Kindred Studios- REPORT & ACCOUNTS *?• 2020-21 “Our service users were thrilled to learn a new skill and take home something of great quality and was meaningful to them.” Abby Hubbard, Arts in Health Lead, Central and North West London NHS Foundation Trust “The opportunity for our young artists to work alongside and meet established creatives in the industry will be of much benefit.” Jan Parnell, Director of Education, Children’s services, Hammersmith and Fulham Council “Kindred is the best atmosphere for artistic practice to flourish that I have ever known.” Julie Goldsmith B **1** ## Foreword Angelique Schmitt – CEO, Kindred Studios Chris Griffin – Chairman of the Board of Directors, Kindred Studios environment for which we are known. The year for us was dominated by buildings; we focused on the quest for a forever home while securing a place to operate from in the interim. We had 175 talented artists in our building and received 2,500 people a day during both of our 2018 Open Studios weekends. Kindred Studios had been without premises for 15 months by the time this financial year started. In 2018, our community was busy and thriving. We were building the place that we had always dreamed of working in; we were letting affordable studios to creatives, building ambitious educational programmes for disadvantaged young people and 2 creating the very unique, nurturing In early 2019 we converted from a CIC to a charity to further support our vision, but after just a year and a half in our thriving building, we were forced to move out of the beautiful Victorian school that had been our second home. The place where we had enjoyed shared meals, hosted poetry evenings and exhibitions, had welcomed talented visual artists, musicians, teachers, students and art critics was now closed. Four months into our financial year, in March 2021, we finally moved into our current location behind Shepherd’s Bush market. Our lack of premises and revenue meant we had to say goodbye to many much-loved members of our team including our fabulous General Manager and building manager, whose departures were financially necessary but especially devastating. Adam Greenhalgh played a crucial part in building Kindred and we miss him hugely, but are delighted he is thriving at Cell Studios. After 22 months without a building or revenue, our new temporary premises meant we were able to re-open, this time at the height of lockdown. Despite all of the crises and restrictions presented by the pandemic, we received a one year lease in a space due for redevelopment. When we released news of our new premises we received over 200 expressions of interest for creative space in Shepherd’s Bush and filled all of the studios on the first day. Kindred’s doors were open – and all the same energy, collaboration and ingenuity flooded back in. We have recruited two new trustees to help steer and support us on our mission to secure and improve buildings, into making a permanent home, providing active support for our artists and forging partnerships with youth organisations and to secure and improve buildings into securing a permanent home, providing active support for our artists and forging partnerships with youth organisations and colleges. With 1930 artists on our list for studio spaces and local schools patiently waiting for provision of Arts Engagement programmes, we hope that in time, we have the opportunity to further expand the Kindred community with more buildings and further extension of our mentoring scheme. I would like to say thank you to new trustees Kate Lowe and 3 ## Foreword continued operating from a building that has been of huge importance to Jon’s life. He grew up in the neighbourhood, and lived in the building for twelve months when it provided accommodation to people who were struggling with homelessness. During a difficult period in his life, Jon attended recovery meetings in what is now our café, and received support from a housing officer Kostas Evangelidis, to our dedicated board and our thriving community of artists who have all stepped up to provide support as we continue to develop Kindred’s mission, vision and values. Jon Rees’s story, which we are sure you will enjoy reading (below), is just one example of the virtuous circles that are a key part of Kindred. Our current studios in Shepherd’s Bush are **----- Start of picture text -----**
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for his accommodation. Now a photographer, Jon is delighted to be working from Kindred and we are thrilled to welcome him to the collective. Jon is focusing on delivering photography workshops for people who are in recovery from addiction, episodes of mental illness, trauma, or most commonly, a combination of these. Jon is currently working with several charities in addiction Jon Rees says of Kindred’s current temporary home: “It’s fantastic. It’s what I have been looking for and dreaming of finding. When I came through my recovery, I went to Art College and found myself amongst creative people, and I haven’t had that since. This is the place I have been looking for. It’s incredible. It’s so exciting to be part of it, and so fitting to me that it is in a building that has played an important part in my life. It’s hard to top how beautiful it feels to be creating and helping others create from here. It’s “We want everyone reading this to really understand how it feels when we lose our workplace and community.” like the perfect happy ending for me. When I first met Angelique it was really strange, as her office used to be the TV lounge when I was in recovery and lived here. There were some really ragey moments in that room. When I was doing the initial tour, I couldn’t really focus on what she was saying as all the memories came flooding back. I am not thinking about moving yet. I am glad we will be getting a forever home for Kindred but I have a lot of work to do in documenting my history with this building before we leave and it changes again.” 