PITZHANGER MANOR & GALLERY TRUST
ANNUAL REPORT AND FINANCIAL STATEMENTS
1 April 2023 to 31 March 2024
harlty R•gl3tration Numb•r: 1152434. Company Reglstration Numb•r: 08278049

Trust•es' Report and Consolldated Financlal Statements
Contents
Page
Report ofthe Trustees
1-17
Reference and Administrative Details
18-19
Statement of Trustee5 Responsibilities
20-21
Independent Auditor's Report to the Member5 of Pitzhanger Manor & Gallery Trust
22-25
Consolidated Statement of Financial Activities
26
Group and Charity Balance Sheets
27
Consolidated Statement of Cash Flows
28
Notes to the Financial Statements
29-39

Pitshanger Manor & Gallery Trust
Report of the Trustees for the year ending 31 March 2024
The Trustees are pleased to present their annual report together with the financial statements of the
charity forthe year ending 31 March 2024.
The financial statements comply with the Charities Act 2011, the Companies Act 2006, the
Memorandum and Articles of Association, and Accounting and Reporting by Charities: Statement of
Recommended Practice applicable to charities preparing their accounts in accordance with the Finaricial
Reporting Standard applicable in the UK and Republic of Ireland (FRS 102).
Introductlon: About Pitzhanger Manor & Gallery. Trust
Pitzhanger Manor was designed and built in 1800 by Sir John Soarle, one of Britain's leading architects
{whose other buildings include the Bank of England and Dulwich Picture Gallery), as his personal
country retreat in the then rural village of Ealing. Pitzhanger is vitally important in the Soane story as a
rare example of a building Soane designed, built and lived in himself. Soane used it as a laboratory for
his architectural ideas, including histrademark use of canopy domed ceilings, the application of
idiosyncratic classical details and his innovative use of light as an architectural tool. The Grade I listed
house represents an extraordinary architectural statement bursting with his influence, ideas and
flourishes: it is an artistic tour de force.
Pitzhanger Manor & Gallery Trust was established in 2012 to work with Ealing Council, the owners of
Pitzhanger Manor, to conseNe, repair and enhance Pitzhanger Manor & Gallery as a major cultural
landmark for West London and beyond: a destination for art, education, and architecture. The projeirt's
aim was to restore the Manor to Soane's original design and upgrade the Gallery and the surroundinJ
gardens to enable the hosting of a world-class exhibitions programme, and to offer learning and
enjoyment for all with an extensive outreach programme. On completion of the three-year capital
project in 2018, the Trust took over the running of the site under a long-term lease and a managemeit
agreement. The Trust's executive team are overseen by an experienced Board of Trustees.
Objectives and Activities
Vision
We believe culture matters for all people. Pitzhanger will initiate exceptional creative encounters for
everyone, empowering expression, inspiring discovery and enriching our community.
Mission
Building on the dual foundation of Soane's 1800s Manor and parkland and of the contemporary Gallery,
Pitzhanger will unite the past and the present and inspire the future.
Our mission is:
To conserve and revitalise Sir John Soane's Pitzhanger Manor in his original parkland;
To celebrate SirJohn Soane's genius as a designer: to nurture understanding of the relevance of
Soane's work today, and to carry forward his passion to inspire future generations in art,
architecture, and design:

Pitzhanger Manor & Gallery Trust
To offer a programme of compelling, ambitious, and stimulating exhibitions that provoke and
inspire;
Through an imaginative and wide-ranging programme of participation and events, to enable
broad and diverse audiences in Ealing, West London and beyond to ignite their creative
potential,.
To offer a stimulating place for creative reflection and debate that will encourage fresh ideas and
new connections that enrich our lives; and
To develop a sustainable business that enables Pitzhanger to deliver its aspirations in the long
term, seeking to diversify and grow income streams from a wide range of fundraising and
commercial activity.
Strategic Goals
Reach more people
Positively impact our community in Ealing
Financial sustainability
Care for our people and buildings
Quantifiable measures and targets are set out in the Group's business plan.
Values
Collaborative: inclusive and supportive teamwork with everyone we work with, developing
dynamic and productive partnerships beyond the organisation
Excellence: striving for excellence in everything we do and everything we create, reflecting
Soane's exceptional design legacy
Trust & Responsibility: valuing and respecting all the people we work with, encouraging and
respecting expression and debate
Bold and Creative: adventuring and innovative spirit to embrace challenge, experiment with new
opportunities and learn from failures
Sustainability: embracing sustainable practices, committing to reduce our environmental impact
and considering ecological, social and economic factors in everything we do
Delivering Public Beneflt
The Trustees confirm that they have fulfilled the duty in Section 17 of the Charities Act 2011 to have due
re9ard to the Charity Commission general guidance on public benefit.
The Trust delivers value to its community through delivering its vision and mission as outlined above.

