2025-03-31-accounts

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Nonclassical

Charity Registration No. 1162282

TRUSTEES' REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2025

Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

CONTENTS	Page
Trustees' report	3 – 9
Independent Examiner’s report	10
Statement of financial activities	11
Statement of financial position	12
Notes to the accounts	13 - 20

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

Trustees’ annual report for the period:

The Trustees have pleasure in presenting their report and the financial statements for the charity for the year ended 31 March 2025. The Trustees have adopted the provisions of Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and the Republic of Ireland (FRS 102) (effective 1 January 2019).

OBJECTIVES AND ACTIVITIES

OUR VISION AND MISSION

Vision

Nonclassical’s vision is a world where new classical, experimental and electronic music is widely heard and appreciated and the musicians in the field are diverse and have opportunities to develop their careers.

Mission

Nonclassical is a leading promoter and incubator of new classical, experimental and electronic music and musicians.

Aims

To enable the development of artists’ careers and creative output, especially those historically underrepresented in classical music
To provide digital, recorded and live platforms for diverse new artists
To promote innovative contemporary music to new audiences in inventive ways

Activities :

Artist in Residence: 2-year programme supporting four composers to develop their careers and creative output
Record label: providing a platform for new artists with four releases each year
Live events: a programme of at least four events per year
Digital activity: providing a wider international audience with digital content

Values

Accessible

• Making the best new classical music accessible is core to our mission. We take our music to new live audiences in non-traditional settings and new listening audiences through the latest streaming technology, breaking conventions of exclusivity wherever we find them.

Collaborative

• We work closely with artists and composers to nurture, curate and promote new classical music. We are open to new ideas and collaborate with artists, composers, venues, promoters and partners in all aspects of our work.

Discerning

• We develop, release and promote exciting artists - but only give our support to artists who we think have an abundance of talent and something original to say; we are interested in finding, developing, releasing and promoting the best of tomorrow's music, today.

Forward-thinking

• We proactively seek out new artists and music, alongside new ways of working and promoting contemporary classical music. We welcome collaboration with contemporary cultural organisations with a similarly forward-thinking agenda.

Inclusive

• We welcome and actively seek out new music from the best practitioners in the space of new classical music, across genres and regardless of age, gender, sexuality, socio-economic background, ethnic background or disability.

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

Public benefit

The trustees have considered the Charity Commission's guidance on public benefit, including the guidance 'public benefit: running a charity (PB2)'.

Nonclassical benefits the public through:

encouraging the appreciation and development of contemporary classical music by organising events in nontraditional ways and settings whilst working with high quality performers
mentoring emerging performers, composers and event promoters
producing and distributing recordings
organising such related activities as the Board may determine

ACHIEVEMENTS AND PERFORMANCE

The main aim of the Charity on incorporation was to bring the events and record label activities together within a single organisational structure, and to intertwine those activities in order to better develop musicians and composers and to develop new, and engage existing, audiences for adventurous new music.

20 years of Nonclassical

2024 marked Nonclassical’s 20[th] anniversary since being founded by Gabriel Prokofiev in 2004. We marked this through new commissions and partnerships – celebrating the artists who have been with us over the last two decades as well as looking to our future with new ventures. One special anniversary release featured five new remixes of our extensive back catalogue and four special live events supporting 23 composers and 73 musicians to reach more than 1400 people live .

Our events were punctuated by two cornerstone commissions:

‘Baby Lexicon’ by Ben Nobuto for Abstruckt Ensemble - A new work for percussion quartet Abstruckt Ensemble, whose ten year anniversary (since they formed for a Nonclassical concert) coincided with ours. The commission came from rising star composer Ben Nobuto, whose endlessly inventive and energetic works have since been performed at the first night of the BBC Proms.

“Working with Abstruckt on Baby Lexicon was a really valuable experience for me as it was my first time writing for a percussion quartet, as well as finding a way to incorporate electronics and sampling into that setup. Both Abstruckt and Nonclassical were open to me experimenting and finding an approach that felt authentic, and the collaboration itself was really enjoyable as we workshopped ideas together and explored different sound objects and sonic possibilities. Hearing the music played in the warehouse/club space of Unit 58 with dynamic lighting felt perfect for the music as well. ” – Ben Nobuto

WATCH – Ben Nobuto’s Baby Lexicon : https://youtu.be/JUnbStGSyHo?feature=shared (views of more than 3,000 on YouTube and 9,000 on Instagram).

