Registered number: 00317560 Charity number: 229396 

## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## **TRUSTEES' REPORT AND FINANCIAL STATEMENTS** 

**FOR THE YEAR ENDED 31 MARCH 2025** 

Document ID: 1cb67a05ed25a98203aa9440563c2733ed7b1c265424b894e2c9f7cd1a7887ca 



## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## CONTENTS 

||Page|
|---|---|
|**Reference and administrative details of the Charity, its Trustees and advisers**|1 - 2|
|**Trustees' report**|3 - 12|
|**Independent auditor's report on the financial statements**|13 - 16|
|**Consolidated statement of financial activities**|17|
|**Consolidated balance sheet**|18 - 19|
|**Charity balance sheet**|20 - 21|
|**Consolidated statement of cash flows**|22|
|**Notes to the financial statements**|23 - 55|



Document ID: 1cb67a05ed25a98203aa9440563c2733ed7b1c265424b894e2c9f7cd1a7887ca 



## **YORK CITIZENS' THEATRE TRUST LIMITED** 

REFERENCE AND ADMINISTRATIVE DETAILS OF THE CHARITY, ITS TRUSTEES AND ADVISERS _FOR THE YEAR ENDED 31 MARCH 2025_ 

|**Trustees**|Helen Boaden,Chair|
|---|---|
||Cath Clelland MBE FCMA,DeputyChair|
||CraigColton|
||Matthew Hunnybun|
||Saira Khan|
||Matthew Noddings|
||Maggie Pavlou|
||Will Zhuang|
||Katie Posner(resigned 31 August 2024)|
||Paul Smith(resigned 10 February2025)|
|**Company registered**<br>**number**<br>00317560<br>**Charity registered number**<br>229396<br>**Registered office**<br>St Leonards Place<br>York<br>YO1 7HD<br>**Company secretary**<br>Tracy Basu (appointed 7 June 2024)<br>**Chief executive officer**<br>Paul Crewes<br>**Independent auditor**<br>BHP LLP<br>Chartered Accountants<br>Rievaulx House<br>1 St Mary's Court<br>Blossom Street<br>York<br>YO24 1AH<br>**Bankers**<br>HSBC Bank PLC<br>13 Parliament Street<br>York<br>YO1 8XS<br>**Solicitors**<br>Wilkin Chapman Rollits<br>Forsyth House<br>Alpha Court<br>Monks Cross Drive<br>York<br>YO32 9WN||



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Document ID: 1cb67a05ed25a98203aa9440563c2733ed7b1c265424b894e2c9f7cd1a7887ca 



## **YORK CITIZENS' THEATRE TRUST LIMITED** 

REFERENCE AND ADMINISTRATIVE DETAILS OF THE CHARITY, ITS TRUSTEES AND ADVISERS (CONTINUED) _FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Investment Managers** 

CCLA Senator House 52 Victoria Street London EC4V 4ET 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

The Trustees are pleased to present their annual report together with the consolidated audited financial statements of the charity and its subsidiaries for the year ended 31 March 2025. 

The financial statements comply with the Charities Act 2011, the Companies Act 2006, the Articles of Association and Accounting and Reporting by Charities Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable to the UK and Republic of Ireland (FRS 102). 

Since the group and the Charity qualify as small under section 383 of the Companies Act 2006, the group strategic report required of medium and large companies under the Companies Act 2006 (Strategic Report and Directors' Report) Regulations 2013 has been omitted. 

## _**Objectives and activities**_ 

## **a. Policies and objectives** 

Objects of the Charity 

The Articles of Association of the Trust detail the primary objects of the Charity; these can be summarised as: 

- (a) To conserve, develop and enhance York Theatre Royal (the trading name of York Citizens' Trust (YCTT)) for the benefit of the public, as a working theatre, for the sole purpose of advancing the education of the public in the appreciation and understanding of the dramatic and musical arts in all their forms. 

- (b) To promote and advance education by the encouragement of the arts, to improve the general standard of dramatic productions in York and elsewhere, and to provide the Charity's theatre to be used for public lectures, cinematic performances or other entertainments and exhibitions considered to be of educational merit. 

- (c) To receive, educate and train students in the arts of drama, mime, dance, music, ballet, opera, puppetry, painting and sculpture, photography, cinema, literature and poetry. 

- (d) To acquire interest in copyright and rights of representation and other rights of or in plays, music, songs, words, operas, comedies and compositions of an educational merit or calculated to improve the general standard of dramatic productions in York and elsewhere for the benefit of the public. 

- (e) To carry on the business of the sale of food, drink and programmes, such activities to be solely ancillary to the furtherance of the Charity’s Objects. 

York Theatre Royal is a producing theatre. The theatre premises are owned by York Conservation Trust and are leased to the Charity. The premises include the Main House (761 capacity) and the Studio (71 capacity), with extensive foyer catering areas served by a full production kitchen.  The Charity also rents rehearsal space in De Grey House, a building adjoining the theatre, a unit in Osbaldwick for the purpose of costume hire and production storage and a space at Hargrave House that houses our making wardrobe. 

## **b. Strategic Context** 

The year to 31 March 2025 represents the first full year of new leadership with CEO, Paul Crewes and Chair of Trustees, Helen Boaden in post.  The vision of the Board and executive is strongly aligned in an approach that is centred around organisational investment, bold artistic ambition and the desire to return to being an acclaimed producing house with a greater proportion of produced and co-produced work.   Significant progress has been made and the year ends with a 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Objectives and activities (continued)** 

number of high profile and ambitious productions and co-productions secured for 2025-26 and beyond. Securing international as well as UK based partnerships and funding has been instrumental in enabling this to happen. 

The Charity receives revenue funding as an Arts Council England (ACE) National Portfolio Organisation and aligns its strategic planning with that funding cycle. YCTT was initially awarded an annual investment of £598,059 for a three  year period from 2023 to 2026 which has subsequently been extended to include a further year, to 2027.  As a result of the demonstrable commitment of both Board and senior management team (SMT) to deliver positive change, the strength of our relationship and the risk rating awarded by ACE continue to improve. 

We have turned a corner and are moving towards delivering ambitious artistic activity within a financially sustainable operating model.  The appointment of a permanent Finance Director to SMT in June 2025 further increases financial stability and resilience.  The key challenge now is securing sufficient resource to maintain and improve the theatre’s infrastructure so that it remains fit for purpose for generations to come.  To this end, capital fundraising will become a key focus from 2025-26 onwards. 

In terms of networks, YCTT is one of seven York based NPOs and one of five Yorkshire based NPO producing theatres. We meet regularly at a strategic level with each of these two groups thereby ensuring that we are closely connected with similarly funded organisations in a local and regional context.  YCTT is also a member of the Midscale Theatre Network comprised of organisations operating across the UK. 

Our relationship at both strategic and operational levels with key stakeholder, City of York Council (CYC) continues to be strong.  The £426,000 letter of credit which was granted in 2024-25 has been extended for a further two years to August 2028.  More detail is provided on these arrangements within the going concern section. 

Paul Crewes continues to work with other cultural leaders in the city to develop York’s cultural strategy.  This will be instrumental in YCTT being a key contributor to city wide cultural conversation in the longer term. 

## **The organisation’s core purpose statement reads as follows:-** 

York Theatre Royal is a brave creative hub at the heart of the city, and it is here for you. 

These stages, buildings and our city will thrive with live theatre of exceptional quality made with you – the world’s most exciting artists – with more of the world’s most exciting artists. 

We will be known and admired everywhere for our work with you. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Objectives and activities (continued)** 

## **The organisational values adopted in 2018 remain in place:-** 

We are ambitious throughout the organisation 

We are sturdy 

We care about the climate 

We are welcoming 

We are ambassadors for York 

We celebrate the city’s diversity; it makes us bloom 

We are creative in every context 

We pull together 

## **How the charity delivers its charitable cause:** 

The Charity seeks to further its purpose for the public benefit through its core programme of creative activity including: its production, co production and presentation of drama and other performing arts events together with its extensive learning, engagement and participation programmes with young people and adults, developed through well defined regional, national and international relationships. 

The Trustees confirm they have complied with the requirement in Section 17 of the Charities Act 2011, to have due regard to public benefit in determining the activities undertaken by the Charity. The Trustees can also confirm that they have given due regard to the Charity Commission's guidance on public benefit. 

## **c. Review of activities** 

The organisation has delivered a full artistic programme throughout the year.  Gross income from ticket sales increased by 2% to £2,482,368 (2024: £2,443,599) despite a 5% fall in audience numbers to 104,000 (2024: 109,000).  Creative engagement activity grew by 8.8% with 17,972 people of all ages (2024: 16,521) enjoying high quality workshops and events both at the theatre and within the community.  During the year we also witnessed significant growth in both membership and fundraising income which when combined with strong hospitality activity all contribute to the theatre being a thriving, community hub, both on and off stage. 

York Theatre Royal (YTR) productions included a revival of our highly acclaimed version of Around the World in 80 Days in the summer, adapted and directed by Creative Director, Juliet Forster, with new pre-show activity created for the production, and a slight change to the title Around the World in 80 Days – ish! The play went down really well with audiences again, with young children particularly enjoying the opportunity to watch from the edge of the grass stage. 

In the Autumn, we produced Anne-Marie Casey’s adaptation of Little Women, directed by Juliet Forster, in association with Pitlochry Festival Theatre. This proved very popular with audiences, exceeding box office targets, and was critically well-received. This was the first production (other than pantomime) to have a full three week run since the pandemic, confirming the programming strategy of running for longer on our own shows, to build audiences and raise the profile of our own work. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Objectives and activities (continued)** 

We also continued to grow our pantomime in partnership with Evolution Productions. Aladdin was another much-loved and acclaimed panto featuring a jaw-dropping flying carpet act. For the first time since the new pantomime offer, we were close to hitting box office targets. 

Through our on-going partnership with Wise Children, we co-produced North by Northwest in the Spring, written and directed by Emma Rice, and for the first time, we made and opened the production here, ensuring that the national press came to York to review it, and thereby increasing our national profile. The production was a highly theatrical, very funny, crowd-pleasing production, that received excellent critical response and exceeded box office targets. 

We supplement our own produced work with high quality presented theatre.  Highlights include: 

Tess (Ockham’s Razor), The Kite Runner (UK Productions), Anna Hibiscus’ Song (Utopia) and Pride & Prejudice (Sort Of), The Tempest (RSC First Encounters), and a week of Stewart Lee vs The Man-Wulf. 

In line with our mission for York Theatre Royal to become known as a destination for dance in the North of England, we welcomed London City Ballet, Jasmin Vardimon Dance Company, Company Wayne Macgregor and Matthew Bourne to our stage, as well as continuing to grow our partnerships with Ballet Black, Pheonix Dance Theatre and York Dance Space. 

We are keen to play a part in developing Yorks’ cultural ecology and providing more performance opportunities for local artists.  In October 2024, we launched a new programme of work, The Old Paint Shop, converting our studio theatre into a cabaret style venue, curating a range of musicians, comedy acts and burlesque performers. 

Building strong relationships with other cultural organisations within the city is important to us.  Every year, we are a delivery partner for some of the best cultural events within the city; University of York’s York Festival of Ideas and the Aesthetica Film Festival amongst others. 

