Docusign Envelope ID: 122745CB-7DB0-49E3-847A-265E086D23F8
Charity number 1181856
Something To Aim For
Report and Financial Statements
for the year ended 31 March 2024
Breckman & Company Ltd Chartered Certified Accountants 49 South Molton Street London W1K 5LH
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Something To Aim For
Contents
| Page | |
|---|---|
| Reference and Administrative Details | 1 |
| Trustees' Report | 2 - 9 |
| Independent Examiner's Report | 10 |
| Statement of Financial Activities (including Income and Expenditure Account) | 11 - 14 |
| Balance Sheet | 15 |
| Notes to the Financial Statements | 16 - 24 |
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Reference and Administrative Details
Constitution
The organisation is a charitable incorporated organisation (CIO) under the Charities Act, registered charity number 1181856. The organisation's governing document is CIO - Foundation registered 4 February 2019.
Trustees
Policies and procedures adopted for the induction and training of trustees are ongoing and incorporated indirectly into the regular trustees meetings.
The trustees during the year and since the year end, were :
Dawn Walton OBE resigned 26 January 2024 Nadine Marielle Patel resigned 27 November 2023 Caroline Head Prof Kirsty Fairclough Matt Burman Prof Gerard Hanlon Edward Francis Berg Prof Brian Lobel Dawn Estefan resigned 21 September 2023 Virginia Simpson appointed 12 April 2024
Independent Examiners
Breckman & Company, 49 South Molton Street, London, W1K 5LH.
Bankers
CAF Bank Limited, 25 Kings Hill Avenue, Kings Hill, West Mailing. Kent ME19 4JQ
Registered office and operation address
SPACES, Peter House, Oxford Street, Manchester, M1 5AN
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Trustees' Report
The trustees present their report with the financial statements of the charity for the year ended 31 March 2024. The trustees have adopted the provisions of Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective I January 2019).
EXECUTIVE SUMMARY
Something To Aim For (STAF) was set up in 2019 through a Culture & Society Discretionary Award from Wellcome Trust, specifically to support the development of an inclusive and accessible arts community.
We envision a world in which all people have meaningful connections to cultural experiences, with the voices and stories of under-represented and marginalised artists and communities at its centre. Our mission is focused around four areas:
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Supporting the creative and organisational development of under-represented voices in culture.
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Informing and empowering marginalised communities, providing tools and resources to engage and connect through culture.
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Building bridges, connections, and value between and across the arts, learning, health, technology, and wellbeing sectors.
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Challenging and encouraging the cultural and creative sectors to address systemic issues and to action positive change.
STAF's Charitable Objectives are the advancement of the arts for the public benefit by promoting greater participation by groups who are underrepresented in the arts field, particularly by reason of disability, ill health (mental or physical) or social or economic disadvantage.
In 2023/24, STAF embarked on a transformative year guided by our ambitious 3-year business plan, The Future Starts Now . This year saw a strategic pivot in our role as a sector support organisation, enabling us to respond with agility to the evolving challenges of the creative industries. Key achievements included:
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Delivering over 1,500 hours of bespoke consultancy support to 14 marginalised artists and artist-led organisations, addressing capacity-building, fundraising, and organisational development.
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Expanding our work in Greater Manchester through impactful projects, including the Building An AntiPoverty Community initiative and the Greater Manchester Artist Network , which strengthened local creative communities and addressed socio-economic inequities.
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Partnering with organisations such as HighRise Entertainment, SICK! Productions, and Selina Thompson Limited to advance inclusion, care, and access across their work.
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Collaborating with higher education institutions such as Exeter University on a global comparative study of pandemic preparedness in live performing arts. This project aims to generate insights and recommendations for strengthening resilience and fostering innovation in the sector..
Through these activities, we not only supported underrepresented voices but also deepened our understanding of their unique challenges, shaping our ongoing efforts to promote equity, sustainability, and systemic change in the cultural sector.
Company History
STAF began in 2019 as an amalgamation of the work of two organisations: In Company Collective (ICC), and The Sick of the Fringe (TSOTF). ICC provided mentoring and support programmes for emerging and midcareer artists. TSOTF was an international artistic development programme that engaged with artists and audiences with lived experience of chronic ill health, disability, and socio-economic disadvantage, and addressed questions of access across the creative industries. STAF’s work continued to build upon this legacy, mentoring and supporting marginalised artists and artist-led organisations at different stages of development, as well as addressing access and inclusion.
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Since its inception, STAF has sought to bridge gaps and remove barriers to achieve its charitable aims, with agility and responsiveness at the core of our work. Changing operating contexts and community needs have prompted us to reassess our role, leading to a strategic pivot. This reflection reaffirmed our commitment to collaboration and the belief that collective effort can create lasting change.
As a result, we have positioned STAF as a creative infrastructure support organisation. Our work focuses on building cross-sector connections – arts, health, education, technology, and social justice – to strengthen skills, add capacity, and create a more inclusive cultural ecosystem, empowering marginalised voices and driving societal change.
