pany registrath)n nUM￿r. 14438069
Charity registration number.. I2(￿512
RESPONSE ABILITY THEATRE LTO
TRUSTEES. REPORT AND
UNAUDITED FINANCIAL STATEMENTS
FOR THE YEAR ENDED 5 APRIL 2025
Addiry Value Ltd
stud￿ 21. Bluecoat Chambers
S(*KMY Lants
verFKMY
L1 3BX

Response Abilty Theatre Ltd
Contents
Pa
T￿ste8S, Rewrt
Independent Examine¢s Reprwt
stabfwdnl of FSnawal Adbwisas I1￿￿dIng Exp8ThJiii¥•ActtyJnii
6alaTrL* Sheet
Notes lo the Finanual stat9￿nIs
1tF13
The following pages do not lorm p8rtollhe ststytrry xccrtJnt&'
08iall8d sialemeni of Fln8nd&l Actsviues IlncknliThJ IncoN* and ExF•Ili￿I6 Aco>Jnll
14

Response Ability Theatre Ltd
Cornpany No. 14438069
Trustees. Report For The Year Ended S April 2025
The Iruslees presentlheir reFth and Ihe finanu31 sta*nts yeaTend￿j 5 Atxl 2025.
QWe¢tlv•s and A¢tlvlflo5
Alms and Oblo¢U¥o8
The Objects For WhiGh Thé Company L¥ E$￿￿lsh8O Art".
1. Tre Advan¢6meni orArts In Parti¢ul* Bul Not E¥dusi¥6lyTheatre Th8 PorformiNJ Arts By Invdwn9 Paople Whos8 Livo8 Have
Been Significanly Affected, Orwho Are Al RL%k Ot Beiw &￿1￿Can￿Y Affecw By Trauma..
2 The Advancement Of Educat￿￿ On The Nature OITrauma ArKI TraUm&cor￿u5 WorkirvJ Practices, EspecK411y Thos8 In Position5
Of Car8. On Thè Causes. Symptoms And Manayemet)l OfTrauma IAwartsnes$l Through The Use OIThe Art$. In Pa￿cular Bul Not
Exclusivdy Theatre And The Perf(YM1r￿ Arts. And To Commun￿?te Learni￿$ From Resear¢h Projects Th8t tlre¢Uy Or IncKlenlally
Further Understanding Of Trauma In Theatre And AJtS-Ba5￿I Ways FN pUt*c￿SUMP￿ ILeamingl,' And
The Preservati￿ And ProlectwJn 01 Physical And Mental Heahh By U￿r￿j ThB kn As A Fotm OfProlectk)n AgaSnsi And
Managemeni OfTr&uma.
In Furtheran¢o 01 The Abovfr Chantatrje Objecls. Wo Undortak• &Jch AS 8ul Not Ljrnited To..
The Creation And Delivery Of publ￿ ProductK)ns That Tell Stones InS￿r￿1 By Lived Experignc95 Of SuNi¥ors Of Trauma. Thesg
pr￿lutI10n$ Are Sutvivor-Led To ETh￿r& Autheniityty And I￿prove Rtrpre$entsl￿n OfTr8uma SuTViVOts In Thèaire And The Arts.
Supporting A¢8demi¢ And Pe8r Research ProJ8¢ts That Seek To Gaiher EvK1en¢e With AF)d From Survivors, To Respond To Their
Purposes And c￿neSIgn And Delwer Theatre-Based And Othelwse creative El￿tal￿n Se5sKins To Make The Process Traum3-
ConsGIW5, Equip Researche￿ To Cary Oul Th￿r Olhercixnmuntstions Wilh Survivors In Trauffla-ConscbOUS Ways." And To Create
ArtSslic Inierweièiions Of Research FindifKJ8 Thre￿ The8tye And The Arts For Tr Public.
The Provision 01 creati￿ Groups￿￿ PartVpa1￿Y Prqeds For Trauma surVi￿r$.. WrKkshop5 And Training For Survivors Andlor
PeopLg In Positions 01 Care For survivo￿." And Si9nWs￿ &Jryiv(x5 To Adv15ers In MatteTr Such As Law. EduGb1l￿. Empkjyfflent,
H8811h And Any Other Prac￿¢81 Issu8s Th* Uay Need To Ad¢*es$ On Their Joum&y$ Beyond Trauma.
Publlt B•Th￿t
The Iruslees confirn Ihjl they h•ve r￿pIe￿ wlth rwwr•rr•nty glsth 1701fv Choribw A¢1 2011 to hwe dv? r•g4rd to the Chorlty
Comm1s81on's guidancé on PU￿1¢ banefil.
Achl•v•m•nt• and P•rformbnc•
M•ln A¢h19￿m￿nI•
Response Abllily Theatre IRATI'S first year as o chwty was. fnl 8nd abwl ￿artir￿j to find bulld ￿r¢0mmUn￿. Our rule of
thumb for any ol our prgec15 15 that Ihey must benefil ihe peo￿ they aim to serye al every stage of Ihe pror*s5'. not iusl when the play or
Othèr final produci hap￿￿$.. not just five y&*s laier. minds have t*en charw and we ¢An se& the effect ￿8￿n9 cwt In thè wodd
8round us,. not even Iusi In Ihe makifvJ ol the play wwhalever it L8 we are dtyThJ. ￿J¢ belore Ihe process S￿rtS 81 all. In the imaglnlno and
anning of Ihe WO￿￿. In lh8 bvJ dreaming. In the fin8 luning. m Ihe pri0nts￿ng and ma￿Try do ihal Ine￿la￿Y happens resource5 are light.
Our newcharitable siaiu8 has given us So1￿ grtyjnds for the first time kn red re&SL￿￿Y confident ofbeing ab￿ lo maintain a re9ular
pr88enc8 for the p)Sl-lrnumaVc C￿M￿n￿. 80 *8 h8V8 fc¢vs•J wr8llenbon on whlng out. wdcoming in. and Iis18nlw.
We know th81, espeoally for people 8xped8ndng r#)st-iraumai￿ stress..b￿￿tr￿. Is ￿18$ Sm￿8 8s"InvoMng". Co<realon Is b&comlng
more gnd more wpul3rau0￿ a range ol seclrys. and ￿ cdetrale Ihal- cwSuIta￿ fatigue is Iherefore $pre8ding. ond we don
think il has lo be that way. 01 course pÈoplÈ want lo bÈ involved in dÈL¥SiDnS ffl*le aL¥>uI Ihern- Lyjlwe have so Tnuch 51afflin8 for
opaning our he8rt$ to som8ow we'll n8V8r st8 ¥uain. ty gMrMJ lh8 Infr*Ma￿￿7 ¥uait) and auain and n8vèr soèing anything ¢h8nglng.
And that's Ifwe're even managing lo arb¢ulale whatwe need to Say in the trsl rA8ce. Fry ffl￿Y suThivry5. everydgy lawuage doesnl cut it-
and often we need lo make charyes loo radiral lo be atAe lodes(￿beeas1IY in a lrteral sense. And before we even describe it. we havè lo
givB Bach ulhBr pem11$8wJn to Imagine rt and find it IDfftr.
RAT'S fiTSt ever communrty core group IRATSII session t(x)k in A￿JUst 2024 and has [[￿￿1h1Y since Ihen. Each session tslarts wilh
som8 ¢r•81ive 8Clivity (usually Iheawtrbasedl thai goL% us eX￿thng oursdv8s and Qur pgrspethiv8s In Oeoper ways than ov•ryd8y life allows.
and to find a Lgnguage amongstourselves In which we can communicate T￿)re safety and satis￿n9￿ a￿￿1 the Issues we as a community
are Goming up again51. Only then do we start (Trcreating ￿￿￿e$. (￿aIn}5. ￿strategIeS, orwhalever ourfoGU6 15 that because only
then have ￿ reach￿ 8 ￿a¢fr wh8re every￿ ￿alY Is LM a18vd wlh Olher¥nd 8xpressDn and hon8Sty 1$ fr88.
Wè havè trnc¢MJnitred 36 suNvors in pèTron thwh thè Y[(￿p and cOmmn￿8ttd onlino ¥wth arouThl 15 more VdFKJ aren't Quitè rtady tojthn
us yel, but ¥v¥nl lo be kept in the loop. The inili¥l re$wnse to the offei fett IiTre a {j￿e£￿ve svjh Of ￿ller. wth c￿e partityp8nl $Jmming rf up
perfecuy. I'rn so glad you exisll. We reco9nised h(￿ few 4)tKKiunthes Ihere a￿ sumvors to be held. nurtured and aCkn0￿e￿9ed as
exp￿ts all at the 5affle litne. have eMbr￿￿j the reS￿￿5￿m￿ty thatgNes us.
..CONTINUED
Page 1

