## **KAYD SOMALI ARTS AND CULTURE** 

**ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2021 COMPANY NUMBER: 06851116 CHARITY NUMBER: 1170441** 

**2021** 

**R E G I S T E R E D O F F I C E : Oxford House, Derbyshire Street, London, England, E2 6HG** 1 



**COMPANY NUMBER: 06851116** 

# **CHARITY NUMBER: 1170441** 

## **KAYD SOMALI ARTS AND CULTURE** 

# **DIRECTORS REPORT AND FINANCIAL STATEMENTS FOR THE PERIOD ENDED 31[ST] MARCH 2021** 

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**KAYD SOMALI ARTS AND CULTURE** 

## **ADMINISTRATIVE DETAILS** 

**Trustees** : Prof Michael Walls Dr Giulia Liberatore Quman Akli Rashid Sheikh ABDULLAHI Dr Said Jama HUSSEIN Cornelie Ferguson Bare Awgab Dagaal Dr Fatumo Abdillahi Julia Farrigton 

|**Company Number**:|06851116|06851116|||
|---|---|---|---|---|
|**Charity Number**:|1170441||||
|**Registered Office**:|Oxford House||||
||Derbyshire Street||||
||London, England, E2 6HG||||
|**Bankers:**|Barclays Bank||||
||240 Whitechapel Road||||
||London||||
||E1 1BJ||||
|**Independent Examiners:**|||||
||Charles Osei,||||
||Practical Accounting Training Ltd||||
||Equitable House,|||2ndFloor|
||10|Woolwich New Road|||
||London SE18||6AB||



3 



**Trustees’ Annual Report for the period** 

## **Year Ended 31 March 2021** 

## **Charity name: KAYD Somali Arts & Culture** 

## **Charity registration number:** 1170441 

## **Objectives and Activities** 

||SORP<br>reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|To promote art, culture and heritage,<br>particularly (but not exclusively), Somali<br>arts, culture and heritage, for the benefit of<br>the public, including (without limitation),<br>musical, literary, dramatic, performance,<br>dance, and visual arts, particularly, but not<br>exclusively, by organising and delivering<br>arts and cultural events and festivals.<br>To advance the education of the public<br>(particularly but not exclusively, in Somali<br>heritage, culture and the arts), including<br>(without limitation), musical, literary,<br>dramatic, performance, dance and visual<br>arts, particularly but exclusively through<br>workshops, debates, discussions and other<br>educational programmes.<br>Also, to provide for the recreation of people<br>involved and/or engaged in the activities of<br>the Charity, by providing services and<br>facilities to them in the interest of social<br>welfare, with the objective of improving<br>their conditions of life.|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17<br>and 1.19|Somali Week Festival 2020. The Covid19<br>pandemic fundamentally affected our entire<br>program and our delivery plan changed to<br>hosting the entire Somali Week Festival<br>online.<br>The flagship event of Kayd is Somali Week<br>Festival (SWF) through which Kayd creates<br>an inclusive and innovative space for all<br>Somalis to enjoy their cultural heritage and<br>right to freedom of expression, bringing<br>together people from across social and<br>political<br>divisions<br>that<br>separate<br>the<br>community in other contexts. We presented<br>an online festival that aimed to both inform<br>and entertain the community. In doing this,<br>we created a 5-day festival across the final<br>two weekends of October in line with the<br>UK's<br>Black<br>History<br>Month,<br>with<br>a<br>combination of both live online events as|



