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REGISTERED COMPANY NUMBER: 09187162 (England and Wales)
REGISTEREDCHARITY NUMBER.. 1161483
Report of the Trustees and
Financial Statements
for the Year Ended 31 December 2024
for
KH THEATRE LIMITED
IIIIIIIIIN
•AEDB1155*
1611012025
COMPANIES HOUSE
#70

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KH THEATRE LIMITED
CONTENTS OF THE FINANCIAL STATEMENTS
For the year ended 31 December 2024
Page
Chair's report
Trustees, report
4-12
Independent Examlner's report
13-14
Statement of financial activities
15
Balance sheet
16
Notes to the linancial statements
17-21

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KH THEATRE LIMITED
CHAIR OF TRUSTEES, REPORT
For the Year Ended 31 December 2024
After 10 years of planning, on 4th january 2024 King's Head Theatre opened the doors of its new home at 116p
Upper Street with a brand new play Exhibitionists by Shaun McKenna and directed by Bronagh La8an.
The new theatre features a flexible and accessible 220-seat main house theatre, a 50-seat cabaret space, two
bars, and state-of-the-art technical and environmental facilities that allow the charity to look ahead to the next
five decades with as much confidence as the King's Head Theatre's founder Dan Crawford did when he opened
the pub theatre in 1970. Honouring the history of the pub theatre, a production has been chosen from everv
year of the pub theatre's 53-ye3r life to be featuied on the theatre's main stairwell.
The trustees and staff remain hugely grateful for the support of the Mayor of London through Round Three of
his Good Growth Fund, as our key funders for the move, together with the support of our pub theatre
landlords Young's, new landlords Cain International, the hugely supportive local authority Islington 8orough
Council and the local community, who all continue to champion the charity's decision to move premises.
In the first year of the new theatre, we worked with Olivier nominated artists, provided stage debuts for
excitr'ng up-and-comin8 artists such as Heartstoppers Cormac Hyde-CorrSn and a host of West End star5 such as
Luke Bayer, Rob Madge, Kerry Ellis and even featured Dame Judi Dench in the theatre's Christmas pantomime.
The theatre's 220 seat maln house, and 50 seat cabaret space "48elow" are able to welcome established
artr.sts and larger scale shows appropriate for any mid-sc31e studios, whilst still providin8 accessible
opportunities for emerging artists and exciting bold new work - something synonymous with the pub theatre's
Identity. Through thls we were able to continue worklng with artists such as Awkward Productions, triple
f ringe-first winning clownin8 duo Xhloe & Natasha and actors such as Elijah Ferreira,
The staff team expanded rapidly with the opening of the new theatre, continuing to be led by Executive
Producer and acting CEO Sofi Berenger. 8ut in summer 2024, the theatre said goodbye to chairman of over
10-years James Seabri8ht and long-standing trustees Richard Williamson and Molly Waiting. I WOLtld like to
thank them for their incredible tenures and services to the charlty, particularly around the opening of the new
theatre which would not have been possible without all of their incredible work. In reco8nition of this work, we
have dedicated spaces to both James Seabright and Richard Williamson in the building.
We also launched the Angels of An8el fund, a brand new membership programme and product'on fund. The
fund has been set up specifically to support new productr'on5 being produced on our new stage and in 2024
was able to support Breeding by Barry Mcstay and co-produce the pantomime CAnderello. The difficult covid
recovery period, venue closure and capital project have resulted in depleted reserves, this meant the theatre
made the decision to be primarily a receiving house while it establishes its new space and business model. The
f und has however been a vital and exciting lifeline for the organisation to get back to directly producing and
supporting the creation of work. So we have immense thanks for everyone who has contributed to this fund,
be it by sponsoring one of our previously fftentioned stalrs or by Joining our community of Angel members.
Robert Khan. Chair ofTrustee5

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REPORT OF THE TRUSTEES
For the Year Ended 31 December 2024
OBJECTIVES AND AcfiviTIES
The Trvstee5 are pleased to present their annual report together with the consolidated fi'nancial statements of
the charity for the year ending 31 December 2024, which is also a director's report for the purposes of the
Companies Act 2006.
The financial statements comply with the Charities Act 2011, the Companies Act 2006. the Memorandum and
Artr'cles of Association, and the Statement of Recommended Practice- Accounting and Reporting by Charities
SORP FRS 102 leffective l January 20151.
This report looks at what the charlty has achSeved and the outcomes of its work in the reportin8 period. The
trustees report the success of each key activity and the benefi.ts the charity has brought to those groups of
people that it is set up to help. The review also helps the trustees ensure the tharlty's activlties remaln
focused on It5 Stated objectives.
Objectives and Activlties
Our principal objectives are..
To present ambitious theatre and opera that supports, develops and values our artists, Staff, audiences
and alumnl.
To be the most ethically and socially responsible Off West End Theatre in the UK known for its
challengin8 work and support of young arts'sts.
To commit to fi'ghting prejudice through the work we stage, the ardsts and staff we work wlth and bv
producing work for minority audience groups.
To prornote fair pay for all Off West End and to create accessible routes for early career artists to stage
their work.
Key Strategies and Activities
Present a broad range of producdons coverlng theatre. opera and musicals with accessible tlcket
prices at the King's Head Theatre in London.
Offer opportunities for regular theatre goers to see new work and revivals of work that have not been
staged in the UK before.
Employ talented emerging artbsts and provide a supportive environment for them to develop their
craft and advance their careers.
Provide training programmes for emerging directors and producers and support for their continuing
professional development.
To take a leadership role in getting the industry to follow our commitment to fair wages and only
staging work which agrees to pay fair wages.