Response Ability Theatre Ltd
Trustèès. Report {continuÈdl
For The Year Ended S April 2025
Maln A¢hlevem¢nts. ¢onlSnued
AI RATS1 we have t¢￿reated aur V￿rkIng and Safetygu￿￿1nes. thÈwyafcharye and KPIS. as wdl as doing foundational work
lo¥vards slralegie5. thematic priorities- and even secured a CA￿m￿SK)n forour firstlXHxeated ￿aY Toward5 the end of 2024. the group
unanimously Éxpressed a dtrsits 10 Wofk towards a wfom*K* 10 t￿￿ thb Èx￿118￿¢& ol livin9 with posl-Iraum8ts¢ strèss in a socièty that
doesn't gel it. lo Identity the Vityous ¢yde of relrJumatisatity) that occurs when ttEnt¥l health serwces aren'i sel up 8ppropri8tdy for us, to
explore attematsve futures. Right al the e￿1 of this year. we rece￿1 a (r￿MIsS￿)n from a sunrivor-led researth txoject lo do exacuy that- bul
W8,11 have more to 1811 you aLK)ul Ihal in Ihe rb8xI annual repDrt.
Meam¥hlle. we have efi10￿ SUPPDrtln9 ￿[c>)r8 grtyJp parf1c4par￿ in vatityJs uèabve eNJeavtyJr& ofthairown. We were proud that Noah
Silversltsne achieved Art$ Council fundiry ￿ do an iniD4 swe ofresearch and develormneni ￿8rd$ his firsi show. Hemiil Crab. exploring
young LGeTQIA+ home￿5S￿e5s. and ￿ched Ihat he as￿ us lo join him for the journey. We acted as scnpt consuttants vmlh a specific eye
on Iraurna.CQnSGiousn8ss in the wriliry, aTwJ Ihe rOL￿ itsew we provKled acc056 Support io hokj th8 space and ueaie as muGh ease and
p8rmission 88 possible lor Iho artists 10 do thwr besi work. li's 8 realtyexOw￿. unNue piece of wot* already. and w8 ¢anl wail lo se8 how11
develops.
Another partsdp8nl. Behja Mah8med. was Ihe tX8inmrAhw tthiTrJ wr SI￿￿1M prcrt kn. She came to us ￿th the Ide8 of 8 kyoject
exploring th9 idea of refuge and what rt mean5 for perKAe e5capry rxJercM crAitrcA. wantsng lo wort ￿th othBr 5uNivor5 to buikl on her Initial
vlsual prompts. WB managed to sB(yJre a link bil of funding lor it. arvj co￿yea10d a hard-hitbry bul uhimalely uplrfting fllm vAlh a group of
peeple vAlh diffefenl relat￿nShIpS wilh the themes.
Thls was RAT'S ￿1$1 creative ￿j￿Ul thai used cweat￿ 818very slag6 ofthe process. and lOt811y affirn￿ in our minds the artl811¢ and 80c481
value oflhAI way ol working. AtM)ve all, we were siunnBd by Ihe ￿nerosty offv sunn¥ors Invdved. 8nd how efforUos4y 8 culture formed
among us in which w￿￿k1 lake nsks knowiry ¥we woukl hekl 1hroug￿l.
Abng5ide the filrn, Bahja inwled us lo supFxwt he¥ n delivwy ofa ￿nIent in mwny of¢ursur¥ivors 4150 PartKaPated.
passlng on skills ￿ enatqe anyon8 wilh a sm8nfvio 10 8xpre8s themsdves 81 *)y bme.11 bnNJsioy 10 our h68tts 10 wortt with survlvors who
want boih lo pul themselves out there. to enatye others lo ¢Joih8 same.. that. aftw all. 1$ how 5urwvor-*O arts ecosystems VAII eventually
flour15h.
11 RATSI is an example of the care we toke belore a proiecl has even begw. the work we ha￿ coitinued lo pursue aroun¢ spiritual abuse
followiry1351 year's pr0duG1￿￿ l. Lwl is an 8xamph ollKM we fdk>w up lo We￿nI ￿arnINg from b&iDg1051, however w8 can. We had big
draam8 01 tourin9 the woduciion, in each hx4iK)n invnin9 Wl swwvors to ¢(p¢rea￿ 8tts¥(Nks for tyJr scenery in perfomi8n¢es in their araa.
with p051-$how discussions and wr8paF(wnd traumxMscityJs communication trainifvJ for 5piniual 188ders 8nd $8leou8rding workers. and
posl-show Work$￿pS for sur¥ivor5 to help them pr¢uss their renectK)ns. we were disHpp(xnled th81 we couldn't make Ihal ttgppen, the
pursuil ha8 9iv&n us valuaNe Insi9hlS into th8 ¥arths poth￿￿5 thai prevtni progrèss ￿ this ￿rtiCUlar area. thai we will ￿n￿nu& kn challenge.
Noi wanting to turn this r8pM Into an 8XPOS8, we wcfiI go ITh￿ Ihos8. bul Insl8ad Idl you 8boul *h81 we have man808d lo do.
We both 8tart8d and th8 Year9U￿ Ur*8rsitycC4￿ L￿￿yon. In May. the subJ8Ctwas wloritsing splriiual abu88
reseorch In Scademia, lo an aUd￿nCe In￿vIJIng methrs ol Ihe pubk, intsre$ied UCL $tsff and students, and lniemati￿SI sluden
from an LGBTQIA+ exchange. Presonling the progress we ha￿ ￿￿10 In our UK a)nlexl. ITh a space ￿1h Su￿1¥orS from countrie5 where Ih
barriers and risks are $0 much m(*e Stifling. wa$ hUM￿1Th9- bjl Still thwe were many Shartd ihemes be￿86Th our v8ri0u8 coni&xl$, and there
was consldor8b19 hope In the the Ideas sha￿￿ aboui where things g) Irom he￿. Many 8tt•ndeos reHeciod Ihai they had never 8118ndod
a lecture Ihol wo$ w errolK)n•lly Ihot wogr95s reseor(* be so mu¢h rrK)re Iruitfvl Il that w4¥
the norm.
Tne second guest kxture v48s our third ¢th)Se￿il¥e ywsupwiNJ UCL'S M8s1ér of PutlK H&aNh wramme, wth (wr subject thi6 y&8r
belng lfved e¥peri8nc8 ￿8401$hIp and how lo ovweuw the bamers ￿ rt. noi spetyfic 10 8 wntual a￿58 context th15 Im8, W8 ￿0K
eXaM￿e5 from our work in th81 field as well a5 Other ca￿S ￿ have pursued. making for a Wure we proudly recognised only we could have
dèlivered. Btrsides lThis. we were ￿¢￿jraged by wng inviitd 10 delver pthMal￿ ol extracts from I, Lord. followed trilhèr by a Q8A or by
a o)ndensed versicffj of our traumx0￿￿8 Communicab￿ trainirvj. at a coJF40 of ￿arning days for Churth of EngKgnd safffjuarding 81aff.
in 0￿mber an¢ in March
Being the $1818 church, wlih the pdilic41 pre98r￿ and r4h8rpnv¥o988 th818ni811$. it* ¢hwth of Ewl8nd Is wher8 ihere really are en￿gh
sources availab￿ lo by examppe safeguar(Iiry heatthy s￿nIu* rAJllures. We continue lo recogTr￿e that even being Invited lo be in
those rooms puls us at the foref￿1 of progress. aDd to ￿ e[￿Quraged by ihe enthusiaslic respDnses we r￿1Ve from a handful of Iht
profossionals we m8el In those coni8xiS- Ythile sbii ￿king noie of hrr* much fyjrther IhirKJ$ hav8 10 oo for such 98Slur8s io18ad lo re81
Change.
Th81 change. ofcour9e. need$ lo go bey￿￿ Ihe Chur￿ Inlo other ¢hw¢he$. other 18ilhs. *iio any other wmmunities held ￿ether by
any fo￿ ol [￿lI050phICal or spIntu￿ ￿nneCt￿n and rA)mmibNenL Welhank Sl Philips Centre in Leicesler. which brings people from many
different failhs t(¥elher. for US to lorthwr (¥JmnvJntyto exk4LYP hLW IheYoJu￿j [￿le(l￿dY challerye spirrtual abusB
arbd ¢h8mpbn he8nhy s￿￿tUal cultures. ￿rgr￿p￿¥S sm811 ￿ hohty er￿￿, and we ￿)pe ihe refiecii(M)$ 98lhered ¢onllnue lo InHuen
their v￿rf(.
In a time when peop￿ of anyfaith so muth stKJma. it is undewslarthw extrwdrfT￿Thto (¥)en (x)nversations about 5txrthal abuse
across Tnulliple laths, as the research leatn from the national Atyjse in RelvJious Contexts projeGt knowvery well. We wmmeDd their
opsnness lo 8116rnativ8 Ini•rv*w and Communui￿n m8thods. and espeoally ¢ommim8ni 10 being by suryiwors. W8 wero honoured
that Ihey asked u5 to Produ￿ a series of short films lo rellecl their hndirys. We rdeased Something We Cgn ￿J1 Agree On In March 2025, five
conversational poem5 Usiry predotninanty the of the sutviv(X5froTn many and nofaths they InleTwewed. 11 is en(x)uraging to know Ihat
prof$ssi¢n¥ls who tn¢oJni8r spill￿1 ¥bus& and spiniual ty¥vm• In thwr ￿Ik. ar¥J Olhws who art ¥ff8a¥J by it first or socond hand. now
have that resource. Spiritual abuse cannot be explained in facts ￿ fiwres. and we tsuly believe the arts are the only way lo express 115
nalure and impact. and create space for itto be ￿rIsed. taken serK)U￿. arNI dIal￿.
..CONTINUED

