| SORP reference | |||||
|---|---|---|---|---|---|
| Summary | ofthe purposes of | The objectives of I iverpool Bach | |||
| the charity | as set out | in its | Collective are to advance, improve, | ||
| governing | document | develop and maintain public education -in, and appreciation of,the art ofmusic, |
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| and in particular in the cantatas and |
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| other church works composed mainly |
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| by Johann Sebastian Bach, by presenting public performances ofthem |
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| in the liturgical context forwhich they | |||||
| were composed, as part ofSunday | |||||
| Evens&~, in churches in and around |
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| Live os | |||||
| Summary activities |
ofthe main in relation to those |
Para 1.'iT and 1.19 |
Since the Charge was registered on 22/09/21, perfoAnances ofeight of |
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| purposes | for the public | Bach's Cantatai@nd his two Passions |
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| benefit, in particular, |
the | have taken place in 17churches. | |||
| activities, | projects or | ||||
| services identified in |
the | ||||
| accounts. | |||||
| Statement | confirming | Para 1.18 | The Trustees have had regard tothe | ||
| whether the trustees | have | Charity Commission's guidance on |
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| had regard | to the guidance | public benefit. | |||
| issued by | the Charity | ||||
| Commission | on public | ||||
| benefit | |||||
| dditional | information {optional) |
||||
| ou ma choose to include further statements |
where relevant about: | ||||
| SORP reference | |||||
| Polic on |
rant makin | Para 1.38 | The Chari does not make rants |
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| Those who participate in performances |
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| Policy on | social investment | Para 'i.38 | are provided with the opportunity to |
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| including | program related |
develop their skills in performing the |
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| investment | music ofthe baroque period according | ||||
| to historically-informed performance |
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| practices, in expanding their knowledge |
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| ofthe repertoire and in becoming better |
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| known as performers through their |
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| artici ation in ublic erformances. |
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| Most singers and instrumentali~ who |
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| artici te in erformances doso in a |
| Contribution | made | by | Para | 1.38 | voluntary | capacity, | and by doing so, |
|---|---|---|---|---|---|---|---|
| volunteers | make an | enormous | contribution to the |
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| work ofthe charity. | In the ten | ||||||
| performances given |
during the year, 57 | ||||||
| ofthe 68 | erformers | were volunteers. | |||||
| Other |
| SORP reference | |||
|---|---|---|---|
| Todate, the Collective has staged | |||
| Summary | ofthe main | Para 1.20 | nineteen performances ofa high artistic |
| achievements ofthe charity, |
order in nine different venues across | ||
| identifying | the difference the | the region, involving 86performers. |
|
| charity's work has made to the circumstances of its beneficiaries and any wider benefits to society as a whole. |
The last year included the Collective's largest undertaking to date โits first performance ofBach's St Matthew Passion, with its two orchestras, three choirs, and ten solo singers. |
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| Members ofthe public benefit from | |||
| being able to experience the cantatas and other church works ofJSBach in |
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| the context for which they were created; | |||
| participating musicians benefit from the |
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| training they receive in the historically- |
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| informed performance practice of |
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| baroque music and the experience of performing the-music ofJSBach. |
the context for which they were created; participating musicians benefit from the training they receive in the historically- informed performance practice of baroque music and the experience of performing the-music ofJSBach. |
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|---|---|---|---|---|---|---|
| Additional | information | (optional) | ||||
| Vou ma | choose to include | further statements | where relevant about: | |||
| The Trustees are satisfied that in its | ||||||
| Achievements | against | Para 1.41 | activities the Charity has met its set | |||
| objectives | set | objectives, which are stated above (dee | ||||
| 'Summary ofthe Purposes ofthe Chari ...' in 1stbox |