Pitshanger Manor & Gallery Trust
Achievements and Performance
SUMMARY
otal vlsltors in person . 46,549
otal dlgltal visitors . 443,486
Dlv•rsity of audlenc•s: growth in diversity., increase in: young people (under age of 26),. visitors from
the Global Majority; Kaleidoscope Creatives (as defined by Audience Agency categorisation)
otal Education and Outreach Engagements: 15,525
Exhibltlons
Main Gallery: 3 exhibitions., Antony Caro: The Inspiration of Architecture,. Idris Khan and Annie Morris:
hen Loss Makes Melodies; Alice Irwin: Chinwag;
oane Gallery: 4 exhibitions: Soane Restored; Descendants,. Magnum: Where Ideas are Born; Tim Brpt-
Day: Echoes and Idioms
Ivlaiior Displays: Soane model for a Villa at Acton; Artists at Home: Erin O'Keefe, Idris Khan and Annie
Morris; Artists at Home: Sinta Tantra, The Lightclub of Batavia
2023-24 marked a continued emergence from the long shadow of Covid as Pitzhanger grew visitor
numbers and profile, and diversified its audien￿ through its varied and well-reviewed
programming. Museums and galleries across the UK noted that visitor numbers have remained belciw
their pre-COVID levels {ref. Art Fund survey of museums and galleries- at 69% of pre-COVID numbe-s.
at the start of the year, slowly growing back as the year went on). We were therefore delighted to bu Id
on last year's visitor numbers and exceed our visitor target for the second year in a row, welcoming
46,549 visitors in the year, against a target of 42,000. This 15 against the backdrop of the cost of living
crisis and the resulting continued challenges of visitor engagement across the sector. Digital visitors
have also grown to 443,486 against a target of 324,000.
Pitzhanger continued its efforts to diversify its audiences and successfully across the year reached more
young visitors, more visitors from the Global Majority, as well as more visitors from audiences that do not
typically visit museums and galleries (with a particular focus on the Audience Agency defined segmeit,
'Kaleidoscope Creativity,).
In addition to broadening reach and visitor numbers generally, a focus for the year was to expand
Pitzhanger's learning and outreach programme, particularly our work with schools (both school visits
and outreach to provide workshops in schools). In particular we set the target of engaging schools in
the most deprived parts of the borough and specifically Southall. Over the year we reached c.3,000
pupils from schools across the borough with a third of these coming from Southall.

Pitzhanger Manor & Gallery Trust
11
who
s to tell mo
othln9 about
Christthe Saviour-soft colours installation.. still from the ACE supported film
of the project screened on site at Pitzhanger
Successful fundraising from the John Lyon's Foundation, received during the year, enabled us to recruit
a now member of learning staff in September 2023 with the specific aim of strengthening our
corinections with schools across the borough and increasing capacity for schools workshops. Our long-
term objective is to engage in a meaningful way every school in the borough: to date we have engaged
52 3ut ofthe Borough's 91 schools {57%), including 15 schools new to Pitzhanger this year.
We have also been keen to build on our engagement with young people in the Borough. With the
SUFPOrt of a grant from Arts Council England, we were able to undertake a youth development
prcgramme working with young people aged 16-25 across weekly workshops, with the aim of inspiring
them in careers in the creative sector, as well as co-curating programming for Pitzhanger in order to
attract more young people to our regular events.
Chiljren engaging with Assemble Play drop in summer 2023
We programmed a diverse range of exhibitions, together with related public talks, representing
diffJrent voices and lived experiences, to deliver our objective of initiating exceptional creative
encounters for everyone, whatever their background, and whether a first time visitor or regular repeat

Pitzhanger Manor & Gallery Trust
attendees. Through this wide-ranging programme of activities (from children's workshops to exhibitl*)n
tours and events) we aim to make all our visitors feel welcome and to inspire them in art, archytecture
and design.
In the main Gallery we showcased new work by Annie Morris and Idris Khan as well as undertaking a
major exhibition of work by one of the twentieth century's leading sculptors, Anthony Caro. From
January we exhibited early-career artist Alice Irwin, who uses her own experience of dyslexia to create a
visual language. Ir) each of these exhibitions we worked hard to make them both accessible to all
¢3udiences of all ages, but with scope to delve deeper for those who choose to. The exhibitions recei'ied
critical acclaim and broad coverage across soc.ial media, including positive review5 in the Financial
Times (Anthony Carol, Evening Standard (Idris Khan/Annie Morris) and recommendation in the
Guardian {Alice Irwin).
Art as Inspiration Workshop {Alice Irwin exhibirion) with Maylield Primary
Alongside these exhibitions in the main galleries, we expanded a new programme of exhibitions to
animate the manor house including Erin O'Keefe and UK-Balinese artist Sinta Tantra. These displays
have radically improved the quality ofthe visitor's experien￿ in the Manor. The Soane Gallery has
become a key space for exhibiting artwork by locally-based artists, such as Acton-based Tim Bret-Da5',
taking on wider themes such as the artist's studio, or Showcasing the work of community youth groups
such as Descendants.
The team continues to build partnerships in orderto undertake programffles that it WOLJld not otherwise
be able to do- expanding the reach of Pitzhanger and en9aging new communities in our activities, to
the benefit of both partner organizations and their audiences. This is a key part of our aim to make
Pitzhanger a vibrant community hub for all local audiences whatevertheir background whilst also
ensuring Pitzhanger can remain financially viable. Key partners have included London
Luminaries (coalition of West London cultural venues), Descendants (Acton based community groupi,
LFA: London Festival of Architecture, Ealing Film Festival, and Ealing Book Festival, with whom we
launched the inaugural event in November 2023.