Response Ability Theatre Ltd
Trustèes. Report Icontinuèdl
For The Year Ended S April 2025
aln A¢hlevem¢nts. ¢ontinued
So much more needs lo be done. and there are so many layers ts[re*stsn￿ In the way. To rKeserve oursdves and Ihe surVi￿rS wetake
omurjoumey, there 15 only so muth we can gwe when fa(￿1 with suth (xX￿￿3b1e ob5tades thataffect us so pe￿O￿allY- but when we can,
whera we can. we will continue ie Chip &¥8y.
Continuing wllh the topi¢ of resBar¢h tyJI￿L¥X8l¥Jn$. wt are irB[T￿¥tsJ￿y proud ollhe way our¢tr)necboD with tht CHAMPIONS proi8ct has
developed. A natson81 research project based al UCL De m￿lIOrt UniVe￿lY. CHAMPIQNS is de(lic&ted to finding ￿1 the besi ways lo
make Sure 0-5 year dd5 I￿1￿9 In lemp(Kary aCcomm￿a￿On ran be safe. healthy and &lucaled In IheirfoTmatsve years. After our initial
Dmmi8slon wlh them last year la pr(vJucB Mile51one5, whith used Ihe words of inlemewees lo illustTate their PDIKY r8o)mmendathons, they
really look on board V4h81 we fed back aboul Ihe Iranscripis of In￿r¥I¢￿E %*ilh parents h￿hlIghtyng prot>1em$ In the Interview process itself.
Theyworked incrediNy hard lo athieve funding for us lo work dIr￿UY ¥￿th parents in Ihe next stage of th￿r research, which focuse5 on (x)-
crealin9 a culturally sensibve parenting supwt wogramme fLY mvwantatvj as￿L¥￿seekI￿ fafflilies in temporary accL￿￿L￿allOn.
In September and October 2024. we hgkl Ihree theatrfrba5ed th5hops far 18 Kurdi5h-or ArabwpeakirvJ fflothers. exploriry slorytelliry i
their ¢ullurtrs, and Stylislic trop88 fr(￿ il 10 bu1￿ up anundtstsiatvjing ollhts 14881 ￿￿￿9$ in whth they would want 10 ralse Ihair klds.
When we say'ideal.. we very much ￿(￿71 mean'rrf)ssib*-: we er￿￿raged knt8Sy to av¢id the wrynen feeling restricted in communicating
their whole truth by feeling that Ihey were as￿￿9 for muth". arxl to hdp thorn ￿lId re￿￿nShIpS lorrned arrAJnd fun and imagination wrfh
the researcher whD then wenl on lo inte￿1￿￿ thBm.
In F8bruary and March, after the interv￿• pr(Kess, IhB togett￿ forfive further se56ion6 in which we c￿Cr831ed a
shod play depi¢Ung the seiiings ihay had come up wnh th8 Inwvi**s. Even￿ally btled W8sh ily Mind, Heal My Heart from wh81 the
mothers shared ￿eY néeded lo do before they Iwly $lart li￿n9 *BII and leding lully prosenl Iw ththr kids. lh$ women perfomied the
piece 10 51aff from their supwrt 5erwce Happy Baby Communty. ￿)rne ol the ￿ad re5earcher5. and 5everdl of their kids. The play is availab
10 Yéaich on our wabsiltr. akng$ide a dOcumen￿ry sha¢irKJ lurther ￿n*t1￿)nS on th* prtt8$8. lThty rtrally aw worth a watch. as noihlng we
could put on paper can adequately express how ryolound the experie￿ was fu 8nytyie involwd. Sbll. for the 8c8d&mully mindgd amon9
you, do look out lor our paper oudiniry the pro9res5iw of ow crA13bDralion wth CHAMPIONS Ihal wll be published In the firsl international
Tttèaire About S¢i6nt6 journal, arbd varv)us wt to4ulhorod *ith Iho rt$8ar¢Thets aivJul Ihtr valu& of traUma￿￿￿tIoUS theatrè
melhcNJs research wlth suryb¥￿$.
Word ofour th8alre-b8sed cfrcreab.ve me￿00S is alre8dy lo sprthl. We 8bsc4uteTy h)ved wo¢King with Ihe stsff, V￿v￿leerS. mum8
and a few minis al the Magpie Prqecl In October 2024 to genBr31e imagfr5 and Ihal they a5scuied %Mlh home, ioumeys and
molherh(x)d lo Inspire the bd11i8nl artlsl Melissa ja￿¥M lo desyn arKS painl J mural lor J wall in th￿r new buildiry. As ￿￿th ihe moih8rs we
worked with 1hr￿gh CHAMPIONS. ¥ve were awed by th8 erwgy playtulws lwwo￿nIaD*Vj the ts)$tile imml9rabon system were a￿&
lo muster for us, and as ddighted as Ihey were the res￿$.
The final big $ucc88s e12024-25 c4n* wth the invi1ali￿ IooLY fr*Mder N811 Hardyto ¢frprr>Juca Owama Ats C8ntre'8 One Roof
Fesllval In January- and 5ub5equenlly to Lqke w the rrje of Crgalwe Pr￿luC¢r lor firsl year of One Rogf5 year-round propramme of art
courses and proJ6ds for artists wilh lived &xperi8nt8 ol h￿￿o￿$sness. ODAC ha$ supportad RAT *nc6 2023 and wè n8v& so ￿ta$&d
that Ihey have ￿ken inief8Si in and Inspirati￿ 8Th1 tr8uma<cfi8th8rfft6 in thai lim. We wern already
sLryrtlng lo feol very much part ollheir oC05y51em. so IIw5 fdl Ike a vory (YgarM¢ prr4Trsskn.
88880 on yo￿0￿$ years, w8 exF*cl8d about 30 arti5is ￿ attend ￿ J8nu8ryf8StN81. In the end. 81mosi 1CQ came Ihrcwh the door8 Over the
course oflhe two woeks, and came tt> vll)th5hops ranging frorn th¢atre-m3king and storyteThng lo stnry animalK)n to spokefi word and ukule
j8lllS 8nd even earth puppety Imakiw puppei$eul ol Ihin9s found in naiurel! ￿1 the workshops were f8¢11it8led by attisls with livèd
experi8nc8- soma old hands and some latylilaliryJ lor Ihe fitsi IiTrwnd Lon8 Lee. lh8 r8markablo s￿n(￿rapher who first came lo One Rool
through RAT. w8$ cornmissione¢ lo design 8n¢ trAJII(J the ¢entr81 slwuure fry Ihe po$l-leslival exhibiiion tho1 look over ODA¢'s foyw for the
followiry month. Complete wlh a Coup￿ ol (yen c￿ebra￿On evenirys. Il was the INdiesl ODe R(x>f le51iv81 yel. and strongly e51atAishtd
a Community ofartlsis ofall ages and stsoes who cd8trx8￿ and eath other. We 1)ok forward 10 ielirKJ yw In the next annual report
about how the year-round proJramme bvil¢Yson thai.
Besides this. ddivored our ccffirrrtJn￿9W troining lor UCL r￿arCh $L4ff and ctrlaulitotors. One ROoffacil￿aIr￿5
arbd Church of Eryland safeguarding officer5.' worr￿'S hpahh C￿￿C￿Ve The Bridge to create their Ihe(xy of change., given Iraumb.
conS￿oU$n•ss ¢onsull81ion to Ten Ye8ts' Tim8 ènd He81thwai¢h Camden, and spoken at Arts 8nd Homdessn$s$ Iniemaiion81's summit on
panels. focusing r•s￿ell￿elY on wcrfnen and ￿ Iwma wthin lh¢ arts and tromdessness sec￿r. Wg also pas$ on our graiilud& lo the
John Elleman Foundakn￿. wlh whom wr founder￿rn￿el￿I her sha0￿* knjsteeship In November 2024, both lor ￿lstering our confidence in
govèrnanctr and for lakiD9 on board ourfe*Jba¢k on Irèum*¢*ns¢w5n65s and thtr imptrtsnctr of Iwed exporièncè In funding d￿810￿S." and
lo Platform for delivenng their excelknnl stiengths-b8s¢d IF8illing 10 ￿rStar{￿n0 InJste8s. *md. thwgh we 81ready menlloned them,
while we a￿ giving thanks we mu51 reiterate ￿rgratitUde tookl Dwdma Arts Cenlre for rA)ntinuiry lo be the physical home lor most ol
outwotk andmaking our communty fed 50 wek¥M￿.
As a very stnall. young charity running on a sh￿s1￿r￿j for a tKoad surVi¥or<xxnffl￿ty that souety Is lelbng down from all angles. it is easy
day-lTrday lo foGu5 what we haven't managed lo athievB, and thB we have tDBd t¥Jt not been ablB to get off IhB ground lofwhich we
have only just begun io scratch the surface in this rewrll. So il Is healirvJ f¢Y us ￿ tske Si¢)th ol¥thal w8 have 8¢hie¥ed. how many pgorrfe wo
have helped In a range ol ways. and how much groun(h￿r￿ has been la￿ 10 5wead our reach in the fU￿re. And. atx)ve all, of just how
worthwhile it is to tnove that tNt T￿)[@ sbwty lo make sure the p8(We >vu aim Io Se￿9 are benefibru aleath sta9e of the proce55.
Flnan¢lal Re￿OW

