**Independent examiner's report on the accounts** 


## **Section A                        Independent Examiner’s Report** 

|||||
|---|---|---|---|
|**Report to the trustees**<br>**On accounts for the year**<br>**ended**<br>**Set out on pages**<br>**Responsibilities and**<br>**basis of report**|eavesdropping CIO|||
|||||
||31/08/2024|**Charity no**<br>**(if any)**|1181977|
|||||
||2 and 3 of this document.|||
||I report to the trustees on my examination of the accounts of the above<br>charity (“the Trust”) for the year ended 31/08/2024.<br>As the charity's trustees, you are responsible for the preparation of the<br>accounts in accordance with the requirements of the Charities Act 2011<br>(“the Act”).<br>I report in respect of my examination of the Trust’s accounts carried out<br>under section 145 of the 2011 Act and in carrying out my examination, I<br>have followed all the applicable Directions given by the Charity Commission<br>under section 145(5)(b) of the Act.|||



**Independent** I have completed my examination.  I confirm that no material matters have **examiner's statement** come to my attention in connection with the examination which gives me cause to believe that in, any material respect: 

- the accounting records were not kept in accordance with section 130 of the Charities Act; or 

- the accounts did not accord with the accounting records; or 

- • the accounts did not comply with the applicable requirements concerning the form and content of accounts set out in the Charities (Accounts and Reports) Regulations 2008 other than any requirement that the accounts give a ‘true and fair’ view which is not a matter considered as part of an independent examination. 

I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached. 

|**Signed:**<br>**Name:**<br>**Relevant professional**<br>**qualification(s) or body**<br>**(if any):**<br>**Address:**<br> <br>||29/06/2024|
|---|---|---|
||||
||Diego Trucco||
||||
||CIMA, Chartered Institute of Management Accountants||
||||
||49 Dorman Way||
||London||
||NW8 0SD||



1 



||**eavesdropping CIO**<br>|**eavesdropping CIO**<br>|**eavesdropping CIO**<br>|**1181977**|**CC16a**|
|---|---|---|---|---|---|
||**Receipts andpayments accounts**|||||
||**For the period**<br>**from**|01/09/2023|**To**|31/08/2024||
|||||||
|**Section A Receipts and**|**payments**|||||
|**A1 Receipts**|**Unrestricted**<br>**funds**<br>**to the nearest      £**|**Restricted funds**<br>**to the nearest £**|**Endowment**<br>**funds**<br>**to the nearest £**|**Total funds**<br>**to the nearest £**|**Last year**<br>**to the nearest £**|
|<br>Festival ticket sales|**4,899**|**-**|**-**|**4,899**|**2,962**|
|Festivalgrants(ACE/PRSF)|**-**|**12,145**|**-**|**12,145**|**9,405**|
|Donations|**1,037**<br>|**-**|**-**|**1,037**|**650**|
|Gift Aid|**266**|**-**|**-**|**266**|**-**|
|BBC Radio 3|**2,932**|**-**|**-**|**2,932**|**-**|
|Outpost events(consultancy)|**283**|**-**|**-**|**283**|**566**|
|PayPal revenue|**-**|**-**|**-**|**-**|**139**|
|Misc. income|**1,128**|**-**|**-**|**1,128**|**1,479**|
|Director's loans|**4,600**|**-**|**-**|**4,600**|**-**|
|VOICEBOXgrants|**-**|**19,146**|**-**|**19,146**|**1,000**|
|VOICEBOX donations|**-**|**3,832**|**-**|**3,832**|**-**|
|VOICEBOX misc. income|**114**|**-**|**-**|**114**|**-**|
|**_Sub total_**_(Gross income for AR)_|**15,259**|**35,123**|**-**|**50,382**|**16,201**|
|**A2 Asset and investment sales,**<br>**(see table).**||||||
||**-**|**-**|**-**|**-**|**-**|
|**_Sub total_**|**-**|**-**|**-**|**-**|**-**|
|**_Total receipts_**<br>**A3 Payments**||||||
||**15,259**|**35,123**|**-**|**50,382**|**16,201**|
|||||||
|<br>Festival Artists' fees|**-**|**5,082**|**-**|**5,082**|**4,373**|
|Festival Artists' expenses|**-**|**1,543**|**-**|**1,543**|**2,353**|
|Festival Access costs|**-**|**-**|**-**|**-**|**510**|
|Festival Venue hire|**3,504**|**-**|**-**|**3,504**|**3,111**|
|Consultancy/Partner fees|**253**|**-**||**253**|**1,200**|
|Documentation and tech|**-**|**2,049**|**-**|**2,049**|**2,816**|
|Publicity|**733**|**-**|**-**|**733**|**293**|
|PLI|**684**|**-**|**-**|**684**|**568**|
|Misc. costs (misc. event costs; ticket<br>reimbursements)|**661**|**-**|**-**|**661**|**363**|
|Staff salaries|**3,602**|**1,313**|**-**|**4,915**|**5,389**|
|Website hosting/digitalplatforms|**261**|**-**|**-**|**261**|**261**|
|Bank charges|**-**|**-**|**-**|**-**|**14**|
|Director's loans|**4,600**|**-**|**-**|**4,600**|**-**|
|VOICEBOX Artists' fees(commissions)|**-**|**2,000**|**-**|**2,000**|**-**|
|VOICEBOX Participants' expenses|**-**|**4,895**|**-**|**4,895**|**-**|
|VOICEBOX Tutors' fees|**-**|**7,800**|**-**|**7,800**|**-**|
|VOICEBOX Tutors' expenses|**-**|**696**|**-**|**696**|**-**|
|VOICEBOX Staff salaries|**242**|**131**|**-**|**373**|**429**|
|VOICEBOX Misc. costs|**-**|**93**|**-**|**93**|**-**|
|**_Sub total_ **|**14,539**|**25,602**|**-**|**40,141**|**21,679**|
|||||||
|**A4 Asset and investment**<br>**purchases, (see table)**||||||
||**-**|**-**|**-**|**-**|**-**|
|**_Sub total_ **|**-**|**-**|**-**|**-**|**-**|
|**_Total payments_**<br>**_Net of receipts/(payments)_**<br>**A5 Transfers between funds**<br>**A6 Cash funds last year end**<br>**_Cash funds this year end_**||||||
||**14,539**|**25,602**|**-**|**40,141**|**21,679**|
|||||||
||**720**|**9,521**|**- **|**10,241**|**-                5,478**|
||**-**|**-**|**-**|**-**|**-**|
||**-                     157**|**571**|**-**|**415**|**5,893**|
||**564**|**10,092**|**-**|<br>**10,656**|**415**|



