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2023-12-31-accounts

Trustees’ Annual Report for the period

From: January 1[st] 2023 To December 31[st] 2023

Charity name: Martin Read Foundation

Charity registration number: 1156661

Objectives and Activities

SORP reference
Summary of the purposes of
the charity as set out in its
governing document
Para 1.17 The object of this CIO is to advance the
education of the public in the UK in the
subject of the composition of music.
Summary of the main
activities in relation to those
purposes for the public
benefit, in particular, the
activities, projects or
services identified in the
accounts.
Para 1.17 and
1.19
The main public benefit activities of the
Foundation which were undertaken in 2023
were to:
(a) identify young composition students
who were considering undergraduate
study, who would benefit from the support
the MRF was able to offer, and:
(i) support the 3 selected composition
students by providing funded specialist
educational activities, including tutorial
mentorships. Agreed to support one award-
holder from 2022 for a 2ndyear, supporting
4 in total. 3 established composer-
educators agreed to act as mentors. The
young composers were responsible for
arranging payment for this support from
their MRF awards.
(ii) provide a public performance and a
recording of each of the awarded young
composers’ completed commissions.
(b) to involve the public in exploring
contemporary music, via come and sing /
come and play opportunities at the annual
festival. This included music written by
MRF alumni.
(d) plan to develop in young musicians’ a
curiosity for composition, towards
developing the composers of tomorrow.
Statement confirming
whether the trustees have
had regard to the guidance
issued by the Charity
Commission on public
benefit
Para 1.18 MRF confirms that its trustees are aware of
the guidance issued by the Charity
Commission on public benefit.

Additional information (optional)

You may choose to include further statements where relevant about:

SORP reference
Policy on grant making Para 1.38 The trustees decided that £250 was to be
awarded to each of the 4 successful
applicants. This provided a minimum of 3x
1.5 hour mentoring lessons. Remaining
funds were to be used to enhance their
study of composition, at the discretion of
the trustees. The award-holder was to be
responsible for agreeing with their mentor
the fee for these lessons, around a
suggested fee of £50 per hour, and for
arranging payment. Each selected young
composer received a public performance of
their commission at the annual MRF
Festival and a recording.
Policy on social investment
including program related
investment
Para 1.38
Contribution made by
volunteers
Para 1.38 During 2023, the volunteer trustees
continued to be the driving force of the
activities of the MRF. Trustees are all keen
supporters and / or practitioners of music
education, and of the aims of the CIO:
primarily to enhance the skills of promising
young composers, and include the public in
explorations and / or live performance of
contemporary music.
Other:
Additional focus for 203
Festival 2023 marked 10 years since the
death of Martin Read, composer. Trustees
decided to stage a performance of one of
Martin’s major works: The Death of Colonel
Boles, alongside the premieres of the 4
selected young composers.

Achievements and Performance

SORP reference
Summary of the main
achievements of the charity,
identifying the difference the
charity’s work has made to
the circumstances of its
beneficiaries and any wider
benefits to society as a
whole.
Para 1.20 In this it’s 9th year, MRF:
1) provided support to selected young
composers,
2) marked the 10thyear since the death of
MRF’s namesake, composer Martin
Read,
3) of the 4 awarded young composers: 2
received offers from a choice of
conservatoires to study composition at
undergraduate level, 2 continued onto
6thform, with the aim of applying for
undergraduate study in due course,
4) worked with class groups from 3
secondary schools during the Spring
and Autumn terms, through our school-
based partnership project with
Hampshire Music Education Hub:
‘Tomorrow’s Composers’, our ‘Tomorrow’s Composers’, our
application to HMEH for funds having
been successful. The aims of the
project were for:
i) students to develop a passion &
flair for composing leading
towards further study such as
application to the MRF annual
award scheme;
ii) teachers to develop skills in
teaching aspects of
composition.