OBJECTIVES AND ACTIVITIES
Main Activities
Overview
In 2023/24, STAF demonstrated its steadfast commitment to driving inclusive growth and supporting marginalised and underrepresented voices in the creative industries. Through the implementation of our 3- year business plan, The Future Starts Now , we embraced a pivotal shift in our role as a sector support organisation. This plan equips us to address the evolving challenges facing the sector while better serving our communities. It is underpinned by four strategic aims:
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Support artistic equity and renewal through advocacy, programmes and partnerships
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Build knowledge, community and connectivity
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Promote creativity, learning, and innovation across sectors
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Maximise impact through operational sustainability
This year, STAF transitioned to a Co-CEO structure, marking an important milestone in our organisational journey. Janet Tam stepped into the role of Joint-Director/CEO as part of a planned leadership transition initiated before the departure of our founding CEO, Tracy Gentles. Guided by the Board of Trustees, this leadership evolution reflects our commitment to adapting governance structures to meet the changing needs of our organisation and the communities we serve. As part of this transition, STAF is deepening its partnership with SICK! Productions through joint initiatives that support underrepresented artists across Greater Manchester.
Our experiences during this transformative period have paved the way for more strategic, responsive, and impactful actions in the years to come. As we move forward, we will continue to adapt, innovate, and deepen our engagements, ensuring that our efforts are not only sustained but also increasingly effective in meeting the evolving needs of our communities and the sector at large.
The Future Starts Now Business Plan
With the generous support from the Paul Hamlyn Foundation (PHF), STAF successfully initiated our ambitious 2023-26 business plan, The Future Starts Now . The first year, 2023-24, has been a period of significant transition, focusing on reshaping our remit and infrastructure to respond to the evolving sector with agility, paying particular attention to the needs of marginalised and underrepresented communities, artists, and practitioners in the creative industries. Despite sector-wide challenges, we experienced a surge in demand for our consultancy and executive support services. We responded by allocating our resources to where the reality of the current situation lies. Thanks to PHF’s support, we have been able to strengthen our organisational foundations, enabling us to meet the pressing needs of the communities we serve while maintaining our commitment to driving inclusive and sustainable growth within the sector.
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Deepening our Work in Greater Manchester
STAF continues to stay true to the roots of its founder, delivering impactful projects that address critical challenges in the anti-poverty and arts and culture spaces in Greater Manchester.
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Building An Anti-Poverty Community (BAAPC) STAF’s leadership in Phase 1 of the UKRI Community Research Network (CRN) project resulted in significant progress toward addressing gaps in anti-poverty provision and policy. Working closely with core partners such as Manchester Central Foodbank (MCFB), Barlow Moor Community Association and The Dandelion Community taking a localised approach, we engaged 10 neighbourhood antipoverty partnerships to develop localised solutions and explore innovative approaches to research and training. The project culminated in an Anti-Poverty Summit, the first of its kind held in Manchester, which brought together diverse stakeholders to share insights and shape a collective vision for tackling poverty in the region. Additionally, research by MCFB was cited in a House of Commons speech by Emma Lewell-Buck, MP for South Shields, reflecting the wider influence of the project.
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Making Manchester Fairer: Anti-Poverty Insight Group (APIG) The year 2023/2024 saw the first year of a two-year commission by the Manchester City Council’s Public Health Department to convene and manage an Anti-Poverty Insight Group. This initiative plays a vital role in delivering the council’s Making Manchester Fairer: Anti-Poverty Strategy by ensuring that a diverse range of communities are actively involved in consultations and can influence policy decisions that directly impact them.
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Greater Manchester Artist Network (GMAN)
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STAF began a three-year engagement by the Manchester City Council’s Culture Department to establish a Greater Manchester Arts Network through the Greater Manchester Combined Authority (GMCA) Cultural Grant to ensure creative communities in Greater Manchester are better informed, connected to opportunities and are empowered to deliver impact for their own local members. Further to the Network, STAF is administering a bursary fund to further help individuals in these communities with these aims.
Bespoke Support For Diverse Artists / Artist-led Organisations
STAF has tailored support to over 14 marginalised and under-represented artists and diverse-led art companies with a total of approximately 1,500 support hours. Our support ranged from short-term consultations to more strategic, long-term engagements, reflecting our commitment to fostering diversity and inclusion within the creative sector. Our support covered a broad spectrum of bespoke needs, including organisational diagnosis, development strategies, human resource development, executive support, fundraising, finance, and administrative assistance, to transfer skills, induce confidence and practice accountability WITH our clients, in a safe and trusted space, hence paving way for structural change within the organisations we support as well as the sector. Through these engagements, STAF has provided direct and necessary support to our clients while gaining insight into the challenges in the sector.