In Autumn 2024, we hosted the international launch of A Voice for Richard, which was livestreamed to 14 different countries.  It presented the findings of the many experts in the fields of science, technology and the arts who had worked to create what the voice of Richard III might have sounded like. We also feature in the television documentary of the project. 

We continue to host and support our regular local amateur groups on both our stages, and also held a fundraising performance of our Choir singing The Sound of the Movies. 

Across the year we began our work on co-creating our next community production, His Last Report, based on the life and work of Seebohm Rowntree, an English sociological researcher, social reformer and industrialist, known for his studies of poverty in York.  We held research sessions, character workshops and a first draft table read. 

Alongside the extensive existing programme of creative engagement work, we built on our partnership with the RSC to set up a Shakespeare Nation group, comprising members of our community who are making work in the lead up to the RSC’s production of Hamlet, which is coming here in Spring 2026. 

In terms of artist development, we also hosted TakeOver with York St John students, supporting them to create and run a festival week, provided the Graduate Prize showcase mentoring opportunity with YSJ graduates and, for the second year running, worked in partnership with Next Door But One, to deliver a a range of workshops and sessions to local emerging artists. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Objectives and activities (continued)** 

## **d. Plans for future periods** 

Audiences are witnessing a noticeable change in the national and international ambition of YTR produced work.  The development of strong artistic relationships, robust financial planning and the maximisation of financial opportunities and future life makes this possible.  In 2025-26 we deliver four YTR productions and two co-productions. 

Spring 2025 sees a five week run of Samuel Beckett’s Krapp’s Last Tape starring Gary Oldman.  In July 2025, we perform His Last Report, and in September 2025 we bring a brand new musical to the stage, Debbie Issit’s Military Wives in association with Cheltenham Everyman and Buxton Opera House.  We will end the year with The Secret Garden, directed by former YTR artistic director, John Doyle with a strong cast of actor-musicians. 

We supplement the YTR productions with exciting, high quality co-productions.   The Railway Children is co-produced in partnership with Bradford Culture Company and is an ambitious, large scale project opening in July 2025 for an eight week run.  It restages The Railway Children in the Bradford district and forms a major part of Bradford 2025’s city of culture year long programme. 

We also continue to strengthen our relationship with Evolution and bring Sleeping Beauty to audiences in 2025-26.  We aim for this partnership to continue for the foreseeable future as it delivers a financially sustainable way of bringing high quality pantomime to audiences while retaining sufficient in house capacity to deliver a year round programme of new, innovative and ambitious theatre. 

Lead times are extended through the producing model and shows now go on sale, generally earlier in the cycle.  The Psychic, which will be staged in Spring 2026 is a YTR production written and directed by Andy Nyman and Jeremy Dyson. Tickets went on sale in 2024-25 with early indications of box office success. 

In short, the producing strategy is working and the creative energy within the organisation is palpable. 

Spring 2025 sees the produced work supplemented by presented work, from John Godber Company with Do I Love You and Matthew Bourne with The Midnight Bell. 

## **e. Investment policy and performance** 

The Theatre defines its treasury management activities as: 

- the management of its investment and cash flow 

- its banking, money market and investment market transactions; 

- the effective control of the risks associated with those activities; and 

- the pursuit of optimum performance consistent with those risks. 

The Theatre regards the successful identification, monitoring and control of risk will be used to assess the effectiveness of its treasury management activities. 

The core principles the Theatre will follow when investing money are: 

- to ensure deposits are secure and that risk is minimised; 

- to ensure it has sufficient liquidity to meet immediate and short term needs; 

- to achieve the highest return, once the first two considerations have been met. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

TRUSTEES' REPORT (CONTINUED) _FOR THE YEAR ENDED 31 MARCH 2025_ 

## _**Financial Review**_ 

## **a. Going concern** 

The activities of the Group, together with the factors likely to affect its future development and performance, are set out in the Report of the Trustees.  The financial position of the Group, its cashflow and liquidity are described in the Financial Statements and accompanying notes. 

The Group’s financial liquidity increased during the year. At the year end the Group had total liquid resources of £1,941,065 (2024: £909,622) consisting of cash reserves of £255,146 (2024: £409,027) and investments of £1,685,919 (2024: £500,595).  The significant improvement in financial liquidity was due to the casting of Gary Oldman in Krapp’s Last Tape and the high level of advance ticket sales at the year end.  These high levels of sales will be reflected in the financial performance of the Group in 2025-26. 

The group also demonstrates an improved underlying operating position in 2024-25 with a General Fund deficit of £101,174 (2024: £187,434). This is expected to improve further in 2025-26 and we are currently forecasting a surplus of £247,389 which will support in building back levels of free reserves. 

Despite improved financial liquidity and operating results in 2024-25, net assets declined by £126,302 to £1,188,108 (2024: £1,314,410) in year. The movement reflects the deficit of £101,174, a reduction in designated fixed assets of £86,607 and, a net increase in restricted funds of £61,479. 

Whilst there are many indications that the organisation has turned a corner, the Trustees recognise that there is still some work to do to secure the long term financial viability of YCTT and that the external economic climate, particularly in relation to capital funding, continues to be challenging. 

## **b. Reserves policy** 

The trustees have agreed that it is necessary to maintain sufficient reserves in its General Funds to enable the organisation to respond to short term fluctuations and to provide sufficient liquid reserves to meet fixed costs plus any foreseeable capital expenditure.  The theatre’s current target is to maintain positive free reserves. As at the 31 March 2025, total free reserves of the theatre were £280,729 (2024: £381,903). 

## **c. Financial position** 

As at 31 March 2025, YCTT has unrestricted funds of £1,066,498 (2024: £1,254,279) including designated funds of £785,769 (2024: £872,376).  Restricted reserves total £121,610 (2024: £60,131). 

## **d. Fundraising policy** 

We raise a small percentage of our funds from the public and our aim is to ensure we do this in both a respectful and compelling way that is consistent with our values. 

The charity is a member of the Institute of Fundraising and supports its purpose and activities. All fundraising conducted on behalf of the charity, whether by committees, volunteers or staff, must comply with the Fundraising Regulator and The Code of Fundraising Practice together with all relevant legislation. The Trustees are not aware of any failure in complying with the new Code and legislation. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Financial Review (continued)** 

The charity did not employ a professional fundraiser nor any commercial participator in fundraising in the year. 

The charity has received no complaints about its fundraising activity in the year. 

The charity insists that all members of the public will not be subject to fundraising activity that is an unreasonable intrusion on that person’s privacy, is unreasonably persistent, or places undue pressure on a person to give money or other property. 

## _**Structure, governance and management**_ 

## **a. Constitution** 

The charity and the group is registered as a members limited liability company and was set up by a Memorandum of Association on 15 August 1936.  Articles of Association were revised following the 2024-25 year end in order to simplify and modernise the governance structures.  No changes were made to the charity’s objects as part of those revisions. 

The charity and the group is constituted under Articles of Association dated 4 June 2025 and is a registered charity number 229396. 

The principal objects of the charity and the group are: 

To conserve, develop and enhance the premises known as York Theatre Royal for the benefit of the public, as a working theatre and a place with historical associations and to acquire for any consideration or interest, construct or maintain theatres in York or elsewhere and to alter, rebuild, reconstruct, refurnish, work, maintain and carry on any theatre for the time being owned or taken on lease by or otherwise in the occupation of the Charity, for the sole purpose of advancing the education of the public in the appreciation and understanding of the dramatic and musical arts in all their forms. 

To carry on any theatre for the time being owned, leased or occupied by the Charity to promote, maintain, improve and advance education by the encouragement of the arts, including the arts of drama, mime, dance, music, ballet, opera, puppetry, painting and sculpture, photography, cinema, literature and poetry and to improve the general standard of dramatic productions in York and elsewhere, and also if and in so far as may be practicable to provide the Charity's theatre or permit the same to be used for public lectures, cinematic performances or other entertainments and exhibitions considered to be of educational merit. 

To receive, educate and train students in the arts of drama, mime, dance, music, ballet, opera, puppetry, painting and sculpture, photography, cinema, literature and poetry and to promote recognition of and encouragement of exceptional merit in students by the institutional presentation of scholarships, exhibitions, grants, medals or other prizes or benefactions. 

To purchase or otherwise acquire and obtain exclusive and other interest in copyright and rights of representation and other rights of or in plays, music, songs, words, operas, comedies and compositions of an educational merit or calculated to improve the general standard of dramatic productions in York and elsewhere for the benefit of the public. 

In furtherance of the above objects to carry on in connection with any theatre owned or for the time being in the occupation of the Charity in York or elsewhere the business of the sale of refreshments, food and drink and publications, such activities to be solely ancillary to the furtherance of the Charity’s Objects. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

The Board of Trustees meets ordinarily four times each year. The Charity has resolved to dispense with an Annual General Meeting. In addition, Trustees have established a small number of key sub-committees to report to the Board of Trustees on aspects of the Charity’s business: 

The Charity has two trading subsidiaries which form part of the group and in which it is the sole shareholder: York Theatre Royal Enterprises Ltd and York Theatre Productions Ltd. 

All profits generated by the Trust’s subsidiaries are ‘gifted’ to the Charity. 

The Trust and its subsidiaries operate as a group for VAT purposes. The relationship between the Charity and its subsidiaries is clearly set out in a relationship agreement under which the Charity provides a range of services to its subsidiaries. These include lease and buildings maintenance, strategic management, employment and provision of staff, administration (including HR and Finance), insurance and the provision of assets for use by the subsidiaries. The subsidiaries receive a Management Charge to cover the cost of these services. 

## **b. Methods of appointment or election of Trustees** 

The management of the charity and the group is the responsibility of the Trustees who are appointed under the terms of the Articles of Association. 

## **c. Policies adopted for the induction and training of Trustees** 

New Trustees are inducted into the organisation through a series of meetings. The Board has terms of reference for all Board meetings and Board Committees.  All board meetings include a strategic or creative presentation at the outset which helps to familiarise Trustees with the theatre’s activities.  Board meetings  are also scheduled to coincide with key dates in the performance schedule so that Trustees can quickly become familiar the shows on stage. 

There is an annual review of the Board skills base and open recruitment for all Trustees. There is an intent that the Board is representative of the UK community. Each year Trustees hold an Away Day with the Executive to review the strategic direction of the Trust. 

## **d. Pay policy for key management personnel** 

The pay of senior staff is reviewed annually.  It is increased in the same way as all other staff, with reference to inflation as calculated under the CPIH indices and is subject to Board approval. 

## **e. Organisational structure and decision making** 

The Trustees determine the general policy of the Charity. Under the overall direction of the Trustees the day-to-day management is delegated to the Chief Executive Officer. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **f. Risk management** 

The Charity maintains a Risk Register which is reviewed regularly by the trustees.  Risk is a standard agenda item at all board and subcommittee meetings and major risks are always brought to the attention of the Trustees on a timely basis. 

- Major risks currently fall within the following six categories:- 

1. Organisational Capacity 

2. Capital and Equipment 

3. Financial Targets 

4. Political Landscape 

5. Governance 

6. IT and Security 

The Trustees continually assess the major risks to which the Charity and the group is exposed and are satisfied with the systems and procedures in place to mitigate exposure and reduce risk to an acceptable level. 