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REPORT OF THE TRUSTEES
For the Year Ended 31 December 2024
ACHIEVEMENT AND PERFORMANCE
Chorltable activities- Productions
Mair) House Programme
hibiti
by Shaun McKenna and Andrew van Sickle, directed by Bronagh Logan. Opening the theatre
came this brand new play from this Olivier nominated writer & director. A modern take on 8ay relationships,
this lighthearted and farcical comedy was able to showcase much of what the new theatre stands to be. A
place for emerging 3rtr"Sts, such as debut performer Oyestein Lode and writing debut from Andrew Van Sickle
to work alongside established arrists, accessible and universal takes on LGBTQ+ storles whlch can be enjoyed
by everyone, and entertainlng new work.
Turnin
The Screw by Kevin Kelly and directed by Tim McArthur. Playing on some of the theatre's roots in opera
this play explores Benjamin Bfitten's unorthodox relationship with a then 12.year old David Hemming5 and
illlcit relationshlp with long term partner, tenor Peter Pears whllst homosexual relationships were 5ti11 illicit in
the UK. London Pub Theatre Magazine gave the production * *** stating it was a "riveting piece of theatre
raising questions which need to be explored" and was made possible thanks to a £25,000 donation from lan
McKellan through profi'ts from his "lan at 80" tour.
£[££d￿ by Barry Mcstay and directed by Tom Ratcliffe. The first production supported by the Angels of Angel
fund, it was associate produced by Mark Gatiss and James Seabright, supporting emerging lead prodvcer
Gabble Sills. Originally premiering as part of Tom Ratcliffe's 8uest artt'sts director season at the pub theatre, we
really wanted a productt'on to transfer from the pub theatre into the new theatre as part of the openin8 season
and were very excited to be able to support this wonderful piece of writing about LGBTQ+ families and the
adoption process. The production received ***** from The Arts 0i5Patch who described it as a "moving
and hilarious piece." The show received a number of 4-5 star5 aC105S the board.
Diana.. The Untold nd
bv Linus Karp for Awkward Productions. Frin8e hit-makers Awkward
Productr"ons first performed at King's Head pub theatre in 2019 with their fi.rst show so it was great after the
success of this production and Gwyneth Goes Skiing to welcome them into a three week main-house run. An
Instant hit with audiences and reviewers alike.
Houdini,
by Feargus Dunlop for New Old Friends. Hit farcical tourin8 producers. New Old
Friends, came to London for the first time with this productT'on, co-produced by Yvonne Arnaud Theatre.
Programmed In a double bill alongside the one.person musical Divol The production pushed the theatre's
production limitations and welcomed it5 largest scale show to-date. Receivin8 * ** * from LondonTheatrel
who described it as a "fun and charmlng piece of theatre, performed with enthusiasm by a committed cast."
a new play by James Hogan was prodLgced by King's Head Theatre associate Peter Darney and
directed by former Trainee Assistant Director Alex Jackson. The play explores a middle-aged man coming to
terms with his sexuality with 19-year old hitchhiker Rory. The play was the sta8e debut for Cormac Hyde-corrin
IHeort5toppers) who starred alongside Neil Ashton Ilt 5 A Sinl and Sarah Moyle (Doctors). Receiving * ***
from LondonTheatrel who said "The King's Head Theatre has always maintained a reputation for impressive
LGBTQ+ plays and their latest show is no exception"
LLGgLILr by Jonathan Tollins, directed by Kirk Jamieson and starring Olivier nominated Rob Madge. This
revival of Off-Broadway hit originally performed by Michael Urie was h'nally able to have its London premlere
10-years after its US debut. The h'ctional story of an actor who is hired by Barbra Streisand to be the Isolel
employee of the very un-lictional mall she has in her mansion estate - the piece heralded in a shift for
programming as the theatre started to focus on bigger, longer runs. Receiving a slew of ** * * reviews from