4 



|||well as the pre-recorded segments at Oxford<br>House including traditional Somali dance,<br>young poets performing, visual artists doing<br>a talk and display of their art and children's<br>entertainers<br>conducting<br>an<br>interactive<br>learning and play session. The live online<br>events included the opening launch panel<br>which also had live music as well as an<br>academic panel discussion, a specially<br>commissioned Covid-19 panel with Tower<br>Hamlets Council, two book launches and a<br>talk with a Somali movie Director. The<br>festival ended with a live streamed pre-<br>recorded in Hargeysa concert and interview<br>with one of the most popular Somali artists<br>to have emerged in the last few years.<br>In putting on this festival, we were also able<br>to continue to support artists, hit hard in their<br>industries by the pandemic and lockdown by<br>providing much-needed income as well as a<br>platform and exposure during a tough time.<br>It also allowed our sessional staff, including<br>videographers, to earn the income they rely<br>on during the festival, which is a lifeline for<br>freelancers.<br>We also continue to have a strong partner<br>relationship with the Hargeysa International<br>Book Fair. Kayd has supported the delivery<br>of the Hargeysa International Book Fair and<br>Hargeysa Cultural Centre as well as The<br>Red Sea Online Cultural Foundation.|
|---|---|---|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public<br>benefit|Para 1.18|Trustees have read, understood and have<br>had regard to the Charity Commission’s<br>public benefit guide when making decisions<br>of Kayd’s activities, management and<br>organisation.|



## **Additional information (optional)** You may choose to include further statements where relevant about: 

||SORP reference||
|---|---|---|
|Policy on grant making|Para 1.38|Kayd supports the annual Hargeysa<br>International Book Festival, and<br>occasionally other projects that are directly<br>related to its charitable aims. Partner<br>organisations present a proposal to Kayd<br>and the final decision to support the project<br>rests with the Board of Trustees. Kayd<br>issues a contract whenever a partnership is<br>confirmed.|
||Para1.38|N/A|



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|Policy on social investment<br>including program related<br>investment|||
|---|---|---|
|Contribution made by<br>volunteers|Para 1.38|Due to the pandemic, the volunteers<br>program has been halted.|
|Other|||



## **Achievements and Performance** 

||SORP<br>reference||
|---|---|---|
|Summary of the main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the circumstances of its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|Para 1.20|Kayd Somali Arts & Culture has<br>successfully planned, managed and<br>delivered the Somali Week Festival over 11<br>consecutive years.  This year the Covid-19<br>pandemic effectively forced the<br>cancellation not only of the in-person<br>Somali Week Festival but also all other ad<br>hoc events.<br>As a result, Kayd has had to drastically<br>change and adapt how it connects with its<br>audience as well as how it provides a<br>platform for its artists. From April 2020 we<br>re-branded Kayd across all platforms with a<br>secure website. We committed resources<br>to developing Kayd digital assets to create<br>an archive of 11 years of performances<br>and events with Kayd’s Somali Week<br>Festival as the basis for our online digital<br>cultural hub. Once completed it will be the<br>largest Somali cultural hub online,<br>showcasing many of the greatest Somali<br>artists and thinkers who have attended the<br>festival.<br>This has allowed us to build the capacity of<br>our organisation by expanding our arts<br>programme online, build our digital<br>infrastructure and resilience through<br>adapting to the pandemic. Our priority is<br>ensuring the safety of the community,<br>which means that for we focused on<br>creating new and ongoing online events<br>and platforms.<br>The most successful of these online<br>programs was‘Confined but Creative’<br>which offered an opportunity to emerging<br>artists in various mediums in the UK to<br>submit their response and reaction to<br>Covid-19 and the lockdown. We were able<br>to support 150 artists (from London, Bristol,|





Manchester, Birmingham and Sheffield), via online live performances, hosted by prominent Somalis within the arts world in the UK. We managed to reach international audiences and inspired the Somali community with our live Zoom performances weekly as well as our social media platforms by giving a platform to each artist everyday on Instagram and Facebook. Additionally we took this time to allocate resources to and develop Kayd organisational structures, refining systems and processes including developing our 5- year strategic business plan, yearly strategic plans, HR polices as well as reviewing our Board and staff. Kayd was successful in raising funds in support of SWF and quarterly programs particularly around Covid-19 and vaccine awareness (funders include Arts Council England; Tower Hamlets Council; Gecko Foundation; Oxford House; SOAS; UCL; community funds and GLA). 

