## 

## 

## 

||||||SORP reference||
|---|---|---|---|---|---|---|
|Summary||ofthe purposes||of|Para 1.17|To promote education<br>and the arts for the|
|the charity <br>overnin||as set out <br>document|in its|||public benefit particularly<br>by the presentation<br>ofthe Winchester<br>Chamber<br>Music Festival|
|Summary<br>activities<br>purposes|ofthe main<br>in relation to those<br>for the public||||Para 1.17and<br>1.19|The principal<br>activities ofthe Trust are to<br>provide access to the general<br>public, the<br>elderly,<br>children<br>and students<br>in the wider|
|benefit,<br>in||particular,|the|||Winchester area to experience<br>and learn|
|activities,|projects or||services|||about top quality chamber<br>music,|
|identified|in the accounts.|||||underpinned<br>by strong Artistic Direction and|
|||||||high quality<br>playing.|
|||||||The 2021 Festival<br>included<br>concerts<br>in|
|||||||primary<br>schools, 4 x one- hour long live|
|||||||concerts which were repeated<br>and filmed to|
|||||||allow social distanced<br>audiences<br>and|
|||||||maximising<br>their reach to the general<br>public.|
|||||||In addition there was a talk and an open|
|||||||rehearsal<br>which were both viewable<br>online.|
|||||||Not only did the Festival include<br>two schools|
|||||||concerts where the Piatti Quartet went into 2|
|||||||local primary<br>schools,<br>but the musicians<br>also|
|||||||recorded a film with an animateur<br>which was|
|||||||sent for free to all primary<br>schools<br>in|
|||||||Hampshire.|
|Statement<br>confirming<br>whether the trustees|||have||Para 1.18|The Trustees<br>confirm that they are<br>complying<br>with their duty to have regard to|
|had regard to the guidance<br>issued<br>by the Charity||||||the guidance<br>on public benefit published<br>by<br>the Charity Commission.|
|Commission||on public|||||
|benefit|||||||



## 

|Policy on|grant making|Para 1.38|Not applicable|
|---|---|---|---|
|Policy on|social investment|Para 1.38|Not applicable|
|including|program<br>related|||
|investment||||





|Contribution|Contribution|Contribution|made by|made by|Para 1.38|Due to Covid regulations<br>the use of|
|---|---|---|---|---|---|---|
|volunteers||||||volunteers<br>had to be kept to a minimum.|
|||||||Ushering<br>duties were largely handled<br>by the|
|||||||Festival Trustees. Collaboration<br>with a team|
|||||||of volunteers<br>will be reinstated<br>in 2022.|
|Other|||||||
|Achievements||||and Performance|||
||||||SORP reference||
|||||||Following<br>on from the cancelled 2020|
|||||||Festival the Trustees were determined<br>to|
|||||||offer, for 2021, as much as possible<br>within|
|Summary<br>of <br>achievements|||the main<br>ofthe charity,||Para 1.20|the Covid restrictions.<br>By delaying<br>a month<br>and holding the Festival<br>in early June we|
|identifying||the difference the||||were delighted<br>to be able to welcome<br>live|
|charity's|work has|||made to||audiences.<br>Concerts were carefully<br>planned|
|the circumstances||||of its||to allow for social distancing.<br>Audiences|
|beneficiaries<br>and any wider<br>benefits to society as a<br>whole.||||||were hugely enthusiastic<br>and supportive<br>and<br>some events were sold out. All were very<br>cooperative<br>with extensive<br>Covid|
|||||||precautions<br>and no known cases arose from|
|||||||the Festival. Each event was filmed to allow|
|||||||for home viewing<br>instead or in addition,<br>and|
|||||||whilst there was a disappointing<br>take up of|
|||||||online sales we now have a valuable<br>archive|
|||||||of high quality films. A notable feature ofthe|
|||||||2021 Festival was the extension<br>of our|
|||||||education<br>work to include<br>not only a concert|
|||||||by the Platti string quartet<br>in several schools,|
|||||||but also the making<br>ofa film with an|
|||||||animateur<br>featuring<br>the string quartet to be|
|||||||available to schools. This education<br>work|
|||||||was made possible<br>by grants from the|
|||||||Cavatina<br>Chamber<br>Music Trust, the Rainbow|
|||||||Dickinson<br>Trust, the Thistle Trust and|
|||||||Winchester<br>BID.These grants, the generous|
|||||||support of our Friends and Patrons<br>and|
|||||||buoyant<br>live ticket sales meant that the final|
|||||||shortfall was just below F2,000, much lower|
|||||||than the Trustees<br>had budgeted<br>for.|
|||||||In the Autumn<br>our usual Fundraising<br>concert|
|||||||had to be replaced<br>by online performances|
|||||||of Beethoven's<br>quartet<br>The Harp and|
|||||||Dvorak's<br>American<br>quartet.<br>This was|
|||||||especially<br>well received<br>by members<br>of our|
|||||||Friends' scheme.|
|||||||In the Festival itself there were 4 one hour|
|||||||concerts each repeated,<br>one late night|
|||||||concert, one online talk and an online open|
|||||||rehearsal. The London Bridge Trio (David|





