OpenCharities

This text was generated using OCR and may contain errors. Check the original PDF to see the document submitted to the regulator.

2022-08-31-accounts

SORP reference
Summary ofthe purposes of Para 1.17 The purpose ofthe charitable
company as
the charity as set out
governing
document
in its set out in the governing
documents
continues to be:
'TO PROMOTE, IMPROVE, DEVELOP
AND MAINTAIN
PUBLIC EDUCATION
AND THE APPRECIATION
OF THEATRE,
DRAMA AND THE PERFORMING ARTS
IN ALL ITSASPECTS BY,BUT NOT
LIMITED TO:
1. THE PREPARATION
AND
PRESENTATION OF THEATRE
AND MUSIC THEATRE
PERFORMANCES BYPRIMARILY,
BUT NOT EXCLUSIVELY,
DISADVANTAGED
CHILDREN
AND YOUNG PEOPLE:
2. THE PROVISION OF THEATRE,
DRAMA, PERFORMING ARTS
AND DRAMA THERAPY
WORKSHOPS FOR CHILDREN,
YOUNG PEOPLE AND ADULTS.
Summary
activities
ofthe main
in relation to those
Para 1.17and
1.19
To connect
young
people,
who
would
not
normally
have any access to contemporary
purposes for the public theatre.
benefit, in particular, the
activities, projects or To
deliver
regular,
high
quality
drama
services identified
in
the workshops
for
young
people
in
an
accounts. underserved
community,
raising aspirations
and
enhancing
their
social
and
personal
development.
To create a sense of belonging
and foster
positive relationships
between young people
and
their
community
through
an
active
membership
programme,
utilising
background
in both professional
theatre and
drama thera
Todevelop partnership
work with other
local
schools and the community
using drama
and drama
therapy
to support
well-being
and enhance
the pastoral
care
young people are receiving.
To provide a volunteer scheme for members
aged
18
plus,
providing
training
and
encouraging
them to take responsibility,
get
involved
in the running
of the activities
and
supporting
the younger
children.
To encourage
WCYT
members
to
look
beyond
their immediate
surroundings
and,
through
the charity's
links
with the theatre
industry
and drama schools, to provide them
with opportunities
to further
their education
and gain work experience,
ofien leading to
employment.
Para 1.18
Statement confirming The Trustees
of the
White
City
Theatre
whether the bustees have Project
aflirm
that
they
have
taken
into
had regard to the guidance account
the
guidance
provided
by
the
issued by the Charity Charity Commission
on 'public benefit' when
Commission on public making
decisions
and
regularly
review
the
benefit organisation's
aims and objectives.
positive
role models
while
also
exploring
their own potential
and acquiring
invaluable
life
skills.
Their
contributions
are
highly
valued, and they form an integral
part ofthe
youth theatre community.
At White City Theatre Project (WCTP), we
prioritise
the safety
of children,
providing
both
online
and
onsite
Child
Protection
training.
We also offer training
and support to assist
our members
in pursuing
further education,
such ascollege, university,
ordrama school,
as well as various work opportunities.
Achieve men ts and Performance
SORP reference
Summary ofthe main White City Theatre ProJect gNCTP) is an
achievements
identifying
the
ofthe charity,
dfiference the
Para 1.20 established
charity
in West
London
who
believe
in the therapeutic
and healing power
charity's work has made to of the arts and their ability to bring
young
the circumstances of its people
together
with a common
purpose.
beneficiaries
and
any wider They
unite
communities
through
drama,
benefits to society as a
whole.
break down bamers, and help young people
to develop
lasting
and transferable
skills. '
The
organisation
places
emphasis
on
accessibility and availability
for all.
White City Youth Theatre
fWCYT) serves
as
the
cornerstone
of our
organisation,
providing
a regular,
safe
and
welcoming
space
for
young
people
to
engage
in
theatrical
activities.
As
part
of
our
commitment
to
accessibility,
all
youth
theatre
activities are offered free ofcharge.
By removing
financial
bamers,
we ensure
that every young person, regardless
oftheir
economic
background,
can participate
and
benefit
from
the
transformafive
power
of
drama.
WCYT
continues
to
flourish,
providing
a
nurturing
environment
for
creative
expression,
personal
growth,
and
the development
oflasting connections.
Outreach
Community
Projects
In line with our mission to engage the wider
community,
WCTP collaborates
with
local
theatres
and
schools
to deliver
outreach
community
projects. These initiatives
aim to
extend
the benefits
of drama
beyond
our
immediate
outh
theatre
artici
nts,