The notable increase in consultancy income highlighted a substantial demand within the sector, underscoring the importance of strategic lead time in service development and market positioning. This journey, from the relaunch of our consultancy service in 2022 to the subsequent growth, offers valuable lessons in patience and strategic foresight for both our programme planning and consultancy services.
Engaging closely with long-term consultancy clients has yielded profound insights into their challenges and the process of building trust. These experiences have provided invaluable perspectives on the needs and challenges of emerging, diverse leaders in the arts, encouraging a harmonious blend of cultural management and artistic vision. This process has reinforced the importance of "practical dreaming" – the ability to blend creative ambition with sustainable operational strategies – as a guiding principle for the development of emerging leaders in the arts.
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Key Consultancy Highlights
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Live Art Development Agency a.k.a LADA (London): STAF collaborated with LADA on the recruitment process for their new Artistic Director, writing the job pack and advising on vacancy reach in order to ensure an inclusive process for LADA’s next era of activity.
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Selina Thompson Limited a.k.a STL (Birmingham): STAF collaborated with STL on organisational diagnostics and scenario planning, which informed the recruitment process for two key roles: Executive Director and Support Worker. Additionally, we provided preliminary advice and feedback on embedding care, wellbeing, and access provision into their policy infrastructure.
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SICK! Productions (Manchester): STAF provided consultancy for improving access across the inperson and digital programmes, as well as increasing administrative capacity.
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Grace Ng (Manchester): STAF provided support to Grace Ng (Artist Development & Access Producer, The Lowry) relating findings from Performing Leadership Differently research for her research into a model of professional development and training process of artists of the global majority who are ready to become artistic directors of the future who run arts centres / buildings.
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Keisha Thompson (Manchester): STAF gave an access audit for the run of Keisha Thompson’s performances of The Bell Curve at Ascension Church, Manchester.
Dedicated Longer-term Support For Artists and Artist-led Organisations
Alongside private consultancy clients, STAF continued its dedicated support to artists and artist-led organisations. Artist/Artist-led organisations receiving STAF support in 2023/24 include:
High Rise Entertainment CIC (HRE):
HRE has started their first year as an Arts Council England (ACE) National Portfolio Organisation (NPO), with STAF providing executive support and setting up their first Advisory Board, supporting them in developing their infrastructure and embedding new ways of working. This has involved:
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Strategic and Professional Development : STAF has provided ongoing remote mentoring and professional development for the leadership of High Rise, focusing on practical skills and strategic planning to help navigate the complex landscape of the creative sector.
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Fundraising : As one of the few diverse-led new Arts Council England (ACE) National Portfolio Organisation (NPO) in this very competitive funding environment, STAF continued to develop HRE’s funding strategy and application pipeline.
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Capacity and Organisational Development : STAF has offered guidance to help HRE build a more sustainable operational framework, including overseeing the recruitment of an Administrative Producer to aid with capacity building.
Virginia Wilson (aka Gin)
STAF continued to support Virginia Wilson, also known as Gin. Choosing to focus her efforts on Faggamuffin Bloc Party (FBP), STAF helped Gin to wind down her side of the partnership of Sex & Rage (S&R). Throughout the year, STAF worked closely with Gin, providing a supportive framework for her to advance her creative and operational goals, including training for cashflow forecasting, and developing a fundraising strategy.
Anson Tang
Anson Tang embarked on a collaborative journey with STAF from October 2022. STAF helped Anson make the first preparations for his career after graduation from the Royal College of Music, where he was notably the first wheelchair user to join the keyboard faculty. He featured on UK television programme The Piano and STAF guided his strategy to capitalise on this appearance through social media promotion. STAF and Anson also began to discuss how he could transition out of more regular support across summer 2024.
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STAF Projects
STAF Live
Developed during the COVID-19 lockdown by Tracy Gentles and Zoë Gumbs, STAF Live is STAF’s own safe and accessible online platform, operating under a mission statement of “Radical access to radical work, online”. STAF Live was involved as part of board member Prof Kirsty Fairclough’s multi-million pound bid to the European Union’s HORIZON research and innovation fund. Though that funding bid was unsuccessful, STAF Live continues its development journey through new digital training initiatives in discussion with HOME Manchester for the upcoming HOME Arches facility . STAF loaned STAF Live to SICK! Festival to provide the digital infrastructure of their online programme.
Performing Leadership Differently (PLD): Queen Mary University London (QMUL) Impact Fund
Building on the principles and insights of the initial research project, STAF has designed a Theatre & Entrepreneurship Residency in collaboration with Urban MBA and High Rise Entertainment, to be delivered to a small cohort of successful applicants in London, across summer 2024.
Partnership and Industry Support
SICK! Productions Limited
The majority of support STAF gave to SICK! in 2023/24 was through Tracy Gentles providing Creative Consultant services. Parallel to STAF, SICK! underwent its own leadership transition and departure of its founder. Building upon the relationship from the creative consultancy she provided, Tracy Gentles became Artistic Director of SICK!. STAF was able to support the core team to prepare for the first festival edition after the COVID-19 lockdown through providing administration capacity and access consultancy, as well as use of STAF Live as part of the infrastructure for their digital programme delivery.