|Adams,<br>Kate Gould and Daniel Tong) were|
|---|
|joined by guests<br>Lucy Gould (violin), Gary|
|Pomeroy<br>(viola), Robert Plane (clarinet) and|
|Tim Horton (piano).|
|The participating<br>musicians<br>were hugely|
|helpful<br>and flexible and contributed<br>much to|
|a very happy and successful<br>Festival.|
|Concerts took place in the newly renovated|
|St Paul's Church which proved an excellent|
|and very welcoming<br>venue.|
|Audiences<br>revelled<br>in the chance to hear live|
|music again and enjoyed<br>Bartok, Beethoven,|
|Brahms,<br>Dvorak and Faure.<br>It was|
|particularly<br>encouraging<br>that Messiaen's|
|Quartet for the End of Time, the rarely heard|
|Weber Piano Quartet<br>in Bflat and Joe|
|Cutler's<br>Slippery Music were especially<br>well|
|received. Performance<br>ofthe last named|
|was supported<br>by the Schubert Ensemble.|
|During the year the Trustees<br>met four times|
|on Zoom. The increased<br>number<br>of|
|meetings<br>reflected the need for careful and|
|changing<br>plans to accommodate<br>difficulties|
|posed by Covid 19.In September 2019we|
|welcomed<br>Carol Orchard<br>on to the board.|
|The Trustees wish to record their especial|
|thanks to Kate Gould, Artistic Director, and|
|Lucy Bending, Manager,<br>for coping so well|
|with difficult circumstances<br>and for planning|
|with care and imagination<br>an exciting and|
|successful<br>Festival.|



## 

|You ma<br>cho|You ma<br>cho|ose to include f|urther statemen|ts<br>where relevant<br>about:|ts<br>where relevant<br>about:|ts<br>where relevant<br>about:|
|---|---|---|---|---|---|---|
|Achievements||against||The main objectives were met in 2021|||
|objectives set|||Para 1.41|despite<br>having to work||in line with Covid|
|||||restrictions,|managing|social distancing|
|||||audiences|and adhering|to Government|
|||||guide!ines.|||
|||||Fundraising|objectives|were achieved|
|Performance<br>offundraising<br>activities against objectives|||Para 1.41|helping<br>to|ensure the future ofthe Festival.||
|set|||||||
|Investment|performance|||Not applicable|||
|against objectives|||Para 1.41||||
|Other|||||||





