INNIT FOR YOUNG PEOPLE CIO ANNUAL REPORT & FINANCIAL STATEMENT 1st July 2020 - 30th June 2021 QIARITY AND TrUSTEE DETAILS REGISTERED ADDRESS: , 14YPC THE ANGEL ST. PHILIPS PLACE ANGELA JEANETTE LEA BA MA PGCE CHAIR MICHAEL ANTHONY HEATH MA PGCE DEPUTY CHAIR JACQUELINE RUTH LANGLEY CPFA MSC SHIRLEY DIVER BA P6DE TREASURER M3 6FA T. 073884 44972 E. ADMIN814YPC.OR6.UX SECRETARY DR. REBECCA PATTERSOH LLB EDD MA PGCE TRUSTEE PAUL RICHARD KONDRAS TRUSTEE FOUNDER & CHIEF EXECUTIVE OFFICER: INNIT YOUTH CREATIVES N8M4 OWOYEMll KANE LEA-SALES NICHOLAS J BARLOW MICKY DACKS MA PTTLL 14YPC IS A CHARITABLE INCORPORATED ORGANISATION REGISTERED CHARITY NO. 1182891 14YPC IS REGISTERED AS A DATA CONTROLLER WITH ICO- NO. ZA782205 14YPC IS REGISTERED WITH HMRC FOR TAX PURPOSES- REF. NO. ZD10393 14YPC IS A REGISTERED COMPANY- NO. CE017127.. 4. WELCOME 5. THE MAGIC NUMBERS 6. MISSION, VISION & VALUES 15. RAP YOUR TOWN 19. SHAKING IT UP 21. OUR SUPPORTERS 22. NEXT STEPS 24. THE MAIN EVENT 29. BUILDING OUR FUTURE 32. GOVERNANCE 36. ACKNOWLEDGEMENTS 38. FINANCIALS CONTENTS **2020 was certainly an interesting year!** **As a fledgling organisation, we had to rethink our strategy during the national lockdown, as we’re used to face to face engagement and this couldn’t happen during the pandemic. We’d heard from lots of young people that they were in need of a platform to showcase their creativity during lockdown, so rather than resting on our laurels, I4YPC decided to try something new, by creating the perfect space for young people to do this. We launched an online competition and workshop called ‘RapYourTown’. ‘RapYourTown’ saw hundreds of young people engaging with I4YPC - either through the competition, the workshop or Social Media and before we knew it, there was a real ‘buzz’ around it!** **Strategically this was also a great move for I4YPC, as schools and other professional bodies liked what we were offering and got in touch with us. I4YPC has now forged strong links with schools and other youth organisations nationwide, has teacher-led curriculum projects lined up for the 2021-2022 academic year, created live briefs for college students and most importantly…** **…Our real-life play - ‘Innit: Musical’ - has been programmed at The Lowry for a two-week run in September 2023!** **‘experience the creativity and exhilaration of live theatre’. We’ll be seeking a Mayoral pledge to ensure all Year 8&9 pupils in Salford can see the show, get a pre-show assembly, a post-show workshop and are transported there and back…for FREE! We say that I4YPC is ‘crazily ambitious’ and we mean it!