Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Charity registration number: 1152853
Tŷ Cerdd - Music Centre Wales
Annual Report and Financial Statements
for the Year Ended 31 March 2022
HSJ Audit Limited Auditor Severn House Hazell Drive Newport NP10 8FY
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Contents
| Trustees' Report | 1 to 11 |
|---|---|
| Independent Auditors' Report | 12 to 14 |
| Statement of Financial Activities | 15 |
| Balance Sheet | 16 |
| Cash Flow Statement | 17 |
| Notes to the Financial Statements | 18 to 28 |
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Trustees’ Report
The trustees present the annual report together with the financial statements and auditors' report of the charity for the year ended 31 March 2022.
OBJECTIVES AND ACTIVITIES
Tŷ Cerdd’s mission is:
To support artists, communities and audiences to create, perform and participate in the music of Wales.
And our vision:
We envisage a Wales in which music-creators of all genres and backgrounds are enabled to make music and develop careers; in which a diversity of people and communities can engage in and enjoy Welsh music.
If you’re making music in Wales, it’s Welsh music!
We deliver this mission and vision through a range of activities with composers / music-creators and collaboration with organisations and communities. We served the whole of Wales and increasingly work from our homes (which take in south-east and west Wales), and our base in Wales Millennium Centre, which hosts a recording studio and a library of music for hire, alongside an archive collection.
We engage with international audiences and sectors, not only through our record label and publishing imprint, but also through artist-development initiatives with partners, and through our place in a range of international networks.
We deliver Lottery funding on behalf of Arts Council of Wales.
Our current goals as a charity are:
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Providing greater equality of opportunity for artists and communities
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Sustaining & developing excellence
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Ensuring a fit and agile organisation, able to deliver work for stakeholders and with partners
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Strengthening the music infrastructure within Wales
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Tg Cerdd - Muslc Centre Wales Annual Report fr)r the Year Ended 31 March 2022 Cornerstones / Conglfeini Artists IArtistiaid We place artists at the heart ol our work. We value their Innovation, their creativity and their diver51ty. We are committed to enabling the creation of We15h music, across a range of genres. Rydym yn rhoi ortistioid yng nghonol ein gwoirh. Rydym yn gwerthlowrogi eu horloesedd, eu creodigrwydd o'u homrywiaerh. Rydym yn ymrwymedig i hybu cyfleoedd i greu cerddorioeth Gymreig, ar drows ystod o genres. Cornrnunitie5 1 Cymunedau The communities across Wales making music are our lifeblood. Y cymunedou sy'n cerddora ur druws Cymru yw ein henEidfaeth. Diversityl Amrywiaeth We celebrate and embrace the diversity of people in Wales. and value difference. Rydym yn dothlu ac yn cofleidio amrywioeth pobl Cymru gan werthfowrogi'r gwtthanioethau. Equality I Cydraddoldeb We are passionate about equality for artists and audience5, and strive to rernove barriers, be they of race. 8ender, gender-ldentity, disability, a8e, geography, seyualityi religion, language, poverty. Rydym or dr05 gydroddoldeb, i urt15tiaida chynulleidfuoedd, gun ymdrechu i goel gworeda rhwy5truu, boed orsoil hil, rhywedd, hunanioeth rywedd, unobledd, oedron, daeuryddioeth, rhywioldeb, crefydd, iaith neu dlodi. Kindness I Caredigrwydd Kindness 3nd compassion are central to our organisationèl culture, and to all our engagement. Moe coredignvyddo thrugrjreddyn gonolog i ddiwylliont ein selydliod uc i'n holl weithgonvch ymgysylltu. Partnershlps I Partnertaethau We collabor3te across these cornerstones with organi53tions and partners to develop opportunities and improve access lor artists and audiences. Rydym yn cydweithredu ardruw5 y conglfeini ymo u 5efydlioduu u phurtneriaid i ddotblygu ryfleoedd u gwello mynediod i ortistioid o chynulleidfooedd. Sustsinability I Cynaliadwyedd Protection of the environtnent 15 fundamental, and we acknowledge our responsibility to respond to the global clim3te emergenry. Motersylfaenol yw omddiffyn yromgylchedd ac rydym yn cydn(Tbodein cyffifoldeb i ymoteb i'rar4yfvn4 hin5cwdd byd-eung. Page 2
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Public benefit
We review our aims, objectives and activities each year. This review looks at what we achieved and the outcomes of our work in the previous twelve months. The review looks at the success of each key activity and the benefits. The review also helps us ensure our aims, objectives and activities remained focused on our stated objectives. We have referred to the guidance contained in the Charity Commission's general guidance on public benefit when reviewing our aims and objectives and in planning our future activities thus ensuring that it continues in its purpose.
Grant making policies
Grants payable are payments made to third parties in the furtherance of the charitable objectives. Where the charity gives a grant with conditions for its payment being a specific level of service or output to be provided, such grants are only recognised in the SOFA once the recipient of the grant has provided the specific service or output.
Grants payable without performance conditions are only recognised in the accounts when a commitment has been made and there are no conditions to be met relating to the grant which remain in the control of the charity.
ACHIEVEMENTS AND PERFORMANCE
2021-22 opened with the Welsh music sector striving to find a new norm amid the continued impacts of Covid-19, which saw variants surging, rafts of performances still being cancelled, and music-makers endeavouring to keep creating and performing. The challenge for Tŷ Cerdd was clear, and two-fold: to deliver support to an increasingly broad range of music-makers and communities, and to sustain ourselves as an organisation in the light of Covid-related loss of earned income.
