_Norwich Philharmonic Society_ 

_Registered Charity No. 264425_ 


## _Financial Statements_ 

_Year ended 30th April 2025_ 

## _Trustees Annual Report for the period 1 May 2024 to 30 April 2025_ 

_Charity's principal address Mrs C Dixey_ 

_Rushlight Barn, Birch Way, Mundham, Norwich   NR14 6EN_ 

_Website   http://www.norwichphil.org.uk_ 

_Charity Trustees_ 

_Mrs Caroline Dixey Chairman Ms Catrina Nixon Vice Chairman Ms Alison Rhodes Secretary Ms Kate Anetts Treasurer & Friends’ Secretary Mrs Sally West-Lindell Choir Secretary Ms Alexandra Atherton Choir Representative Mr Paul Henderson Choir Representative Mr Chris Elston Orchestra Secretary Mrs Judy Tryggvason Orchestra Representative Mr Steve Kent-Davies Orchestra Representative Ms Caroline Furniss Orchestra Librarian Mrs Alison Guy Front of House Manager & Head Steward Mr Simon Suter Public Representative_ 

## _Structure, Governance and Management_ 

## _Governing Document_ 

_Norwich Philharmonic Society is constituted as an arts and music trust with the Charity Commission under charity number 264425. It is governed by a constitutional document._ 

## _Recruitment and appointment of trustees_ 

_Trustees are elected annually at the AGM (excluding the Chairman and Vice Chairman who are elected every third AGM)._ 

_The trustees are responsible for the recruitment of new trustees, who are elected at the AGM. If the Society needs to replace a trustee mid-season, the trustees will appoint as they see best for the Society._ 

_Potential trustees are invited to attend a meeting and/or meet with the chairman to discuss the position in greater detail. This allows due consideration of the person’s eligibility, personal competence, specialist_ 

_knowledge and skills. On appointment to the committee all new members are briefed on the aims of the Society and the responsibility they hold._ 

## _Organisation Structure_ 

_The charity trustees are responsible for the general control and management of the charity, covering the running of the Society and the concerts held. They give their time freely and receive no remuneration or other financial benefits other than reimbursement for expenditure on behalf of the Society_ 

_The trustees meet together as a body at least four times a year and are responsible for all the decisions taken in relation to the running of the Society and the concerts held. To assist in the smooth running of the charity the trustees have set up sub committees to oversee aspects of the concert organisation, including publicity, choir and orchestra._ 

## _Risk Management_ 

_The trustees have assessed the risks the charity faces and have implemented systems to mitigate these. The trustees are satisfied that systems are in place, or arrangements are in hand, to manage the risks that have been identified. In particular insurance cover is in place, and the finances are kept under regular review_ 

_The Society maintains and regularly reviews a risk register._ 



## _Objectives and Activities_ 

_The Society aims to educate the public in the arts and sciences, and in particular the art and science of music, by the presentation of concerts and other activities._ 

_The Society holds a minimum of five concerts each year; concert income is supplemented by the subscriptions of the Society's members together with fundraising events held during the year._ 

_The trustees have given due regard to the Charity Commission’s guidance on public benefit and have complied with their duties as detailed in the Charities Act 2011 with regard to public benefit. Careful consideration has been given to the accessibility of the Society to as wide a community as possible. Reduced membership rates are offered to student members of the Choir and Orchestra and reduced-price admission to all concerts is offered to students and to members of the Norfolk County Youth Orchestra. For the last two years, the Orchestra has presented two popular concerts for families, bringing in new audiences._ 

## _Financial Review_ 

_We budgeted to break even, with a concert deficit to be offset by subscriptions, fundraising and Gift Aid. These offset sources of income were as budgeted. Disruption was caused due to the need to use other venues caused by the unavailability of St Andrew’s Hall, resulting in concert income less than budgeted although this was partly offset by lower concert costs._ 

_We are delighted to acknowledge donations of £9,821, (including £2,321 in memory of former Choir member James Visick); these donations are held as Restricted funds. The season overall resulted in a surplus of £2,390 (with £1,708 in unrestricted funds and £2,978 restricted)._ 

_A further £5,000, originally donated towards the now-cancelled Strangers project, was, with the agreement of the donor, transferred to support the Rite of Spring project which was produced in conjunction with Dance Workshop. £2,000 remains allocated to the Strangers project – we are in consultation with the donor regarding its distribution or return._ 

_Net receipts for the year are an overall surplus of £4,686 comprising £1,708 unrestricted funds plus £2,978 restricted funds._ 

## _Reserves Policy_ 

_The committee has agreed that the Society should work to a break-even budget each year, once the concert financial performance and other sources of income have been taken into account._ 