5 ## Foreword ## continued CHRIS GRIFFIN (CENTRE) ANGELIQUE SCHMITT and mental health to deliver his photography for recovery programme. He is also working on a project to produce a body of artistic photography. In this annual report, you will hear from artists who had to move into bedrooms and sheds while we searched for new premises. We want everyone reading this to really understand how it feels when we lose our workplace and community, to have to sever the relationships with local outreach organisations and colleges because we are moving again. It is time 6 for us get off the unhealthy cycle of being in temporary spaces and having to repeatedly start over again. To bring some joy and balance, we also celebrate Kindred Alumni Molly Goddard, the iconic fashion designer who started her rise when she moved to Kindred from her mum’s spare bedroom. Molly became internationally renowned only three years later, after Rhianna started wearing her dresses. Molly has since then moved to larger premises and gone on to create designs that frequently grace the covers of leading fashion magazines. This year has also been about seeking a permanent home. We identified a suitable building owned by Hammersmith & Fulham Council and they have generously offered us a 25-year lease as well as pledging £400,000 towards the extensive renovations needed to refurbish the derelict building. We are currently fundraising and would like to thank the Garfield Weston Foundation and Brown Source Trust for joining the local authority in helping us start to raise some of the £1.2m necessary to refurbish the building to a high environmental standard and convert it into individual studios, teaching and exhibition space. With the kind generosity of private donors, we have also recruited a team from The Fundraisers to support us with our Capital Appeal to help us achieve our goal of stability so we can offer this exciting and important project for decades to come. **If you would like to discuss making a donation to this project, please contact: angelique@kindredstudios.co.uk** **Chris Griffin & Angelique Schmitt** 7 ## Introduction to Kindred Studios ## Our priorities in 2020 are seeking funding to complete the necessary adaptations. Kindred Studios supports a large and growing community of artists, who work with us to provide ground-breaking creative community outreach, education programs and art therapy initiatives. The lockdowns of 2020 revealed the importance of having **an inclusive creative space where people from a variety of backgrounds and disciplines can meet** , connect and manifest their creative ambitions. Founded in 2015, Kindred was born out of a twoyear search for flexible artists’ studios which uncovered the scarcity of affordable creative spaces in West London. The studios quickly became a thriving creative community, offering affordable makers spaces to artists, as well as a host of community initiatives including opportunities for local children and young people to benefit from mentoring, work experience and the chance to see artists at work. In the last year, we have played a vital role in helping our extended community to process grief, anxiety, and now to reconnect and collaborate again safely. As we emerge from the pandemic, our studios will be indispensable for both the artists and makers who use them to work, as well as for the numerous creative programmes offered to the wider community. Building on the success of our temporary venues, which have served over 280 artists to date, Kindred Studios now have the opportunity to create a permanent home in a disused building and we 88 **9** 1 Visiting Kindred Studios was inspirational for my students. It is a fantastic asset for the community. Suzanne Masterson, Head of Art for William Morris School ## **Key achievements in 2020** ## **Establishing a mentorship programme** When schools began to ask to visit our studios six years ago, we were thrilled by the positive impact these sessions had on young people who had never had any contact with practising artists before. Kindred brings a huge range of creative disciplines under one roof, and all of our artists commit to giving some of their professional time to inspire young people by introducing them to their unique craft. A permanent studio that can offer schools the stability of planned programming will allow us to achieve our goals to empower young people from disadvantaged backgrounds who have an interest in pursuing a career in the arts. Through the provision of mentorship and hands-on experience we are able to build confidence, purpose and provide much-needed support to this vulnerable group, which in turn increases their chances to pursue further education. For the first time, this year, Kindred has attracted funding from the National Lottery Community Fund to help our mentorship programme. With this support, we will offer artist training from an educational coordinator in order to prepare our artists for their mentoring roles. Once trained, the artists will be matched to students with whom they will support key areas of development. The mentoring scheme will run alongside Kindred’s range of other educational offers including maker tours and vocational workshops. ## 2 ## 3 4 ## **Finding and moving into the current temporary building** In early 2021 we successfully moved