Pitzhanger Manor & Gallery Trust
Pitzhanger takes seriously its responsibility to steward and conserve this exceptional historic site forthe
benefit of future generations, and overthe year we have undertaken key conservation and preventive
maintenance. To enable us to display more artworks (contemporary and historic) across the manor we
have installed new hanging rails, and are now experimenting with new and better ways of managing the
environmental conditions of the manorto best support conservation of the works. These include the
ins-.allation of conservation blinds and environmental monitoring equipment.
It ￿'OUld not be possible to run Pitzhanger and open to the public withoutthe support olourteam of
over 100 active volLJnteers. They provide crucial support in welcoming visitors; providing tours,.
supporting conservation and invigilation of the historic SPa￿s- assisting the facilitators of our family
workshops; making Pitzhanger honey and maintaining the beautiful gardens around the Manor. Most
volunteers are locally-based and we have been experimenting across the year with engaging more
young volunteers, especially students from local colleges. In addition to this extensive volunteers
scpeme we also provide work experience to students across the year through our popular intern
prcigramme.
EXHIBITIONS
WE continued to offer a varied programme of exhibitions, representing different voices and lived
experiences, to appeal to a wide range of visitors. Three exhibitions were presented in the main gallery
acrgss the year, together with multiple displays throughout the manor.
Maln Gallery
Anthony Caro.. The Inspiration of Architecture19 March- 10 September 2023)- an exhibition of
works by one of the most prominent British sculptors of C20th, the exhibition focused on the
resurgence and development of architectural themes within Caro's sculpture towards the end of
his career11983-2013), but also was designed to be accessible and interesting to younger
audiences, incorporating a sculpture children could climb into. We continued to experiment with
placing artworks outside to draw in new audiences from the visitors to Walpole Park.
Idris Khan andAnnie Morris.. When Loss Makes Melodies {4 October 2023 - 7 January 2024)- an
exhibition of works by two significant mid-career artlSts and exploration of the development of
their praciices as their work responded to each other in the context of their personal life as a
married couple, and the place of loss, grief and family in the making of work.

Pitzhanger Manor & Gallery Trust
Anthony Caro.. Child's
Tower Room
Caro's Forum in Walpole Park
Idris Khan and Annie Morris.. When Loss Mak9S
Melo,gies
Alice Irwin.. Chinwag (24 January- 30 June 20241. This exhibition showcased Pitzhanger's
commitment to exhibiting the work of early career art15ts. The first museum solo exhibition forthe
artist, the exhibition brought colourful sculptures, prints and drawings celebrating playfulness,
experimentation and the act of comin9 together. Alice uses her own experience of dyslexia to
create a visual language.
Soane Gallery
Soane Restored (to May 20231- an exhibition celebrating the skilled research and craft work
involved in the recent restoration of Pitzhanger.
Descendants (June-July 2023)- a community-based organisation that encouraged young
people, especially those of African and Caribbean descent, aged between 4 - 16, to delve intc
history, art, and culture at Pitzhanger. Following a series of workshops, in June we displayed tie
artwork the young people produced at Pitzhanger, working with practitioner Candice Rodney-
Sobers.
Magnum photographs.. Artists in their studios
Tim Bret-Day,' Echoes and Idioms

Pitzhanger Manor & Gallery Trust
Magnum.. Where Ideas are Born (12 Jul - 29 Oct 2023). The exhibition brought togetherthe
works of famous photographers from the legendary Magnum agency, with intriguing and
insightful portraits of artists in their studios, ranging from Frida Kahlo to Andy Warhol, and Ai
Weiwei to Yayoi Kusama.
rim Bret-Day.' Echoes and Idioms111 November- 19 May 20241. Building on the success of
the Magnum display we followed this with a popular exhibition of a local Acton-based
photographer, Tim Bret-Day.
Manor displays
Soane model for a Villa atActon, 1800: (Jun - Nov 2023): on loan from Sir John Soane's
Museum - an early model of Soane's plans that he ultimately adapted for Pitzhanger.
Artists at Home.. Erin O'Keefe128 Jun - 17 Sep 20231: a new series of displays across our
principle rooms in the Manor, opening with contemporary architect/photographer Erin
O'Keefe Hervibrant photographs animated the Manor, striking an intriguing balance
between contemporary aesthetics and the Manor's rich historical ambience. These displays
have encouraged visitors to look at Soane's architectural schemes in a new light.
Idris Khan and Annie Morris {4 Oct 2023- 7 January 2024): we continued this exhibition from
the Gallery into the Manor with works by both artists resonating closely with Soane's
experience of memory and105S.
Artists at Home.. Sinta Tantra,, The Lightclub of Batavia124 Jan - 4 Aug 2024):
Her works, described as 'painting on an architectural scale,, consist of gold-leaf coloured
paintings displayed across the manor creating a dialogue with Soane's historic interiors.
Tantra is UK-Balinese and the exhibition explored themes of light, wealth, beauty and the
legacy of colonialism.
Sinta Tantra.. The Lightclub of Batavia
Acquisition of Julian Opie's CurlyHalr on permanent basis
Following a generous offer from artist Julian Opie, and a successful fundraising campaign, Julian Opie's
OLrtdoors digital artwork, Curly Hair, has been acquired for the permanent enjoyment of the community
in Ealing and west London. Curly Hair has become enormously popular with locals and passers-by and