‘Sift’ by Beatrice Dillon for London Symphony Orchestra and BBC Symphony Orchestra (in conjunction with Tectonics Festival and BBC Radio 3) - A co-commission with the London Symphony Orchestra in partnership with BBC Symphony Orchestra and BBC Radio 3, from acclaimed electronic artist Beatrice Dillon. This was her first piece for orchestra, translating her electronic materials into an entirely acoustic form. In commissioning Beatrice, we platformed a new voice to classical music and brought an entirely new audience into our anniversary celebrations. The work took inspiration from Morton Feldman and minimalism.

"She describes her electronic work as shifting blocks of sound around a screen, and Sift is a gloriously dynamic development of her distinctive technique, dispersing fragments of acoustic orchestral sound around the stage and auditorium like colourful 3D audio fractals." – Jo Hutton, The Wire

WATCH – Beatrice Dillon’s Sift (Excerpt): https://www.bbc.co.uk/programmes/p0lf5rhn

Besides commissioning and premiering these two new works , we supported a further 124 artists to reach more than 7,128 people live , with a wider international audience online of 30,352 .

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

EVENTS

This period saw nine innovative live performances across the UK. All gigs, bar one, were 82% capacity or above .

The centrepiece of our anniversary celebrations and our largest concert to date was the 20th birthday orchestral clubnight at Hackney Empire in collaboration with the London Symphony Orchestra . The concert featured a line up of all-living composers (eleven composers under 50, with two under 25 years of age) - a rarity for classical concerts. The focus was on new music from composers who have been connected with Nonclassical across our 20 year history, such as released artists, alumna from our Artists in Residence or Battle of the Band finalists.

Beatriz Ferreyra + Langham Research Centre (Cafe OTO, April 26 2024)
Outside the Lines: Nonclassical at 20 (Southbank Centre, May 4 2024)
Sound Within Sound DJ sets with Matthew Herbert, NikNak, NWAKKE + Abi Asisa, Gabriel Prokofiev (Southbank Centre, July 6 and 7 2024)
What A Racket! Ft. Abstruckt + Klavikon (Unit 58, July 12 2024) ft. Ben Nobuto commission
Gaudeamus Festival ft. Jasmine Morris, NikNak and Klavikon (September 7 2024)
20th Birthday Party + Fundraiser (Two Palms, September 24 2024)
Nonclassical + London Symphony Orchestra + Beatrice Dillon (Hackney Empire, October 26 2024)
Sinfonia Smith Square x Nonclassical (Smith Square Hall, March 6 2025) Artist in Residence commissions
● London Handel Festival: Arias Reimagined ft. Lotte Betts-Dean, Lore Lixenberg + Bianca Scout (Stone Nest, March 20 2025)

"The highlight of the evening, however, is the ‘Concerto for Drum Machine and Orchestra’, first performed at the Village Underground in 2018, where various composers created ways of using the distinctive R&B sounds from a Roland TR-808 alongside an orchestra: best of all might be Josephine Stephenson’s final section, where the drumbox’s rolling tom-tom riffs and bleepy claves are set against drowsy, legato strings."

John Lewis, The Guardian, ★★★★ on Nonclassical + London Symphony Orchestra + Beatrice Dillon

“Handel aria sung into a microphone, with pulsating keyboard accompaniment, turns into a yet more impassioned soul song. The same composer’s instrumental Concerto Grosso, Op 6 No 10 is reinvented as a vocal piece – with AI Handelbot-generated lyrics (Bfjjfid Ooooh eeeee aahhhh iiii ghdjjrr) for those who want to trill along.”

