Registered number: 00759557 Charity number: 231670
REGENT'S PARK THEATRE LIMITED
TRUSTEES' REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2023
REGENT'S PARK THEATRE LIMITED
| CONTENTS | |
|---|---|
| Page | |
| Reference and Administrative Details of the Charity, its Trustees and Advisers | 1 - 2 |
| Trustees' Report | 3 - 13 |
| Independent Auditors' Report | 14 - 17 |
| Consolidated Statement of Financial Activities | 18 |
| Consolidated Balance Sheet | 19 |
| Company Balance Sheet | 20 |
| Consolidated Statement of Cash Flows | 21 |
| Notes to the Financial Statements | 22 - 41 |
REGENT'S PARK THEATRE LIMITED
REFERENCE AND ADMINISTRATIVE DETAILS OF THE COMPANY, ITS TRUSTEES AND ADVISERS FOR THE YEAR ENDED 31 DECEMBER 2023
Trustees
Charolotte Aherne Partha Bose Jaya Carrier Anna Fleischle-Marriott Stuart Griffiths OBE Tyrone Huntley Kate Millward Steve Pennington Toni Racklin James Reed (resigned 27 February 2024) Philippa Simpson Samantha Spiro Martin Wilkinson (resigned 20 March 2023)
Company registered number
00759557
Charity registered number
231670
Registered office
Stage Door Gate Open Air Theatre Inner Circle Regent's Park London NW1 4NU
Joint chief executives
James Pidgeon Timothy Sheader (to 30 November 2023) Andrew McOnie (from 15 January 2024)
Independent auditors
Nyman Libson Paul LLP Chartered Accountants 124 Finchley Road London NW3 5JS
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REGENT'S PARK THEATRE LIMITED
REFERENCE AND ADMINISTRATIVE DETAILS OF THE COMPANY, ITS TRUSTEES AND ADVISERS FOR THE YEAR ENDED 31 DECEMBER 2023
Advisers (continued)
Bankers
Coutts & Co. 440 Strand London WC2R 0QS
Aldermore 1st Floor, Block B Western House Lynch Wood Peterborough PE2 6FZ
Scottish Widows 67 Morrison Street Edinburgh EH3 8YJ
Solicitors
Harbottle & Lewis LLP 7 Savoy Court London WC2R 0EX
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REGENT'S PARK THEATRE LIMITED
TRUSTEES REPORT FOR THE YEAR ENDED 31 DECEMBER 2023
1. Introduction
The Trustees (who are also the directors for the purposes of company law) present their annual report and the audited consolidated financial statements of the charitable company and its subsidiary undertakings for the year ended 31 December 2023. The annual report and financial statements of the company and the group comply with the current statutory requirements, the requirements of the company and the group’s governing document and the provision of the Statement of Recommended Practice (SORP) applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS102) (effective 1 January 2019). Since the company and the group qualifies as small under section 383, the Strategic Report required of medium and large companies under The Companies Act 2006 (Strategic Report and Directors’ Report) Regulations 2013 is not required.
2. Structure, Governance and Management
2a. Trustees
The Trustees of the charitable company who served during the year and up to the date of this report are disclosed in the reference and administrative details on page 1. The Board of Trustees is made up of a maximum of 14 Trustees. The Trustees review the composition of the Board annually to ensure it consists of a broad range of appropriate skills and lived experiences.
2b. Governing Document
Regent’s Park Theatre Limited is a charitable company limited by shares, incorporated on 1 May 1963, registered in England and Wales (number 00759557) and governed by its memorandum and articles of association. The charity was registered with the Charity Commission on 13 January 1964 under charity number 231670. The shares are held exclusively by the charity Trustees and are relinquished on cessation of Trusteeship.
2c. Organisational Structure
The Board of Trustees and its Sub-Committees approve all strategic and financial decisions. They delegate the day-to-day running of the charity to the Artistic Director, Timothy Sheader (until 30 November 2023) / Drew McOnie (from 15 January 2024) and the Executive Director, James Pidgeon. Both roles assume the responsibility of Joint Chief Executive and report to the Board. Neither roles are directors of the company or Trustees of the charity, though the Executive Director is a director of the charity’s trading subsidiaries.
2d. Trustee Recruitment
Trustee recruitment is undertaken via open public call and/or an invitation to apply dependent on the number of new Trustees sought and the skills, backgrounds, perspectives and lived experiences required.
No Trustee recruitment was undertaken during the course of 2023, though some recruitment is planned for summer 2024.
2e. Trustee Administration
When a new Trustee is appointed, they are provided with copies of the following:
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The charity’s Governing Document
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• The charity’s five-year Strategy
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The charity’s Governance Policy
Minutes of previous Board Meetings are available on request.
Every year, all Trustees are required to complete a pack of Annual Declaration Forms, comprising of the following:
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Trustee Details
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Automatic Disqualification Declaration
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• Register of Interests & Related Parties
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TRUSTEES REPORT FOR THE YEAR ENDED 31 DECEMBER 2023
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Diversity & Representation
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Further Information (relating to meeting administration, expenses, training requests etc.)
2f. Sub-Committees
The charity’s three Board Sub-Committees are as follows:
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Producing Committee (aligned to Strategic Priority 1: Producing Expansion), chaired by Toni Racklin
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People & Inclusion Committee (aligned to Strategic Priority 2: Developing Audiences & People), chaired
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by Kate Millward
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Finance, Audit & Risk Committee (aligned to Strategic Priority 3: Organisational Growth), chaired by
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Steve Pennington
Jaya Carrier currently assumes the role of the Board’s Safeguarding Lead.
Terms of reference for each Sub-Committee are documented as Appendices in the charity’s Governance Policy and include: name of the committee; purpose of the committee; committee reporting line; membership of the committee (including voting rights and who will be Chair); frequency and quorum of meetings; and a description of delegated authority on behalf of the Board of Trustees.
2g. Core Staff Team
After a significant period of reframing and recruitment at the end of 2022, 8 new members of the core staff team joined the organisation during the first half of 2023, including 3 new members of the Senior Leadership Team.
During 2023 the charity’s Senior Leadership Team was:
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Executive Director & Joint CEO (James Pidgeon)
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Artistic Director & Joint CEO (Timothy Sheader, until 30 November 2023)
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Director of Communications & Audiences (Laura Arends)
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Director of Production & Estates (Andy Beardmore)
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Diversity & Inclusion Associate (mezze eade)
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Director of Artistic Planning & Administration (Lauren King)
2.h. Recruitment of a New Artistic Director & Joint Chief Executive
In June 2023 it was announced that Timothy Sheader would be stepping down as Artistic Director & Joint Chief Executive of the charity after 17 years in the role, to take up the position of Artistic Director at the Donmar Warehouse in Covent Garden.
At the beginning of July 2023, external consultant Sarah Nicholson facilitated a half-day session with the Board of Trustees and Senior Leadership Team to explore what the future of artistic leadership might look like for Regent’s Park Open Air Theatre, with the aim of achieving collective clarity on next steps and ambitions going into the formal recruitment process. Off the back of this session, a Recruitment Committee comprising of 6 Trustees, chaired by Stuart Griffiths and supported by James Pidgeon and Sarah Nicholson, was formed.
A recruitment pack for the role was publicly released at the beginning of August, with the deadline for applications on the 7 September 2023. Prospective candidates were given the opportunity to have an informal discussion about the role with Sarah Nicholson before applying.
59 applications were received in total, 8 of which were joint applications. From the Equal Opportunities Data Monitoring Forms received:
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There was representation in every age group between 25-64, with the majority aged between 35-49.
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30% of applicants were female; 69% were male.
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22% of applicants were of the global majority.
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9% of applicants were disabled.
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- 44% of applicants were homosexual; 41% were heterosexual.
Shortlisting was undertaken by the Recruitment Committee. Every application was read twice and scored against the Person Specification in the Recruitment Pack.
First, second and third round interviews were undertaken throughout September and October 2023, with interview panels made up of both Trustees and suitably qualified external representatives from within the theatre sector. 11 applicants were invited to a first round interview. All candidates invited to a second interview had the opportunity to meet the Senior Leadership Team, in a conversation facilitated by Sarah Nicholson.
On the 9 November 2023 it was announced that director and choreographer Drew McOnie was to be the next Artistic Director & Joint Chief Executive of the charity. The announcement was incredibly well received by press and on social media. Drew took up the role in January 2024 and will programme the 2025 season onwards.
2i. Senior staff remuneration
The Trustees are solely responsible for setting and reviewing the remuneration of the Joint Chief Executives in line with their contractual entitlements. The remuneration of other senior staff is reviewed annually by the Executive Director and may be increased within the overall budgets approved by the Trustees to take into account inflation and individuals’ duties and performance.
2j. Charity Commission Governance Code The Trustees have had due regard for the code.
