-year tenure and was made Chair Emeritus. Trustee Judy Gibbons took up the role of Chair to lead the organisation forward into the new 2023–28 business plan and capital project.
The Board continues to meet at least quarterly. The Board approves the annual budget after it has been examined in detail and approved by the Finance & Risk Committee. Heads of departments manage their own budgets under the supervision of the Artistic and Executive Directors. The Board receives reports from these Directors to enable them to measure the Charity’s performance against budgets and targets for the year. For most of the year the Finance & Risk Committee was chaired by Feras Al-Chalabi, who steered the committee through a period of change and growth. Then in June 2024 with the arrival of new Trustees, David Marks became the new Finance & Risk Committee chair, with members Feras Al-Chalabi, Judy Gibbons, Bob Lisney and Victoria Kent, and they meet at least quarterly ahead of each Board meeting.
The Board has given due consideration to the Charity Commission’s published guidance on the operation of the public benefit requirements. The Directors of the Orange Tree Theatre Limited gave their time freely and received no emoluments during the year. None of the Directors were reimbursed any expenses (see Note 11).
The Diversity and Inclusion Sub-committee of the Board, chaired by India Semper-Hughes, meet at least quarterly to review the development of the following four areas: Governance and permanent staff diversity; The content and authorship of the work on stage; Diversity of freelance employees; Safety and protection for all employees.
The Capital Redevelopment committee oversees the capital redevelopment project which will transform the OT’s front of house spaces to make it accessible, welcoming and community facing.
The project has gained planning permission, and we are now in a period of fundraising. Meetings are scheduled at least quarterly and as often as required to move the project forward. Members include Harriet Varley (Chair), Robert Lisney, Judy Gibbons, Marina Jones, the Executive Team, Development Director, and Technical Director.
A new Development (fundraising) Board was established with new Trustee Richard Buxton as Chair and includes Trustees Judy Gibbons and Harriet Varley, as well as external members. This Board has no legal jurisdiction and exists to cultivate and generate philanthropic funds for the charity. The internal development team has evolved during the year with the arrival of our new Development Director Dominique Trotter who joined us from the Royal National Theatre. We have brought in external expertise from Achates and Compton fundraising agencies to support fundraising for the capital project. The development team keeps abreast of and complies with all current fundraising and data protection legislation and will ensure all future requirements are adopted and adhered to. No instances of non-compliance have been identified during the year.
The Orange Tree is registered with the Fundraising Regulator and adheres to its code of fundraising practice. No complaints have been received in relation to its fundraising activity this year. Should any complaints be received, we will respond individually and in a timely manner. We will use feedback and complaints to inform and influence our approach to fundraising. We aim to conduct our fundraising activities with integrity, openness and accountability.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
The Orange Tree does not use professional third parties or commercial participators to fundraise on our behalf. We do not run telephone campaigns and are sensitive in our approach to legacies.
Induction papers covering the role and responsibilities of trustees are provided to new Directors and governance updates are provided as required. An annual Trustee induction session was conducted in June 2024 to give all Trustees a refresher in their legal responsibilities and detailed information on the charity.
This year we appointed a number of new Associate Artists to our group including:
Diane Page - Director Alice Hamilton - Director Max Pappenheim - Sound Designer and Composer Dorothea Myer-Bennett - Actor Miranda Foster - Actor Tam Williams - Actor Martin Crimp - Playwright Chirag Lobo - Actor Kalungi Ssebandeke - Actor, Writer, Director Indiana Lown-Collins - Director
Four Trustees of the Board are recruited from a pool of Associate Artists at any one time. This year Indiana Lown-Collins stood for election onto the Board and was appointed in October 2024 to join the three other Artistic Trustees: Carolyn Backhouse, India Semper-Hughes and Corinne Meredith.
The majority of Trustees are appointed through open recruitment processes. The exception is for the Artistic Trustees, who are nominated by the Associate Artists and their appointments agreed by the Board of the Trustees.
In July 2025, after six years at the OT, Executive Director & Joint CEO Hanna Streeter will be leaving to become Executive Director & Joint CEO of Theatre Royal Stratford East. Hanna has been a transformative force at the Orange Tree Theatre. She has demonstrated exceptional leadership, navigating challenges and opportunities with unwavering determination, strategic insight, and a deep passion for theatre. Her tenure has been marked by significant achievements, including strengthening the theatre’s financial and strategic foundations and laying the groundwork for our ambitious capital project, which will transform the Orange Tree for future generations. The Trustees extend our heartfelt gratitude to Hanna for her very significant contributions. Recruitment for her successor is underway.
ACTIVITIES, OBJECTIVES AND PUBLIC BENEFIT
The principal activity of the Charity is the operation of the Orange Tree Theatre (OT).
The charitable objects of the OT are principally to promote, maintain, improve, and advance education, particularly by the production of educational plays and the encouragement of the arts.
The general aims and objectives of the OT are:
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To produce theatre of a national standard throughout the year, at affordable prices
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To promote new writing and rediscoveries of neglected work
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To engage with the community as widely as possible through education and participation programmes
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To encourage the development of emerging artists
As outlined below under Achievement and Performance, the Directors are satisfied that these objectives continue to be met and satisfy the public benefit test.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
DESCRIPTION OF THE ACTIVITIES UNDERTAKEN FOR THE PUBLIC BENEFIT ACHIEVEMENTS AND PERFORMANCE
Over summer 2023, our first Greenhouse Festival in collaboration with LAMDA featured four plays directed by graduating students from LAMDA’s directing course. The directors had mock-interviews and pitching sessions with Tom Littler and received a lot of nurturing and feedback from our core team including Natasha Rickman, Guy Jones and Stuart Burgess. We also ran workshops led by our core team for a range of interested people of all backgrounds and ages – these were on producing, writing, directing, and designing. There was overwhelmingly positive feedback from the festival generally, with solid audiences and low-ticket prices throughout.
That Face by Polly Stenham opened our 23/24 season, starring Niamh Cusack, and was nominated for Off West End Awards for Best Production and Best Newcomers for Ruby Stokes and Kasper Hilton-Hille, which Kasper won for his astonishing debut as Henry. It received excellent reviews including five stars in the Guardian and played to packed and appreciative houses. A magnificent production of distilled power and great humanity from director Josh Seymour, making his OT debut.
Meetings by Mustapha Matura, directed by JMK Award-winning director Kalungi Ssebandeke, offered rich and provocative entertainment. It drew a diverse audience including many of the UK’s best-known Black theatre-makers. A superb cast did Matura’s 1981 script full justice, in the first major revival of a Matura play since his death in 2019. It was positively reviewed and a further example of our dedication to new talent.