Centre for Community Cultural Development (CCCD)
STAF supported Centre for Community Cultural Development (HK) and Bill Aitchison Company (UK) in their presentation of It Won’t Be Long Now at the Edinburgh Fringe 2023, engaging diverse audiences with the stories of Prisoners of War (POW) and civilians from inside and outside of the Sham Shui Po POW Camp in Hong Kong during the Japanese occupation in WWII. Starring Bill Aitchison, a British actor, and Indy Lee, a diasporic artist from Hong Kong.
Working Towards Cross-Sector Change
To realise the strategic aim of promoting creativity, learning, and innovation across sectors, STAF worked with an array of partners in 2023/2024, including higher education institutions.
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Clore Leadership Programme Janet Tam represented STAF as part of the Clore Leadership Programme’s event ‘ Cultures of Care in Practice ’ at Contact Theatre in Manchester, presenting alongside Jo Verrent (Unlimited), Paul Smith (Middle Child Theatre), Errol Donald (Mindspray, Creative Wellbeing Practitioner) and Keisha Thompson (Contact).
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The British Academy, Exeter University, and the University of Bristol STAF worked with the research team investigating literature generated since the start of the pandemic regarding the industry and policy responses to COVID-19 across the G7. Exeter University and the University of Bristol carried out the UK-focused research, while academic institutes in the USA, Canada and Germany focused on their respective countries and in-depth research as the first stage of this work. In the final phase of this work, they will gather additional insights about Japan, France and Italy. The aim is to produce a report and recommendations that are based on the comparison of
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what we are learning about what worked, where, and why, with a view to strengthening the theatre industries in all those countries, entitled Pandemic preparedness in the live performing arts: Lessons to learn from COVID-19 .
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Queen Mary University of London (QMUL), School of Business and Management STAF supported QMUL’s Small Business Charter application, taking part in their virtual visit by an assessment panel, talking about the benefits of our collaboration with QMUL during the Performing Leadership Differently research stage. STAF will deliver a prototyping programme with QMUL, cocreated with ‘NEET’ (Not in Employment, Education and Training) young people to support diverse access to entry level employment in the creative sector.
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University of Manchester (UoM)
STAF worked to support UoM’s forthcoming application to UKRI to develop Manchester’s strategy towards becoming the UK’s first Creative Health City Region along with SICK!.
FINANCIAL REVIEW
Financial Position
2023/2024 saw the first year of action in STAF’s “The Future Starts Now” business plan, marked by an effort to streamline core operations to stabilise and protect the organisation, while building the team to ensure the necessary resources to fully realise STAF’s current programmes and potential areas of work. Additionally, STAF actively sought new income diversification avenues, leading to a strategic repositioning supported by focused research, development, and knowledge building.
Income generated through Consultancy and Partnership work within this period includes:
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High Rise Entertainment CIC (consultancy)
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SICK! Productions Limited (consultancy and partnership)
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Faggamuffin Block Party (consultancy)
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Anson Tang (consultancy)
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Live Art Development Agency (consultancy)
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Selina Thompson Limited (consultancy)
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Keisha Thompson (consultancy)
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Arts with the Disabled Association Hong Kong (consultancy and partnership)
In the financial year 2023/24, STAF continued its efforts in social justice-focused programmes. This phase included projects like Building An Anti-Poverty Community, supported by UKRI Community Research Networks and in collaboration with Manchester Central Food Bank, which aimed to tackle poverty innovatively in Manchester's localised clusters.
STAF entered the second year of its significant grant of £180,000 over a 36-month period from the Paul Hamlyn Foundation. This grant, part of the Arts Access and Participation Fund, acknowledges STAF’s wide-ranging impact and supports its efforts to tackle structural inequality in the cultural sector.
Future Plans
Although STAF has secured three years of core support from the Paul Hamlyn Foundation spanning 2023/24 to 2025/26, our approach will continue to evolve towards a diversified funding model. This strategy aims to enhance financial resilience and sustainability over the next three years, with a target distribution of income: approximately 65% from designated projects, 13% from earned income, and the remaining 22-23% from core grants. As part of our financial planning, 74% of our projected unrestricted consultancy income for 2024/25, amounting to £28,800, is already in the pipeline.
In terms of new funding avenues, STAF has made progress in attracting interest from various sources. Notable developments include the following (some pending final outcomes):
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- A further award from UKRI Innovate UK fund (£25,000), as a Bridging Fund for the ‘Building An AntiPoverty Community’ Project, leading up to the application and potential for significant UKRI followon funding to be co-written by participants in the summer of 2024.