## **Statement of Trustees' responsibilities** 

The Trustees (who are also the directors of the Charity for the purposes of company law) are responsible for preparing the Trustees' report and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice). 

Company law requires the Trustees to prepare financial statements for each financial year. Under company law, the Trustees must not approve the financial statements unless they are satisfied that they give a true and fair view of the state of affairs of the Group and the Charity and of their incoming resources and application of resources, including their income and expenditure, for that period. In preparing these financial statements, the Trustees are required to: 

- select suitable accounting policies and then apply them consistently; 

- observe the methods and principles of the Charities SORP (FRS 102); 

- make judgments and accounting estimates that are reasonable and prudent; 

- state whether applicable UK Accounting Standards (FRS 102) have been followed, subject to any material departures disclosed and explained in the financial statements; 

- prepare the financial statements on the going concern basis unless it is inappropriate to presume that the Group will continue in business. 

The Trustees are responsible for keeping adequate accounting records that are sufficient to show and explain the Group and the Charity's transactions and disclose with reasonable accuracy at any time the financial position of the Group and the Charity and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the Group and the Charity and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## TRUSTEES' REPORT (CONTINUED) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Disclosure of information to auditor** 

Each of the persons who are Trustees at the time when this Trustees' report is approved has confirmed that: 

- so far as that Trustee is aware, there is no relevant audit information of which the charitable group's auditor is unaware, and 

- that Trustee has taken all the steps that ought to have been taken as a Trustee in order to be aware of any relevant audit information and to establish that the charitable group's auditor is aware of that information. 

## **Auditor** 

The auditor, BHP LLP, has indicated their willingness to continue in office. The designated Trustees will propose a motion reappointing the auditor at a meeting of the Trustees. 

Approved by order of the members of the board of Trustees and signed on their behalf by: 



. ~~............................~~ Signer ID: L9JNIQBTWS...................... . ~~...............................................~~ Signer ID: VVTNKHMPF9... **Helen Boaden Cath Clelland MBE FCMA** Chair of Trustees Trustee Date: 09/12/2025 GMT 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## INDEPENDENT AUDITOR'S REPORT TO THE MEMBERS OF YORK CITIZENS' THEATRE TRUST LIMITED 

We have audited the financial statements of York Citizens' Theatre Trust Limited (the ‘parent charitable company’) and its subsidiaries (the 'group') for the year ended 31 March 2025, which comprise the consolidated statement of financial activities, the consolidated balance sheet, the company balance sheet, the consolidated statement of cash flows and notes to the financial statements, including significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102 The Financial Reporting Standard applicable in the UK and Republic of Ireland (United Kingdom Generally Accepted Accounting Practice). 

In our opinion the financial statements: 

- give a true and fair view of the state of the group’s and parent charitable company’s affairs as at 31 March 2025, and of the group’s incoming resources and application of resources, including its income and expenditure, for the year then ended; 

- have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and 

- have been prepared in accordance with the requirements of the Companies Act 2006. 

## **Basis for opinion** 

We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the auditor responsibilities for the audit of the financial statements section of our report. We are independent of the group and parent charitable company in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion. 

## **Conclusions relating to going concern** 

In auditing the financial statements, we have concluded that the trustees' use of the going concern basis of accounting in the preparation of the financial statements is appropriate. 

Based on the work we have performed, we have not identified any material uncertainties relating to events of conditions that, individually or collectively, may cast significant doubt on the group's or the parent charitable company's ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue. 

Our responsibilities and the responsibilities of the trustees with respect to going concern are described in the relevant section of this report. 

## **Other information** 

The other information comprises the information included in the trustees' report, other than the financial statements and our auditor’s report thereon. The trustees are responsible for the other information. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon. Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the course of the audit or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether this gives rise to a material misstatement in the financial statements themselves. If, based on the work we have performed, we conclude that there is a material misstatement of this other information, we are required to report that fact. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

INDEPENDENT AUDITOR'S REPORT TO THE MEMBERS OF YORK CITIZENS' THEATRE TRUST LIMITED (CONTINUED) 

We have nothing to report in this regard. 

## **Opinions on other matters prescribed by the Companies Act 2006** 

In our opinion, based on the work undertaken in the course of the audit: 

- the information given in the trustees' report, which includes the directors’ report prepared for the purposes of company law, for the financial year for which the financial statements are prepared is consistent with the financial statements; and 

- the directors’ report included within the trustees' report has been prepared in accordance with applicable legal requirements. 

## **Matters on which we are required to report by exception** 

In the light of the knowledge and understanding of the group and parent charitable company and its environment obtained in the course of the audit, we have not identified material misstatements in the directors’ report. 

We have nothing to report in respect of the following matters in relation to which the Companies Act 2006 requires us to report to you if, in our opinion: 

- adequate accounting records have not been kept by the parent charitable company, or returns adequate for our audit have not been received from branches not visited by us; or 

- the parent charitable company’s financial statements are not in agreement with the accounting records and returns; or 

- certain disclosures of directors’ remuneration specified by law are not made; or 

- we have not received all the information and explanations we require for our audit; or 

- the trustees were not entitled to prepare the financial statements in accordance with the small companies’ regime and take advantage of the small companies’ exemptions in preparing the directors’ report and from the requirement to prepare a strategic report. 

## **Responsibilities of trustees** 

As explained more fully in the trustees’ responsibilities statement, the trustees (who are also the directors of the parent charitable company for the purposes of company law) are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the trustees determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error. 

In preparing the financial statements, the trustees are responsible for assessing the group and parent charitable company’s ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the trustees either intend to liquidate the group or parent charitable company or to cease operations, or have no realistic alternative but to do so. 

## **Auditor responsibilities for the audit of the financial statements** 

Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

INDEPENDENT AUDITOR'S REPORT TO THE MEMBERS OF YORK CITIZENS' THEATRE TRUST LIMITED (CONTINUED) 

considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements. 

Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud is detailed below: 

- the engagement partner ensured that the engagement team collectively had the appropriate competence, capabilities and skills to identify or recognise non-compliance with applicable laws and regulations; 

- we identified the laws and regulations applicable to the group and parent charitable company through discussions with management and trustees, and from our knowledge and experience of this organisation; 

- we focused on specific laws and regulations which we considered may have a direct material effect on the financial statements or the operations of the group and parent charitable company, including the Charities Act 2011, the Companies Act 2006, data protection, health and safety legislation, CQC regulations and employment law; 

- we assessed the extent of compliance with the laws and regulations identified above through making enquiries of management and trustees; 

We assessed the susceptibility of the group and parent charitable company’s financial statements to material misstatement, including obtaining an understanding of how fraud might occur, by; 

- making enquiries of management and trustees as to where they considered there was susceptibility to fraud, their knowledge of actual, suspected and alleged fraud; and 

- considering the internal controls in place to mitigate risks of fraud and non-compliance with laws and regulations. 

To address the risks of fraud through management bias and override controls, we: 

- performed analytical procedures to identify any unusual or unexpected variances; 

- tested journal entries to identify unusual transactions; 

- assessed whether judgments and assumptions made in determining the accounting estimates set out in note 1 were indicative of potential bias; and 

- investigated the rationale behind significant or unusual transactions. 

In response to the risk of irregularities and non-compliance with laws and regulations, we designed procedures which included, but were not limited to: 

- agreeing financial statement disclosures to underlying supporting documentation; 

- reading the minutes of meetings of those charged with governance; 

- enquiring of management as to actual and potential litigation and claims. 

Because of the inherent limitations of an audit, there is a risk that we will not detect all irregularities, including those leading to a material misstatement in the financial statements or non-compliance with regulation. This risk increases the more that compliance with a law or regulation is removed from the events and transactions reflected in the financial statements, as we will be less likely to become aware of instances of non-compliance. The risk is also greater regarding irregularities occurring due to fraud rather than error, as fraud involves intentional concealment, forgery, collusion, omission or misrepresentation. 

A further description of our responsibilities is available on the FRC's website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our auditor’s report. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

INDEPENDENT AUDITOR'S REPORT TO THE MEMBERS OF YORK CITIZENS' THEATRE TRUST LIMITED (CONTINUED) 

## **Use of our report** 

This report is made solely to the charitable company’s members, as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might state to the charitable company’s members those matters we are required to state to them in an auditor’s report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the charitable company and the charitable company’s members as a body, for our audit work, for this report, or for the opinions we have formed. 


Signer ID: IPFNE7JEI6...Laura Masheder (Senior statutory auditor) 

for and on behalf of 

## **BHP LLP** 

Chartered Accountants Statutory Auditor Rievaulx House 1 St Mary's Court Blossom Street York YO24 1AH 

Date: 10/12/2025 GMT 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

CONSOLIDATED STATEMENT OF FINANCIAL ACTIVITIES (INCORPORATING INCOME AND EXPENDITURE ACCOUNT) 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

|**Note**<br>**Income from:**<br>Donations and legacies<br>3<br>Charitable activities<br>4<br>Other trading activities<br>5, 6<br>Investments<br>7<br>Other income<br>8<br>**Total income**<br>**Expenditure on:**<br>Raising funds<br>9,10<br>Charitable activities<br>11<br>**Total expenditure**<br>**Net (expenditure)/income**<br>Transfers between funds<br>23<br>**Net movement in funds**<br>**Reconciliation of funds:**<br>Total funds brought forward as previously<br>stated<br>Prior year adjustment<br>22<br>Total funds brought forward as restated<br>Net movement in funds<br>**Total funds carried forward**|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**760,419**<br>**2,676,086**<br>**580,782**<br>**44,014**<br>**149,156**<br>**4,210,457**<br>**858,240**<br>**3,652,308**<br>**4,510,548**<br>**(300,091)**<br>**112,310**<br>**(187,781)**<br>**1,325,279**<br>**(71,000)**<br>**1,254,279**<br>**(187,781)**<br>**1,066,498**|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**264,808**<br>**-**<br>**-**<br>**-**<br>**2,275**<br>**267,083**<br>**-**<br>**93,294**<br>**93,294**<br>**173,789**<br>**(112,310)**<br>**61,479**<br>**60,131**<br>**-**<br>**60,131**<br>**61,479**<br>**121,610**|**Total**<br>**funds**<br>**2025**<br>**£**<br>**1,025,227**<br>**2,676,086**<br>**580,782**<br>**44,014**<br>**151,431**<br>**4,477,540**<br>**858,240**<br>**3,745,602**<br>**4,603,842**<br>**(126,302)**<br>**-**<br>**(126,302)**<br>**1,385,410**<br>**(71,000)**<br>**1,314,410**<br>**(126,302)**<br>**1,188,108**|As restated<br>Total<br>funds<br>2024<br>£<br>798,136<br>2,579,778<br>754,268<br>39,111<br>105,892<br>4,277,185<br>1,151,441<br>3,558,564<br>4,710,005<br>(432,820)<br>-<br>(432,820)<br>1,818,230<br>(71,000)<br>1,747,230<br>(432,820)<br>1,314,410|
|---|---|---|---|---|



The Consolidated Statement of Financial Activities complies with the requirements for an income and expenditure account under the Companies Act 2006 and includes all gains and losses recognised in the year. 