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REPORT OF THE TRUSTEES
For the Year Ended 31 December 2024
What's On Sta8e, LondonTheatrel, Everything Theatre, All That Oa2zles, West End Best Friend, Theatre & TonSc,
Sta8e to Page and others. What's on Stage described it as an 'impressive performance from Madge in this
fantastical, one-person show., The show transferred to Theatre Royal Plymouth.
by Jonathan Maitland, directed by Oliver Dawes. This prominent political journalist
has had some recent hits as a playwright, but taking a departure from politics this new play was based on his
own memoirs abovt growing up with his abusive mother who started the fi'rst gay hostel. Mait13nd portrayed
himself Sn the production next to Emma Davies, John Wark, Peter Clements, Stephen Ventura and Brodie
Edwards/Howard Webb as young Maitland. Receiving **** from Broadway World who said It wa5 a
"beautiful and moving production that received the ovarion It deserved on opening night."
£￿dL£U0 by Andrew Pollard and co-produced by King's Head Theatre Productions, Little Angel Theatre and
Elphin Productions. Le55 than 12-months after openin8 the theatre, and thanks to a grant from lan McKellan
and the Angels of Angel Fund, the theatre was able to co-produce its first annual pantomirne in the new space.
One of the first times the theatre was able to connect with new family audiences which it was never able to at
the previous pub theatre the pantomime, and North London's only pantomime, featured the voices of Dame
Judi Dench, Miriam Margolyes and Su Pollard and starred UK Drag Race's Ella Vaday. The unique adult-only
performantes also featured perfoimances from guest Star5 Cassidy Jonsen, Amy Ross, Vinegar Stroke5, Danielle
Steers, John Owen-jones, Helen Woolfe, Trevor Ashley and Christina 8ianco.
It recelved a number of * **** review5 includln8 from London Pub Theatres. Curtain Call Revlew5 and
North West End.
The pantomime was also able to provide cheap or free tickets to 855 schoolchildren who attended, through its
Fairy Godmother "pay-it-forward" programme which raised nearly £5,000 for local school children to attend
the pantomime who came from disadvanta8ed back8rounds for free.
In our first year, lor our maln programme. we had 19 different productions selling nearly 3S,000 tickets - more
than doubling our avera8e attendance from the pub theatre.
Maln House LATER and 4Below Programme Hl8hll8hts
Our late night slot, slthng on top of the maln house production, is the perfect opportursity for emerging actors
to work with us in the building, or in our 50-seat cabaret space. some highlights included= a transfer of Silent
Faces, Godot Is o Womon which received **** from The Guardian, The Stage and The Scotsman,. triple
Fringe-Flrst winning And Then The Rodeo Burnt Down, Whot if they ote the Boby? And o Letter to Lyndon B
Johnson, or God,. Whoever Read5 This First from Xhloe & Natasha,. and Mod Goy King by Christopher
Adams.Cohen, diiected by Scott le Crass and starrin8 The Stage Debut Award winning Elijah Ferriera.
Through this programme, we were also able to work with a number of graduating student5 and emerging
artists through showcases from The School. Rose Bruford's MA Queer Performance, Mountview & CSSD'S MA
Producing course and UCL. 4Below was also home to ongoing emerging comedy & cabaret nights Wendy 5
House and Comedy Fitfor o King and hosted Edinburgh Fringe Previews and the Camden Fringe.
Our 48elow space was also able to work locally with Islington BID,1slingion Giving and other local organisations
on local events, and provide space for readings of work-in-development.

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REPORT OF THE TRUSTEES
Forthe Year Ended 310ecember 2024
Our Main House Later and 48elow programmes h05ted 321 performances of a variety of lengths and
productions. The pro8ramme hosted 15,¢)00 audience members, predominantly youn8er than our main house
programme and interested in innovative and intersectional forms of theatre.
The theatre was also able to give away 6,250 free tickets to the community through partnerships with charities
such a5 Switchboard. Forum+, Kinship, Black Children's Initiative and Tickets For Good.
Equity and Fair Employment
The King's Head Theatre remain5 committed to fair employment and has a fantastic relationship with Equity,
the UK'S largest trade union for the performing arts.
Gender and Equality Policy
In 2018 the King's Head Theatre implemented a Gender and Equality Policy, furtherin8 our aim to lead the way
in making equitable theatre. With immediate effect. the theatre committed to working annually with SO%
non-male idents'fyin8 artists and creatives, and to offer at least SO hour5 a year to mentoring and helping
emer8in8 companies and championing ethical employment.
In the first year of the new theatre. we were able to work with a number of female and non-binary led
productions including Godot Is A Woman, Green Opera, Xhloe & Natasha, Hannah Kumari's Eng-er-lond, Queer
Cowboy5, The Little Death, Queen Bette, A Trojon Woman and Lody Montogue.
We were able to provide professional support to a number of schools, working with students on their
showcases and professional debuts and h05t placements and Internshlps for 16 students to gain valuable work
opportunities . many of whom went onto paid employment as a result of their work at Kln8's Head Theatre or
joined the theatre in a paid position.
We also continue to run our bi.weekly Skillshares - with sessions hosted by industry leaders across a variety of
subject5 includillg business & producin8 skills and 3rtistic skills. Over 150 people attended a skillshare in 2024
completely for free gaining these practical skills designed for early-career development.
Audlences
Audience statistics for 2024 indicate that 33% were under the age of 3S, a slight 1% decrease in our audiences
slnce 2019. Whilst patrons over the a8e of 65 made up 14% of audiences for the year in 2024 also indicating a
decrease from 18% since 2019.
In 2024, 6.5% of audience members were based in our immediate vicirbity Nl, versus 6% in 2022-23 Whilst
unique postcode zone figures remain fairly consistent, data indicates that our audience reach has extended
beyond Nl which presents further opportunits'es for the venue's outreach.
Some audience responses include..
"I loved the old venue because it was the dingy back roorn of a pub,. I love the new venue because it does
justr'ce to the excellence of the team. What they do has always been great and at the forefront of how today'5
theatre should be, but they seem to be getting berter and better (Royal Court better dress warmly). A mvst visit
if you're serious about theatre land more so if you're not). Thanks for doing what you dol"
"I had a wonderful experience at The King's Head Theatre, seeing their LGBT shows. The new location, situated
just behind the original pub, is clean and well-maintained with friendly staff and a great atmosphere"