Response Abilty Theatre Ltd
TrustÈes' Rèport l¢ontinuèdl
For The Year Ended 5 April 2025
Reserves Pollcy
$cop•
This reserves fx)Iy ex￿aInS to existing aThl WeTrtial f￿ders. dorKN5. berthaarie5 arKI otherstakeh(Aders why we are hO￿ing the reserv8S
wè maintain. 11 glVt$ Gonfidanta kn $￿k￿l￿)￿Jer¥ thai tyJr financès aré b6in9 kyoperfy manayed and ￿11 prowda an indic*orol futu
fundlng needs and our wilEnce.
Overslght
The amount he￿ In reserves wil be rrKN4it￿ad d￿n9 thfrrAxJr58 of theyear as partofixxbudwary and finanaal monitoring.
ReseThps Definltlon
Rasep￿S are Ihat part ofour unrestrKl8d fiJrK15 that arB frwly avai￿1￿ Io spwvj anyolour pww>s85. The il8m& exdud8d from res0￿e￿
dèsignai8d funds 861 a*da t￿n¢la1 fi￿￿ts￿l￿j. SLth ès fi*¥Jing a k¥oied thai teuld ￿￿t be mei from fvlurè Incom&.
reslncied fvnds.
Trusle8s rewew our ra5hbook quartedy in advarK8olbDard thai fuThl$ we ar& reuxding as r85erv8$ ar8 legilimatsiy
unresiricled and suilaNe for beiNJ d8fin8d as S￿h- and thai tb)Idtrfin￿ as resew are l8gitim818ly r8$tn¢tsd or¢J88wnaied.
vdoplng Our Poll¢y
AS 8 very young ¢h8rity th81 does nol hold $4nific8nl aM￿niS ol endo4*d tunds. property WOpe￿Ie a defined benerll pen￿On s¢h8me or
carry out activities through trading 5ubwdiarios. and 1$ 51kl trwlding up ils reW￿r and 3sr*rtaining 115 ragular spending need$, we
have used Charity Commission Annax 1 and rtc*ed IrtrhoihÉrth*ili8s oftyJr &zè and natura w￿￿ d8¥eb￿n9 our
pollcy on r888rv88.
Lov•l• of R•••ry••
Ourlargel level of reserves is f 12.000. which *ill be approxim*ety 3 rrKfflths of tyJrroeratirwJ costs when we are securdy enough fvnded lo
afford as ffluch Staff lime as we need lo keep everything runniryj a$Yh*l as Il Can ￿￿K￿J1 rel￿f¥j on vdunithry tima. Th1$ 1$ in line wilh what our
governing document on reserves.
11 Is import8nl for us 10 hcdd thes& reserves b8C4U88'.
wè are cutrènltyonly in roctipl ofontr smal mu1￿Y￿r grant. ¥%￿￿o￿or$r¥n￿anfy L*¥arif¥J a maximum of om ytrtsrfor véry
specific 8Clivili88 and 60 usu811y noi su118b￿ Ic*oN8 0)$18.
we currenlly receive cong¢Jerob19 In-kind supptyl in tree 5paco h*•. bul this Is deperthnl on fv financ4￿ stsbillly of ltte facil
oftenng u5 ￿13 and could slop with lit1* nolicg..
roiher income Irem overiw Iraining. takin9 comm￿8￿)￿. tt¢aS1￿ ticket Sa￿ and dcffjabon818 8PLY8dlc 8nd enen
urrfjuaniifiatye very far In advance..
a¥ a surviwr4ed oryanisBbon. we are rrwe likely than othern to nee(I to hire inlerth $18ff in c459 of 8bsencg5',
as an organisabon thai supp(Mts pecW8 axp8n￿￿￿j pO￿4￿mIll¢ s¢rè&s. wt aré mor& likèly ihan ¢thefs kn naed to provide
Iherapwbc support ftr our partKiP8ni8.
Monltortng ol Rètsèm*
We will ke8p our reseN8s pcdi¢y and Ihe ltrvel of r886N88 hdd undef r8w6w. rwil¢x the ￿ve1 of re8erve6 held Ihrou9houl the year to
establish the reason lor any s￿nif￿nI differen¢8 with ￿ 18rg81 level sel. 11 Twrv￿ durirvJ Iho year are below tsrgel or ox¢e•J18rgel. wo wlll
consider whether this Is due to a short.term Silua￿)n or a k)ryr4erm issue. and tske any apwopriate acbon.
This year, 1115 not o pres51ng un¢ern Ihalour r•seryes ave o little this target b￿ause of Ihg Inf￿ry of the chgnty and tho> foct of our
pavj staff being free￿n￿Tr. in recognibon of L￿r inability Io c4Jmmit to reguL4rth lor ihem in the immediale lem. We a150 do nol GU￿entlY
have lon9-ianr ¢bligaiiMs or deb1$ in 8xce8s of known fundiry. so any shul4owi o)Sts w• may need if we were 10 dosa wll b$ minlmal.
However, we ore bull¢lng io 8 Ont ¥*here ￿ Can pul ccKe swon pa￿￿1. al￿N¢h p￿rn*t￿lI be mrKe slringenl In ￿ralIen￿(mTr lo reserves
Given the ￿ze of the charity, wtr trxpect 10 keep all c8sh Iboth resefft5 and (p2ratingl in bank ac¢ounts with reputab￿ banks, as opws8d to
any ulher types of invtsim8nl.
Use of Re￿ry*•
Even V4hil& we 8r8 ￿￿￿0Vr Inl8TrJ80 mlnSmum W. ** m•y c*Kw to Otrtsw8rve8 W..
doino so allows us to take vp a valhl and limety c*bm8-¥ensI￿e ekwrtuThty 10 further the purposes of the tharity,
il bets)mes ￿trar that we ar¢ unatrAe lo fu￿11 uThJiliw$rffurthd ¥¥ork Ir*whi¢h we are wmitted. and to do so in a way that alvJns
wilh ourvalues as an or9an15ati(￿. Trhilh(xrt (thj
If the CEO w$h8s to u88 ￿serves. gh8 k8 to e-mail Ihe whol8 tnjsiee team stating..
how much will be required and on whal s[wr￿C0st$'.
in what way she believes use of Ihe re5erve5 i5jusbfiable axx)NlrKJ to theat￿e i*Y) rA)nditions.
..CONTINUED
Page4