3. Objectives and Activities
The charity’s object is the promotion of arts and culture primarily in the theatrical arts but including any other media, and the promotion of any other purposes that is exclusively charitable pursuant to the law of England and Wales from time to time.
The principal activity of the charity is presenting summer seasons of plays and the provision of bar and dining facilities at Regent’s Park Open Air Theatre, together with producing plays elsewhere in the UK. This year’s summer season ran for 20 weeks from Wednesday 10 May – Saturday 23 September 2023.
The 2023 summer season consisted of:
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A revival of the musical Once On This Island .
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A stage adaptation of Ben Okri’s Every Leaf A Hallelujah – a Regent’s Park Open Air Theatre commission.
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• Robin Hood: The Legend. Re-written. , a brand new play commissioned by Regent’s Park Open Air Theatre.
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William Shakespeare’s The Tempest re-imagined for everyone aged six and over – a Regent’s Park
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Open Air Theatre and Unicorn Theatre co-production.
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A major London revival of the musical classic, La Cage aux Folles .
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The return of Nicoll Entertainment’s Dinosaur World Live .
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A number of Sunday concerts and one-off presentations.
Established in 1932, the multi-award-winning Regent’s Park Open Air Theatre is one of the largest theatres in London (at a capacity of 1,304). Passionate about producing popular, enriching and unexpected theatre that provides a lens into the here and now, the scale and ambition of our productions together with our magical outdoor setting, makes us unique in the capital’s cultural landscape. Every year we welcome over 150,000 people to our 20-week summer season of plays and musicals. We measure success by analysing box office sales, attendance, critical reception and audience feedback, and are proud to have become one of the most independently sustainable and financially successful producing theatres in the country over the years.
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TRUSTEES REPORT FOR THE YEAR ENDED 31 DECEMBER 2023
4. Public Benefit
The Trustees have had regard to the Charity Commission’s guidance on public benefit.
As a registered charity that receives no public subsidy, over 85% of our income is currently generated from ticket sales. Nevertheless, we have maintained our lowest ticket price of £25 for ten years and continued our BREEZE membership scheme with those aged 18-25 able to get tickets for £10. This year we had 823 BREEZE members .
Whilst the charity’s equitable policy is to charge for all admissions at market rates, our most expensive seats remained considerably lower than our commercial competitors in London’s West End.
Encouraging a wide and diverse audience is one of the charity’s fundamental principles and, alongside its accessible productions, we run schemes which provide discounted and complimentary tickets to those aged 18-25, school groups, teachers, under 18s, senior citizens, local residents, university students, targeted community groups, and partners such as The London Ticket Bank.
This year, 64% of bookers for The Tempest re-imagined for everyone aged six and over , 59% of bookers for Every Leaf A Hallelujah , 55% of bookers for Once On This Island , 54% of bookers for Robin Hood: The Legend. Re-written ., and 46% of bookers for La Cage aux Folles were first time visitors to Regent’s Park Open Air Theatre, demonstrating the charity’s continued commitment to connecting with and developing new audiences.
We are keen to meet the needs of audiences with specific disabilities (this year we engaged with 2,292 access bookers ). In addition to ticket discounts, wheelchair spaces, and the provision of headsets, we also programmed 13 assisted performances throughout this year’s summer season, including captioned, BSL interpreted and audio described, alongside a relaxed performance of The Tempest re-imagined for everyone aged six and over
All aspects of the charity’s work continue to provide professional development for the creative and performing artists, technical and administrative staff working at the theatre.
5. Strategy 2022-27
OUR VISION
To help people make sense of the world under a shared sky.
OUR MISSION
Celebrating our unique and experiential outdoor setting, we create popular, enriching and unexpected theatre that provides a lens into the here and now.
OUR GUIDING VALUES
We are:
Ambitious
As one of the largest producing theatres in London, we create exceptional work at scale and strive to remain curious, innovative and aspirational, both artistically and organisationally.
Open
An open air theatre that is open and accessible to all; we nurture, develop and inspire those who work for us, engage with us, and visit us.
Independent
We remain entrepreneurial and agile, with the ability to adapt to ever-changing needs and behaviours to ensure our continued relevance and impact.
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Connected
Through collaboration with both internal and external stakeholders, we forge new and heighten existing partnerships built on trust, respect, and a shared dialogue.
Joyful
Utilising the spirit of the park in which we play, we are unashamedly popular, entertaining, and far-reaching in everything we do.
OUR UNDERLYING PRINCIPLES
Equity, Diversity & Inclusion
We are committed to championing diversity and accessibility in everything we do, embracing difference and individuality with respect and equality, ensuring everyone feels valued and welcome.
Environmental Sustainability
The collision between art and environment is what makes our work unique; our relationship with the planet is front and centre. Recognising the climate crisis, we are committed to reducing our environmental impact and to finding ways to adapt and respond to ever-changing weather patterns.
History & Heritage
We are committed to building on our foundations as the oldest, professional, permanent outdoor theatre in the UK.
Civic Responsibility
We are committed to exploiting opportunities to collaborate with local authorities, schools, community groups, grassroots organisations and other charities to remain locally engaged and effective.
OUR ENABLERS
Good Governance
Led by an active and committed Board of Trustees with a broad range of skills and lived experiences.
Committed People:
Permanent Staff, Seasonal Teams & Freelancers
Who feel supported, listened to and inspired.
Engaged Stakeholders
Including individuals, groups and organisations, from funders and architects to advisors and The Royal Parks.
A Functioning Estate & Efficient Systems
That are fit-for-purpose and effectively support the growing ambition of the organisation.
Commercial Mindedness
Enabling the evolution of our independent, not-for-profit business model, and helping to mitigate identified risks.
OUR STRATEGIC PRIORITIES
1. Producing Expansion
2. Developing Audiences & People
3. Organisational Growth
Three priority areas sit within each of our Strategic Priorities.
6. Achievement and Performance
This year, we sold 151,120 tickets (up 1,178 on 2022 and 47,562 on 2021), 59,565 of which were sold for £25 or less . Our average ticket yield for produced work in the main auditorium was £38.22 (down £2.64 on 2022 and £9.18 on 2021).
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19.5% of tickets were purchased in the 48 hours leading up to a performance (compared to 16.4% in 2022).
In 2023, we employed: 70 creatives, 69 performers, 11 musicians, 6 young performers, 19 members of core staff and 223 members of seasonal staff across stage management, production, technical, visitor services and bars and dining. 12 young Creative Associates from the Unicorn Theatre also supported the creative delivery of The Tempest re-imagined for everyone six and over .
6a. Produced work
2023’s summer season opened on Wednesday 10 May 2023 with a revival of Once On This Island (book and lyrics by Lynn Ahrens, music by Stephen Flaherty). Directed by Ola Ince, the production was choreographed by Kenrick ‘H20’ Sandy, with musical supervision by Philip Bateman, musical direction by Chris Poon, set design by Georgia Lowe, costume design by Melissa Simon-Hartman, lighting by Jessica Hung Han Yun, sound by Nick Lidster for Autograph and casting by Jacob Sparrow. The production played 36 performances through to Saturday 10 June 2023, to an overall audience of 17,757 .
“ The sung-through score is heartstoppingly lush, a joyous musical tide that runs through the night like a river of glowing sound .” Time Out
“ Soars and sizzles as it reinvents a familiar folk tale and salutes the power of collective storytelling .” WhatsOnStage
" Gabrielle Brooks radiates star quality ." The Stage
" If this outdoor theatre had a roof, Anelisa Lamola’s earth goddess would raise it .” The Guardian
Every Leaf A Hallelujah , an adaptation of Ben Okri’s fairytale for children aged 4+ and their families, played on the Theatre Lawn for 28 daytime performances from Monday 22 May – Saturday 10 June 2023. The production was adapted and directed by Chinonyerem Odimba, with movement direction by Ingrid Mackinnon, composition and musical direction by Sura Susso, design by Khadija Raza, sound by Riwa Saab, and casting by Heather Basten CDG. A Regent’s Park Open Air Theatre commission that played to an overall audience of 1,741 .
“ Celebratory storytelling… A lovely reminder that even the smallest voice can make a difference .” The Stage
“ The show’s secret weapon is composer and musician Sura Susso. ” Time Out
Robin Hood: The Legend. Re-written. , a brand new play by Carl Grose, commissioned by Regent’s Park Open Air Theatre, was the second main auditorium production in this year’s season. Directed by Melly Still, with movement direction by Mike Ashcroft, composition and musical supervision by Jenny Moore, musical direction by Joley Cragg, set design by Chiara Stephenson, costume design by Samuel Wyer, lighting by Zoe Spurr, sound by Emma Laxton, and casting by Polly Jerrold. The production played 40 performances from Saturday 17 June – Saturday 22 July 2023, to an overall audience of 21,614 .