managed
its resources
during
the
given
period.
Statement
explaining
the Para 122
policy for holding reserves
stating why they are held The White City Theatre Project has a policy
in place for holding reserves, and the
trustees'
objective isto maintain
free
reserves
in unrestricted
funds at a level
equivalent
to approximately
three months
ofunrestricted
charitable
expenditure.
The
purpose of holding reserves at this level is
toensure that the organisation
has
sufficient funds available to address various
needs and contingencies.
One of the primary
reasons for maintaining
reserves
is to respond
to applications
for
grants.
By
having
a
suflicient
level
of
reserves,
the charity
can allocate funds to
support
grant requests
and fulfill its mission
of providing
financial assistance
to projects
and
initiatives
aligned
with
its charitable
objectives.
This
ensures
that
the
organisation
can continue to make a positive
impact
and
contribute
to
the
causes
it
supports.
Additionally,
the reserves help cover support
and
governance
costs. Running
a charity
involves various operational
expenses, such
as staff salaries,
administrative
costs, and
compliance
requirements.
By
holding
reserves, the organisation
can ensure that it
governance
has
the necessary
financial
resources
to
cover these ongoing expenses. This allows
the
charity
to
function
effectively
and
maintain
good
practices,
enabling
it
to
fulfill
its
obligations
and
operate
in a sustainable
manner.
Overall, the policy for holding
reserves at a
level
equivalent
to
approximately
three
months
of
unrestricted
charitable
expenditure
provides
financial
stability
and
flexibility to the White City Theatre Project. It
allows the organisation
to respond to grant
applications
and
deliver
its services
while
also ensuring
the smooth
functioning
ofthe
charity's
operations.
By maintaining
these
reserves,
the
trustees
believe
they
are
taking
a
prudent
approach
to
financial
management
and
safeguarding
the
organisation's
ability to fulfill
its charitable
mission
in the long term.
Amount ofreserves held Para 1.22 f10,000
Reasons for holding zero Para 1.22
reserves
Detafis offund materially in Para 1.24
deficit

The
White
City
Theatre
Project
relies
The charity's
principal
sources offunds (including
Paw 1.47 primarily
on grants as its principal source of
funds.
The
charity
has
established
any fundraising) relationships
with several local funders
who
consistently
provide
support.
These
loyal
funders
play a crucial role in sustaining
the
organisation's
activities and initiatives.
In addition
to grants,
the
charity
actively
focuses on developing
its outreach
efforts
and
continuously
seeks
new
grant
opportunities.
By proactively
searching
for
and
securing
additional
grants,
the
organisation
aims
to diversify
its funding
sources and expand
its financial support.
Moreover,
the White City Theatre Project is
always
exploring
new ways of fundraising.
The charity
employs
various
strategies
to
generate
additional
funds.
The Charity
is
working
towards
hosting fundraising
events,
launching
crowdfunding
campaigns,
seeking
individual
donations,
or partnering
with businesses
or sponsors.
By combining
grant funding
with a proactive
approach
to outreach
and fundraising,
the
charity
aims to ensure
a sustainable
and
stable financial base. This allows the White
City
Theatre
Project
to
continue
its
operations,
fuNII
its charitable
objectives,
and
make
a
positive
impact
in
the
community
it serves.
Investment policy and
objectives induding any Para C46
social investment policy
adopted
There are some common
external
risks that
A description ofthe principal 1ara 1.43 could pose a threat to our Charity.
risks facing the charity These are general
examples
and
do not
reflect the specific
risks
identNed
by the
trustees.
Funding
Uncertainty:
Reliance
on grants
and donations exposes the charity tothe risk
of fluctuating
funding
levels.
Changes
in
government
policies, economic
downtums,
or shifts
in donor priorities
could affect the
availabili
of funds. A sudden
reduction
or
loss offunding
could make it challenging
for
the organisation
to sustain
its operations.
Regulatory
Compliance:
Charities
are
subject
to various
laws
and
regulations.
Failure to comply
with legal and regulatory
requirements,
such as reporting
obligations
or governance
standards,
could
result
in
penalties
or
loss
of
charitable
status.
Significant
non-compliance
issues
could
lead
to reputational
damage
and
loss of
public trust, making
it difficult for the charity
to continue operating.
External
Economic
Factors:
Economic
downtums
or
recessions
can
impact
charitable
giving.
During
challenging
economic
times,
individuals
and
organisations
may reduce or redirect
their
charitable
contributions,
affecting
the
charity's
income
stream.
A
prolonged
economic downturn
could make itdNicult for
the
organisation
to sustain
its operations
and fulfill its mission.
Changes
In Social or Cultural
Trends:
Changes
in social or cultural
trends
can
influence
public
interest
and
support
for
speclfic causes.
If the White
City Theatre
Project's activities orobjectives become less
aligned
with societal
interests,
it may face
challenges
in
attracting
funding
or
maintaining
community
engagement.
Adapting
to evolving
trends
and
ensuring
ongoing relevance
is crucial to sustain
long-
term operations.
Legal and Regulatory
Changes: Changes
in laws and regulations
that directly
impact
the charity's operations,
such as fundraising
regulations,
can
create
additional
compliance
burdens or financial constraints.
Failure to adapt to or comply with new legal
requirements
may impede the organisation's
ability to continue
its activities.
Natural
Disasters
or
Catastrophic
Events: These can cause severe damage to
infrastructure,
property,
or assets As with
the
recent
Covid-19
pandemic,
these
events may lead to a complete disruption
of
operations.
It is essential
for the charity to
have
contingency
plans
and
appropriate
insurance coverage to mitigate the impact of
such events.
These arejust afew examples ofevents that
could potentially
threaten
the operations
of
the White City Theatre Project. We regularly
review
identified
risks
and
the
implementation implementation of procedures
to minimise
of procedures
to minimise
of procedures
to minimise
their
potential
impact. By proactively
assessing and addressing these risks, the
charity can enhance
its resilience
and ability
to continue operating
in the
face ofexternal
challenges.
Other