She Stoops to Conquer , directed by Tom Littler, enjoyed a terrific run from December to January with a stellar cast including Freddie Fox, Tanya Reynolds and Greta Scacchi. The professional cast were joined by over 40 local people of all ages in four groups, playing the landlord and punters of the Three Pigeons pub. The play became our highest grossing production in OT history and contributed to the box office success across the year. Feedback from the 40 community participants was outstanding and often very moving:
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I am not expecting the memory of this involvement to fade for a long, long time if ever.
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Every touch point with a member of the production team and cast was warm, welcoming and open, the box office, bar...everyone was so fun and encouraging. There was a consistent, positive energy surrounding the show and the OT Theatre, which was infectious, I couldn't fail not to soak it up and enjoy!
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We had small parts, but we were helped and rehearsed as if we were the stars.
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I feel that being in the show has been life-changing for me.
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It was honestly one of the most uplifting moments I’ve ever experienced.
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I’ve learnt so much about the theatre and indeed about myself during the whole process. It has been an absolute privilege to be part of the wonderful community at The Orange Tree Theatre and I will treasure the experience forever.
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In the past year, I feel such a positive change in the atmosphere of the OT, and I think the community chorus in She Stoops really embodies that: in the Christmas show - arguably the biggest, crowd-drawing, money-making show of the season - we were given the platform to shine, even just for five minutes.
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I loved how professional it felt and how welcomed we were to what is my favourite theatre. The original email came at a time where I was pretty rock bottom in terms of coping with my daughter’s illness. How lovely to be coming out of what’s been a challenging year both so much stronger and happier. My daughter saw the performance on Sat and said she cried happy tears seeing me enjoy myself on stage so much.
Playing on top of She Stoops To Conquer , Becca Chadder’s adaptation of Dickens’ novel A Christmas Carol was utterly charming and full of punch and vigour, with the cast of two giving it their all throughout the daytime performances either side of Christmas. Tiny Tim’s Christmas Carol also received very warm four-star reviews in the industry press.
The Circle by Somerset Maugham, Tom Littler’s first production as Artistic Director of the OT, was remounted by Theatre Royal Bath in January 2024. It toured to regional theatres including Chichester Festival Theatre, Cambridge Arts Theatre, Oxford Playhouse, Malvern Theatre and back to Richmond Theatre. It was a very happy production that entertained almost 25,000 people nationwide, and sometimes played to audiences of over 1200 in Chichester.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
Northanger Abbey , Zoe Cooper’s new play based on Jane Austen’s novel, also opened in January and became the highestgrossing new play in OT history. Director Tessa Walker, the creative team including designer Hannah Sibai, and the threestrong cast, worked tirelessly to hone and refine the script and production. The production received very strong four-star reviews and four Off West End Award nominations: Best Director, Best Movement, Best Set Design and Best Performance (for Rebecca Banatvala as Cath). Northanger Abbey drew together a broad coalition of audiences in the best traditions of the OT, and subsequently completed runs at our co-producer venues Octagon Theatre in Bolton, Stephen Joseph Theatre in Scarborough, and Theatre by the Lake in Cumbria.
Sir Trevor Nunn made his OT debut in spring 2024, directing his own translation of Chekhov’s tragicomedy, Uncle Vanya . It was an immaculate production, acted with breathtaking clarity and understated poise by a cracking cast full of new talents – Andrew Richardson, Madeleine Gray and Lily Sacovsky, all under 30 in roles traditionally cast older; an example of the cross-generational work that we are passionate about. Reviews from the press and the audience were universally admiring. It became (after She Stoops To Conquer ) the second highest-grossing production in OT history.
Diane Page, who won the JMK Award with us in 2021 for Statements After an Arrest Under the Immorality Act and directed Yellowman in Paul Miller’s final season, returned to stage the European premiere of Kate Attwell’s play Testmatch , about cricket and colonialism. This was our second six-strong all-female cast within a year. Three of the six actors were making their stage debuts, and the play drew a young and diverse audience including several women’s cricket teams and many people of South Asian heritage. Audiences consistently enjoyed the rumbustious tone of the writing and performances, and the contrast between the naturalistic first act and the more farcical, though ultimately more serious, second half. This was a co-production with English Touring Theatre and Octagon Theatre Bolton, where it then played a two-week run.
Tom Litler then directed Suite in Three Keys , Noel Coward’s cycle of his final plays, consisting of a double bill of Shadows of the Evening & Come into the Garden, Maud , and his last masterpiece, Song at Twilight . The cast showed remarkable versatility, skill and stamina in mastering five hours of text between four people. We received some excellent notices acknowledging the quality and daring of these late Cowards, which fit well into the rediscovery strand of our work – always an essential part of the OT’s programming DNA. Sales overtook Uncle Vanya to become the second best-selling show in OT history, and then transferred for a week’s run at Theatre Royal Bath.
Our final show of the season was Lucas Hnath’s Red Speedo , co-produced with David Adkin, which proved a hugely exciting and popular show. A production beautifully delivered by the highly experienced Matthew Dunster, saw two actors make their stage debuts: Parker Lapaine and Finn Cole, both of whom were superb. Lively social media support from such luminaries as Florence Pugh and Lily Cole helped to draw significant new audiences to the OT: 43% were first-time bookers and 17% were under-30s (for comparison: Meetings had 33% new attenders/10% under 30 bookers, Northanger had 27% new attenders/11% under 30 bookers, She Stoops had 33% new attenders/8% under 30 bookers). There was significant interest in a West End life for the show, which didn’t finally come to fruition, but on its own terms Red Speedo was a big hit for us and we loved producing it.
Flute Theatre
Flute Theatre, who perform Shakespeare plays with autistic individuals, returned to the OT for the fourth time. Six actors and a larger team of volunteers created a new production of Twelfth Night , directed by Kelly Hunter MBE. Each performance was typically attended by about ten autistic individuals, usually with their parents/carers. These individuals are seamlessly woven into the fabric of the production and the story, which is told through Shakespeare’s language, movement, song and participatory games. Every performance is full of beautiful and unpredictable moments, whether it is a child speaking for the first time in public, a period of sustained eye contact, or a transformed mood on leaving the theatre. We hosted the performances every morning for two weeks, provided rehearsal space, technical support, marketing, box office and front of house, and welcomed 110 participants across the 12 performances.
Ukrainian Social Club
A very popular and successful event held in February 24, drawing together a packed house of Ukrainian refugees living locally in the Richmond area. The Night Before Christmas was based on a famous short story by Mykola Hohol published in 1932 and is a fairy tale set in the 18th century Ukrainian village, adapted by Oleksand Zhyla, directed by Evheniia Shymshyrian, and produced by Alina Luts. It was a colourful show representing Ukrainian folk culture and was full of traditional singing and dancing. The play was performed by Richmond Ukrainian Social Club’s teenage drama collective organised in 2022 for Ukrainian refugees who arrived in the UK.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
Shakespeare Up Close
For the first time we co-produced our annual Shakespeare for secondary schools’ project with Guildford Shakespeare Company. Romeo and Juliet , directed by Natasha Rickman and Macbeth , directed by Gabbie Bird, featured one company of 4 actors in rep and played to 7,000 students across an autumn schools tour.