## **Additional information (optional)** You may choose to include further statements where relevant about: 

||||
|---|---|---|
|Achievements against<br>objectives set|Para 1.41||
|Performance of fundraising<br>activities against objectives<br>set|Para 1.41||
|Investment performance<br>against objectives|Para 1.41||
|Other|||



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## **Financial Review** 

|**Financial Review**|||
|---|---|---|
|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|The Total income for the year was<br>£118,389 (2020: £148,369) and the total<br>expenditure for the year was £115,060<br>(2020: £142,934).|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|The reserves balance is the surplus for the<br>year added to surplus of previous years<br>help for spending in the future. Reserves<br>represent net assets and are held in order<br>to facilitate continued operation of Kayd.|
|Amount of reserves held|Para 1.22|£17,500 (2020: £14,171)|
|Reasons for holding zero<br>reserves|Para 1.22|N/A|
|Details of fund materially in<br>deficit|Para 1.24|N/A|
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|There are no uncertainties in relation to the<br>charity continuing as a going concern. In<br>spite of the pandemic we remain in a good<br>financial position.|



## **Additional information (optional)** You may choose to include further statements where relevant about: 

The charity’s principal sources of funds (including any fundraising) Para 1.47 Investment policy and objectives including any social investment policy Para 1.46 adopted A description of the principal risks facing the charity Para 1.46 Other 

8 



## **Structure, Governance and Management** 

|Description of charity’s<br>trusts:|||
|---|---|---|
|Type of governing document<br>(trust deed, royal charter)|Para 1.25|Articles of Association|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|Private limited company|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para 1.25|Trustees are selected by the Managing<br>Director and Artistic Director in agreement<br>with Trustees and in accordance with<br>Articles 25-27 of Kayd’sArticles of<br>Association.|



## **Additional information (optional)** You may choose to include further statements where relevant about: 

|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51||
|---|---|---|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51||
|Relationship with any related<br>parties|Para 1.51|Kayd works closely with the Hargeysa<br>Cultural Centre both during the Somali<br>Week Festival and the Hargeysa<br>International Book Festival.|
|Other|||



## **Reference and Administrative details** 

|Charity name|Kayd Somali Arts and Culture|
|---|---|
|Registered charity number|1170441|
|Charity’sprincipal address|Oxford House<br>Derbyshire Street<br>London, England, E2 6HG|



9 



orate trustees- names of the directors at the date the re
Dlr•etor nam•
ortwasa
roved
NIA
Name of trustees holding title to property belonging to the charity
Trustee name
Dates acted If not for whole
ear
NIA
Funds held as custodian trustees on behalf of others
Description of the assets
NIA
held in this capacity
Name and objects of the
charity on whose behalf Ihe
assets are held and how this
falls within the custodian
charity's objects
NIA
Details of a￿angements for
safe custody and
segregation of such assets
from the charity's own
assets
NIA
Declarations
The trustees declare that they have approved the trustees, report above.
Signed on behalf of the charity's trustees
Slgnaturels)
Full name{s)
Position (eg Secretary,
Chair, etc)
chael Walls
Quman Akli
Chair
Trustee
Date
18 October 2021
io