Pitthanger Manor & Gallery Trust
helps break down the per￿7Ved barrierto entry of the historic Manor, with Opie's appealing character
constantly striding towards the front door of the Manor. Tho acquisition was supported by grants from
Art Fund and the Arts Council England/V&A Acquisition Scheme, topped off with a public campaign
securing generous donations from local supporters.
A community celebration event took place in May 2024 to celebrate the acquisition, joined by the artist.
the Mayor and Leader of the Council.
The King's Visit
The King visited Pitzhanger on Thursday, 7 December 2023. This was an excellent opportunity to raise
profile and was a huge endorsement of the restoration project and the team effort behind it. During the
visit, His Majesty met the Leader of the Council and the Chair and Director of Pitzhanger. The Director
introduced the King to several key craftspeople whose expertise was pivotal to the Manorfs restorati(￿.
Notable among them were the early-career team of stone carvers from London Stone Carving,
decorative painter Alasdair Peebles, who painted the Chinese vvallpaper, and the team from Hare &
Humphreys, who led the detailed historic paint analysis and restoration integral to the conservation
project.
King Charles, visit to
Pitzhonger, 2023- The King
in conversation with a
specialist interior
conservator.
LEARNING AND OUTREACH
Learning and Engagement is core to our work at Pitzhanger. Our activities range from the schools
programme, to families and early years (0-5), the young people's programme, and events for all-age
adults
Schools
We have continued to build our learning & outreach activities across the year, engaging almost 3,000
school pupils over the year, with our long-term goal being to engage in a meaningful way with every
school in the borough. We have engaged 52 schools from Ealing overall to date out of a total of 91
(57%.), including 15 schools new to Pitzhanger this year. Through working with schools we are also
striving to connect with parents and this year build further engagement with local families from across

Pitzhanger Manor & Gallery Trust
the Borough through events. These include our Open Sundays programme, providing workshops,
activities and accessto Pitzhanger free to Ealing residents on Sunday mornings. We particularly aim to
tarijet our schools programming to the most deprived areas of the borough, with a current focus on
attracting visits from schools based in Southall.
One third of the school children who have visited across the year to date are from Southall
(almost 1,000 pupils).
John Lyon's Charity: through securing multi-year support from John Lyons Charity we have been
able to grow our learning programmes. In particularthis enabled us to recruit a Schools
Engagement Officer p()rt time to bijild our relations with schools and expand our capacity for
visits. In addition, the Schools Engagement Officer has developed a new teachers, resource pack
to assist schools with self-guided visits to the Manor. This pack will improve access to Pitzhanger
as a learning tool in Ealing and beyond.
Arts Council {ACEI grant: ACE supported the development of new learning & outreach projects
to accompanythe Annie Morris/ldris Khan exhibition. In Soft Colours, we developed
collaborative sculpture workshops with two primary schools designed to engage new audiences:
Tudor Primary School, in Southall and Christ the Saviour Primary School, based close to
Pitzhanger. The final outcome of this project was an exhibition in the Manor called Soft Colours
and an accompanying 5-minute film featuring the children and showcasing the workshop
process. See here I
Architecture in Schools programme.. after securing our third award from Alan Baxter Foundation
we ran tailored clubs with six schools in the borough..
Architecture in Schools Clubs: with three schools (John Chilton School, a SEND school in
Northolt; North Primary School and Ark Soane Academy in Acton)
Architecture's Apprentice Clubs: with three schools (Featherstone High School, Southall,.
Beaconsfield, Southall and Little Ealing, Hanger Hill).
Youth Forum
Wo developed a pilot Youth Forum project, bringing together a group of young creatives aged 16-25,
livi,,Ig in the borough of Ealing to co-curate a Pitzhanger Late on 7 March 2024. They gathered across six
Saturdays in Spring 2024 to plan the event. In addition they took part in workshops with guest arts
prcifessionals and role-models with diverse backgrounds working across London. These helped the
young people to explore c.areer pathways in arts and culture
Youth Forijm.. Sèturday *ssion
10

Pitzhanger Manor & Gallery Trust
Famllles
Open Sundays: we programmed a weekly event for families, featuring weekly drop-in work_shops and a
monthly performance-based activity in the Manor
Mini Makers
These sessions are a cornerstone of our early years programme. They are very popular and there is
Significant demand. We are actively seeking funding to support these sessions, but until we are able -0
raise additional funding, we do not currently have sufficient budget to run as many Mini Makers sessions
as we would like and there is demand for. So in the short term the frequency of Mini-makers sessions
will be halved (now to 2 a month: every other Friday).
Holiday Projects
Easter Holiday: In April 2023 we hosted a series of events for the Easter holidays, including drop-in
family activities in the Manor and the playwork group Assemble Play (attracting over 1,000 visitors)
Creative Summer.. In Summer we hosted our second annual Creative Summer programme for childrei
and families, with a range of activities that took place over the Summer holidays. This project was funded
in part by John Lyon's Charity's School Holiday Activity Fund (SHAFI. Subsidised and free places were
offered to families with limited means.