The work of CoDi , Tŷ Cerdd’s music-creator-development initiative, remained central to that strategic support of Welsh music. CoDi’s action-research model enables the organisation to create pathways to targeted groups, genres, demographics, and provides a route to remove barriers and extend reach, and during this year, with support from Arts Council of Wales, PRS Foundation (through their UK-wide Talent Development Programme) and RVW Trust, and alongside a number of partner organisations, we rolled out an expanded programme of CoDi, including:
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CoDi Opera Composer Robert Fokkens, writer/dramaturg Sophie Rashbrook, soprano/composer Sarah Dacey and pianist Christopher Williams worked with six participating composers through a series of workshops. Moving from scenario, through libretto to writing for voice, each created an aria. The TC team created a video presentation of each new work.
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Participants: Bethan Morgan-Williams, Eloise Gynn, Ethnie Foulkes, Gareth Olubumni Hughes, Jasper Dommett, Rebecca Horrox
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CoDi DIY A pathway for music-creators who had not accessed post-school music education, CoDi DIY worked with a diverse cohort of nine artists, from singer-songwriters, R&B and folk, to classical, experimental and electronic, the participants were mentored by pathway leader Pwyll ap Sion alongside a specially-selected team of mentors. Each participant’s new work was recorded in the TC studio, with several of the artists working with the Mavron String Quartet.
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Participants: Cara Ludlow, Francesca Murphy, Gwen Sion, Hannah Rattigan (Hannah Paloma), Heledd Evans, Jake Griffiths, Josh Whyte, Kevs Ford, Rich Thair
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CoDi Grange An arts and health initiative, in partnership with Aneurin Bevan University Health Board and consultancy Studio Response. CoDi Grange commissioned a cohort of
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
artists to create music and sound installations for the multi-faith chapel space in the new Grange University Hospital at Llanfrechfa, near Cwmbran. Central to the creation period for all of the artists was direct engagement with members of the community within the health board’s ward. The completed works were released on a digital album, Cynefin – Music for the Grange, released on Tŷ Cerdd Records.
Participants: Jo Thomas (lead artist); Ashley John Long, Delyth & Angharad Jenkins, Leona Jones, Stacey Blythe, Teifi Emerald
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Adopt a Music Creator We collaborated with Making Music and Sound and Music on their scheme to match a creative artist with a leisure-time group to create. Eloise Gynn and Monmouth Male Voice Choir were selected, and both received support and skills workshop alongside a cohort of music-creators and performing groups.
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CoDi Cân This collaboration with the National Eisteddfod was aimed at young music-creators of colour (aged under 26), and supported them to create new songs in Welsh and accompanying music videos for broadcast during the online Eisteddfod Amgen. Lead artists Lily Beau (Welsh language; songwriting), Tumi Williams (performance) and Jonny Reed (videography) mentored.
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Participants: Bailey Ahmed, Gabin Kongolo, Kiddus Murrell, Mandy Leung, Sizwe Chitiyo
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CoDi Off-Grid A network of experimental sound-artists and music creators working in free-improvisation, sound-art, noise, drone, no-input mixing or other avant-garde practice. The initiative created a database of artists, and held online talks and discussion events with the Teifi Emerald & Trishna Jaikara (from Ladies of Rage) and sound artist Meilir.
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CoDi Lead Composer Lloyd Coleman (Associate Music Director of Paraorchestra) and an ensemble of four exceptional musicians who identify as D/deaf or disabled worked with the composers/music-creators in a series of workshops, exploring the new possibilities and artistic horizons that working with disabled artists can bring. Participants: Daniel Soley, Jefferson Lobo, Litang Shao, Lucy McPhee, Sam Buttler, Tayla-Leigh Payne.
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CoDi Self Following an open call which drew in excess of 60 bids, 9 music-creators were selected to work with a remarkable central team of 7 lead artists, all making waves in their own genres and fields. The cohort of worked on their own practices through collaboration with others on two intensive retreats in spring 2022. Lead artists: Catrin Finch, Eädyth, Lade Nade, Mr Phormula, N’famady Kouyaté, Rowland Sutherland, Kiddus Murrell Participating artists: Anna Arrietta, Dan Swain, E11ICE, Goodparley, Hannah Paloma, TRUTH, Joseph Gnagbo, Małgola No, Sarah Zyborska
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CoDi INTERACT An online hub, complemented by a series of workshops – including, during this year, a composer networking session with Q&A by Lynne Plowman & Sarah Lianne Lewis, and a Composer Forum chaired by Lloyd Coleman.
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CODA 2021 The staff team put together a digital festival of work developed with music-creators, spanning autumn 2021.
Support for music-making up and down the nation was delivered through our Lottery funds , delegated from Arts Council of Wales, and split across three pots:
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Create – resourcing the creation of new work by music-creators of any genre
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Engage – funding a range of activity, from live performance and workshops to community collaborations
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Inspire – supporting the development of work with participants aged under 26
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
From leisure-time and community groups to professional work in a range of diverse settings, over £140k of funds was distributed in 104 awards to organisations (35 Create, 40 Engage, 29 Inspire). All schemes were over-subscribed, and have been attracting a perceptibly more diverse range of organisations submitting bids. New relationships with Disability Arts Cymru and Race Council Cymru have been part of a commitment to ensuring representation on funding panels.
As part of our commitment to celebrate music and musicians from across the nation, our Tapestri programme continued: a brand new, living music archive, a nation-wide musical celebration of the people, communities and languages of Wales. Partners across the project were Disability Arts Cymru, National Eisteddfod and National Library of Wales. The threads of Tapestri in 21-22 were:
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Perisgop – disabled-led digital music-theatre production, placing lived-experience at the heart of this commentary on life with sight-loss in Wales. Created by an all-disabled team (headed by composer Gareth Churchill and writer Kaite O’Reilly), this was launched on 3 December 2021 to mark the International Day of Disabled People.