** **Ange Lea, Chair Micky Dacks, CEO** THE MAGIC NUMBERS + 1000+ YOUNG PEOPLE TOOK PART IN OUR ONLINE WORKSHOP STueK IN LoeKD WN? #PAP¥OIIPTOWN WE HAD 222 CONVERSATIONS WITH YOUNG PEOPLE, NATIONWIDE O WE RAN 9 CREATIVE COMPETITIONS ON SOCIAL MEDIA- REACHING 100'S OF YOUNG PEOPLE, NATIONWIDE ENTEFI NOW FIAPYOUFITOWN.UK WE RECRUITED 4 YOUNG PEOPLE AS VOLUNTEERS ON OUR PROJECTS UNITY s Dat RADJJ) asplre @ WE DELIVERED OUR CURRICULUM IN 5 ACADEMY SCHOOLS 4 ¢ WE'RE OVER THE MOON WITH OUR ACHIEVEMENTS THIS YEAR ts d MISSION, VISION & VALUES MisginN STATEME 14YPC EN(OUPA4ES ANP INSPIRES YOUNG PEOPLE To FE (REAI7VE: AND UPRESS THEMSELVES THROUGH THE AR15 ANP &U(ATioN Isi A WORLD IN WHICH EVERY YOUNG PERSON (AN VPERJENCE THE CREATivrry ANP ￿HILARATiON OF UVE THEATRE OURWALUES PW44&-IN PEEN THERE, poNE THAT (MZILY AMEffioUS PLUGGED-IN: WHAT WE DO IS ELECTRIC.- WE'RE AThUN& To yoUN4 PEOPLE EE(AUSE WE LiffEN To yoUN4 PEOPLE: DURINB LOCKDOWN. WE TOOK TO THE STREETS OF GREATER MANCHESTER AND ASKED YOUNG PEOPLE WHAT THEY MISSED AND WHAT THEY NEEDED USING THE DATA FROM THE SURVEYS. WE CR A CREATIVE ONLINE WORKSHOP AND COMPETI WHEN 'RAPYOURTOWN' DREW TO A CLOSE. WE SOUGHT FEEDBACK FROM PARTICIPANTS AND WE UTILISED THEIR INPUT TO DEVELOP OUR NEXT PROJECT. 'SNAPYOURTOWN' WE'RE EMPoWE￿N& YOUN4 PEOPLE To (HALLENGE STEREOTYPES ANP ASSUMPMONS; IN 'RAPYOURTOWN'. WE ENCOURAGED PARTICIPANTS TO EXPLORE AND ABSORB THEIR OWN HOME TOWNS AND SURROUNDINGS AND WRITE LYRICS THAT REFLECTED THEIR REALITY DURING LOCKDOWN, RATHER THAN REGURGITATING THE NEGATIVE STEREOTYPES OF HOW RAP MUSIC IS REPRESENTED IN THE MAINSTREAM BY'STREET. LEVEL ARTISTS USING SOCIAL MEDIA. WE REGULARLY ASK YOUNB PEOPL ON CURRENT SOCIAL ISSUES- OPENING UP A SAFE PLACE FO DI WE'RE ON THE PULSE: (oNNEcf& To PEOPLE ANP PLA(ES WE UTILISE SOCIAL MEDIA (FACEBOOK/INSTAGRAM/TWITTER) TO COMMUNICATE DAILY. DIRECTLY AND SAFELY WITH YOUNG PEOPLE WE REGULARLY VISIT SCHOOLS. COLLEGES. ACADEMIES. YOUTH CLUBS AND THEATRES AND KEEP IN TOUCH WITH OTHER YOUNG PEOPLE'S ORGANISATIONS WE'RE BUILDING CAPACITY AS AN ORGANISATION, DAILY, BY LIAISING AND MEETING WITH THE PROFESSIONALS AND POLICYMAKERS RESPONSIBLE FOR YOUNG PEOPLE WE'PE MAKIN4 AA41( IIAPPEN: èg WHEN THE WORLD SHUT DOWN OPENED u14NIAVE YO G PEOPL AND INSPIRED HUNDRED8yOF YOUNG PEOPLE TO BE CREATIV IN,A TIM WHEN THEY WERE LOST, FELT LONELY. DEVOID OF ROUTINE AND LACKED STRUCTURED ACTIVITY! .WE'RE HELPING YOUNG PEOPLE WHERE TEACHERS AND PARENTS CAN'T WE'RE PWKIN4 POWN THE EAWERS. WE GIVE YOUNG PEOPLE 'PERMISSION' TO BE SELF-ACCEPTING OF THEIR LIKES AND DI INSTEAD OF HAVING TO HIDE BEHIND WHAT'S PERCEIVED AS'COOL, .'RAPYOURTOWN' WAS OPEN TO ALL YOUNG PEOPLE AGED11.19 IN ENGLAND, ENCOURAGING LYRIC WRITING. WHETHER THEY WERE IN TO RAP MUSIC OR NOT WHEN WE CAME TO UNDERSTAND THE TRUE LEVEL OF DIGITAL EXCLUSION OLLED OUT A SECOND ROUND, AS SOON AS SCHOOLS RE.OPENED To YOUN4 PEOPLE A((ESSIN4 THE AR15 ERE, DONE THAT: WHAT IYE DO IS ELECTRIC... REAL rfoRJES, REAL LIV Voi(ES= ALL OF OUR TEAM HAVE LIVED EXPERI OUR STORIES. WHENEVER AND EVE WE'RE NEVER AFRAID TO ALLOW YOU AND SHARE THEIR STORIES. IN FA LWAYS SHARE G PEOPLE