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REPORT OF THE TRUSTEES
For the year ended 31 Oecember 2024
"We loved the intimacy of the theatre, the exuberance and skill of all the performers. Everyone looked to be
havin8 such a good time ... and the audience did, too"
Fundraising
The average donation amount in 2024 increased to £19.43 f rom £16.90 in 2022-23. However, as an overall
percentage of ticket value sold, the tot31 amount donated online or in person represents only 4.74% of the
overall ticket yield vs 6.03% in the previous two years. Conversions from the website remain consistent
however.
Overall, the charity raised £15,564 from our bucket donations, a tradition the theatre has held for Sts en￿re 54
year history.
Since launching in late 2023, the Angels of Angel fund has also raised a further £S9,826 to directly support
productions coming to the theatre's sta8e. With a year end balance of £33,044 with most of the deh'cit
expected to be returned in 2025.
stsff Team
In 2024 the artlstic programme was overseen by Executive Producer IActing CEO) Sofi 8erenger. Eight new full
time staff members were hired in 2024
FINANCIAL REVIEW
Financial posltion
Income
The total unrestricted income earned for the period was £763,051.
The total restricted income earned for the period in ielation to the Angels of Ange15 fund was £44,650
Voluntary Income
We received £76,654 in donafjons.
Theatre and Produttlon Income
We received £488,460 from ticket sales and venue rental.
Cost of Charitable Actlvltles
The total operational expenditure for the period was £710,548
Investment policy and objectives
The trustees, having regard to the Ilquidity requirements of operatlng the theatre, have kept available funds in
an interest.bearing deposit account.
Reserves policy
At 31st December 2024 the charity had unrestricted reserves of £340,32712023 £253,380) and restricted
reserves of £1,385,28412023 £1,429,665) giving a total reserves balance of El,725,61112023 £1,683,045).
The company's reserves policy indicates that there should be three months Worth of operational expenditure
of unrestricted reserves on the balance Sheet and this criteria is met at 31 December 2024. There are no
concerns regarding the charity's ability to continue to operate,

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For the Year Ended 310ecember 2024
FUTURÉ PLANS
Looking to the second year of the new theatre, a renewed focus on producing and co-producing through the
Angels of Angel fund will enable the charity to directly support productions coming to its stage. It is expected
that the charity will support and co-produce four main house production5 and lead produce the Christmas
pantomime.
There will be continued work in improving the facilities and infrastructure of the theatre, through purchasing
brand new seats and the creation of a community garden in the courtyard.
The theatre will build its membership programmes, including free memberships for N I residents and workers,
under 35's and artists who will be able to access a variety of accessible ticket options and opportunities. We
will focus on our artist development programmes through the a￿'st club, establishing new writing programmes
and identifyin8 new opportunities.
A focus on building and broadening our audiences - both recoverin8 from the pandemic and with the new
building to ensure that the theatre 15 able to reach as many people as possible will also be a clear focus for
the charity in 2025.
STRUCTURE. GOVERNANCE AND MANAGEMENT
Governing Document
KH Theatre Limited is a company limited by 8uar3ntee governed by its Memorandum and Articles of
Association dated 24th September 2014. The current member5 of the company are the TrLtstees. The liability of
the members of the company is limited by guarantee. In the event of the company being wound up during the
period of membership or within the year following, members are required to contribute an amount not
exceeding £1.
There were 10 members as at 31.12. 2024. The trustees did not recelve any benefit in the year.
Anti-Racism Commitment
The King's Head Theatre has always fostered diversity and inclusion. and now, more than ever, we stand with
the Black Lives Matter movement. The King's Head Theatre must be a home for everyone to feel welcome to
tell their stories and for us collectively, to change our world for the better. To all our artists, audiences, staff
and comrnunity across the woild, know that we will not tolerate racism in any form. We will reflect that in
everything we do. And while our doors may currently be shut, we commit anew to reflecting and protecting
our exceptional and diverse society. Today and always, we stand with our Black colleagues and with our
community as we fight for a more equal world.
Appointrnent ol Trustee5
Any Trustee is entitled to nominate people for board membership and names go forward to be approved bv
the Board of Trustees. The Trustees represent 3 core of specialist skills, includin8 but not limited to arts
administration, programming and producing, international law, technical theatre productron and HR. An
essential requirement is a passion for theatre generally and the work of KH Theatre Limited parricularly, and a
desire to increase access to theatre and audience diver51tv.
Trustee indurtion and training
Potentr'al new board members are given the opportunity to meet the Chair and a senior staff member before
being invited to meet the full Board of Trustees and observe a board meeting.

