Lime Street
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THIRTY-SIX LIME STREEf LIMITED
ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2025
Company Reglstration Number: 1926797
Charlty Rgglst¥otkn Nvmljtr. 1200138 (Engl￿ and Wal•81

LEGAL AND ADMINISTRATIVE INFORMATION
Truslees
Ziad Jabroo (Chair)
Tanya Axlord (Treasurer)
Michael Arvnslrong
John Dale Bolland
Steve Luck
Alison McGowan
Louise Underwood
Alexandra Westwocxl
(re-ap￿inled October 2024)
Ire-aFyJinled October 2024)
(rfrapwinted October 2024>
Reglstered Charlty name
Thirty-six Lime Streel Limited
Charity Registration Numbw 12(K)138
Company Reglstratlon Number 1926797
Registered offlce
Ousebum Warehouse Worksw & Sludios
36 Lim8 Street
Ouseburn
Newcastle-upon-Tyne
Tyne & Wear
NE1 2PQ
Independenl Examlners
Robson Laidler Accountants
Fernwood House
Fernwood Road
NeWcaslle-uF￿-TYne
Tyne & Wear
Engla￿1
NE2 1TJ

CONTENTS
Page
Trustees, ReFX)rt
Independenl Examiner's Report
Statement of FlnarKial Aclivities
31-34
Balance Sheet
35
Notes to the financial statements
36-38

TRUSTEES, REPORT
FOR THE YEAR ENDED MARCH 2025
The Trustees presenl their annual report and financial statements for the year ended
31 March 2025.
The financial statemenls have been prepared in accordance wilh Ihe accounting
policies set out in nole 1 to the financial stalemenls and comply with the charity's
governing document, the Companies Act 2006 and "Accounling and Fleporting by
Chari118s'. Slalemenl of Recommended Practice applicable lo charities preparing
Iheir accounts in accordance the Financial Reporting Standard applicable in the UK
and Republic of Ireland IFRS 1021" (effective 1 January 2019).
OUR PURPOSES AND ACTIVITIES
The Trustees have paid due regard to guidance issued by the Charity CommisS￿n in
deciding what activities Ihe charrty should undertake.
Overview
36 Lime Street is a charilable organisation that runs the oldest and one ol the largest
artisl studio groups in the North East. 36 Lime Slreet is situated in the heart of
Newcastle s Ousebum Valley to the east of the city cenlre. The fonrer Grade11 listed
flax mill is now home to 50 artists, makers and designers across five floors. The
variety of artist's praclices we SUFWrt includes visual artists; designer makers.,
jewellers., c8ramicisls', architects and musicians among others.
36 Lime Street was established in 1983 with the guiding principle of providing
secure, affordable studio spaces for rent for artists and other crealive businesses,
and in doing so to contribute lowarils the regenefation of the buildirKJ and the area.
The gallery is hosl lo an ambitious artist4ed programme of exhibitions, events and
workshops Ihat reflects the diversity of contemporary art practice and responds to
the needs of the local conlext within which it exists. We continue to foster meaningful
relationships with the community Ihal we are part of through public engagement wilh
art evenls, activities and with the building.
Slrategic Objectives and Public Benefil
The Truslees understand and have discussed the implications ol the provisions of
the Charities Acl 2006, which slate that all charilies must demonstrate that they are
established lor public benefit and have had due regard to the public benefit guidance
issued by Ihe Charity Commission. The Trustees believe thal the charty meets both
key pri￿lples. and Ihe lollowiT¥J Stral8gic objectives unde￿In everyihing we do.
demonstrating clear. tangible beneffts.

Strateglc Objectlves
Provide affordable workspace for artlsls. designers and
makers In the North East of England.
Support the production and presenlation ol ambitious aTh
p¥)neering new artwork outside of traditional institutional
frameworks.
Increase the number ol people who experience, angage
and participale In the arts. whlle enhandng ihe depth and
qualty of their experlence.
Maintaining and improving the bulld1￿a as an irn￿ant
accessible heritage and cuftural asset for the wider
communty.
Provide opp)rtunities lor Fwle to 8rvJage In and leam
skills through accessible workshops in the building as well
as withln the communlty through our Lmrtreach work
8enetit must be to the public, or a section of the public
36 Lime Street's work and activities seek to benefit one or more clearfy identitied
sections of the public, whether Ihe arlistic community or the general public, and
directly seek to meet the aims of 36 Lime Slreel. The Trustees do nol consider that
any significant detrimenl or hami arises frcrfn the work of 36 Lime Streel.
Activities delivered in the period April 2024 - March 2025
Studios
36 Lime Street provides affordable studio spaces for 50 artists, makers and
designers in the North East. We are based in the vibranl cultural area of Ouseburn.
in a Grade 2 listed building, that contains 35 studios over 5 floors. The studios house
a range of creative practices including sculptors, painlers, glass artists. iewellers,
ceramicists, textile artists, lurntture makers. visual artists, musiLTans. puppeleers,
designers, photographers and more.

OPEN Exhibitlons
Throughout the year 2024-25 there Y￿e 7 exhibitions as part of the OPEN
programme Ihat showcased the work of 12 artists byorf<iThJ in various media and a
range of career stages. Exhibitions are selected from Open Call submissions and the
prograrnrne aims to offer artists a tesliThJ ground for presenting new work and has
been instrumental in supporting the developmant of many eaily career artists both
Irorn within and outside the city.
a plcture of space with Ihe stsrs cut ou( pasted over a window, in full dayllght
c.mae Bloom
1st- 9th June
A picture of space
. is a show atKJut loss bringing change. and the changes can be
surprising. Made from nothing normally considered significant, small lost and found
obi&cts, and photographs laken by accident.