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Bwthyn Sonig – enabling learning-disabled music creators to express and develop their own music, in one-to-one and ensemble settings. The project partners were Canolfan Gerdd William Mathias, Touch Trust, Sonic Bothy (Glasgow), and lead artists Jo Thomas, Teifi Emerald, Elin Taylor and Katherine Betteridge.
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Affricerdd – commissions by Wales-based artists of African descent across 2 strands
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Plethu Affricerdd (in collaboration with National Dance Company Wales) paired
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music-creators with dance artists to develop a dance video. The pairings were Eric Martin Kamosi with Idrissa Camara; Thalia Ellice Richardson with Kitsch n Sync; Seun Babtola with June Campbell-Davies; Jefferson Lobo & Gundija Zandersona.
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Cân Affricerdd commissioned songs in any language, with accompanying music videos, from N’famady Kouyaté (Mandinka), Tumi Williams (Yoruba), Andrew Ogun (English & Welsh), Mirari More (English) and Sizwe Chitiyo (English).
In early 2021/22 Kiddus Murrell joined the team for a year, under the Weston Jerwood Creative Bursaries (WJCB) programme, a scheme that supports individuals from lower socio-economic backgrounds to develop careers in the arts through a Fellowship bursary. Kiddus worked with the team for half of each week over the year, supporting delivery across our activity including community engagement and artist development, and focussed on his own artistic practice for the other half. Alongside this, members of staff and board took part in organisational development sessions attended by colleagues from across the UK cohort. During his last months with Tŷ Cerdd, Kiddus and Tŷ Cerdd worked with Arts Active on a sonic map of Cardiff with young people from across the city. The legacy of the WJCB scheme has been wide-reaching for the organisation.
During his time with us, Kiddus Murrell also contributed to Music and Race in Wales , our over-arching strategy developed initially through work during the pandemic in a series of open discussions (co-hosted with Privilege Café). Alongside tactical examples such as the Affricerdd, we also initiated a series of Music Industry 101 sessions – online skill-and-information sharing for all music creators, but always presented and hosted by people of colour. This expanded to strategic work around Race, that has become embedded across our work and is informing future programmes.
Following a distinct covid-related hiatus for label activities and releases during 20/21, the recording operation pivoted back to generating activity on the Tŷ Cerdd Records . Releases during this period:
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Taliesin’s Song Book 20th & 21st-century Welsh song performed by Andrew Matthews-Owen plus host of prominent Welsh singers and harpist Catrin Finch.
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Summer’s Day Chris Williams performing Mervyn Roberts – hidden gems of Welsh keyboard repertoire, some of which we published alongside the release.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
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Silver Apples of the Moon Ensemble Eos performing chamber ensemble music by Peter Reynolds, Mervyn Burtch and Chris Weeks.
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Cynefin – Music for the Grange Digital release of the six works commissioned for the Grange University Hospital facility in Llanfrechfa.
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Hyperion An EP by Cara Ludlow, an emerging folk artist we worked with on CoDi DIY, including specially arranged accompaniments by the Mavron Quartet.
At the close of the financial year, as part of the reanimation of the label, we contracted Steve Long (Director of Signum Records, a successful independent label) to work with us on developing the business model.
Over on Tŷ Cerdd Publications activity was flexed to provide different a variety of areas of support to composers, as well as to documenting new work created through the CoDi programme, and a great deal of capacity was used on creating video content for the CoDA digital festival. Alongside this activity, 8 new works were published in 2021-22, from established contemporary composers to emerging artists whose work was published through CoDi and NightMusic strands. Expert in-house editing and mentoring is a particularly useful part of the Tŷ Cerdd offer, adding value and legacy to the artist-development opportunities we offer, and was invaluable to the composer cohort of 21-22.
And the Tŷ Cerdd library and collection recommended more regular activity during the recovery period, as performing groups and societies began to restart and re-engage with music-making, both live and digital, and performers – from students to professional – accessed the research resource to discover Welsh repertoire.
Showcase Scotland Artist Development Programme : complementary to our CoDi work, Tŷ Cerdd worked in partnership with FOCUS Wales and Trac Cymru, with funding and support from Wales Arts International, on rolling out a substantial programme of artist development for a cohort of 15 artists/acts selected from applications to Showcase Scotland (industry facing showcase at Celtic Connections, which featured Wales in January 2022) (inc Music Ind 101). The programme included a central programme of mentoring, alongside bursaries and training.
Our strong and growing relationship with RWCMD continued. In a digital space we once again collaborated to present work for the National Eisteddfod’s Eisteddfod Amgen. Our partnership reaches across the musical activity of the conservatoire, and we were able to host interns from their Arts Management MA course, who worked on a number of areas of Tŷ Cerdd activity.
Tŷ Cerdd’s role in sector representation and development , within Wales and the UK, and on an international stage, was significant during this year, including:
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IAMIC (International Association of Music Centres) – active membership in this network, including digital workshops and events, plus general assembly. (TC’s director sits on the IAMIC board.)
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ISCM (International Society for Contemporary Music) – another important network for Wales and Tŷ Cerdd. We submitted Welsh work to ISCM’s online initiative to share new work internationally; and took part in the organisation’s digital General Assembly, as well as running a call for scores to Welsh artists.