into and refurbished a disused complex of flats and offices next to Shepherd’s Bush Market after developers outbid us on the lease for our previous studios in Maida Hill. Our current property is also earmarked for development. Wherever we have been housed, we have built a reputation for creating and curating quality, affordable arts spaces, which in turn, bring artists together and connect them with the wider community through education, outreach and social prescribing. We have ambitions to further develop Kindred’s reputation for inclusivity, empowerment and community participation at our new home in Ravenscourt Stores. ## **Setting up art therapy provision** Our artists are working with local NHS Trusts and social prescribing link workers to develop artistic and creative experiences for local people with physical and mental health needs. During the acute stages of the pandemic, we provided dedicated art therapy to medics. ## **A new forever home and launching the capital appeal** We have an incredible opportunity to convert a disused building in Hammersmith and are seeking funding to adapt the building and develop services. Ravenscourt Stores is not Kindred’s first home, but it will be our first permanent home. With land and buildings in short supply and high demand in West London, we must act urgently to raise the funds needed to secure this property. With a permanent space, Kindred has the opportunity, not only to replicate the success of the artistic communities already established in the temporary spaces, but also to progress and develop our model. This new space will allow for expansion of the range of activities available for artists and the wider community, and establish a self-sustaining business. 10 ## **The year in numbers** **Our new home at Ravenscourt Stores (and adjoining buildings) will allow us to eventually accommodate** 175 **Total number of artists** artists **we have accommodated since opening our first And will offer building in 2017:** 50,000 335+ square feet **of creative space We currently provide Our waiting list has studio space to:** 1940 65 artists artists from all walks of life. **seeking studios with us.** **We currently provide studio space to:** 65 artists from all walks of life. **Artists’ studios have closed at a rate of** 17% **in the last 4 years.** **Kindred artists has supported** 580 children and young people **to date.** **We are currently working with** 150 student/ community young people **(up to age 18)** **Last year we welcomed** 150 visiting artists **into our buildings** 12 13 ## Who we are: artists **and** community ## **Kindred artists:** - l 64% of our artists describe their ethnicity as something other than White-British - l Ages range from 21 to 68 > l 72% earn less than the minimum wage ## **Our local community:** Hammersmith & Fulham is a centre of high cultural activity with a strong visual arts movement that dates back to the 1950s and 1960s. In a recent consultation around their Arts Strategy, Hammersmith & Fulham council reported that the biggest issue raised was a lack of affordable studio space. An independent Arts Commission report revealed that the majority of the funds and resources for creative initiatives in the borough have been split between its four established national arts hubs at the expense of the grass-roots arts community. The report found that the disproportionate focus on established creative ventures in the borough has created a need for the services and initiatives that Kindred Studios provides: > l A thriving culture for independent artists and small arts organisations - l Well-resourced grassroots, diverse, community-led initiatives - l High quality and ambitious participatory community arts projects - l Accessible and inclusive arts hubs belonging to the people that live in the borough - l Cross-sector exchanges between local arts and health, social and education services There is also desperate shortage of studio space in the borough, and the few existing studios are inaccessible and unaffordable for many artists. The _arts provision gap_ mirrors the imbalance of wealth in the borough. Hammersmith & Fulham has some of the most affluent populations in the country. But there are many pockets of extreme poverty in this same borough. 24% of school age children and young people in H&F are eligible for free school meals.. The borough has a diverse population (55.1% of residents are from an ethnic group other than White British), and a large proportion of foreign-born residents (42.8% of the borough’s population.) Grass-roots initiatives like Kindred Studios have the power to inspire and foster artistic potential in communities that have disengaged from mainstream institutions. A number of studies, including the Government’s _Taking Part_ survey of cultural participation, have found a direct correlation between living in areas of deprivation and low levels of participation in the arts. Grass-roots initiatives like Kindred Studios have the power to inspire and foster artistic potential in communities that have disengaged from mainstream institutions, by offering access to people from similar backgrounds who are willing to share their experience and offer mentoring. **In a recent consultation by the local council, the biggest issue raised was a lack of affordable studio space in Hammersmith & Fulham.