## # ## ## ## |||||||SORP reference|| |---|---|---|---|---|---|---|---| |Summary||ofthe purposes|||of|Para 1.17|To advance the education
ofthe public in| |the charity as set out||||in its|||the aft of music and in particular the| |governing||document|||||promotion
of public education
in and| ||||||||appreciation
ofthe life and works ofPeter| ||||||||Maxwell Davies.| |Summary
activities||ofthe main
in relation to those||||Para 1.17and
1.19|The year 2021 was still dominated
by the
pandemic
COVID19 and the new variant| |purposes||for the public|||||Omicrom,
which affected live music making| |benefit,|in particular,|||the|||and recording
plans for most ofthe year.| |activities,||projects|or||||So many plans collapsed orwere| |services||identified|in|the|||postponed.| |accounts.|||||||The Trust was closely involved
with the| ||||||||setting
up ofthe PMD Research
Network,| ||||||||set up by Dr Nicholas Jones, based at| ||||||||Cardiff University.
Dr Jones is now a| ||||||||Trustee.
A Study Day, planned
by Dr| ||||||||Jones for March 2020 and postponed
twice| ||||||||during the year, eventually
took place at| ||||||||Cardiff University
on 4 December 2021.| ||||||||Two other Trustees were also present and| ||||||||one, Sylvia Junge, gave a paper which was| ||||||||warmly
received.
Two concerts presented| ||||||||works by Peter Maxwell Davies, including| ||||||||seven world premieres,
which are an| ||||||||important
addition to the oevre and are| ||||||||being discussed
with the BBCand for a| ||||||||recording (see below).| ||||||||The Trust worked on a major recording| ||||||||project with the Danish ensemble
Athelas,| ||||||||to feature a sequence of previously| ||||||||unrecorded
works including
the outstanding| ||||||||ensemble
piece A Mirror ofWhitening| ||||||||Light. The funding
will come jointly from| ||||||||the Trust and Athelas,
with support
from| ||||||||Danish Radio. This was scheduled
for the| ||||||||last week ofJanuary
2021 but has had to| ||||||||be postponed
yet again as Denmark
is still| ||||||||in total shutdown.| ||||||||The Trust continued
to develop the website|The Trust continued
to develop the website| |---|---|---|---|---|---|---|---|---| ||||||||themaxtrust.
org, which has received much|| ||||||||praise.
In December 2021 a postgraduate|| ||||||||student
at the Royal Academy|of Music| ||||||||was appointed
to develop and enrich the|| ||||||||website,
in particular
to boost|social media| ||||||||emanating
from the Trust and|to seek out| ||||||||and add personal
reminiscences
ofthe|| ||||||||composer while they are still able to do so.|| ||||||||The Trust dealt with many enquiries,|| ||||||||induding
permissions
requests
from the|| ||||||||composer's
publishers
and general|| ||||||||requests
from the public seeking|| ||||||||information.|| |Statement|||confirming|||Pare 1.18|The Trustees have had regard|to the| |whether|the trustees|||have|||guidance issued by the Charity|| |had regard|||to the guidance||||Commission
on public benefit.|| |issued by||the Charity||||||| |Commission|||on public|||||| |benefit||||||||| |dditional||information|||(optional)|||| |ou ma|choose to include|||||further statements|where relevant about:|| |||||||SORP reference||| ||||||||To preserve the legacy ofthe|composer,| |||||||Pere 1.38|through
research,
recordings|and other| |Policy on||grant making|||||musical activities
in his name.|| ||||||||To fund projects outside London which|| |||||||Para 1.38|promote greater musical engagement:|| |Policy on||social investment|||||Music in unusual
places.|| |including||program
related||||||| |investment||||||||| ||||||||Not appiicable|| |||||||Para 1.38||| |Contribution|||made by|||||| |volunteers||||||||| ||||||||Not applicable|| |Other||||||||| ## ## |||See 'Summary
ofthe main activities'|See 'Summary
ofthe main activities'| |---|---|---|---| |||above.|| |Summary
ofthe main
achievements
of the charity,|Para 120|These achievements
have increased the
knowledge
and understanding
ofthe public|| |identifying
the difference the||in music and the arts in general|and the| |charity's
work has made to||works of Peter Maxwell Davies|in particular| |the circumstances
ofits||and the heritage he left behind|and thereby| |beneficiaries
and any wider||enhanced
their cultural
well-being.|| |benefits to society as a|||| |whole,|||| ## ## |inancial Review|inancial Review|||||||| |---|---|---|---|---|---|---|---|---| |Review ofthe charity's|||Para|121|The Trust was|in a healthy
financial||| |financial
position at the end|||||position at the|end ofthe year|with|| |ofthe period|||||sufficient funds
administration|to meet its anticipated
costs and prospective||grant| ||||||~fdin
f
th*f
s eehr
f||t n.|| |Statement
explaining|the||Para|1.22|Reserves are|not considered|necessary|| |policy for holding reserves
arni~hth*
I
Id||||||||| |Amount
ofreserves|held||Para|1,22|E'0|||| |Reasons for holding|zero||Para|1.22|Not considered|necessary||| |reserves||||||||| |Details offund materially||in|Para|1.24|Not applicable|||| |deficit||||||||| |Explanation
of any
uncertainties
about|the||Para|1 23|The trustees do not consider
~an
s
h
cert tnte.||that there are|| |The charity's
principal|| |---|---| |sources offunds (including|Para nor| |any fundraising)|| |Investment
policy and|| |objectives Including
any|Para 1.46| |social investment
policy|| |adopted|| |A description
ofthe principal|Para 186| |risks facing the charity|| |Other|| ## |Description|ofcharity's||||| |---|---|---|---|---|---| |trusts:|||||| |Type Of gOVeming
dOCument||I Para1 25|Constitution||| |How isthe|charity|Para 1 25|Charitable|Incorporated|Organisation| |constituted|r||||| ||t1||||| |Trustee selection methods||Para 1.25|Trustees are selected||by the existing| |including
details of any|||trustees||| |constitutional
provisions e.g.|||||| |election to|post or name of||||| |any person|or body entitled||||| |to appoint|one or more||||| |trustees|||||| ## ## ## ## ## ##