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REPORT OF THE TRUSTEES
For the Year Ended 31 December 2024
Organisatlonal structure
The Board of Trustees oversees and is responsible for the administration of the company. The board meets at
least four times during the year. Senior staff are appointed by the Trustees with delegated authority to manage
day to day operarions of the charity.
Rlsk Management
The Trustees continue to review the major risks to which the Charity is exposed, and are establishing systems
to mitigate any risks not already covered by the Charity's exists'ng systems and risk management strategies and
controls.
Particular current key risks Include..
Vulnerability to drops in 8enerated and voluntary income. The charity is especially vulnerable to
this in this period when our reserves are not yet at the level the trustees have deemed desirable.
Changes in the political climate, cultural policies and economic health of the cotsntry that may
have a negats've impact on KH Theatre Limited and the arts organisations, artists, audlences and
participants that it works with.
Future departures of key members of staff..
Competitor organisatr'ons entering our market space.
Theatre companies and venues are under threat in terms of reduced income from Arts Council
England, local authorifjes, other funders and audiences, potentially resultin8 in less income or
increased contra c05t5 for the companv.
The Trustees regularly monitor these risks, their consequences and appropriate ways to respond. The Trustees
note that a key element in the mana8ement of financial risk is the setting of a reserves policy and its regular
review by the Trustees,
Key management personnel rernuneration
The Trustees consider the Board of Trustees as comprising the key management personnel of the charity in
charge of directing and tontrollin8 the charSty and running and operattng the charlty on a day to day basis. All
trustees give of their time freely and no trustee remuneration was paid in the year.
10

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REPORT OF THE TRUSTEES
For the Year Ended 310ecember 2024
REFERENCE AND ADMINISTRATIVE DETAILS
Registered Company number
09187162 IEngland and Wales)
Registered Charity number
1161483
Registered offlce
116p Upper Street
London
Nl IQP
Trustees
JAR Seabright Iresi8ned 31 August 20241
M Waiting Iresi8ned 31 December 20241
RJ William50n (resigned 3 September 20241
K Farrell Ire5igned 14 May 20241
A Porter
M Hedges
H Williamson
K Mullan
R Khan
VR 8eelaerts van Blokland (appointed 12 February 20241
C Cook lappointed 12 February 20241
D James (appointed 14 May 20241
J Quaife lappointed 3 September 20241
J Smith (appointed 10 December 20241
Independent Examiners
Corrigan Accountants Limited
First Floor
25 Kin8 Street
Bristol
BSI 4P8
STATEMENT OF TRUSTEES, RESPONSIBILITIES
The trustees (who are also the directors of KH Theatre Limited for the purposes of company lawl are
responsible for preparing the Annual Report and the fi'nancial statements in accordance with
applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted
Accounting Practice).
Company law requires the trustees to prepare financial statements for each financial year which give
a true and fair view of the state of affairs of the charitable company and of the incoming resources
and application of resources, including the income and expenditure, of the charitable company for
that period. In preparing those financial statements, the trustees are required to..
Select suitable accounting policies and then apply them consistently:
Observe the methods and principles in the Charity SORP.

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For the Year Ended 31 December 2024
Make judgements and estimates that are reasonable and prudent-
State whether applicable accounting standards have been followed, subject to any material
departures disclosed and explained in the financial statements,.
Prepare the financial statements on the going concern basis unless it is inappropriate to
presume that the charitable company will continue in business.
The trustees are responsible for keeping proper accounting records which disclose with reasonable
accuracy at any time the financial position of the charitable company and to enable them to ensure
that the financial statements comply with the Companies Act 2006. They are also responsible for
safe8uardin8 the assets of the charitable company and hence for taking reasonable steps for the
prevention and detection of fraud and other irregularities.
In so far as the trustees are aware..
There is no relevant information of which the company's independent examiners are
unaware.. and
The trustees have taken all steps that they ought to have taken to make themselves aware of
any relevant information and to establish that the independent examiners are aware of that
information.
SMALL COMPANY EXEMPTION STATEMENT
For the year endin8 31 December 2024 the company was entitled to exemption from audit under
section 477 of the Companies Act 2006 relating to small companies.
The members have not required the company to obtain an audit in accordance with section 476 of
the Companies Act 2006.
The directors acknowledge their responsibility for complying with the requirements of the Act with
respect to accounting records and for the prepar3tr.on of accounts.
These accounts have been prepared in accordance with the provisions applicable to companies
subject to the small companies regime.
Report of the trustees, incorporating a Strategic report, approved by order of the board of trustee5, as
14-Ocl-25
the company directors, on...................................
and slgned on the board's behalf bv:
Helen Williamson
Trustee

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INDEPENOENT EXAMINER'S REPORT
For the Year Ended 31 December 2024
Independent Examiner's Report to the Trustees of KH Theatre Limlted
I report to the charity trustees on my examination of the accounts of the company for the year ended 31
December 2024 which ore Set out on page5 15 to 22.
Responsibilities ond bosis of report
As the charity trustees of the company land also its director5 for the purposes of company lawl you are
responsible for the preparation of the occounts in accordonce with the requirement5 Qf the Companies Act
20061.the 2006 Act'l.
Having satish'ed myself that the accounts of the company are not required to be audited under Part 16 of the
2006 Act and are eligible for independent examinab"on, I report in respect of my examination of your
company's accounts as carried out under sectt'on 145 of the Charities Act 20111'the 2011 Act'l. In carryin8 Out
my examinatr'on I have followed the OiTection$ 8iven by the Cha rity Commission under sectr'on 14515llbl of the
2011 Act.
Independent examiner's 5tt7tement
Since the company'5 gross income exceeded £250.000 your examiner must be a member of a body listed in
section 145 of the 2011 Act. I conlirm that l am qualified to undertake the examination because l am a member
of the ICAEW, which is one of the1Ssted bodies.
I have completed my examination. I conh'rm that no matters have come to my attention in connection with the
examinatton giving me cause to believe that in any material respect..
l. accounting records were not kept in respect of the company as required by section 386 01 the 2006 Act,. or
2. the accounts do not accord with those records,. or
3. the accounts do not comply with the accounting requirements of section 396 of the 2006 Act other than any
requirement that the accounts give a 'true and fair view, which is not a matter considered as part of an
independent examination,. or
4. the accounts have not been prepared in accordance with the methods and principles of the Statement of
Recommended Practice for accounting and reporting by charities applicable to charities preparing their
accounts In accordance with the Financial Reportin8 Standard applicable in the UK and Republic of Ireland IFRS
1021.
33