Response Ability Theatre Ltd
Trustèes. Report Icontinuèdl
For The Year Ended S April 2025
Reserves Pollcy" ¢ontinued
Trustees are Ihen to have five ¥¥orkirvJ days to subrf*tccthments to the Chair. befare the Chair then out a final proposal for use of those
re5erve5. on which trustee5 wll vote. Thi4VOte can take &mail rfd(xrHJ so in a ffleetiry ￿ not practKxI. The Chair then feed5 b3ck lo
the CEO wh¥ih8r or not 10 9rani pwMisS￿ forthè $tsttd an¥)uffl to b8 uwj ftrthe statsd puTpost. any i*v8ais or furthar Slipul81ions
ore required.
Policy last reviewed.. September2025
To be rev￿¥ved again rm) later Ihan". Septhber2026
RefvrenG0 and AdmlnlstraU¥e O¥tsl
Tru¥tse8
Judith Fagelson
Mirsnda Ke8SI
Kathryn Langford18ppontsd 15104120241
Kim Marsh
Julian Pam18r
Charlty Numb•r
1206912
Company Number
14438069
R•glet•r•d Offic•
FLAT 11 WALDEN HOUSE
CRESCENT ROAD
8ARNET
EN4 9RQ
Ind•pondqnt Examln•r
Mallh8w Brown
Adding V81ue Con$uft8ncy Ltd
Studio 21, Bluocoat Chambers
School Lane
Llverpoc4
L1 3BX