Pitzhanger Manor & Gallery Trust
EVENTS
We engaged 3,149 adults in the public programme across the year (talks, lectures, workshops, debates
etc), well in excess of the target of 2,000.
Thursday Lates moved from being weekly to monthly from January 2024, to allow more focus and
tarijeted programming to our audiences. Events ranged from guided meditation in the Eating Room to
a triple-tour of the exhibitions across the Manor. Admission on Thursday Lates is free to Ealing
Bo-ou9h residents 5-8pm, with the aim of engaging a wider audience who cannot visit during the
dav. The March Thursday Late was co-curated by young people- one ofthe outputs of our Youth Forum
with the aim of generating programming that would attract and engage new young aLJdiences.
0￿rthe year we developed good partnerships for events in the next financial year (eg first Ealing Book
Festival (April 2024). London Luminaries first live event {Mayl. and London Craft Week exhibition and
event collaboration (also May), London Festival of Architecture debate) all of which help us to engage
many more people and be more than the sum of our parts.
Eallng Community Proj•cts:
We are keen for Pitzhanger to be used as a hub for creatives and events across the community. We have
hosted a wide range of Ealing Community projects across the year ahead. These range from:
Hosting workshops with local community groups lincl. Descendants,. working with Art Fund for
the Wild Escape - the project to reintroduce beavers to Ealingl
Setting up partnerships with local cultural groups (e.g. Ealing Film Festival,. helping with the
establishment of Ealing Book Festival)
Hosting Community events {e.g. Windrush commemoration,. Remembrance Day Service)
Providing a networking hub for Ealing-based creatives {host of quart&rly Creatives Breakfasts)
Showcasing local creatives and artists (from children's performances- eg Ealing Music Services;
dance showcases) to local makers le.g. Local Makers, craft fair) to local artists (eg exhibitions in
Soane Gallery, incl. Tim Bret Day)
Making available the Hub and Rickyard to local community groups across the year
FUTURE PL4NS
Looking forward we are excited about our forthcoming programme of exhibitions through which we are
planning to continue to share stories representing different voices and lived experiences which we hope
wil resonate with different communities across the Borough. Grayson Perry is one of the country's most
well-known artists and it is a huge boost to the gallery to exhibit his work here, with the potential to
bri ig new audiences both from inside and outside the borough to Ealing and Pitzhan9er. Grayson's
taFestries connect directly with the history of Pitzhanger, based on Hogarth's series (on view in the
manor)A Rake s Progress. In September 2024 we will be displaying the work of artist Merhenderpal
Sorya, who grew up in Southall and has worked with students at Villiers Primary School to create a series
of silks titled "Southall Resists" exploring with sensitivity the events which later became known as the
'SciUthall Riots"
We are thrilled that BBC Antiques Roadshow set its stage at Pitzhanger this May, shining a spotlight on
Ealing and its heritage and community. It's a huge coup for the Manor and the Borough, beating off
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Pitzhanger Manor & Gallery Trust
competition from a venue in North London. Filming took place on Sunday 19 May 2024 with broadcdst
dates in Autumn 2024.
The team continues to build partnerships in orderto undertake programmes that it would not
otherwise be able to do. New programming includes Negroni Architectural Talks (June) and AWITA
(Association of Women in the Arts).
Fundraising
Fundraising is undertaken by a small in-house developmentteam with the input and review from the
Fundraising Group (a sub-committee of the Board). The Trust is registered with the Fundraising
Regulator whose Code of Fundraising Practice and Fundraising Promise set a standard forfundraising
activity in the UK.
Fundraising strategy focuses on securing support via statutory funders, charitable trusts and
foundations, corporates and individua15, selecting the most appropriate source of funding for each
project for which support is being sought. In the year to 31 March 2024 the main fundraising focus w3S
securing support for our exhibitions and education programme.
Pitzhanger takes a considered approach to fundraising ensuring that we comply with regulations and
guidance related to data protection and the protection of vulnerable people, that communications are
not excessive or intrusive and that the individuals we contact do not feel under any undue pressuretc,
donate.
When fundraising is carried out on behalf of Pitzhanger it is with a small group of trusted supporters who
promote Pitzhanger through their personal and professional connections. Pitzhanger works closely with
these partners to ensure their approach consistently meets the high standards of the museum's own
fundraising.
The Trust has received no complaints about its fundraising activities12022'. nil).
Finanaal Review
In the year to 31 March 2024, the Trust incurred a deficit of £279,662 (2023.. deficit of £607,875). This
relates to a deficit on unrestricted activitles of £291,760 and a surplus on restricted activities of £12,098.
The movement from the comparative year reflects a reduction in payments from restricted funds
towards the last elements of the restoration project.
Main Fundlng Sources
The Trust's operating costs have been supported by a management fee from Ealing Council £427,00,J
(2023: £427,000), commercial income from visitor admissions £75,562 12023: £92,627), other trading
13

