Company registration number: 10136126 Charity registration number: 1167608
The London Musical Theatre Orchestra
(A company limited by guarantee)
Annual Report and Financial Statements
For the Year Ended 30 April 2025
HMA Accountancy Services 10 Watersmeet Close Roadwater Watchet Somerset TA23 0QT
The London Musical Theatre Orchestra
Contents
| Reference and Administrative Details Trustees’ Report Independent Examiner’s Report Statement of Financial Activities Balance Sheet Notes to the Financial Statements |
Page 1 2-5 6 7 8 9-15 |
|---|---|
The London Musical Theatre Orchestra
Reference and Administrative Details
| Charity name: | The London Musical Theatre Orchestra |
|---|---|
| Charity registration number: | 1167608 |
| Company registration number: | 10136126 |
| Principal business office: | Bishopsgate Institute |
| 230 Bishopsgate | |
| London | |
| EC2M 4QH | |
| Registered office: | Bishopsgate Institute |
| 230 Bishopsgate | |
| London | |
| EC2M 4QH | |
| Trustees: | Carolyn Anderson |
| Jeffrey Brady | |
| Lucien Bowman | |
| Francesca Canty | |
| Anna Diehm | |
| Dame Jennifer Eady (appointed 17 July 2024) | |
| John Forrest | |
| Daniel Saunders (appointed 17 July 2024) | |
| Stuart Barr (resigned 16 December 2024) | |
| Jeremy Stuart-Smith (resigned 17 July 2024) | |
| Accountant | HMA Accountancy Services |
| 10 Watersmeet Close | |
| Roadwater | |
| Watchet | |
| Somerset | |
| TA23 0QT | |
| Bankers: | Coutts & Co. |
| 440 The Strand | |
| London | |
| WC2R 0QS | |
| Solicitors: | Harbottle & Lewis |
| 14 Hanover Square | |
| Mayfair | |
| London | |
| W1S 1HP |
1
The London Musical Theatre Orchestra
Trustees’ Report
The trustees present their report and the financial statements for the year ended 30 April 2025.
Objectives and Activities
In the year under review, LMTO was able to achieve its objective: to advance, develop, improve and maintain public appreciation of the art of the musical theatre for the public benefit through the presentation of a diverse programme of public concerts of musical theatre repertoire of artistic merit.
In February 2025, the CEO was forced to take long-term sick leave from the organisation and an Interim CEO was appointed. LMTO performed live 8 times to an estimated total audience of 14,731 people. 1 album was recorded with an LMTO performed track from Something Rotten! and the recording of the Pippin 50[th] Anniversary Concert from April 2024 was broadcast on Broadway HD to its global audience from 13 March 2025. In addition, 1 simulcast radio broadcast reached an estimated 327,000 listeners.
Achievements and Performance
The Orchestra
Whilst the organisation continues to not financially self-produce we continue to be selected for orchestra hire, executive producing with orchestra hire and fixing orchestras with LMTO players.
Concerts performed were: Something Rotten! in Concert (which LMTO co-produced) and Oklahoma at Theatre Royal Drury Lane , Magic of the Musicals at the Royal Albert Hall and Figaro at the London Palladium. LMTO was also involved in the six-week run of A Christmas Carol (ish) at sohoplace in November & December 2024, A Little Piece of You at the Theatre Royal Drury Lane and a recording of Queen Symphonic .
The London Musical Theatre Chorus (LMTC) continues to support the London Musical Theatre Orchestra in its performances.
Feb 2025 saw LMTO win the What’s On Stage Best Concert Event Award for Something Rotten! in Concert along with a What’s On Stage Award nomination for Pippin 50[th] Anniversary Concert , performed in April 2024.
Musician Development – Sitz and Dev Scheme
Sitz introduced a new hardship fund whereby participants can donate the cost of a Sitz place when they pay for their own spot, so we can offer more places to people who can’t afford them and the popularity of Sitz has led to the development of merchandise as an additional revenue stream. The development of a double Sitz of The Phantom of the Opera was phenomenally successful in July (doubling the opportunity for attendance) and further plans are underway for this to be repeated a few times every year. The year also saw the planning of the 10[th] anniversary of Sitz for 2025. A Sitz survey showed the Net Promoter Score as 93% likely to recommend Sitz to a friend.
