Charitable Incorporated Organisation (Foundation)
Report and Financial Statements Year ending 5April 2021
Charity Number 1182926
Report of the trustees for the year ending 5 April 2021
The trustees are pleased to present their annual report together with the statement of financial activity for the charity for the year ending 5 April 2021.
Charitable Objectives
Isikoza is a Charitable Incorporated Organisation, established to:
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�Advance the education of the general public in the appreciation and understanding of music and its history; with special emphasis on Jazz and Popular Music
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Provision of performance workshops and training
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Programming of educational performances (recitals)
OBJECTIVES AND AIMS
Isikoza is committed to enabling people from diverse backgrounds access to ‘inspiring and practical’ educational training in the fields of jazz and popular music.
The charity aims to achieve this by:
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Designing and implementing creative music modules for adults who desire greater comprehension and understanding in jazz theory and improvisation
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Provision of music workshops for instruments greatly utilised in Popular Music (Electric Bass, Electric Guitar, Acoustic Drums, & Electric Piano)
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Programming of educational performances (recitals) in Churches, Community Centres & Open Spaces
ACHIEVEMENTS AND PERFORMANCE
In the financial period April 2020 to April 2021 we have:
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Formulated new working partnerships with several churches in Stoke on Trent (Church of England, Methodist and Pentecostal)
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Created original teaching methodologies for electric guitar with special emphasis on transcribing from records (aural and written manuscripts)
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Conducted empirical research on the needs of musicians in the city of Stoke on Trent via personal interviews and online correspondence.
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Contacted our local Councillor and Stoke on Trent City Council for support regarding the possibility of acquiring a Community Asset (Building)
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Programmed several online recitals
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Taught A Level Music Student How To Develop & Improvise Jazz Solos (Piano)
PROJECTS:
ONLINE RECITALS
Because of our lack of a ‘building’ we decided to harness the wonderful opportunity available to us by having an online presence. Our chair delivered the online recitals which consisted of him performing unaccompanied solo Jazz Guitar. In essence he was able to develop and devise recitals initiated at undergraduate and postgraduate level music degree courses.
To the uninitiated performing solo is one of the hardest mediums, especially solo jazz guitar, which includes a fair amount of improvisation and many times reinterpretation of a musical score. Our audience were able to ascertain the following important elements; essential to a successful recital of Jazz genres.
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Balanced Programming
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Musical and Technical Proficiency
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Repertoire
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Clear comprehension of Improvisational language
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Sound
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Experience
The response has been positive with many viewings; indicating where the charity may perhaps develop this particular pathway, albeit with other instruments .We are still keen, however to resume our Music Workshops and masterclasses in person once the opportunity arises.
A Level Music Student (How to Improvise on Jazz Repertoire)
The student has vast experience in the Classical field and Repertoire and is an excellent Grade 8 Pianist and Grade 6 Bassoonist. As Bassoonist with an established city symphony orchestra her role is defined to replicate the score and, follow the conductors leading.
Notwithstanding during her A Levels (Music) she thoroughly enjoyed the lessons investigating Jazz standards and of these Stella by Starlight was the song she asked for the Charities assistance to unravel the complexities of improvisation.
We broke down key components of the score and demonstrated/ explained the following:
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Harmonic Structures
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Improvisational approaches and idiomatic preferences
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Motivic Development
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Scales choices and substitutions
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Left Hand voicings for piano
There is a great deal of scope and potential for this project to develop because it is a recurring theme of Classical musicians who are trained in the interpretation of musical scores yet are
unaware of the musical devices essential to ‘Jam’ in settings were aural perception and comprehension are greatly prized. We hope to receive funding to develop this project.
GOSPEL TRANSCRIPTIONS (Music Charts)
Our charity was called upon to transcribe Gospel compositions in the style of music commonly known as Hi-Life. Hi-Life emanates from the West Coast of Africa and is a popular feature idiomatic of Ghanaian music. Transcribing from audio to (manuscript paper) proved quite a challenge because this style is replete with cross rhythms and inflections.
Furthermore the musicians who asked for the transcription were vocalists! Vocalists are notorious for singing out of key and out of tune! To compensate for this, we wrote the charts in duel notation; meaning we used a system of harmonic structures with Roman Numerals and staved notation.
This decision proved to be a wise choice for although the original composition and transcription was written in F#, the vocalists embarked upon singing the score in the key of C!
CONSULTATIONS WITH MR EDISON HERBERT (BMus) Hons
Edison Herbert is the brother of internationally, renowned classical composer Philip Herbert (BBC Radio 2, 3, and 4 as well as BBC TV & Chineke Orchestra) He is an outstanding jazz guitarist, and a graduate of Trinity College of Music London. Seen on Channel 4’s award winning television series (Guitar Star) brought him further prominence to a wider audience in the United Kingdom and beyond.
Mr Herbert has graciously offered assistance with development of Jazz Guitar Performance, Recital preparation and Jazz Guitar Workshop performance practice.
MUSIC ADVOCACY BBC RADIO STOKE
Our Chair was invited to be interviewed on BBC Radio Stoke flagship programme Eze on Sunday with Rev Geoff Eze. Rev Geoff is an ordained minister for the Church of England and was one of the officiating ministers for England Legend Gordon Banks funeral.
Questions revolved around the future of Stoke on Trent regarding the Arts and Humanities in Post Industrial Societies and the relevance/ significance/ importance of music generally in society. The interview was deemed a success with the chair succinctly answering the questions and advocating for greater economic empowerment and investment (Stoke City Council) for the arts and music amongst other things.
FUTURE
All of the above projects were again delivered with the charity receiving no financial remuneration. Obviously we will be unable to continue on in this fashion as we progress, however because we are a new charity we unanimously are of the belief that it is extremely important for us to establish our name in the city and therefore see all the projects aforementioned as ‘invaluable’ to create an awareness of our organisation and what we have to offer for the city of Stoke-On Trent.
Notwithstanding what we are also experiencing is that when we submit bids for potential funding and revenue streams the funders are keen to highlight that it appears we have no ‘track’ record of project delivery, handling large sums of money and other issues
To address this pressing matter we are investigating several options and of these the most appealing is to formulate successful partnership(s) with organisations that share similar interests and are more established.
TRUSTEES
The board of trustees met three times during the financial period 5th April 2020 to 5th April 2021
Charity trustees during this period were:
Paul Roberts Elaine White (Secretary) Derrick Wallace (Chair)
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How confident you are feeling about your organisation's fin (For example, if you are in a good financial position, how do you p plans to get your organisation into a more comfortable position? W Things are a bit harder now due to pandemic and the plans we initiated restrictions we do have plans to get our organisation into a more comfo more grants and concerted fundraising efforts from a wider berth of po organisations we have worked with previous to the pandemic. Building and other media outlets. Programming of bigger and better masterclass place our organisation in a postion of strength and sustainabilty.
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d had to be put on hold. However with the easing of lockdowns and less travel ortable position by implememtation of the following initiatives: Application for tential financial sources. Greater collaborations with Church's and community upon our Charity's profile as we have had several interviews on BBC Radio Stoke ses with Industry Leaders and Professionals. Community concerts and recitals to
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