## **Trustees’ Annual Report for the period** 

**From  01 August 2022    To 31 July 2023** 

**Charity name: Collegium Laureatum** 

**Charity registration number: 1169986** 

## **Objectives and Activities** 

||SORP reference||
|---|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|Para 1.17|The object of the Society shall<br>be to advance, improve,<br>develop and maintain public<br>education in, and appreciation<br>of, the  art and science of<br>music in all its aspects by any<br>means the trustees see fit,<br>including through the<br>presentation of public concerts<br>and recitals|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or<br>services identified in the<br>accounts.|Para 1.17 and<br>1.19|During the financial year August 2022 to<br>July 2023 we rehearsed for three terms of 8<br>to 13 weeks each and presented three<br>concerts of choral music open to the public,<br>two at the University Music School, West<br>Road, Cambridge and one at the University<br>Church, Great St Mary’s.<br>The trustees believe that the activities of<br>Collegium Laureatum benefit the public in<br>two ways. Membership is open without<br>audition to all adults, young and old, who<br>wish to sing, and this inclusivity allows<br>those with less experience to rehearse and<br>perform alongside those with more<br>experience or musical skill and thus to<br>enhance their choral technique and enlarge<br>their knowledge and understanding of<br>choral repertoire. It also allows ageing<br>members to remain in the choir, supported<br>by those around them, and this helps them<br>to retain social contacts and continue to take<br>part in an activity they love.<br>The audience benefit from the opportunity<br>to attend our concerts performed by choir,<br>orchestra and soloists and to enjoy choral|






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music from the baroque, classic and<br>romantic genres. We sometimes include<br>works which are rarely performed which<br>extends the musical education of the<br>audience as well as the performers.<br>The Trustees are always concerned to make<br>the choir's activities affordable for members<br>and for audience and offer concessionary<br>rates. Members under 35 pay a reduced<br>subscription, a facility is provided to all for<br>payment of subscriptions in instalments and<br>encouragement is publicised for members<br>with financial difficulties to privately<br>discuss reduced subscription with the<br>Treasurer. Half-price concert tickets are<br>available for young people up to age 26, and<br>audience supporters who assist as concert<br>stewards are provided with a free ticket.<br>The Trustees have introduced a “Home<br>Singer” class of membership, at greatly<br>discounted cost, for those members who are<br>still isolating at home in order to keep away<br>from any risk of covid-19 infection and<br>wish to follow the live stream of the<br>rehearsal. This initiative is welcomed by<br>those affected and helps bring some<br>structure and social contact into their week.<br>Statement confirming  Para 1.18 The trustees have complied with the duty in<br>whether the trustees have  section 4 of the Charities Act 2006 to have due<br>had regard to the guidance  regard to public benefit guidance published by<br>issued by the Charity  the Charity Commission.<br>Commission on public<br>benefit<br>**----- End of picture text -----**<br>


## **Additional information (optional)** You may choose to include further statements where relevant about: 

SORP reference Para 1.38 Policy on grant making Para 1.38 Policy on social investment including program related investment Para 1.38 Contribution made by volunteers 



Other 

## **Achievements and Performance** 


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SORP reference<br>2022-2023 was our first year of full<br>activities following the covid-19 pandemic.<br>During the year, under the direction of Ian<br>Summary of the main<br>Para 1.20 Cobb, we rehearsed and performed three<br>achievements of the charity,<br>identifying the difference the concerts, chosen to appeal both to audience<br>charity’s work has made to  and to singers:<br>the circumstances of its<br>December 2022– Handel Messiah Part 1<br>beneficiaries and any wider<br>and Vivaldi Gloria<br>benefits to society as a<br>whole. Easter 2023 – Missae Solemnes by Mozart<br>and Sussmayr<br>July 2023 – works by Purcell<br>During each term of rehearsals<br>approximately 30-40 members took part,<br>learning the music, preparing for<br>performance and benefitting physically and<br>psychologically from the experience of<br>taking part in a communal, creative and<br>fulfilling experience. Rehearsals were live-<br>streamed for the benefit of the “Home<br>Singers” and also for those who for any<br>reason could not attend the rehearsal. As<br>well as people who were away because of<br>illness this was beneficial to less mobile<br>members who did not feel safe to venture<br>out in poor weather conditions.<br>In total the audience numbered<br>approximately 600 between the three<br>concerts and on each occasion they<br>expressed their enjoyment enthusiastically.<br>For each concert we included orchestral<br>players as appropriate for the work, and<br>young professional or student soloists. The<br>opportunity for young soloists to perform<br>with a choir and orchestra in front of an<br>appreciative audience and in a good concert<br>hall is important for their development as<br>singers and is appreciated by them and by<br>their tutors; their enthusiasm and<br>commitment is a great delight for the<br>audience and other performers.<br>**----- End of picture text -----**<br>


**Additional information (optional)** 



You may choose to include further statements where relevant about: 