ELVES EIT . WE TOOK TO THE STREETS TO ENGA8E YOUNG PE9P E, IIHW. OLS STRUG . WE PR•0 ONLINE INTERACTIVE ACTIV Y,JIHEN OLS STRUGGLED ?WE NEVER USE WORKSHEETS OR THE'ONE ITS ALL. MODEL YOUNG PEOPLE COME TO US, ALWAYS WAYTING MORE OF WHAT14YPC HAVE TO OFFER CIAZIL Y AMBITIOUS,, WE THINK WE'RE 4oiN4 To TOP THE FILL, TAKE OUR MUSI(AL. AND REA(H AS MANY yoUN4 PEOPLE AS WE Po( WE'RE ALREADY PROGRAMMED AT THE LOWRY FOR A TWO-WEEK RUN IN SEPTEMBER"23 IN AN UNPRECEDENTED MOVE i•Ii' BACKED BY THE ELECTED MAYOR EVERY YOUNG PERSON IN SALFORD AGED12-14 (THAT'S 5,400 YOUNG PEOPLE IN TOTAL) WILL BE PROVIDED WITH TRANSPORT AND A MEAL AND WILL EXPERIENCE 'INNIT: MUSICAL, FOR FREE fy THIS MODEL WILL BE PILOTED IN SALFORD TH LuvvRY- AND LATER ROLLED OUT ACROSS ENGLAND ART&ENTERTAINMENT tfiAzlri BIT WE THING BIG.: WE'RE oP(H TIN4 (HANGE: WE'RE PROVIDING ACCESS TO THE ARTS FOR ALL YOUNG PEOPLE IN ENGLAND WE'RE INCREASING ARTS PROVISION. WHERE THE GOVERNMENT.IS REDUCING IT é WE ONLY 'Po' Fi4 PKOJECIS - MAXIMfzJN4 OUK R£I(K, NATioNWIPE WE RUN OUR NATIONWIDE PROJECTS ONLINE. SO THAT ALL YOUNG PEOPLE IN ENGLAND • CAN ACCESS THEM. THROUGH THEIR OWN TECHNOLOGY. OR THEIR SCHOOLS/COLLEGES/AP'S WE'VE DONE THE LEGWORK: - . WE'VE CREATED FULLY COMPREHENSIVE SPREADSHEETS OF EVERY YOUTH SERVICE. PROVISION AND EDUCATIONAL ESTABLISHMENT IN ENGLAND. SO THAT NO YOUNG PERSON MISSES OUT WE nVE ONLY FOR LoN4-TEftM IMPACr: WE'RE PROVIDING EXCITING AND REWARD-DRIVEN DIVERSIONARY ACTIVITIES FOR YOUNG PEOPLE WE'RE GOINB TO TACKLE SCHOOL EXCLUSIONS HEAD-ON AND REVERSE THE UPWARD TRAJECTORY WE'RE 4oiN4 To (HAN4E THE FAIUNm(ATioN SYSTEM FOKTHE EffER - BY UPPATING THE NATI4iAL (VRRJ(UWM: - WE-RE WORKING WITH ACADEMICS. TO CHALLENGE. ADAPT AND ENHANCE PED_AGOGY WE-RE DEVELOPING TOOLS AND RESOURCES., THAT CAN BE UTILISED BY EDUCATIONAL PROFESSIONALS AND WHICH WILL ENHANCE THEIR PRACTICE- IN TURN, IMPROVING THE LEARNING EXPERIENCE FOR YOUNG PEOPLE - WE"RE WORKING DIRECTLY WITH SCHOOLS.- ACADEMIES. COLLEGES AND UNIVERSITIES TO DEVELOP AND BUILD "INNIT- INTO THEIR CURRENT CURRICULUM LOC KDOWN SCHOOLS.. CLOSED PROJECT: RAPYOURTOWN .TEACHERS: UNPREPARED FOR ONLINE DELIVERY ..+YOUTH PROVISION: ALL BUT CANCELLED -.+MENTAL HEALTH SERVICES: COMPLETELY OVERRUN ************* WNA T? AFULLY,,I l LKAbll¥l AND EDUCATIONAL ONLINE WORKSHOP AND COMPETITION FNI:nuRAG:.IG YOUNG PEOPLE TO;_FJRYI ABOUT THE HISTORY OF RAP- RIGHT BACK TO ITS WEST AFRICAN ORIGINS "THEN THEY WRITE A RAP OF THEIR OWN AND SUBMIT THEIR WORK TO14YPC TOWM WHY? ] OUR RESPONSE TO THE GLOBAL PANDEMIC WHEN BRITAIN WAS LOCKED DOWN AND YOUNG PEOPLE VIERE LEFT STRANDED- BRANDED BY THE MEDIA AS'THE FORGOTTEN GENERATION. I OPEN TO ALL YOUNG PEOPLE AGED 11-19. LIVING IN -.IG' AI'D Take a tour of the site: here WHO? @NIMSTAGRAMMER SOME OF NIMI'S L YRICS REFLECTIVE OF HIS FEELINGS DURING LOCKDOWN: -T•wi* You VIAY Mvcm. I'M so HAPPYTO