** 14 15 ## Introducing our senior team Kindred Studios’ founder trustee and CEO Angelique Schmitt is a practicing ceramics artist and London Guildhall graduate whose search for studio space and a creative community set her on a bold path to founding and building Kindred Studios. The board of four trustees, led by Chair Chris Griffin, Chief Executive of the Museum of Brands, has a diverse range of experience across arts and heritage, communications and advertising, business leadership and venture capital. As the charity expands into its next phase of development, Kindred is committed to expanding the board of trustees to include a wider range of professional skills and diverse experience. Trustees will be recruited through an open, formal process, following a skills audit to identify the areas of greatest need. ## **Our senior team** **Angelique Schmitt** is the founder of Kindred Studios and a practicing artist. For Angelique, Kindred is the long awaited realisation of a collective dream. The process of building the Kindred community has become an artistic practice in itself. **Chris Griffin** , who leads our board of trustees, has a diverse range of experience across arts and heritage, communications and advertising, business leadership and venture capital. Chris is chief executive of The Museum of Brands. **“I joined the board of Kindred because I was excited by the breadth of creative disciplines and talent within the community created by Angelique. I see Kindred as a real asset to its surrounding neighbourhood.”** **Kostas Evangelidis** has worked in global financial management for more than 25 years. He is currently deputy global treasurer at PWC. **“I joined as a Kindred trustee because art challenges and inspires me and I welcome the opportunity to contribute my financial and risk management expertise to Kindred’s purpose.”** **Kenneth Ibbett** is a venture capitalist and board director with over 20 years’ experience in equity financing, media relations and African agriculture. He has been a non-executive director at more than 30 private companies and not-forprofit organisations. He has worked as a ceramicist in Kindred Studios. **“I joined the board because Kindred Studios has a worthwhile mission which I understand completely. I believe my experience will support Angelique as she creates a permanent home for this thriving community.”** **Kate Lowe** combines her broad experience in arts and marketing to help Kindred Studios develop their community and communications. She has an MA in Fine Art from the Chelsea College of Art (UAL) and previously worked in advertising for 20 years at agencies including Saatchi and Saatchi and J Walter Thompson. **“I want to use my experience to work for an organisation that brings joy, collaboration, mentoring and connection to both artists and the community in which they live.”** 17 ## Stories from our artist community The affordable studios and collaborative culture within Kindred Studios offer artists and makers from a wide range of backgrounds equitable access to space, materials, skills exchanges and networks. **Abbas Zahedi** is community activist, originally from Ladbroke Grove. His first exhibition was at the Venice Biennale in 2017, where he was involved in a Diaspora Pavilion which included artists from migrant backgrounds. Following this life-changing experience, the former medic completed his MA in _Contemporary Photography; Practices and Philosophies_ in 2019. In the past year, Abbas’ unique experiential installation became a healing space for doctors who were working on the front line and had become traumatised by their COVID experiences. As a parent, Abbas needs to have a studio close to home and his son’s school. Staying local is crucial to Abbas; he is a committed investor in his community. This is particularly important as this area is still recovering from the Grenfell Tower Fire, in which Abbas lost a close friend and fellow artist. He believes having the stability and sense of community which is part of Kindred’s mission is important for engaging more people from diverse backgrounds. “You need people that look and sound like you, but you also need people that are different to you to make you feel welcome.” **Abbas Zahedi** “I’m a self-taught artist and I really want to push myself forward, but lockdown really stopped that. Coming into a space like this *makes you* an artist. It helps build your confidence and drive your creativity too.” **Anthony Laurencin, Artist** **Hanna Whiteman** is second year student at world-renowned Central Saint Martins. Her current work is focused on print and bio-design, but she works across a wide range of artistic disciplines. She also works in education and community art provision; Hannah provided Zoom art workshops during lockdown. She is currently engaged in a project on auxetic materials and using dappled light in playground design. “As a student, the studio is affordable, and it so exciting and affirming to be working alongside professionals.” A mother of two, Hanna has found the past year extremely challenging; she worked entirely from her flat while trying to juggle home schooling her children, her degree studies, and continuing her creative and educational art practice. She is delighted and relieved to have found an affordable space and the opportunity to be part of the creative community at Kindred. “I have spent lockdown nursing my mother who was very sick with Covid. My own flat is currently in a legal dispute with the freeholder and is uninhabitable. I have had no space to be alone or produce any creative work since late 2019. The studio has given me a place to be, think, research, write, and create, which is life changing. I’m really inspired by a lot of the other practitioners, and feel I have a professional and creative home to build from. Finally, I love that it is such an unusually international and inclusive milieu of artists and designers.” **Michaela Wenkert, Fashion designer** 18 ## Why