## **Section B Statement of assets and liabilities at the end of the period** 

|**Categories**<br>**B3 Investment assets**<br>**B1 Cash funds**<br>**B2 Other monetary assets**|**Details**|**Unrestricted**<br>**funds**<br>**to nearest £**|**Restricted funds**<br>**to nearest £**|**Endowment**<br>**funds**<br>**to nearest £**|
|---|---|---|---|---|
||Co-operative Bank current account|**535**|**5,000**|**-**|
||Co-operative Bank savings account|**-**|**5,092**|**-**|
||PayPal account|**29**|**-**|**-**|
||**Details**<br>**_Total cash funds_**<br>(agree balances with receipts and payments account(s))|**564**|**10,092**|**-**|
|||OK<br>**Unrestricted**<br>**funds**<br>**to nearest £**|OK<br>**Restricted funds**<br>**to nearest £**|OK<br>**Endowment**<br>**funds**<br>**to nearest £**|
|||**-**|**-**|**-**|
|||**-**|**-**|**-**|
|||**-**|**-**|**-**|
|||**-**|**-**|**-**|
|||**-**|**-**|**-**|
||**Details**|**Fund to which asset**<br>**belongs**|**Cost (optional)**|**Current value**<br>**(optional)**|
||||**-**|**-**|
||||**-**|**-**|
||||**-**|**-**|
||||**-**|**-**|



221 

CCXX R1 accounts (SS) 

29/06/2025 



## **B4 Assets retained for the charity’s own use** 

## **B5 Liabilities** 

Signed by one or two trustees on behalf of all the trustees 

||||||||**-**||**-**|
|---|---|---|---|---|---|---|---|---|---|
||**Details**||**Fund to which asset**<br>**belongs**||**Cost (optional)**||||**Current value**<br>**(optional)**|
||||||||**-**||**-**|
||||||||**-**||**-**|
||||||||**-**||**-**|
||||||||**-**||**-**|
||||||||**-**||**-**|
||||**Fund to which**||**Amount due**||||**When due**|
||**Details**||**liability relates**|||**(optional)**|||**(optional)**|
||Juliet Fraser (Director's loans YE2023)||Unrestricted funds||**-**|**1,375**||||
|||||||||||
|||||||||||
|||||||||||
||||||||**-**|||
||Signature||Print|Name|||||Date of approval|
||||RACHEL||SEARS||||25-Jun-25|
||||FAY JENNETT||||||25-Jun-25|