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| The Charity does not engage in |
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| Performance | offundraising | Para 1.41 | fundraising activities other than by |
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| activities | against objectives | inviting donations. Donations received |
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| set | during the period were sufficient to | |||||
| support the activities ofthe Charity. | ||||||
| Donations were especially invited in aid |
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| ofthe performance ofthe St Matthew |
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| Passion in March 2023; the costs ofthis |
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| erformance were covered. |
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| Investment performance a ainst ob'ectives |
Para 1.41 | The Charity has not made any investments |
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| Other |
| Financial Review |
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|---|---|---|---|---|---|---|---|---|
| Review ofthe charity's | Para 1.21 | The Charity has ended the | year with | an | ||||
| financial position at the |
end | adequate balance offunds, |
viz f2,673. | |||||
| ofthe period | The balance will be carried | forward | for | |||||
| the funding offuture performances, |
in | |||||||
| particular a repeat performance |
of | the St | ||||||
| Matthew Passion. | ||||||||
| Statement explaining the |
Para 1.22 | The Charity does not hold reserves | ||||||
| policy for holding reserves |
||||||||
| statin wh the are held |
||||||||
| Amount ofreserves held |
Para 1.22 | Zero | ||||||
| Reasons for holding zero | Para 1.22 | There are no reasons for holding | ||||||
| reserves | reserves. | |||||||
| Details offund materially | in | Para 1.24 | There is no deficit | |||||
| deficit | ||||||||
| Explanation ofany |
Para 1.23 | There are no uncertainties concerning |
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| uncertainties about the |
the future ofthe Charity | |||||||
| charity continuing as a going |
||||||||
| Additional information |
(optional) | |||||||
| You ma choose to include |
further statements | where relevant about | ||||||
| The charity's principal sources offunds (including |
Para 1.47 | The principal source offunds is donations from those attending |
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| any fundraising) | performances and by other |
interested | ||||||
| ersons. | ||||||||
| Investment policy and objectives including any |
Para 1.46 | The Charity does not make investments; social h4vestments listed above, in box |
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| social investment policy |
'Policy on socialinvestment' | will | ||||||
| ado ted | continue. | |||||||
| The main risk i4financial: ifdonations |
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| A description ofthe principal |
Para 1.46 | were not sufficient to cover | the costs of | |||||
| risks facing the charity | performances, they could not continue. |
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| The risk is minimised by regular |
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| management reviews ofthe |
financial | |||||||
| information available throughout |
the | |||||||
| ear. | ||||||||
| Other | ||||||||
| Structure, Governance |
and Management | |||||||
| Description ofcharity's |
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| trusts: | ||||||||
| Type of governing document |
Para 1.25 | Constitution ('Foundation' model) |
||||||
| trust deed. ro ai charter) | ||||||||
| How is the charity | Para 1.25 | The Charity is a Charitable | Incorporated | |||||
| constituted? | Organisation | |||||||
| Ie.g unincorporated | ||||||||
| associaiion. CIG i |
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| Trustee selection methods | Para 1.25 | Trustees are selected because oftheir | ||||||
| including details ofany |
interest in the work ofthe Charity |
and | ||||||
| constitutional provisions |
e.g. | their experience and appreciation | of | the | ||||
| election to post or name | of | Charity's purpose, and they |
are invited | |||||
| any person or body entitled | to become Trustees by resolutions |
of | ||||||
| to appoint one or more | the existing Trustees. | |||||||
| trustees |
| Additional information (optional) |
Additional information (optional) |
|
|---|---|---|
| You ma choose to include further statements |
where relevant about: | |
| Policies and procedures adopted for the induction |
Para 1.51 | |
| and trainin oftrustees |
||
| The chanty's organisational structure and any wider |
Para 1.51 | |
| network with which the |
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| chari works |
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| Relationship with any related rties |
Para 1.51 | |
| Other |
| Chari | name | Liver ool Bach Collective | ||
|---|---|---|---|---|
| Other name the charit | uses | Not a licable |
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| R istered charit |
number | 1195887 | ||
| Chanty's | principal | address | 2 South Court | |
| Wexford Road | ||||
| Oxton | ||||
| CH43 9TD |
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| ~ | ~ | ~ | I | ~ | ~ |