Description ofcharity's ofcharity's
trusts: As a Charitable
Incorporated
Organisation
(CIO), the White City Theatre Project has a
specific
legal
structure
and
governance
framework.
CIO Status: The White City Theatre Project
is registered
as a Charitable
Incorporated
Organisation.
Voting
Members:
As a
CIO,
the
only
individuals
with
voting
rights
within
the
organization
are
its charity
trustees.
This
means
that
the
ultimate
decision-making
authority
rests
with the trustees,
who are
responsible
for
overseeing
the
charity's
activities,
making
strategic
decisions,
and
ensuring
compliance
with
legal
and
regulatory
requirements.
Charitable
Trustees:
The
charity's
charitable
trustees
are the individuals
who
serve on the board and are responsible
for
the
governance
and
management
of the
organisation.
They
have
a
legal
and
fiduciary
duty to act in the best interests of
the
charity
and
its
beneficiaries.
The
charitable trustees
play a vital role in setting
the
strategic
direction,
overseeing
the
financial
affairs, and ensuring
the effective
operation ofthe charity.
Date
of Registration:
The
White
City
Theatre
Project
was
registered
as
a
Charitable
incorporated
Organisation
on the
17th April 2019.This signifies
the point at
which
the
organisation
acquired
its legal
status and became formally recognized asa
CIO
under
the
applicable
laws
and
regulations
governing
charitable
entities.
Overall, as a CIO, the White
City Theatre
Project
operates
with
a
governance
structure
where the charity trustees are the
only
voting
members.
This
structure
provides
a
clear
line
of
authority
and
accountability,
allowing the trustees to make
decisions
in the best interests ofthe charity.
The CIO status offers legal protections
and
benefits,
allowing
the organisation
to carry
out its charitable
activities effectively.
Type ofgoverning document Para 1.25 Foundation
Model Constitution
trust doed, ro ai charter
How is the charity Para 1.25 CIO Status: The White City Theatre Project
constituted7 is registered
as a Charitable
Incorporated
Ie.ct ulllocoiuol ated Organisation.
assoc,atior- c'IO
Policies and procedures
adopted for the induction
Policies and procedures
adopted for the induction
Para 1.51
and training oftrustees
The charity's
organisational
structure
and any wider
Para 1.51
network
with
which the
charity works
Relationship with any Para 1.51
related parties
No trustee received any remuneration or
Other other benefits, including reimbursed
expenses, for the period ended 31August
2022.

Trustee name name Oflice (ffany) Dates acted ifnot for whole
eaf
Name
toa
ofperson (or body) enffffed
nt trustee
Ifan
ofperson (or body) enffffed
nt trustee
Ifan
Karen Anne Lintem Chair
Nathan David Bryon
Alexander Schmidt
Janet Michell Ellis
MBE
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20

Categorie Details
S1 Cash hlads
cttehAwdh,
.
.
. M4o
nnnnltsj dttSg%+nlpf+c~: A n~s fe Itj'n; (
Uassahtsled ReeSHeM ttstdawsnent
Details Sess+nets Soneaeeae Seneonate
K.ih..
ccxxStl aesesntn (stt)