we need a forever home ## **Amelia Lancaster** “I hadn’t had a space before moving to Kindred. It completely enhanced my practice. Everything took off because the Open Studios event gave me the exposure to buyers and collectors, so I suddenly had sales and commissions. When our previous building closed, I was just at home on my own with all my studio stuff everywhere. During lockdown I survived with the government grants; it wasn’t much but it completely saved me. My daughter was seriously ill and I was just so stressed I couldn’t really make anything. When it was really scary at the beginning of Covid, we went to shield in Cornwall. I did have some work enquiries while I was back at home but it just seemed so unprofessional that I didn’t have a studio space; when people came, I could sense the visitors’ disappointment, like they thought I’d gone backwards. I visited the current Kindred at Easter and was delighted to find the same supportive, collaborative atmosphere was alive again.” “The lack of connection with other artists and the community was quite a “It just big thing – the seemed so pandemic was a unprofessional surreal time for that I didn’t everyone.” have space” ## **Jad Oakes** “Before the Pandemic, when Saltram Crescent closed, I moved to a new space in London Bridge. It was hard because, of all the studios I’ve had for the last 15 years, Kindred has been the most successful in terms of the way it builds a real community. Everyone works together and you can knock on anyone’s door. When the Pandemic started, I moved everything out and into storage at my parents’ place. My work stagnated between March and October. As my parents were shielding, I just put stuff in boxes in a room there. Eventually as lockdown started to lift, I set up a work space in their flat. It was such a relief in February when I heard from Angelique that Kindred had found a new temporary home. I do a lot of woodwork and so there are materials that I require that need to be stored properly – so a dedicated studio is essential. The main thing about Kindred has always been the community and having access to a space where you can cross-pollinate with other creatives. Kindred makes a massive difference in terms of my mental state and working practice. I’m so grateful to be able to invite clients over to view the work in my studio; having that headspace out of the family and the home environment makes all the difference.” ## **Helena Rees** “I make ceramic figures and I joined Kindred when they opened the studios in Shepherds Bush in February. I’d moved in and just started there and then I was diagnosed with breast cancer at the end of March. So I had to go through surgery, chemotherapy, and radiotherapy, which I have just finished now. It was incredibly traumatic. Because Kindred is such a supportive community, I could still meet people and have a conversation with them about art and what they were doing. It meant that I had this studio, this safe space that I could go to. I felt like I was part of something that had nothing to do with cancer, or the treatment. It was absolutely fantastic – it made a huge difference to me. We need a permanent home so the unique Kindred connection and support can be offered to many artists on a consistent basis.” “It felt like I was part of something that had nothing to do with cancer, or the treatment.” 20 21 ## Why we need a forever home continued “Being at Kindred is allowing me to have that growth, to be inspired… maybe collaborate… It feels like a home away from home.” ## **Meesha Lewis,** ## **Fashion designer** “Having a studio at Kindred has given me more mental freedom. Being able to have my own space has opened up my mind; the studio allows me to do things at my own pace and have some peace and quiet. I started off in my bedroom and that just became unmanageable; it was mentally taxing because you wake up and you’ve got materials everywhere. It’s nice to have a space where you have an organised mess. In the studio, I can put some things down and then pick them up the next day when I come in; I don’t have to navigate the space as both a bedroom and a workspace. I was looking at Kindred years ago but they didn’t have any space so I ended up finding something in Wembley, where I felt like I was in a cupboard; that’s how small the space was. It didn’t have any community and the doors were all closed. It was very isolating. And it was a long commute from my house; it took me an hour and a half to get to the North Wembley space. A friend of mine had a tiny little space which was on offer, but it had no sunlight as it was in the eaves. It wasn’t very healthy and I couldn’t take good photographs because it was so dark. I had to move out because I could no longer afford the rent as my income dropped dramatically during the pandemic. When I got an email to say that Kindred had moved and they had new spaces, I jumped at the chance. Kindred is affordable and accessible; I got a space with beautiful big windows and lots of sunlight comes in. I’ve sectioned it off so that I’ve got a work area and a photography area. I can make as much mess as I want. I stay there quite late because it takes me a while to get into my flow when I’m pattern cutting. I have that control over my space and it really helps my productivity. I can walk to Kindred in half an hour from where I live and if I take the train, I’m literally there in ten minutes, which means I spend more of my time working and less time commuting. The other makers are lovely – and generous. If my presser foot for my sewing machine is broken or something’s happened, I can just ask if anybody can lend me one. It’s nice to sit in