Reserves Policy
Total reserves at 31 March 2024 amounted to a deficit of £52,606 (2023: deficit £83,645), comprising deficit £144,057 unrestricted funds (2023: deficit £176,744) and £91,901 (2023: £93,099) of restricted funds.
As part of the ongoing business planning, we will continue to develop our strategy to reach the organisation’s desired reserve policy (3 months of annual expenditure). As at 31 March 2024, the free reserves of the charity were in deficit £144,057 (2023: deficit £176,744). We will continue to keep this policy under review in line with the operational guidelines issued by the Charities Commission.
STRUCTURE, GOVERNANCE AND MANAGEMENT
Governing document
Something To Aim For (STAF) is a Charitable Incorporated Organisation governed by its CIO Constitution dated 28 January 2019.
Organisational structure
During 2023/24, the day-to-day running of STAF is undertaken by STAF’s small core team: Executive Director/CEO, Administrator, and Programme Delivery Lead.
STAF’s core team continued to be supported by a network of associates and specialist consultants, who collectively are responsible for ensuring the successful delivery of the business plan.
Governance
Every Trustee must be appointed for a term of three years by a resolution passed at a quorum meeting of the Trustees.
In selecting individuals for appointment as Trustees, the Trustees must have regard to the skills, knowledge and experience needed for the effective administration of the CIO.
STAF follows a standard process for recruiting new members. Firstly, an advertisement is placed, based on the current skills needed on the Board, requesting new potential Trustees to apply with a CV, and a covering letter stating why they would like to join the Board of Trustees, the current Board will review the selection and invite them to interview. Interviews are usually held with an appointed member of the Board and then a follow up interview with the CEO and Executive Director of STAF.
Any person retiring as a Trustee is eligible for reappointment, provided that a Trustee who has served for three consecutive terms may not be reappointed for a fourth consecutive term but may be reappointed after an interval of at least one year.
Trustee Induction and Training
All trustees receive a board induction pack. This includes STAF’s Constitution which states details of the responsibilities of the charities Trustees, a copy of the most recent Board Papers and the latest Trustees Annual Report and statement of accounts. The individual is then invited along to the next Board meeting where they are officially inducted onto the Board.
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Additional Board information
Board meetings are currently set to 4 meetings every financial year. Agenda points covered in each meeting are:
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Overseeing and review strategy
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Review of current risk register
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Financial performance and position
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Company updates and overview
This report was approved by the Board of Trustees on 16 January 2025 and signed on its behalf by
Mr Matt Burman Trustee
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Independent Examiner's Report to the Trustees of Something To Aim For
I report on the accounts of the charity for the year ended 31 March 2024, which are set out on pages 11 to 24.
Respective responsibilities of trustees and examiner
As the charity's trustees, you are responsible for the preparation of the accounts in accordance with the requirements of the Charities Act 2011 (the 2011 Act).
I report in respect of my examination of the Trust’s accounts carried out under section 145 of the 2011 Act and in carrying out my examination, I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the Act.
Basis of independent examiner's statement
My examination was carried out in accordance with general directions given by the Charity Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit, and consequently no opinion is given as to whether the accounts present a "true and fair view" and the report is limited to those matters set out in the statement below.
Independent examiner's statement
I have completed my examination. I confirm that no material matters have come to my attention in connection with the examination (other than that disclosed below *) which gives me cause to believe that in, any material respect:
ꞏ the accounting records were not kept in accordance with section 130 of the Charities Act; or
ꞏ the accounts did not accord with the accounting records; or
ꞏ the accounts did not comply with the applicable requirements concerning the form and content of accounts set out in the Charities (Accounts and Reports) Regulations 2008 other than any requirement that the accounts give a ‘true and fair’ view which is not a matter considered as part of an independent examination.
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
Richard Nelson FCCA Breckman & Company Ltd Chartered Certified Accountants
49 South Molton Street London W1K 5LH
16 January 2025
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Statement of Financial Activities (including Income and Expenditure Account) for the year ended 31 March 2024
| Unrestricted Restricted funds funds Notes £ £ Income and endowments from: 2 Donations and legacies - page 12 - 81,023 Charitable activities Other trading activities 109,402 Investments 6 - Total 109,408 81,023 Expenditure on: Raising funds: Fundraising 12 - Charitable activities - page 13 77,159 82,221 Total 77,171 82,221 Net income / (expenditure) 32,237 ) (1,198 Reconciliation of funds: Total funds brought forward ) (176,744 93,099 Total funds carried forward 13, 14 ) (144,507 91,901 |
2024 Unrestricted Restricted Total funds funds £ £ £ 81,023 5,000 82,460 109,402 33,649 6 - - 190,431 38,649 82,460 12 4,348 - 159,380 180,933 3,961 159,392 185,281 3,961 31,039 ) (146,632 78,499 ) (83,645 30,112 14,600 ) (52,606 ) (176,744 93,099 |
2023 Total £ 87,460 33,649 - 121,109 4,348 184,894 189,242 ) (68,133 ) (15,512 ) (83,645 |
|---|---|---|
The notes on pages 16 to 24 form an integral part of these financial statements.