Pitzhanger Manor & Gallery Trust
incJme £266,517 {2023: £225.0611 and unrestricted donations from Trusts and Foundations and
individuals £12,892 {2023: £90,654). The Trust also received restricted donations of £99,033 {2023:
£191.162) from a range of Trusts and Foundations and individuals mainly in respect of the learning
prcigramme, exhibitions (pro9ramme and equipment) and for the acquisition of Julian Opie's Curly
Hair. At the end of the year, the Group held reserves of £962,40312023: £1,242,065), of which £416,844
(2023: £404,746) were restricted, £298.059 were unrestricted (2023: £299,819) and £247,500 (2023:
£537,500) were unrestricted but designated. The restricted reserves largely relate to the Community
HUJ development project and remedial works outstanding from the renovation project. Unrestricted
but designated reserves relate to a sinking fund for future maintenance cost5, development of the public
prc.gramme and general operational support during this post-covid recovery period.
Investment Policy
As most of the charity's funds areto be spent in the shortterm, there are no funds for long-term investment.
Our funds are therefore held in a current account and deposit account.
Reserv•s Policy
Prior to the pandemic the Trust adopted a policy of holding three months, core operating costs in
restsrve which was equivalent to £250,000. The reserves policy is reviewed as part of the budget
prcicess annually and in 2022-23 the decision was taken to increase the minimum reserve requirement
(unrestricted and designated) to 6 months of core operating costs, approximately £500,000. At the
end of the year, free reserves (unrestricted and designated) were £545,559 which the Trustees are
sat sfied is in l ine with policy.
Golng Concern
The Charitable Group and Trust's working capital is provided by a combination of its charitable,
furKlraising and trading activities. The outbreak of Covid -19 caused significant disruption to the
Charitable Group and Trust's activities, resulting in a significant loss of commercial income, and the Trust
is slill working to increase both commercial and fundraising income in a challenging economic climate.
The Board has assessed the prospects of the Charitable Group and Trust over the 12 months from the
date of approval of the Annual Report and Financial Statements taking into account its expectations for
future operating activities, fundraising and the risks that the Trust faces. In addition, the Trust has
performed a sensitivity analysis on its forecasts to evaluate a severe but plausible downside scenario on
the business of various operating risks.
Hailing completed these assessments, the Board has a reasonable expectation that the Charitable
Group and Trust has adequate resources to continue in operational existence for the foreseeable future,
being a minimum of 12 months from the date of approval of the financial statements, and thus continues
to adopt the going concern basis of accounting in preparing the financial statements. The Trustees
note that continued solvent operation beyond the twelve month period will require an increase in
commercial revenues and fundraising support.

Pitzhanger Manor & Gallery Trust
Structure. Governance and Management
Trustee Roles
The Trustees provide wide ranging specialist support in respect of the operational activities of the Manor
& Gallery, as well as well as helping with fundraising. The Trustees are responsible for the overall
management and control of the Trust including the implementation of policies and meeting their le3al,
financial and fiduciary duties under charity law.
Governing Document
The organisation is a charitable company limited by guarantee, incorporated on 1 November 2012, and
registered as a charity on 14 June 2013. The company was established under a Memorandu￿1 of
Association that established the objects and powers of the charitable company and is governed under its
Articles of A550ciation. In the event of the company being wound up members, who are the Trustees, are
required to contribute an amount not exceeding £1.
Recrultm•nt and Appointment of the Trust•05
The directors of the company are also charity Trustees for the purposes of charity law and under the
company's articles are known as the Trustees. Under the requirements of the Memorandum and Articles
of Association, the Trustees are elected to serve for a period of three years after which they must be rJ_
elected at the next Annual General Meeting.
All Trustees give their time voluntarily and receive no benefits from the charity. Any expenses reclaim-d
from the charity are set out in Note 9 to the financial statements.
Details of the Trustees who served at anytime since the start of the financial year under report and to the
date of approval of this report are provided at page 21. When Trustees are recruited, the Board identify
the key skills that are required following which the Trust advertises publicly for new Trustees. The
process for appointment is that applications are reviewed by the Nominations Committee before
inviting the potential candidates for interview. The selected candidates are then put forward to the
Board for approval. In addition, up to three additional individuals may be co-opted by the Board
Trustee Induction and Tralnlng
New Trustees receive an information pack that includes the vision, mission and values of the
organisation, the current business plan, minutes of recent Trustee Board meetings and details of
organisational structure. In addition, new Trustees undertake an induction programme comprising an
introduction to the operations of the Trust presented by the Senior Management Team
Organisational Strurtur•
The charity has a Trustee body that meets regularly throughout the year and is responsible for the
strategic direction and policy of the charity and overseeing governance. The Trust Board met regular y
during this period, with occasional ad hoc meetings as and when required. Sub-committee members
comprise a mixture of Trustees, members of the Executive and industry professionals who bring valued
specialist advice.
15

Pitshanger Manor & Gallery Trust
In addition there are 8 Sub-committees of the Board that met regularly across the year. These are:
Building and Conservation
Communications
Development
Exhibitions and Interpretation
Finance
Fundraising
Learning and Outreach
Nominations and RemLJneration Committee (which meets on an ad hoc basis as required.)
Key Management Personnel
The Trustees delegate day-to-day management of the charity to its executive Director, Clare Gough,
supported by the Senior Management Team which comprises..
Head of Commercial and Operations
Head of Development
Head of Finance
Head of Public Programmes
The above group together with the Trustees are considered to be the key management personnel of the
charity.
Remuneration Policy
Pas. and remuneration of the charities, employees is bench-marked against industry norms and approved
by the Nominations and Remuneration Committee.
Volunteers
In dddition to the volunteer Trustees, the Trust makes extensive use of volunteers as expert advisors on its
sub-committee5 listed above and in its operational activities such as invigilating and guiding in the manor
and gallery, assisting in educational activities, gardening, beekeeping and honey production and
grc.unds maintenance. In the yearto March 2024 volunteer sessions, including Trustees, were just short
of 4,500.
Trading Subsidiary
Pitthanger Trading Limited, a wholly owned subsidiary of PMGT, was set up in November 2018 as a
vehicle lor the various planned commercial activities such as venue hire and catering which forms a
Cr￿la1 part of the venture's financial sustainability.
Principal Risks and Uncertainties
The principal risks specific to Pitzhanger Manor & Gallery and its subsidiary are:
Financial sustainability, following the Covid pandemic and external factors such as the cost of
living crisis, increasing operati ng costs in a period of high i nflation
Shortfall on visitor targets
Failure to engage with the public regarding the exhibition, public and outreach programme