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Tŷ Cerdd brokered a relationship between French contemporary group Ensemble Télémaque, who commissioned three Welsh composers – Richard Baker, Sarah Lianne Lewis, Lynne Plowman. The composers and TC director visited Marseille in October 2021 for a Wales Lab week, to attend the commissions and work with students and audiences.
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Sitting on funding or decision panels for organisations including PRS Foundation, Youth Music, Royal Philharmonic Society, The Ivors, Diaphonique and Wales Arts International.
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Panels and presentations for conferences and events
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Open University event on women in classical music
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
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Bangor University’s Women’s Work in Music
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Association of British Orchestras education panel
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For Welsh Government:
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part of the Creative Wales Music Stakeholder Group
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sitting on the Music Education in Wales steering group
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part of Cross Party Group for Music.
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Representation at a UK PRS for Music event in Cardiff
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Representation at Showcase Scotland, providing direct support to an individual artist (Eve Goodman) alongside the 6-strong cohort of Welsh acts.
Tŷ Cerdd’s board of trustees continued to provide governance and invaluable support to the staff team through quarterly board meetings and monthly board shorts. Both staff and board members took part in Theory of Change sessions in the early part of the year – taking forward, in particular, the strategy and targets around EDI that the organisation has been driving forward since before Covid-19. We engaged with Anthem on their Wales Youth Music Forum, sponsoring three young people to participate, and informing our future decision to recruit young trustees.
During the period, we played a part in consultation and visioning work with Wales Millennium Centre , where our office is based, into the creation of Makers’ Spaces at the venue– plans for which include us as key collaborators on work in the Studio space, and which will impact considerably on our office space and activity in coming years.
Financial review
Policy on reserves
As at 31 March 2022 the charity was reporting total reserves of £244,921 (2021: £208,886). Of this balance £122,645 (2021: £131,924) related to general unrestricted reserves and £122,276 (2021: £76,962) related to restricted reserves.
Of the unrestricted reserves a balance £95,456 (2021: £101,010) related to free reserves which are readily available to the Trustees.
It is the policy of the charity to hold sufficient reserves to meet all immediate liabilities and costs associated with any known future commitments. The level at which this balance is set is reviewed periodically by the trustees’ to ensure reflective of the charity’s current position.
Investment policy and objectives
Any surplus cash balances held are deposited within interest bearing accounts.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
PLANS FOR FUTURE PERIODS
Plans for 2022/23 include
Alongside implementing plans to develop Tŷ Cerdd Records through the continued consultation with Signum Records, further releases and publications are planned, including:
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Soliloquies – Gwenllian Llŷr, harp. A collection of Welsh music spanning 18[th] to 21[st] centuries.
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Unbroken Threads – Mary Hofman & Richard Ormrod performing work by five British women
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Undod / Unity – an album by Welsh-Indian band Khamira, fronted by trumpeter/jazz composer Tomos Williams
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Between Earth and Sea – Trio Anima. A mix of brand new and enduring repertoire for flute, harp and viola.
The development of CoDi artist development work, with a range of interventions and creative pathways, including:
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Somali Dance pathway
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development project around Organ at Theatr Soar in Merthyr Tŷdfil, prioritising Welsh language
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development of Bwthyn Sonig work with learning disabled music-creators
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mentoring scheme
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adding capacity and activity the Off-grid network
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range of professional development workshops
Rolling out a further strand of Tapestri:
- Polskerdd – community music-making and feasting with the Polish and Welsh communities in Aberystwyth, in collaboration with Aberystwyth Arts Centre and Penparcau Community Forum.
Further strategic work in Equalities, Diversity and Inclusion work, including development of the Music Industry 101 strand.
Advancement of our Lottery schemes, in partnership with Disability Arts Cymru and Race Council Cymru.
The furtherance of our international work , including through the ISCM and IAMIC networks, and the delivery of the Wales presence at Classical:NEXT and WOMEX, in partnership with Wales Arts International
The completion of the extensive artist-development programme (in collaboration with FOCUS Wales, Trac and Wales Arts International) connected to Wales @ Showcase Scotland 2022.
Development of the Board through an open call for new trustees, with a particular emphasis on young people.
Continued dialogue and planning with WMC over the development of makers’ Spaces and office.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
STRUCTURE, GOVERNANCE AND MANAGEMENT
Nature of governing document
The charity is controlled by its constitution being a constitution of a Charitable Incorporated Organisation (CIO).
Recruitment and appointment of trustees
As set out in the Constitution, the Chairman and Vice Chairman are elected by, and the Director and treasurer appointed by, the trustees.
Induction and training of trustees
All new trustees undergo an induction programme, which includes:
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an induction pack that is given to new trustees (and to re-elected trustees), which includes policy and procedures such as declaration of interest, confidentiality, policies and means of assistance for member societies
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any other training which may be required from time to time.
Relationships with related parties
Arts Council of Wales
The Charity receives funding from the Arts Council of Wales, one of whose officers attends meetings of the Board, and regularly liaises with the Director. The Arts Council of Wales provided revenue grant funding to Tŷ Cerdd - Music Centre Wales this financial year in the sum of £206,775 (2021: £204,525).