★★★★ Fiona Maddocks, The Guardian on London Handel Festival partnership ‘Arias Reimagined’

RELEASES

Nonclassical had four releases in 2024/25, supporting 13 artists :

Tape Reworks, Vol. 2 [7” LP and digital] by Kara-Lis Coverdale and Beatriz Ferreyra (remixes)
Sound Sculptures, Dynamical Systems, Natural Environments [Limited edition USB sound sculpture and digital] by Simon Knighton
Outside the Lines, Vol. 7 [digital] by NWAKKE, bibi bull and Papiernik, Harry Górski-Brown, and Nneka Cummins
Nonclassical at 20 [CD and digital] by Nailah Hunter, Pavel Milyakov, Christina Vantzou, KMRU, and Matthew Herbert (remixes)

The Nonclassical at 20 release (a special anniversary EP) commissioned five cutting edge electronic artists to remix and reimagine works from our back catalogue. Matthew Herbert, Christina Vantzou, Pavel Milyakov, KMRU and Nailah Hunter transformed pieces by Gabriel Prokofiev, Langham Research Centre, Zubin Kanga and others, giving a new lease of life to the back catalogue, as well as directly highlighting a total of 6 composer-artists from our roster.

The EP supported no less than 14 artists and reached a significantly wider audience through streaming of 19,252 compared to typical Nonclassical releases, and the limited physical CD also attained healthy sales numbers. Visibility in press and media included playlist features in Crack Magazine and a feature on Monocle Radio’s Monocle on Culture.

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

ARTIST DEVELOPMENT

Artist development is at the heart of Nonclassical’s work and our ‘Artists in Residence’ (AiR) programme, launched in 2016 (formerly known as our ‘Associate Composer Scheme’), is a key programme supporting composers across the breadth of Nonclassical’s platforms . It provides opportunities for UK-based unpublished and unsigned emerging composers to develop and showcase new music through commissions, curated events and releases , as well as further their professional development through training, workshops and mentoring – preparing them for their next steps to sustain a career in composition.

Artists in Residence 2023-25 (AiR)

The four Nonclassical Artists in Residence – Kendra Chiagoro-Noel (aka NWAKKE), Nneka Cummins, Harry Górski-Brown and Beatrice Ferreira – were selected in August 2023 from 237 applicants.

The 2024-25 financial year saw the composers perform new works at the (sold-out) Southbank Centre’s Purcell Room (May 4, 2024); release a track on Nonclassical’s Outside the Lines compilation series (September 13, 2024); and three of the composers were commissioned to compose a new work for Sinfonia Smith Square (March 6, 2025). One of which, Nneka Cummins’ ‘ Finding Gills [when They Try To Drown You]’ subsequently won Best Large Ensemble Award in the Ivor Classical Awards 2025 .

The composers undertook mentoring sessions with artists including Dominic Murcott, David Fennessy, Nwando Ebizie and Isa Gordon, alongside fundraising training with freelance fundraiser Alex Groves and one composer had additional notation skills support for writing for orchestra for the first time.

“The most valuable aspect of the Nonclassical AiR scheme, for me, has been its holistic approach to career development. Alongside bespoke contracts with various ensembles across London, I’ve had the opportunity to release a track through the label and deepen my practice through subsidised coaching and mentoring. Together, these experiences have enabled me to reflect on my strengths, identify areas for growth, and nurture my experimental practice in a uniquely supportive environment.” Beatrice Ferreira

“Nonclassical’s AiR was a fantastic opportunity for me to develop a large-scale electro-acoustic work. We worked with excellent players and were platformed at a prestigious venue with great acoustics. I now have a strong realisation of my work to add to my portfolio which is incredibly valuable at this early stage of my career.” Nneka Cummins

DIGITAL ACTIVITY

Nonclassical’s YouTube channel hosted 13 new videos in this period, including two music videos:

2023 Battle of the Bands live videos (Vulva Voce, Julia Set, Anders Waller, Recycled Materials Trio, KOGG, Kemal Yusuf)
Three videos from Simon Knighton’s concert (works by Simon Knighton, Chihiro Ono, and Emily Howard)
● Music video for Nwando Ebizie I Will Fix Myself (Just Circles) from Zubin Kanga’s Machine Dreams
Music video for Undone by Soosan Lolavar from Soosan Lolavar x Ruthless Jabiru Girl
Concert video Baby Lexicon - Ben Nobuto (performed by Abstruckt)
Concert video for Graphic Love by Elischa Kaminer (performed by Sinfonia Smith Square)

AUDIENCE DEVELOPMENT

Key to Nonclassical’s mission is developing new audiences for contemporary music — particularly those who might not typically engage with classical music. We achieve this through our partnerships, cross-genre programming featuring diverse line-ups , and by creating welcoming spaces that foster a sense of belonging at our events.