Nothing bul the Blurb l Eleanor Cully 8oehringer & Craig Stewart Johnson
21 sl - 30th June 2024
This new iterative of collaLK)rations is pre￿cupied wtth Iranscription and
mistranslation, meaning and misunderstanding. Audio and text become entangles
wilh inluilive performance, rooted in site-specilK leedback and non-linear narralives.
Goosander I Sarah Dunn
5th - 13th October 2024
There on the periphery ol the horizon, deep bands of emerald and rose shlmmer on
Ihe water's surface. Through the ¢Joorway of th6 I￿ht comes the Goosander, lithe
with the essential danger of its beauty.
LEGEPS Na l Mo2A2 i Owen Plper & Martin Poyner
8th - 17th November 2024
Owen Piper and Martin Poyner drag portraiture. VKleo, and sculpture together as
they wreslle wtth the shaffle and responsibilty of Art. Their sharp, messy, unsettling
new wod(s don'l simply question whal we see. or whal an image conveys, but
confronl a deep-rooted need lo assign meaning Sifting for sense. a quiet hop8
flickers at th8 edges as familiar structures begin lo dissolve.
Eat fllaments for brealrtast and shine 811 day l Ella Burgess, Olsln Stanley-
Stephenson & Benjamin Bellnska
6th - 15th De￿mber 2024
Theatrical exhibition blurring fantastical r￿tion with mundane reality. An installation to
help understand limes we live through and the objects we keep and dispose of.
The Dazzling F8r-Near l Jayne Dent
7th - 161h February 2025
A new audio-visual inslallalion., touch responsive e-textile banners activate
fragments of a disembodied choral comp)sition, a morphing and hypnotic
soundscape shaped through audience interaclion. This exhibition 8xplores ideas of
cornmunion, sacred folk tradition, arKJ the potential role of technology as a mediator
of Iransc8ndenl experierKe.
Sackcloth & Ashes l Bethany Slead & Amelia Frances Wood
4th - 131h April 2025
This exhibition lakes Ursula K. Le Guin's Yhe Carrier Bag Theory of Fiction" as a
starting pcint lor both artists lo respond. A pivolal text. which aims to challenge the
narrative of human history.. through theif individual artistic voices, Stead and Wood
explore ideas which shift and dety Ihe anthropological focus on domination and
consumption, towards care, cooperation and simply existing, further solidifying the
nolion that sculpture. dramng and image-making. can too, serve as containers of
stories and ways of being.

MEMBERS Exhibitions
During the year we held 4 exhibitions showing the work of studio members or
Collaborat￿nS with studio members that provided an opportunity for 36 Lime Street
arlists to present their work outside of their studios and in restx)nse lo olher artists,
woTk.
Dual Aspects l Jonny Bainbrldge & Pete Flynn
20tTh _28th April 2024
The third exhibition of abstract painti￿8 & sculpiural ceramics by North East bom
artists. Jonny Bainbridge & Pete Flynn.
Catalyst l Louise 8fadley, Elfle Burns, Becky Helllar & Nlcola Young
18th - 27th October 2024
What haF4)ens when two painlers, a potter aThJ a glass artist collab)rate?
Following c￿VersatIonS and shared studio time, common themes were explored,
skills. materials and lechniques were shar8d. This process of experimenlation has
led to the artists working in surprising and exciting new ways.
Made @ 361 Studio Members Group Exhlbitlon
23rd - 24th November 2024
A celebration of making within 36 Lime Streel.
The gallery was transformed inlo a living spacelr(M)rn set, inhabited by objects
designed, made, or recrealed by members of Lime Street. The exhibilion celebrated
the exciting breadth of creativity of our studio holders.

Open @ 361 Studio Members Group Exhibition
2>,rt _ 23". March 2025
A group exhibition showcasing the work of 36 Lime Street members, highlwJhling the
rich and expansive variety of work created within the building.
BURN
ST
HN HIPKIN
Events Exhibitions Talks
There was a diverse mix of both building-wide, gallery and studio-based events held
in 2024-25 inviting the public into the buildiro io experience and ce18brate the
artlorms and artistic practices based here.
Atmospherlca Concerts
April- March 2024
Sleve Luck's studio hosted a series of five public concerts as part of the ongoing
programrne of music events at 36 Lime Street. The perlormance5 featured invited
artists Charlotte Butler. Philip Alexander, leva Aura, Sergio Diaz de Flojas, and a
second appearance by Charlotte Butler. Collectivety. these concerts welcomed an
audience ol over 120 people into the building, oflering valuable opportunities fof the
public to engage direclly with contemFrt)rary music in an intimate studio setting arKI
strengthening conneclions belween Lime Street artists and the wider communily.
10

RIBA North East Open Studlos
April 2024
A series of educational visits, lalks and sludio tours lor architeclure students al
Newcastle and Northumbria Universities held within 36 Lime Street and hosled by
Jack Mutton and Tq)o Architecture practice.
Architecture Talk- Model Making in Practice
April 2024
Talk and practical workshop targeted at BA Architecture students from Newcastle
University locusing on model making within architecture and explonng rt's use in
architeclural practice.
/1 :s'l;$1
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The Late Shows
17th May 2024
A unique and exciling evening event where the studio doors were opened to allow
the public lo glimpse into Ihe creative spaces used by ihe artists- showcasing
paintings, glass, ceramics. architecture and fumiture designed and made by studio
rnembers.
11

Studio demoNstrations included a drop-in zine workshop with Theresa Easton
(handmade magazines), piano recilals from Steve Luck and lilhography
demonslralions at Hole Editions wilh Lee Tumer.
Ouseburn Festival
131h July 2024
Gallery event and exhibition.
Part ol an Ousebum wide feslival, this evenl welcomed the public into the gallery
where a number ol members had their worft on show. The event encouraged
conveisalions about the woTk. the artists praclices and about the building and its
place in the Ousebum.
Jam l Kate O'Neill
11 th August- 18th Augusl
There is an unpredictable spark thal can be ￿nited when people play musiG
togelher. The songs Islandards} are a coTrJuii that can transport and unite those
willing lo be par1 of it. This exhibilion was an exploration ol these stales of grace.
During the preview event there was a live jam with ￿zZ musicians.
From Flax to Freelance l The Hlstory of 36 Lime Streel
11th & 15th September 2024
Ousebum expert Mike Greatbalch and 36 Lime StTeei glass artist Sue Wwlhouse
gave a guided tour of the exteriof and interior of 36 Lime Street, explaining the
history of the former flax mill designed by John Dobson aThJ built between 1847-8.
The talk gave an insight into the importance of the building anchored in the history of
the Ous8bum as well as its regeneration, and a tour of several artists. sludios.
36 Llme Street Open Studlos I Part ol Ouseburn Open Studlos
23rd & 24th November 2024
36 Lime Street hosted a giant, creative and social art and design weekend.
A celebralion where we invited the public behind the scenes of our stLJdio doors for a
bustling and 8XClting event.
Highlighting the waalth of talent over five floors of our beautiful lisled building.
public could see how work is produced and chal wilh the artists about their
processes and materials.
Printmaker Theresa Easton ran a dropin paper garland making workshop,
Alison McGowan led a puppet workshop crealing flying Robin puppets.
Steve Luck performed short solo piano concerts every half hour Ihroughout Ihe
weekend and there was live lithography printing of a new lithograph by Paul
Raymond by Lee Turner.
12

"Dot]E]I
(Ill I
Spring Open Studios
22nd & 23rd March 2025
Weekend Open event highlighting and showcasing Ihe work 0136 Lime Slreet
Artists. Visitors could see how work is produced and chat with the artists abjul their
processes and malerials with a wide variety of works on show including art, design,
jewellery. glass, fumilure, architecture, music. prinlmaking. painting, poltery and
textiles.
Theresa Easton hosted dropin workshops Tnaking folded paper books throughoul
both days and Jayamini de Silva offered collective live Rangoli art for the visilors for
all age groups where visitors were invited to contribute lo create a large Rangoli
design with coloured rice.
13