Response Ability Theatre Ltd
TrustÈes' Report l¢ontinuèdl
For The Year Ended 5 April 2025
Statement of Trustees. Responsibllities
The Iruslees lytho are also the directr*s of Re¥A￿SeAbl1ty Theatre Lld fortrÈ purpDsesaf(xxnpany lawl are ￿SIM)nSIble for preparing the
Tmstees, Rewrt and the finanual slaternenls in aCc￿rdanc* *ith apFAi(zble ￿%¥ ￿ United *tin￿orn ArA￿￿ti￿ Standards (United ￿ngdoM
Gtnarally A¢cep18d A¢couniin9 Prd¢b¢tl.
c￿MpaNY law lh8 Iru$ie*s to wepsre finanoal statemBDisforeath finanLyal year. Undor company law the IFusteBs musi not approve
the finan¢Yal st¥iemenl unless Ihey are satisfied that ￿eY give 8 vue 8nd fair ofthe ststeof8ff¥irs of the ¢hgrit¥Ne (x)mpany and of Ihe
incoming re5wrces and applirabon of re5(xJrr*5, Ind￿lir￿alkno InrAxnB ryerKlitw•, of dwritatrAe rA)mpanyforlhat p￿d. In pr8paring
the ￿nanc￿l slatemBnlS the truslee$ ats rBquir8d lo".
solect Suitab￿ accountsng and then apk4ythern
obsetye the methods and in ihe Charity SORP."
make judgments and accounting estimates that are reasonable and rKudent.' and
prepare the finanoal slatements on the wng rA)ncem ba￿S unks5 it 15 in4)prowiateto presume that Ihe rAimpanywll in
business.
The I￿510e8 are responsi￿e for k8eixry adequate attA￿￿r¥j fe(*rd5 dith with reasona￿8 acvjracy al anytim8 finanraal p05111on
of the ch8r1￿b10 company 8nd to en8Ne them ￿ eThsU￿ ih81 the acctyJnts com￿Y w•th th8 Ccérpanie¥ A¢1 2(M)6. They are also responsible for
sglagugrding the assets of the compony and her￿ lor ta￿Tra r8as0Trab￿ steps ￿1h* yevgntion and (1gt¢ction of fraud and olher Irregularikn￿.
The Iluslees are responstrA¢ for th& mainlenarKe and Inlegnty of Ihe crMprTrte and financsal infcrtmalion Inc1￿80d on the chantable company5
websile. Legislation in the United Kiryd￿n governing ihe preparati￿ and d155ernir￿1lL￿ of flian￿al statements may drfferfrom leyi&lalon in
other lurisdicibns.
Small CoM￿nY Rule¥
This report been prepared hi 8ccordBnc• whh lh¢ $p￿￿1 provw* r*tirwJ lovJrpani¥ tojbipd lo th¢ $rn4 Wmpan￿& regim8 ￿thIn
Part 15 oflhe Companles Aci 2006.
Thè liu6186s' rtrport was appro¥wJ by tho bo8rf and 8y)8d on ils b8hall by.
Kalhryn L8ngford
Twslee
24th December 2025
Page 6

Response Ability Theatre Ltd
Independent Examinerfs Report to the Trustèès of RÈspon$e Ability Theatr¢ Ltd
For The Year Ended 5 April 2025
I r8POrt 1¢ the charity trustees on my•x8min81v)n ofts C￿m￿nY r(*th&year8nd8d 5 4)ri12025.
Responsibilities and Basis of Report
As the otharity trusts85 ofthe Company land a150 its direL*or5 ftrlhe putPJ5e5 orc(￿￿panY L￿1. you are rp¥)M$ible forlhe preparation oflha
acwunls in a¢¢ofdan¢e wlh Ihe requirements of the Ccryanies Aci 2[￿ llhe 2(NJ6kri.
Hawng ¥aii$ft6d myselflhai ol th& Ccthpany ai& rnwirnd 10 be audfied under Part 16 of lh$ 2￿ Act and a¢8 aligible for
independent ex8minalion, I rewrt In ￿¥￿* ol my examirwlim ofyour charity's ￿COunts as carried wt uThJer section 145 of the Ch8rilies Act
2011 I'lhe 2011 Act'l. In carwry out ffly eX￿Nina1￿)n I have f(h*Ywed the C*ec1K￿SgiWn by the Chanty comrnis￿0n undersection 145151 Ibl of
the 2011 knt.
Independqnt ExamIno￿S Statoment
I have completed my exarninakn￿. l Gonfirm Ihat rK) matter5 haw) ¢)Th lornyatt￿tir￿ In C￿￿r￿dIDn ¥%ith Ih8 8xaminatK)n giwng me caus8 to
bèllève".
1. a¢wunling rewds were not kept in resrwt of C￿￿•nY a5 rowi￿ by 59CtKffl 386 ofthg Act.,
2 the accounts do nol accord with Ih05e records". or
the 8ccounis do noi wnply with Ihe 3¢￿uni1n9 r8ouif8m8Ns ofse¢￿ 396 oftho 2006 Oih8r than requiremeni thai Ihe
accounts give a'lrue and tsir which Is not a matter consKlerfyJ a$ part of an independent examination.. or
the acGoun15 have Dol been prepared In acCOrd￿￿e the met￿$ and Qllhe Stalemenl of RerA>mmended Practice for
a¢couniing and r8porWng by chanlyds appli¢èW6 ￿ L*athitrs wepanr4 lh￿ a#tyJnts In a¢cord8nc& wth th& Finan&al Reptsting
St8nd8rd aprdicatye in the UK 8nd Repubhc ol Irfand IFRS 1021.
I hava no concerns aNJ havé ¢omtr acro￿ M Olhw m8ll*s in cL*)necbL￿ èx8min&kn io*hith 8ttèni*Jn Èhould b& dr8¥m in IhSs rèport
In LYd8r le 8nabk8 8 under8iandin9 oftha acctyjnts lo be reoc4￿.
Matthew Brown
15th D&cemb8r 2025
Studio 21, Bluecogt Chembern
Sthool Lane
Uverpo
L1 YBX
Page 7