Primary Shakespeare: Hamlet
The flagship of the community department is our annual Primary Shakespeare project. Four actors perform an hour-long version of a Shakespeare play for audiences drawn from local primary schools. The cast deliver workshops in schools to prepare pupils for the play, giving them outlines of the plot and characters, and indeed a say in the writing of the story! This year our Carne Associate Director, Natasha Rickman, directed the show. This very lively production used the framing device of ghost stories to explore some of the themes of Hamlet including family break-ups, mental health, and sexism – all done with panache by a superb cast.
Work Experience
We facilitated a very exciting week for 20 teenagers, mostly from local state schools, who were hosted across the organisation and benefited from masterclasses across the team, including from programming, producing, marketing, development and technical. This was very well facilitated by Community Officer Madi Mahoney.
Community Groups
Intergenerational work is central to our artistic and community projects. Beyond the Fog brought together all 75 members of the OT community groups aged six to 90, who shared a stage in a semi-devised piece pulled together by Sharon Kanolik, a professional playwright and former member of the OT Writers’ Collective. It was directed by Community Associate Jess Haygarth and produced by Community Director Francesca Ellis.
Acting Lab
We launched a new Acting Lab in response to demand for shorter-form engagement for adults; this runs once a week for a few weeks and introduces participants to a range of acting techniques.
Writers’ Collective
Our Writers’ Collective our group of half a dozen mid-career playwrights (Oli Higginson, Kelly Jones, Clarisse Makundul, Lydia Sabatini, Ric Renton and Anne Odeke), came to the end of their yearlong programme at the OT, and a selection of their work developed throughout the year was showcased in the theatre. The writers’ successes this year include Anne Odeke’s Princess Essex at Shakespeare’s Globe and Kelly Jones’s My Mother’s Funeral in a national tour starting in Edinburgh.
FUTURE DEVELOPMENTS
Across autumn 2024 we opened a world premiere new play Here In America by David Edgar, directed by James Dacre. We then showcased this year’s JMK Award winning director Adam Karim with his production of Rajiv Joseph’s Guards At The Taj . Tom Littler directed a stellar cast in our flagship Christmas production, which this year was Shakespeare’s Twelfth Night , and Treasure Island by Hannah Khalil played in December featuring the OT’s Young Company of 18–25-year-old non-professional actors, made with a professional creative team and directed by our Carne Associate Director, Natasha Rickman. Shared with LAMDA and fully funded by Philip and Christine Carne, this full-time position of Associate Director has worked for 18 months across both the OT and LAMDA, to lead and develop the OT New Artists programme. The success of this position is evidenced by Natasha taking up the role of Artistic Director at the Mercury Theatre in Colchester in January 2025.
We have announced another yearlong season for 2025 of eight full scale plays, three Shakespeare plays for primary and secondary schools, a Christmas show for families starring the Young Company, and a commitment to lunchtime plays as artist development opportunities. This season will take us through to January 2026.
At the start of 2026 we hope to begin our capital development project OT: Open To Everyone. The works will transform the OT’s front and back of house spaces and create a theatre for everyone. The project will make the theatre more accessible, welcoming and sustainable. Planning permission was granted in March 2023, and we are currently fundraising towards the project’s £4m target. Sincere thanks to all the Founders Circle members who have made early donation pledges towards the project. Our plan is to keep the theatre open throughout the 9-month construction period with temporary facilities while the bar, toilets and dressing rooms are out of use.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
We will continue to grow our work within the community, offering something for all ages from 0 to 100, building skills, confidence and joy in performance. The capital project shall create an opportunity for us to reach further into the community during the construction period, and create space for more people to engage with our building post completion.
FINANCIAL REVIEW
The financial result for the period is set out on page 13. There was net income of £920,523 for the year (2023: net expenditure of £126,443). Total Funds at 30 June 2024 were £2,417,740 (2023: £1,497,217). The year was the first of a 5- year growth-oriented business plan, in which we increased some of our cost-base, i.e. staffing, marketing and production costs, to leverage greater income. Ticket sales were extremely strong owing to a strong artistic output with ambitious programming and casting. There was an increase in our average ticket yield across the year, while retaining £15 tickets for all and a £1 ticket scheme for people in receipt of benefits. Throughout the year we produced our three highest grossing plays in OT history. With footfall increased we saw a rise in point-of-sale donations and increased members and patrons sign-ups. We also received several new Trusts & Foundations grants including £125k from the Backstage Trust and £60k from the April Trust. With increased spending on the productions and more work touring out of the building we were able to claim a higher amount of Theatre Tax Relief (TTR). With the unprecedented surplus the Board have agreed to designate £500k towards the Capital Redevelopment Project.
GOING CONCERN
With the launch of our new growth-oriented business plan following a change in Artistic Leadership in 2022, the theatre has demonstrated significant growth in the past year. As we move forward with years 2-5 of the plan, some of the costs will rise to meet the increased output resulting in projected lower surpluses in future years. Cautious projections have been drafted and contingencies are factored in. The Charity had a cumulative surplus of Unrestricted General Reserves of £594,356 at 30 June 2024 (2023: £289,482). This is above the target of at least 3 months’ operating costs at £300,000. Given the total of the Unrestricted General Reserves and following a review of a budget and cashflow forecast to 30 June 2025, the Directors consider the Charity to be a going concern for at least 12 months following approval of these accounts.
DIRECTORS
The Directors who held office during the year were as follows: Richard Humphreys (Chair of OTTL) (resigned 6 December 2023), Judy Gibbons (Appointed as Chair of OTTL on 6 December 2023) Carolyn Backhouse, India Semper-Hughes (Chair of Diversity and Inclusion Committee), Harriet Varley (Chair of Capital Redevelopment Committee), Robert Lisney, Victoria Kent, Anita Arora, Corinne Meredith, Lesley Gregory, Feras Al-Chalabi (Chair of Finance & Risk Committee), David Marks (appointed 13 March 2024) and Richard Buxton (Chair of Development Board) (appointed 13 June 2024). The Directors also perform the duties of charity trustees and all appointments require the approval of the Board of Directors. The current number of Directors is 14. In March 2024 the Board passed a resolution to add two more Trustees to the Board, with specific skills which would be important for the duration of the Capital Redevelopment Project.
SALARIES
Staff salaries are considered annually as part of the budgeting process. Consideration is given to the rate of inflation, benchmarking within the sector, and the overall financial position of the Orange Tree theatre. The salaries of the Artistic Director and the Executive Director are reviewed by the Board annually.