Community Engagement
Ouring 2024-25 there was a wide range of workstrws and teaching delivered at 36
Lime Street by our studio artists. providing opwrtunities for the local community lo
participate in the arts. These sessions allowed participants to acquire new skills, and
to18arn and explore differ8nt art forms, with members offering opportLJnilies for new
leamers as well as people wanting to further develop their skills and experience.
They were targeted al a wide range ol participants inclucling carers, young p8opI8,
and people with leamir¥J disabililies.
UR
Kale Sweeney ran a series of 0￿-to￿One creative workshops for people with
learning disabililies who are supported by New Prospects Independent Living
Association, developing works using acryl￿ and mixed media.
Emma Holllday delivered 2 classes per week leaching painting, drawing and
prinlmaking within a creative. SUp￿rtive environment. Participants inclLAded carers,
people experiencing health problems or social isolation.
Jayamlnl de Silva provtded a one-ott Chinese calligiaphy worksFK4) introducing the
tools and lechnM]ues used lo lorrn the thick and thin lines of Chinese calligraphy
using specialist brushes.
14

Sue Woolhoustr A Passion for Glass - Sue ran weekly da5ses lor members ol the
public who prefer a long-lemi immersive journey inlo working with glass. With Su8'S
support and specialist knowledge. they were encouraged to start their own glass
journey in a relaxed, nurluring space where they could explore and develop ihelr
own ideas.
In addition lo this more advanced series of workshops Sue also ran a series of
weekly workshops with the aim of teaching glass workiw technique5 to beginners
where they were able to leam about basic techniques and processes.
Allson McGowan provided weekly therapeutic puppeiry sessions for young peo￿6
totalling 103 hours of public engagement in arts aclivilies within the Puppeiship
studio space. Here puppetry and play were use to explore problems which were
then addressed in creative ways.
Laura Johnston ran a series of glass fusing workshop with a mix of beginners and
improvers where each week they worked on projects developing their glass making
skills and tethniques.
Fiona Gray delNered a course of plaster casting workslws where participants were
able to leam plaster casting techn¥]ues tt) cast tiles of flowers and planls.
Steve Luck provided tuition in iiano. music theory and comrrf)sition. teaching
around 20 hours per week to approximalely 45 students. This activity supported the
developmenl of musical skills and crealivily across a wide age range, contributing to
the building's rol8 as a hub for cullural leamiro and participation.
Outreach
Many ol our members worked in collaboration with regional organisations to facilitate
creative workshops and engagement projects in the wider community including- A
project working with community groups in Northumberfand for people experiencing
mental ill health, drug and alcohol abuse with The National Trust., working with
people with earty onset dementia and their partners at Washington Arts Centre as
well as projects working wilh young people, asylum seekers and students. Partner
organisalions included., Durham Univefsity, Newcaslle University, Baltic, Sl Oswald's
Hospice, New Wriling North, The Ouseburn Trust, Chilli Studios. Skills for People,
Ouseburn Farm as well as many local schools.
15

Individual Artist'8 Activities and Achievements
The impact ol the support thal 36 Lirne Street provides reaches far beyond the
realms of the studio walls. with the creativty of the 36 Lime Street artists being felt
across the UK and beyond. The studios offer an aflordable base from whth our
membeTS develop their own work and in 2024-25 Son￿ ol these high-profile solo and
group exhibitions included.,
BEEP Painting Prize Biennial- Swansea, Interlaced- Middlesbrough, Inslable
Territory Reflections on Mernory- Texas, From Anolher Roorn- Hong Kong. Brighton
Art Fair, No Last Dance- Newcastle Contemporary Art, I'm Dreams- London. Gentle
Again- Hong Kong and Episode11: Home and Away- South Korea.
Members undertwk projects such as Musical Director of Jungle Book, Octagon
Bolton (nominated for UK Theatre Awards). the creation of a Quiet Space at Seaton
Delaval Hall and a portrail sculpture se18cled for the Brilish Academy Early Career
Researcher 8venl al Northumbria University.
The preslige. scale and diversity of 36 Lime Street's artists. achievements
demonstrates the qualily and reach of public engagement with the arts that is
supported by the charity.
16

ACHEIVEMENTS AND PERFORMANCE
Charltable Purpose
The charitable objectives of 36 Lime Slreet ar8 to advance the apprecialion and
understanding of the arts primarily but not exclusively the visual arts and crafts for
the benefit of the public.
Arnually:
50 studio users
311 visitors lo (gasses, workshops &
12 exhibiting artists as part of the
OPEN programme
1102 visitors to OPEN exhibitions
31 artlsts a8 part of the members
exhlbltions
5384 event attendees
Gallery
Our Gallery continues to be a vital exhibition and art space within the city, providing
a testing ground for artists to show new and experimental work. The Gallery is often
an importanl laU￿h pad for younger artisls, offering them their first chance to
present work in a solo exhibition. and for mofe established artists il is a place where
they can try out new work without inslilulional pressure.
This year we had a strong series of exhibilions as part of our OPEN programme. wilh
a mix of local artisls artisls travelling lurther afield to push the boundaries of their
practice.
In addilion, Ihis year the strand of the gallery involving sludio members exhibitions
was expanded to indude a wholly collaborative process where Ihe 36 ￿me Street
artists worked with 2 other artists for a ￿riod of lime to d8velop new collective work
for the exhibition, as w811 as the creation of a 'living space, to showcase works in a
home environment among others.
17

OUSEBURN
TRUST
InpN HIDKIN
Evenls
DuriThJ this pefiod, we successfully delNered'.
. 4" Late Shows {14(Xl vlsitors
over Ihe evening)
4 buildlng wlde events enabllng
Ihe public lo access the entire
building
Fmm Rax lo Freelance-
Heritag8 Open Day (37 over
two days)
This involved exploring the studios,
rneeling artists, taking part in a
variety of workshops and
experiencing live performances.
Open Studios (2080 visitors
over the Iwo-day evwrt)
Sprfng Open Studios (950
visitors over the {W￿daY
eve￿)
18

5 largeted evenls inviting the public into the gallery or indlvldual artlsts,
studlos
Atmospherica (120 pecple
attended these evenls)
Jam (2fX) visitors to the exhib51￿)
RIBA talk (28 pewle attended the
talks)
Architecture talk and workslK)p (19
sludenls took part in the
workshops)
Ousebum Festival1550 visitors to
the gallery during the event)
4 members exhibitions
These exhibitions allowed the studio members to showcase their work outside of
their studio spaces in a curated setting.
Dual Aspects Jonny BalnbTidge &
Pete Flynn (800)
Catalyst Louise Bradley. Effie Bums.
Becky Helliar & Nicola Young (16n
Made @ 36 Studio Members Group
Exhibit5on
Open @ 36 Studio Members Group
Exhibition
19