_The Society aims to maintain unrestricted net current assets of around 100% of the concert season expenditure, (currently around £70,000) to cover any significant fall in income and as a contingency against unexpected events and any shortfall in cash flow. The Society holds a relatively small sum £33,854 historic cost) in investment managed funds, which are held to generate income, currently around£1,500._ 

_Restricted fund reserves are maintained in accordance with the benefactors’ wishes._ 

_Any remaining net current assets are treated as designated funds, set by the committee for development, education and training and for capital projects. Development, education and training covers special performances, development and sustainability, commissioning choral and orchestral works and encouraging a younger membership. Capital projects covers the purchase and replacement of instruments and equipment, also renewals and repairs._ 

_Norwich Philharmonic Society holds an adequate level of unrestricted net current assets as reserves (£70,092). – this is the sum agreed for the reserves policy, so no further designated funds are yet in place._ 

_Total net assets (£124,349) comprise unrestricted assets (£113,069) net current assets, debtors, investments and retained (fixed) assets plus restricted assets £11,280)._ 

_This policy is subject to periodic review by the committee_ 

_._ 

_Bankers HSBC Bank of Scotland Lloyds Bank 18 London Street PO Box 1000 PO Box 1000 Norwich, NR2 1LG BX2 1LB Andover_ 

_Independent Examiner Crispin de Boos_ 

_The White House, Sandfield Lane, Eccles, Norwich NR16 2PB_ 

_Declaration The trustees declare that they have approved the Trustees’ Report above. Signed on behalf of the charity’s trustees_ 