2
The London Musical Theatre Orchestra
Trustees’ Report (cont’d)
Dev Scheme auditions for 24-25 took place in the last week of June 2024. 125 applicants led to 70 auditions and 11 Dev positions for the year. This year’s auditions offered the highest standard of candidates to date with the decision to take on fewer Devs based on being more centred the offering and delivery of the scheme so that we offer the best possible opportunities to our growing list of past Devs, mentors and LMTO’s top players. A well attended Dev-only event was held to discuss crucial aspects of the profession with two of LMTO’s players / mentors and an additional networking event was arranged in the Spring for those pre-fixed as the principal players at the April Sitz. Mentor feedback continues to be positive with one mentor in particular highlighting that their Dev has become a regular dep on Hamilton as a result of the scheme.
Workshops
Workshops continued to be arranged with six professional development workshops being delivered across the year: Dev Q&A Workshop, Tax For the Self-Employed, Big Band, and ‘Groovers & Shakers’ Percussion Workshop, Commercial Strings Workshop and Reeds/Clarinet focussed workshop.
Schools Programme – LMTO Upbeat
Running across the academic year LMTO Upbeat consolidated the two-location, four-school model of Luton and Harlow. A successful series of sessions in the Autumn term (6 sessions across 8 weeks), and four impressive concerts in the four schools has resulted in feedback being extremely positive, and all four schools have made great strides to continue providing playing opportunities for their students. A trip for 180 of the students from the 4 schools who took part in Upbeat was arranged to see Matilda the musical in Feb and for the show’s Musical Director and two pit musicians to give a Q&A session, which was received with rapt attention and keen questioning from the students; this was a superb value-add for them.
Fundraising
£50,000 from ALW Foundation was received for Upbeat and general organisational costs over 2 years. This was in addition to continuing support from Sandy & Zorica Glen charitable settlement (£4,725) and Three Monkies Trust (£1,667) and a donation of £20,000 from the Fishmonger’s Company. An anonymous donor also gave £2,000 to LMTO.
LMTO observes and complies with the relevant fundraising regulations and codes. During the year there was no non-compliance of these regulations and codes and the LMTO received no complaints relating to its fundraising practice.
Financial Review
For the year end 30 April 2025 the charity achieved net income of £17,724 (2024: net expenditure £57,840) and the charity now has accumulated reserves of 64,581 (2024: £46,857).
Reserves Policy and Going Concern
The trustees consider that there are no material uncertainties about the charitable company’s ability to continue as a going concern.
3
The London Musical Theatre Orchestra
Trustees’ Report (cont’d)
Structure and Governance
LMTO is a registered charitable company limited by guarantee and its business is governed by the Charities Act 2011 and its memorandum and Articles of Association.
Each Trustee is also a member and Director of the company and is not remunerated. The full Board meets at least four times a year while the day-to-day management is carried out by the management team. The Trustees are responsible for the approval of strategic and financial plans for the company, appointment of the executive management and monitoring of performance, approval of senior management remuneration and governance.
The management team is responsible for the development and implementation of strategic, artistic and financial plans and all operational aspects of the company.
Statement of Responsibilities of the Trustees
The trustees (who are also directors of LMTO for the purposes of company law) are responsible for preparing the Trustees’ Report and the Financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).
Company Law requires the trustees to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the charitable company and of the incoming resources and application of resources, including the income and expenditure, of the charitable company for that period. In preparing these financial statements, the trustees are required to:
-
Select suitable accounting policies and then apply them consistently
-
Observe the methods and principles in the Charities SORP
-
Make judgements and estimates that are reasonable and prudent
-
State whether applicable UK Accounting Standards and Statements of Recommended Practice have been followed, subject to any material departures disclosed and explained in the financial statements
-
Prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charity will continue in operation.
The trustees are responsible for keeping adequate accounting records that disclose with reasonable accuracy at any time the financial position of the charitable company and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the charitable company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
The trustees are responsible for the maintenance and integrity of the corporate and financial information included on the charitable company’s website. Legislation in the United Kingdom governing the preparation and dissemination of financial statements may differ from legislation in other jurisdictions.
Equal Opportunities
LMTO is committed to a policy of equal opportunity in all aspects of its employment practices.