8 OPEN Exhlblllons
For this period, we received 50 aFplications through the OPEN call from which 7
exhibition proposals were selected providing.
12 artists an opportunlty to show
their work wblicly
Over the course ol the 7
exhibitions (11021
In total across Ihese events and exhibitions. we achieved 7453 visitors to the
building, who accessed a diverse range of high-qualty artistic experIe[￿eS and
events - an increase on the previous yearfs audience fvJures.
Studios
36 Lime Street direclly SUPFM)rted 50 artists, makers and designers by providing
affordabl8 and accessible studio and exhibition space lor them to slartlconlinue their
practice. develop their careers and make new work. We are committed to providing
vital workspace. and a￿ striving to create an accessible and inclusNe corrmunily
where artists, designers and makers can thrive.
Communlcation
This y8ar has been an extremety positive year in which we have been able to focus
on the inlernal structures and how we work as mernbers within the charily.
The introduction of a What's App Community has vaslly improved the speed and
efficiency of communication and in the overall running of the building.
We have also eslatlished WorkirKJ Gr￿ps. creating more clearly defi'ned roles and
responsibilities for the members in the running ol the charity- This has been
extremely successful, creating a much greater sense of community and clarity
helping the charily to move forward WTlh our charitable aims.
We have also created a new Members Area of the web5ile, provtding an easily
accessible location where important documents and informalioTI lor members can be
stored and accessed.

Engagement
In this period 36 Lime Street actively developed cornmunity participation and
engagement in the arts bolh within the building through open eventslexhibitions and
b8yond through artist's outreach activitiesfvlider practice. Notable lo the success of
the charities achievements is the noleworthy voluntary contribution ol members lo
the running of our organisalion which has in￿eased svJnificantly since becoming a
charity.
We have been working towards developing our engagement programme, and have
been working hard behind the scenes to put the fourKlations in place lo support this.
The Delivery Group have been working closely with consultant Naomi Kinghom on
Ihe develosjnent ol our policies and procedures. The provision of a safe and
supportive environment for b)Ih members and visitors to the charily and building is
paramount and we have spent this period reviewing. upjaling and introducing
policies, so we can demonstrate our commitment to the saleguarding and wellbeing
of all. Finalised Fx)lici85 include Complaints Policy, Safeguarding Policy, Equality,
Diversity & Inclusion Policy, Volunteer Polw. Trustee Expenses Policy. Trustee
Conflicts ol Interest Policy, Data Managemenl Policy, Privale Policy and
Risk Management Policy (In prcMJress)
IiiIL-i-
21

Programme and Partnerships
36 Lime Street Archlve
Towards the end ol this year, we were lucky enough to work with the Creative and
Cullural Industries Management MA at Northumbria University whose student Aisha
Khateeb, completed an 8 week placement wilh us to establish a 36 Lime Slreet
Archive.
Aisha spent a ￿rIOd of lime within the building speaking to members and going
through phot(NJraphs and documenls Ihat have been collecled over the
organisation's hislory. Following the discovery of an early interview wilh Michael
Mould the founder of Ihe sludios Aisha inteNiewed a number of members with the
intenlion of creating an oral history and 'People of Lime Slreel, seclion ol the archive
lo harness Ihe communal feeling that epitomises 36 Lime Street.
.1 was redly impressed and touched to see that so many artisls felt so strongly about
the heritage arKI history present in 36 Lime Slreet. As soon as I began speaking to
members about the archive, Ihey were very receptive. offered their ￿SOurCes.
knowledge, arid time. Iln my report].. I menlioned how strong the conneclions within
the organisation are". We an1￿1pate Ihat Ihis archive can continu8 to grow and
develop over time.
Fundraising Aclivlties Performance
In September 2024 the trustees submitted an application to The Supporting Act
Foundation- Impact Granl. The funds applied for were to support our staffirvJ costs
for charitable activities- this application was unsuccessful but each a(Jdilional
application thal we complete helps lo clarty and streamline our requirements and
objectives so Ihat we are Ih8n able to submil further applications more quickly and
effectively.
A fundraising Strategy including a timeline and plan was drafted along wtth a
prospect spreadsheet for Trusts and Foundations. This spreadsheet is a living
document interx4ed to grow as new fu￿ling opportunities are Identif￿d.
36 Lime Street raised £1356 Ihrough the Cl)en Studio fundraising raffles held at the
November a￿1 March Open SludK)s events.
Buildlng
We conlinue to work lowards making our buikling accessible and to install double
glazed windows lo wmply with our headlease. Towards this aim we have submitted
planning consent and our architects have worked to develop our component of the
RIBA stage 3 report with input from Ihe structural engineers, and services engineers
to follow at a later stage.

RISK MANAGEMENT
The Trustees of the charity regularly review the major governance, operational and
financial risks which the charity faces through regular Board Meetings and confimi
Ihal systems have been established to mttigale these risks.
Currenl risks and approaches to mitlgatlon
Governance
We continue lo work with extemal consultanl Naomi Kinghom and Ihird sector
supwrt organisation Connected Voice lo develcp and strengthen our policies and
procedures, lo ensure we have robusl systems in place that will enable us to expand
our work in the future.
Operational and Financial
We have a fully repairing lease on the Gr&Je11 listed building we occupy. The nature
of Ihe property means thal we have ongoing maintenance costs, as well as larger
repairs that need lo be made to meel the terms ol our lease and make the building
safe for its occupants and the public. We need lo ensure we have ad4uale
Reserves Policy and fundraising slralegies to be able lo carry out these works and
the cosl of any unloreseen issues Ihal may arise.
The nalure of the building, its rtverside location and multiple occupancy means our
Property fvners and Commercial Combined insurance and Fl(K)d Excess insurance
is our highest and most unpredictable expense especially in a very uncompetitive
market. We work closely with Lockton, our insurance brokers to make sure we get
the besl value wssible and seek to make improveffents lo the building lo help lower
the perceived risks.
Specific risk managemeni plans are completed for larger projecls. Any risk rated as
highlcrilical is immediately reported to the Board.
Risk Assessments are carried out for any Publ￿ exhibitions, event and workshops.
Each studio carries out a full Risk Assessment for their studio, induding Fire Risk
Assessments, a￿1 eath art￿ is required lo have their own Public Liability Insurance
in place.
We have a Fire Group. who oversees our extemal Fire Salety review and ensure
that we caiiy out any necessary work to make sure we are compliant with
regulations. This includes carrying out inspecb'ons lo the building, organising regular
fire alann. smoke alam and extinguisher tests and makir¥J sure all studios have an
Up-lo-dale FRA in place.