## L C Dixey 

_L C Dixey (Chair)  date 21 May 2025_ 



|_Norwich Philharmonic So_<br>_Year ended 30 April 20_<br>_RECEIPTS AND PAYME_<br>_Receipts_<br>_Payments_<br>_Net Receipts before funds t_<br>_Cash funds brought forward_<br>_interim cash funds for carry_<br>_Transfer of restricted/desig_<br>_Cash funds carried forward _<br>_Net receipts_<br>_ASSETS AND LIABILITI_<br>_Current assets_<br>_bank balances_<br>_liabilities & accruals_|_ciety_<br>_25_<br>_NTS FOR THE YEAR ENDED 30 APRIL 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concert income_<br>_40,008_<br>_40,008_<br>_Family concerts income_<br>_5,550_<br>_5,550_<br>_Subscriptions_<br>_19,303_<br>_19,303_<br>_Fundraising_<br>_3,373_<br>_3,373_<br>_Gift Aid_<br>_3,910_<br>_3,910_<br>_Donations & Legacies_<br>_915_<br>_915_<br>_Interest_<br>_739_<br>_739_<br>_Investment income_<br>_1,539_<br>_1,539_<br>_Choir training, Koblenz_<br>_9,821_<br>_9,821_<br>_Orchestra training_<br>_-_<br>_-_<br>_Prior year receipts_<br>_743_<br>_743_<br>_Receipts next year_<br>_-_<br>_-_<br>_Strangers project_<br>_-_<br>_Total receipts_<br>_76,080_<br>_9,821_<br>_85,901_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concerts costs_<br>_68,275_<br>_68,275_<br>_Family concerts costs_<br>_6,477_<br>_6,477_<br>_Fundraising_<br>_2,034_<br>_2,034_<br>_Membership administration_<br>_235_<br>_235_<br>_General administration_<br>_1,206_<br>_1,206_<br>_Insurance, subs, audit_<br>_755_<br>_755_<br>_Capital purchases_<br>_-_<br>_-_<br>_Choir training, Koblenz_<br>_1,843_<br>_1,843_<br>_Orchestra training_<br>_-_<br>_-_<br>_Choral conductor selection_<br>_-_<br>_-_<br>_Deposits prepayments_<br>_-_<br>_-_<br>_Prior year_<br>_389_<br>_389_<br>_Strangers project_<br>_-_<br>_Total payments_<br>_79,372_<br>_1,843_<br>_81,215_<br>_ransfer_<br>_(3,292)_<br>_7,978_<br>_4,686_<br> <br>_68,384_<br>_8,302_<br>_76,686_<br>_forward_<br>_65,092_<br>_16,280_<br>_81,372_<br>_nated funds_<br>_5,000_<br>_(5,000)_<br> _`_<br>_70,092_<br>_11,280_<br>_81,372_<br>_1,708_<br>_2,978_<br>_4,686_<br>_ES AS AT 30 April 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_COIF deposit account_<br>_11,408_<br>_11,408_<br>_Virgin Money deposit_<br>_20,858_<br>_20,858_<br>_Cash at bank_<br>_42,217_<br>_11,280_<br>_53,497_<br>_1_<br>_(4,391)_<br>_(4,391)_<br>_2024/25_<br>_2024/25_<br>_2024/25_|_ciety_<br>_25_<br>_NTS FOR THE YEAR ENDED 30 APRIL 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concert income_<br>_40,008_<br>_40,008_<br>_Family concerts income_<br>_5,550_<br>_5,550_<br>_Subscriptions_<br>_19,303_<br>_19,303_<br>_Fundraising_<br>_3,373_<br>_3,373_<br>_Gift Aid_<br>_3,910_<br>_3,910_<br>_Donations & Legacies_<br>_915_<br>_915_<br>_Interest_<br>_739_<br>_739_<br>_Investment income_<br>_1,539_<br>_1,539_<br>_Choir training, Koblenz_<br>_9,821_<br>_9,821_<br>_Orchestra training_<br>_-_<br>_-_<br>_Prior year receipts_<br>_743_<br>_743_<br>_Receipts next year_<br>_-_<br>_-_<br>_Strangers project_<br>_-_<br>_Total receipts_<br>_76,080_<br>_9,821_<br>_85,901_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concerts costs_<br>_68,275_<br>_68,275_<br>_Family concerts costs_<br>_6,477_<br>_6,477_<br>_Fundraising_<br>_2,034_<br>_2,034_<br>_Membership administration_<br>_235_<br>_235_<br>_General administration_<br>_1,206_<br>_1,206_<br>_Insurance, subs, audit_<br>_755_<br>_755_<br>_Capital purchases_<br>_-_<br>_-_<br>_Choir training, Koblenz_<br>_1,843_<br>_1,843_<br>_Orchestra training_<br>_-_<br>_-_<br>_Choral conductor selection_<br>_-_<br>_-_<br>_Deposits prepayments_<br>_-_<br>_-_<br>_Prior year_<br>_389_<br>_389_<br>_Strangers project_<br>_-_<br>_Total payments_<br>_79,372_<br>_1,843_<br>_81,215_<br>_ransfer_<br>_(3,292)_<br>_7,978_<br>_4,686_<br> <br>_68,384_<br>_8,302_<br>_76,686_<br>_forward_<br>_65,092_<br>_16,280_<br>_81,372_<br>_nated funds_<br>_5,000_<br>_(5,000)_<br> _`_<br>_70,092_<br>_11,280_<br>_81,372_<br>_1,708_<br>_2,978_<br>_4,686_<br>_ES AS AT 30 April 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_COIF deposit account_<br>_11,408_<br>_11,408_<br>_Virgin Money deposit_<br>_20,858_<br>_20,858_<br>_Cash at bank_<br>_42,217_<br>_11,280_<br>_53,497_<br>_1_<br>_(4,391)_<br>_(4,391)_<br>_2024/25_<br>_2024/25_<br>_2024/25_|_ciety_<br>_25_<br>_NTS FOR THE YEAR ENDED 30 APRIL 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concert income_<br>_40,008_<br>_40,008_<br>_Family concerts income_<br>_5,550_<br>_5,550_<br>_Subscriptions_<br>_19,303_<br>_19,303_<br>_Fundraising_<br>_3,373_<br>_3,373_<br>_Gift Aid_<br>_3,910_<br>_3,910_<br>_Donations & Legacies_<br>_915_<br>_915_<br>_Interest_<br>_739_<br>_739_<br>_Investment income_<br>_1,539_<br>_1,539_<br>_Choir training, Koblenz_<br>_9,821_<br>_9,821_<br>_Orchestra training_<br>_-_<br>_-_<br>_Prior year receipts_<br>_743_<br>_743_<br>_Receipts next year_<br>_-_<br>_-_<br>_Strangers project_<br>_-_<br>_Total receipts_<br>_76,080_<br>_9,821_<br>_85,901_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_Concerts costs_<br>_68,275_<br>_68,275_<br>_Family concerts costs_<br>_6,477_<br>_6,477_<br>_Fundraising_<br>_2,034_<br>_2,034_<br>_Membership administration_<br>_235_<br>_235_<br>_General administration_<br>_1,206_<br>_1,206_<br>_Insurance, subs, audit_<br>_755_<br>_755_<br>_Capital purchases_<br>_-_<br>_-_<br>_Choir training, Koblenz_<br>_1,843_<br>_1,843_<br>_Orchestra training_<br>_-_<br>_-_<br>_Choral conductor selection_<br>_-_<br>_-_<br>_Deposits prepayments_<br>_-_<br>_-_<br>_Prior year_<br>_389_<br>_389_<br>_Strangers project_<br>_-_<br>_Total payments_<br>_79,372_<br>_1,843_<br>_81,215_<br>_ransfer_<br>_(3,292)_<br>_7,978_<br>_4,686_<br> <br>_68,384_<br>_8,302_<br>_76,686_<br>_forward_<br>_65,092_<br>_16,280_<br>_81,372_<br>_nated funds_<br>_5,000_<br>_(5,000)_<br> _`_<br>_70,092_<br>_11,280_<br>_81,372_<br>_1,708_<br>_2,978_<br>_4,686_<br>_ES AS AT 30 April 2025_<br>_unrestricted_<br>_restricted_<br>_total £_<br>_COIF deposit account_<br>_11,408_<br>_11,408_<br>_Virgin Money deposit_<br>_20,858_<br>_20,858_<br>_Cash at bank_<br>_42,217_<br>_11,280_<br>_53,497_<br>_1_<br>_(4,391)_<br>_(4,391)_<br>_2024/25_<br>_2024/25_<br>_2024/25_|_2023/24_<br>_£_<br>_42,747_<br>_6,336_<br>_18,221_<br>_9,674_<br>_3,970_<br>_574_<br>_724_<br>_1,199_<br>_-_<br>_-_<br>_5,000_|
|---|---|---|---|---|
|||||_88,445_|
|||||_2023/24_<br>_£_<br>_60,268_<br>_4,735_<br>_6,474_<br>_91_<br>_664_<br>_738_<br>_1,650_<br>_2,051_<br>_57_<br>_250_<br>_57_<br>_3,091_<br>_-_|
|||||_80,125_|
|||||_5,371_<br>_63,013_<br>_68,384_<br>_0_|
|||||_68,384_|
|||||_5,371_<br>_2023/24_<br>_£_<br>_10,870_<br>_20,666_<br>_36,848_<br>_1,763_<br>_-_|
|_Net current assets_||_70,092_<br>_11,280_|_81,373_|_66,621_|
|_Other monetary ass_<br>_Investment assets (a_<br>_Retained (fixed) ass_<br>_NOTES_<br>_(1) Liabilities & accruals_<br>_(2) Debtors_<br>_(3) Retained assets_<br>_Timpani, Trailer, Equipment_<br>_Instruments, Cases_<br>_Celeste, Glockenspiel_<br>_Staging & Acoustic Screens_<br>_Music Stands_<br>_Tubular Bells_|_ets (debtors)_<br>_2_<br>_5,500_<br>_5,500_<br>_t cost)_<br>_33,854_<br>_33,854_<br>_ets_<br>_3_<br>_3,623_<br>_3,623_<br>_Total assets_<br>_113,069_<br>_11,280_<br>_124,349_<br>_Concert costs_<br>_(4,391)_<br>_(4,391)_<br>_Gift Aid_<br>_5,500_<br>_5,500_<br>_net book value_<br>_Additions £_<br>_Depreciation £  NBV at_<br>_42_<br>_126_<br>_42_<br>_125_<br>_313_<br>_939_<br>_487_<br>_1,462_<br>_14_<br>_42_<br>_310_<br>_929_<br>_-_<br>_1,208_<br>_3,623_<br>L C Dixey<br>K B Anetts<br>_L C Dixey   (Chair)_<br>_K B Anetts   (Treasurer)_<br>_167_<br>_1,949_<br>_4,829_<br>_1,252_<br>_56_<br>_1,238_<br>_168_|||_5,500_<br>_33,854_<br>_4,829_|
|||||_110,804_|
|||||_1,763_|
|||||_1,763_|
|||||_5,500_|
|||||_5,500_|
||||||