“ The entire thing froths over with a great sense of fun and heaps of imagination. This is how to rewrite a legend: a must see this summer. ” The Guardian
“ Delirious evening of summery fun .” The Stage
“ Rumbustious, ambitious and enjoyable entertainment .” The i
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TRUSTEES REPORT FOR THE YEAR ENDED 31 DECEMBER 2023
The Tempest re-imagined for everyone aged six and over was our second offering for children and young people in this year’s season. Revised (from William Shakespeare) and directed by Jennifer Tang, the production had movement direction by Annie-Lunnette Deakin-Foster, composition by Harry Blake, set design by Chiara Stephenson, costume design by E.M. Parry, lighting by Azusa Ono, sound by Tingying Dong, and casting by Lotte Hines. The production played 26 daytime performances from Friday 30 June – Saturday 22 July 2023, to an overall audience of 11,802 .
“A lovely introduction to Shakespeare and the natural surroundings of the venue add to its magic.” The Guardian
“A bright, brisk and engaging take, with diverting tunes, a bit of audience interaction, and a few solid chuckles.” Time Out
The Tempest re-imagined for everyone aged six and over was the first main house co-production between Regent’s Park Open Air Theatre and the Unicorn Theatre. The production transferred to the Unicorn Theatre for a limited run from Tuesday 19 September – Sunday 15 October 2023.
2023’s season closed with Timothy Sheader’s final production as Artistic Director of the organisation: a major London revival of La Cage aux Folles (book by Harvey Fierstein, music and lyrics by Jerry Herman, based on the play by Jean Poiret). Directed by Timothy Sheader, the show was choreographed by Stephen Mear, with musical supervision by Jennifer Whyte, musical direction by Ben van Tienen, set design by Colin Richmond, costume design by Ryan Dawson Laight, lighting by Howard Hudson, sound by Nick Lidster for Autograph, and casting by Amy Ball. The production was a huge hit with both critics and audiences alike, and played 64 performances (including a week’s extension) from Saturday 29 July – Saturday 23 September 2023, to an overall audience of 71,338 .
“ Five stars for a glorious La Cage aux Folles at the Open Air Theatre .” Financial Times *
“ Tim Sheader’s joyous new production .” Daily Telegraph *
“ I’d urge you to grab tickets before it inevitably sells out .” WhatsOnStage *
“ Blisteringly smart, this is the show of the summer .” City AM *
“ Its sheer panache is irresistible .” The Times ****
“ Dazzling revival is hilarious and heartfelt .” The Guardian ****
“ This is a big blow-out of a show that wraps up as a gloriously camp celebration of found family and living exactly as who you are .” Time Out ****
La Cage aux Folles became the second-highest grossing production in Regent’s Park Open Air Theatre’s 91-year history.
6b. Received Work
In August 2023 we welcomed Nicoll Entertainment back to Regent’s Park Open Air Theatre with their production of Dinosaur World Live . The show played 31 daytime performances to young people and their families from Friday 11 August – Sunday 3 September 2023, to an overall audience of 21,194 .
“ Dinosaur World Live has a genuine, up-close charm and is a perfect child-distractor .” Time Out
“ Great fun. The children were delighted .” What’s Good To Do
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2023’s MOREoutdoor programme featured one-off presentations from Alistair Green with What Are We Like Eh! , Tim Key’s Mulberry , Bridget Christie & Friends, Austentatious, Sara Pascoe’s Success Story, The BBC Big Band , and Luna Cinema screenings of Elvis and Grease . Total MOREoutdoor attendance was 5,674 .
6c. Beyond Regent's Park
Our critically-acclaimed, sell-out 2016 revival of Jesus Christ Superstar continued its second tour of North America throughout the entirety of 2023. In addition, a UK tour of the production opened on Monday 11 September 2023 at the Palace Theatre in Manchester.
During the year, our production of Jesus Christ Superstar was seen by over 400,000 people across the world.
The production is currently scheduled to have its Australian premiere at the Capitol Theatre, Sydney from November 2024.
On the 18 October 2023 the UK tour of 101 Dalmatians , reimagined from the 2022 production at Regent’s Park Open Air Theatre, was announced. The tour will start at the New Wimbledon Theatre in June 2024 and culminate at Edinburgh Playhouse in November 2024.
As mentioned in section 6.a., The Tempest re-imagined for everyone aged six and over transferred to the Unicorn Theatre for a limited run from Tuesday 19 September – Sunday 15 October 2023.
6d. Awards & Recognition
We were delighted to be nominated for 2 Olivier Awards this year:
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Best Costume Design for Ryan Dawson Laight for La Cage aux Folles
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Best Family Production for Nicoll Entertainment's Dinosaur World Live
with Dinosaur World Live winning in their category.
Furthermore, we were thrilled to be nominated for 4 WhatsOnStage Awards this year:
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Best Musical Revival for La Cage aux Folles
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Best Choreography for Stephen Mear for La Cage aux Folles
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Best Costume Design for Ryan Dawson Laight for La Cage aux Folles
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Best Graphic Design for Feast for La Cage aux Folles
with Ryan Dawson Laight winning in their category. The La Cage aux Folles company also opened this year’s WhatsOnStage Awards Ceremony at the London Palladium with a performance of ‘We Are What We Are’.
In this year’s Stage Debut Awards , Jenny Moore was nominated for her work on Robin Hood: The Legend. Re-written . in the Best Composer, Lyricist or Book Writer category.
Finally, Timothy Sheader and James Pidgeon were recognised in January 2024’s The Stage 100 list of the most influential people in UK theatre (in the London Theatres section). Incoming Artistic Director Drew McOnie was also recognised in the Opera & Dance section.
6e. Food & Drink
The bar and dining areas (operated by the charity’s subsidiary, Regent’s Park Enterprises Limited) were as popular as ever with audiences. This year, our Covered Dining restaurant served 3,346 customers, 2,531 of whom were attending the theatre to see La Cage aux Folles . 6,063 pizzas were sold at the Pizza Oven, 15,031 tubs of ice cream were sold (up 6,500 on 2022), and 4 weeks of the La Cage aux Folles run entered the Top 10 Income Weeks for Bars & Dining since 2018.
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6f. Environment & Sustainability
In addition to our continued work in this area, this year we converted our stage lighting system from tungsten to LED, transforming this set-up into something much more environmentally friendly. Working closely with White Light (our lighting equipment suppliers) to realise this important leap, the move to LED has not only improved our ability to deliver the ambitions of our Lighting Designers, but has also reduced energy consumption and running costs (our old season rig had a potential power draw of 225KW compared to the new LED rig’s 59KW).
6g. IT Upgrade Project
During the year the charity undertook significant upgrades to its IT infrastructure. Managed by our external IT company, IPI, these works included rolling out Office 365 across the organisation, moving to a cloud-based server, installing an improved phone system, introducing the room booking and event planning system Artifax to the organisation, and upgrading our till system across all food and drink outlets. This work has been significant yet was much-needed to future-proof such infrastructure as well as improve organisational performance and efficiency.
6h. Major Capital Project
In May 2023 we completed a major capital project to replace and reconfigure the technical gallery and control room alongside the erection of a single storey extension above the current production workshop. The project was led by Northcote as project managers, Reed Watts as architects, and MCD Group as contractors. The project has transformed how we technically deliver productions in our main auditorium (particularly for Lighting), and will ensure production delivery can continue to meet the growing artistic ambitions of the organisation.
As a result of improvements to the technical gantry, a new row of seating was installed at the back of the auditorium, thus bringing overall capacity up to 1,304. These new seats were put on-sale for Robin Hood: The Legend. Re-written . onwards.
7. Financial Review
Incoming resources decreased to £6,525,617 (2022: £7,958,565) and total funds decreased by £910,727 to £8,930,904 (2022: £9,841,623). This was due to a number of factors, namely: lesser known titles in this year’s season resulting in lower than anticipated ticket sales; the end of Culture Recovery Fund grants (£638,755 of CRF grants were received in 2022 vs. £44,000 in 2023); increased direct costs in response to producing five productions instead of three; and high levels of wet weather resulting in reduced booking confidence from audiences and the highest number of abandoned performances since 2017.
The charity’s wholly owned subsidiary Regent’s Park Enterprises Limited operates our bar and dining facilities. The year ended 31 December 2023 saw income increase to £1,109,145 (2022: £1,093,626) and a profit for the year of £123,857 (2022: £65,514).
The charity’s wholly owned subsidiary Regent’s Park Productions Limited produces some of the productions staged at the theatre under a commissioning agreement. The year ended 31 December 2023 saw an increase in commissioning fees receivable from Regent’s Park Theatre Limited to £3,784,903 (2022: £3,380,432) and an increase in theatre tax relief to £1,104,001 (2022: £995,378). Commissioning fees receivable are equal to the subsidiary’s costs less provision for theatre tax relief and as a result the subsidiary broke even in the years to 31 December 2022 and 2023.