RESERVES POLICY AND RISK MANAGEMENT
The Directors consider that the funds received each year should be fully utilised to meet the objectives of the theatre as stated above. However, the Directors also consider that it is desirable to hold a surplus of unrestricted funds to meet ongoing operational commitments. The Directors maintain a Risk Register and review major risks to the Charity on an annual basis to establish systems and procedures to mitigate identified risks. Certain of these reviews concentrate on specific aspects such as budgeting, artistic programme planning, health and safety and human resources. Management accounts are reviewed at every meeting. The Directors remain satisfied that the regular risk assessment reviews ensure that they are able to sufficiently manage the risks to which the charity is exposed. The current Reserves Policy requires a level equivalent to three to six months’ operating costs, which is included within the designated reserve fun, which includes a further £130,719 designated in the following financial period.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
BASIS OF PREPARATION
The financial statements have been prepared in accordance with the special provisions of Part 15 of the Companies Act 2006 relating to small entities. These statements comply with current statutory requirements, the requirements of the charity’s governing document and the requirement of the Charities SORP (FRS 102).
ACKNOWLEDGMENTS
The Directors are grateful for the continuing support of those public bodies that provide revenue support for the theatre, and to all those who have contributed to its success over the past year. This includes the Artistic and Executive Directors and staff of the theatre, all our volunteers and supporters, and all those who contribute and help to raise funds at the Orange Tree.
TRUSTEES' RESPONSIBILITIES
The Trustees (who are also the directors of the Company for the purposes of company law) are responsible for preparing the Trustees' report and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).
Company law requires the Trustees to prepare financial statements for each financial year. Under company law, the Trustees must not approve the financial statements unless they are satisfied that they give a true and fair view of the state of affairs of the Company and of its incoming resources and application of resources, including its income and expenditure, for that period. In preparing these financial statements, the Trustees are required to:
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select suitable accounting policies and then apply them consistently;
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observe the methods and principles of the Charities SORP (FRS 102);
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make judgments and accounting estimates that are reasonable and prudent;
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state whether applicable UK Accounting Standards (FRS 102) have been followed, subject to any material departures disclosed and explained in the financial statements;
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prepare the financial statements on the going concern basis unless it is inappropriate to presume that the Company will continue in business.
The Trustees are responsible for keeping adequate accounting records that are sufficient to show and explain the Company's transactions and disclose with reasonable accuracy at any time the financial position of the Company and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the Company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
INFORMATION GIVEN TO AUDITOR
Each of the persons who is a Director at the time when this Directors' report is approved has confirmed that so far as that Director is aware, there is no relevant audit information of which the charity's auditor is unaware, and that Director has taken all the steps that ought to have been taken as a Director in order to be aware of any information needed by the Charity's auditor in connection with preparing his report and to establish that the charity's auditor is aware of that information.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
TRUSTEES' REPORT (CONTINUED) FOR THE YEAR ENDED 30 JUNE 2024
AUDITOR
Under section 487(2) of the Companies Act 2006, Menzies LLP will be deemed to have been reappointed as auditors 28 days after these financial statements were sent to members or 28 days after the latest date prescribed for filing the accounts with the registrar, whichever is earlier.
Approved by order of the members of the board of Trustees and signed on their behalf by:
................................................ Judy Gibbons Director Date: 14-Mar-2025
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF ORANGE TREE THEATRE LIMITED
Opinion
We have audited the financial statements of Orange Tree Theatre Limited (the 'charitable company') for the year ended 30 June 2024 which comprise the Statement of financial activities, the Balance sheet, the Statement of cash flows and the related notes, including a summary of significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102 'The Financial Reporting Standard applicable in the UK and Republic of Ireland' (United Kingdom Generally Accepted Accounting Practice).
In our opinion the financial statements:
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give a true and fair view of the state of the charitable company's affairs as at 30 June 2024 and of its incoming resources and application of resources, including its income and expenditure for the year then ended;
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have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and
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have been prepared in accordance with the requirements of the Companies Act 2006.
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the Auditors' responsibilities for the audit of the financial statements section of our report. We are independent of the charitable company in accordance with the ethical requirements that are relevant to our audit of the financial statements in the United Kingdom, including the Financial Reporting Council's Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements, we have concluded that the Trustees' use of the going concern basis of accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on the charitable company's ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue.
Our responsibilities and the responsibilities of the Trustees with respect to going concern are described in the relevant sections of this report.
Other information
The other information comprises the information included in the Annual report other than the financial statements and our Auditors' report thereon. The Trustees are responsible for the other information contained within the Annual report. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon. Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the course of the audit, or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether this gives rise to a material misstatement in the financial statements themselves. If, based on the work we have performed, we conclude that there is a material misstatement of this other information, we are required to report that fact.
We have nothing to report in this regard.
Page 10
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF ORANGE TREE THEATRE LIMITED (CONTINUED)
Opinion on other matters prescribed by the Companies Act 2006
In our opinion, based on the work undertaken in the course of the audit:
-
the information given in the Trustees' report for the financial year for which the financial statements are prepared is consistent with the financial statements.
-
the Trustees' report has been prepared in accordance with applicable legal requirements.
Matters on which we are required to report by exception
In the light of our knowledge and understanding of the charitable company and its environment obtained in the course of the audit, we have not identified material misstatements in the Trustees' report.
We have nothing to report in respect of the following matters in relation to which Companies Act 2006 requires us to report to you if, in our opinion:
-
adequate accounting records have not been kept, or returns adequate for our audit have not been received from branches not visited by us; or
-
the financial statements are not in agreement with the accounting records and returns; or
-
certain disclosures of Trustees' remuneration specified by law are not made; or
-
we have not received all the information and explanations we require for our audit; or
-
the Trustees were not entitled to prepare the financial statements in accordance with the small companies regime and take advantage of the small companies' exemptions in preparing the Trustees' report and from the requirement to prepare a Strategic report.
Responsibilities of trustees
As explained more fully in the Trustees' responsibilities statement, the Trustees (who are also the directors of the charitable company for the purposes of company law) are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the Trustees determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error.
In preparing the financial statements, the Trustees are responsible for assessing the charitable company's ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the Trustees either intend to liquidate the charitable company or to cease operations, or have no realistic alternative but to do so.
Page 11
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF ORANGE TREE THEATRE LIMITED (CONTINUED)
Auditors' responsibilities for the audit of the financial statements
Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an Auditors' report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements.
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud is detailed below:
-
The Charity is subject to laws and regulations that directly affect the financial statements including financial reporting legislation. We determined that the following laws and regulations were most significant including the Charities Act 2011, Safeguarding Vulnerable Groups Act 2006, Health and Safety legislation and employment law. We assessed the extent of compliance with these laws and regulations as part of our procedures on the related financial statement items.
-
We understood how the Charity is complying with those legal and regulatory frameworks by making inquiries to management and those responsible for legal and compliance procedures. We corroborated our inquiries through our review of board minutes.
-
The engagement partner assessed whether the engagement team collectively had the appropriate competence and capabilities to identify or recognise non-compliance with laws and regulations. The assessment did not identify any issues in this area.
