~~GO Ce se~~ a a 1 ~~GO LO~~ 1 ~~GO OO~~ 1 ~~GO~~ A ~~GG OO Bh~~ Names of the trustees for the charity, if any, (for example, any custodian trustees) ~~[Name | Daattes acted if not for whole year~~
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Names and addresses of advisers (Optional information)
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Type of adviser Name Address
Price Bailey LLP Anglia House, 6 Central Avenue, St Andrews Business
Park, Thorpe St Andrew, Norwich, NR7 OHR
Name of chief executive or names of senior staff members (Optional information)
Section B Structure, governance and management
Description of the charity’s trusts
Type of governing document Constitution adopted 7 February 2017
How the charity is constituted Charitable Incorporated Organisation
Trustee selection methods Appointed by the board of trustees
Additional governance issues (Optional information)
You may choose to ,include The Foundation operates the; Vannucci Artists , Residency , (VAR);
wg: ; ; programme for international artists. VAR selects artists for residencies
additional information, where ; . ; wos .
relevant. about: allowing them to grow and develop their practice while living and working
within the village of Citta della Pieve, Italy. They are also given the
e policies and procedures opportunity to travel locally and elsewhere in Italy.
adopted for the induction and
training of trustees; The Foundation has been operating the VAR programme since 2017. The
, oo programme now benefits from a committed community of alumni and other
e the charity's organisational distinguished advocates in the Art world that has grown over the years.
structure and any wider
network with which the charity |The Residency is by invitation only. Selection of residents is based on
works; long-term relationships - and artists invited to participate are carefully
° relationship with any related reviewed by Trustees and a referral network that consists of curators,
parties: gallerists and other art professionals. These experts are champions of
emerging artists in their professional lives - discovering and launching the
e trustees’ consideration of careers of international contemporary artists.
major risks and the system
and procedures to manage The Foundation follows a robust annual selection and approval procedure
them. for artist residencies as follows:
1) The Foundation identifies a pool of candidates for the year’s
residency programme.
2) The Foundation sends invitations to candidates to submit
proposals for the residency.
3) The Foundation’s Chair and curator(s) review candidate proposals
and make final recommendations to the Trustees.
4) The Trustees review candidate proposals and recommendations.
5) There is final approval by the Trustees of successful candidates.
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Citta della Pieve and the surrounding areas are known for staging a local
ic festival and the activities of the Foundation contribute to the
music i. fi destination f ‘ovina the Arts. The VAR
[gene rong 2s 2 cece teed ne as ne ,
residencies provide an opportunity for exceptional international artists to
collaborate with artisans and reach out into the local village and
; i
surrounding communities.
A “a: , ,
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continuing viability.
The Foundation looks for opportunities to introduce VAR artists’ work to
the Art world — including curators and gallery owners - whenever
possible. It also provides any support artists require when applying for
other residencies or competitions. Finally, it aims to find ways to include
their works in exhibits at galleries and museums as determined by the
Foundation and its resident artists, including in Italy, the UK and/or the
home country of the artist.
The Foundation continues to monitor the progress of past residents and
provide them with advice and career guidance available to them.
We note the success of past residents — details are provided on the VAR
website.
A renovation and expansion project was ongoing during most of the year
covering the VAR residency property and buildings so that the
Foundation only welcomed residents at the end of the year. The
renovation is now complete - and the expanded property will be able to
accommodate up to 5 residencies a year. It is envisioned that the
Foundation will not only invite visual artists to the VAR programme, but
also artists working in other Art forms, such as music and literature.
Further details of the expanded programme are under discussion.
Additional details of objectives and activities (Optional information)
N/A
You may choose to include
further statements, where
relevant, about:
e policy on grantmaking;
e policy programme related
investment;
e contribution made by
volunteers.
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during the year Min Woo Nam graduated from Royal
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“… This experience became a turning point, allowing me to take my artistic practice in new directions. Although I faced challenges and encountered obstacles, I was able to break down the barriers between reality and the digital world through the concept of "errors" and gained a deeper awareness of the space where I truly stand.”
“I’ve been documenting remnants of arches in the brickwork/ developing instax photo transparencies on site/gathering some graphite rubbings/turning found bricks into prints. I’ve started to make handmade paper today and am going to be casting some of these architectural surfaces this week.
The town residents are very sweet and curious too, often stopping to ask me questions when I’ve been working in the town . . . I met a lovely woman on via Pietro Vannucci who, when I told her about my interest in the history of the town’s architecture, was kind enough to invite me into her home to see the restoration of brickwork. They found and excavated a grotto under the floor, with the entrance very casually under her dining room table, which I was lucky enough to be able to enter and photograph.
[I am} very inspired here and . . .busy making work!
“It has been two weeks since I arrived at Citta della Pieve. Everyday I would go for a morning run to the city centre and back. On the way, there are several spots where I take a moment to absorb the blessings of nature. It is the same path but different everyday in [the] tone, light and colour. In the evening, you have the joy of – quietness apart from the chirps of insects. I can only hear myself.
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I had never realised how bright the moon was. I had never realised how vast the outward space is fixed with countless stars. I questioned myself how many more times will I see the full moon rise? – Yet it all seems limitless. [My] painting is finished. It is only made from the natural pigments. Black-octopus, Red – Chinese dragon fly wings, Blue of course from lapis lazuli. I see this painting as a wide human drama – beginning from divine (Blue) to human suffering and passion (Red) and eventually returning to the whole (White). I suggest [having] a look after sunset. Thank you for giving me the opportunity to stay in your wonderful house. These moments I will never forget.”
Signed on behalf of the charity’s trustees
Ida Levine (Oct 3, 2025, 6:00pm)Ida Louise Levine Trustee 3 Oct 2025
Sub total (Gross income for AR)
Sub total Total receipts
~~—SSSSCSC~iSC‘“‘;CS;SS dC dT («dC [Bankrevaluations——SSSSSC~dTcosts SSCS TTT Cd] «dC~~ Sub total ~~ACN~~ 6 ~~ES 6~~ 6 ~~ETT~~ A4 Asset and investment purchases, (see table) ~~ee ee~~ Sub total Total payments ~~a~~ | Net of receipts/(payments) AS Transfers between funds ~~|||~~ A6Cashfundslast yearend ~~| 39303}([———-|{——S—-]~~ Cash funds this year end_ ~~eS ‘(~~ | ~~| ——SS—=i~~ 9,803 |
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Total cash funds
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Ida Louise Levine 03 Oct 2025
Ida Levine (Oct 3, 2025, 6:00pm)
Independent Examiner's Report to the Trustees of The Deighton Family Foundation
I report to the charity trustees on my examination of the accounts of the The Deighton Family Foundation CIO for the year ended 31 December 2024.
Responsibilities and basis of report
As the charity’s trustees you are responsible for the preparation of the accounts in accordance with the requirements of the Charities Act 2011 (‘the Act’).
I report in respect of my examination of the charity’s accounts carried out under section 145 of the Act and in carrying out my examination I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the Act.
Price Bailey LLP have provided book-keeping services to the Charity. I have applied the FRC’s Revised Ethical Standard.
Independent examiner's statement
I have completed my examination. I confirm that no material matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
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accounting records were not kept in respect of the charity as required by section 130 of the Act; or
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the accounts do not accord with those records.
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
hin by d—
Aaron Widdows ACA FCCA
Price Bailey LLP Chartered Accountants
Anglia House, 6 Central Avenue,
St Andrews Business Park,
Norwich,
NR7 0HR
6 October 2025