the garden and have that outdoor space too, because I don’t have a garden at home. There’s always a community there to support you. I love the location – there are so many fabric stores on my doorstep. My discipline is design; I work in the space where art meets fashion. I’m just focussing on making beautiful pieces, things people will love. Being at Kindred is allowing me to grow, to be inspired to make new designs and to collaborate with some of the other artists. It’s a very special place; it feels like a home away from home.” 22 23 ## Why we need a forever home continued “Kindred opened their arms and wrapped me in kindness. They found a sponsor for my studio at first.” ## **Tina Crawford** “I can’t tell you how magic Kindred is. They offered me a space at a time when I was feeling suicidal, I was so stressed about money and my previous studio was costing me a fortune. Kindred opened their arms and wrapped me in kindness; they found a sponsor for my studio at first to help me get back on my feet financially. Kindred is the place all creatives are searching for: a creative community that is open and welcoming to everyone. It’s really magic and I miss them terribly and cannot wait to get back in when they have a permanent home. When they had to move, I was devastated. It was completely crushing, not just to me but to my whole family. We had all become part of the Kindred family; my 9-yearold son was in tears. I couldn’t wait, I had to move on because my work needs a studio, but the new studios are just not the same, they don’t have the same sense of community and I am on the waiting list to get back to Kindred. I can’t wait for Kindred to have a forever home: moving is so traumatic and takes so much out of all the artists; its like breaking up a family. Having stable, long term studios will be such a relief to everyone in this constructive community.” “What **Lily O’Farrell** attracted “I would describe myself as a digital comedy me to cartoonist. I specialise is feminist art that challenges Kindred everyday sexism. My work is primarily online – mostly is their Instagram where I have 250,000 followers and I also mentoring sell my art and merchandise. I also have a coffee table programme, book that is a comedy romp through feminism in I really cartoon form. support What attracted me to Kindred is their mentoring the way we programme, I really support the way we all sign up all sign up to support young artists. I so wish I had a mentor to support when I was young. I always thought I was terrible at young art because it was so serious at school. I have always artists.” What attracted me to Kindred is their mentoring programme, I really support the way we all sign up to support young artists. I so wish I had a mentor when I was young. I always thought I was terrible at art because it was so serious at school. I have always been into comic art, and didn’t even realise that was, or could be a thing. I love how friendly and welcoming the other creatives are; there’s no hierarchy at Kindred, which is something you do encounter sometimes as a digital artist. Everyone is so supportive and encouraging of what I am doing and interested in my digital practice. It’s like a tranquil bubble but I also experience it as really exciting; Kindred is a creative catalyst. I get so inspired by everyone else and their phenomenal work. I also love how varied the art here is, it’s not all fine art, there’s a real mix and no-one is an outsider.” 24 25 ## Kindred Alumni “Kindred was so important to me, giving me a base to grow my business and launch my career from.” ## **Molly Goddard** “Kindred studios are affordable to early career artists.” Internationally renowned fashion designer Molly Goddard got her start at Kindred. Molly’s creations grace catwalks and numerous fashion magazines (she was recently featured in Vogue.) Her dresses have been worn by Rhianna and Jodie Comer and Molly’s outfits were famously featured on BBC’s Killing Eve. Molly is a loyal Kindred alumni; “I needed affordable studio space, I was starting out and just couldn’t afford the rents the commercial studios charge in West London. I searched for ages, and then I found Kindred. They are wonderful, they focus on what creatives need, not on making a fortune. Their studios are affordable to early career artists. They were so important to me, giving me a base to grow my business and launch my career from. I wish them every success in finding a permanent home, they are brilliant, and I have so many fond memories of my time at Kindred.” - “I chose **Bolanle Tajudeen** Kindred - because I like - the mentoring scheme they - do with young people… - I know how important it is for young taught people who - look like me to History Month. - see me doing - the work that I am doing.” - Bolanle is the founder of Black Blossoms, a platform designed to increase the visibility of black women and non-binary people in the art world. She co-curates touring exhibitions and successfully introduces new audiences to black visual artists. She also provides unique support for her artists by helping manage their career development. Most recently, Bolanle worked on a freelance project with the Tate, and devised and taught _Art in the Age of Black Girl Magic_ , a course that has featured in Vogue as an important event in Black History Month. - “I’ve made so many connections with other makers - in Kindred and that’s what I really like. It’s calm and unique, and Angelique really knows what she’s doing. Her level of care and attention to what the artists need is super important. I chose Kindred because I like the mentoring scheme they do with young people. I liked being