1 



_Norwich Philharmonic Society Year ended 30 April 2025_ 

## _Independent Examiner’s report_ 

_I report on the accounts of the Norwich Philharmonic Society for the year ended 30 April 2025 which are set out on the preceding pages._ 

## _Respective responsibilities of Trustees and Examiner_ 

_The charity’s trustees are responsible for the preparation of the accounts._ 

_The charity’s trustees consider that an audit is not required for this year under section 144 of the Charities Act 2011 (the Charities Act), and that an independent examination is needed.  It is my responsibility to:_ 

- _examine the accounts under section 145 of the Charities Act,_ 

- _follow the procedures laid down in the general Directions given by the Charity Commission under section 145(5)(b) of the Charities Act, and_ 

- _state whether particular matters have come to my attention._ 

## _Basis of the Independent Examiner’s report_ 

_My examination was carried out in accordance with general Directions given by the Charity Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records.  It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from the trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit, and consequently no opinion is given as to whether the accounts present a true and fair view and the report is limited to those matters set out in the statement below._ 

## _Independent Examiner’s statement_ 

_In connection with my examination, no matter has come to my attention:_ 

- _(1) which gives me reasonable cause to believe that in any material respect the requirements_ 

_·  to keep accounting records in accordance with section 130 of the 2011 Act and_ 

- _to prepare accounts which accord with the accounting records and comply with the accounting requirements of the 2011 Act have not been met or_ 

_(2) to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached._ 

## _Independent Examiner_ 


_date 27 May 2025_ 

_Crispin de Boos The White House Sandfield Lane Eccles Norwich NR16 2PB_ 