MAVI AIAND bexng rrwAS , -.L-.111 i ANP rrLooKED 4enP.' & IZ 'wA￿ To WIN ThE FFJ15." PI 4 'AY IWiltR pffrtfoN 4oc4LE (LASSKOOA AND rrwAS SoAErHIN4 IFFEPEiifTo po ' C*1 14 .1 THcW4Vr￿p BE A LAVGII BVTI A(rV￿¥ PEULY ENJOY& rr." Mi 14 , ABSOLUTE*. "I UKÉP rfow tfwA5 Im(ItVE ANp rf¢w THÉP£ WÉRE SoM£llINÉS IN ffTHATI'p IIEARP BvfpithTPEALLY KNOW l KtNp OFKNEW THAT THEPE WAS ￿lY￿1N6 IN PAP Sc+NGS wfNAP No Iwi wHA￿llEy (AL e& THEY ￿rT￿Er11£L" A, 19 ftthn all the team at Dotasplre EDU ATIO 11 JRRIDJLUM,, WE'RE SHAKING IT UP WE'RE ALREADY CONTRIBUTING TO PEARSON'S CREATIVE MEDIA BTEC CURRICULUM. WE'VE PARTNEREO WITH ALDRIDGE UTC, WORKING WITH THEIR YEAR13 STUDENTS, TO PRODUCE BOTH VIDEO AND DIGITAL DESIGN GRAPHIC WORK, IN ANTICIPATION OF OUR LIVE PROJECTS, INCLUDIN6 'SNAPYOURTOWN'. utc WHILST WE LOOK FORWARD TO REPORTING ON THIS ELEMENT OF OUR WORK MORE IN THE NEXT FINANCIAL YEAR, HERE'S SOME EXAMPLES OF THE AMAZIN6 CREATIVITY THAT WE'VE HELPED TO INSPIRE IN YOUNG PEOPLE WIN £500 @MediaCityUK WIN £500 rAIERAWwENTwa INNIT: MUSICAL IN THE CURRICULUM . SMtHY RIDGEWOOD SCHOOL WE'VE PROVIDED A WORXIN6 PROJECTthli 4 AND RESOURCES FOR THE AQA GCSE MUSIC CURRICULUM AT RIDGEWOOD SCHOOL, DONCASTER, "SMITHY'S SONG" IS A SCHEME OF WORK FOR A WHOLC,YÈAR 9 YEAR GROUP (180 PUPILS) - WHICHEXPLORES THE CHARACTERS AND CONTEXT OF THE YOUN:0: PÈtsPLE"S MUSICAL. "INNIT-. FOR THE PUPILS WHO OPT FOR GCSE MUSIC IN KEY STAGE 4. THIS COMPOSITION WILL FORM PART OF THEIR EVIDENCE PORTFOLIO FOR ASSESSMENT. OUR SUPPORTERS: WE THANK YOU -WHEN I TOLD'K. ABOUT RAP YOUR TOWN. HE SEEMED REALLY KEEM TO 6ET INVOLVED AND GET SOME OF HIS LYRICS RAPS AND MUSIC OUT THERE. Salford Youth Justice Service HE WORKED VERY HARD TO CREATE A RAP FOR LOCKDOWN AND I FEEL THAT IT REALLY GAVE HIM SOMETHING TO EQC.US ON THROUGHOUT," Godding Youth ,, Arts Trust THIS PROJECT IS SO WORTHWHILE" Ruth o'Brien o"rdtftytoundl -THE TAILORED VIDEO RESOURCE PROVIDED BY14YPC WAS FANTASTIC. ALL FORM GROUPS FROM YEAR 7.11 WERE ENCOURAGED TO TAKE PART IN THE COKIPETITION ON A NATIONAL LEVEL, THIS WAS GREAT." Cha rlotte Pel I ieper ACADEMY "A FANTASTIC PROJECT ESPECIALLY IN THESE INTENSE TIMES FOR YOUNG PÉOPLE ATTHE MOMENT"@ PAPYRUS Ellie Griffiths PREV,ENTION OF YOUNG SUICIDE 11 PS,, 'SNAPYOURTOWN' FOLLOWING THE SUCCESS OF "RAPYOURTOWN. WE ASKED YOUNG PEOPLE WHAT PROJECT THEY WOULD LIKE TO SEE 14YPC DO NEXT. THE MAJORITY OF RESPONDENTS TOLD US THAT RAP WAS TOO SPECIFIC AND THAT THEY'D LIKE A PHOTOGRAPHY WORKSHOP/COMPETITION. INSK3 *** WE LISTENED*** WE'RE NOW DEVELOPING 'SNAPYOURTOWN' ANOTHER OPPORTUNITY FOR YOUNG PEOPLE TO ENGAGE ONLINE WITH14YPC, USING A MOBILE PHONE CAMERA! WE'LL BE ENCOURAGING YOUNG PEOPLE TO VIEW THEIR TOWNS / CITIES / VILLAGES AS THEY'VE NEVER SEEN THEM BEFORE- WITH THE CHANCE TO WIN A NIKON D3500 PROFESSIONAL ENTRY LEVEL CAMERA ONLINE (oMPEtrrioN AN THE MAIM EVEMT THE IIIIN