able to give something back and have that organised for me. I know how important it is for young people who look like me to see me doing the work that I am doing and Kindred enabled me to do that. I can’t wait to come back to Kindred when they get their permanent home.” 26 27 ## Our new Home ## **Phase Two** We are already in discussion with TfL with a view to acquiring the vacant railway arches adjacent to Ravenscourt Stores. Our programme aims to unite a row of 26 railway arches and the previously unused industrial storage building to establish over 40,000 square feet of public facing creative work space. Architect’s illustration by Gianni Botsford – architect and Kindred Alumni **Phase One** Ravenscourt Stores will form a 10,000 square foot openplan creative hub. Within the space will be artists’ studios, a members’ café, and a multi-use arts education space. An important aspect of Kindred’s evolution is its commitment to designing green studios as well as engaging its creative community in building a low-carbon practice and environment. The design and build of Ravenscourt Stores include a range of measures including roof insulation, double glazing, underfloor heating and a live visual board to display the studios’ consumption of energy. Our local community has been incredibly supportive, lobbying for us to be able to buy our last building under the community right to buy (which we lost to developers) and actively supporting our current planning application to move into a permanent home at Ravenscourt Stores. We have reached an initial Lease agreement which secures the site for 25 years. A two-phased development plan aims to ensure sustainability; we will open and establish the main Ravenscourt Stores hub initially, before expanding into the additional space in the nearby railway arches. The site is owned by Hammersmith & Fulham Council, who have pledged £400,000 to help us acquire the lease and develop the property. We have so far raised £515,000 of the £1.2 million needed to make this happen with donors including the Garfield Weston Foundation and the Brown Source Trust. 28 29 ## Future plans ## How **us you** can help The space at Ravenscourt Stores will enable Kindred to: **Kindred would like you to consider making a donation towards enabling us to open Ravenscourt Stores and provide West London artists and the wider community the space to make, to educate and to inspire future creatives.** - l Grow a thriving collective community of professional artists through the provision of affordable studios. - l Continue working with schools and colleges, with particular focus on expanding our creative mentorship and providing support to underrepresented minorities. - l Open our cafe to the public and use this space to host talks, workshops and art festivals. - l Introduce a permanent Art Shop which supports our local artists and makers. For further information, please contact Angelique Schmitt: 07775 510041 or angelique@kindredstudios.co.uk - l Establish a programme of campfire music and poetry events, bringing the community into our creative space. - l Continue supporting West London artists, including offering bursaries to struggling artists, as well as creating new opportunities for growth and collaboration. - l Build on our existing social prescribing links, offering space for community health and wellbeing, and further developing our art therapy work with the NHS. **----- Start of picture text -----**
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KINDRED STUDIOS Unaudited Financial Ststements For the Year Ended 30 Se tember 2021 ?0 ii Tmstees'kniu•l A¢rKYt Independent E￿rni￿￿5 Report Not45 to theFkn¥nd•l %•temth Ilto16 14trawl*Grtffln ••rd•ys•*nkplÉ Ath Ch•klFhlA4 Eallry HrAN• 11 Y••r EDJ 30Swt•nts 2021 The tyuAee$7•frho •re a120 olthe tt•rity fcrf tre ￿rpo￿OrtheCThTrpaDltS 1 2￿. pre$￿t thelr repjrt ￿ the flnancSal stateTrienrs ol the thlrfty lor the ¥tu ended 30 Sepreth2021. ThE trL¥tets hwt *yed the proW&ons ( Acrwntkn8 Rew)rtkn8 by Cha*SVes'. Statement of RemmmEnded Prartlce apO(abbe io ¢h¥rllbes w¢partno the￿ Kcounts In arcordance tht Reptirtin8 Stsndard In the UK Rewblk of Ireland IFRS 1021 leffettfr48 Ij•ttl￿ry 2019.1 appredation of the in p•rtkuL•r Iwithwt iknii•tIMI thr¢¥h the 2.1.2 To fvrther ary other wrp05e ¥thkh b •xdusbkn* ¢h•fft4>l• Ilws Lrf EtWa¢)d and waks. In Septemi*r 2020. the of 202fy21 fln•nd4 ye•r w•$ ¥ery ¢h*lenilw were mld pandem< *ve on flnondal reseThYs. iDd had no prwrth5. Th15 m**t nL* a14e th h)rt artb#s or generaie revoThue and lherefOre￿ had no ro de1fr4ereducatsM4 pror•nft*s lef We Aiii 1940 aprAKonts w the •nd the tywtLmlty to reèth our lon￿andIng qoal could 4uaMiw our bx4.i¢m fvture: 1 25 on a t¥Jildirvd. Klndred rt£efved the oFfer of yjbstsndol fwdlni l•m¢YJnlbw lo ￿M￿¥t 0fthet0￿1 ex￿d￿Vre *N)dw ￿￿F} whkh l* u5 b￿a dlsysed bulldlw ￿￿ttr IlfÈ. thdred Studlos bs a th3rkaNe crxnpan¥ Ilmtted ty yimiÈe and p•emed bl ks Merw*dum and Artides of As$C￿at￿n d*ed 6 M4rth 2019. ￿fidred Stulbs w¥ rw5fvEd ès • ¢h4rity It)￿nbel 11826921 ¥Ath the Ch•rtry Cormkn on 29 Marth 2019. ts mèdfr 0fth￿eTri*Slee$, In¢kniiwCh•* ¥dCEO. Tmttees c4n be fi￿￿￿tel ty èny curyertt rrtemknr of the L¥Mrd and un ¢nlY be 4ppohted by CoIMn5Uk In r•uuthi rKaspÉth trust4*5, the p(4lcy Is to swk a bry*d ranw ￿ exwi2rKe rtlvdèni to the •f the Chath. part*ulw fcw In ley svate8k aTea5. Th? bo3rf5 W•¥Wt i•rntt Is to d11￿ th• ¢aptsl pmhci thr alAe ￿aderShIP. Fwnda16w. We were awarded towards the d￿e1cvY￿1I wd capltal coAs for the ￿￿dIng. We 450 rw¢W 4 £10￿￿ F4Éd8e from the Bro￿ Swrc•TrusL dved st￿1￿$ bec•me a rethttred ¢harty. Thjmber 1182692 on the Mardb 2019. Thv puw of k7ndred Stydkns b to *d¥•nt¢ educa1k￿ thrtyjah th* Pre￿￿￿ and encwf48ement of the kvactire 3rKI apprets"*icfft of the arts, pirtliuL4T l¥thlwJJi limitslknnl thwD¥h ibt ol hI8h.