32 

CCXX R2 accounts (SS) 

29/06/2025 




## **Trustees’ Annual Report for the period** 

## **From: 01/09/2023 (Period start date)    To: 31/08/2024 (Period end date)** 

**Charity name: eavesdropping CIO** 

**Charity registration number: 1181977** 

## **Objectives and Activities** 

||SORP reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|_The objects of the CIO are specifically restricted_<br>_to the following:_<br>_1._<br>_the advancement of the performing arts,_<br>_specifically music, for the public benefit,_<br>_in particular but not exclusively by:_<br>_(a) providing a programme of public_<br>_performances devoted to new music;_<br>_(b)  providing a dedicated forum for_<br>_research in order to further dialogue_<br>_within the new music community;_<br>_(c)  providing professional development_<br>_and performance opportunities for_<br>_artists identifying as female, thus_<br>_advancing equal opportunities in an_<br>_historically male-dominated_<br>_profession;_<br>_(d)  promoting the highest standards_<br>_and supporting engaged risk-taking_<br>_in the creation and performance of_<br>_new musical works; and_<br>_2._<br>_the advancement of the education of the_<br>_public in general in the subject of music,_<br>_in particular but not exclusively by:_<br>_(a)  promoting a broad and diverse_<br>_repertoire of new music;_<br>_(b)  promoting individual and collective_<br>_knowledge in the specific areas of_<br>_live performance, commissioning_<br>_and programming;_<br>_(c) raising awareness of the charity’s_<br>_activities through information_<br>_media._|



4 



|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or services<br>identified in the accounts|Para 1.17 and 1.19|_eavesdropping is a platform for the sharing of_<br>_new music and new ways of thinking about_<br>_music, shared in an annual four-day festival._<br>_Founded by soprano Juliet Fraser in 2017, its_<br>_overarching charitable objects are the_<br>_advancement of the performing arts,_<br>_specifically music, for the public benefit, and the_<br>_advancement of the education of the public in_<br>_general in the subject of music._|
|---|---|---|
|Statement confirming<br>whether the trustees have had<br>regard to the guidance issued<br>by the Charity Commission on<br>public benefit|Para 1.18|_The trustees confirm that they have had regard_<br>_to the guidance issued by the Charity_<br>_Commission on public benefit._|



## **Achievements and Performance** 

||SORP reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a whole|Para 1.20|_eavesdropping’s activity included a four-day_<br>_festival and forum held at Cafe OTO, the_<br>_continuation of our podcast series, and the_<br>_launch of VOICEBOX, a year-long initiative_<br>_supporting emerging-generation singers_<br>_specialising in contemporary vocal_<br>_performance. This was our fifth season of_<br>_activity and felt like the most impactful in terms_<br>_of artist development and the promotion of new_<br>_music. The relocation to Cafe OTO for the_<br>_festival has had a demonstrably positive impact_<br>_on audience expansion, and we had significant_<br>_press coverage for the first time, including_<br>_international radio and printed-press features._|



**Additional information (optional)** You may choose to include further statements where relevant about: 

|Achievements against<br>objectives set|Para 1.41|_N/A_|
|---|---|---|
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41|_N/A_|
|Investment performance<br>against objectives|Para 1.41|_N/A_|
|Other||_N/A_|



## **Financial Review** 

|Review of the charity’s<br>financial position at the end of<br>the period|Para 1.21|_The charity held £10,656 in cash funds at the_<br>_year’s end. This amount includes restricted_<br>_funds of £10,092 for activity the following_<br>_season._|
|---|---|---|



5 



|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|_Reserves of £2000 are to be held in the main_<br>_charity account, allowing artists to be paid 50%_<br>_of their fee even if a whole festival has to be_<br>_cancelled._|
|---|---|---|
|Amount of reserves held|Para 1.22|_£500 at YE2024._|
|Reasons for holding zero<br>reserves|Para 1.22|_Reserves were depleted (to zero) in 2023._<br>_Currently being replenished:_<br>•<br>_FY2023: £0 reserves_<br>•<br>_FY2024: +£500_<br>•<br>_FY2025:+£1000_|
|Details of fund materially in<br>deficit|Para 1.24|_N/A_|
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|_N/A_|



|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|
|---|---|---|
|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|_N/A_|
|Investment policy and<br>objectives including any social<br>investment policy adopted|Para 1.46|_N/A_|
|A description of the principal<br>risks facing the charity|Para 1.46|_N/A_|
|Other||_N/A_|