The notes on pages 23 to 55 form part of these financial statements. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

REGISTERED NUMBER: 00317560 

## CONSOLIDATED BALANCE SHEET 

_AS AT 31 MARCH 2025_ 

|**Note**<br>**Fixed assets**<br>Tangible assets<br>17<br>Investments<br>18<br>**Current assets**<br>Stocks<br>19<br>Debtors<br>20<br>Cash at bank and in hand<br>**Current liabilities**<br>Creditors: amounts falling due within one year<br>21<br>**Net current liabilities**<br>**Total net assets**<br>**Charity funds**<br>Restricted funds<br>23<br>Unrestricted funds<br>Designated funds<br>23<br>General funds<br>23<br>Total unrestricted funds<br>23<br>**Total funds**|**15,624**<br>**961,409**<br>**255,146**<br>**1,232,179**<br>**(2,515,759)**<br>**785,769**<br>**280,729**|**2025**<br>**£**<br>**785,769**<br>**1,685,919**<br>**2,471,688**<br>**(1,283,580)**<br>**1,188,108**<br>**121,610**<br>**1,066,498**<br>**1,188,108**|14,470<br>615,506<br>409,027<br>1,039,003<br>(1,097,564)<br>872,376<br>381,903|As restated<br>2024<br>£<br>872,376<br>500,595<br>1,372,971<br>(58,561)<br>1,314,410<br>60,131<br>1,254,279<br>1,314,410|
|---|---|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

REGISTERED NUMBER: 00317560 

CONSOLIDATED BALANCE SHEET (CONTINUED) 

_AS AT 31 MARCH 2025_ 

The Trustees acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and preparation of financial statements. 

The financial statements have been prepared in accordance with the provisions applicable to entities subject to the small companies regime. 

The financial statements were approved and authorised for issue by the Trustees and signed on their behalf by: 


Signer ID: L9JNIQBTWS... 

**Helen Boaden** Chair of Trustees 


Signer ID: VVTNKHMPF9... **Cath Clelland MBE FCMA** Deputy Chair 

Date: 09/12/2025 GMT 

The notes on pages 23 to 55 form part of these financial statements. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

REGISTERED NUMBER: 00317560 

## CHARITY BALANCE SHEET 

_AS AT 31 MARCH 2025_ 

|**Note**<br>**Fixed assets**<br>Tangible assets<br>17<br>Investments<br>18<br>**Current assets**<br>Stocks<br>19<br>Debtors<br>20<br>Cash at bank and in hand<br>**Current liabilities**<br>Creditors: amounts falling due within one year<br>21<br>**Net current liabilities**<br>**Total net assets**<br>**Charity funds**<br>Restricted funds<br>23<br>Unrestricted funds<br>Designated funds<br>23<br>General funds<br>Total unrestricted funds<br>**Total funds**|**7,178**<br>**970,435**<br>**198,686**<br>**1,176,299**<br>**(2,479,125)**<br>**785,769**<br>**261,486**|**2025**<br>**£**<br>**785,769**<br>**1,685,922**<br>**2,471,691**<br>**(1,302,826)**<br>**1,168,865**<br>**121,610**<br>**1,047,255**<br>**1,168,865**|-<br>661,865<br>237,192<br>899,057<br>(1,073,975)<br>872,376<br>265,549|As restated<br>2024<br>£<br>872,376<br>500,598<br>1,372,974<br>(174,918)<br>1,198,056<br>60,131<br>1,137,925<br>1,198,056|
|---|---|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

CHARITY STATEMENT OF FINANCIAL POSITION (CONTINUED) _AS AT 31 MARCH 2025_ 

The Charity's net movement in funds for the year was £242,312 (2024 - £(470,346)). 

The Trustees acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and preparation of financial statements. 

The financial statements have been prepared in accordance with the provisions applicable to entities subject to the small companies regime. 

The financial statements were approved and authorised for issue by the Trustees and signed on their behalf by: 


Signer ID: L9JNIQBTWS... **Helen Boaden** Chair of Trustees 


Signer ID: VVTNKHMPF9... 

**Cath Clelland MBE FCMA** Deputy Chair 

Date: 09/12/2025 GMT 

The notes on pages 23 to 55 form part of these financial statements. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

CONSOLIDATED STATEMENT OF CASH FLOWS _FOR THE YEAR ENDED 31 MARCH 2025_ 

|**Note**<br>**Cash flows from operating activities**<br>Net cash provided by/(used in) operating activities<br>25<br>**Cash flows from investing activities**<br>Bank interest<br>Interest earned and reinvested<br>Purchase of tangible fixed assets<br>Proceeds from sale of investments<br>Purchase of investments<br>**Net cash used in investing activities**<br>**Change in cash and cash equivalents in the year**<br>Cash and cash equivalents at the beginning of the year<br>**Cash and cash equivalents at the end of the year**<br>26|**2025**<br>**£**<br>**1,116,529**<br>**8,690**<br>**(35,324)**<br>**(93,776)**<br>**50,000**<br>**(1,200,000)**<br>**(1,270,410)**<br>**(153,881)**<br>**409,027**<br>**255,146**|As restated<br>2024<br>£<br>(415,156)<br>6,578<br>(32,533)<br>(19,431)<br>519,748<br>(500,000)<br>**(25,638)**<br>**(440,794)**<br>849,821<br>409,027|
|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies** 

## _**1.1 Basis of preparation of financial statements**_ 

The financial statements have been prepared in accordance with the Charities SORP (FRS 102) - Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019), the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Companies Act 2006. 

York Citizens' Theatre Trust Limited meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy. 

The consolidated statement of financial activities (SOFA) and consolidated balance sheet consolidate the financial statements of the Charity and its subsidiary undertaking. The results of the subsidiary are consolidated on a line by line basis. 

The charitable company has taken advantage of the exemption allowed under section 408 of the Companies Act 2006 and has not presented its own statement of financial activities in these financial statements. 

The charitable company has taken advantage of the exemption allowed under section 7 of FRS 102 and has not presented its own Statement of Cash Flows in these financial statements. 

## _**1.2 Going concern**_ 

The Group’s financial liquidity increased during the year. At the year end the Group had total liquid resources of £1,941,065 (2024: £909,622) consisting of cash reserves of £255,146 (2024: £409,027) and investments of £1,685,919 (2024: £500,595).  The significant improvement in financial liquidity was due to the casting of Gary Oldman in Krapp’s Last Tape and the high level of advance ticket sales at the year end.  These high levels of sales will be reflected in the financial performance of the Group in 2025-26. 

The group also demonstrates an improved underlying operating position in 2024-25 with a General Fund deficit of £101,174 (2024: £187,434). This is expected to improve further in 2025-26 and we are currently forecasting a surplus of £247,389 which will support in building back levels of free reserves. 

Despite improved financial liquidity and operating results in 2024-25, net assets declined by £126,302 to £1,188,108 (2024: £1,314,410) in year. The movement reflects the deficit of £101,174, a reduction in designated fixed assets of £86,607 and, a net increase in restricted funds of £61,479. 

Whilst there are many indications that the organisation has turned a corner, the Trustees recognise that there is still some work to do to secure the long term financial viability of YCTT and that the external economic climate, particularly in relation to capital funding, continues to be challenging. 

The Group has been given a letter of credit by City of York Council that extends until July 2028 and provides the Group with a large amount of financial headroom and security. This has enabled management and Trustees to conclude that the going concern basis is appropriate. 

Whilst the Trustees recognise the challenges and uncertainties that the theatre faces, they believe that with continued support from both Arts Council England and the City of York Council, and continued scrutiny by the Trustee Board, the Group and parent charitable company will continue as a going concern. The Trustees therefore 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies (continued)** 

## _**1.2 Going concern (continued)**_ 

continue to adopt the going concern basis of preparation for the financial statements. 

## _**1.3 Company status**_ 

The charity is a company limited by shares, incorporated in England and Wales. The company's registered office is as stated in the Trustees' Report. 

The liability of each shareholder on winding up is limited to £1 for each share held. 

## _**1.4 Fund accounting**_ 

General funds are unrestricted funds which are available for use at the discretion of the Trustees in furtherance of the general objectives of the Group and which have not been designated for other purposes. 

Designated funds comprise unrestricted funds that have been set aside by the Trustees for particular purposes. The aim and use of each designated fund is set out in the notes to the financial statements. 

Restricted funds are funds which are to be used in accordance with specific restrictions imposed by donors or which have been raised by the Group for particular purposes. The costs of raising and administering such funds are charged against the specific fund. The aim and use of each restricted fund is set out in the notes to the financial statements. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies (continued)** 

## _**1.5 Income**_ 

All income is recognised once the Charity has entitlement to the income, it is probable that the income will be received and the amount of income receivable can be measured reliably. 

## Charitable trading activities: 

Income from theatre admission fees net of Box Office commission is included in charitable activity income in the period in which the relevant show takes place. 

## Commercial trading activities: 

Income from commercial activities is included in the period in which the group is entitled to receipt within raising funds. 

## Donations and grants: 

Income from donations and grants, including capital grants, are included in income when these are receivable, except as follows: 

- When donors specify that donations and grants are given to the charity must be used in future accounting periods, the income is deferred until those periods. 

- When donors impose conditions which have to be fulfilled before the charity becomes entitled to use such income, the income is deferred and not included in income until the pre-conditions for use have been met. 

When donors specify that donations and grants, including capital grants, are for particular restricted purposes, which do not amount to pre-conditions regarding entitlement, this income is included within restricted income when receivable. 

## Interest receivable: 

Interest is included when receivable by the charity. 

The recognition of income from legacies is dependent on establishing entitlement, the probability of receipt and the ability to estimate with sufficient accuracy the amount receivable. Evidence of entitlement to a legacy exists when the Charity has sufficient evidence that a gift has been left to them (through knowledge of the existence of a valid will and the death of the benefactor) and the executor is satisfied that the property in question will not be required to satisfy claims in the estate. Receipt of a legacy must be recognised when it is probable that it will be received and the fair value of the amount receivable, which will generally be the expected cash amount to be distributed to the Charity, can be reliably measured. 

Other income is recognised in the period in which it is receivable and to the extent the goods have been provided or on completion of the service. 

## _**1.6 Expenditure**_ 

Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably. Expenditure is classified by activity. 

Certain expenditure is directly attributable to specific activities and has been included in the relevant cost categories. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies (continued)** 

## _**1.6 Expenditure (continued)**_ 

Support costs are those costs incurred directly in support of expenditure on the objects of the charity and include central functions that have been allocated to activity cost categories on a basis consistent with the use of resources. 

Governance costs are those incurred in connection with compliance with constitutional and statutory requirements. 

Expenditure on stage properties, scenery and effects is not capitalised (unless the properties, scenery and effects can be used in future productions), as it is considered that such costs more truly reflect direct production costs and are, therefore, written off in the financial year in which the relevant production opens. 

Expenditure on raising funds includes all expenditure incurred by the Group to raise funds for its charitable purposes and includes costs of all fundraising activities events and non-charitable trading. 

Expenditure on charitable activities is incurred on directly undertaking the activities which further the Group's objectives, as well as any associated support costs. 

All expenditure is inclusive of irrecoverable VAT. 