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Achievements against  Para 1.41<br>objectives set<br>Performance of fundraising<br>activities against objectives  Para 1.41<br>set<br>Investment performance  Para 1.41<br>against objectives<br>Other<br>**----- End of picture text -----**<br>




## **Financial Review** 


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Review of the charity’s  Para 1.21 Accounts examined and approved by<br>financial position at the end  Jeremy Wong 4 October 2023<br>of the period<br>Statement explaining the  Para 1.22 Reserves are retained to allow the choir to<br>policy for holding reserves  continue operating at times when<br>stating why they are held expenditure exceeds income. Since the<br>covid-19 pandemic, our income has been<br>much decreased and the expenditure of<br>some of our reserves has allowed continued<br>singing opportunities while minimising the<br>increase in subscriptions, to encourage<br>members to remain connected to the choir.<br>Amount of reserves held Para 1.22 £15,000 approx<br>Reasons for holding zero  Para 1.22<br>reserves<br>Details of fund materially in  Para 1.24<br>deficit<br>Explanation of any  Para 1.23 Currently our reserves are sufficient to<br>uncertainties about the  allow us to continue operating with our<br>charity continuing as a going decreased membership for 2023-2024 and<br>concern beyond.  We have decided to invest some of<br>our reserves into putting on concerts with<br>orchestra, to support these instrumental<br>musicians and to encourage singers and<br>audience to return.<br>Our survival depends on rebuilding our<br>membership, which is adversely affected by<br>the general trend away from regular leisure-<br>time commitment. This particularly affects<br>those of working and child-raising age who<br>are struggling to cope with busier<br>schedules. This is the age-group we<br>particularly need to attract, in order to<br>address the overall ageing of our<br>membership.<br>Membership is also partly dependant on<br>continuing decrease in Covid-19 prevalence<br>because some people are still unwilling to<br>sing, with or without stringent Covid-19<br>precautions. We have several members<br>struggling to continue because of Long<br>Covid.<br>**----- End of picture text -----**<br>


## **Additional information (optional)** You may choose to include further statements where relevant about: 

The charity’s principal sources of funds (including Para 1.47 any fundraising) 



|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46|
|---|---|
|A description of the principal<br>risks facing the charity|Para 1.46|
|Other||



## **Structure, Governance and Management** 


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Description of charity’s<br>trusts:<br>Type of governing document Para 1.25 Constitution adopted 2016<br>(trust deed, royal charter)<br>How is the charity  Para 1.25 Unincorporated association<br>constituted?<br>(e.g unincorporated<br>association, CIO)<br>Trustee selection methods  Para 1.25 Trustees are appointed by election at the<br>including details of any  AGM or can be co-opted by the committee<br>constitutional provisions e.g. of Trustees<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees<br>**----- End of picture text -----**<br>


|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|**Additional information (optional)**<br>You may choose to include further statements where relevant about:|
|---|---|
|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51<br>Online Safeguarding training, as<br>recommended by Making Music, completed<br>by each trustee.|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|
|Relationship with any<br>related parties|Para 1.51|
|||





Other 

## **Reference and Administrative details** 


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Charity name Collegium Laureatum<br>Other name the charity uses n/a<br>Registered charity number 1169986<br>Charity’s principal address c/o 93 Hurst Park Avenue<br>Cambridge<br>CB4 2AB<br>**----- End of picture text -----**<br>


## **Names of the charity trustees who manage the charity** 


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Name of person (or body)<br>Dates acted if not for<br>Trustee name Office (if any) entitled to appoint trustee<br>whole year<br>(if any)<br>1 Lorna Cox Chair<br>Mike Charlesworth Resigned at AGM<br>2<br>November 2022<br>3 Jane Fellows Treasurer<br>4 Sarah Smalley Secretary<br>5 David Hathaway<br>6 Anne Craig<br>7 Neil Caplan<br>8 Ann Prentice<br>9 Eleanor Pippard<br>10 Peter Radden<br>11 Tony Spring<br>13<br>**----- End of picture text -----**<br>


– Corporate trustees names of the directors at the date the report was approved 

**Director name** 


Name of trustees holding title to property belonging to the charity 

**Trustee name Dates acted if not for whole year** 



## **Funds held as custodian trustees on behalf of others** 

> Description of the assets n/a held in this capacity 

> Name and objects of the n/a charity on whose behalf the assets are held and how this falls within the custodian charity’s objects 

> Details of arrangements for n/a safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

|**Type of adviser**|**Name**|**Address**|
|---|---|---|
|**Auditor**|Jeremy Wong|59 Bridle Way Grantchester CB3<br>2NY|



**Name of chief executive or names of senior staff members (Optional information)** 

## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

## **Other optional information** 

## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

**Signature(s) Full name(s)** Lorna Jean Cox **Position (eg Secretary, Chair,** ~~es~~ Chair ~~ee~~ **etc)** ~~a~~ **Date** 4 May 2024 ~~|~~ 



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