Q)ocusign Envelope ID.. BD3061A2.8B8D-4102.A95C.D75480018D94
KH THEATRE LIMITED
INDEPENDENT EXAMINER'S REPORT
For the Year Ended 31 Oecember 2024
I have no concerns and have come across no other matters in connection with the examination to which
attention should be drawn in this report in order to enable a proper understanding of the accounts to be
reached.
Signed..
QJW
David Wright 8Sc FCA
Corrigan Accountants Limited
First Floor
2S King Street
8ristol
BSI 4P8
Date.. 14-Oct-25
14

Docusign Envelope IO.. BD3061A2-888D4102-A95C-D75480018D94
KH THEATRE LIMITED
STATEMENT OF FINANCIAL ACTlVlI'lÈS (including Income and Expenditure Accotsntl
For the year ended 31 December 2024
2024
2023
Unrestricted
funds
Notes
Aestricted funds
Total funds
Total funds
Income and endowments
Donatfons and legacies
57,004
19,650
76,654
J52,172
Charitable activities
Encoura8*ment of the arts
583,844
25,000
608,844
1,605,894
oihtr trading acrivitles
Investment in¢ome
119,239
2,965
119.239
2.965
Total
763,051
44.650
807,701
1,761.947
Expenditufe
Raisin8 funds
S4,587
54,587
1,691
Charitable aet1v5￿aS
Encouragement of the arts
621,517
89.031
710,548
469.778
Total
676,104
89.031
765,13S
471.469
Net incomellexpenditurel
Translers between funds
86,947
115,1781
144,3811
15.178
42,566
1,290,478
17
Net movement in funds
71,769
129,2031
42,566
1,290,478
Reconciliatr'on ol funds
Total funds brov8ht forward
li
253,380
1,429,665
1,683,045
392,567
Total funds carried forwaid
340,327
1,385,284
1,725,611
1,683,045
15

Oo¢usign Envelope ID.. BD3061A2.88804102_AgSC_D75480018094
KH THEATRE LIM￿E0
BALANCE SHEET
At 310ecembei 2024
2024
2023
Unrestricted
funds
Notes
Restricted funds
Total funds
Total funds
Fixed assets
Intan8ible assets
Tangible 355ets
13
9,S32
336,987
346.519
9,532
1.519.737
1.529,269
2.355
14
1,182,750
1.182.750
1,534,711
1,537.066
Current assets
Siock
8,338
8,338
242,854
326,863
578,OS5
Dèbtors
15
242.854
316,863
211,S03
Cash at bank
238,956
450.459
578.055
Total assets
924.S74
1,182,7SO
2.107.324
1,987,525
Credltor$
Amounts fallin8 ijue within8 one year
16
381,713
381,713
304.480
381,713
381,713
304,480
Net a55et5
542.861
1.182.750
1,?25,611
1.683,04S
Fund5
Unrestrltted fund
340,327
1.385.284
253,380
1,429,665
Restricted funds
Total funds
1,725,611
1.683,045
The irusiees aknowledge their responsibiities for..
al ensuring that the chaiitable company keeps accounknng records that comply with Sections 386 and 387 el the Cornpanies Act 2006., and
bl preparin8 the linancial staternenls which 8ive a true and fair view ol the state of the charitable cornp4ny Js at ihe end uf *ach linancial yeai
and of It5 surplu5 or ijefi"£lt for eich hnancial year in accordance withe ihe requlrements of Sections 394 and 395 and whith orherwise comply
with the reouSrements ol the Ctsmpanies Act 2006 relating to the hnancl•l statements, in so far as applicable to the charltable company.
Small Company Exomptsons
For the year ending 31 December 2024 the company was entr.tled to exemption fiom audit under section 477 of the Companies Art 2006
relating to Small cornpènies.
The mernbers have not requlred the compan¥ to obtain an audit In accordance ujith SeC￿On 476 of the Companies Att 2006.
The dlrectors acknowledge thelr responsibllity for comply5n8 wlth the requlrements ol the Act wlth respect to atcounfjn8 retords and for rhe
preparation of accounts.
These ac£ounts have been prepared in accordance with the provisions applicable to cornp3nie5 subject 10 the small compaoie5 re8ime.
The financial statements were approved by the Board ol Tru51ee5 and authorised for issue on
behalf bv..
14-Ocl-25
and were siened on its
Helen Williamson
Trustee
16