## _**1.7 Income and expenditure in relation to production of shows**_ 

The nature of producing theatre results in income and expenditure being incurred over a long period of time and often spans more than one accounting period.  This accounting policy sets out the accounting treatment for income and expenditure recognition in relation to shows. 

The term ‘production’ refers to the full run of shows.  A ‘performance’ refers to one single show within the run. 

- Box office income is recognised on the delivery of a performance. 

- Box office costs are recognised on the delivery of a performance. 

- Running costs for both produced and presented work are recognised on the delivery of a performance. 

- Pre-production costs (the costs of making the shows) are recognised in full on the date of the first performance. 

- Theatre tax relief is recognised in full on the date of the first performance and matches the treatment of the pre-production costs to which it relates. 

In cases where YTR is presenting work produced by touring companies, the settlement cost paid to the touring company is apportioned equally across the number of performances in the run. 

## _**1.8 Basis of consolidation**_ 

The financial statements consolidate the accounts of York Citizens' Theatre Trust Limited and all of its subsidiary undertakings ('subsidiaries'). 

The charity has taken advantage of the exemption contained within section 408 of the Companies Act 2006 not to present its own Income and expenditure account. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies (continued)** 

## _**1.9 Taxation**_ 

The Charity is considered to pass the tests set out in Paragraph 1 Schedule 6 of the Finance Act 2010 and therefore it meets the definition of a charitable company for UK corporation tax purposes. Accordingly, the Charity is potentially exempt from taxation in respect of income or capital gains received within categories covered by Chapter 3 Part 11 of the Corporation Tax Act 2010 or Section 256 of the Taxation of Chargeable Gains Act 1992, to the extent that such income or gains are applied exclusively to charitable purposes. 

## _**1.10 Tangible fixed assets and depreciation**_ 

Tangible fixed assets costing £1,000 or more are capitalised and recognised when future economic benefits are probable and the cost or value of the asset can be measured reliably. 

Tangible fixed assets are initially recognised at cost. After recognition, under the cost model, tangible fixed assets are measured at cost less accumulated depreciation and any accumulated impairment losses. All costs incurred to bring a tangible fixed asset into its intended working condition should be included in the measurement of cost. 

Depreciation is charged so as to allocate the cost of tangible fixed assets less their residual value over their estimated useful lives, . 

Depreciation is provided on the following bases: 

- Signal Box Theatre 11% straight line Leasehold improvements - Lower of life of asset or lease term - Plant and equipment 10% -50% straight line Motor vehicles - 20% straight line 

## _**1.11 Investments**_ 

Investments in subsidiaries are valued at cost less provision for impairment. 

## _**1.12 Stocks**_ 

Stocks are valued at the lower of cost and net realisable value after making due allowance for obsolete and slowmoving stocks. 

## _**1.13 Debtors**_ 

Trade and other debtors are recognised at the settlement amount after any trade discount offered.  Prepayments are valued at the amount prepaid net of any trade discounts due. 

## _**1.14 Cash at bank and in hand**_ 

Cash at bank and in hand includes cash and short-term highly liquid investments with a short maturity from the date of acquisition or opening of the deposit or similar account. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **1. Accounting policies (continued)** 

## _**1.15 Creditors and provisions**_ 

Creditors are recognised when there is an obligation at the balance sheet date as a result of a past event, it is probable that a transfer of economic benefit will be required in settlement, and the amount of the settlement can be estimated reliably. 

Creditors are recognised at the amount that the Charity anticipates it will pay to settle the debt or the amount it has received as advanced payments for the goods or services it must provide. 

Provisions are measured at the best estimate of the amounts required to settle the obligation. Where the effect of the time value of money is material, the provision is based on the present value of those amounts, discounted at the pre-tax discount rate that reflects the risks specific to the liability. The unwinding of the discount is recognised in the consolidated statement of financial activities as a finance cost. 

## _**1.16 Financial instruments**_ 

The Group only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method. 

## _**1.17 Pensions**_ 

The Group operates a defined contribution pension scheme and the pension charge represents the amounts payable by the Group to the fund in respect of the year. 

## _**1.18 Employee benefits**_ 

The costs of short-term employee benefits are recognised as a liability and an expense. 

The cost of any unused holiday entitlement is recognised in the period in which the employee’s services are received. 

Termination benefits are recognised immediately as an expense when the company is demonstrably committed to terminate the employment of an employee or to provide termination benefits. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## _**2.**_ **Critical accounting estimates and areas of judgment** 

Estimates and judgments are continually evaluated and are based on historical experience and other factors, including expectations of future events that are believed to be reasonable under the circumstances. 

## **Critical accounting estimates and assumptions:** 

The Charity makes estimates and assumptions concerning the future. The resulting accounting estimates and assumptions will, by definition, seldom equal the related actual results. The estimates and assumptions that have a significant risk of causing a material adjustment to the carrying amounts of assets and liabilities within the next financial year are discussed below. 

## (i) Support costs 

Staffing and administration support costs are allocated across the activities of the theatre. Support costs are allocated on a basis consistent with the use of resources. 

## **Critical areas of judgment:** 

## (i) Recognition of Production Costs 

The recognition of production costs requires management to exercise judgement in determining the appropriate point at which expenditure should be recognised in the Statement of Financial Activities. The nature of producing theatre results in costs being incurred over an extended period, often spanning multiple accounting periods. 

A key area of judgement relates to the treatment of pre-production costs (the costs of making the shows). Management considers the date of the first performance to be the point at which the theatre has achieved delivery of the production to its audience, and therefore pre-production costs are recognised in full at this point. This policy reflects the view that the first performance demonstrates that the production is available for use in generating income across the run of performances. 

In applying this policy, management has also judged that if a production were to be cancelled prior to its first performance, all costs incurred to date would be recognised immediately in the Statement of Financial Activities. This reflects the fact that no future economic benefits are expected to flow from the cancelled production. 

Judgement is also applied in apportioning costs and income across individual performances within a run. For example, box office income and related box office costs are recognised at the point of each performance, and settlement costs for presented work are apportioned equally across all performances in the run. 

This approach requires management to assess carefully whether expenditure relates to the creation of a production (pre-production) or to its delivery (performance). These judgements are material to the timing of recognition of costs and therefore to reported results. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **3. Income from donations and legacies** 

|**_Donations_**<br>Arts Council England, Yorkshire<br>Individual Giving and the 1774 Club<br>Julius Caesar<br>Pay it Forward<br>NT Connections<br>Patricia and Donald Shepherd Charitable Trust<br>Community giving donations<br>Corporate giving<br>Development support<br>Events and show sponsorship<br>Garfield Weston community production<br>National Lottery Heritage Fund<br>Joseph Rowntree<br>Other donations<br>**_Legacies_**<br>Legacy fund - electric van<br>Legacy fund - Futureproof<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**598,059**<br>**109,816**<br>**-**<br>**-**<br>**-**<br>**-**<br>**18,802**<br>**-**<br>**-**<br>**29,542**<br>**-**<br>**-**<br>**-**<br>**4,200**<br>**-**<br>**-**<br>**760,419**<br>725,734|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**7,170**<br>**4,272**<br>**13,696**<br>**40,000**<br>**-**<br>**-**<br>**16,057**<br>**-**<br>**20,000**<br>**56,613**<br>**25,000**<br>**5,000**<br>**50,000**<br>**27,000**<br>**264,808**<br>72,402|**Total**<br>**funds**<br>**2025**<br>**£**<br>**598,059**<br>**109,816**<br>**7,170**<br>**4,272**<br>**13,696**<br>**40,000**<br>**18,802**<br>**-**<br>**16,057**<br>**29,542**<br>**20,000**<br>**56,613**<br>**25,000**<br>**9,200**<br>**50,000**<br>**27,000**<br>**1,025,227**<br>798,136|Total<br>funds<br>2024<br>£<br>598,059<br>72,016<br>-<br>-<br>-<br>35,000<br>31,099<br>11,300<br>-<br>13,260<br>-<br>-<br>-<br>37,402<br>-<br>-|
|---|---|---|---|---|
|||||798,136|
||||||



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **4. Income from charitable activities** 

|Admission fees (box office receipts)<br>Co-production income<br>Education and outreach<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**2,482,368**<br>**73,500**<br>**120,218**<br>**2,676,086**<br>2,579,778|**Total**<br>**funds**<br>**2025**<br>**£**<br>**2,482,368**<br>**73,500**<br>**120,218**<br>**2,676,086**<br>2,579,778|Total<br>funds<br>2024<br>£<br>2,443,599<br>-<br>136,179|
|---|---|---|---|
||||2,579,778|
|||||



## **5. Income from other trading activities Income from fundraising events** 

|Event bar income<br>Props, electrical hire and merchandising<br>Lettings, room hire and corporate entertainment<br>Costume hire and making<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**20,063**<br>**6,333**<br>**36,797**<br>**63,193**<br>49,758|**Total**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**20,063**<br>**6,333**<br>**36,797**<br>**63,193**<br>49,758|Total<br>funds<br>2024<br>£<br>500<br>1,078<br>17,453<br>30,727|
|---|---|---|---|
||||49,758|
|||||



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **5. Income from other trading activities (continued)** 

## **Income from non charitable trading activities** 

|Other income<br>Bar sales<br>Catering sales<br>Ice cream and sweet sales<br>Merchandise and programme sales (2)<br>Box office services (1)<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**4,348**<br>**189,076**<br>**219,125**<br>**95,083**<br>**9,957**<br>**-**<br>**517,589**<br>704,510|**Total**<br>**funds**<br>**2025**<br>**£**<br>**4,348**<br>**189,076**<br>**219,125**<br>**95,083**<br>**9,957**<br>**-**<br>**517,589**<br>704,510|Total<br>funds<br>2024<br>£<br>-<br>185,304<br>202,693<br>84,088<br>58,723<br>173,702|
|---|---|---|---|
||||704,510|
|||||



Total income from of fundraising and other charitable trading activities has been summarised in note 6. 

(1) Until 31 March 2024 box office services comprised a 5% allocation of ticket income. This ceased in the current financial year and ticket income is shown gross in note 4 to these financial statements. 