In 2024, we reached over 1900 people live , including many new audience members. We had our largest audience to date with our London Symphony Orchestra anniversary partnership, drawing 1100 people to the Hackney Empire including 150 free tickets to underrepresented community groups , of which 41% identified as South Asian, East Asian, Black Caribbean. Some feedback from a cross-section of attendees at our LSO partnership event:

“It is a very different orchestral experience. Great to hear young composers given a chance, and good to challenge traditional tastes." – anonymous attender

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

“I would like to come back and see more classical contemp. concerts in the future” – electronic music fan, who attended a Nonclassical event for the first time

“It was truly so inspiring and we are grateful to get out and see something that captures the imagination and gets us out of the daily rollercoaster of worry and chaos of one’s life.” – audience development ticket holder from Hackney Empire community group

As of 31 March 2025 , our online audience had grown to 28,707 , with the following platform breakdown:

Instagram: 6,004 followers
Facebook: 6,200 followers
Bluesky: 577 followers
LinkedIn: 479 followers
YouTube: 1,350 subscribers
Mailchimp: 5,447 subscribers
X (Twitter): 8,650 followers (now dormant)

This represents a 34% year-on-year growth in our total digital audience.

During the 2024-25 period, audience reach and engagement grew significantly across both live and digital platforms. A total of 1,963 audience members attended events and activities, representing a 380% increase compared to the previous year. The highest engagement occurred in Quarter 3 (October–December) , which attracted 1,100 attendees , coinciding with our birthday orchestral clubnight.

Digital engagement also expanded notably, with 20,173 website visits over the year (an 85.8% increase ) indicating rising awareness and interest in the organisation’s work. Social media audiences grew by 110% , reaching 1,281 new followers , reflecting stronger community connection and consistent digital activity.

Press coverage remained steady, with 12 features and reviews helping to sustain visibility across industry and public channels.

Revenue from digital music sales and downloads reached £3,874.49 , showing steady online engagement and continued appetite for digital releases. Overall, audience figures demonstrate a year of substantial growth and diversification, with marked improvements in both in-person attendance and online reach, confirming increasing public interest and engagement with the organisation’s output.

FINANCIAL REVIEW

These accounts cover twelve months from 1 April 2024 to 31 March 2025.

Incoming resources totalled £195,893 of which £149,854 was unrestricted, and £46,039 was restricted. Expenditure was £226,372 with £211,382 spent directly on charitable activities and £14,990 spent on raising funds.

Funds brought forward amount to £18,700, which includes £15,000 restricted funds from Cockayne – Grants for the Arts and The London Community Foundation, £1,700 from the Margaret Engering Music Trust and £2,000 from PRSF.

Reserves Policy

Nonclassical aims to hold sufficient reserves to cover three months of operational expenditure, which amounts to approximately £45,000 unrestricted and undesignated funds. At the end of this period, as at 31st March 2025, Nonclassical had £56,138 of unrestricted reserves.

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

STRUCTURE, GOVERNANCE AND MANAGEMENT

Governing document

Nonclassical is a Charitable Incorporated Organisation (CIO) governed by its Constitution following incorporation on 18 June 2015.

Trustees

The Charity is governed by a Board of Trustees. Trustees meet quarterly.

Yung-Yee Chen Appointed 18 June 2015, Resigned 11 June 2024 Brian Inglis Appointed 18 June 2015, Resigned 11 June 2024 John Richards Appointed 18 June 2015, Resigned 11 June 2024 Nick Rampley (Treasurer) Appointed 29 June 2016, Resigned 27 June 2025, remaining non-voting member Rune Bech Appointed 7 September 2021, Resigned 27 June 2025 Aileen Douthwaite Appointed 7 September 2021 Clifton Harrison Appointed 15 March 2022, Resigned 30 April 2025 William Norris (Chair) Appointed 7 September 2024 Karen Lee Appointed 26 March 2024 Alan Davey CBE Appointed 24 September 2024 Aaron Holloway-Nahum Appointed 17 December 2025 Toby Young Appointed 17 December 2025

The Trustees represent a range of skills and expertise across music, finance, marketing, law, leadership, music education and fundraising. Three founding Trustees reached the end of their nine-year term in this financial year, so, following a skillset analysis, an open recruitment drive sought new members from a pool of over 40 applicants to fill particular gaps in expertise (music industry/record label, HR, finance, youth voice, practicing artist and fundraising). The opportunity was advertised widely to ensure refreshment of membership and diverse thinking and there were two interview rounds. A further four Trustees will join in 2026 subject to board approval. The board seeks a Treasurer to replace Nick Rampley and are working with RIAC to identify prospects through an open call in 2026.