Organisational structure
Tŷ Cerdd’s board of trustees meets quarterly, with frequent Board Shorts between main meetings (monthly, where possible). All trustees are required to declare conflicts of interest annually and to absent themselves from the meeting in the case of a personal conflict. Trustees are appointed for an initial term of three years and can be re-elected at Annual General Meetings (or other specially convened meetings) for two subsequent terms of three years.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
REFERENCE AND ADMINISTRATIVE DETAILS
Trustees
Steph Power, Chair Christopher Parsons Gillian Green Graham Howe Harriet Wybor John Hywel Morris Nasir Adam (Resigned 02/11/2021) Rachel Ford-Evans (appointed 17/12/2021)
Sara Beer
Tumi Williams
Staff
Deborah Keyser, Director Abby Charles, Finance & Administration Manager Ethan Davies, Publishing & Research Officer Kiddus Murrell, Resident Music Creator James Clarke, Recording Studio Manager & Producer Matthew Thistlewood, Projects Manager Shakira Mahabir, Relationships & Communications Manager
Principal Office
The Wales Millennium Centre Bute Place Cardiff CF10 5AL
Charity Registration Number 1152853
Bankers
HSBC, 56, Cardiff Queen Street
Auditor
HSJ Audit Limited Auditor Severn House, Hazell Drive, Newport NP10 8FY
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Statement of Trustees' Responsibilities
The trustees are responsible for preparing the trustees' report and the financial statements in accordance with the United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice) and applicable law and regulations.
The law applicable to charities requires the trustees to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the charity and of the incoming resources and application of resources of the charity for that period. In preparing these financial statements, the trustees are required to:
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select suitable accounting policies and then apply them consistently;
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observe the methods and principles in the Charities SORP;
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make judgements and estimates that are reasonable and prudent;
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state whether applicable accounting standards have been followed, subject to any material departures disclosed and explained in the financial statements; and
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prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charity will continue in business.
The trustees are responsible for keeping proper accounting records that disclose with reasonable accuracy at any time the financial position of the charity and enable them to ensure that the financial statements comply with the Charities Act 2011, the applicable Charities (Accounts and Reports) Regulations, and the provisions of the constitution. The trustees are also responsible for safeguarding the assets of the charity and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
Disclosure of information to auditor
Each trustee has taken steps that they ought to have taken as a trustee in order to make themselves aware of any relevant audit information and to establish that the charity's auditor is aware of that information. The trustees confirm that there is no relevant information that they know of and of which they know the auditor is unaware.
The annual report was approved by the trustees of the charity on 7 December 2022 and signed on its behalf by:
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Steph Power
Chair
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Independent Auditor's Report to the Members of
Tŷ Cerdd - Music Centre Wales
Opinion
We have audited the financial statements of Tŷ Cerdd - Music Centre Wales (the 'charity') for the year ended 31 March 2022, which comprise the Statement of Financial Activities, Balance Sheet, and Notes to the Financial Statements, including a summary of significant accounting policies. The financial reporting framework that has been applied in their preparation is United Kingdom Accounting Standards, comprising Charities SORP - FRS 102 'The Financial Reporting Standard applicable in the UK and Republic of Ireland' and applicable law (United Kingdom Generally Accepted Accounting Practice).
In our opinion the financial statements:
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give a true and fair view of the state of the charity's affairs as at 31 March 2022 and of its results for the year then ended;
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have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and
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have been prepared in accordance with the requirements of the Charities Act 2011.
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the Auditor’s responsibilities for the audit of the financial statements section of our report. We are independent of the charity in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
We have nothing to report in respect of the following matters in relation to which the ISAs (UK) require us to report to you where:
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the trustees use of the going concern basis of accounting in the preparation of the financial statements is not appropriate; or
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the trustees have not disclosed in the financial statements any identified material uncertainties that may cast significant doubt about the charity’s ability to continue to adopt the going concern basis of accounting for a period of at least twelve months from the date when the financial statements are authorised for issue.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Other information
The trustees are responsible for the other information. The other information comprises the information included in the annual report, other than the financial statements and our auditor’s report thereon. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon.
In connection with our audit of the financial statements, our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the audit or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether there is a material misstatement in the financial statements or a material misstatement of the other information. If, based on the work we have performed, we conclude that there is a material misstatement of this other information, we are required to report that fact.
We have nothing to report in this regard.
Matters on which we are required to report by exception
In the light of our knowledge and understanding of the charity and its environment obtained in the course of the audit, we have not identified material misstatements in the Trustees' Report.
We have nothing to report in respect of the following matters where the Charities Act 2011 requires us to report to you if, in our opinion:
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adequate accounting records have not been kept, or returns adequate for our audit have not been received from branches not visited by us; or
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the financial statements are not in agreement with the accounting records and returns; or
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certain disclosures of trustees’ remuneration specified by law are not made; or
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we have not received all the information and explanations we require for our audit.
Responsibilities of trustees
As explained more fully in the Statement of Trustees' Responsibilities set out on page 13, the trustees are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the trustees determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error.
In preparing the financial statements, the trustees are responsible for assessing the charity's ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the trustees either intend to liquidate the charity or to cease operations, or have no realistic alternative but to do so.
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Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Auditor’s responsibilities for the audit of the financial statements
Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements.
A further description of our responsibilities for the audit of the financial statements is located on the Financial Reporting Council's website at www.frc.org.uk/auditorsresponsibilities. This description forms part of our auditor's report.
This report is made solely to the charity trustees, as a body, in accordance with section 144 of the Charities Act 2011 and regulations made under section 154 of that Act. Our work has been undertaken so that we might state to the trustees those matters we are required to state to trustees in an auditors' report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the charity and its trustees as a body, for our audit work, for this report, or for the opinions we have formed.
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Mr Andrew Hill (Senior Statutory Auditor)
For and on behalf of HSJ Audit Limited, Statutory Auditor
Severn House Hazell Drive Newport
NP10 8FY
20/12/2022 Date:.............................