## **Structure, Governance and Management** 

|Description of charity’s trusts:|||
|---|---|---|
|Type of governing document|Para 1.25|_Constitution_|
|How is the charity<br>constituted?|Para 1.25|_Charitable Incorporated Organisation_|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled to<br>appoint one or more trustees|Para 1.25|_New trustees are selected and appointed by the_<br>_current charity trustees, in accordance with the_<br>_following constitutional provisions:_<br>_1.         Apart from the first charity trustees,_<br>_every trustee must be appointed for a_<br>_term of three years by a resolution passed_<br>_at a properly convened meeting of the_<br>_charity trustees._<br>_2._<br>_In selecting individuals for appointment_<br>_as charity trustees, the charity trustees_<br>_must have regard to the skills, knowledge_<br>_and experience needed for the effective_<br>_administration of the CIO._|



## **Additional information (optional)** 

You may choose to include further statements where relevant about: 

6 



|Policies and procedures<br>adopted for the induction and<br>training of trustees|Para 1.51|_The charity trustees will make available to each_<br>_new charity trustee, on or before his or her first_<br>_appointment:_<br>_(a) a copy of the current version of this_<br>_constitution; and_<br>_(b) a copy of the CIO’s latest Trustees’_<br>_Annual Report and statement of_<br>_accounts._|
|---|---|---|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|_N/A_|
|Relationship with any related<br>parties|Para 1.51|_N/A_|
|Other||_N/A_|



## **Reference and Administrative details** 

|Charity name|_eavesdropping CIO_|
|---|---|
|Other name the charity uses|_eavesdropping_|
|Registered charity number|_1181977_|
|Charity’s principal address|_81 Cressy Houses_<br>_Hannibal Road_<br>_London E1 3JF_|



**Names of the charity trustees who manage the charity** 

|**Trustee name**<br>**Office (if any)**<br>**Dates acted if not for**<br>**whole year**<br>1_LOUISE MARSHALL_<br>_N/A _<br>2_JACQUELYN BELL_<br>_N/A _<br>3_FAYJENNETT_<br>_CHAIR_<br>4_WINNIE HUANG_<br>_N/A _<br>_appointed 1.12.23_<br>5_RACHEL SEARS_<br>_N/A _<br>_appointed 16.6.24_<br>6<br>Corporate trustees–names of the directors at the date the report was approved|**Trustee name**|**Trustee name**|**Office (if any)**|**Dates acted if not for**<br>**whole year**|**Dates acted if not for**<br>**whole year**|**Name of person**<br>**(or body) entitled**<br>**to appoint**<br>**trustee (ifany)**|
|---|---|---|---|---|---|---|
||_LOUISE MARSHALL_||_N/A _||||
||_JACQUELYN BELL_||_N/A _||||
||_FAYJENNETT_||_CHAIR_||||
||_WINNIE HUANG_||_N/A _|_appointed 1.12.23_|||
||_RACHEL SEARS_||_N/A _|_appointed 16.6.24_|||
||||||||
||||||was approved||
|**Director name**|||||||
|_N/A_|||||||
|Name of trustees holding title to||property belonging to the charity|||||
|**Trustee name**||**Dates acted if not for whole year**|||||
|_N/A_|||||||



||**Director name**|||
|---|---|---|---|
||_N/A_|||
|Name of trustees holding title to property belonging to the charity||||
||**Trustee name**|**Dates acted if not for whole year**||
||_N/A_|||



## **Funds held as custodian trustees on behalf of others** 

Description of the assets held _N/A_ in this capacity 

7 



Name and objects of the _N/A_ charity on whose behalf the assets are held and how this falls within the custodian charity’s objects Details of arrangements for _N/A_ safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

**Names and addresses of advisers (Optional information)** 

|**dditional information (optional)**<br>**ames and addresses of advisers (Optional information)**|**dditional information (optional)**<br>**ames and addresses of advisers (Optional information)**|**dditional information (optional)**<br>**ames and addresses of advisers (Optional information)**|
|---|---|---|
|**Type of**<br>**adviser**<br>**Name**<br>**Address**|||
||_N/A_||
||||



**Name of chief executive or names of senior staff members (Optional information)** 

_Juliet Fraser_ 

## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

_N/A_ 

## **Other optional information** 

## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

**Signature(s)** FAY JENNETT **Full name(s)**[JULIET FRASER ] **Position (eg Secretary,** ARTISTIC DIRECTOR TRUSTEE **Chair, etc) Date** 25 June 2025 25 June 2025 

8 