(2)  Until 31 March 2024 merchandise and programme sales were included in the accounts of the subsidiary, York Theatre Royal Enterprises Limited. Further to al full review of income these streams have been transferred back into the charitable company, reflecting the ancilliary purpose of these income streams. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **6. Summary of fundraising and charitable activities** 

|Fundraising events<br>Charitable trading activities<br>Total 2024<br>**Investment income**<br>Bank interest<br>Interest received on long term cash deposits<br>Total 2024 as restated|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**63,193**<br>**517,589**<br>**580,782**<br>754,268<br>**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**8,690**<br>**35,324**<br>**44,014**<br>39,111|**Total**<br>**funds**<br>**2025**<br>**£**<br>**63,193**<br>**517,589**<br>**580,782**<br>754,268<br>**Total**<br>**funds**<br>**2025**<br>**£**<br>**8,690**<br>**35,324**<br>**44,014**<br>39,111|Total<br>funds<br>2024<br>£<br>49,758<br>704,510|
|---|---|---|---|
||||754,268|
||||As restated<br>Total<br>funds<br>2024<br>£<br>6,578<br>32,533|
||||39,111|
|||||



## **7. Investment income** 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **8. Other income** 

|Sundry income (1)<br>Gift aid income<br>Sale of fixed assets<br>Holiday Activity and Food Programme<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**108,584**<br>**40,403**<br>**169**<br>**-**<br>**149,156**<br>101,360|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**-**<br>**2,275**<br>**2,275**<br>4,532|**Total**<br>**funds**<br>**2025**<br>**£**<br>**108,584**<br>**40,403**<br>**169**<br>**2,275**<br>**151,431**<br>105,892|Total<br>funds<br>2024<br>£<br>75,257<br>26,103<br>-<br>4,532|
|---|---|---|---|---|
|||||105,892|
||||||



(1) Until 31 March 2024 merchandise and programme sales were included in the accounts of the subsidiary, York Theatre Royal Enterprises Limited. Further to al full review of income these streams have been transferred back into the charitable company, reflecting the ancilliary purpose of these income streams. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **9. Expenditure on raising funds** 

## _**Fundraising trading expenses**_ 

|Marketing and fundraising<br>Trading activities<br>Costume hire and making<br>Fundraising trading staff costs (1)<br>Fundraising trading expenses - National insurance<br>(1)<br>Fundraising trading expenses - pension costs (1)<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**266,147**<br>**91,681**<br>**2,066**<br>**-**<br>**-**<br>**-**<br>**359,894**<br>496,563|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**-**<br>**-**<br>**-**<br>**-**<br>**-**<br>66,722|**Total**<br>**funds**<br>**2025**<br>**£**<br>**266,147**<br>**91,681**<br>**2,066**<br>**-**<br>**-**<br>**-**<br>**359,894**<br>563,285|Total<br>funds<br>2024<br>£<br>318,198<br>38,831<br>6,070<br>182,024<br>13,583<br>4,579|
|---|---|---|---|---|
|||||563,285|
||||||



(1) Until 31 March 2024 box office services comprised a 5% allocation of ticket income. This ceased in the current financial year and ticket income is shown gross in note 4 to these financial statements. Accordingly associated costs have also been reallocated. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **9. Expenditure on raising funds (continued)** 

## _**Other trading expenses**_ 

|Bar purchases<br>Catering purchases<br>Events, hire and performance cost of sales<br>Ice cream and sweets purchases<br>Merchandise and programme purchases<br>Box office service costs recharged (2)<br>Box office service costs of sales (2)<br>Administration expenses<br>Administration staff costs<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**68,723**<br>**103,455**<br>**2,690**<br>**22,443**<br>**2,750**<br>**-**<br>**-**<br>**26,782**<br>**271,503**<br>**498,346**<br>588,156|**Total**<br>**funds**<br>**2025**<br>**£**<br>**68,723**<br>**103,455**<br>**2,690**<br>**22,443**<br>**2,750**<br>**-**<br>**-**<br>**26,782**<br>**271,503**<br>**498,346**<br>588,156|Total<br>funds<br>2024<br>£<br>62,916<br>95,336<br>1,651<br>23,385<br>40,497<br>74,189<br>54,584<br>27,415<br>208,183|
|---|---|---|---|
||||588,156|
|||||



Total costs of raising funds have been summarised in note 10. 

(2) Until 31 March 2024 merchandise and programme sales were included in the accounts of the subsidiary, York Theatre Royal Enterprises Limited. Further to al full review of income these streams have been transferred back into the charitable company, reflecting the ancilliary purpose of these income streams. Accordingly associated costs have also been reallocated. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **10. Summary of raising funds** 

|Fundraising trading expenses<br>Other trading expenses<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**359,894**<br>**498,346**<br>**858,240**<br>1,084,719|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**-**<br>66,722|**Total**<br>**funds**<br>**2025**<br>**£**<br>**359,894**<br>**498,346**<br>**858,240**<br>1,151,441|Total<br>funds<br>2024<br>£<br>563,285<br>588,156|
|---|---|---|---|---|
|||||1,151,441|
||||||



## **Split between direct and support costs** 

|Cost of generating funds<br>Fundraising trading costs<br>Subsidiary trading costs<br>Total 2024|**Direct cost of**<br>**activities**<br>**2025**<br>**£**<br>**203,576**<br>**1,580**<br>**498,346**<br>**703,502**<br>1,038,403|**Support costs**<br>**2025**<br>**£**<br>**62,571**<br>**92,167**<br>**-**<br>**154,738**<br>113,038|**Total**<br>**funds**<br>**2025**<br>**£**<br>**266,147**<br>**93,747**<br>**498,346**<br>**858,240**<br>1,151,441|Total<br>funds<br>2024<br>£<br>486,440<br>76,845<br>588,156|
|---|---|---|---|---|
|||||1,151,441|
||||||



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **11. Analysis of expenditure on charitable activities** 

## _**Summary by fund type**_ 

|Admission fees (box office receipts)<br>Theatre tax relief<br>Education and outreach<br>Governance<br>Total 2024|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**3,809,924**<br>**(270,102)**<br>**75,972**<br>**36,514**<br>**3,652,308**<br>3,493,260|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**49,782**<br>**-**<br>**43,512**<br>**-**<br>**93,294**<br>65,304|**Total**<br>**2025**<br>**£**<br>**3,859,706**<br>**(270,102)**<br>**119,484**<br>**36,514**<br>**3,745,602**<br>3,558,564|Total<br>2024<br>£<br>3,539,788<br>(323,613)<br>303,991<br>38,398<br>3,558,564|
|---|---|---|---|---|



## **12. Analysis of expenditure by activities** 

|Operation of theatre<br>Theatre tax relief<br>Education and outreach<br>Governance<br>Total 2024|**Activities**<br>**undertaken**<br>**directly**<br>**2025**<br>**£**<br>**3,005,557**<br>**(270,102)**<br>**93,042**<br>**36,514**<br>**2,865,011**<br>2,591,510|**Support costs**<br>**2025**<br>**£**<br>**854,149**<br>**-**<br>**26,442**<br>**-**<br>**880,591**<br>967,054|**Total**<br>**funds**<br>**2025**<br>**£**<br>**3,859,706**<br>**(270,102)**<br>**119,484**<br>**36,514**<br>**3,745,602**<br>3,558,564|Total<br>funds<br>2024<br>£<br>3,539,788<br>(323,613)<br>303,991<br>38,398<br>3,558,564|
|---|---|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **13. Allocation of support costs** 

The trust allocates its support costs as shown in the table below. The support costs are allocated on a basis consistent with the use of resources. 

|Administration salaries<br>Other staff costs<br>Premises costs<br>Computer, stationery and postage costs<br>Travelling and subsistence costs<br>Legal and professional costs<br>Other sundry expenses<br>Irrecoverable VAT<br>Depreciation<br>**_Total 2025_**<br>Total 2024|**Operation of**<br>**Theatre**<br>**2025**<br>**£**<br>**234,864**<br>**10,457**<br>**278,321**<br>**56,453**<br>**4,374**<br>**36,791**<br>**54,486**<br>**51,422**<br>**153,423**<br>**880,591**<br>967,054|**Allocated to**<br>**cost of raising**<br>**funds**<br>**2025**<br>**£**<br>**41,270**<br>**1,837**<br>**48,907**<br>**9,920**<br>**769**<br>**6,465**<br>**9,574**<br>**9,036**<br>**26,960**<br>**154,738**<br>113,038|**Total**<br>**funds**<br>**2025**<br>**£**<br>**276,134**<br>**12,294**<br>**327,228**<br>**66,373**<br>**5,143**<br>**43,256**<br>**64,060**<br>**60,458**<br>**180,383**<br>**1,035,329**<br>1,080,092|Total<br>funds<br>2024<br>£<br>240,217<br>101,444<br>411,822<br>37,538<br>1,803<br>6,238<br>49,856<br>42,203<br>188,971|
|---|---|---|---|---|
|||||1,080,092|
||||||



## **14. Net income/(expenditure)** 

This is stated after charging: 

||**2025**|2024|
|---|---|---|
||**£**|£|
|Depreciation of tangible fixed assets:|||
|- owned bythe charitablegroup|**180,383**|188,971|
|Auditor's remuneration - audit|**18,950**|18,035|
|Auditor's remuneration - other services|**10,100**|2,965|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **15. Staff costs** 

|Wages and salaries<br>Social security costs<br>Contribution to defined contribution pension<br>schemes|**Group**<br>**2025**<br>**£**<br>**1,544,019**<br>**112,000**<br>**33,830**<br>**1,689,849**|Group<br>2024<br>£<br>1,467,573<br>104,907<br>24,989<br>1,597,469|**Charity**<br>**2025**<br>**£**<br>**1,544,019**<br>**112,000**<br>**33,830**<br>**1,689,849**|Charity<br>2024<br>£<br>1,467,573<br>104,907<br>24,989|
|---|---|---|---|---|
||||||
|||||1,597,469|



The average number of persons employed by the Charity during the year was as follows: 

||**Group**|Group|**Charity**|Charity|
|---|---|---|---|---|
||**2025**|2024|**2025**|2024|
||**No.**|No.|**No.**|No.|
|Average monthly headcount|**115**|108|**115**|108|



The average headcount expressed as full-time equivalents was: 

||**Group**|Group|**Charity**|Charity|
|---|---|---|---|---|
||**2025**|2024|**2025**|2024|
||**No.**|No.|**No.**|No.|
|Average full-time equivalent|**50**|60|**50**|60|



The number of employees whose employee benefits (excluding employer pension costs) exceeded £60,000 was: 

|||**Group**|Group|
|---|---|---|---|
|||**2025**|2024|
|||**No.**|No.|
|In the band £60,001|- £70,000|**1**|-|



The average number of key management personnel for both the current and prior year was deemed to be the Chief Executive Officer. Total key management personnel renumeration including employers NI and pension was £74,945 (2024: £55,058). 

## **16. Trustees' remuneration and expenses** 

During the year, no Trustees received any remuneration or other benefits (2024 - £NIL). 