The charity’s wholly owned subsidiary Regent’s Park Ventures Limited operates the charity’s theatrical productions held externally to the theatre itself. During the year ended 31 December 2023 there were no external productions (managed directly by the charity), resulting in box office income of £Nil (2022: £Nil), theatre tax relief of £Nil (2022: £Nil), and loss before writing off financial liabilities of £6,631 (2022: loss of £6,149). Irrecoverable production funding provided by Regent’s Park Theatre Limited of £6,631 has been written off (2022: £6,149).
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8. Fundraising Activities
The charity has a Head of Partnerships & Philanthropy, a Partnerships & Philanthropy Manager, and a part-time Partnerships Assistant, all of whose work includes raising funds primarily from corporate entities and trusts. Individuals are also able to make donations. Funds are raised towards the ongoing activities of the charity as well as for specific projects such as major building works. The charity did not engage third parties to carry out fundraising activities on its behalf during the year. No complaints were received during the year by the charity about fundraising activity.
9. Plans for Future Periods
At the time of writing, the charity has already completed its first production of 2024: a stage adaptation of the children’s book Bear Snores On, directed by Cush Jumbo and Katy Sechiari in a new 120-capacity pop-up indoor space on our main stage. This production played throughout April 2024, marking the first time in the organisation’s 92-year history of a show being produced outside of the traditional summer season.
The 2024 summer season will see four productions produced, including a Shakespeare title, a world premiere of a new commission by Holly Robinson and Anna Himali Howard, and a highly-anticipated musical revival. We will also welcome the London premiere of Roald Dahl’s The Enormous Crocodile , a Regent’s Park Open Air Theatre, Roald Dahl Story Company & Leeds Playhouse production that premiered at Leeds Playhouse in December 2023.
The Trustees intend to maintain their present policy of longer-term financial planning allowing for better investment and artistic breath in its produced and received productions, and greater risk at the box office for both commissioned and new work.
10. Risk Assessment
The Trustees carried out a Risk Assessment in 2023. This is reviewed and updated annually and details the systems which have been established to mitigate the major risks to which the charity is exposed.
11. Reserves
The Trustees have a formal policy regarding reserves which is reviewed annually. Full details of current unrestricted, designated and restricted reserves can be found at notes 21 and 22 on pages 37 to 39.
The charity defines its free reserves as the total of unrestricted general funds together with certain designated funds that can be released if absolutely necessary (such designated funds being £100k of repairs and renewals projects and depreciation; the entirety of provision for at risk investment in tours/transfers; the entirety of provision for future artistic projects and commissioning; and all general short-term cashflow funds), minus tangible fixed assets as detailed in note 22. Only in exceptional circumstances will Trustees approve the partial or full release of such designated funds, as doing so would likely have a significant impact on the operational and strategic growth of the organisation.
At the year ended 31 December 2023, the charity held unrestricted funds of £263,732 (2022: £292,048) and had a free reserve balance of £1,371,198 (2022: £1,348,496).
12. Investment Policy
Under the memorandum and articles of association, the charitable company has the power to make any investment which the Trustees see fit.
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13. Trustees’ Responsibilities Statement
The Trustees are responsible for preparing the financial statements in accordance with applicable law and United Kingdom Generally Accepted Accounting Practice.
The Trustees are required by law to prepare financial statements for each financial year which give a true and fair view of the financial position of the charity and the group and of the financial activities of the group for the period then ended. In preparing those financial statements, the Trustees are required to:
-
select suitable accounting policies and apply them consistently;
-
observe the methods and principles of the Charities SORP;
-
make judgements and estimates that are reasonable and prudent;
-
state whether the policies adopted are in accordance with the Companies Act 2006 and with applicable
-
accounting standards and statements of recommended practice, subject to any material departures disclosed and explained in the financial statements; and
-
prepare the financial statements on a going concern basis unless it is inappropriate to presume that the
-
charity company will continue in operation.
The Trustees are responsible for keeping proper accounting records which disclose with reasonable accuracy at any time the financial position of the charity company and enable them to ensure that the financial statements comply with the Companies Act 2006 and charity legislation. They are also responsible for safeguarding the assets of the charity company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
14. Going Concern
After making appropriate enquiries, the Trustees have a reasonable expectation that the company has adequate resources to continue in operational existence for the foreseeable future. For this reason they continue to adopt the going concern basis in preparing the financial statements. Further details regarding the adoption of the going concern basis can be found in the Accounting Policies.
15a. Statement as to Disclosure of Information to Auditors
So far as each Trustee is aware, there is no relevant audit information (as defined by section 418 of the Companies Act 2006) of which the company’s auditors are unaware, and each Trustee has taken all the steps that he or she ought to have taken as a Trustee in order to make himself or herself aware of any relevant audit information and to establish that the company’s auditors are aware of that information.
This report, incorporating the Group Strategic Report, was approved by the Trustees, in their capacity as company directors, on 12 July 2024 and signed on their behalf by:
Stuart Griffiths OBE Trustee
Page 13
REGENT'S PARK THEATRE LIMITED
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF REGENT'S PARK THEATRE LIMITED
Opinion
We have audited the financial statements of Regent's Park Theatre Limited (the 'parent charity') and its subsidiaries (the 'group') for the year ended 31 December 2023 set out on pages 18 to 41. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102 'The Financial Reporting Standard applicable in the UK and Republic of Ireland' (United Kingdom Generally Accepted Accounting Practice).
In our opinion the financial statements:
-
give a true and fair view of the state of the group's and of the parent charitable company's affairs as at 31 December 2023 and of the group's incoming resources and application of resources, including its income and expenditure for the year then ended;
-
have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and
-
have been prepared in accordance with the requirements of the Companies Act 2006.
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the Auditors' responsibilities for the audit of the financial statements section of our report. We are independent of the group in accordance with the ethical requirements that are relevant to our audit of the financial statements in the United Kingdom, including the Financial Reporting Council's Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements, we have concluded that the Trustees' use of the going concern basis of accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on the charitable company's ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue.
Our responsibilities and the responsibilities of the Trustees with respect to going concern are described in the relevant sections of this report.
Other information
The other information comprises the information included in the annual report other than the financial statements and our auditors' report thereon. The Trustees are responsible for the other information contained within the annual report. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon.
Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the course of the audit, or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether this gives rise to a material misstatement in the financial statements themselves. If, based on the work we have performed, we conclude that there is a material misstatement of this other information, we are required to report that fact.
Page 14
REGENT'S PARK THEATRE LIMITED
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF REGENT'S PARK THEATRE LIMITED
We have nothing to report in this regard.
Opinion on other matters prescribed by the Companies Act 2006
In our opinion, based on the work undertaken in the course of the audit:
-
the information given in the Trustees' Report for the financial year for which the financial statements are prepared is consistent with the financial statements.
-
the Trustees' Report and the Group Strategic Report have been prepared in accordance with applicable legal requirements.
Matters on which we are required to report by exception
In the light of our knowledge and understanding of the charitable company and its environment obtained in the course of the audit, we have not identified material misstatements in the Trustees' Report.
We have nothing to report in respect of the following matters in relation to which the Companies Act 2006 requires us to report to you if, in our opinion:
-
the parent charitable company has not kept adequate and sufficient accounting records, or returns adequate for our audit have not been received from branches not visited by us; or
-
the parent charitable company financial statements are not in agreement with the accounting records and returns; or
-
certain disclosures of Trustees' remuneration specified by law are not made; or
-
we have not received all the information and explanations we require for our audit.
Responsibilities of trustees
As explained more fully in the Trustees' Responsibilities Statement, the Trustees (who are also the directors of the charitable company for the purposes of company law) are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the Trustees determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error.
In preparing the financial statements, the Trustees are responsible for assessing the group's and the parent charitable company's ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the Trustees either intend to liquidate the group or the parent charitable company or to cease operations, or have no realistic alternative but to do so.
Page 15
REGENT'S PARK THEATRE LIMITED
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF REGENT'S PARK THEATRE LIMITED
Auditors' responsibilities for the audit of the financial statements
Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an Auditors' Report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements.
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud is detailed below:
We gained an understanding of the legal and regulatory framework applicable to the company and the industry in which it operates, and considered the risk of acts by the company that were contrary to applicable laws and regulations, including fraud. We designed audit procedures to respond to the risk, recognising that the risk of not detecting a material misstatement due to fraud is higher than the risk of not detecting one resulting from error, as fraud may involve deliberate concealment by, for example, forgery or intentional misrepresentations, or through collusion.
We focussed on laws and regulations which could give rise to a material misstatement in the financial statements, including, but not limited to, the Companies Act 2006 and Charities Act 2011. Our tests included agreeing the financial statement disclosures to underlying supporting documentation, reading minutes of meetings of those charged with governance, enquiries with management and review of accounting estimates. There are inherent limitations in the audit procedures described above and, the further removed non-compliance with laws and regulations is from the events and transactions reflected in the financial statements, the less likely we would become aware of it. We did not identify any key audit matters relating to irregularities, including fraud. As in all our audits, we also addressed the risk of management override of internal controls, including testing journals and evaluating whether there was evidence of bias by the directors that represented a risk of material misstatement due to fraud.