4
The London Musical Theatre Orchestra
Trustees’ Report (cont’d)
Public Benefit
The trustees confirm that they have complied with the requirements of section 4 of the Charities Act 2011 to have due regard to the public benefit guidance published by the Charity Commission for England and Wales.
Small Company Provision
This report has been prepared in accordance with the provisions applicable to companies entitled to the small companies exemption. 11 Feb 2026
Approved by the Board on …………………………. and signed on its behalf by:
…………………………………..
JOHN FORREST
Director
5
Independent Examiner’s report to the Trustees of
The London Musical Theatre Orchestra
I report on the accounts of the charity for the year ended 30 April 2025 which are set out on pages 7 to 15.
Respective responsibilities of trustees and examiner
The trustees (who are also the directors of the company for the purposes of company law) are responsible for the preparation of the accounts. The trustees consider that an audit is not required for this year under section 144(2) of the Charities Act 2011 (the 2011 Act) and that an independent examination is needed.
Having satisfied myself that the charity is not subject to audit under company law and is eligible for independent examination, it is my responsibility to:
-
examine the accounts under section 145 of the 2011 Act;
-
to follow the procedures laid down in the general Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act; and
-
to state whether particular matters have come to my attention.
Basis of independent examiner’s report
My examination was carried out in accordance with the general Directions given by the Charity Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit and consequently no opinion is given as to whether the accounts present a ‘true and fair view’ and the report is limited to those matters set out in the statement below.
Independent examiner's statement
In connection with my examination, no matter has come to my attention:
(1) which gives me reasonable cause to believe that in any material respect the requirements:
-
to keep accounting records in accordance with section 386 of the Companies Act 2006; and
-
to prepare accounts which accord with the accounting records, comply with the accounting requirements of section 396 of the Companies Act 2006 and with the methods and principles of the Statement of Recommended Practice: Accounting and Reporting by Charities
have not been met; or
(2) to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached.
12/02/2026
…………………………..
Helen M Ainsworth BSc FCA Chartered Accountant HMA Accountancy services 10 Watersmeet Close Roadwater Watchet Somerset TA23 0QT
6
The London Musical Theatre Orchestra
Statement of Financial Activities (incorporating income and Expenditure Account) For the year ended 30 April 2025
| Note Incoming resources Donations and Grants 2 Charitable activities 3 Total incoming resources Resources expended Expenditure on: Charitable activities 4 Total resources expended Net incoming (outgoing) resources for the year Transfers between funds Net movements on funds Reconciliation of funds Funds brought forward Total funds carried forward 10,11 |
Unrestricted Restricted Total Unrestricted Restricted Total Funds Funds 2025 Funds Funds 2024 £ £ £ £ £ £ 66,520 25,331 91,851 9,867 48,331 58,198 300,108 - 300,108 283,305 - 283,305 |
|---|---|
| 366,628 25,331 391,959 293,172 48,331 341,503 |
|
| 274,025 100,210 374,235 292,010 107,333 399,343 |
|
| 274,025 100,210 374,235 292,010 107,333 399,343 |
|
| 92,603 (74,879) 17,724 1,162 (59,002) (57,840) (36,903) 36,903 - - - - 55,700 (37,976) 17,724 1,162 (59,002) (57,840) 8,881 37,976 46,857 7,719 96,978 104,697 |
|
| 64,581 - 64,581 8,881 37,976 46,857 |
7
The London Musical Theatre Orchestra
Balance Sheet
As at 30 April 2025
| As at 30 April 2025 | |||
|---|---|---|---|
| Total funds | Total funds | ||
| 2025 | 2024 | ||
| Note | £ | £ | |
| Tangible fixed assets | 7 | 617 | 1,446 |
| Current assets | |||
| Debtors | 8 | 28,303 | 18,407 |
| Cash at bank and in hand | 55,530 | 131,609 | |
| 83,833 | 150,016 | ||
| Creditors: Amounts falling due | |||
| within one year | 9 | (19,869) | (104,605) |
| Net current assets | 63,964 | 45,411 | |
| Net assets | 64,581 | 46,857 | |
| Funds of the charity | |||
| Unrestricted funds | 64,581 | 8,881 | |
| Restricted funds | - | 37,976 | |
| Total funds | 10,11 | 64,581 | 46,857 |
For the year ended 30 April 2025, the charity was entitled to exemption from audit under section 477 of the Companies Act 2006 relating to small companies.