The statement of financial activities includes all gains and losses recognised in the year. All income and expenditure derives from continuing activities.
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| Year ended 31 March 2024 2024 £ Income from donations and legacies Grants Hackney Borough Council - - Income from charitable activities Artistic income Consultancy fees 49,932 Virginia Wilson Project 36,957 Other income 22,513 109,402 Project specific funding Grants/Donations Arts Council England - Paul Hamlyn Foundation 60,000 UKRI Community Research Network / BAAPC 6,023 66,023 Donations Queen Mary University London Impact Fund - MMF Anti-Poverty Insight Group 15,000 15,000 81,023 |
43,160 - |
2023 £ 5,000 |
|---|---|---|
| 5,000 | ||
| 16,633 17,016 - |
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| 33,649 | ||
| 7,050 30,000 2,250 |
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| 39,300 43,160 |
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| 82,460 |
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Year ended 31 March 2024
| Expenditure on raising funds Fundraising and publicity of the charity Expenditure on charitable activities Artistic General costs Direct costs Salaries Social security costs Staff pension scheme costs Consultancy Travel Rent/rates Support costs - page 14 Governance costs - page 14 |
2024 £ 12 12 72,799 52,744 3,138 3,174 2,810 2,449 1,495 138,609 10,125 1,206 159,380 |
2023 £ 4,348 |
|---|---|---|
| 4,348 | ||
| 9,964 134,475 5,763 7,456 3,764 691 4,415 |
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| 166,528 12,441 2,400 |
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| 184,894 |
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Year ended 31 March 2024
| Support and governance costs Office overheads Telephone/fax Insurance Amortisation of goodwill Depreciation of plant/machinery Depreciation of fixtures/fittings/equipment Administration costs Staff welfare Entertaining Printing/postage/stationery Subscriptions/licences Sundries Professional/financial Computer costs Bank charges Governance costs Accountancy/consultancy |
2024 £ 115 2,115 2,368 922 542 295 20 48 1,693 3 1,926 78 1,206 |
£ 6,062 2,059 2,004 10,125 1,206 11,331 |
2023 £ 20 1,468 2,369 872 682 336 26 295 692 997 4,556 128 2,400 |
£ 5,411 2,346 4,684 |
|---|---|---|---|---|
| 12,441 2,400 |
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| 14,841 |
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Balance Sheet 31 March 2024
| Notes Fixed assets Intangible assets 9 Tangible assets 10 Current assets Debtors 11 Cash at bank and in hand Liabilties Creditors: amounts falling due within one year 12 Net current (liabilities) Excess of current liabilities over total assets The funds of the charity Unrestricted funds 13 - General fund Restricted funds 14 Total charity funds |
2024 £ 33,888 39,686 73,574 ) (128,549 |
£ 2,368 1 2,369 ) (54,975 ) (52,606 ) (144,507 91,901 ) (52,606 |
2023 £ 89,710 6,200 95,910 ) (185,756 |
£ 4,736 1,465 6,201 ) (89,846 ) (83,645 ) (176,744 93,099 ) (83,645 |
|---|---|---|---|---|
The accounts were approved by the Board of Trustees on 16 January 2025 and signed on its behalf by
Mr Matt Burman Trustee
The notes on pages 16 to 24 form an integral part of these financial statements.
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Notes to the Financial Statements for the year ended 31 March 2024
1. Accounting policies
1.1. Basis of preparing the financial statements
The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice (issued in October 2019) applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019) - (Charities SORP (FRS 102)).
The charity meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy note(s).
1.2. Debtors
Trade and other debtors are recognised at the settlement amount due after any trade discount offered. Prepayments are valued at the amount prepaid after taking account of any trade discounts due.
1.3. Cash at bank and in hand
Cash at bank and in hand includes cash and short term highly liquid investments with a short maturity of three months or less from the date of acquisition or opening of the deposit or similar account.
1.4. Creditors and provisions
Creditors and provisions are recognised where the charity has a present obligation resulting from a past event that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can be measured or estimated reliably. Creditors and provisions are normally recognised at their settlement amount after allowing for any trade discounts due.
1.5. Preparation of the accounts on a going concern basis.
The company is dependent on the continued support of grant aiding bodies. The trustees believe that the company will continue to receive this support and accordingly consider that it is appropriate to prepare the financial statements on the going concern basis.
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Notes to the Financial Statements for the year ended 31 March 2024
1.6. Incoming resources
All incoming resources are included in the Statement of Financial Activities when:
-
the charity is legally entitled to the funds
-
any performance conditions attached to the income have been met or are fully within the control of the charity
-
there is sufficient certainty that receipt of the income is considered probable
-
the amount can be reliably measured
- Donations and legacies
Grants/donations are recognised in incoming resources in the year in which they are receivable, except as follows:
-when donors specify that grants/donations given to the charity must be used in future accounting periods, the income is deferred until those periods
-when donors impose conditions which have to be fulfilled before the charity becomes entitled to use such income, the income is deferred and not included in incoming resources until the preconditions for use are met.