Pitzhanger Manor & Gallery Trust
Damage to the site,. unscheduled maintenance or failure to meet planned Maintenance targeti
Insufficient staff resource
The Trustees, led by the Chair, examine the major strategic, business, and operational risks that the T-ust
faces, and the Trustees ensure that appropriate systems are in place or are planned to mitigate these ri>ks.
Specifically:
The on-going cost of living crisis and continued effect of the Covid pandemic remain a concern
whilst revenues stream are being rebuilt. The Trustees and executive are keeping a close eye on
finances with prudent financial management and long-term cashflow plannin9.
The Trust acknowledges that visitor numbers are likely to fluctuate for both internal factors (the
exhibition cycle) and external factors (seasonal factors, weather conditions etc) and also the on-
going impaec of the Covid crisis on visitor numbers across venues nationally. The Senior
Management Team monitor visitor performance against annual targets on a weekly basis and
these are reported at Board meetings. Adjustments are made to marketing initiatives as
appropriate throughout the year.
The exhibitions, public and outreach programmes are carefully developed and reviewed to
ensure they are sufficiently varied and appealing and have potential to attract new audiences.
The Trust follows a planned maintenance plan that is reviewed on a quarterly basis bythe
Building and Conservation Committee. It has an emergency recovery plan.
Approved by the Trustees on 10 V and signed on their behalf by:
Howell James CBE
Chair
17

Pitshanger Manor & Gallery Trust
Reference and Administrative Details
Charity Name
Pitzhanger Manor & Gallery Trust
Charity Registration Number
1152434
Company Registration Number
08278049
Registered office and operational address
Pitzhanger Manor & Gallery Trust
Mattock Lane
London W5 SEQ
Auditor
Buzzacott LLP
130 Wood Street
London EC2V 6DL
Bankers
HSBC
46 The Broadway
London W5 5JR
Legal advisors
Trowers and Hamlins
3 Bunhill Row
London EC1Y 8YZ
Trustees during the year and up to the dats of signature of the financial ststements
Howell James
Gporgina Nayler (to 31 Dec 2023)
Somil Goyal
Jc.n Ball
Jane Cooper
Michael Fisher
Jennifer Gubbins
Rcchel MacKay (to 31 Dec 2023}
Gareth Shavv
Caroline Worthington
Chair
, Deputy Chair
Deputy Chair
Trust Supporters
The Trustees would like to thank the following sUPPOrters for their generosity to Pitzhanger Manor &
Ga lery Trust in 2023-24.
Alan Baxter Foundation
Art- Council
Art Fund
John Lyon's Charity
The Trust also received very generous support from a wide number of individuals during the period and
other who have chosen to remain anonymous including its Corporate Supporters, Patron members of

Pitshanger Manor & Gallery Trust
the Soane Circle, all Sponsors of a Pane of Glass at Pitzhanger, supporters of our Sponsor a Chair and
Beam campaign, all Members and many others for their generosity, The Trust is most grateful to thern
fortheir invaluable support.
19

Pitshanger Manor & Gallery Trust
Statement of Trustees. Responsibilitles
forthe year ended 31 March 2024
The Trustees, who are also the directors of Pitzhanger hAanor & Gallery Trust forthe purpose of company
la￿., are responsible for preparing the Trustees, Report and the financial statements in accordance with
applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted
Accounting Practice).
Company Law requires the Trustees to prepare financial statements for each financial year which give a
trup and fairview of the state of affairs of the charity and the group and of the income and expenditure of
thE charitable group for that year.
In preparing these financial statement5, the Trustees are required to..
select suitable accounting policies and then apply them consistently,.
observe the methods and principles in Accounting and Reporting by Charities.. Statement of
Recommended Practice (SORP) applicable to charities preparing their accounts in accordance with the
Financial Reporting Standard applicable to the United Kingdom and Republic of Ireland (FRS 102),.
make judgements and estimates that are reasonable and prudent,.
state whether applicable UK Accounting Standards have been followed, subject to any material
departures disclosed and explained in the financial statements,. and
prepare the financial statements on the going concern basis unless it is inappropriate to presume that
the charity will continue in operation.
The Trustees are responsible for keeping proper accounting records that disclose with reasonable
accuracy at anytime the financial position of the charity and the group and enable them to ensure that
the financial statements comply with the Companies Act 2006. They are also responsible for
safeguarding the assets of the charity and the group and hence for taking reasonable steps for the
prevention and detection of fraud and other irregularities.
Earh Trustee confirms that:
go far as Trustee 15 <iware, there is no relevdnt audit informc)tior) of whic.h the chciritahlLTh corTipany's
auditor is unaware,. and
each Trustee has taken all the stpps that they ought to have talcen in order to make themselves aware
of any relevant audit information and to establish thatthe charitablf% company's auditor is aware ofthal
information.
Th￿ confirmation is given and should be interpretpd in accordancp with the provision5 of $418 of the
Companies Act 2006.
20