We assessed the susceptibility of the Charity's financial statements to material misstatement, including how fraud might occur. We considered the opportunities and incentives that may exist within the organisation for fraud and identified the greatest potential for fraud in the following areas; posting of fraudulent journal entries, authorisation, processing, and payment of fraudulent expenses and timing of income recognition.
Audit procedures performed by the engagement team included:
-
Identifying and assessing the design effectiveness of controls management has in place to prevent and detect fraud;
-
Understanding how those charged with governance considered and addressed the potential for override of controls or other inappropriate influence over the financial reporting process;
-
Challenging assumptions and judgments made by management in its significant accounting estimates; and
-
Identifying and testing journal entries, in particular any journal entries posted with unusual account combinations.
Because of the inherent limitations of an audit, there is a risk that we will not detect all irregularities, including those leading to a material misstatement in the financial statements or non-compliance with regulation. This risk increases the more that compliance with a law or regulation is removed from the events and transactions reflected in the financial statements, as we will be less likely to become aware of instances of non-compliance. The risk is also greater regarding irregularities occurring due to fraud rather than error, as fraud involves intentional concealment, forgery, collusion, omission or misrepresentation.
A further description of our responsibilities for the audit of the financial statements is located on the Financial Reporting Council's website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our Auditors' report.
Page 12
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF ORANGE TREE THEATRE LIMITED (CONTINUED)
Use of our report
This report is made solely to the charitable company's members, as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might state to the charitable company's members those matters we are required to state to them in an Auditors' report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the charitable company and its members, as a body, for our audit work, for this report, or for the opinions we have formed.
Janice Matthews FCA (Senior statutory auditor)
for and on behalf of
Menzies LLP
Chartered Accountants Statutory Auditor Magna House 18-32 London Road Staines-Upon-Thames TW18 4BP
Date: 14-Mar-2025
Page 13
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
STATEMENT OF FINANCIAL ACTIVITIES (INCORPORATING INCOME AND EXPENDITURE ACCOUNT) FOR THE YEAR ENDED 30 JUNE 2024
| Note Income and endowments from: Donations and legacies: 3 Capital project OT: Open To Everyone . Other donations and legacies Charitable activities Other trading activities 4 Investments Other income 5 Total income and endowments Expenditure on: Raising funds 6 Charitable activities 7 Total expenditure Net income/(expenditure) Transfers between funds 17 Net movement in funds Reconciliation of funds: Total funds brought forward Net movement in funds Total funds carried forward |
Unrestricted general funds 2024 £ - 551,186 1,772,980 43,859 11,110 434,638 2,813,773 132,177 1,876,722 2,008,899 804,874 (500,000) 304,874 289,482 304,874 594,356 |
Unrestricted designated funds 2024 £ - - - - - - - - 43,351 43,351 (43,351) 500,000 456,649 1,165,735 456,649 1,622,384 |
Restricted funds 2024 £ 201,000 314,922 - - - - 515,922 - 356,922 356,922 159,000 - 159,000 42,000 159,000 201,000 |
Total funds 2024 £ 201,000 866,108 1,772,980 43,859 11,110 434,638 3,329,695 132,177 2,276,995 2,409,172 920,523 - 920,523 1,497,217 920,523 2,417,740 |
Total funds 2023 £ 125,000 398,776 1,012,175 8,981 2,660 320,051 |
|---|---|---|---|---|---|
| 1,867,643 | |||||
| 138,140 1,855,946 |
|||||
| 1,994,086 | |||||
| (126,443) - |
|||||
| (126,443) | |||||
| 1,623,660 (126,443) |
|||||
| 1,497,217 |
The Statement of financial activities includes all gains and losses recognised in the year.
The notes on pages 18 to 34 form part of these financial statements.
Page 14
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee) REGISTERED NUMBER: 01113093
BALANCE SHEET AS AT 30 JUNE 2024
| Note Fixed assets Tangible assets 12 Current assets Stocks 13 Debtors 14 Cash at bank and in hand Creditors: amounts falling due within one year 15 Net current assets Total assets less current liabilities Creditors: amounts falling due after more than one year 16 Net assets Total net assets Charity funds Restricted funds 17 Designated funds: Designated funds cash 17 Designated funds assets 17 Designated funds 17 Unrestricted general funds 17 Total funds |
3,935 981,111 1,066,866 2,051,912 (443,577) 969,281 653,103 |
2024 £ 809,405 809,405 1,608,335 2,417,740 - 2,417,740 2,417,740 201,000 1,622,384 594,356 2,417,740 |
3,330 533,337 535,463 1,072,130 (349,418) 479,140 686,595 |
2023 £ 844,505 |
|---|---|---|---|---|
| 844,505 722,712 |
||||
| 1,567,217 (70,000) |
||||
| 1,497,217 | ||||
| 1,497,217 | ||||
| 42,000 1,165,735 289,482 |
||||
| 1,497,217 |
Page 15
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
BALANCE SHEET (CONTINUED) AS AT 30 JUNE 2024
The Trustees acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and preparation of financial statements.
The financial statements have been prepared in accordance with the provisions applicable to entities subject to the small companies regime.
The financial statements were approved and authorised for issue by the Trustees and signed on their behalf by:
................................................ Judy Gibbons
Date: 14-Mar-2025
The notes on pages 18 to 34 form part of these financial statements.
Page 16
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
STATEMENT OF CASH FLOWS FOR THE YEAR ENDED 30 JUNE 2024
| Note Cash flows from operating activities Net cash generated/(used) in operating activities 19 Cash flows from investing activities Dividends, interest and rents from investments Purchase of tangible fixed assets 12 Net cash used in investing activities Cash flows from financing activities Repayments of borrowing Payment of interest Net cash used in financing activities Change in cash and cash equivalents in the year Cash and cash equivalents at the beginning of the year Cash and cash equivalents at the end of the year 20 |
2024 £ 637,561 11,110 (11,867) (757) (100,000) (5,401) (105,401) 531,403 535,463 1,066,866 |
2023 £ (156,390) |
|---|---|---|
| 2,660 (6,090) |
||
| (3,430) | ||
| (30,000) (8,808) |
||
| (38,808) | ||
| (198,628) 734,091 |
||
| 535,463 |
The notes on pages 18 to 34 form part of these financial statements
Page 17
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
1. General information
The Charity is a private company limited by guarantee registered in England and Wales. The members of the company are the Directors named on page 1. In the event of the Charity being wound up, the liability in respect of guarantee is limited to £1 per member of the Charity.
The address of the registered office and principal place of business is 1 Clarence Street, Richmond, Surrey, TW9 2SA.
The company's registration number is 01113093, the charity registration number is 266128.
2. Accounting policies
- 2.1 Basis of preparation of financial statements
The financial statements have been prepared in accordance with the Charities SORP (FRS 102) - Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019), the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Companies Act 2006.