EVENT, CNty74 MICKY DACKS WAS JUST, ARS OLD WHEN HE TURNED TO A LIFE OF CRIM IS IOCALSH WITH THE SHOP KEE L IN IT. ROAMING THE STREETS AND OITED, MICK JOINED A N6 AND AS EXCLUDED FROM THE EDUCATION SYSTEM. F ENTS INCLUDED DRUG DEA , FRAU , tRIMINAI DAMAGE AND BEFORE HE WAS JAILE OR NINE MONTHS. MICKY C ME OUT OF PRISO LOCAL COMMUNITY CENTRE,-WHICH LED TO HIS YOUTH WORK, SETTING UP OUR 'INNIT P IONS,. A PRO CTION C ANY FOR YOUN6 PEOPLE. FOUNDER/CEO IN 2009, MI WROTE, PRODUC AND co41IRECTED THE STREET-BASED MICKY DACKS, MA URBAN MUSICAL'INNIT,, WHICH PREMIERED AT,THE LOWRY AND WAS BASED ON HIS OWN EXPERIENCE OF GROWIIG UP IN THE INNER CITY, IMG UP IN PRISON AND THEN FINDING A WAY OUT AND PERSONAL GROWTH, ULTIMATE YCHANGIRMURSE BYWIDING REVERSE THE NEGATIVE ¢YCLE- TURNING HIS LIFEAROUND THRO GH MUSI THE ISSION OF'INNIT, WAS TO GET YOUNG PEOPLE INTO T￿E THEATRE AND INSPIRE THE RESS TIIE SELVES THROUGH CREATIVIT AN DIVERT THEM FROM GOING DOWN THE SAME ROUT KY HAD. 'INNIT' WAS SO POPULAR WIT G PEOPLE. THAT ADDITIONAL DATES HAD TO BE ADDED. IT'S A DIVÉ SIONARY TOOL Th AT ENGAGES YOUNG PEOPLE, REDIKES SOCI EXCLUSION AND IMPROVES WELLBEING '.!T H4gA PROVEN TRACK RECORD OF FNGAGEMEPH.WITH YOUNG PEOPLE AND SERVICES ): iy!ÉAY4S &POSITibÈ-AWASPMAllONAL1fv4PRINT IN T41E MINDS OF YOUNG PEOPLE .Ys ING THERE"S NO QUESTION THAT INNIT. WHICH BEGAIII LIFE AS A YOUTH PROJECT. IS A POSITIVE IThI•TIATIVE. THE TARGET AUDIENCE OF LOCAL TEENAGERS WHOOP WITH FIECOGThIITION. IT GETS KIDS EXCITED ABOUT GOING TO THE THEATRE AND THAT'S WHAT IT'S ALL ABOUT - INNIT? tl-xeguardian 'INNIT' IS I HARtrCORE TALE OF TRIUMPH IM THE FACE OF ADVERSITY. SET IN SALFORD AND BASED ON REAL LIFE,'INNIT' REVOLVES ARDIIMD TEENAGER ASHLEY THOMAS, AS ItE GETS HIMSELF CAUGHT UP WITH A GANG AND FRAMED FOR STABBIMG THE LEGENDARY MUSIC MANAGER AND SHOP OIINER.JDHNNY KING, LIKDIH6 HIMSELFA PRISON SENTENCE. SET AGAINST THE BACKDROP OF A SALFORD COUNCIL ESTATE. THE STORY INTRODUCES THE AUDIENCE TO ASHLEY AND THE'SCALLIES, WHO, WHILST BEING PROMINEHT ANTAGONISTS THROUGHOUT THE PLAY BRING HILARIOUS COMEDY THROLIGH THEIR CHARACTERa SHADOWING THE OVERRIDING DARKNESS OF ThE SETTING AND STORY. fr4 THE PLOT FURTHER EXPLORES THE ISSUES AND FRUSTRATIONS OF ASHLEY THOMAS, WHO HAS BEEN BORN INTO A DEPRIVED WORKING-CLASS FAMILY, WITH AN ABSENT FATHER AND AN ALCOHOLIC MOTHER ASHLEY'S TIMELESS AND ENDURING STORY EXPLORES AND ADDRESSES SOCIAL ISSUES WHICH ARE STILL FACED BY TEENAGERS TODAY, WITHOUT PATRONISING THEM AS THE VERY AUDIENCE THAT'INNIT, IS INTENDED FOR. RESPONSE: 'INNIT' HAS NOT ONLY PROVEN ITSELF AS A VITAL TOOL FOR ENGAGING WITH THE MOST DISADVANTAGED AND SOCIALLY EXCLUDED YOUNG PEOPLE IN GREATER MANCHESTER AND BEYOND: BUT ALSO, TO SIGNIFICANTLY IMPACT ON THE DECISION-MAKING PROCESSES OF THOSE YOUNG PEOPLE ENCOURAGING PARTICIPATION IN THE ARTS AND EDUCATION. TH￿S REDUCING SOCIAL EXCLUSION AND PREVENTING YOUNG PEOPLE FROM ENTERING IN TO THE CRIMINAL JUSTICE SYSTEM. Èhot LhL t*SJ L w5 6yiJF rrt LA ,.ts*¥vfvS ¢y¢ S*,. 