Response Ability Theatre Ltd
Statement of Finan¢ial Activiti¢$ lin¢luding In¢omè and Expenditur¥ A¢¢ount)
For The Year Ended 5 April 2025
2025
2024
Unre&tsicted Re¥tricted Total Unre&trict•d
fvt)d$
funds
INCOME AND ENDOIINENTS FROM:
Oon81ions and legacJtrs
Charitoble adiwlies..
11.851
48,851
65.020
Charilatrde Athvty
24.173
24.173
2.382
36.024
71.024
67.402
EXPENDITLIRE ON..
Charitsble 8cliwlies'.
Charilatrde Athvty
128,8761
13&,68TI
187,5601
NET IN¢OMEIIEXPENDITUREI
9.148
23.189
32.337
Transfars b6hYÉèn fuNJ$
10
447
14471
NET MOVEMENT IN FUNDS
9.595
22.742
32,337
RECONCILIATION OF FUNDS..
Total lunds broughl lo￿ard
11581
11581
TOTAL FUNOS CARRIED FORWARD
10
9.437
22.742
32,179
Th8 Ml88 on p8988 10 to 13 form ￿ ofthese stsknwnts.
Page 8

Response Ability Theatre Ltd
Balancè Sheet
As At 5 April 2025
2025
2024
Unre¥tricted Re¥trictsd Total funds Total fund¥
lund8
Not•¥
CURRENT ASSETS
08blors
7.080
1.229
Cash ai bank and in hand
10.277
22.742
33.019
10.277
22.742
33.019
8.309
Crodltors.. Amounts Falllng Ou• Vffthlm OM Ytr•r
18401
18401
18.4871
NET ¢LIRRENT A$$ET$ ILWèILlnE$I
9.437
22.742
32,179
TOTAL ASSEfs LESS CURRENT LIA81LrriES
9.437
22.742
32,179
NeT A¥seTSIIUA8IUTiesi
9.437
22.742
32,179
FUNDS OF THE CHARITY
Rèsirl¢ièd Fund$
22,742
9,437
Unrestricted Funds
TOTAL FUNOS
10
32,179
For Ihtr y8ar trNJing S April 2025 Ihtr Chartiab￿ C•2mpany wa$ èxam￿10￿ IrL*n8￿*t urth Wxion 477 of thè Companiés Aci 2Crt)6
ralaiiw ￿ smll Campan￿8.
The memb&rs h8ve noi required th8 charftable owny looblaln an 8￿rt In acwdaT￿ 88cfj￿ 478 of the Companles Aci 2006.
The Iw8188s 8cknOw￿dge Ih&f r8sponslbilib&S fc¢ ￿k￿yIng Trhith the wirements of the Aci wth respaa kn accounting record8 8nd tha
eparalknn ol 8ccounl8.
These accounts have been prepar*J h accord8nc8 with the ap¢1￿8￿40 ￿ c¥)mpank8 suw 10 the smdl o)mpanles reglme.
On behalf of the board
Jiduub Pathnfj
Julian Parrnar
Tru51ee
27th December 2025
The rwjtss on pages 10 to 13 furrn pal of Ihese finartlal Slalemerts.
Page 9

Response Ability Theatre Ltd
Notes to the Finan¢ial Statements
For The Year Ended 5 April 2025
1. Gontral Inlomiatlo
Responsa Ability Thtratra Lld is a company limrfed by9uawts6. in¢(￿la￿ in EnglaThJ & Wale¥. rtyisiered number 14438C69 and re9isiered
charity nurnber 1206912. The regist¥ed office i4 FLAT 11 WALDEN HOUSE. CRESCENT ROAD. BARNET. EN4 9RQ.
2. Accounting P￿0¢1•8
2.1. B8818 of PMp8ratlon ol Flnan¢lal St¥t*m*nts
Tho finan￿81 $181ements have been prepared in a¢ty)rd•Ke Wrfh tr*Chgri1i8s SORP IFRS 1021'A¢uthfjng and Reporting by
Chariknes. Statement of Recommended Pracoce aprAuts￿ to chanties preparing their acrA)unts in accordants with the Financial
Reporting Standard applicable in the L)K and RewtAic of Ireland IFRS 1021 leffedive l January 20191. Financial Reporting Standard
102 Tr Fln8n¢i81 Rep)IbNJ sla￿ard ap￿1¢8￿0 in ihe UK and RepuUi¢ of Ire18n¢f and the Cthmp8n*$A¢i 20C6.
Thè chantable company is 8 Bon8frt Enbty as defined by FRS 102.
2.2. Fund Accounting
Unreslnclqd funds ran be ua•d In aCLtharKe*ith th8 Ch￿itable oLyeLkn at thediscr8ticn ofthe tnjslees.
Designated lund5 compri59 unrestncted fund5 that ha¥e l)pen Set asKle ty the tystge$ for a 5P9C4fic puw.
Restricted Ivnds are to be used frrt spwfic purposes as bylhe dcw.
Further ex￿an8b'on ol thfr nalure and pwp06fy019•th furKI Is i￿[￿led in fv ￿10510 fv fin8r¢i8151alements.
2.3. In¢omlnq R•¥our¢
Inceme Is ￿09￿1$ed when Ihe chanly hès entsty8m8nl ty th? funds. 8ny perfcrfmanc8 fthdibons 8tt8t*8d to the118ml81 Orinc￿Me have
been m81. il Is probabig tho1 Ihe income wll be reuived. and arr#)untc4n b8 r￿Sured rdk4Wy.
Incom• rvAlv•d In odv8nc4 ol Ih• prowsk)nol$pwW SIN￿$ Is d•f•rr•d un¢1 th• rit•ri• for rerxiqnllion are m•t.
2.4. R•*ourt•¥ Expond•d
Expendllure Is re¢ogni$ed once Iheft 8 lègal c•jlKJ8i￿I to mtht 8 payn￿1 ts) a ihird p8ty,11 ￿ prob&￿e 1h818&ttlemanl
wlll be r8qulr84 and the amouni of the OblHJa1H￿ can be measured rdw. 1$ d•SsffI￿ under the followlDg actiwlly
headings- expendiwre on chanlabk actm1￿5 inc4udes Ihe cosL8 01 acbvibes undertaken lo further Ihe purpos09 of the charily Ihglr
ossoc181éd supwrt costs and thièréxp6nditur8 16wttants iiem$ Th)t 1811ing Into any ¢)IhJr hèading.
lrr8wVerat￿e VAT is chafge(l a5 a cost againsl lor th• &xpeThliiur•was InoJrr•d.
2.5. Cash and CoBh Equlvahnt•
Cgsh And ca$h ¢quivBknn15 are basc finwryal a¥s01s and inrknl• ￿¥h in hwd ond hgld 01 ull ￿th bgnk5, oihgr short.lgrm
highly liquid Investm￿19 that maiufy in no mtre Ihan Ihrtt rrKvth$ from the dats of8cquisibon aThJ 8rtr readily Convè￿bltr to 8 known
8munl of cash wlth InsKJnrficani risk ofch&nge In v&*J8. and b8nk 0¥6thts.
3. Incom from Oonatlon¥ and L•ga¢l•s
2025
R•*trlct•d
Totsl
fvnd¥
Donalions and 9rft8
Grants
965
10.886
35.LK)O
45.88e
11.851
35.WO
46.851
2024
Restricted
Total
frJnd5
funds
DOn8ti(￿s and gifts
Grants
4.870
60.150
4.870
60.150
65.020
65.020
P*JB 10