Orange Tree Theatre Limited meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy.
2.2 Going concern
The Charity is dependent upon grants, donations and box office receipts to enable it to continue to trade. The projections for the Charity for twelve months from the balance sheet date assume that such income will continue to be forthcoming and indicate that, barring unforeseen circumstances, the Charity will be able to continue trading for the foreseeable future and meets the going concern criteria and the financial statements have therefore been prepared under the going concern basis of accounting.
2.3 Income
All income is recognised once the Company has entitlement to the income, it is probable that the income will be received and the amount of income receivable can be measured reliably.
Grants, donations and legacy income
Revenue grants that are unconditional are recognised in the period in which they become receivable. Project specific grants with attached conditions are recognised in the period in which the project to which they relate occurs and matched to the associated expenditure. Donations, income raised from fundraising activities and legacy income are accounted for on the earlier of receipt or when they become receivable, the latter based on reasonable certainty as to entitlement, receipt and measurement.
Fundraising Activities
Fundraising activities include a range of events and club memberships, which are recognised in the period in which they are received.
Investment Income
Investment income is recognised on a receivable basis.
Income from Charitable Activities
Income from theatre admission fees is included in income in the period in which the relevant performance takes place.
Page 18
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
2. Accounting policies (continued)
2.4 Expenditure
Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably. Costs are inclusive of any VAT which cannot be recovered.
Cost of raising funds are costs incurred in attracting voluntary income and fundraising activities.
The cost of charitable activities includes those costs incurred in staging performances in the main theatre and for the community and education programmes, as well as the costs of the ancillary theatre activities.
Governance costs include an estimate of the time spent by the Executive Directors on constitutional and statutory requirements and the associated external legal and professional fees.
Support costs include central functions and have been allocated to activity cost categories on proportion to the direct costs incurred for those activities.
- 2.5 Tangible fixed assets and depreciation
Tangible fixed assets costing £250 or more are capitalised and recognised when future economic benefits are probable and the cost or value of the asset can be measured reliably.
Tangible fixed assets are initially recognised at cost. After recognition, under the cost model, tangible fixed assets are measured at cost less accumulated depreciation and any accumulated impairment losses. All costs incurred to bring a tangible fixed asset into its intended working condition should be included in the measurement of cost.
Depreciation is charged so as to allocate the cost of tangible fixed assets less their residual value over their estimated useful lives.
Depreciation is provided on the following basis:
| Freehold property | - | 2% Straight line |
|---|---|---|
| Long-term leasehold property | - | 2% Straight line |
| Office equipment | - | 33% Straight line |
| Theatre fittings and equipment | - | 10% Straight line |
2.6 Stocks
Stocks are valued at the lower of cost and net realisable value after making due allowance for obsolete and slow-moving stocks.
- 2.7 Liabilities and provisions
Liabilities are recognised when there is an obligation at the Balance sheet date as a result of a past event, it is probable that a transfer of economic benefit will be required in settlement, and the amount of the settlement can be estimated reliably.
Liabilities are recognised at the amount that the Company anticipates it will pay to settle the debt or the amount it has received as advanced payments for the goods or services it must provide.
Page 19
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
2. Accounting policies (continued)
2.8 Financial instruments
The Company only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method.
2.9 Pensions
The Company operates a defined contribution pension scheme and the pension charge represents the amounts payable by the Company to the fund in respect of the year.
2.10 Fund accounting
General funds are unrestricted funds which are available for use at the discretion of the Trustees in furtherance of the general objectives of the Company and which have not been designated for other purposes.
Designated funds comprise unrestricted funds that have been set aside by the Trustees for particular purposes. The aim and use of each designated fund is set out in the notes to the financial statements.
Restricted funds are funds which are to be used in accordance with specific restrictions imposed by donors or which have been raised by the Company for particular purposes. The costs of raising and administering such funds are charged against the specific fund. The aim and use of each restricted fund is set out in the notes to the financial statements.
Page 20
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
3. Income from donations and legacies
| Grants Capital project OT: Open To Everyone Donations and other grants Grants receivable - public funds Fundraising income Subtotal Total 2024 Total 2023 |
Unrestricted funds 2024 £ - 346,450 1,259 203,477 551,186 551,186 232,456 |
Restricted funds 2024 £ 201,000 205,028 109,894 - 314,922 515,922 291,320 |
Total funds 2024 £ 201,000 551,478 111,153 203,477 866,108 1,067,108 523,776 |
Total funds 2023 £ 125,000 140,677 115,203 142,896 |
|---|---|---|---|---|
| 398,776 | ||||
| 523,776 | ||||
Grants receivable from Public Funds includes grants providing core funds. During the period Orange Tree Theatre Limited received a grant of £105,000 (2023: £105,320) from London Borough of Richmond upon Thames. The purpose of this grant was to contribute towards the theatre's programme of work, access to cultural activities and the provision of educational and participatory programmes.
Of the total amounts received during the period £nil (2023: £37,446) has been carried forward to the 2024/2025 financial year to be matched with expenditure during that period as specified by the grant providers.
4. Income from other trading activities
Income from fundraising events
| Fundraising Total 2023 |
Unrestricted funds 2024 £ 43,859 8,981 |
Total funds 2024 £ 43,859 8,981 |
Total funds 2023 £ 8,981 |
|---|---|---|---|
Page 21
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
5. Other incoming resources
| Other income Theatre tax relief Total 2023 |
Unrestricted funds 2024 £ 1,300 433,338 434,638 320,051 |
Total funds 2024 £ 1,300 433,338 434,638 320,051 |
Total funds 2023 £ 882 319,169 |
|---|---|---|---|
| 320,051 | |||
6. Expenditure on raising funds
Costs of raising voluntary income
| Costs of raising voluntary income Wages and salaries Support costs Total 2023 |
Unrestricted funds 2024 £ 4,791 85,812 41,574 132,177 136,400 |
Restricted funds 2024 £ - - - - 1,740 |
Total funds 2024 £ 4,791 85,812 41,574 132,177 138,140 |
Total funds 2023 £ 4,473 89,556 44,111 |
|---|---|---|---|---|
| 138,140 | ||||
Page 22
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
7. Analysis of expenditure on charitable activities
Summary by fund type
| Operation of Theatre Total 2023 |
Unrestricted funds 2024 £ 1,876,722 1,534,874 |
Designated funds 2024 £ 43,351 198,492 |
Restricted funds 2024 £ 356,922 122,580 |
Total 2024 £ 2,276,995 1,855,946 |
Total 2023 £ 1,855,946 |
|---|---|---|---|---|---|
8. Analysis of expenditure by activities
| Operation of Theatre Total 2023 |
Activities undertaken directly 2024 £ 1,782,241 1,290,951 |
Support costs 2024 £ 494,754 564,995 |
Total funds 2024 £ 2,276,995 1,855,946 |
Total funds 2023 £ 1,855,946 |
|---|---|---|---|---|
Page 23
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
8. Analysis of expenditure by activities (continued)
Analysis of direct costs
| Staff costs Depreciation Marketing and publicity Costumes and disposable props Royalties payable and commissions Box office costs Ancillary theatre activities Access costs Total 2023 |
Operation of Theatre 2024 £ 1,175,827 46,968 164,129 102,588 93,358 93,416 75,091 30,864 1,782,241 1,290,951 |
Total funds 2024 £ 1,175,827 46,968 164,129 102,588 93,358 93,416 75,091 30,864 1,782,241 1,290,951 |
Total funds 2023 £ 893,194 46,923 63,369 74,082 58,009 56,388 58,400 40,586 |
|---|---|---|---|
| 1,290,951 | |||
Analysis of support costs
| Staff costs General office costs Property costs OT: Open To Everyone (capital project) costs Interest paid Governance costs Total 2023 |
Operation of Theatre 2024 £ 203,582 100,054 153,194 4,023 5,401 28,500 494,754 564,995 |
Total funds 2024 £ 203,582 100,054 153,194 4,023 5,401 28,500 494,754 564,995 |
Total funds 2023 £ 169,539 76,959 143,754 133,325 8,808 32,610 |
|---|---|---|---|
| 564,995 | |||
OT: Open To Everyone (capital project) costs relate to transformation of the front and back of house spaces to make the building accessible and more environmentally sustainable. The project is planned for 2026, and these upfront costs relate to some consultancy fees.