A further description of our responsibilities for the audit of the financial statements is located on the Financial Reporting Council's website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our Auditors' Report.
Page 16
REGENT'S PARK THEATRE LIMITED
INDEPENDENT AUDITORS' REPORT TO THE MEMBERS OF REGENT'S PARK THEATRE LIMITED
Use of our report
This report is made solely to the charitable company's members, as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might state to the charitable company's members those matters we are required to state to them in an Auditors' Report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the charitable company and its members, as a body, for our audit work, for this report, or for the opinions we have formed.
Paul Taiano (Senior Statutory Auditor)
for and on behalf of
Nyman Libson Paul LLP
Chartered Accountants Registered Auditors 124 Finchley Road London NW3 5JS 12 July 2024
Page 17
REGENT'S PARK THEATRE LIMITED
CONSOLIDATED STATEMENT OF FINANCIAL ACTIVITIES INCORPORATING INCOME AND EXPENDITURE ACCOUNT FOR THE YEAR ENDED 31 DECEMBER 2023
| Note Income from: Donations and legacies 3 Charitable activities 6 Other trading activities 4 Investments 5 Total income Expenditure on: Raising funds 4,7 Charitable activities 8,9,10 Total expenditure Net income / (expenditure) before transfers Transfers between funds 21 Net income / (expenditure) before other recognised gains and losses Net movement in funds Reconciliation of funds: Total funds brought forward Total funds carried forward |
Unrestricted funds 2023 £ 143,507 5,225,853 1,072,264 34,993 6,476,617 1,047,948 5,814,706 6,862,654 (386,037) 357,721 (28,316) (28,316) 292,048 263,732 |
Restricted funds 2023 £ 49,000 - - - 49,000 2,000 91,856 93,856 (44,856) - (44,856) (44,856) 344,151 299,295 |
Designated funds 2023 £ - - - - - - 479,834 479,834 (479,834) (357,721) (837,555) (837,555) 9,205,432 8,367,877 |
Total funds 2023 £ 192,507 5,225,853 1,072,264 34,993 6,525,617 1,049,948 6,386,396 7,436,344 (910,727) - (910,727) (910,727) 9,841,631 8,930,904 |
Total funds 2022 £ 799,612 6,087,287 1,062,605 9,061 |
|---|---|---|---|---|---|
| 7,958,565 | |||||
| 1,084,728 5,759,326 |
|||||
| 6,844,054 | |||||
| 1,114,511 - |
|||||
| 1,114,511 1,114,511 8,727,120 |
|||||
| 9,841,631 |
A separate income and expenditure account has not been prepared as the information required by Companies Act 2006 is given in the above statement of financial activities and in the notes to the accounts.
All the above activities and amounts relate to continuing operations for both the current and prior year.
All recognised gains and losses are included in the above statement of financial activities.
The notes on pages 22 to 41 form part of these financial statements.
Page 18
REGENT'S PARK THEATRE LIMITED REGISTERED NUMBER: 00759557
CONSOLIDATED BALANCE SHEET AS AT 31 DECEMBER 2023
| Note Fixed assets Tangible assets 14 Current assets Stocks 17 Debtors 18 Cash at bank and in hand Creditors:amounts falling due within one year 19 Net current assets Net assets Charity Funds Designated funds 21 Restricted funds 21 Unrestricted funds: Share capital 20 Unrestricted funds 21 Total unrestricted funds Shareholders' and Charity's funds |
£ 27,455 1,467,695 2,444,839 3,939,989 (301,543) 12 263,720 |
2023 £ 5,292,458 3,638,446 8,930,904 8,367,877 299,295 263,732 8,930,904 |
£ 39,007 1,264,484 4,368,059 5,671,550 (778,903) 13 292,035 |
2022 £ 4,948,984 4,892,647 |
|---|---|---|---|---|
| 9,841,631 | ||||
| 9,205,432 344,151 292,048 |
||||
| 9,841,631 |
The financial statements were approved and authorised for issue by the Trustees on 12 July 2024 and signed on their behalf, by:
Stuart Griffiths OBE
The notes on pages 22 to 41 form part of these financial statements.
Page 19
REGENT'S PARK THEATRE LIMITED REGISTERED NUMBER: 00759557
COMPANY BALANCE SHEET AS AT 31 DECEMBER 2023
| Note Fixed assets Tangible assets 14 Investments 15 Current assets Stocks 17 Debtors 18 Cash at bank and in hand Creditors:amounts falling due within one year 19 Net current assets Net assets Charity Funds 21 Designated funds Restricted funds Unrestricted funds: Share capital 20 Unrestricted income funds Total unrestricted funds Shareholders' and Charity's funds |
£ 7,588 1,559,250 2,349,049 3,915,887 (270,863) 12 249,582 |
2023 £ 5,271,739 3 5,271,742 3,645,024 8,916,766 8,367,877 299,295 249,594 8,916,766 |
£ 12,003 1,345,748 4,276,545 5,634,296 (733,594) 13 286,688 |
2022 £ 4,935,579 3 |
|---|---|---|---|---|
| 4,935,582 4,900,702 |
||||
| 9,836,284 | ||||
| 9,205,432 344,151 286,701 |
||||
| 9,836,284 |
The company has taken advantage of the exemption allowed under section 408 of the Companies Act 2006 and has not presented its own statement of financial affairs in these financial statements. The result of the charitable company for the year was net outgoing resources of £919,518 (2022: net incoming resorces of £1,122,907).
The financial statements were approved and authorised for issue by the Trustees on 12 July 2024 and signed on their behalf, by:
Stuart Griffiths OBE
The notes on pages 22 to 41 form part of these financial statements.
Page 20
REGENT'S PARK THEATRE LIMITED
CONSOLIDATED STATEMENT OF CASH FLOWS FOR THE YEAR ENDED 31 DECEMBER 2023
| Note Cash flows from operating activities Net cash (used in)/provided by operating activities 23 Cash flows from investing activities: Interest receivable Purchase of tangible fixed assets Net cash used in investing activities Change in cash and cash equivalents in the year Cash and cash equivalents brought forward Cash and cash equivalents carried forward 24 |
2023 £ (1,164,464) 34,993 (793,749) (758,756) (1,923,220) 4,368,059 2,444,839 |
2022 £ 700,672 |
|---|---|---|
| 9,061 (414,423) |
||
| (405,362) | ||
| 295,310 4,072,749 |
||
| 4,368,059 |
The notes on pages 22 to 41 form part of these financial statements.
Page 21
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
1. Accounting Policies
1.1 Basis of preparation of financial statements
The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019) - (Charities SORP (FRS 102)), the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Companies Act 2006.
Regent's Park Theatre Limited meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy.
The Statement of Financial Activities (SOFA) and Balance Sheet consolidate the financial statements of the company and its subsidiary undertaking. The results of the subsidiary are consolidated on a line by line basis.
1.2 Fund accounting
General funds are unrestricted funds which are available for use at the discretion of the Trustees in furtherance of the general objectives of the company and which have not been designated for other purposes.
Designated funds comprise unrestricted funds that have been set aside by the Trustees for particular purposes. The aim and use of each designated fund is set out in the notes to the financial statements.
Restricted funds are funds which are to be used in accordance with specific restrictions imposed by donors or which have been raised by the company for particular purposes. The costs of raising and administering such funds are charged against the specific fund. The aim and use of each restricted fund is set out in the notes to the financial statements.
Page 22
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
1. Accounting Policies (continued)
1.3 Income
All income is recognised once the company has entitlement to the income, it is probable that the income will be received and the amount of income receivable can be measured reliably.
Box office income comprises the sale of tickets to both in house and third party productions held at Regent's Park Open Air Theatre and is recorded before deduction of credit card and other charges. Box office receipts are initially recognised as deferred income and are recognised as income once the performance to which the advanced sale relates has taken place. The charity applies the Cultural VAT Exemption on applicable income.
Catering and merchandise income comprises sales of food, drink and merchandise at the theatre and is recognised at the point of sale.
Royalties received comprise amounts due from third parties for performances of the charity company's productions at venues other than Regent's Park Open Air Theatre. Royalties are recognised once the performance to which the royalty relates has taken place.
Income arising from sponsorship, donations and grants are included in the statement of financial activities in the period in which they are applicable.
Arts Council England grants are accounted for as unrestricted funds where the funds are awarded for general use contributing towards the charitable activities of the charitable company without a specific restriction as to the charitable purposes for which they can be spent. Arts Council Grants awarded for a specific purpose are accounted for as restricted funds. Arts Council England grants are recognised in line with expenditure of the project to which they are applied.