Financial
The Trustees are satisfied that apFyopriate financial systems and controls and
employment policies and praclices are in place.
The general escalation of cosls due lo inflation has seen expenditure increase
across the board, along with the impact of the cost of living on small businesses,
means that we may be at increasing risk ol non-payment of rent, and higher lumover
of tenants. We aim to mitMJate against financi￿ risks arising by..
Ensuring that prudent budgets have been set lof the next financial year.
Annual rent reviews to ensure thal rental income is still sel al a fair but
appropriate level
Having a reserves policy allowing for flexibility arKt sustainaly'lity should
unexpecled ¢>Jsts occur
Aiways ensuring we gel value for fnoney wilh suppliers and purchases
Advertising new spaces itnmediately ensuiing all studios are always in use.
24

PLANS FOR FUTURE YEARS
Fundraising
The Irustees have idenlified a number of essential improvements required to
maintain and enhance the property. Key priorities include the replacement of
windows, enhancemenl of Ihe fronl entrance. and significant improvements to
accessibilily Ihroughout Ihe building.
To support these developments, we intend to engage a Fxofessional furKJing bid
wriler on a one-y8ar o)nlract. Their expèrtise will assist us in securing external
funding. ensuring compliance with our head lease obligations while also making the
premises more welcoming and accessible lor members and the public.
The proposed improvements will be financed through a combination of grant
applications, community fundraising initiatives (such as raff les and collections), and
the considered use ol our financial reserves. These efforts reftect our ongoing
commilment lo safeguarding the buibding's condition and ensuring it remains a
valuable and inclusive Cofflmunity asset IOT years to come.
Governance
n addition to the new aThJ updated FK)licies, we will Lx)ntinue lo work on additional
policies during the next fina￿la1 year, critically laying ihe fourxlations for the
engagement strategy and erNJag8ff￿nI activity Ihat will follow.
In the comirYJ years we InteTh￿ lo seek additional expertise fr¢)m ext8mal partners on
the board with experience in areas such as buildings management. fundraising and
fire safety- This will provide a greater breadth of experience in our governance and
we will continue lo liaise with Ihe Community Foundalion and the local community to
seek these partnerships.
Programme and Partnerships
As we continue lo lay the foundations for our engagemenl work, our focus over the
coming years is to develop a more cohesive and accessible programme of
communiiy participation- both wilhin our buikling and through Fx)tenlial outreach
projects in the wider community.
We will l(K)k to liaise with other charities. small businesses and organisations in the
local area lo build up contacts for lulure engagement opportunFti&s and devebp
tulure partnerships that will enable us lo deliver inclusive and meaningful acttvities
that align with our charitable objectives.
To support diversity and indusion within 36 Lime Street we had planned to start an
artistlmaker Residency Programme in 2025, providing artists from a variety of
different backgrounds I ranges ol experience with a studio space arKI an exhibition al
the end ot the residency. Due to having to locus on essential building repairs we
were unable to finish Ihe residency space and so plan lo hosl the residency in
2026127. We will lie the residency in with our engagement programme and look to
document the pr￿esS so that the artist can promote Ihemselves and 36 Lime Street
can collate all the residency aTKI information.
25

The possibility ￿ generating an income frcxn Ihe hire of our gallery space is anothef
option that we will investigate, if there was a demand Ihen his would enable both an
income stream for the charity and further exhibitiffllevènts opFK)rtunities lor the
public and local c￿MMUnItY.
Communication
We will continue to develop our website as a valuable resource for members, while
also 8nhancing its public-facing content to make il more dynamic, infoimalive, and
engaging. In parallel, we will eslablish a compiehensive websrte and social media
strategy aimed at strengthening our online presence. This will help us to better
highlight q)portunities for involvement aThJ promote widef eroagement with our
charitable aclivities.
Building
Accessibility remains a key aim lor the charity and our longer-lemi ambition is lo
improve the accessibility to the building for members and visilors. We have adopled
a phased approach lo providing slep free access lo 980/0 ol building and workshop
space, as well as improving and expanding gallery space and introducing an
education space. We are commilted to installing double-glazed windows across the
5 floors which is essential to fulfil our lease obligations.
There is a plan lo install fibre intemet infraslructure throughout our building and the
costing for this will begin in 2025. This urmyade would not only enhance connectivity
to all members but also open new avenues for digital collaboralion in Ihe future.
GOVERNANCE
Governing Documents
36 Lime Street is a charitable company limited by guarante8, incorwrated on
2710611985 and regislered as a charity on 2210812022. The charity is controlled by its
governing docurnenl, ils Memorandum & Articles of Association and constitutes a
limiled company, lirnit8d by guarantee. as defined by the Companies Act.
The Directors of the company are also Trustees ol Ihe chanty.
EligibFlity for membership of Ihe charFty, and membership of the P•)ard of Trustees. is
governed by the Artides ol Association. There are no reslrictions in the governing
document on the operation of Ihe charily other than tIKJse imposed by general
chariiy law.
Charitable Purpose
The charilable objectives of 36 Lime Street are to advance the apprecialion and
understanding of Ihe arts primarily but not exdusively the visual arts and crafts for
the benefit ol Ihe public.

OUSEBURN
TRUST
'JJOk*N HIPKIN
Structure and Governance
The charity currently has a ￿ard of 8 non-executive Trustees and 34 Members
(Plus 16 non-member studio users). All Members are leaseholders of a sludio or
workshop within 36 Lime Street and their activity supports our charilable objectives.
Members inform 36 Lime Stre8t's activity arKI are consulted throughout the year,
Ihrough their participation in working groups and al periodic General Meetings.
When decisions a￿ passed by ordinary resolution. an agreement is required by a
simple majority of Members presenl and voting. Special resolutions require an
agreement by 75Yo of Members present and voting.
The Board meets a rninimum of 8 times per year. A written Chair. Secretary and
Treasurer's report. a meeting agenda., reports from member's working groups and
any other necessary Board papers are prepared by the Chair, Treasurer. Company
Secretary and any other relevant people lo be circulaled in advance of meelings.
External trustees are always included in any financial decision making.
In addition lo Board meetings there are 5 General Meetings a year including the
AGM, which are open to all Truslees and Members.