Page 24
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
9. Auditors' remuneration
| 2024 | 2023 | |
|---|---|---|
| £ | £ | |
| Fees payable to the Company's auditor for the audit of the Company's annual | ||
| accounts | 17,200 | 15,075 |
| Fees payable to the Company's auditor in respect of: | ||
| Taxation compliance services | 3,750 | 3,400 |
| Accounts preparation | 3,150 | 1,455 |
10. Staff costs
| Wages and salaries Social security costs Contribution to defined contribution pension schemes |
2024 £ 1,395,354 59,820 28,333 1,483,507 |
2023 £ 1,091,859 56,850 21,113 |
|---|---|---|
| 1,169,822 |
The average number of persons employed by the Company during the year was as follows:
| Productions - Full time Productions - Part time Box Office / Front of House - Full time Box Office / Front of House - Part time Administration office - Full time |
2024 No. 28 2 2 28 6 66 |
2023 No. 19 2 1 14 6 |
|---|---|---|
| 42 |
No employee received remuneration amounting to more than £60,000 in either year.
The remuneration and benefits received by key management personnel totaled £127,587 during the year (2023: £102,827).
11. Trustees' remuneration and expenses
During the year, no Trustees received any remuneration or other benefits or had any expenses reimbursed (2023 - £NIL) .
Page 25
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
12. Tangible fixed assets
| Cost or valuation At 1 July 2023 Additions At 30 June 2024 Depreciation At 1 July 2023 Charge for the year At 30 June 2024 Net book value At 30 June 2024 At 30 June 2023 |
Freehold property £ 347,152 - 347,152 192,388 6,946 199,334 147,818 154,764 |
Long-term leasehold property £ 1,327,512 - 1,327,512 689,286 26,545 715,831 611,681 638,226 |
Office equipment £ 38,401 3,952 42,353 25,585 8,232 33,817 8,536 12,816 |
Theatre fittings and equipment £ 111,894 7,915 119,809 73,195 5,244 78,439 41,370 38,699 |
Total £ 1,824,959 11,867 |
|---|---|---|---|---|---|
| 1,836,826 | |||||
| 980,454 46,967 |
|||||
| 1,027,421 | |||||
| 809,405 | |||||
| 844,505 |
13. Stocks
| 2024 | 2023 | |
|---|---|---|
| £ | £ | |
| Finished goods and goods for resale | 3,935 | 3,330 |
Page 26
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
14. Debtors
| Due within one year Trade debtors Other debtors Prepayments and accrued income |
2024 £ 124,483 779,818 76,810 981,111 |
As restated 2023 £ 125,174 310,995 97,168 |
|---|---|---|
| 533,337 |
15. Creditors: Amounts falling due within one year
| Bank loans Trade creditors Other taxation and social security Other creditors Accruals and deferred income |
2024 £ - 37,501 28,973 38,715 338,388 443,577 |
2023 £ 30,000 53,588 32,848 10,521 222,461 |
|---|---|---|
| 349,418 |
The bank loan relates to the Coronavirus Business Interruption Loan of £150k received in 2020 in response to the pandemic, which was repayable over 6 years.
This includes £nil payable after more than one year (2023: £70,000) (Note 16).
The Trustees opted to repay this loan early.
Page 27
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
| Movement in deferred income is as follows:- Deferred income at 1 July 2023 Grants released to income during the year Ticket sales released to income during the year Grants deferred until the following year Ticket sales deferred until the following year 16. Creditors: Amounts falling due after more than one year Bank loans |
2024 £ 141,053 (37,446) (103,607) - 177,544 177,544 2024 £ - |
2023 £ 6,961 (4,000) (2,961) 37,446 103,607 |
|---|---|---|
| 141,053 | ||
| 2023 £ 70,000 |
Page 28
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
17. Statement of funds
Statement of funds - current year
| Unrestricted funds General Funds Restricted funds LBRUT Writers Collective Carne Associate Director Production Sponsorship Backstage Trust OT Community OT: Open To Everyone (capital project) Miscellaneous Designated funds cash Sustainability Fund - cash Designated Reserve Fund - cash New Artists Fund - cash OT: Open To Everyone (capital project) |
Balance at 1 July 2023 £ 289,482 - 15,000 12,000 15,000 - - - - 42,000 150,000 319,281 9,859 - 479,140 |
Income £ 2,813,773 109,894 - - 60,000 125,000 16,351 201,000 3,677 515,922 - - - - - |
Expenditure £ (2,008,899) (109,894) (15,000) (12,000) (75,000) (125,000) (16,351) - (3,677) (356,922) - - (9,859) - (9,859) |
Transfers in/out £ (500,000) - - - - - - - - - - - - 500,000 500,000 |
Balance at 30 June 2024 £ 594,356 |
|---|---|---|---|---|---|
| - - - - - - 201,000 - |
|||||
| 201,000 | |||||
| 150,000 319,281 - 500,000 |
|||||
| 969,281 |
Since the year end the Trustees have transferred a further £130,719 to the Designated Reserve Fund from General Funds to bring this to a total of £450,000.