¢Wal￿ arts edwatlon Kfjndred 51¢Jtho5 ueates a Uhbjue. Inwrfni 4thd *Y¥rkJr In 2021. was wntacted Capltsl and offw¥J an 11411tyrth l•aso of hs reL¢undant bulk41rg5 In Shepherd's Bush. This mèant that 0reratK￿S couhj bel￿. ond We C¢rI&19 we were •b* to off spKe ethK•tkn•l prr4rarnmes. We fortunate thai thts teftwrary I￿lId1￿ Is ￿xI￿d h) the same a5 pWm￿lfit hC￿ *thkh has fKlrt4ted th2 e5￿￿1￿Me￿ ol kn4.term k¢41 P￿er$. In the sh¢yt tkn• slrKe s•t up In our new terymry F¥emlses Klndred has rexhed io thè tKr0￿h'5 t￿￿11￿￿1 k•dershlp ie4m. We hwe *un a partnethlp lool IhcludknB M¢yr& Sfjxth Fcrfm. those S￿￿entS vwted the rf•ty ol bè*wnds. our makers lJelkn8 the IL kndegetthrt EAaminees Report Igthe ¢vustte5 01 thtl¢lndred siutho.the I reporttothe th•rfty trusteeson my exomlnaDon oliheKcounisofiheCornpany for the yeaiended 305eptember 2021. lrt *dO￿{M to I￿ • youp of •rti515 •nd to LV*tr*))È In thls new bwh, K￿￿ ope￿￿ rts docrfs its b￿aThnual Stu0￿5. Wt re￿￿¢￿ 840 vp5iroFs ¥Ntho wured 4ThJ togk free art Re4xinslbllhle% ond tsa￿$ 01 rw¢ As the chadtTrls tlU51tes ol tho Company land also its dlrertots ihe purposes 01 company lawl you •r¢ r¢sponsibk fo¥ the pieparaiion ol Ihe accouDts ID accordance wrth the requlr¢mtntsof¢he Cgmpanle5Act X•% IlheX(6 ￿￿.1. ThefiMrKW ofthe tharftyBt tho Yem￿nd05￿t•fiQn pw 10. 5ali51ied rnysell thit the Kwunt5 of the Company are not requlred to be avoited undor Part 16 oltho 2(K)6 Act and are ell￿ble10r Indepwdent examlnatlot), I repoit in rÈspect af my pxarninarv)n ol voui chaiity'5 3CCOVnts as n in ConneCtk)n￿th th* txamlnition 8Mn8 me causè to bel*¥*'. The th4rfs Intentyoft Is io adv4uKe reser•Y5, equ•t tt* three moftth< urillt18 re¢￿d$ were not kept réspect of the Company as requlred bv se(tion 386 of the 2￿￿1,. or Ihtaccounts de nDt accord ￿th those records,. or Ihe accountsdo noi complvwlih the attouniin8 requlrements of sertion 396 olthe 3r￿ Art other than any reqyirernenr ihJt the accwnt5 tye Jtrue ond falr vlew whlth Is not a maiiw COn￿dered ès port ol an independeni eM4ffllnation.' oi the accounts have not been prephred in accord•nce Wilh iht methods and prSntiples of thé St4tÈmÈNt ol Retommended Pradice foi accovntin8 ènd reportin8 by tharitits l•pplKable ro charitie5 Pfepanng rhelr ac£ounts accordancé wrth the FINanclal RepDrtlng Standard applicable in the UK and Aepublk of iidènd IFRS 10211. •A•bkt k to(•ntknuelrs Klndred most knportant ¢bl¢a￿E thls ￿er Is to 5EcurE the fu￿1￿l￿r t hrrent of first I￿￿tem1 homt. The SLAbHlty *takneé frcrfn havkn8 a $0 frorn io ¢)wate*611 enabkthe th¥*tyt¢ nuflure le￿1￿?￿5hfps I￿1h Irxal coE*5 Ot￿ wrtner5 whxh sn tum er￿le the stKcessfvl dewhwent *)d ddl¥ffj ol Imp•cthA M￿lO￿ni pmyammes and Inspkkn8artlsl 5ludi¥& A5 beiDi ¥n essential rewurce fwthe *E•. this Ilrst base w4181s0 enalAe the cknr io use hs r*btsl to ueate ￿Trjred SrtyJ4)s to yeatefknpxL I have no c￿CernS and have eom¢ •¢ross fio other rnaners In the Èxamination to which aneniion should be driwD in thls report In order to ehable i proper understandlngof ihe accounts io be fea(hed. E i"'l -￿rn￿j- 4c' A sU￿n PlumbA Haines Watts. ChavteredA￿UThIBnts Statlon 4)proach. Newport StrÈei. Swind￿. w1￿1re.5￿l3Qu 3 1 Atr C Grtmh Date T•l•Ify￿S Total ltmds 202 rar¥WeFlx•JAJsets .274 43JA4 231318 lo￿14 5A97 1,322 fvTrJs liJ)52 95.1 IIO52 127A85 32375 rJedt¢rJ.' F•Wr4thxV41thknw*￿v 163WI I￿￿55) iC6.162 J?s IJ¢517 53 83.1 93WI 1116731 6SI n247 81936 71.Z47 ill￿) 81,936 IIM5 Th* tharftabletanwny Osentjdodto ekwnpth)n iudltunderspodofi 477 01th1 C¢mpoTrl¢skl Z((fjfor thewr ended 31 Marth 2021. ThÈ members hv4• n¢A l•q￿rnd th• cmlpwry io L*t4ln ID of Il¥ atements for theye¥rendtyJ 31 M¥¢h X121 kn ￿￿￿¢?*￿1th Sqctlon 476 01th• C4mpahl*sAtl I(￿. Th• trustq•s th•lf AS￿￿¥1b1￿1btt I l ¢nsurith8thotth¢ th•ritst4e ¢¢ffip•Ny keeps K¢•Untirf r¢eorls•th•t Sltticrts 386 387olth•Corysth15 Att 2Cfj6 •d Ibl preParf￿ fi￿￿01 staiemenis whkh a In￿ and blow of th st•t* of •ff•lrs r* the th•rluble comwrry the e•d of eath finaDthI p•r •nd of or dePrttt for tach flnand*l attor1￿ce wlth the rt41￿remtrtts of Serllcffj5 394 and 395 and wNth otherv&tse Co•1)￿ wlth the requlrements OF the C¢ffipanlv5 kt 2C¢6 retsUn8 ￿ flnandal statemer￿. so far as •pplkat4e to the thlfftable c(¥npanv. SRS 10?. pr•p¥red In w￿h ts* ch*it￿5 SORP In5 1021 Att￿n11T* •r* ft¢pth by c￿r￿1￿.. Stttement ol Rocrrtnl￿￿￿o Prattke to thdi accowts kn a(ttyd¥￿ Tkn the I￿r¥I•l P•p)rUry S14t￿r￿ •Fvhcable In lh• UK And Ropubli¢ d irti•rrfl IF#5 1021 leFlECt￿e l JllDUOry 20191.. FIMthI A¢porti Stlrthrd 102 Tr fin•￿4 N¢wllw *ondord ar￿1¢•lIt uK￿d RewNk0fir￿l thelrbth¥Af MrCGr Tn￿ee Accourfwtsdm*￿ 1nd￿umPEk)￿ are ¢Ndè tor￿￿￿1￿tt* ￿theIr niiur4 r￿ty eq￿*7 the Idatod Ktu•l outttyne. ThErt are M kty or e5￿mIle thal • %win(ant rtsk of tr• amwM% ol setswThJ lIb￿lmI¥ ththE ¢w¢finwK1•l￿r. 0￿hthe￿In￿vf￿4P9HL r•¢dpt 1$ pr¢*•W¢ •r*S hs•rrwrt be A￿Vred rdii¥y. ￿1 Irrfme lsdetPrtd io li 375CQ 3995 938 J5*1 irè rocwlFod tkn dorlty owyon re￿thIng frcéTh a p•* ni th* probatrjy In ol i ihlrd p•rty due fw vV￿Qo101￿th￿￿￿￿•5 ￿.5931£>5￿91y. Urrnkted T¢rtal 2(Ql 970 750 135J74 147.3 ia654 th• alth*ls£14,365 Cu•r*ll￿10b1ttOI￿6Cffj￿￿￿Iy￿Te(W?0£1p￿3￿, remw•ernriOn In theyearthrec*or Inthreth. WhDd4Trrfevrdts¢tb￿•￿￿IIO1tr.#1J Toi•l 2￿1 Totsl 4U93 lim2 5,116 42353 11.052 35191 R•ls4ty CwJhlr* J49 29.161 29.161 Iz 13 IL Ir*￿rknd COx•t￿h5¢M¥ThblrzOII Nx•d*s1•ts 5A97 %497 76Aag 9.9S1 1111651 9YO Ir￿ 1021 GIrt*￿w•tt Fo￿d300 Tiu51 Im 13751 729 LotteryAwa 59 L322 Total 4JJJ6• JL375 19,fj89 3.976 11379 63.014 14 15