Docusign Envelope 10.. 803061A2-BB8D4102-A95C-D75480018094
KH THEATRE LIMITED
NOTES TO THÉ FINANCIAL STATEMENT5
For the year ended 31 December 2024
I ACCOUNTING POLICIES
Basis of preparing the financial statements
The financial st3temenrs ¢f the charitable company, which Is a Pltbltc benelit entity under FRS 102, have been prepared in accwdance with the
Charities SORP IFRS 1021 'Accounting and ReporriTrg by Charities. Statement of Recommended Practice applicable to charities preparing their
accounts in accordance with the Financial Repo¥tyng Standard applicable in the UK and Republic of Ireland IFRS 1021 (effective I january
20191.. Flnancial Repordn8 Standard 102 'The Financial Reporrin8 Standard appllc4ble in ihe UK and Republic of Ireland, and ihe Compènles
Act Z006. The hThanclal st3tement5 have been prepared under the historScal ¢05t convenfjon,
Incomq
All incorne is reco8nlsèd in the Statement of FinancI21 Act?vitSes once the charity has entitlement to the funds. it is probablè that the In¢orne
will be ￿ceiVed and the amount cars be measuod reliablv.
£xpeAdlluie
Liabilitie5 are re¢o8nised as expendltuie as soon as there is • legal or construcdve obligation commithn8 the charity to that expenditure, it is
probable that a transfer of économlc benefits w511 be required In settlement and the amount of the oblIga￿On can be rnea5ured rellably.
Expenditure is accounted for on an accrua15 basis and has been classilied under headings that agKreEate all cost related to the category. Where
costs cannot be directly attributed to parbcular headln8S they havè been allocattd to èc•vides on i basis conslstent with the use of resources.
GolnB ron<ern
After makir$8 approprlate enquires, the trustees have a reasonable expectation that the Charity has adequate resources to continue its
oper8b.ons lor the foreseeable future and ther*lore they have corn￿￿￿ed io adopt the 8thng contefn basls when preparln8 the IlnanciJ
siatement5.
Tan¢lble fixed •ss¢is
Depreciation is provided at the follown8 annual rates In order to write off each a55et over its estimated useful life.
Freehold propertv
5% straiiht Ilne
Plant and mathlnery
2S4A on reducln8 balance
FSxtures and llttings
25% on reducin8 balance
Computer equlpment
25% on reducln8 balance
IntanEible lixed assell
A￿or￿s?￿On 15 provided on Intan8lble assets 50 as to wrlte ON the cost, le55 aThy esdmated resldual value, over thelr useful Ilfe as follows...
Website éevelopment
5-10 ytais
¥atiDn
The charity Is exempt from corporation tax on its charitable activltles.
Fund a¢(ounYnK
Unrestricted funds cèn be used In accordance wilh the charlt¥ble objec￿veS at the discretion ol the t¥U5tees.
Restrltted funds can only bè used lor particular restrlcted purposes within rhe objects of the charily. Restricuons arise when specifled by ihe
'donor or when funds are raised for particular restricted purp05e5.
Further explanation of the nature aDLI purpose of each fund 15 included in the notes to the linancial statements.
Stock
Stocks are Stated at the lower of ¢05t and estimated sellin8 price less cgst5 to complete and Sell. Cost is determlned using the fir5t-in, hrsr-out
IFIFOI method
17

OocLFslgn Envelope IO.. BD3O61A2-888D-4102-A95C￿7S481￿718094
KH THEATRE LIMITED
NOTES TOTHE FINANCIAL STATEMENTS
For the year ended 31 DecernbÈr 1024
2 DONATIONS ANO LEGACIÉS
2024
2023
Donatrons
68.056
8,028
570
149.071
2,651
450
Visiting Productions Rental Income
Membershlp and Sponsorship
76.654
152,172
3 OTHER TRADING AcfiviTIÉS
2024
2023
Bar income
119,239
4 INVESTMENT INCOME
2024
2023
Inttrèst recelvable tradln8
2.96S
3,881
S INCOME FROM CHARITABLE ACTIVITIE5
2024
2023
Tlcket Sales
125,334
363,126
365
251,Z28
Rental Income
Frlends Scheme
425
Merchandise
1.523
48,689
27,0
42,807
1,302
25,656
79,715
2,568
1,245.(M)O
1,605,894
Bookin8 Fee5
GraThts
Other Income
CJpit418rantS
608,844
Grants received, Included in the above, are as follow5..
Genefal
Arts Councll En8land
27,ts)0
58.SOO
21.21$
79,715
27,000
6 RAISING FUNOS
2024
2023
Development ¢osts
8ar stock
8,694
45,893
54,587
1,691
7 CHARITABLE AcfiviTIES COSTS
2024
2023
Olrecr costs
175,688
534,859
710,S48
123,097
346,681
469,778
Support Costs lsee note 81
B SUPPORT COSTS
2024
ioz)
187,909
45,983
20,79S
sraff costs
348.426
81.843
19.109
Ofh'ce costs
Proles5ionèl lees
Admin charges
Other
26,339
59,143
15,021
75,974
346.681
534.859
9 NET INCOMEIIEXPENDITUAEI
Net income/lexpenditurel Ss siaied after chzrgingll<redillngl=
Deprecladon- owned assets
Deficit on disposal of fi'xed as5etS
Development costs amorrisatton
Fees for Independent examination
2024
2023
86.879
13.139
1.899
823
422
3,000
3,000
16