Directors responsibilities:
-
The members have not required the charity to obtain an audit of its financial statements for the year in question in accordance with section 476;
-
The directors acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and the preparation of financial statements.
These financial statements are prepared in accordance with the special provisions of Part 15 of the Companies Act relating to small companies and constitute the annual accounts required by the Companies Act 2006 and are for circulation to members of the company.
The notes at pages 9 to 15 form part of these accounts.
11 Feb 2026
Approved and authorised for issue by the Board of Trustees on………………………………. and are signed on their behalf by
……………………………………
JOHN FORREST
Director
8
The London Musical Theatre Orchestra
Notes to the Financial Statements
For the year ended 30 April 2025
1 Accounting policies
The principal accounting policies adopted, judgements and key sources of estimation uncertainty in the preparation of the financial statements are as follows:
Basis of preparation
The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (second edition effective 1 January 2019) - (Charities SORP (FRS 102)), the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Companies Act 2006.
The London Musical Theatre Orchestra meets the definition of a public benefit entity under FRS102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy note.
Going concern
The Trustees consider that it is appropriate to treat the charity as a going concern and the financial statements have been prepared on this basis.
Income and endowments
Income including income from concerts and donations and is recognised in the period in which it is earned. All income relates to activities taking place in the UK.
Government grants are recognised at the fair value of the asset received or receivable when there is reasonable assurance that the grant conditions will be met and the grants received. Where a grant does not specify performance condition it is recognised in income when the proceeds are received or receivable.
Resources expended
All expenditure is recognised once there is a legal or constructive obligation to that expenditure, it is probable settlement is required and the amount can be measured reliably. All costs are allocated to the applicable expenditure heading that aggregate similar costs to that category. Expenditure is classified under the following activity headings:
-
Costs of generating funds are the costs associated with attracting voluntary income;
-
Expenditure on charitable activities includes the costs of delivering the activity undertaken to further the purposes of the charity and their associated support costs.
Fund accounting
Unrestricted income funds are general funds that are available for use at the trustees’ discretion in furtherance of the objectives of the charity. Restricted funds are donations and grants which the donor has specified are to be solely used for particular areas of the Charity’s work or for specific projects being undertaken by the Charity.
9
The London Musical Theatre Orchestra
Notes to the Financial Statements (cont’d)
For the year ended 30 April 2025
Fixed assets and depreciation
Fixed assets are recorded at cost. Depreciation is provided on all tangible fixed assets at rates calculated to write off the cost of each asset, less their residual values, over its expected useful life as follows:
Equipment - 20% straight line
Pension scheme
The charity operates a defined contribution pension scheme. Contributions to the scheme are charged to the Statement of Financial Activities in the accounting period to which they relate.
2 Donations and grants
| Donations Donations |
Unrestricted funds 2025 Restricted funds Total £ £ £ 66,520 25,331 91,851 |
|---|---|
| 2024 Unrestricted funds Restricted fund Total £ £ £ 9,867 48,331 58,198 |
10
The London Musical Theatre Orchestra
Notes to the Financial Statements (cont’d)
For the year ended 30 April 2025
3 Income from charitable activities
| Tickets, hires and event income Tickets, hires and event income |
Unrestricted funds 2025 Restricted funds Total £ £ £ 300,108 - 300,108 |
|---|---|
| 2024 Unrestricted funds Restricted funds Total £ £ £ 283,305 - 283,305 |
4 Expenditure on charitable activities
| Cost of productions Musicians, production and support personnel fees Insurance Computer software and maintenance costs Printing, postage and stationery Travel and subsistence Advertising and promotion Fundraising Accountancy Legal and professional fees Depreciation Bad debts General expenses |
Unrestricted funds 2025 Restricted funds Total £ £ £ 35,625 72,587 108,212 197,601 27,623 225,224 1,501 - 1,501 3,557 - 3,557 403 - 403 139 - 139 440 - 440 4,280 - 4,280 2,603 - 2,603 25,227 - 25,227 829 - 829 - - - 1,820 - 1,820 |
|---|---|
| 274,025 100,210 374,235 |
11
Notes to the Financial Statements (cont’d)
The London Musical Theatre Orchestra
For the year ended 30 April 2025
4 Expenditure on charitable activities (cont’d)
| Cost of productions Musicians, production and support personnel fees Insurance Computer software and maintenance costs Printing, postage and stationery Travel and subsistence Advertising and promotion Fundraising Accountancy Legal and professional fees Depreciation Bad debts General expenses |
Unrestricted funds 2024 Restricted funds Total £ £ £ 49,918 76,956 126,874 227,227 30,377 257,604 1,501 - 1,501 3,244 - 3,244 1,059 - 1,059 176 - 176 1,423 - 1,423 - - - 550 - 550 1,027 - 1,027 948 - 948 2,750 - 2,750 2,187 - 2,187 - |
|---|---|
| 292,010 107,333 399,343 |
5 Staff costs and Trustees’ remuneration
Included in expenditure on charitable activities are the following staff costs:
| Salaries Redundancy and termination costs Social security costs Pension costs |
2025 2024 £ £ 54,648 47,899 1,015 - - - 2,190 2,279 |
|---|---|
| 57,853 50,178 |
No trustees have received any remuneration from the charity during the year. No trustees have received any reimbursed expenses or any other benefits from the charity during the year.