Page 14
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Statement of Financial Activities for the Year Ended 31 March 2022
| Unrestricted funds £ Restricted funds £ Total 2022 £ 7,471 - 7,471 260,336 320,369 580,705 1,668 - 1,668 269,475 320,369 589,844 (278,754) (275,055) (553,809) (278,754) (275,055) (553,809) (9,279) 45,314 36,035 (9,279) 45,314 36,035 131,924 76,962 208,886 122,645 122,276 244,921 Unrestricted funds £ Restricted funds £ Total 2021 £ 30 - 30 296,830 205,432 502,262 296,860 205,432 502,292 (264,007) (175,632) (439,639) (264,007) (175,632) (439,639) 32,853 29,800 62,653 32,853 29,800 62,653 99,071 47,162 146,233 131,924 76,962 208,886 |
|
|---|---|
| Note | |
| Income and Endowments from: | |
| Donations and legacies | |
| Charitable activities | |
| Other income | |
| Total income | |
| Expenditure on: | |
| Charitable activities | |
| Total expenditure | |
| Net (expenditure)/income | |
| Net movement in funds | |
| Reconciliation of funds | |
| Total funds brought forward | |
| Total funds carried forward 14 |
|
| Note | |
| Income and Endowments from: | |
| Donations and legacies | |
| Charitable activities | |
| Total income | |
| Expenditure on: | |
| Charitable activities | |
| Total expenditure | |
| Net income | |
| Net movement in funds | |
| Reconciliation of funds | |
| Total funds brought forward | |
| Total funds carried forward 14 |
All of the charity's activities derive from continuing operations during the above two periods.
The funds breakdown for 2021 is shown in note 14.
The notes on pages 18 to 28 form an integral part of these financial statements.
Page 15
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
(Registration number: 1152853) Balance Sheet as at 31 March 2022
| 2022 2021 |
|
|---|---|
| Note | £ £ |
| Fixed assets | |
| Tangible assets 8 |
45,543 50,544 |
| Current assets | |
| Stocks 9 |
12,926 10,944 |
| Debtors 10 |
76,437 138,276 |
| Cash at bank and in hand 11 |
223,319 180,070 |
| 312,682 329,290 |
|
| Creditors: Amounts fallingdue within oneyear 12 |
|
| (113,304) (170,948) |
|
| Net currentassets | |
| 199,378 158,342 |
|
| Netassets | |
| 244,921 208,886 |
|
| Funds of the charity: | |
| Restricted income funds | |
| Restricted funds 14 |
122,276 76,962 |
| Unrestricted income funds | |
| Unrestricted funds | 122,645 131,924 |
| Total funds 14 |
|
| 244,921 208,886 |
The financial statements on pages 15 to 28 were approved by the trustees, and authorised for issue on 7 December 2022. and signed on their behalf by:
......................................... Steph Power Chair
The notes on pages 18 to 28 form an integral part of these financial statements.
Page 16
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Cash Flow Statement for the Year Ended 31 March 2022
| 2022 2021 |
|
|---|---|
| Note | £ £ |
| Cash flows from operating activities | |
| Net cash income | |
| 36,035 62,653 |
|
| Adjustments to cash flows from non-cash items | |
| Depreciation | 9,641 6,688 |
| 45,676 69,341 |
|
| Working capital adjustments | |
| Increase in stocks 9 |
(1,982) (2,812) |
| Decrease/(increase) in debtors 10 |
61,839 (100,690) |
| (Decrease)/increase in creditors 12 |
(57,644) 83,718 |
| Net cash flows from operating activities | |
| 47,889 49,557 |
|
| Cash flows from investing activities | |
| Purchase of tangible fixed assets 8 |
(4,640) (17,034) |
| Net increase in cash and cash equivalents | |
| 43,249 32,523 |
|
| Cash and cash equivalents at 1 April | |
| 180,070 147,547 |
|
| Cash and cash equivalents at 31 March | |
| 223,319 180,070 |
All of the cash flows are derived from continuing operations during the above two periods.
The notes on pages 18 to 28 form an integral part of these financial statements.
Page 17
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
1 Accounting policies
Statement of compliance
The financial statements have been prepared in accordance with the second edition of the Charities Statement of Recommended Practice issued in October 2019, the Financial Reporting Standard applicable in the United Kingdom and Republic of Ireland (FRS 102) and the Charities Act 2011.
Basis of preparation
Tŷ Cerdd - Music Centre Wales meets the definition of a public benefit entity under FRS 102. The accounts (financial statements) have been prepared under the historical cost convention with items recognised at cost or transaction value unless otherwise stated in the relevant note(s) to these accounts.
Going concern
The trustees consider that there are no material uncertainties about the charity's ability to continue as a going concern.
Income and endowments
Voluntary income including donations, gifts, legacies and grants that provide core funding or are of a general nature is recognised when the charity has entitlement to the income, it is probable that the income will be received and the amount can be measured with sufficient reliability.
Donations and legacies
Donations and legacies are recognised on a receivable basis when receipt is probable and the amount can be reliably measured.
Expenditure
All expenditure is recognised once there is a legal or constructive obligation to that expenditure, it is probable settlement is required and the amount can be measured reliably. All costs are allocated to the applicable expenditure heading that aggregate similar costs to that category. Where costs cannot be directly attributed to particular headings they have been allocated on a basis consistent with the use of resources, with central staff costs allocated on the basis of time spent, and depreciation charges allocated on the portion of the asset’s use. Other support costs are allocated based on the spread of staff costs.
Charitable activities
Charitable expenditure comprises those costs incurred by the charity in the delivery of its activities and services for its beneficiaries. It includes both costs that can be allocated directly to such activities and those costs of an indirect nature necessary to support them.