During the year ended 31 March 2025, £17 of expenses were reimbursed or paid directly to 1 Trustee (2024: £359 to 4 Trustees). 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **17. Tangible fixed assets** 

## **Group and Charity** 

|**_Cost or valuation_**<br>At 1 April 2024<br>Additions<br>Disposals<br>At 31 March 2025<br>**_Depreciation_**<br>At 1 April 2024<br>Charge for the year<br>On disposals<br>At 31 March 2025<br>**_Net book value_**<br>At 31 March 2025<br>At 31 March 2024|**Signal Box**<br>**Theatre**<br>**£**<br>**954**<br>**-**<br>**(954)**<br>**-**<br>**954**<br>**-**<br>**(954)**<br>**-**<br>**-**<br>-|**Leasehold**<br>**Improvements**<br>**£**<br>**1,604,006**<br>**-**<br>**-**<br>**1,604,006**<br>**911,813**<br>**105,225**<br>**-**<br>**1,017,038**<br>**586,968**<br>692,193|**Plant and**<br>**equipment**<br>**£**<br>**1,125,756**<br>**47,857**<br>**-**<br>**1,173,613**<br>**945,573**<br>**69,998**<br>**-**<br>**1,015,571**<br>**158,042**<br>180,183|**Motor vehicles**<br>**£**<br>**7,000**<br>**45,919**<br>**(7,000)**<br>**45,919**<br>**7,000**<br>**5,160**<br>**(7,000)**<br>**5,160**<br>**40,759**<br>-|**Total**<br>**£**<br>**2,737,716**<br>**93,776**<br>**(7,954)**<br>**2,823,538**<br>**1,865,340**<br>**180,383**<br>**(7,954)**<br>**2,037,769**<br>**785,769**<br>872,376|
|---|---|---|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **18. Fixed asset investments** 

||**Investments in**|||
|---|---|---|---|
||**subsidiary**|||
||**companies**|**Cash deposits**|**Total**|
|**_Charity_**|**£**|**£**|**£**|
|**_Cost or valuation_**||||
|At 1 April 2024|**3**|**500,595**|**500,598**|
|Additions|**-**|**1,200,000**|**1,200,000**|
|Disposals|**-**|**(50,000)**|**(50,000)**|
|Interest earned and reinvested|**-**|**35,324**|**35,324**|
|At 31 March 2025|**3**|**1,685,919**|**1,685,922**|
|**_Net book value_**||||
|At 31 March 2025|**3**|**1,685,919**|**1,685,922**|
|At 31 March 2024|3|500,595|500,598|
|**Principal subsidiaries**||||
|The following were subsidiary undertakings of the Charity:||||
|**Names**|**Company**|**Holding**<br>**Included in**||
||**number**|**consolidation**||
|York Theatre Royal Enterprises Limited|02909939|**100%** Yes||
|York Theatre Productions Limited|09308382|**100%** Yes||



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **18. Fixed asset investments (continued)** 

The financial results of the subsidiaries for the year were: 

|**_York Theatre Royal Enterprises Limited_**<br>Income<br>Expenditure<br>**_Profit for the year_**<br>Total assets<br>Total liabilities<br>**_Net assets_**<br>**_York Theatre Productions Ltd_**<br>Income<br>Expenditure<br>**_Profit/(loss) for the year_**<br>Total assets<br>Total liabilities<br>**_Net assets_**|**2025**<br>**£**<br>**517,589**<br>**(498,346)**<br>**19,243**<br>**64,906**<br>**(45,661)**<br>**19,245**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**-**<br>**546,456**<br>**(546,455)**<br>**1**|2024<br>£<br>1,244,448<br>(1,128,094)<br>116,354<br>186,305<br>(69,949)<br>116,356<br>2024<br>£<br>897,494<br>(897,494)<br>-<br>546,456<br>(546,455)<br>1|
|---|---|---|



York Theatre Productions ceased to trade in the previous year when all producing activity transferred to the theatre. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **19. Stocks** 

|Finished goods and goods for resale<br>**Debtors**<br>Trade debtors<br>Amounts owed by group undertakings<br>Other debtors<br>Prepayments and accrued income|**Group**<br>**2025**<br>**£**<br>**15,624**<br>**Group**<br>**2025**<br>**£**<br>**16,052**<br>**-**<br>**584,383**<br>**360,974**<br>**961,409**|Group<br>2024<br>£<br>14,470<br>Group<br>2024<br>£<br>20,146<br>-<br>548,000<br>47,360<br>615,506|**Charity**<br>**2025**<br>**£**<br>**7,178**<br>**Charity**<br>**2025**<br>**£**<br>**16,052**<br>**555,481**<br>**37,928**<br>**360,974**<br>**970,435**|Charity<br>2024<br>£<br>-|
|---|---|---|---|---|
|||||Charity<br>2024<br>£<br>20,146<br>592,816<br>1,543<br>47,360|
||||||
|||||661,865|



## **20. Debtors** 

Other debtors includes £567,965 (2024: £546,456) in respect of Theatre Tax Relief. 

## **21. Creditors: Amounts falling due within one year** 

|Trade creditors<br>Other taxation and social security<br>Other creditors<br>Accruals and deferred income|**Group**<br>**2025**<br>**£**<br>**399,856**<br>**157,408**<br>**41,168**<br>**1,917,327**<br>**2,515,759**|As restated<br>Group<br>2024<br>£<br>291,135<br>83,952<br>115,672<br>606,805<br>1,097,564|**Charity**<br>**2025**<br>**£**<br>**382,556**<br>**138,073**<br>**41,168**<br>**1,917,328**<br>**2,479,125**|As restated<br>Charity<br>2024<br>£<br>267,546<br>83,952<br>115,672<br>606,805|
|---|---|---|---|---|
||||||
|||||1,073,975|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

|Deferred income at 1 April 2024<br>Income deferred during the year<br>Amounts released from previous periods|**Group**<br>**2025**<br>**£**<br>**389,176**<br>**1,817,813**<br>**(389,176)**<br>**1,817,813**|Group<br>2024<br>£<br>552,015<br>389,176<br>(552,015)<br>389,176|**Charity**<br>**2025**<br>**£**<br>**389,176**<br>**1,817,813**<br>**(389,176)**<br>**1,817,813**|Charity<br>2024<br>£<br>552,015<br>389,176<br>(552,015)<br>389,176|
|---|---|---|---|---|



Deferred income comprises ticket fees received in advance, project fees paid in advance of work done and grants which the donor has specified must be used in future accounting periods. 

## **22. Prior year adjustments** 

During the year, it was identified that amounts previously classified as gains on investments related to interest earned on cash deposits rather than listed investments. As a result, a prior year adjustment has been made to reclassify £35,324 from gains on investments to investment income in the comparative figures. This adjustment has had no impact on the balance sheet. 

Following a review of the Theatre's VAT treatment, management identified errors in the recording of certain transactions which have rise to an underpayment of VAT. Corrections have been made to rectify the accounting for these errors and a prior year adjustment has been included to illustrate the effect of this adjustment. 

The total impact of the misstatement was quantified at £71,000, with £32,000 relating to the 2023/24 financial year, £24,000 relating to the 2022/23 financial year and £15k relating to the 2021/22 financial year. The effect of this adjustment on this year's financial statements is set out in the table below. 

The adjustment does not affect the current year’s profit and loss, other than through the correction of brought forward balances. 

## **Changes to the balance sheet** 

|||**Adjustment as**|**Adjustment as**|**Adjustment as**||
|---|---|---|---|---|---|
||**As previously**|**at 31 March**|**at 31 March**|**at 31 March**||
|**_For theyear ended 31 March 2024_**|**reported**|**2022**|**2023**|**2024**|**As restated**|
||**£**|**£**|**£**|**£**|**£**|
|**Creditors due within oneyear**||||||
|Other taxation and social security|12,952|15,000|24,000|32,000|83,952|
|**Funds**||||||
|General funds|336,508|(15,000)|(24,000)|(32,000)|265,508|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **23. Statement of funds** 

|**Statement of funds**||||||
|---|---|---|---|---|---|
|**Statement of funds - current year**<br>**_Unrestricted funds_**<br>**_Designated funds_**<br>Designated Fixed Asset Fund<br>**_General funds_**<br>General funds<br>Enterprises<br>Share capital<br>**_Total Unrestricted funds_**|**As restated**<br>**Balance at 1**<br>**April 2024**<br>**£**<br>**872,376**<br>**265,508**<br>**116,354**<br>**41**<br>**381,903**<br>**1,254,279**|**Income**<br>**£**<br>**-**<br>**3,692,868**<br>**517,589**<br>**-**<br>**4,210,457**<br>**4,210,457**|**Expenditure**<br>**£**<br>**(180,383)**<br>**(3,831,819)**<br>**(498,346)**<br>**-**<br>**(4,330,165)**<br>**(4,510,548)**|**Transfers**<br>**in/out**<br>**£**<br>**93,776**<br>**134,888**<br>**(116,354)**<br>**-**<br>**18,534**<br>**112,310**|**Balance at 31**<br>**March 2025**<br>**£**<br>**785,769**|
||||||**261,445**<br>**19,243**<br>**41**|
||||||**280,729**|
||||||**1,066,498**|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **23. Statement of funds (continued)** 

|**_Restricted funds_**<br>Patricia and Donald Shepherd<br>Charitable Trust<br>Access All Areas<br>NT Connections<br>Development Support Fund<br>Holiday Activity and Food<br>Programme<br>Julius Caesar<br>Audrey and Duncan Savage Fund<br>Legacy Fund Electric Van<br>Garfield Weston Community<br>Production Fund<br>Theatre Fund LX Equipment<br>National Lottery Heritage Fund<br>Joseph Rowntree<br>Futureproof<br>Other restricted funds<br>**_Total of funds_**|**As restated**<br>**Balance at 1**<br>**April 2024**<br>**£**<br>**18,663**<br>**10,822**<br>**7,317**<br>**4,102**<br>**3,954**<br>**3,600**<br>**10,000**<br>**-**<br>**-**<br>**-**<br>**-**<br>**-**<br>**-**<br>**1,673**<br>**60,131**<br>**1,314,410**|**Income**<br>**£**<br>**40,000**<br>**-**<br>**13,696**<br>**16,057**<br>**2,275**<br>**7,170**<br>**-**<br>**50,000**<br>**20,000**<br>**5,000**<br>**56,613**<br>**25,000**<br>**27,000**<br>**4,272**<br>**267,083**<br>**4,477,540**|**Expenditure**<br>**£**<br>**(33,234)**<br>**(7,839)**<br>**(2,439)**<br>**(20,159)**<br>**(1,018)**<br>**(2,774)**<br>**-**<br>**-**<br>**(657)**<br>**-**<br>**(12,996)**<br>**(6,479)**<br>**(500)**<br>**(5,199)**<br>**(93,294)**<br>**(4,603,842)**|**Transfers**<br>**in/out**<br>**£**<br>**(13,543)**<br>**-**<br>**(18,574)**<br>**-**<br>**(1,257)**<br>**-**<br>**(10,000)**<br>**(50,000)**<br>**-**<br>**(5,000)**<br>**(11,323)**<br>**(2,500)**<br>**-**<br>**(113)**<br>**(112,310)**<br>**-**|**Balance at 31**<br>**March 2025**<br>**£**<br>**11,886**<br>**2,983**<br>**-**<br>**-**<br>**3,954**<br>**7,996**<br>**-**<br>**-**<br>**19,343**<br>**-**<br>**32,294**<br>**16,021**<br>**26,500**<br>**633**|
|---|---|---|---|---|---|
||||||**121,610**|
||||||**1,188,108**|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **23. Statement of funds (continued)** 