Page 23
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
1. Accounting Policies (continued)
1.4 Expenditure
Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably.
All expenditure is accounted for on an accruals basis. All expenses including support costs and governance costs are allocated to the applicable expenditure headings.
Cost of raising funds represent the catering and other expenditure attributable to the trading activity of the group.
Support costs are those costs incurred directly in support of expenditure on the objects of the group and include expenditure to develop and perform productions and the administration of Regent's Park Open Air Theatre.
Governance costs are those incurred in connection with administration of the company and compliance with constitutional and statutory requirements.
The VAT on expenditure that is irrecoverable either partially (or wholly in the case of production costs) is aggregated and shown as one figure.
Costs of generating funds are costs incurred in attracting voluntary income, and those incurred in trading activities that raise funds.
Charitable activities and Governance costs are costs incurred on the company's educational operations, including support costs and costs relating to the governance of the company apportioned to charitable activities.
1.5 Going concern
The group meets its day to day working capital requirements through the utilisation of its own funds.
After reviewing the company's forecasts and projections the Trustees have a reasonable expectation that the group has adequate resources to continue in operational existence for a period of at least 12 months from the date of approval of these financial statements. The Trustees therefore consider it appropriate to adopt the going concern basis in preparing the group's financial statements.
1.6 Basis of consolidation
The financial statements consolidate the accounts of Regent's Park Theatre Limited and all of its subsidiary undertakings ('subsidiaries') as if they formed a single entity. All group companies have the same year end, apply consistent accounting policies and intercompany transactions and balances between group companies are eliminated in full.
The company has taken advantage of the exemption contained within section 408 of the Companies Act 2006 not to present its own Income and Expenditure Account.
Page 24
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
1. Accounting Policies (continued)
1.7 Tangible fixed assets and depreciation
All assets costing more than £500 are capitalised.
A review for impairment of a fixed asset is carried out if events or changes in circumstances indicate that the carrying value of any fixed asset may not be recoverable. Shortfalls between the carrying value of fixed assets and their recoverable amounts are recognised as impairments. Impairment losses are recognised in the Statement of Financial Activities.
Tangible fixed assets are carried at cost, net of depreciation and any provision for impairment. Depreciation is provided at rates calculated to write off the cost of fixed assets, less their estimated residual value, over their expected useful lives on the following bases:
General building improvements - 20% on cost - Major building works (in year of Over the remaining course of the lease term completion) Assets under construction - Depreciated once brought into use Technical & stage equipment - 15% on cost Office furniture & fittings - 20% on cost Box office software & equipment - 20% - 33% on cost Computer equipment - 33% on cost Catering fixtures & fittings - 20% on cost
1.8 Investments
Investments are a form of basic financial instrument. Investments in subsidiaries are valued at cost less provision for impairment.
1.9 Interest receivable
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the company; this is normally upon notification of the interest paid or payable by the bank.
1.10 Stocks
Stocks are valued at the lower of cost and net realisable value after making due allowance for obsolete and slow-moving stocks.
1.11 Debtors
Trade and other debtors are recognised at the settlement amount after any trade discount offered. Prepayments are valued at the amount prepaid net of any trade discounts due.
1.12 Cash at Bank and in hand
Cash at bank and in hand includes cash and short term highly liquid investments with a short maturity of three months or less from the date of acquisition or opening of the deposit or similar account.
Page 25
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
1. Accounting Policies (continued)
1.13 Creditors and provisions
Creditors and provisions are recognised where the company has a present obligation resulting from a past event that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can be measured or estimated reliably. Creditors and provisions are normally recognised at their settlement amount after allowing for any trade discounts due.
1.14 Financial instruments
The group only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value.
Financial assets in the charitable company's own balance sheet include amounts due from the subsidiaries which are repayable on demand.
1.15 Pensions
The charity makes contributions to defined contribution schemes for certain staff which are administered by outside independent pension providers. Contributions payable for the year are charged to the Statement of Financial Activities.
1.16 Leasing
The annual rentals of all operating leases are charged to the profit and loss account on a straight line basis over the lease term.
2. Significant judgements and estimates
The preparation of the financial statements requires management to make judgements, estimates and assumptions that effect the amounts reported for assets and liabilities as at the reporting date and the amounts reported for income and expenditure during the year. However, the nature of estimation means that actual outcomes could differ from those estimates.
The following are the group's key sources of estimation uncertainty:
Tangible assets
Tangible assets are depreciated over their useful lives taking into account residual values where appropriate. The actual lives of the assets and residual values are assessed annually and may vary depending upon a number of factors. In re-assessing the assets' lives, factors such as technological innovation, theatrical production requirements and maintenance programmes are taken into account.
Impairment of debtors
The group makes an estimate of the recoverable value of trade and other debtors. When assessing impairment, management considers factors including the current credit rating of the debtor, the ageing profile and historical experience.
Page 26
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
3. Income from donations and legacies
| Unrestricted funds Restricted funds 2023 £ 2023 £ Voluntary income (donations & trusts) 15,697 5,000 Arts Council England Grants - 44,000 Government grants - - Sponsorship 127,810 - Total donations and legacies 143,507 49,000 Total 2022 398,612 401,000 4. Trading activities Unrestricted funds Restricted funds 2023 £ 2023 £ Charity trading income Catering income 1,072,264 - Fundraising trading expenses Catering expenditure 979,687 2,000 Net income from trading activities 92,577 (2,000) 5. Investment income Unrestricted funds Restricted funds 2023 £ 2023 £ Interest received 34,993 - Total 2022 9,061 - |
Restricted funds 2023 £ 5,000 44,000 - - |
Designated funds 2023 £ - - - - - - Designated funds 2023 £ - - - Designated funds 2023 £ - - |
Total funds 2023 £ 20,697 44,000 - 127,810 192,507 799,612 Total funds 2023 £ 1,072,264 981,687 90,577 Total funds 2023 £ 34,993 9,061 |
Total funds 2022 £ 30,199 638,755 6,000 124,658 |
|---|---|---|---|---|
| 49,000 | 799,612 | |||
| Total funds 2022 £ 1,062,605 |
||||
| 401,000 | ||||
| 1,024,513 | ||||
| 38,092 | ||||
| Total funds 2022 £ 9,061 |
||||
Page 27
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
6. Income from charitable activities
| Theatre, rehearsal room and prop hire Programmes and merchandise Box office receipts Royalties from external productions Friends subscriptions Total 2022 |
Unrestricted funds 2023 £ 114,115 75,365 4,685,915 297,136 53,322 5,225,853 6,087,287 |
Restricted funds 2023 £ - - - - - - - |
Designated funds 2023 £ - - - - - - - |
Total funds 2023 £ 114,115 75,365 4,685,915 297,136 53,322 5,225,853 6,087,287 |
Total funds 2022 £ 111,074 100,893 5,390,795 428,032 56,493 6,087,287 |
|---|---|---|---|---|---|
7. Costs of generating funds
| Costs of generating funds | |||||
|---|---|---|---|---|---|
| Contribution to administration salaries and overheads Total 2022 |
Unrestricted funds 2023 £ 68,261 60,215 |
Restricted funds 2023 £ - - |
Designated funds 2023 £ - - |
Total funds 2023 £ 68,261 60,215 |
Total funds 2022 £ 60,215 |
Page 28
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
8. Direct costs
Costs of activities in furtherance of the charity's objects:
| Production costs Catering subsidiaries Programme and merchandise costs Marketing and press Box office, front of house and theatre rent Wages and salaries National insurance Pension cost Total 2022 |
Activities £ 1,548,701 36,037 45,881 312,013 405,005 2,169,300 136,474 52,025 4,705,436 4,322,812 |
Total 2023 £ 1,548,701 36,037 45,881 312,013 405,005 2,169,300 136,474 52,025 4,705,436 4,322,812 |
Total 2022 £ 1,313,552 28,134 52,225 293,788 402,092 2,056,255 126,300 50,466 4,322,812 |
|---|---|---|---|
Expenditure on direct costs was £4,705,436 (2022: £4,322,812) of which £4,673,936 (2022: £4,321,913) was unrestricted and £31,500 (2022: £900) was restricted. Production costs have been reduced by theatre tax relief of £1,104,001 (2022: £995,378).
9. Support costs
| Support costs | |||
|---|---|---|---|
| Overheads, management and administration Irrecoverable VAT Salaries and national insurance Depreciation and maintenance Total 2022 |
Activities £ 494,689 589,566 8,669 473,049 1,565,973 1,343,549 |
Total 2023 £ 494,689 589,566 8,669 473,049 1,565,973 1,343,549 |
Total 2022 £ 398,224 448,083 5,862 491,380 1,343,549 |
Expenditure on support costs was £1,565,973 (2022: £1,343,549) of which £1,510,317 (2022: £1,316,599) was unrestricted and £55,656 (2022: £26,949) was restricted.