Response Ability Theatre Ltd
Nots$ to the Financial Statements l¢ontinued)
For The Year Ended 5 April 2025
4. Analy818 of Expondlturo
2025
Ur￿9rtakO
dlr¥¢lly
Support ¢08ts
Isee wle 51
Tot81
Chariiabla Acuvbly
37.340
1.347
36.687
2024
Actlvltlei
undertak•n
dlf•ctly
Support cost
Isee rv)￿ 51
Totol
Charltablè Acbvbly
64.764
2.796
67,560
5. Support Co•t•
2025
Charlthbl
A¢tlvlty
GenerÈl admlni8lration".
Cempuler ser￿are. conwmables 8nd mainl8￿r
Ac￿n￿nC¥ le88
Profe5s1on81 fe•B
Subscnplions
Sundry èxpèn#8&
Governance costs..
Indepe￿OnI 8x8rnlrvaf8 1888
282
72
102
37
1.347
2024
Charltable
Actlvlty
Employee c051s'.
Staff training
Premises èxwnse$'.
Rant
General 8dm1nl8lrabc￿'.
Arywntancy lees
Professional fee5
153
804
1.035
137
Sundry expense&
2.T96
Page 11

Response Ability Theatre Ltd
Nots$ to the Financial Statements l¢ontinued)
For The Year Ended 5 April 2025
6. Indoptrndont Examln8rf8 R•munoratio
2025
2024
Independent examination of thefinanaal statemBnts
Olherassurance semces
Tax advl80ry ¥ervi¢8$
Olherfinancjal 88YV
7. Avorago Num￿1 ol Employeos
Average numb8r of8mpkny888 during Ihe w8s.' NIL12024". 71
8. Oobtor•
2025
2024
Du• wlthln on• y••r
Olherdeblor5
7,080
9. Cr•dltor*'. Amounts Fthlllny Ou• Wlthln On• Y*Jr
2025
2024
Accrug1¥ and defe￿￿ IncoTr
8.467
10. Mov•m•nt In Fund•
A¥ at 6 Aprll
2024
AS 8t 5 Aprll
202S
exp•ndltur•
n•f•
Unr8•trlded fund•
Genergl..
GenerBI unre51ricted lun
Restrlcted funds
11581
38,024
126.876}
447
9,437
Awards for All
12.5781
17.422
5.000
320
Camden Glving Growth
CLICK Arts
Linbury Trust
Camdtrn Giving T￿Ik11
11.4461
15.8021
11.9851
12341
Total mtrlct•d fvnds
14471
22.742
Totsl lund8
11581
71.024
138.6871
32.179
P*JB 12

Response Ability Theatre Ltd
Nots$ to the Financial Statements l¢ontinued)
For The Year Ended 5 April 2025
As at 6 April
2023
A5 at 5 April
2024
Expenditure
Unrestricted funds
General-.
Ganeral unre8iricied lund
67.402
167.5601
Totsl lund¥
67.402
167.5601
Awards for Al.. f(Ya year of mainlainiry Ihe core grow and administratKin around it.
CaFnden Giving Growth. for the expans￿￿ ollhB core 9foLV'S W(x* In b&y(Thl nK)nthly &e&sitin$.
CLICK Arts.. lor the ¢Nreauon ol a short film 6X￿rg es¢apn9 Irtr)) ¢08r¢4ve ¢¢ntrol.
Linbury Trust. lor lundfaisry. a¢ymin15trats￿ and ev81uational slaffiry (￿1$. in5wance, actountm. staff and trustee Irainlw 8nd other
backgroud organisalional cA)515.
C8mden Givlng T￿Ik1¢.. lor 818ffiry. ￿rt￿lp8Tht ?xpense8. maieri&L88fvY refv88hm8nt8 COW group 8888ion$.
11. Transactloni wlth Truit••
None oflhe Iru5188s rec*wed any remurw8tbn or anyoiher bwefds frcffl w onwywl th8(*•nty or a roL4led ontty tho current
LY prevwJu• year.
No Iruslee expense5 have been incurred.
12. R•lat•d Party Dli¢lo¥u
There have b¢*n no r¢l*ted paty In th¥ r¢ptylng p¢rknd I￿1 r•4ulr• dtydo**.
13. ¢omp•ny Ilmlt•d tyy gu•r•n¢••
The company Is limlied by gubranlee and hgs rrf) $hoie (awlal.
every memberol the company Un¢Wtsk￿ to cirtnlxjte lo ble88¥018 olv￿ compwy. In fv oventofa I￿n￿lry¥ w. 8uth an arrrf)unt 9$ may be
required not exceedlry £1.
P*JB13

Response Ability Theatre Ltd
Detailed Statement of Finan¢ial Activities (including In¢om¢ and Exp¢nditur¢ A¢¢ountl
For The Year Ended 5 April 2025
2025
2024
Total
t)Lts
Total
fvnds
INCOME ANO ENDOWMENTS FROM..
Donatlons and1¥gaclg$
Oon8bons and gifts
Grants
965
45.886
4.870
60.150
46.851
65.020
Ch8YttatAo Advltl•i'.
CharttatAo Actlvlty
Income from Charitab￿ activilies
24.173
2.382
24.173
2.382
71.024
67.402
EXPENtJlTURE ON..
ChadtaN• Aetlvltl•s'.
CharttitAo Attlvlty
PurchMse$
12571
160,0671
Sub¢onir8cior ¢081S
126.3691
110.4091
13691
Travel and 8ub81s18nc8 8XP8ns88
Insurance
Markeling ond 8dvertI￿r￿ costs
SIBff IrBlning
RBnl
Computer So￿are. Consuma￿88 and malni8narKo
ACC￿￿18￿cl legs
Professlon81 lees
Sub5criplbns
Sundry expen
Independent ex8minèrf$fees
12261
12.4431
16671
12621
18041
11.0351
1341
18401
128.6871
167.5601
138.6871
167.5601
NET INCOmEIIEXPEND￿uRETr
32.337
11581
P*JB 14