## 

|Financial<br>Review|Financial<br>Review|Financial<br>Review||||
|---|---|---|---|---|---|
|Review ofthe charity's||||Para 1.21|The Festival carries forward<br>healthy|
|financial<br>position|at|the end|||reserves<br>of839,052.38|
|ofthe<br>eriod||||||
|Statement<br>explaining||the||Para 1.22|To safeguard<br>the core activities ofthe charity|
|policy for holding|reserves||||in periods offluctuating<br>income, the Trustees|
|stating<br>why they|are|held|||have determined<br>to establish<br>unrestricted|
||||||reserves<br>sufficient to cover as a minimum,|
||||||six month costs. At 31 July 2021 the balance|
||||||on the general reserve was f39,052.38|
||||||which the Trustees<br>believe to be adequate.|
||||||This is the result ofa deliberate<br>policy to|
||||||ensure there are sufficient funds to cover|
||||||costs for several months<br>ifnecessar<br>.|
|Amount<br>ofreserves||held||Para 1.22|239,052.38|
|Reasons for holding||zero||Para 1.22|Not applicable|
|reserves||||||
|Details of fund materially|||in|Para 1.24|Not in deficit|
|deficit||||||
|Explanation<br>of any||||Para 1.23|Not applicable|
|uncertainties<br>about the||||||
|charity continuing|as a going|||||
|concern||||||
|Additional<br>information|||(optional)|||
|You ma<br>choose|to|include further statements|||where relevant<br>about|
||||||The main sources of income for the charity|
||||||are a combination<br>of income from our|
|The charity's<br>principal<br>sources offunds<br>(including||||Para 1.47|thriving<br>Friends organisation,<br>ticket income<br>and fundraising<br>activity from trusts and|
|any fundraising)|||||foundations.|
|Investment<br>policy|and|||||
|objectives including||any||Para 1.46||
|social investment|policy|||||
|adopted||||||
||||||Post Covid 19smaller audiences<br>from social|
|A description<br>ofthe principal||||Para 1.46|distancing<br>andlor loss ofconfidence|
|risks facing the charity|||||amongst<br>elderly concert goers. Outreach|
||||||activities<br>with schools and the elderly may|
||||||rove harder to mana<br>e for a while.|
|Other||||||





## 

|Description<br>of charity's||The Winchester<br>Chamber<br>Music Festival|The Winchester<br>Chamber<br>Music Festival|
|---|---|---|---|
|trusts:||Trust has no subsidiaries||
|Type ofgoverning<br>document|Para 1.25|Constitution<br>dated 16February 2015||
|trust deed, ro al charter)||||
|How is the charity|Para 1.25|Charitable<br>Incorporated<br>Organisation||
|constituted?||registered<br>26 January 2015||
|(e.g unincorporated||||
|association,<br>CIO)||||
|Trustee selection methods|Para 1.25|The existing trustees select individuals||
|including<br>details of any||having<br>regard to the skills, knowledge|and|
|constitutional<br>provisions e.g.||experience<br>needed for the effective||
|election to post or name of||administration<br>ofthe CIO. The trustees|are|
|any person or body entitled||aware ofthe need to broaden<br>the range of||
|to appoint one or more||background<br>and skills ofthe Board and will||
|trustees||be seekin<br>wa s to achieve this.||



## 

|||||||All new trustees<br>receive the published|All new trustees<br>receive the published|All new trustees<br>receive the published|
|---|---|---|---|---|---|---|---|---|
|Policies and procedures<br>adopted for the induction||and|Para 1.51|||Charity Commission<br>Guidance,<br>the<br>Constitution<br>ofthis charity and the previous|||
|training<br>oftrustees||||||year's report|and accounts.||
|The charity's|organisational||||||||
|structure<br>and|any wider||Para 1.51||||||
|network<br>with|which the||||||||
|charity works|||||||||
|Relationship|with any related||Para 1.51||||||
|parties|||||||||
|Other||||||The Artistic|Director, as one ofthe founders||
|||||||ofthe Festival, receives a fee for her Artistic|||
|||||||Direction (E2,000 in 2021)||and, on the same|
|||||||basis as the|other players,|afee for playing|
|||||||at the Festival.|||
|Reference|and Administrative|||details|||||
|Charit<br>name|||Winchester||Chamber<br>Music||Festival Trust||
|Other name the charity uses|||||||||
|Re istered charit<br>number|||1160142||||||
|Charity's<br>principal<br>address|||27 Parchment|||Street, Winchester,<br>SO23 8AZ|||









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