Additional information (optional) You may choose to include further statements where relevant about:

Achievements against
objectives set
Para 1.41 We can measure this through:
1) Festival ’23 attendance: around 80, (an
increase of around 50 on Festival ’22)
2) Award scheme – positive feedback,
including this from a parent: ‘…our
thanks to…MRF. Without this
competition, J. wouldn’t have heard of,
let alone got into, the Royal College of
Music Junior Department for next year.
The MRF is clearly fulfilling its aim of
helping inspire new composers!’
3) On-going partnership, established
2019, with Oxford-based choir
Commotio.
4) Tomorrow’s Composers – positive
feedback from students: ‘…to consider
composing as a future career’,
‘broadened my mind, ideas on future
projects & potential job’;
and, unsolicited, from a parent:He
was… buoyed by the positive feedback
he received at the final Showcase. For
Christmas, he asked for a computer so
that he can compose at home… He has
decided that when he chooses GCSE
options, his first preference will be
music. Most of these children would
never think about composition without
the inspiration provided by the
Foundation.
Performance of fundraising
activities against objectives
set
Para 1.41 External event: 100 Miles for Martin, carried
out by a past student of Martin Read, now
trustee for MRF:
i)
£1,355 raised
ii)
48 supporters,
iii)
of those 48, 31 were new reach.
Investment performance
against objectives
Para 1.41
Other

Financial Review

Review of the charity’s
financial position at the end
of the period
Para 1.21 At the end of this period, MRF carried
forward £3,767 to fund it’s planned award
scheme for young composers in 2024.
For provision of future in-school
composition projects -Tomorrow’s
_Composers,_MRF planned to make further
applications to HMEH when notified,
endorsed by the positive feedback from
students, teachers and parents, as
mentioned earlier.
Statement explaining the
policy for holding reserves
stating why they are held
Para 1.22 Other than its annual agreement to fund the
awards of a small number of selected
young composers, there is no further
financial obligations should the CIO fold.
All funds held will be used to further the
chief activity of the charity: the provision of
specialist support for young composers.
Amount of reserves held Para 1.22 £3,767
Reasons for holding zero
reserves
Para 1.22 n/a
Details of fund materially in
deficit
Para 1.24 n/a
Explanation of any
uncertainties about the
charity continuing as a going
concern
Para 1.23 It is anticipated that the major expenditure
of the charity will be the provision of the
scheme’s bursaries to its awarded young
composers. Fundraising may be necessary
to support this annual scheme and for any
additional costs regards the content of the
Annual Festival or other composition
projects as these arise.
The charity was funded initially from the
estate of the late Martin Read, Hampshire-
based composer and music educator. In
this ninth year of Foundation there was a
growing number standing orders and
donations, providing a slightly increased
revenue stream. Costs for 2023 were
higher than recent years, due to the
Festival Marking 10 years since Martin
Read’s death, with the requirement of fees
for a larger, more appropriate venue, and
fees for soloists, performers and conductor
of Martin’s major choral work.

Additional information (optional) You may choose to include further statements where relevant about:

Investment policy and
objectives including any
social investment policy
adopted
Para 1.46 Our social media trustee continues to
ensure a wider promotional reach, via
Instagram - aiming at the younger
audience, Twitter and Facebook and
continuing to grow public awareness of the
charity.
A description of the principal
risks facing the charity
Para 1.46 Particular concerns of the Trustees during
2023, and ways towards solving them were:
1.
ensuring a broad reach of young
aspiring composers for the annual
award scheme,
2.
best ways of promoting the scheme,
3.
how to generate the young
composers of tomorrow.
MRF navigated these concerns via
promoting the scheme to
a. Hampshire 6thform college music
departments,
b. Hampshire secondary schools and to
and to
c. neighbouring music education hubs.
d. other connections, including via MRF
alumni to younger composers.
Promotion to b & c were achieved through
our partnership with the Hampshire Hub
Other

Structure, Governance and Management

Description of charity’s
trusts:
Type of governing document
(trust deed, royal charter)

Para 1.25
Constitution
How is the charity
constituted?
(e.g unincorporated
association, CIO)
Para 1.25 CIO
Trustee selection methods
including details of any
constitutional provisions e.g.
election to post or name of
any person or body entitled
to appoint one or more
trustees
Para 1.25 Trustees are selected by existing trustees
for their expertise as composers and / or
educators. Different trustees take on
specific tasks, such as drafting the Call for
Scores for the annual scheme / social
media / inviting suitably experienced
teachers to join our cohort of mentors /
fundraising / securing partnerships with
other music educators, etc.