4. É its s_ N4 f&y¥oI cel Ml ¢xcL.. 44s _ l blbjl 4Lt fy% I VAS rtT yvi. Fr# ,IrJ5h PROLIFIC Ik W. CIC￿ Ek ALL OF THESE LETTERS WERE HANDED PERSONALLY TO THE PROBATION OFFICERS THAT BROUGHT THE OFFENDERS IN QUESTION. TO SEE THE SHOW PLEASE SEE THE PROFESSIONAL TESTIMONIAL. ON THE NEXT PA6E Thig young pergon had a very troubled background. Havin9 been permanently exoluded frommainstream education, he wag plaoed in Alternallve Pro￿$10n. 'Innit' ingpired him to 43omplete his education and in 2019. he be an tralnin as a gooial worker. 15 Jt 'SALFORD PROBATION TOOK A GROUP OF PROLIFIC AND PRIORITY OFFENDERS IPPO'S) AND SEVERAL OFFENDERS WITH CLASS A DRUG ADDICTIONS, SUBJECT TO DRUG REHABILITATION REQUIREMENTS (DRR'S), TO A PERFORMANCE OF'INNIT" AT THE LOWRY THEATRE, SALFORD. MY UNDERSTANDING IS THATTHE GROUP WE TOOK TO SEE THE PERFORMANCE National Offender HAD NEVER BEEN TO A THEATRE BEFORE IN THEIR ENTIRE LIVES. ManagementSeNice THE EXPERIENCE OF SEEING YOUR COLOURFUL, NOISY, PROFESSIONAL AND THOUGHT.PROVOKING PERFORMANCE APPEARS TO HAVE HAD A SIGNIFICANT IMPACT ON EACH MEMBER OF THE GROUP. ASHLEY'S STORY OF FAMILY BREAK-UP, NEGATIVE PEER-GROUP PRESSURE, DRUGS AND OFFENDING,. STRUCK A CHORD WITH EVERY MEMBER OF THE GROUP. IN FACT TWO OF THE GROUP RETURNED WITH THEIR PARTNERS TO SEE THE SHOW AGAIN AND SE￿ERAl MEMBERS OF THE GROUP WERE RECORDING SECTIONS OF IT ON THEIR PHONES. IT WAS A PLEASURE TO SEE TOUGH, REPEAT OFFENDERS JUMPING UP AND DOWN ON THEIR SEATS AND CLAPPING. ON A MORE SERIOUS NOTE, THE ISSUES RAISED IN THE SHOW NOW FORMS PART OF THE ONGOING OFFENCE-FOCUSED WORK WITH OFFENDERS AND I'M SURE THE EXPERIENCE OF SEEING YOUR PERFORMANCE ASSISTS IN THESE DISCUSSIONS. I WOULD STRONGLY RECOMMEND'INNIT" AS NOT ONLY A FIRST CLASS PROFESSIONAL PERFORMANCE. BUT ALSO, AS A HIGHLY EFFECTIVE "MEDIUM" THROUGH WHICH TO ENGAGE IYITH EVEh THE MOST PROLIFIC OF OFFENDERS., Ministryof JUSTICE NATIONAL PROBATION SERVICE GREATER BUILDING OUR FUTURE BUILDING OUR FUTURE: ACICN0WLEDGEME￿'Ts THE CRANFIELD TRUST HAVE BEEN PIVOTAL IN HELPIN614YPC DEVELOP AS A NEW. SMALL CHARITY. THE SUPPORT WE HAVE RECEIVED FROM NICK STOJIC IN PARTICULAR. HAS MEANT THAT WE'VE BEEN ABLE TO NETWORK, GROW STRATEGICALLY AS AN ORGANISATION AND MOST SIGNIFICANTLY- DEVELOP OUR BOARD OF TRUSTEE MEMBERS. nfl TRUST 14YPC VALUE THE REFLECTIVE TOOLS WHICH THE CRANFIELD TRUST HAVE PUT IN PLACE FOR US. SO THAT WE ARE ABLE TO REALLY FOCUS ON OUR DIRECTION AND CHARITABLE OBJECTIVES. THROUGH OUR CRANFIELD TRUST MENTORS,14YPC HAVE BEEN ABLE TO BUILD PROFESSIONAL RELATIONSHIPS WITH KEY THIRD SECTOR PLAYERS SUCH AS: FUNDRAISERS, MARKETING SPECIALISTS AMD OTHER, MORE ESTABLISHED CHARITIES. 