Page 29
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
10. Governance costs
| Governance costs | ||||
|---|---|---|---|---|
| Unrestricted funds 2023 £ Auditors' remuneration 29,500 Legal and professional fees 7,127 Accounting 73,660 110,287 |
Restricted funds 2023 £ - 1,850 2,850 4,700 |
Designated funds 2023 £ - - - - |
Total funds 2023 £ 29,500 8,977 76,510 114,987 |
Total funds 2022 £ 30,750 3,835 58,380 |
| 92,965 |
11. Net incoming resources/(resources expended)
This is stated after charging:
| 2023 | 2022 | |
|---|---|---|
| £ | £ | |
| Depreciation of tangible fixed assets: | ||
| - owned by the charitable group | 450,275 | 367,246 |
| Auditors' remuneration - audit | 29,500 | 30,750 |
| Operating lease/licence (theatre and offices) | 105,259 | 110,627 |
Other than as disclosed in note 28, during the year, no Trustees received any remuneration or reimbursement of expenses (2022: £nil).
12. Staff costs
The aggregate staff costs were:
| The aggregate staff costs were: | ||
|---|---|---|
| Wages and salaries Social security costs Pension contributions Total |
2023 £ 2,696,416 167,831 53,676 2,917,923 |
2022 £ 2,564,512 155,942 52,845 |
| 2,773,299 |
The average number of persons employed by the charitable company during the year was 103 (2022: 101). During the year, the number of employees whose total employee benefits (excluding any employer pension costs, including any royalties and performance related benefits) for the reporting period fell within the following £’000 bands were: 60-70, 0 (2022: 1); 70-80, 1 (2022: 0); 80-90, 1 (2022: 1); 90-100, 1 (2022: 1); 110-120, 1 (2022: 0); 120-130, 0 (2022: 1).
13. Key management personnel
Key management includes members of senior management and certain heads of department in the Group. The compensation paid or payable to key management for employee services was £529,155 (2022: £525,295).
Page 30
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
14. Tangible fixed assets
| Group Cost At 1 January 2023 Additions Disposals Transfer between classes At 31 December 2023 Depreciation At 1 January 2023 Charge for the year On disposals At 31 December 2023 Net book value At 31 December 2023 At 31 December 2022 Group Cost At 1 January 2023 Additions Disposals Transfer between classes At 31 December 2023 Depreciation At 1 January 2023 Charge for the year On disposals At 31 December 2023 Net book value At 31 December 2023 At 31 December 2022 |
General building improvement £ 126,573 - (97,759) - 28,814 125,197 1,376 (97,759) 28,814 - 1,376 |
Major building works £ 7,134,541 - - 1,128,002 8,262,543 2,620,773 416,464 - 3,037,237 5,225,306 4,513,768 Box office software & equipment £ 5,504 - (3,035) - 2,469 3,035 309 (3,035) 309 2,160 2,469 |
Assets under construction £ 410,681 717,321 - (1,128,002) - - - - - - 410,681 Computer equipment £ 131,660 42,586 (90,331) - 83,915 125,867 16,669 (90,331) 52,205 31,710 5,793 |
Technical and stage equipment £ 149,814 29,268 (77,267) - 101,815 145,596 6,855 (77,267) 75,184 26,631 4,218 Catering fixtures & fittings £ 58,458 3,636 (18,287) - 43,807 49,710 6,483 (18,287) 37,906 5,901 8,748 |
Office furniture & fittings £ 55,023 938 (23,248) - 32,713 53,092 2,119 (23,248) 31,963 750 1,931 Total £ 8,072,254 793,749 (309,927) - 8,556,076 3,123,270 450,275 (309,927) 3,263,618 5,292,458 4,948,984 |
|---|---|---|---|---|---|
Page 31
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
14. Tangible fixed assets (continued)
| Company Cost At 1 January 2023 Additions Disposals Transfer between classes At 31 December 2023 Depreciation At 1 January 2023 Charge for the year On disposals At 31 December 2023 Net book value At 31 December 2023 At 31 December 2022 Company Cost At 1 January 2023 Additions Disposals Transfer between classes At 31 December 2023 Depreciation At 1 January 2023 Charge for the year On disposals At 31 December 2023 Net book value At 31 December 2023 At 31 December 2022 |
General building improvement £ 126,573 - (97,759) - 28,814 125,197 1,376 (97,759) 28,814 - 1,376 |
Major building works £ 7,134,541 - - 1,128,002 8,262,543 2,620,773 416,464 - 3,037,237 5,225,306 4,513,768 Box office software & equipment £ 5,504 - (3,035) - 2,469 3,035 309 (3,035) 309 2,160 2,469 |
Assets under construction £ 410,681 717,321 - (1,128,002) - - - - - - 410,681 Computer equipment £ 91,335 24,751 (67,596) - 48,490 89,613 9,581 (67,596) 31,598 16,892 1,722 |
Technical & stage equipment £ 149,814 29,268 (77,267) - 101,815 145,596 6,855 (77,267) 75,184 26,631 4,218 Catering fixtures & fittings £ 970 - (970) - - 970 - (970) - - - |
Office furniture and fittings £ 23,875 938 (6,441) - 18,372 22,530 1,533 (6,441) 17,622 750 1,345 Total £ 7,943,293 772,278 (253,068) - 8,462,503 3,007,714 436,118 (253,068) 3,190,764 5,271,739 4,935,579 |
|---|---|---|---|---|---|
Page 32
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
15. Fixed asset investments
Company
Shares in group undertakings £
Market value
At 1 January 2023 and 31 December 2023
3
16. Principal Subsidiaries
| Principal Subsidiaries | ||
|---|---|---|
| Percentage | ||
| Company name | Shareholding | Description |
| Regent's Park Enterprises Limited | 100 | Catering and bar services |
| Regent's Park Productions Limited | 100 | Theatre production |
| Regent's Park Ventures Limited | 100 | Touring theatre production |
Regent's Park Enterprises Limited
| Turnover Cost of sales Administrative expenses Other operating income Profit for the financial year Distribution Retained earnings brought forward Retained earnings carried forward Fixed assets Current assets Current liabilities Capital and reserves |
2023 £ 1,109,145 (382,966) (602,322) - 123,857 (115,075) 5,360 14,142 2023 £ 20,718 115,217 (121,793) 14,142 |
2022 £ 1,093,626 (386,655) (641,457) - 65,514 (73,896) 13,742 5,360 2022 £ 13,405 78,011 (86,055) 5,361 |
|---|---|---|
Page 33
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
Regent's Park Productions Limited
| Turnover Cost of sales Administrative expenses Theatre tax credit Profit for the financial year Retained earnings brought forward Retained earnings carried forward Current assets Current liabilities Capital and reserves Regent's Park Ventures Limited Administrative expenses Amounts written off financial liabilities Profit for the financial year Retained earnings brought forward Distribution Capital and reserves Current assets Current liabilities Capital and reserves |
2023 £ 3,784,903 (4,867,427) (21,477) 1,104,001 - - - 2023 £ 1,110,513 (1,110,512) 1 2023 £ (6,631) 6,631 - - - - 2023 £ 5,261 (5,260) 1 |
2022 £ 3,380,432 (4,359,732) (16,078) 995,378 - - - 2022 £ 1,034,101 (1,034,100) 1 2022 £ (6,149) 6,149 - - - - 2022 £ 4,861 (4,860) 1 |
|---|---|---|
Page 34
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
17. Stocks
| Finished goods and goods for resale | Group Company 2023 2022 2023 2022 £ £ £ £ 27,455 39,007 7,588 12,003 |
|---|---|
18. Debtors
| Debtors | ||||
|---|---|---|---|---|
| Trade debtors Amounts owed by group undertakings Other debtors Prepayments and accrued income |
Group 2022 £ 7,282 - 1,029,286 227,916 1,264,484 |
2023 £ 18,741 1,202,381 49,472 288,656 1,559,250 |
Company | |
| 2023 £ 20,983 - 1,158,056 288,656 1,467,695 |
2022 £ 6,755 1,077,848 33,229 227,916 |
|||
| 1,345,748 |
19. Creditors: Amounts falling due within one year
| Trade creditors Amounts owed to group undertakings Other taxation and social security (see below) Deferred income (see below) Other creditors Accruals Other taxation and social security PAYE/NI control VAT control |
Group 2022 £ 101,465 - 56,556 383,853 3,479 233,550 778,903 Group 2022 £ 40,481 16,075 56,556 |
2023 £ 103,539 4,507 21,202 75,632 9,627 56,356 270,863 2023 £ 21,202 - 21,202 |
Company | |
|---|---|---|---|---|
| 2023 £ 106,467 - 21,202 75,686 9,631 88,557 301,543 |
2022 £ 98,471 - 56,678 367,488 3,407 207,550 |
|||
| 733,594 | ||||
| Company | ||||
| 2023 £ 21,202 - 21,202 |
2022 £ 40,481 16,197 |
|||
| 56,678 |
Page 35
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
19. Creditors: Amounts falling due within one year (continued)
| £ Deferred income Deferred income at 1 January 2023 383,853 Resources deferred during the year (383,853) Amounts released from previous years 75,686 Deferred income at 31 December 2023 75,686 20. Share capital Allotted, called up and fully paid 12 (2022 - 13) Ordinary shares of £1 each |