Additional information (optional) You may choose to include further statements where relevant about:

Policies and procedures adopted for the induction Para 1.51 and training of trustees

The charity’s organisational
structure and any wider
network with which the
charity works
Para 1.51
Relationship with any
related parties
Para 1.51 MRF is a Hampshire Music Education Hub
Partner.
Other

Reference and Administrative details

Charity name Martin Read Foundation
Other name the charity uses MRF
Registered charity number 1156661
Charity’s principal address 7, Gladstone Street,
Winchester
Hampshire
SO23 8TQ

Names of the charity trustees who manage the charity

1
2
3
4
5
6
Trustee name Office (if any) Dates acted if not for whole
year
Name of person (or body)
entitled to appoint trustee
(ifany)
Beccy Read Founder and
administrator
Alison Willis
Simon Speare
Frederick Hodkin
Alexander Ling
Tom Armstrong From 1.1.23

Corporate trustees – names of the directors at the date the report was approved

Director name

Name of trustees holding title to property belonging to the charity

Trustee name Dates acted if not for whole year

Funds held as custodian trustees on behalf of others

Description of the assets
held in this capacity
n/a
Name and objects of the
charity on whose behalf the
assets are held and how this
falls within the custodian
charity’s objects
n/a
Details of arrangements for
safe custody and
segregation of such assets
from the charity’s own
assets
n/a

Additional information (optional)

Names and addresses of advisers (Optional information)

Type of
adviser
Name
Address
Type of
adviser
Name
Address
Type of
adviser
Name
Address
Patron Howard Skempton Leamington Spa
Patron Gwyneth Herbert Hastings
Patron Dame Judith Weir London

Name of chief executive or names of senior staff members (Optional information)

Exemptions from disclosure

Reason for non-disclosure of key personnel details

n/a

Other optional information

Declarations

The trustees declare that they have approved the trustees’ report above. Signed on behalf of the charity’s trustees

Signature(s)

Freddie Hodkin

Full name(s) Rebecca Jill Read Position (eg Secretary, Trustee: founder & administrator Trustee Chair, etc)

Date 24/09/2024

MARTIN READ FOUNDATION
Charity Name
MARTIN READ FOUNDATION
Charity Name
MARTIN READ FOUNDATION
Charity Name
1156661
No (if any)
Receipts andpayments accounts
For the period
from
1.1.23
Period start date
To 31.12.23
Period end date

CC16a

Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments Section A Receipts and payments
Unrestricted
funds
Restricted
funds
Notes
Total funds
Last year
to the nearest £
to the nearest £
to the nearest £
to the nearest £
Carried forward : 3,767 2,578
A1 Receipts
Donations by standing order
Other donations
Donations one-off, paypal & Smile Amazon
Grant - for Festival 2023
Grant - for Tomorrow's Composers, Spring '23
Interest, gold & cash accounts
Gift aid claim
Feb workshop ticket sales
Festival ticket sales
Festival donations
Proceeds from external event
Sub total _(Gross income for AR) _
610 385
100 263
29 133
907 2,190
2,130
-
324 101
-
735 217
155 -
1,450 -
6,440 3,289
table).
Sub total
Total receipts
A3 Payments
Grant spent - Tomorrow's Composers
Printing
Performers fees - scheme & Festival
Award payments
Festival refreshments
Venue hire & license fee
Choral score set hire / purchase & postage
Associated expenses, e.g.:train fares
Annual insurance premium
Miscellaneous expenses
Sub total
6,440 3,289
6,440 3,289
2,000 -
74 26
1,525 644
1,000 900
52
259 264
83
25 23
131 161
45 -
5,111 2,101
A4 Asset and investment purchases,
(see table)

Sub total
5,111.00

CCXX R1 accounts (SS)

27/09/2024

1

Total payments
Net of receipts/(payments)
A5 Transfers between funds
A6 Cash funds last year end
**Cash funds this year end **
5,111 2,100
1,329 1,189
3,767 2,578
5,096 3,767

CCXX R2 accounts (SS)

27/09/2024

2

Section B Statement of assets and liabilities at the end of the period Section B Statement of assets and liabilities at the end of the period Section B Statement of assets and liabilities at the end of the period
Categories
Signed by one or two trustees on behalf of all
the trustees
B1 Cash funds
B2 Other monetary assets
B4 Assets retained for the charity’s
own use
B5 Liabilities
B3 Investment assets
Signature
Details
Details
Total cash funds
Details
(agree balances with receipts and payments
account(s))
Details
Details
Unrestricted
funds
Restricted
funds
to nearest £
to nearest £
-
-
-
-
OK
OK
Unrestricted
funds
Restricted
funds
to nearest £
to nearest £
-
-
-
-
Fund to which
asset belongs
Cost (optional)
-
-
Fund to which
asset belongs
Cost (optional)
-
-
Fund to which
liability relates
Amount due
(optional)
-
-
Print Name
BeccyRead
Freddie Hodkin
Date of
approval
BeccyRead Sep-24
Freddie Hodkin Sep-24

CCXX R3 accounts (SS)

27/09/2024

3