14YPC RECOGNISE THAT WITHOUT THE HELP AND GUIDANCE OF THE CRANFIELD TRUST, THE ORBANISATION WOULDN'T HAVE HAD SUCH SUCCESSFUL OUTCOMES AND WE GRATEFULLY ACKNWLEDGE THEIR SUPPORT. IN PARTICULAR. WE WISH TO THANK NICK STOJIC FOR HIS WISDOM AND CHALLENGE. BUILDING OUR FUTURE: Dataspire ACICNOWLEDGEMENTS Cr8atlng ICT confld8nce for schools DATASPIRE SOLUTIONS ARE AN ICT INFRASTRUCTURE COMPANY BASED IN OUR HOME CITY OF SALFORD. DATASPIRE HAVE ALLOWED US TO REACH OUT TO YOUNG PEOPLE THIS REPORTING YEAR BY SPONSORINO RAPYOURTOWN! WITHOUT THIS FUNDI 14YPC WOULDN"T HAVE BEEN ABLE **oMPET TO LAUNCH THE.OMLI TION AND WORKSHOP. AS WELL AS DATASPIRE FUNDIIIG"RAp**Current Assets**
Cash at Bank
**Net Assets**
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**year**
**M Dacks**
**Net Liabilities**
**Net assets/unrestricted**
**funds carried forward**|**Balance Sheet as at**| |---|---| ||| **I4YPC** ## **Notes to the Financial Statements for the period 1[st] July 2020 to 30[th] June 2021** ## **Accounting Policies** ## Basis of Accounting I4YPC accounts are prepared under the historical cost convention with items recognised at cost or transaction value unless otherwise stated in the relevant notes to these accounts. The accounts have been prepared in accordance with the Financial Reporting Standard applicable in the United Kingdom (FRS 102) and with the Charities Act 2011. ## Incoming Resources Incoming resources comprise of public donations, sponsorship and grants and are reported gross. Donations and grants are accounted for when the resources are receivable. ## Resources Expended Resources expended comprise all expenditure directly relating to the objects of the charity. When necessary, costs are allocated between direct charitable expenditure, fundraising and management and administration on an equitable basis. fl•plO Sobv 31 gJo< (WJlXQ3 22 MthyOJ f4¥ty*rp sa624 9Gm SP 42 ?.* £J•JJs IY•YA3 0g?A3 19181 dtr*(M ## **I4YPC** **Financial Statements for the period 1[st] July 2020 to 30[th] June 2021** ## **I4YPC** ## **For the period 1[st] July 2020 to 30[th] June 2021** ## **Contents** Trust Information Statement of the Trustees' Responsibilities Statement of Financial Activities Balance Sheet Notes to the Financial Statements Working Paper ## **I4YPC For the period 1[st] July 2020 to 30[th] June 2021** ## **Trust Information** ## **Trustees** Chair Angela Lea Treasurer Ruth Langley Secretary Shirley Diver Trustees Mike Heath Paul Kondras **Address** The Angel St Phillips Place Chapel Street Salford M3 6FA **Bankers** Yorkshire Bank 40-50 Market Street Manchester M1 1PW **Charity Number** 1182891 ## 1. **Statement of the Trustees’ Responsibilities** Charity law requires the committee members to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the charity at the end of the year and of its financial activities during the year then ended. In preparing those financial statements the trustees