- Charitable activities
Artistic income - is included in incoming resources in the period in which the relevant activity takes place.
Project specific funding - when donors specify that donations and grants are for particular restricted purposes, which do not amount to pre-conditions regarding entitlement, this income is included in incoming resources of restricted funds when receivable.
- Donated services and facilities
Donated services or facilities are recognised as income when the charity has control over the item, any conditions associated with the donated item have been met, the receipt of economic benefit from the use by the charity of the item is probable and that economic benefit can be measured reliably. On receipt, donated services and facilities are recognised on the basis of the value of the gift to the charity which is the amount the charity would have been willing to pay to obtain services or facilities of equivalent economic benefit on the open market; a corresponding amount is then recognised in expenditure in the period of receipt.
- Investment income
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the charity; this is normally upon notification of the interest paid or payable by the Bank.
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Notes to the Financial Statements for the year ended 31 March 2024
1.7. Expenditure
All expenditure is included on an accruals basis inclusive of any VAT which cannot be recovered and is recognised when:
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there is a legal or constructive obligation to make a payment
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it is probable that settlement will be required
-
the amount of the obligation can be measured reliably
- Costs of raising funds
Costs incurred in attracting donations, and those incurred in trading activities that raise funds.
- Charitable activities
Artistic costs - costs incurred in the production of charitable activities in the year.
- Support costs
The administrative and overhead costs associated with running the office from which the company operates as well as governance costs. Support costs are wholly attributable to theatre production costs.
- Governance costs
Costs associated with the constitutional and statutory requirements of the charity.
1.8. Tangible fixed assets and depreciation
Individual fixed assets costing £100 or more are capitalised at cost.
Depreciation is provided at annual rates calculated to write off the cost less residual value of each asset over its expected useful life, as follows:
- Office equipment 33% on straight line - Fixtures/fittings/equipment 25% on straight line
1.9. Pensions
The pension costs charged in the financial statements represent the contributions payable by the company during the year in accordance with SSAP 24.
The regular cost of providing retirement pensions and related benefits is charged to the income and expenditure account over the employees' service lives on the basis of a constant percentage of earnings.
1.10. Fund accounting
Funds held by the charity are either:
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Unrestricted general funds - these are funds which can be used in accordance with the charitable objects at the discretion of the trustees.
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Restricted funds - these are funds that can only be used for particular restricted purposes within the objects of the charity. Restrictions arise when specified by the donor or when funds are raised for particular restricted purposes.
Further explanation of the nature and purpose of each fund is included in the notes to the financial statements.
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Notes to the Financial Statements for the year ended 31 March 2024
1.11. Financial Instruments
The charity only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value, and subsequently measured at their settlement value (with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method).
2. Incoming resources
The total incoming resources for the year have been derived from the principal activity undertaken wholly in the UK.
| 3. Interest receivable Bank interest 4. Net income/(expenditure) for the year is stated after charging: Depreciation of tangible fixed assets Independent examination - other services |
2024 £ 6 2024 £ 3,832 1,206 |
2023 £ - |
|---|---|---|
| 2023 £ 3,923 3,250 |
5. Trustees' emoluments and reimbursed expenses
The trustees received no remuneration during the year.
The aggregated amount reimbursed to trustees during the year was £nil (2023 - £nil)
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Notes to the Financial Statements for the year ended 31 March 2024
| 6. Staff costs and numbers Staff costs Salaries and wages Social security costs Pension costs |
2024 £ 52,744 3,138 3,174 59,056 |
2023 £ 138,000 5,763 7,456 |
|---|---|---|
| 151,219 |
No employee earned £60,000 or more during the year (2023 - £nil).
Staff numbers
The average numbers of employees (including casual and part time staff) during the year was made up as follows:
Production Support |
2024 Number 4 2 6 |
2023 Number 4 2 |
|---|---|---|
| 6 |
7. Pension costs
The company operates a defined contribution pension scheme in respect of its employees. The scheme and its assets are held by independent managers. The pension charge represents contributions due from the company and amounted to £3,174 (2023 - £7,456).
8. Corporation taxation
The charity is exempt from tax on income and gains falling within section 505 of the Taxes Act 1988 or section 252 of the Taxation of Chargeable Gains Act 1992 to the extent that these are applied to its charitable objects.