Page 18
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
Governance costs
These include the costs attributable to the charity’s compliance with constitutional and statutory requirements, including audit, strategic management and trustees’s meetings and reimbursed expenses.
Taxation
The charity is considered to pass the tests set out in Paragraph 1 Schedule 6 of the Finance Act 2010 and therefore it meets the definition of a charitable company for UK corporation tax purposes. Accordingly, the charity is potentially exempt from taxation in respect of income or capital gains received within categories covered by Chapter 3 Part 11 of the Corporation Tax Act 2010 or Section 256 of the Taxation of Chargeable Gains Act 1992, to the extent that such income or gains are applied exclusively to charitable purposes.
Intangible assets
Intangible assets represent recording costs in relation to online content and are stated in the Balance Sheet at cost less accumulated amortisation and impairment. They are amortised over their estimated useful economic lives.
Tangible fixed assets
Individual fixed assets costing £500.00 or more are initially recorded at cost, less any subsequent accumulated depreciation and subsequent accumulated impairment losses.
Amortisation
Amortisation is provided on intangible fixed assets so as to write off the cost, less any estimated residual value, over their expected useful economic life as follows:
Asset class Amortisation method and rate Recording costs 5 years straight line
Depreciation and amortisation
Depreciation is provided on tangible fixed assets so as to write off the cost or valuation, less any estimated residual value, over their expected useful economic life as follows:
Library publications - 10% straight line Musical instruments - 25 years straight line Studio and office equipment - 20% straight line
Stock
Stock is valued at the lower of cost and estimated selling price less costs to complete and sell, after due regard for obsolete and slow moving stocks. Cost is determined using the weighted average method.
Page 19
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
Cash and cash equivalents
Cash and cash equivalents comprise cash on hand and call deposits, and other short-term highly liquid investments that are readily convertible to a known amount of cash and are subject to an insignificant risk of change in value.
Page 20
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
Fund structure
Unrestricted income funds are general funds that are available for use at the trustees's discretion in furtherance of the objectives of the charity.
Restricted income funds are those donated for use in a particular area or for specific purposes, the use of which is restricted to that area or purpose.
Pensions and other post retirement obligations
The charity operates a defined contribution pension scheme which is a pension plan under which fixed contributions are paid into a pension fund and the charity has no legal or constructive obligation to pay further contributions even if the fund does not hold sufficient assets to pay all employees the benefits relating to employee service in the current and prior periods.
Contributions to defined contribution plans are recognised in the Statement of Financial Activities when they are due. If contribution payments exceed the contribution due for service, the excess is recognised as a prepayment.
2 Income from donations and legacies
| 2 Income from donations and legacies |
|
|---|---|
| Unrestricted | |
| funds Total Total |
|
| General 2022 2021 |
|
| £ £ £ |
|
| Donations and legacies; | |
| Donations from individuals | 2,471 2,471 30 |
| Legacies | 5,000 5,000 - |
| 7,471 7,471 30 |
Page 21
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
3 Income from charitable activities
| 3 Income from charitable activities |
3 Income from charitable activities |
|---|---|
| Unrestricted | |
| funds Restricted Total Total |
|
| General funds 2022 2021 |
|
| £ £ £ £ |
|
| Library hire charges 718 - 718 265 |
|
| Recording studio 41,973 - 41,973 61,116 |
|
| Arts Council of Wales Revenue Grant 206,775 - 206,775 232,753 |
|
| Arts Council of Wales Lottery Grant | 7,800 148,200 156,000 90,000 |
| CoDI Project | 3,070 58,434 61,504 59,674 |
| Wales Arts International | - - - 1,000 |
| Affricerdd | - 6,640 6,640 7,454 |
| Welsh Government Emergency | |
| Funds | - - - 50,000 |
| Tapestri | - 49,140 49,140 - |
| International Events | - 3,341 3,341 - |
| Wales Arts International | - 29,988 29,988 - |
| Arts Active Trust | - 10,000 10,000 - |
| WJCB | - 1,463 1,463 - |
| Jerwood Arts | - 13,163 13,163 - |
| 260,336 320,369 580,705 502,262 |
Page 22
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
4 Analysis of governance and support costs
Support costs allocated to charitable activities
| Support costs allocated to charitable activities | Support costs allocated to charitable activities |
|---|---|
| Basis of allocation Staff costs £ Premises costs including depreciation £ Total 2022 £ Total 2021 £ |
|
| Development of Welsh Music Percentage time spent |
|
| 38,558 13,454 52,012 47,857 |
Governance costs
| Governance costs | |
|---|---|
| Unrestricted | |
| funds Total Total |
|
| General 2022 2021 |
|
| £ £ £ |
|
| Audit fees | |
| Audit of the financial statements | 3,070 3,070 3,070 |
| Other fees paid to auditors | 1,700 1,700 1,550 |
| Legal fees | 2,477 2,477 206 |
| 7,247 7,247 4,826 |
5 Trustees remuneration and expenses
During the year the charity made the following transactions with trustees:
Steph Power
£2,477 (2021: £206) of expenses were reimbursed to Steph Power during the year.
No trustees, nor any persons connected with them, have received any remuneration from the charity during the year.
No trustees have received any other benefits from the charity during the year.