Group £ 585,118 (585,118) 383,853 383,853 |
£ 367,488 (367,488) 75,632 75,632 2023 £ 12 |
Company £ 568,482 367,488 (568,482) 367,488 2022 £ 13 |
|---|---|---|---|
Page 36
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
21. Statement of funds
Statement of funds - current year
| Balance at 1 January 2023 £ Unrestricted funds General funds 292,048 Designated funds Depreciation on completed capital building works 4,905,432 Potential effects of bad weather and other negative effects on future takings 1,600,000 Repairs and renewals projects and depreciation 300,000 Provision for at risk investment in tours/transfers 500,000 Provision for forthcoming major building works 1,400,000 General short-term cashflow purposes 250,000 Provision for future artistic projects and commissioning 250,000 9,205,432 Restricted funds Depreciation on completed capital building works - Cultural Recovery Fund 3: Sustainability grant 344,151 Cultural Recovery Fund 3: Sustainability grant - fixed assets - 344,151 Total of funds 9,841,631 |
Income £ 6,476,617 - - - - - - - - 5,000 44,000 - 49,000 6,525,617 |
Expenditure £ (6,862,654) (399,876) - (15,277) - (44,681) - (20,000) (479,834) (357) (87,781) (5,718) (93,856) (7,436,344) |
Transfers in/out £ 357,721 712,321 (300,000) 15,277 - (855,319) - 70,000 (357,721) - (33,122) 33,122 - - |
Balance at 31 December 2023 £ 263,732 5,217,877 1,300,000 300,000 500,000 500,000 250,000 300,000 8,367,877 4,643 267,248 27,404 299,295 8,930,904 |
|---|---|---|---|---|
Page 37
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
21. Statement of funds (continued)
Statement of funds - prior year
| Balance at 1 January 2022 £ General funds 512,708 Designated funds Depreciation on completed capital building works 4,814,412 Potential effects of bad weather and other negative effects on future takings 1,500,000 Repairs and renewals projects and depreciation 300,000 Provision for at risk investment in tours/transfers 100,000 Provision for forthcoming major building works 900,000 General short-term cashflow purposes 350,000 Provision for future artistic projects and commissioning 250,000 8,214,412 Restricted funds Theatre maintenance - Cultural Recovery Fund 3: Sustainability grant - Total of funds 8,727,120 Summary of funds - current year Balance at 1 January 2023 £ General funds 292,048 Designated funds 9,205,432 Restricted funds 344,151 9,841,631 |
Income £ 7,557,565 - - - - - - - - 5,000 396,000 7,958,565 Income £ 6,476,617 - 49,000 6,525,617 |
Expenditure £ (6,396,122) (319,661) - (52,840) - (47,582) - - (420,083) (5,000) (22,849) (6,844,054) Expenditure £ (6,862,654) (479,834) (93,856) (7,436,344) |
Transfers in/out £ (1,382,103) 410,681 100,000 52,840 400,000 547,582 (100,000) - 1,411,103 - (29,000) - Transfers in/out £ 357,721 (357,721) - - |
Balance at 31 December 2022 £ 292,048 4,905,432 1,600,000 300,000 500,000 1,400,000 250,000 250,000 9,205,432 - 344,151 9,841,631 Balance at 31 December 2023 £ 263,732 8,367,877 299,295 8,930,904 |
|---|---|---|---|---|
Page 38
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
21. Statement of funds (continued)
Summary of funds - prior year
| General funds Designated funds Restricted funds |
Balance at 1 January 2022 £ 512,708 8,214,412 - 8,727,120 |
Income Expenditure £ £ 7,557,565 (6,396,122) - (420,083) 401,000 (27,849) 7,958,565 (6,844,054) |
Transfers in/out £ (1,382,103) 1,411,103 (29,000) - |
Balance at 31 December 2022 £ 292,048 9,205,432 344,151 |
|---|---|---|---|---|
| 9,841,631 |
22. Analysis of net assets between funds
Analysis of net assets between funds - current year
| Tangible fixed assets Current assets Creditors due within one year Analysis of net assets between funds - prior year Tangible fixed assets Current assets Creditors due within one year |
Unrestricted funds 2023 £ 42,534 522,741 (301,543) 263,732 Unrestricted funds 2022 £ 43,552 1,027,399 (778,903) 292,048 |
Restricted funds 2023 £ 32,047 267,248 - 299,295 Restricted funds 2022 £ - 344,151 - 344,151 |
Designated funds 2023 £ 5,217,877 3,150,000 - 8,367,877 Designated funds 2022 £ 4,905,432 4,300,000 - 9,205,432 |
Total funds 2023 £ 5,292,458 3,939,989 (301,543) 8,930,904 Total funds 2022 £ 4,948,984 5,671,550 (778,903) 9,841,631 |
||
|---|---|---|---|---|---|---|
Page 39
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
23. Reconciliation of net movement in funds to net cash flow from operating activities
| Net (expenditure)/income for the year (as per Statement of Financial Activities) Adjustment for: Depreciation charges Interest receivable Theatre tax relief recievable Decrease/(increase) in stocks (Increase)/decrease in debtors (Decrease)/increase in creditors Theatre tax relief received Net cash (used in)/provided by operating activities |
2023 £ (910,727) 450,275 (34,993) (1,104,001) 11,552 (94,588) (477,360) 995,378 (1,164,464) |
Group |
|---|---|---|
| 2022 £ 1,114,511 367,243 (9,061) (995,378) (8,586) 436 24,872 206,635 |
||
| 700,672 |
24. Analysis of cash and cash equivalents
| Cash in hand Total |
2023 £ 2,444,839 2,444,839 |
Group |
|---|---|---|
| 2022 £ 4,368,059 |
||
| 4,368,059 |
25. Capital commitments
At 31 December 2023 the group and company had capital commitments as follows:
| Major building project | Group Company 2023 2022 2023 2022 £ £ £ £ - 714,863 - 714,863 |
|---|---|
26. Pension commitments
Pension costs totalling £53,676 (2022: £52,845) represent amounts payable to defined contribution pension schemes. The assets of the schemes are held separately from those of the group in an independently administered fund. Contributions totalling £9,627 (2022: £3,408) were payable to the funds at the balance sheet date and are included in creditors.
Page 40
REGENT'S PARK THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2023
27. Operating lease commitments
At 31 December 2023 the total of the group’s future minimum lease payments under non-cancellable operating leases was:
| Group and company Amounts payable: Within 1 year Between 1 and 5 years After more than 5 years Total |
2023 £ 103,756 415,023 830,046 1,348,825 |
2022 £ 103,756 415,023 933,802 |
|---|---|---|
| 1,452,581 |
28. Related party transactions
During the year production and administrative costs totalling £4,888,906 (2022: £4,375,810) were recharged to wholly owned subsidiary companies of the charity. Also during the year, fees payable under production commissioning agreements totalling £3,784,903 (2022: £3,380,432) were payable to a wholly owned subsidiary and £6,631 (2022: £6,149) due from a wholly owned subsidiary was written off as irrecoverable. At the reporting date £1,085,705 (2022: £1,017,151) was due from these wholly owned subsidiaries.
During the year a wholly owned subsidiary company made catering and event sales totalling £70,043 (2022: £74,571) to the charity and salaries and wages totalling £443,565 (2022: £410,573) were recharged by the charity to the wholly owned subsidiary. The wholly owned subsidiary gifted its profit of £115,076 (2022: £73,896) to the charity under a Deed of Covenant. At the reporting date £112,169 (2022: £60,689) was due from the wholly owned subsidiary.
During the year, subscription and advertisement costs totalling £12,456 (2022: £12,547) were paid to a company limited by guarantee which shares a common Trustee with Regent's Park Theatre Limited. Also during the year the charity received fees in respect of studio hire totalling £nil (2022: £16,000) and corporate partnership income totalling £13,200 (2022: £6,330) from the company. At the reporting date, £Nil (2022: £Nil) was due to or from the charity in respect of these fees.
Fees totalling £6,218 (2022: £22,475) were paid to a company in which one of the Trustees is also a director. At the reporting date £Nil (2022: £Nil) was due to the company in respect of these fees.
During the year, donations of £20 (2022: £nil) were received from a Trustee and travel and administrative costs totalling £186 (2022: £Nil) were reimbursed to one of the Trustees. At the reporting date, £Nil (2022: £Nil) was due in respect of these costs.
Page 41