Independent examinerfs report to the trustees of KAYD Somali Art & Culture
I report on the accounts of the c4xnpany for year erKJed 31 March 2021. which are set out on
pages 13 to 17.
Respective responsibilities of trustees and examiner
The trustees (vtho are also the direcior5 of the (x)mpany for the putposes of company law)
are responsible for the preparation of the accounts. trustees consider that an audit is not
required for this year under section 144{2) of the Charities Ad 2011 (the Charities Act) and
that an independent examination is rEed8d.
Having satisfEd myself that the charity is not subject to audit under company law and is
eligitde for independent examination. it is my responsibilty to:
examine the accounts under seclion 145 of the Charities Ad;
to follow the procedures laid down in the general Directions given by the Chartty
Commission under section 145 {5)(b)of the Charities Art and
• to state whether parts"cular matters have come lo my attention.
Basis of independent examinerfs report
My examination was Carried out in accordan￿ with the general Dire¢tions given by the
Charity Commission. An examination indudes a review of the accounting records kept by the
charty and a comparison of the accounts presented wtth those records. It also includes
consideration of any unusual items or disdosures in the accourrts. and seeking explanations
from you as trustees conceming any such rnatt￿5. The procedures undertaken do not
provide all the eviden￿ that would be required in an audit and consequently no opinion is
given as to vthether the accounts present a Irue arKI fair vie%V and the report is limited to
those matters set out in the statement below.
Independent examinerfs statement
In connection wtth my examination. no matter has come to my attention:
1) which gives me reasonable cause to believe that in any material resFEd, the
requirements"
to keep a¢¢ounttro records in a￿)rdan￿ with section 386 of the Companies Act
2006" and
to prepare accounts which accord with the accounting records, comply with the
accounting requirements of section 396 of the Companies Ad 2006 and with the
methods and principles of the Statement of Recommended Pradir£" Accounting and
Reportir¥J by Charibes have not been met: or
2) to which, in my opinion, attention shoukl be drawn to enable a woper understanding
of the accounts to be ￿athed.
CharFes Osei, MSG. ACIE, AFA. ATA. MCIPP
Pradical Accounting Trainir¥J Ltd
Equitable House, 2" Floor, 10 Wo(h%•ich New Roaj, London SW18 6AB


All income and expenditure derives from continuing activities and there are no gains and losses other than those passing through the Statement of Financial Activities. 

The notes on pages 14 - 16 form part of these financial statements. 

12 



8ALANCE SHEET
AS AT 31 MARCH 2021
Notes
2021
2020
CURRENT ASSETS
Debtors
Cash in bank
1,500
42,348
43,848
80,330
80,330
Less CURRENT LIABILITIES
Accruals
26,348
26,348
66,159
66,159
NET CURRENT ASSETS
TOTAL ASSETS LESS TOTAL LIABILITIES
17,500
17,500
14,171
14,171
CAPITAL AND RESERVES
Balance Brought Forward
SurplusllDeficit)
Total Funds
14,171
3,329
17,500
8,736
5,435
14,171
For the year ended 31 March 2021 the company was entitled to exemption from audit under
section 477 of the Companies Act 2006 relating to small companies.
Directors. res
onsibilities-
The members have not required the company to obtain an audit of its accounts for the year
in question in accordan￿ with section 476.
The directors acknowledge their responsibilities for complying with the requirements of the
Act with respect to accounting re￿rdS and the preparation of accounts.
These accounts have been prepared in accordance with the provisions applicable to
companies subject to the small company regime.
The accounts were approved by the Trustees on 14 October 2021 and signed on their behalf
by
((
ichael
alls
Chalr of Trustees
The notes on pages 14 to 16 form part of these Financial Statements.
13

**NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2021** 

## **1. ACCOUNTING POLICIES** 

## **Basis of preparation of financial statements** 

The accounts have been prepared under the historical cost convention and in accordance with the Financial Reporting Standard for Smaller Entities effective April 2008). 

## **Turnover** 

Income comprises donations and grants received towards the activities of the company. 

## **2. TURNOVER** 

The company’s entire income arose withi n the United Kingdom. The sources of income were partnerships, sponsorships and donations from institutions and individuals. The table below shows the breakdown of income for the year by the source: 


The total income figure for 2021 on the Statement of Financial Activities includes additional income of £7 from bank interest. 

14 



## **3. Expenditure** 


## **4. Debtors** 


The accrued income is expected from the Greater London Authority. 

## **5. Creditors** 


The deferred income last year for £57,428 was released to finance the operations in the current year. The £10,000 deferred income is donation received towards the operations of the charity in the next financial year. 

15 



## **6. Restricted Funds** 


## **7. Related Party Transactions** 

There were no related party transactions for the year. 

## **8. Trustees Expenses** 

The total trustees’ expenses incurred on the trustees of the charity for the year was NIL. 

16 