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Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
17. Statement of funds (continued)
| Designated funds assets 47, Kew Road Fund - capitalised expenditure 53, Kew Road Fund - property asset 1 Clarence Street Fund - capitalised expenditure* Total Designated funds Total of funds |
271,398 154,762 260,435 686,595 1,165,735 1,497,217 |
- - - - - 3,329,695 |
(12,600) (6,944) (13,948) (33,492) (43,351) (2,409,172) |
- - - - 500,000 - |
258,798 147,818 246,487 |
|---|---|---|---|---|---|
| 653,103 | |||||
| 1,622,384 | |||||
| 2,417,740 |
- These assets are property assets all fundamental to fulfilling the charity’s principal objectives.
Page 30
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
17. Statement of funds (continued)
Statement of funds - prior year
| Unrestricted funds General Funds Restricted Funds Hampton Fund Noel Coward Foundation LBRUT Writers Collective Development Fund Carne Associate Director Production Sponsorship Designated funds cash Sustainability Fund - cash Designated Reserve Fund - cash New Artists Fund - cash Designated funds assets 47, Kew Road Fund - capitalised expenditure 53, Kew Road Fund - property asset 1 Clarence Street Fund - capitalised expenditure* Total Designated funds Total of funds |
Balance at 1 July 2022 £ 384,433 - - - - - - - - 150,000 319,281 49,859 519,140 283,998 161,706 274,383 720,087 1,239,227 1,623,660 |
Income £ 1,576,323 11,000 3,000 105,320 15,000 125,000 12,000 20,000 291,320 - - - - - - - - - 1,867,643 |
Expenditure £ (1,671,274) (11,000) (3,000) (105,320) - (125,000) - (5,000) (249,320) - - (40,000) (40,000) (12,600) (6,944) (13,948) (33,492) (73,492) (1,994,086) |
Balance at 30 June 2023 £ 289,482 |
|---|---|---|---|---|
| - - - 15,000 - 12,000 15,000 |
||||
| 42,000 | ||||
| 150,000 319,281 9,859 |
||||
| 479,140 | ||||
| 271,398 154,762 260,435 |
||||
| 686,595 | ||||
| 1,165,735 | ||||
| 1,497,217 |
Page 31
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
17. Statement of funds (continued)
47 & 53 Kew Road and 1 Clarence Street Funds - Assets
These funds represent monies invested in improvements and the fitting out of 47 and 53 Kew Road and 1 Clarence Street. The Directors consider that it is essential that these assets are preserved and as a consequence these funds were established representing the monies invested in the buildings. A transfer from the funds is made each year to represent the depreciation charge in that year.
Sustainability Fund - cash
The Sustainability Fund was set up in 2018 from a small group of individual donations to support the OT’s cashflow at certain times of the year. Specifically at the end of seasons and ahead of season launches when advance ticket sales are at their lowest and we are waiting on theatre tax relief cash income for the year.
Designated Reserve Fund - cash
The Designated Reserve Fund was established during the pandemic as a contingency throughout our challenging recovery. As we look forward to a Capital Redevelopment Project this designated reserve fund will now serve as a contingency for the Capital Project and create some strategic funds to draw on to support the core operation during this period.
OT New Artists Fund - cash
The OT new artists fund is a fund created to use for commissioning and artist development work. It was agreed that it was appropriate to release £9,859 of reserves from the New Artists Fund to support these productions as this is at the heart of what the New Artists Fund was set up to achieve.
Designated Fund OT: Open To Everyone (capital project) - £500k has been set aside from general funds for the anticipated costs of the capital development project.
Material Restricted Funds relate to the following:
LBRUT - Income from the London Borough of Richmond applied to core costs and running the theatre, attracting local residents and visitors to Education and Participation events.
Education and Participation - Income received from trusts to be applied towards education and participation activities.
Fund OT: Open To Everyone (capital project) - Income received towards the costs of the capital development project to improve accessibility.
Production Sponsorship - The Production Sponsorship relates to a donation towards the Uncle Vanya production costs in 23-24.
All of the above grants flow through Restricted Funds. Carried forward funds consist of £200,000 towards the capital redevelopment project.
Page 32
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
18. Analysis of net assets between funds
Analysis of net assets between funds - current period
| Unrestricted | Designated | Designated | Restricted | Total | |
|---|---|---|---|---|---|
| funds | funds cash | funds assets | funds | funds | |
| 2024 | 2024 | 2024 | 2024 | 2024 | |
| £ | £ | £ | £ | £ | |
| Tangible fixed assets | 156,302 | - | 653,103 | - | 809,405 |
| Current assets | 881,631 | 969,281 | - | 201,000 | 2,051,912 |
| Creditors due within one year | (443,577) | - | - | - | (443,577) |
| Total | 594,356 | 969,281 | 653,103 | 201,000 | 2,417,740 |
| Analysis of net assets between | funds - prior period | ||||
| Unrestricted | Designated | Designated | Restricted | Total | |
| funds | funds cash | funds assets | funds | funds | |
| 2023 | 2023 | 2023 | 2023 | 2023 | |
| £ | £ | £ | £ | £ | |
| Tangible fixed assets | 157,910 | - | 686,595 | - | 844,505 |
| Current assets | 550,990 | 479,140 | - | 42,000 | 1,072,130 |
| Creditors due within one year | (349,418) | - | - | - | (349,418) |
| Creditors due in more than one | |||||
| year | (70,000) | - | - | - | (70,000) |
| Total | 289,482 | 479,140 | 686,595 | 42,000 | 1,497,217 |
19. Reconciliation of net movement in funds to net cash flow from operating activities
| Net income/expenditure for the period (as per Statement of Financial Activities) Adjustments for: Depreciation charges Dividends, interests and rents from investments Increase in stocks Increase in debtors Increase in creditors Finance charge on loan Net cash provided by/(used in) operating activities |
2024 £ 920,523 46,967 (11,110) (605) (447,774) 124,159 5,401 637,561 |
2023 £ (126,443) |
|---|---|---|
| 46,926 (2,660) (802) (189,421) 107,202 8,808 |
||
| (156,390) |
Page 33
Docusign Envelope ID: 45AD30FB-D05A-41AB-BE8F-7DCF16AC4421
ORANGE TREE THEATRE LIMITED (A company limited by guarantee)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2024
20. Analysis of cash and cash equivalents
| Cash in hand Total cash and cash equivalents |
2024 £ 1,066,866 1,066,866 |
2023 £ 535,463 |
|---|---|---|
| 535,463 |
21. Analysis of changes in net debt
| Cash at bank and in hand Debt due within 1 year Debt due after 1 year |
At 1 July 2023 £ 535,463 (30,000) (70,000) 435,463 |
Cash flows £ 531,403 30,000 70,000 631,403 |
At 30 June 2024 £ 1,066,866 - - |
|---|---|---|---|
| 1,066,866 |
22. Related party transactions
Aggregate donations from related parties amounted to £118,397 (2023: £109,035).
The Company has not entered into any other related party transaction during the year, nor are there any outstanding balances owing between related parties and the Company at 30 June 2024.
Page 34