are required to: - select suitable accounting policies and then apply them consistently; - make judgements and estimates that are reasonable and prudent; - state whether applicable accounting standards have been followed, subject to any material departures disclosed and explained in the financial statements; - prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charity will continue in operation. The trustees are responsible for keeping proper accounting records which disclose with reasonable accuracy at any time the financial position of the charity and to enable them to ensure that the financial statements comply with the relevant laws. They are also responsible for safeguarding the assets of the charity and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities. The Trustees Report was approved by the Trustees on 2[nd] September “21 and signed on their behalf by: **Angela Lea (Chair) Ruth Langley (Treasurer)** ## **I4YPC** ## **Statement of Financial Activities for the period 1[st] July 2020 to 30[th] June 2021** |**Incoming Resources**|**Notes**|**Unrestricted**|**Funds**|**Unrestricted Funds**|| |---|---|---|---|---|---| |||**2021**||**2020**|| |Sponsorship/donations|1.|£11,790.00||0|| |Consultancy||£300.00||0|| ||||**£12,090.00**||**0**| |**Resources Expended**|||||| |Charitable expenses||£7,362.22|||| ||||£7,362.22|0|| |Consultancy||£260.00|||| ||||£260.00|0|| |Administration expenses|||||| |Insurance||£633.37|||| |DBS checks||£96.00|||| |Sundries||£150.98|880.35|0|| ||||**£8,502.57**|0|**0**| |**Balance as at**|||||| |**30/06/2021**|||**£3,587.43**||**0**| ## **I4YPC** |**Fixed Assets**
**Current Assets**
Cash at Bank
**Net Assets**
**Creditors due in less than 1**
**year**
**M Dacks**
**Net Liabilities**
**Net assets/unrestricted**
**funds carried forward**|**Balance Sheet as at**| |---|---| ||| **I4YPC** ## **Notes to the Financial Statements for the period 1[st] July 2020 to 30[th] June 2021** ## **Accounting Policies** ## Basis of Accounting I4YPC accounts are prepared under the historical cost convention with items recognised at cost or transaction value unless otherwise stated in the relevant notes to these accounts. The accounts have been prepared in accordance with the Financial Reporting Standard applicable in the United Kingdom (FRS 102) and with the Charities Act 2011. ## Incoming Resources Incoming resources comprise of public donations, sponsorship and grants and are reported gross. Donations and grants are accounted for when the resources are receivable. ## Resources Expended Resources expended comprise all expenditure directly relating to the objects of the charity. When necessary, costs are allocated between direct charitable expenditure, fundraising and management and administration on an equitable basis. (i*a *Pb S•bV gJo (WJlXQ3 22 t4¥rthrp ky Lws Sa624 0S1?A3 19181 ¢￿atr￿(m OKI4 p•hJJ*21