Glyndebourne Productions Limited
Glyndebourne
- Country
- England & Wales
- Charity number
- 243877
- Status
- Registered
- Registered
- July 28, 1965
- Legal form
- Charitable company
- Area of benefit
- National
Address
- Address
- GLYNDEBOURNE PRODUCTIONS LTD
THE OPERA HOUSE
NEW ROAD
RINGMER
LEWES
BN8 5UU
Contact
- Phone
- 01273812321
- [email protected]
- Website
glyndebourne.com
Activities
To present opera of the highest international quality in all respects, to remain financially independent, to balance old and new repertory and explore ways of developing the art form, to make our work accessible to a wide audience through Glyndebourne on Tour and by our Education programme and to provide a stimulating and inspirational environment for artists, staff and audiences.
Objects: Promotion And Advancement Of Aesthetic Education And The Cultivation And Improvement Of Public Taste In Music, Opera Or The Other Arts And The Doing Of All Such Other Things As Are Incidental To The Attainment Of The Above Objects.
Classification
- How
- Other Charitable Activities
- What
- Arts/culture/heritage/science
- Who
- The General Public/mankind
Areas of operation
- Region
- Throughout England And Wales
Finances
| Period end | Income | Expenditure | Assets | Employees |
|---|---|---|---|---|
| Dec. 31, 2024 | £41,942,000 | £38,931,000 | £93,357,000 | 377 |
| Dec. 31, 2023 | £33,807,000 | £33,235,000 | £81,758,000 | 343 |
| Dec. 31, 2022 | £33,157,000 | £31,993,000 | £79,844,000 | 315 |
| Dec. 31, 2021 | £27,536,000 | £24,990,000 | £75,467,000 | 287 |
| Dec. 31, 2020 | £16,144,075 | £17,027,754 | £70,566,475 | 233 |
Trustees
| Name | Appointed |
|---|---|
| Alina Kessel | March 16, 2017 |
| Dr Anna Celia Mallett | Jan. 1, 2025 |
| Gautam Matthew George Rangarajan | Jan. 1, 2025 |
| Jolyon Ronald Thomas Barker | June 26, 2014 |
| Karthi Gnanasegaram | Jan. 1, 2025 |
| Lord ME Davies Of Abersoch | Sept. 21, 2012 |
| Lady Helen Madeleine Ward | May 7, 2021 |
| Lady Victoria Susan Hull Robey CBE | June 16, 2022 |
| Sarah Hopwood | Nov. 1, 2022 |