36 Lime Streel is governed by the Board of Trustees with one staff member who
oversees the day-lo-day opetations: DuriNJ the year April 24 lo March 25 the Studio
and Buildings Managers were- Rachel Bollen and Chloe Hurst
Key management remuneralion.. Studio & Buildings Manager 0.4 {£35,1 (K) pro rala)
The Conlrlbutlon of Volunteers
The charty makes extensive use of volunteers. During this period. it is eslimated that
over 30CQ hours were volunteered by m￿berS and exlemal people to suprort the
charities activities, including delivery. furvjraising, m￿keting and the management ol
the building.
Notable volunlary contributh)ns include:
Paul Merrick & Artists- 340 Gallery Group. Selecting and coordinating
programme & inslallirvJ, de-installing and invigilating exhibitions
Naomi ￿'nghorn- 45 Extemal consultanl supporting the development of
essential policies and management documents
Lee Turner- 113 Fire Group.. weekly lire alann lesting, weekly refuse
collection. fundraising
Theresa Easton-152 Fire Group. handover supkK)rt. Delivery Group.
meetings and wlicies
K Sweeney- 28 hours Events Gr￿p. meetings and evenl planning
Jayamini de Silva- 60 Community Engagemenl Group: Monthly meetings
and discussions. Event group: Profile boards designed foi exhibit￿n,
Tanya Axlord- 230 Treasurer.. budget, annual accounts, monthly financial
updates. writing Trustees Reporl. Recruitment: supporting new staff
Kate Stobbart- 54 Community Engagemenl Group: meetings, safeguarding
policy, studio meelings wilh members of public
Zoe Parker- 56 Buiklir¥Js Group. Updating filesilisls, prioritising jobs,
delegating tasks, phone calls lo conlractors, quotes for projects. liaising with
volunleers members and contractors
Tessa Holland- 46 Change Group, Delivery Group, Interyiew & Welcome
Group: focus groups, ailending meetings + admin time: architect proposals.
Emailsladmin and organising 36 Archive with: N'bria Universty lecturers and
volunteers
Belhan Maddocks- 15 Finance & Fundraising Group.. public liabilily
infomialion collation
Laura Johnson- 37 Event group. Communications Group.. meetings and c
ordination of outward facing activities
Debora Goldsbury- 44 Gallery group: selecting artists. supportirKJ artisls,
assisting exhibition install. organising refreshments for gallery openings,
liaising with gallery team, meetings.
Maria Sears- 41 Event group. meetings, organised selling events, organised
exhibitions, display informatbon boards.
Emma Holliday 40 Events Group; meetings, raffle collections, Ouseburn
Festival painting. Buildings Group: cleaning, seeking prolessional building
support

Becky Helliar- 40 Delivery & Policy Group: meetings, writing safeguarding
policy. Events Group: Open Studios event organisalion.
Sue Woolhouse 80 Events Group" meelings, front entrance vinyl.
Steve Luck- 196 Iruslee hours and Fundraising Group work
Jack Mutton - 97 Fundraising Group: Supporting preparation of fundraising
bids and developing building proposals. submitting for permissions
Alison McGowan- 70 Delivery Group and Trustetr policy writing and
developing, board meetings
Zoe Garner- Events and Marf<eting Groups., Instagram & Facebook
promoting events, gathering and organisalion images for members {45
hours)
Jo Mitchell- 50 Events & Marketing Gioups. flyer design, social media.
image collation, supplier sourciTr3, learning design software, eflyer, design
and dissemination
Louise Bradley- 56 Events & Communty Engagement Groups: organising
8V8nts, social media, marketing.
8oard members collectively contributed over 800 hours of time in altending
meelings, undertaking administrative tasks, business development planning and
fundraising.
The Trustees. Report was approved by the &)ard of Trustees.
Mr Ziad Jabroo
Trustee
191h October 2025

THIRTY-SIX LIME STREET LIMITED
INDEPENDENT EXAMINER'S REPORT
TO THE TRUSTEES OF THIRTY-SIX LIME STREET UMITED
I report to the trustee5 on rny ex•ThIn8￿1 of Uw finanri•l Stslmnts of Th•ty￿1X Llme Slreet Liwdted (the ctharityl
lor the year ended 31 MaTch 2025.
Rg$pon¥ibilitlo8 •nd bast¥ ot r•port
As the Irusiees ol the chanty land also its directcrfs for the F4wpxes of lawl. you are responsbi be for the
prepar3ts.on of Ihe finanryal Ststefflents in •zffllance reqtwfempnts of Iho Companies Ac¢ 2006.
HawrKJ sab'5fied rwgeif that the financial slètenwts (I Il* dwty a￿ Th)t wiired lo b8 autht9d undgr Part 16 of the
Companiès Ac* 2(106 are for i￿lependOn1 examination. I rèrKMI in resrttl ol my exafflinalion of Ihe
charity's fir5anoal slalemgnls ¢•rri¢d out uNJer secknon 145 01 the Chantses Ael 2011. In ¢arryry out my exanination
I have followed the D1￿CE￿)nS g'ven by the ch￿'ty ComrrossK)n urMJeT Sec￿ 1451SXbl of Charit￿5 Act 2011.
Independent gxamingr'¥ stat•rnenl
I have Goffjpleted my examination. I confimi Ihat rn matth have ccwne to my allent￿ in etmr*ction Mth the
exominalion giving me cause to Wieve that In mo￿n￿ res￿L.
ountiThJ reccKds werè k8Pt in ros￿ olthe charity as loq￿red by$e(aiC￿ 386 ofthe Cunp¥*85 2006.
the finanoal stalements do rKJt acoyd with Ihose records.. c
the finanoal stolernefits ikn nol oyr(ty *ilh a¢thffttsrvJ fewirwnenis ol seclK)n 396 of the Conpanies Act
2006 olher than any requirernent that the finanaal statwnents gve a Inje aTrJ f￿r view, whKh ￿ not ? rnatler
Considered as part of an indgpendgrit gxar[Nnat￿n." or
the finanual state[￿11$ have IKJI been wepared in accord8nce vAlh ￿ methtjts sxkndpbes olthe Statemont
ol Rècommended Pr%tice for accounts"ThJ and repNting by charib.es applKablB to charities preparng Iheir
Rnaneial slalemenls In accordance with Ihe Finanoal Rep￿ir￿J Standard aOic8ble in the UK and Republic of
Ireland IFRS 1021.
I h8ve Thj concwns and hwe con* across rni matters in ￿th tts ex8minatim to whid) attontK)n
shoLld bè drawn in this ierKJrt in ord8r to 8natJl8 a ryoper ￿￿@T#and1[VJ ol the financAal slatements io b8 rearknd.
Nichdas CLnniThJham FCCA
Robson LaKYlèr Accountants Lm
Femwootl H(xJse
FernwYM)d Road
Jesmond
Newcastk upcm Tyne
Tyne anrt Wear
NE2 1TJ
Ewland

THIRTY-SIX LIME STREET LIMITED
STATEMENT OF FINANCIAL ACTivmES
INCLUDING INCOME AND EXPENDITURE ACCOUNT
FOR THE YEAR ENDED 31 MARCH 2025
Current financial year
Unr*strlctod
funds
2025
Tcaal
2024
Notes
Incomo from:
Donatio￿ and legaaes
Charitabk acb"vitiès
Other tradry actiiqlies
Inv8￿MentS
146
132,422
1,932
2,769
69
121.313
1.633
3.OD3
T¢>t•l InccMn•
137.289
126.018
Exwidlture on:
Charitab* actiiilies
119,1￿0
130.119
Tt*al •xpendllure
119,C60
130.119
N•t Ineomellexpenditurel and m0ven￿ ￿ fwd•
18,209
(4.101
R•e¢)nelliation af funds:
Fund balances at 1 April 2024
109.219
113.320
Fund lJalanc•s at 31 MJr¢h 2025
127.428
109,219
The statement ol financial ￿l¥It￿ al losses recogn￿d in the yew. AJI ¢ncome and eXpe￿Illu(e
derive from contj.nwng aclNitwts.
31