12
Notes to the Financial Statements (cont’d)
The London Musical Theatre Orchestra
For the year ended 30 April 2025
6 Taxation
The company is a registered charity and as such its income and gains falling within Sections 471 to 489 of the Corporation Tax Act 2010 or Section 256 of the Taxation of Chargeable Gains Act 1992 are exempt from corporation tax to the extent that they are applied to its charitable objectives.
7 Tangible Fixed Assets
| Cost As at 1 May 2024 Additions in year As at 30 April 2025 Depreciation As at 1 May 2024 Charge for the year As at 30 April 2025 Net Book Value As at 30 April 2025 As at 30 April 2024 8 Debtors Other debtors Prepayments 9 Creditors: amounts falling due within one year Other tax and social security Other creditors Accruals |
2025 £ 25,392 2,911 |
Equipment £ 4,936 - |
|---|---|---|
| 4,936 | ||
| 3,490 829 |
||
| 4,319 | ||
| 617 | ||
| 1,446 | ||
| 2024 £ 18,028 379 |
||
| 28,303 | 18,407 | |
| 2025 £ 7,206 6,253 6,410 |
2024 £ 7,358 57,392 39,855 |
|
| 19,869 | 104,605 |
13
The London Musical Theatre Orchestra
Notes to the Financial Statements (cont’d)
For the year ended 30 April 2025
10 Reconciliation of movement on funds
| Unrestricted funds General Restricted funds |
Balance at 1 May 2024 Incoming resources Expended resources Transfers between funds Balance at 30 April 2025 £ £ £ £ 8,881 366,628 (274,025) (36,903) 64,581 37,976 25,331 (100,210) 36,903 - |
|---|---|
| 46,857 391,959 (374,235) - 64,581 |
11 Analysis of net assets between funds
| Fixed assets Current assets Current liabilities Net assets at 30 April 2025 Fixed assets Current assets Current liabilities Net assets at 30 April 2024 |
General fund Restricted fund Total funds £ £ £ 617 - 617 79,525 4,308 83,833 (15,561) (4,308) (19,869) |
|---|---|
| 64,581 - 64,581 |
|
| General fund Restricted fund Total funds £ £ £ 1,446 - 1,446 43,165 106,851 150,016 (35,730) (68,875) (104,605) |
|
| 8,881 37,976 46,857 |
12 Members’ liability
The London Musical Theatre Orchestra, a registered charity, is a company limited by guarantee not having a share capital. Each of the members is liable to contribute an amount not exceeding £nil towards the assets of the company in the event of its winding up.
14
The London Musical Theatre Orchestra
Notes to the Financial Statements (cont’d)
Year end 30 April 2025
14 Related party transactions
During the year costs of £32,978 (2024: £14,781) were incurred for room hire at Bishopsgate Institute. At 30 April 2025 £1,617 was outstanding (2024: £10,152). Bishopsgate Institute is considered to be a related party as Francesca Canty is a Trustee of The London Musical Theatre Orchestra and the Chief Executive of Bishopsgate Institute.
15