## **Statement of funds - prior year** 

|**_Unrestricted_**<br>**_funds_**<br>**_Designated funds_**<br>Designated Fixed<br>Asset Fund<br>Designated Fund -<br>Community<br>Productions<br>Designated Fund -<br>Creative<br>Director<br>**_General funds_**<br>General funds<br>Enterprises<br>Share capital<br>**_Total Unrestricted_**<br>**_funds_**|As restated<br>Balance at<br>1 April 2023<br>£<br>1,041,916<br>221,664<br>14,176<br>1,277,756<br>85,087<br>149,829<br>41<br>234,957<br>1,512,713|Income<br>£<br>-<br>-<br>-<br>-<br>2,923,270<br>1,244,448<br>-<br>4,167,718<br>4,167,718|Expenditure<br>£<br>(188,971)<br>(115,840)<br>-<br>(304,811)<br>(3,216,073)<br>(1,128,095)<br>-<br>(4,344,168)<br>(4,648,979)|Transfers<br>in/out<br>£<br>19,431<br>(105,824)<br>(14,176)<br>(100,569)<br>440,691<br>(149,828)<br>-<br>290,863<br>190,294|Gains/<br>(Losses)<br>£<br>-<br>-<br>-<br>-<br>32,533<br>-<br>-<br>32,533<br>32,533|As restated<br>Balance at<br>31 March<br>2024<br>£<br>872,376<br>-<br>-|
|---|---|---|---|---|---|---|
|||||||872,376|
|||||||265,508<br>116,354<br>41|
|||||||381,903|
|||||||1,254,279|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **23. Statement of funds (continued)** 

|**_Restricted funds_**<br>City of York<br>Capital Fund<br>Patricia and<br>Donald<br>Shepherd<br>Charitable Trust<br>Access All Areas<br>NT Connections<br>Development<br>Support Fund<br>Holiday Activity<br>and Food<br>Programme<br>37 Plays<br>Richard III<br>Commission<br>Julius Caesar<br>Audrey and<br>Duncan Savage<br>Fund<br>Other restricted<br>funds<br>**_Total of funds_**|As restated<br>Balance at<br>1 April 2023<br>£<br>245,016<br>15,702<br>17,305<br>1,807<br>-<br>3,176<br>3,878<br>1,832<br>3,750<br>10,000<br>3,051<br>305,517<br>1,818,230|Income<br>£<br>-<br>35,000<br>-<br>6,700<br>16,102<br>4,532<br>10,000<br>-<br>-<br>-<br>4,600<br>76,934<br>4,244,652|Expenditure<br>£<br>(54,722)<br>(32,039)<br>(6,483)<br>(1,190)<br>(12,000)<br>(3,754)<br>(13,878)<br>(1,832)<br>(150)<br>-<br>(5,978)<br>(132,026)<br>(4,781,005)|Transfers<br>in/out<br>£<br>(190,294)<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>(190,294)<br>-|Gains/<br>(Losses)<br>£<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>-<br>32,533|As restated<br>Balance at<br>31 March<br>2024<br>£<br>-<br>18,663<br>10,822<br>7,317<br>4,102<br>3,954<br>-<br>-<br>3,600<br>10,000<br>1,673|
|---|---|---|---|---|---|---|
|||||||60,131|
|||||||1,314,410|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Restricted funds** 

Patricia and Donald Shepherd Charitable Trust Fund - funding received to support the provision of an Outreach Director to work with disadvantaged groups across the City. 

Access All Areas - funding has been made from the Ed De Nunzio Charitable Trust to support the Access All Areas drama group. The group works with a group of young people aged 12-16 who are vulnerable, socially excluded or disadvantaged in some way and would not usually access out mainstream Youth Theatre. 

NT Connections – these funds were received from the National Theatre to support the ‘Connections Project’ at York Theatre Royal. 

Development Support fund - This donation from a private individual to fund the salary and ongoing costs of a wardrobe assistant. 

Holiday Activity and Food Programme - funding received from City of York Council to support holiday activities for disadvantaged children. 

Julius Caesar - Funding supporting the formation of a community chorus to perform in the RSC production working alongside a local musical director. 

Audrey and Duncan Savage Fund - To support small capital projects. 

Legacy Fund Electric Van- £82k legacy was received of which £50k was for the purchase of an electric van.  This was purchased in August 2024. 

Garfield Weston Community Production Fund- £20k to support the community production 'His Last Report' and contribute to other creative engagement activity. 

Theatre Fund LX Equipment- Funding to buy electrical equipment. 

National Lottery Heritage Fund- £113k grant to fund the 'Sweet Legacies' project which is linked to the community production 'His Last Report'. 

Joseph Rowntree- £25k grant to support community production 'His Last Report'. 

Futureproof- £82k legacy was received of which £27k is to fund the futureproof project.  This is a young persons participatory project which starts in 2025-26. 

City of York Capital fund - a donation of funding to support the Theatre with its ongoing capital costs and capital redevelopment projects. The transfer relates to the transfer of fixed assets from restricted to unrestricted funds, as the assets are held for general purposes. 

37 Plays - funding from the RSC to support a nationwide playwriting project, working with 12 theatre partners across the country with the aim to get the nation writing. 

Richard III Commission - funding from the Richard III Society CLG to support the creation and commission of a new play about Richard III. 

Other restricted funds include restricted grants and donations under £2,000 each. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **Designated funds** 

Designated fixed asset fund represents the carrying value of the tangible fixed assets. 

## **Transfers** 

A transfer was made in the prior year from restricted funds to general funds totalling £190,294 in the year representing the release of capital grant funding which has been approved by the funder for use on general purposes. 

Transfers have been made from unrestricted funds to designated funds totalling £93,776 which represents movements on fixed assets at the year end. 

A transfer has been made for £116,354 within unrestricted funds to represent the gift aid payment made by York Theatre Royal Enterprises Limited to the parent charitable company in the year. 

Transfers totalling £65,000 from restricted to unrestricted funds represent capital expenditure for which the conditions attached to the restricted funds have been fully satisfied. 

Transfers totalling £47,310 from restricted to unrestricted funds represents funds received in prior years that were intended to contribute towards certain costs. Following a review, the transfer has been made to ensure accurate matching of the incurred expenditure to reflect the satisfaction of the original funding conditions. 

## **24. Group analysis of net assets between funds** 

## **Group analysis of net assets between funds - current period** 

|Tangible fixed assets<br>Fixed asset investments<br>Current assets<br>Creditors due within one year<br>**_Total_**|**Unrestricted**<br>**funds**<br>**2025**<br>**£**<br>**785,769**<br>**1,685,919**<br>**1,110,569**<br>**(2,515,759)**<br>**1,066,498**|**Restricted**<br>**funds**<br>**2025**<br>**£**<br>**-**<br>**-**<br>**121,610**<br>**-**<br>**121,610**|**Total**<br>**funds**<br>**2025**<br>**£**<br>**785,769**<br>**1,685,919**<br>**1,232,179**<br>**(2,515,759)**<br>**1,188,108**|
|---|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **24. Group analysis of net assets between funds (continued)** 

## **Group analysis of net assets between funds - prior period** 

|Tangible fixed assets<br>Fixed asset investments<br>Current assets<br>Creditors due within one year<br>**_Total as restated_**|As restated<br>Unrestricted<br>funds<br>2024<br>£<br>872,376<br>500,595<br>978,872<br>(1,097,564)<br>1,254,279|Restricted<br>funds<br>2024<br>£<br>-<br>-<br>60,131<br>-<br>60,131|As restated<br>Total<br>funds<br>2024<br>£<br>872,376<br>500,595<br>1,039,003<br>(1,097,564)<br>1,314,410|
|---|---|---|---|



## **25. Reconciliation of net movement in funds to net cash flow from operating activities** 

|Net expenditure for the year (as per Statement of Financial Activities)<br>**_Adjustments for:_**<br>Depreciation charges<br>Bank interest<br>Increase in stocks<br>Increase in debtors<br>Increase/(decrease) in creditors<br>**_Net cash provided / (used) by operating activities_**|**Group**<br>**2025**<br>**£**<br>**(126,302)**<br>**180,383**<br>**(8,690)**<br>**(1,154)**<br>**(345,903)**<br>**1,418,195**<br>**1,116,529**|Group<br>2024<br>£<br>(432,820)<br>188,971<br>(6,578)<br>(4,209)<br>(10,910)<br>(149,610)<br>(415,156)|
|---|---|---|



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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **26. Analysis of cash and cash equivalents** 

|Cash in hand<br>Notice deposits<br>**_Total cash and cash equivalents_**|**Group**<br>**2025**<br>**£**<br>**255,146**<br>**-**<br>**255,146**|Group<br>2024<br>£<br>309,027<br>100,000|
|---|---|---|
||||
|||409,027|



## **27. Analysis of changes in net debt** 

|Cash in hand|**At 1 April**<br>**2024**<br>**£**<br>**409,027**<br>**409,027**|**Cash flows**<br>**£**<br>**(153,881)**<br>**(153,881)**|**At 31 March**<br>**2025**<br>**£**<br>**255,146**|
|---|---|---|---|
||||**255,146**|



The charitable group had no debt in the current or prior year. 

## **28. Pension commitments** 

The group operates a defined contribution pension scheme. The assets of the scheme are held separately from those of the group in an independently administered fund. The pension cost charge represents contributions payable by the group to the fund and amounted to £30,023 (2024: £24,989). £9,376 (2024: £15,967) was payable to the fund at the Balance Sheet date and is included in creditors. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **29. Operating lease commitments** 

At 31 March 2025 the Group and the Charity had commitments to make future minimum lease payments under non-cancellable operating leases as follows: 

|Not later than 1 year<br>Later than 1 year and not later than 5 years<br>Later than 5 years|**Group**<br>**2025**<br>**£**<br>**89,156**<br>**307,833**<br>**301,189**<br>**698,178**|Group<br>2024<br>£<br>62,710<br>201,491<br>334,967|
|---|---|---|
||||
|||599,168|



Of the commitments above, £470,080 (2024: £503,858) is payable to the York Conservation Trust in relation to rent on the theatre building. 

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## **YORK CITIZENS' THEATRE TRUST LIMITED** 

## NOTES TO THE FINANCIAL STATEMENTS 

_FOR THE YEAR ENDED 31 MARCH 2025_ 

## **30. Related party transactions** 

York Theatre Royal Enterprises Limited is a wholly owned subsidiary of York Citizens' Theatre Trust Limited. Some of the trustees of the charity are also directors of the company. At the year end, amounts owed from York Theatre Royal Enterprises Limited were £9,026 (2024: £46,360). During the year the charity received income from a management charge of £nil (2024: £86). During the year total gift aid donations were made from York Theatre Royal Enterprises Limited to the charity totalling £116,354 (2024: £149,828). 

York Theatre Productions Limited is a wholly owned subsidiary of York Citizens' Theatre Trust Limited. Some of the trustees of the charity are also directors of the company. At the year end, amounts owed from York Theatre Productions Limited were £546,455 (2024: £546,455), this amount reflects tax credits due from the subsidiary. 

There was income of £456,240 (2024: £nil) from Bradford Culture Company, an organisation in which Matthew Noddings was a freelance production manager during the year.  Of the £456,240 income received, £440,240 was deferred until 2025-26 and £16,000 was recognised in 2024-25.  There was a nil balance (2024: £nil) outstanding at the year end. 

During the year there was expenditure of £nil (2025: £5,664) with Make It York, a charity in which Will Zhuang was also a trustee during the year. There was a nil balance (2024: £nil) outstanding at the year end. 

During the year there was expenditure of £755 (2024: £755) with York BID Company Limited, a company in which Will Zhuang  was also a director during the year. There was a nil balance (2024: £nil) outstanding at the year end. 

During the year there was income of £nil (2024: £10,574) and expenditure of £nil (2024: £47,188) with Frantic Assembly, a charity in which Matthew Hunnybun was also a trustee during the year. There was a nil balance (2024: £nil) outstanding at the year end. 

During the year expenses were paid to trustees totalling £17 (2024: £359). Collectively, the trustees made donations of £3,036 in the year. 

There are no other related party transactions to disclose in the current or previous year. 

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