THIRTY-SIX LIME STREET LIMITED
STATEMENT OF FINANCIAL ACTIVITIES
INCLUDING INCOME AND EXPENDITURE ACCOUNT
FOR THE YEAR ENDED 31 MARCH 2025
Prior flnanclal year
Unr•strictgd
funds
2024
Incom• Irom:
Donatiors and l&pcy8s
Ch8rftab￿ athvib.es
Other tradiTrJ ac*'vitios
Inv851ments
69
121,313
1.633
3,003
Total Incom•
126.018
Exp•nditw• on:
Charitabk 8¢livlts"es
130,119
TO￿￿ axpgndStur•
130,119
N•t incomo and mo¥wnonl In funds
14,1011
Roconcsliation of fvnd$-
Fund LIaL8n￿S at 1 Awil 3)23
113,320
Fund balanc•s at 31 March 2024
109,219

THIRTY4IX LIME STREET LIMITED
BALANCE SHEET
AS A T31 MARCH 2025
2025
2024
Flxed assots
Tangible assets
10
67J
Currènt asuts
Debtors
Cash al bank and in hand
11
32.318
172,52S
28.493
1S8.946
204.843
187.439
Credltor5: amounts lalling due within
on8 yoar
12
178,11X)I
{78.8431
Net current assets
126.743
108.5
Net assets
127.428
109.219
Tho fvnd¥ oflh• eh*rity
iJnrestr￿Ied funds
127.428
109.219
127.428
109.219
The company LS entilled to the eXewot￿￿n from Ihe w*"t requirement ￿ntaIn￿￿ in secbon 477 of the CuTrpanies Acl
20￿. loi the year eryjed 31 202S.
The dKector ackn￿￿edgeS hvs fesF4Jnsibilrties for ci¥nttyK￿ wilh Ihe reqLirements ol the Companie5 Act 2006 wth
sped to a(xounting re¢￿d$ and th• FYoparatKJn of financd statemenLS.
The memLws have rnl required Ihe conwy to oL*ain of its ststen*nls fof yw in q￿stiOn In
ac￿rdanC8 wilh sec¢h￿ 476.
These Ilnanoal statemw)ts have prep¥ed in ac£(ffda￿ wlh ts r￿visi￿ apF4i¢abb9 to I))Mpan￿ subject
lh8 small ojnpan￿s rew8.
The fina￿la1 slAiemenls apw8d by VUsI￿ on .......￿ Oecember 2025....
Zi8d Jabroo
Trustoo
Compaw regi51ratw)n number 01926797 IENJland and Vlales)

THIRTY-SIX LIME STREEf LIMITED
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2025
Accoun¥ng polic1•$
Charlty Inf0m￿tIon
Thirty-six Lime Strvol Lirniied is 8 wivaiè c(bm[￿¥ linMted by rtorp(Naled in England and Wales.
The regisiered Offi￿ is thjsebwn War&vxw W¢ykskw & StudKJS. 36 Lwn8 Street, Ngwfja$l￿ upon Tyne,
Tyne and Wear, NE1 2PQ.
1.1 Accountlng conventlon
The lirianual statements have bggn twarod ￿ accord8n￿ ￿1th Ihe dwiity's wvernlng docffiient. the
Cofflpanies Ad 2006. FRS 102 Yhè R￿[￿"n9 Standard awuble in ihe UK and Republic of Ireland.
I-FRS 102.1 and ihe charit￿S SORP "Accounb"ng aTrJ ReFK)riing by Charihes.. Statement of Recommend&d
Practice ap￿1¢￿ble to ch¥rties preparirvJ Iheir In ￿ordanCe the Financial Rep(x1ing Slwdard
app1Kab￿ in UK atKI Re￿b￿C ol IrelaThJ IFRS 102)- leffeiknè 1 January 20191. Tho charity is a Put4ic
Benefit ENJ"ty as d8fin6d by FRS 1(r2.
Ch￿'ty has taken thantage ofttE tre SORP lor ctwthes not to propare a stateM￿t ofCa$h
The fknanual statw*nts are prepared in sledvYJ. is thè ￿ndi￿al ol the ehar*ty. Monelary
arrx)unts in these financ4al statements ¥e rcyjnded to Ihe ￿are51 £.
Thè financial stal8menls havo b¢eft prep8fed uThler the cost o*venlion. The principal
pc4iues aijopted are sel out bebw.
12 Going conc•rn
Ai the lime ol approvry the Slater￿ts. tr￿teeS have 8 reasonable ex￿¢t3(￿)n IIKal the d)*tty
has ￿eqUate rgsoJrces to o)nltnue fft operat#)nal Èxister￿ fcrf the foresee3￿e future. Thus the trLLStBe5
conlirtue lo adopt Ihe goiNJ co￿eM basi5 01 ￿lunt1vj in preparirg the fina￿la1 stalemenls,
1.3 CIFarftablo funds
Unrestricted funds w8 avala￿0 ltr use al the disuet*Jn of the trustee$ in ffva￿e of theiT charitable
Rostrlcled ftmds are subjecl to speryfic ¢J)ndition$ by donors or gr￿10[5 as to how they may be used. The
PUiFoses arKI uses of the rgstri¢W are set wl in ts notes to the financol statements.
1.4 Incomo
Inu)me is recowised when Ihe tharity is legal￿ entilled lo it after pwlorrnan¢* c(MNlltkJn$ have bea) mel.
the amounts can be rnea5urpd Ipli*Ay. it ¢s Fwbable thai in(x)m& ba received.
Cash donalion3 #re rec¢w'sed r￿e¥l. ou￿ d￿a￿"0￿5 •e recognl$&Y crf)ee the chanty has begn notsfi8d
ol the dona*'on, un￿sS Perf￿nan¢e ¢(yN*D"(x)sfequife deferral oflhe aMJfil. Inecmne lax rocoverabb in rd81￿￿
to (knalDns f￿1ved urth Gift P4d or deeds Ot ¢o¥enant ￿ recow4sed al the tsrne ol tho donation.
1￿ ExpendrtyiÈ
Expwditure is recx)gnBed ￿ee thÈre is a lègal or &￿str￿l￿O ctAoatrAI lo tra)sler eCon0￿C benefit to a third
pariy. il Is probable Ihat a tr￿Sle1 ol bgn¢fits s%il be rerfvured in 5*deTnent, and Ihe amount ol Ihe
obl'gat¥Jn can rtwvfed re&"gL4y.
Expwdilure is dassified by activity. The costs ofeach aclivily afe made up ofthe total of tri￿¢1 coslsand sh*ed
C051s. induding support costs in ￿nd￿￿r￿j e*h *twty. Direcl (X)sis 8ttriMtabl8 lo a singl8 actiyily
aro alocated directly io that %tivity. Shar8d costs which ccnlribule lo more than one activity and sijppart Costs
which are not attribuIat￿8 lo ¥ %ngle acbvily are a￿￿t￿ed IIK)59 a¢ll￿￿eS on a basis consistent with
the use ol rewuices. Ceniral slaif costs we alth8ted baws oltvne wl, and de[￿lation charges are
alkKated ￿ Ihe portw of IhÈ asw's use.