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Notes to the Financial Statements for the year ended 31 March 2024
9. Fixed assets - intangible assets
| Goodwill £ Cost 1 April 2023 / 31 March 2024 11,843 Provision for diminution in value 1 April 2023 7,107 Charge for year 2,368 31 March 2024 9,475 Net book values 31 March 2024 2,368 31 March 2023 4,736 10. Fixed assets - tangible assets Plant/ Fixtures/ machinery fittings/ equipment £ £ Cost 1 April 2023 / 31 March 2024 2,645 2,727 Depreciation 1 April 2023 1,724 2,183 Charge for year 922 542 31 March 2024 2,646 2,725 Net book values 31 March 2024 ) (1 2 31 March 2023 921 544 |
Total £ 11,843 |
|---|---|
| 7,107 2,368 |
|
| 9,475 | |
| 2,368 | |
| 4,736 | |
| Total £ 5,372 |
|
| 3,907 1,464 |
|
| 5,371 | |
| 1 | |
| 1,465 |
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Notes to the Financial Statements for the year ended 31 March 2024
| 11. | Debtors | 2024 | 2023 | ||
|---|---|---|---|---|---|
| £ | £ | ||||
| Trade debtors | - | 54,030 | |||
| Other debtors | 3,888 | 5,680 | |||
| Prepayments | 30,000 | 30,000 | |||
| 33,888 | 89,710 | ||||
| 12. | Creditors: amounts falling due | 2024 | 2023 | ||
| within one year | £ | £ | |||
| Other taxation/social security | 87,295 | 105,666 | |||
| Other creditors | 37,354 | 73,496 | |||
| Accruals | 3,900 | 6,594 | |||
| 128,549 | 185,756 | ||||
| 13. | Unrestricted funds | Brought | Incoming | Outgoing | Carried |
| forward | resources | resources | forward | ||
| £ | £ | £ | £ | ||
| General fund | ) (176,744 |
109,408 | ) (77,171 |
) (144,507 |
Docusign Envelope ID: 122745CB-7DB0-49E3-847A-265E086D23F8
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Notes to the Financial Statements for the year ended 31 March 2024
| 14. | Restricted funds | Brought | Incoming | Outgoing | Carried |
|---|---|---|---|---|---|
| forward | resources | resources | forward | ||
| £ | £ | £ | £ | ||
| Balance b/f | 14,600 | - | ) (14,600 |
- | |
| Queen Mary University London | 43,160 | - | - | 43,160 | |
| Impact Fund | ) (1,711 |
6,023 | ) (571 |
3,741 | |
| Paul Hamlyn Foundation | 30,000 | 60,000 | ) (60,000 |
30,000 | |
| UKRI Community Research Network | 7,050 | - | ) (7,050 |
- | |
| MMF Anti-Poverty Insight Group | - | 15,000 | - | 15,000 | |
| 93,099 | 81,023 | ) (82,221 |
91,901 |
Paul Hamlyn Foundation
In 2022/2023, STAF secured a significant grant of £180,000 from the Paul Hamlyn Foundation, over a 36-month period. This grant, part of the Arts Access and Participation Fund starting in April 2023, acknowledges STAF's wide-ranging impact and supports its efforts to tackle structural inequality in the cultural sector.
MMF Anti-Poverty Insight Group
The year 2023/2024 saw the first year of a two-year commission by the Manchester City Council's Public Health Department to convene and manage an Anti-Poverty Insight Group. This initiative plays a vital role in delivering the council's Making Manchester Fairer: Anti-Poverty Strategy by ensuring that a diverse range of communities are actively involved in consultations and can influence policy decisions that directly impact them.
UKRI Community Research Network
The Building An Anti-Poverty Community (BAAPC) project is a collaboration between STAF and Manchester Central Foodbank (MCF), supported by a UK Research and Innovation (UKRI) Community Research Networks grant. This initiative reflects a shift towards a more community-driven approach to research and innovation, focusing on the effective use of creativity as a tool for community engagement and social change. The project leverages the support of UKRI to integrate the public's role in research, focusing on developing solutions that are practical and resonate with the community's needs. BAAPC operates within Manchester four localised clusters across the city of Manchester, utilising MCF's Anti-Poverty Community network for a collective and innovative approach to tackling poverty, primarily through workshops and dialogues.
Fixed assets
This fund consists of grants/donations received specifically for the purchase of fixed assets. The funds are transferred to the general fund over the expected useful life of the assets.
Docusign Envelope ID: 122745CB-7DB0-49E3-847A-265E086D23F8
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Notes to the Financial Statements for the year ended 31 March 2024
15. Analysis of net assets between funds
| General Restricted funds funds £ £ Fund balances at 31 March 2024 are represented by: Tangible fixed assets 2,369 - Net current (liabilities) ) (146,876 91,901 ) (144,507 91,901 |
Total £ 2,369 ) (54,975 ) (52,606 |
|---|---|
16. Related party transactions
During the year the charity had no related party transactions that require disclosure.
16. Liability of members
If the CIO is wound up, the members of the CIO have no liability to contribute to its assets and no personal responsibility for settling its debts and liabilities. At 31 March 2024 there were 7 members.