Docusign Envel)pe10.. BD3061A2-88804102-A95C-075480018D94
KH THEATRE LIMITED
NOTE5 TO fHE FINANCIAL STATEMENTS
For the year erbded 31 December 2024
10 TRUSTEES, Rf MUNERATION AND BENEFITS
There were no trustees. remuneration or other benefits for the year ended 31 Oecembef 2024 nor for the year ended 310ecernber 2023.
There were no trustees, expenses paid lor the year ended 31 December 2024 nor lor the year ended 31 Oecember 2023.
11 %rAFF COSTS
2024
2023
Wa8es and salarie5
Social security costs
Pension contributions
317,123
23.650
4,972
340,773
l68,978
9,984
5.265
178,962
The average monthly nurnber of eMplo￿e$ duilng rhe year was ès fo)lows'.
21
No employees recelved emoluments in excess of £60,0￿.
12 COfvIPARAnvES FOR THE STATEMENT OF FINANCIAL ACTIVITIES
Unrestrltted
Restrlcted fund
Total funds
Income and endowmenrs from
Donatfon5 and legacies
152.172
IS2,172
Charitable a£tivSttes
Encoura8emeni of the Arts
360.894
1,245,000
1,605,894
Investment income
3.88l
3,881
Total
516.947
1,245.000
1.761,947
Expèn¢Slture on
RaislnR funds
1,691
Charltible lctyvityes
Encouragement ol rhe Arts
459,028
io.?so
469,778
Toi¥l
460,719
10,750
471,469
Net incomellexpendilurel
S6.228
1.234,250
1.290,478
Reconciliati(>n ol lund5
Tolal funds brou8ht forward
197.152
19S,415
392.567
Total funds carried forward
253,380
1,429,665
1,683,045
19

Dt)cusign Envelope ID.. BD3061A2-BB804102-A95C-D75480018D94
KH THEATRE LIMITED
NOTES TO THE FINANCIAI STATEMENTS
For the ye3r ended 31 Oecember 2024
13 INTANGIBLE FIXED ASSETS
Oevelopment
costs
Cost
At l January 2024
Additions
4,225
8,CX)O
Disposals
At 31 December 2014
12.22S
Amorisation
Al l January 2024
Charge for the year
At 31 December 2024
1,870
823
2,693
Net book value
At 31 Decernber 2024
9,532
2,35S
At 310ecember 2023
14 TANGIBLE FIXEO ASSETS
Freehol
propertv
Plant and
machinery
Fixture5 and
httin85
Computer
equipment
lotal
Cost
Al l january 2024
Addition5
1,S51,ÉS3
14.881
19,583
5,43S
1.591,752
71,905
71,905
Disposals
At 31 December 2024
1,623.7S8
14,881
19,583
5,435
1.663,657
Depreciation
At l January 2024
Cha￿e foryear
Eliminated on disposal
At 31 December 2024
41.670
80.747
9.614
1,831
4,438
3.926
377
57,041
86.879
1.317
122,417
10.931
6.269
4,303
143,920
Net book value
At 31 December 2024
1,501,341
1.510,183
3,950
5,267
13,314
17,752
1,132
1.509
1,519,73?
1.534,711
At 31 December 2023
IS DEBTORS.. AMOUNTS FALLING DUE WITHIN ONE YEAR
Trade debtors
Amounis owed bygroup undertaklngs
Other debtors
2024
2023
47.714
ii.ios
45,859
35,060
117,694
785
17S.632
VAT
Prepayments
19,508
242,854
211,503

Oo¢usign Envelope IO.. BD3061A2-888D4102-A95C-D75480018D94
KH THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS
Forthe year ended 3L December 2024
16 CREDITORS.. AMOUNTS FALLING DUE WITHIN ONÉ YEAR
2024
2023
Trade creditors
40,614
48.370
7.969
12.925
218,286
S3.548
381,713
137.207
12.264
S.025
Amounts ovjed to group undertakings
Soclèl security and other taxes
VAT
Other creditors
144.634
5,350
304,480
Aecruals and delerred Income
17 MOVEMENT IN FUNDS
Net movement In
funds
Transfer5
between funds
At OII0112024
At 3111212024
UThrestritted funds
General funds
253,380
253,380
86,947
86,947
115,1781
115,1781
3ZS.149
325,149
Restricted fvnds
Capital works fund
An8els of An8els fund
1.429,66S
162,2501
17,869
144,3811
1,367.41S
33.047
1,41XI,462
15,178
15,178
1.429,665
1.683,045
42,566
1,725.611
Net movement In funds, InclLtded In the above arè as follows
Incoming
resources
Resources
expended
Movernent In
lund5
Unrestrlcted lunds
General funds
763,051
763.051
676.104
676.104
86,947
86,947
Restricted furbds
Capitsl woiks Ivn
An8els ol Afi8els fund
61.250
25,781
89.031
162.2501
17.869
144,3811
44,650
44.650
807.701
765.135
42,566
18 RELATED PARTr DISCLOSURES
There were no related party iransactlons for the year endtd 31 Oecember 2014.
21