THIRTY-SIX LIME STREET LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2025
A¢¢ountlng pollcl•$
1.6 Tanglk4e flxed assets
Tangib￿ fixed a55Pts are initi• Mea5w￿ al cl￿ srttsequenlly nwsuffjd at cosi or vAIu8ts"on. nét of
deprec011￿ s￿1 any impa*mth)t k)sses.
Depre(iabon is recogThsed w as to off the CO￿ (¥ ¥a￿alK￿ of ass8ts18ss I￿1r residual values over Iheif
usoful Iivos the loU(y4ving bases..
Leasehjd imwovements
Fixturos and filbngs
Comptjtefs
Cfver the lerm of the lease
20% sra**t li
20% stravJht hne
1.7 Cash and ¢a¥h •quFval•nts
Cash aThY cash equivalents cash in h￿J. dBposils al cal with banks. olher Short48￿ hquid
investments with c*iginal maturit￿5 of Ihw rrLx)ths or less. and bar* ovwdrafts. 8ank ovwdrafts we shown
within b(Krowmgs in current ithth"bes.
In¢om• Irom charltable actlvwes
Unr•strl¢tsd Unra8trSct•d
fvnd$
funds
202S
2024
Charftable actlvltles
Charitabb rental I￿ne
Olher ivton
110.083
22.339
98.530
22.783
132.422
121.313
Income fr¢Jm oth•w tradlThJ aclmtles
Unrestricted Unr•$trlcl•d
funds
lund8
2025
2024
Fundraisng events
1,932
1,633

THIRTY-SIX LIME STREET LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2025
Expgndlturè on eharltabl• activilies
Charitable
•¢tiviti•s
2025
Charitabl8
actlvllles
2024
Dlrect Costs
Depreaabon impairrrwl
S8crèt3ry's F
Renl an¢J Ral05
Clean￿g
Power, Lwhl and Hoal
Prcrf)ety Repaifs and Maintena
Premises Insuran
275
16.842
27.096
1.787
18.177
12.278
36.105
20B
15.307
27.488
1.913
22,76S
24.056
32,742
112,560
124.479
Shar• of support and govèrnance costs (see note 5}
Support
Go¥ema￿e
4,014
2,486
3,432
2,20B
119,C60
130, 119
Analysis by fund
Unrestricted tunds
119,C60
130,119
Support costs alloca¢•d to activiti•¥
2025
2024
Legal aTrJ professh￿al fees
Bank tharges
Printing and slallonery
Telgwmmuntsti¢
softwa￿ costs
SurKliies
Govemarte eosts
826
1,239
210
71
285
223
333
534
1,476
674
1.334
293
2,434
2,208
6.500
5.640
Analys•d b•tWO0n:
Ch&itsb￿ 8¢b"Vil￿$
6.500
5,640

THIRTY4IX LIME STREET LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2025
Nèt m(w•mènt In funds
2025
2024
The nel movement in funds Is slaled after chwgW(crediling1.'
Fees paYa￿e lor the **ndenl exaftwnalTh ol the thari￿s financ
statements
D•precobon of 0¥￿1 tangIts￿ ffxed assets
2,268
275
2,208
208
Trustees
None ol Ilw trustee¥ lor any persons L￿￿ted wAth them) re¢¢iv&J any remuneralion or benefits from the
tharity during the year.
Employees
The average monthly numiw d efflpboyees thyirvj the ytrai was".
2025
Numbor
2024
Numbor
Managomant and staff
There **re r¥) emt4oye¥s WIKW 4nrK￿ rgffwnwats.￿ ny)￿ Ihw £60.¢))O.
T•x8tion
The charity is exernpl fr¢Jffl taxat￿ its a¢JMbes Ix(w3e 811 its 15 appl￿ fcy chwitabk purpose¥.
10 T￿Ible fixed assets
L•l$•t￿k1 Flxtur•• and Cornput¢
Total
Cost
Al 1 April 2024
A(Jth"IK)ns
206.699
1.037
337
23,621
231,357
337
At 31 Mptrh 2025
206.699
1.374
23.621
231,694
Deprerialion 4nd impairmont
At 1 April 2024
Dwe¢ialion charge(J In the yeaf
414
23.621
230,734
275
275
Al 31 Mwch 2025
206,699
23.621
231,009
Carrying
Al 31 March 2025
685
At 31 M￿h 2024
623
623

THIRTY-SIX LIME STREET LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2025
11 O¢lA¢rs
2025
2024
Amounts falling du• within on• y•af:
Tr￿￿ dèblcxs
6,153
26,165
4,517
23,976
Prepayments and a￿rUed tr#>)￿
32,318
28,493
12 Credllors: WTwunts falling du• wlthln ontr year
2025
2024
Other 18x8tson a¥KI secirrity
Other creditors
Accruals and dèlèrrod i1￿m0
137
179
74,295
4,369
74.473
78,IC
78.843
13 Unreslrict•d fund¥J
The unre51n.cted fvnd5 01 th￿tY ccmpn'se the ur)experKknI balan￿ ol donab.ons aThJ grants are
not subj'ed lo Spedr￿ cmJitx)ns by a￿1 grantors as to tl*y may be Lts8d. Th950 include
design31Èd lunds whth have t￿n Set asth ¢yJt of unrestricled fund5 by Ihc trustees lor speufic purpo39&
Al 1 Aprfl
¢omlng
Resoufc
2024 re￿)urceS expendod
Transfws At 31 March
2025
Bulding fij￿1
Ggneral fufKIs
49,C•X)
.219
49.000
78.428
137.269
I119.0￿)
109.219
137.269
1119.Oeil)
127.428
Prevlou$ year:
At 1 April
Incon*ng R•sources
2023 r•sources expended
Translers At 31 htsreh
2024
Bui&Jing fijnd
General funds
49.Otx)
60.219
73.320
126.018
{130.1191
{9,0001
113.320
126.018
1130.119)
109.219
The trusteès %%ixkirvJ to ac(xue lor the Ic￿9 iern) deve1c￿nt and m•intenance of Ihe twiklsw. O
CLtrrent scheffje WAI cost in the region o11m. into [￿leCti￿$. we are working io trK•ld
deggnated funds lo covw upwJr(ts 0110% of thts o¥Èral eosL
14 Related party tran¥actl<)n$
There were no dis¢k)sat4e rglatod party tranS￿.￿S Ihg year12024 - n(Thl.