With a minimum of four meetings per year, the board delegates powers to sub-committees to bring in additional expertise and capacity from outside as necessary. These include Finance, Fundraising, Artistic & Label and Diversity and Inclusion of which the membership is outlined below.

Artistic & Label Committee

During this financial year, the Artistic Committee and Label Committee were combined, to give a more joined up approach to Nonclassical’s programme and decision-making. The Artistic & Label Committee meets at least twice annually, with consultation between meetings. Its aims and principles are set out in the Artistic Committee Terms of Reference. The Board of Trustees is advised on all artistic affairs relating to the Charity across events, release and artist development by the Artistic & Label Committee, has the following membership, besides staff:

Yung-Yee Chen Brian Inglis Jessica Cottis William Norris (Chair) Clifton Harrison Sam Mackay Resigned October 2025 Veronica Romani (Volunteer) Resigned December 2025 Joanne Sweet Resigned November 2025 Nathan Comer Joined October 2025

Finance Committee

The Board of Trustees is advised on all financial affairs relating to the Charity by a Finance Committee which has the following current membership with attendance from the Executive Director and Finance Manager, meeting quarterly in advance of each full Board meeting:

William Norris Nick Rampley Aileen Douthwaite

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Nonclassical Trustees Report and Financial Statements For the period ending 31st March 2025

Fundraising Committee

William Norris Frances High Aileen Douthwaite Gabriel Prokofiev Nick Rampley

Diversity and Inclusion Committee:

This committee did not meet during this transitionary period.

Executive Team

Miranda Johnson and Michael Garvey, Executive Directors, led the organisation during this period. Miranda took on Natalia’s maternity leave from January 2024 until February 2025, with Michael covering the interim before Natalia’s return to work part time on 1st April 2025.

Since Natalia’s return, the day-to-day operation of the charity is managed by one full time and five part-time staff (a total 2.6 FTE) with additional support from an Artistic Director (voluntary) and freelance fundraiser (0.2-0.4 FTE). The permanent staffing was also restructured due to the Executive Director returning part time with the Events and Marketing Manager becoming a full time Events and Artist Development Manager, splitting out their marketing responsibilities into a Marketing Manager role which we recruited for alongside a new part-time Label Manager.

Nonclassical has a policy of developing the next generation of arts administrators through academic student placements degrees, or paid opportunities where possible, abolishing unpaid work experience opportunities. This increases staff capacity and provides opportunities for the local community to get into the creative industries through providing skilled experience. In this period, we had one student immersed in the organisation in partnership with Goldsmiths University.

Risk

The board has a process for identifying, prioritising, escalating and managing risks and, where applicable, the charity’s system of internal controls to manage these risks. The board reviews the effectiveness of the charity’s approach to risk annually in line with regulatory requirements.

Legal counsel

Simon Anderson LLM has provided pro bono legal counsel since 9 September 2022.

Declarations

The trustees declare that they have approved the trustees’ report above

Signed on behalf of the charity’s trustees/directors:

………………………………………………………………………….. William Norris 23/1/26

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23/1/26

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Nonclassical

Trustees’ annual report for the period:

OBJECTIVES AND ACTIVITIES

Vision

Mission

Aims

Activities :

Values

Accessible

Collaborative

Discerning

Forward-thinking

Inclusive

Public benefit

Nonclassical benefits the public through:

ACHIEVEMENTS AND PERFORMANCE

20 years of Nonclassical

EVENTS

RELEASES

Nonclassical had four releases in 2024/25, supporting 13 artists :

ARTIST DEVELOPMENT

Artists in Residence 2023-25 (AiR)

DIGITAL ACTIVITY

AUDIENCE DEVELOPMENT

FINANCIAL REVIEW

Reserves Policy

STRUCTURE, GOVERNANCE AND MANAGEMENT

Governing document

Trustees

Artistic & Label Committee

Finance Committee

Fundraising Committee

Diversity and Inclusion Committee:

Executive Team

Risk

Legal counsel

Declarations

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23/1/26

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