Page 23
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
6 Staff costs
The aggregate payroll costs were as follows:
| 6 Staff costs The aggregate payroll costs were as follows: |
|
|---|---|
| 2022 2021 |
|
| £ £ |
|
| Staff costs during the year were: | |
| Wages and salaries | 148,454 140,456 |
| Social security costs | 13,970 8,224 |
| Pension costs | 30,367 26,323 |
| 192,791 175,003 |
The monthly average number of persons (including senior management / leadership team) employed by the charity during the year expressed as full time equivalents was as follows:
| 2022 2021 |
|
|---|---|
| No No |
|
| Development of Welsh Music | 4 4 |
| Administration and support | 2 1 |
| 6 5 |
No employee received emoluments of more than £60,000 during the year
Page 24
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
7 Taxation
The charity is a registered charity and is therefore exempt from taxation.
8 Tangible fixed assets
| 8 Tangible fixed assets |
8 Tangible fixed assets |
|---|---|
| Furniture and equipment £ Other tangible fixed asset £ Total £ |
|
| Cost | |
| At 1 April 2021 54,619 31,920 86,539 |
|
| Additions 4,640 - 4,640 |
|
| At 31 March 2022 59,259 31,920 91,179 |
|
| Depreciation | |
| At 1 April 2021 27,057 8,938 35,995 |
|
| Charge for theyear 8,364 1,277 9,641 |
|
| At 31 March 2022 35,421 10,215 45,636 |
|
| Net book value | |
| At 31 March 2022 23,838 21,705 45,543 |
|
| At 31 March 2021 27,562 22,982 50,544 |
|
| 9 Stock |
|
| 2022 2021 |
|
| £ £ |
|
| Stocks | 12,926 10,944 |
| 10 Debtors |
|
| 2022 2021 |
|
| £ £ |
|
| Trade debtors | 1,090 9,566 |
| Prepayments | 73,947 128,710 |
| Other debtors | 1,400 - |
| 76,437 138,276 |
Page 25
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
| 11 Cash and cash equivalents |
||
|---|---|---|
| 2022 | 2021 | |
| £ | £ | |
| Cash at bank | 223,319 | 180,070 |
| 12 Creditors: amounts falling due within one year |
||
| 2022 | 2021 | |
| £ | £ | |
| Trade creditors | 75,328 | 132,647 |
| Accruals | 37,976 | 38,301 |
| 113,304 | 170,948 | |
| 2022 | 2021 | |
| £ | £ | |
| Deferred income at 1 April 2021 | (10,000) | - |
| Resources deferred in the period | (13,772) | (10,000) |
| Amounts released frompreviousperiods | 5,000 | - |
| Deferred income at year end | (18,772) | (10,000) |
13 Obligations under leases and hire purchase contracts
Operating lease commitments
Total future minimum lease payments under non-cancellable operating leases are as follows:
| 2022 £ 2021 £ 14,625 14,625 - 14,625 14,625 29,250 478 478 2,627 2,627 3,105 3,105 |
|
|---|---|
| Land and buildings | |
| Within one year | |
| Between one and fiveyears | |
| Other | |
| Within one year | |
| Between one and fiveyears | |
Page 26
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
| 14 Funds |
|
|---|---|
| Balance at 1 April Incoming Resources Balance at 31 |
|
| 2021 resources expended March 2022 |
|
| £ £ £ £ |
|
| Unrestricted funds | |
| General | |
| General Fund | 131,924 269,475 (278,754) 122,645 |
| Restricted funds | |
| Grand piano | 19,631 - (1,277) 18,354 |
| CoDi Project | 35,186 58,434 (71,597) 22,023 |
| Lottery | 22,145 148,200 (123,478) 46,867 |
| Affricerdd | - 6,640 (6,363) 277 |
| International Events | - 3,342 (1,388) 1,954 |
| Wales Arts International | - 29,988 (16,775) 13,213 |
| Arts Active Trust | - 10,000 (3,000) 7,000 |
| WJCB | - 14,625 (14,625) - |
| Tapestri | - 49,140 (36,552) 12,588 |
| Total restricted funds | |
| 76,962 320,369 (275,055) 122,276 |
|
| Total funds | |
| 208,886 589,844 (553,809) 244,921 |
Page 27
Tŷ Cerdd - Music Centre Wales Annual Report for the Year Ended 31 March 2022
Tŷ Cerdd - Music Centre Wales
Notes to the Financial Statements for the Year Ended 31 March 2022
| Balance at 1 April Incoming Resources Balance at 31 |
|
|---|---|
| 2020 resources expended March 2021 |
|
| £ £ £ £ |
|
| Unrestricted funds | |
| General | |
| General Fund | 99,071 296,860 (264,007) 131,924 |
| Restricted | |
| Grand piano | 20,908 - (1,277) 19,631 |
| CoDi Project | 8,443 53,000 (26,257) 35,186 |
| Lottery | 17,811 133,000 (128,666) 22,145 |
| Wales Art | - 1,000 (1,000) - |
| Affricerdd | - 7,454 (7,454) - |
| Arts Council of Wales - Stabilisation | |
| Grant | - 10,978 (10,978) - |
| Total restricted funds | |
| 47,162 205,432 (175,632) 76,962 |
|
| Total funds | |
| 146,233 502,292 (439,639) 208,886 |
The specific purposes for which the funds are to be applied are as follows:
The Grand piano fund represents the gift of a grand piano to Tŷ Cerdd.
The Composer and performer bursaries fund represents legacy income received by the charity during the year for this specific purpose.
15 Analysis of net assets between funds
| 15 Analysis of net assets between funds |
|
|---|---|
| Unrestricted Total funds at 31 |
|
| funds Restricted March |
|
| General funds 2022 |
|
| £ £ £ |
|
| Tangible fixed assets | 27,189 18,354 45,543 |
| Current assets | 208,760 103,922 312,682 |
| Current liabilities | (113,304) - (113,304) |
| Total net assets | |
| 122,645 122,276 244,921 |
Page 28