Pitzhanger Manor & Gallery Trust
The Trustees are responsible for the maintenance and integrity of the corporate and financial information
included on the charity's website. Legislation in the United Kingdom governing the preparation an
dissemination of financial statements may differ from legislation in other jurisdictions.
Approved by the Trustees on
Lt)1121¥
and signed on their behalf by:
Howell James CBE
Chair
21

Pitshanger Manor & Gallery Trust
Independent Auditor's Report to the Members of Pitihanger Manor & Gallery Trust
Opinion
We have audited the financial statements of Pitzhanger Manor & Gallery Trust Ithe'parent charity,) and its
subsidiary (thé 'group') for the year ended 31 March 2024 which comprise the consolidated statement of
financial activities, the group and charity balance sheets, the consolidated statement of cash flows and the
notes to the financial statements, including significant accounting policies. The financial reporting
framework that has been applied in their preparation is applicable law and United Kingdom Accounting
Standards. including Financial Reporting Standard 102 The Financial Reporting Standard applicable in the
UKand Republic of Ireland (United Kingdom Generally Accepted Accounting Practice).
In our opinion, the financial statements:
give a true and fair view of the state of the group's and parent charity's affairs as at 31 March 2024
and of the group's income and expenditure for the year then ended;
have been properly prepared in accordance with United Kingdom Generally Accepted Accounting
Practice; and
have been prepared in accordance with the requirements of the Companies Act 2006.
Basis for opinlon
We conducted our audit in accordance with International Standards on Auditing (UK) {ISAs {UKI) and
applicable law. Our responsibilities under those standards are further described in the Auditor's
re4oonsibilities for the audit of the financial statements section of our report. We are independent of the
group in accordance with the ethical requirements that are relevant to our audit of the financial statements
in ihe UK, including the FRC'S Ethical Standard. and we have fulfilled our other ethical responsibilities in
accordance with these requirements. We believe that the audit evidence we have obtained is sufficient
and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements, we have concluded that the Trustees, use of the going concern basis
of accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events
or,=onditions that, individually or collectively, may cast significant doubt on the charity's abilityto continue
as a going concern for a period of at least twelve months from when the financial statements are
auihorized for issue.
Our responsibilities and the responsibilities of the Trustees with respect to going concern are described
in the relevant sections of this report.
Other information
Thp Trustees are responsible for the other information contained within the Annual Report and Financial
St-tements. The other information comprises the information contained within the Annual Report cind
Financial Statements, otherthan the Financial Statements and our auditors report therein. Our opinion
on the financial statement does not cover the other other information and, except to the extent
otFierwise explicitly stated in our report, we do no express . Other information any form of assijrance
conclusion thereon.
22

Pitshanger Manor & Gallery Trust
Our responsibility isto read the other information and, in doing so, considerwhetherthe other information
is materially inconsistent with the financial statements or our knowledge obtained in the course of the
audit, or otherwise appears to be materially misstated. If we identify such material inconsistencies or
apparent material misstatements, we are required to determine whether this gives rise to a matErial
misstatement in the financial ststements themselves. If, based on the work we have performed, we
conclude thatthere is a material misstatement of this other information, we are required to report that fact.
We have nothing to report in this regard.
Opinions on other matters prescribed by the CompaniesAct 2006
In our opinion, based on the work undertaken in the course of our audit:
the information given in the Trustees, report, which includesthe directors, report prepared forthe
purposes of company law, for the financial year for which the financial statements are preparej is
consistent with the financial statements,. and
the Trustees, report, which is also the Directors, report for the purposes of company law has bpen
prepared in accordance with applicable legal requirement5.
Matt•rs on which we are required to report by exceptlon
In the light of the knowledge and understanding of the group and parent charity and their environment
obtained in the course of the audit, we have not identified material misstatements in the directors, report
included within the Trustees, report.
We have nothing to report in respect of the following matters in relation to which the Companies Act 2006
requires us to report to you if, in our opinion:
adequate accounting records have not been kept by the parent charity, or returns adequate for
our audit have not been received from branches not visited by us; or
the parent charity's financial statements are not in agreement with the accounting records and
returns; or
certain disclosures of trustees, remuneration specified by law are not made; or
we have not received all the information and explanations we require for our audit; or
the Trustees were not entitled to prepare the financial statements in accordance with the srnall
companies, regime and take advantage of the small companies, exemptions in preparing the
Tru5tees' report and from the requirement to prepare a strategic report.
Responsibilities of Trustees
As explained more fully in the statement of Trustees, responsibilities, the Trustees, who are also the
directors of the charity forthe purpose of company law, are responsible forthe preparation of the financial
statements and for being satisfied that they give a true and fair view, and for such internal control a5 the
Trustees determine is necessary to enable the preparation of financial statements that are free from
material misstatement, whether due to fraud or error.
In preparing the financial statements, the Trustees are responsible for assessing the charity's abilitv to
continue as a going concern. disclosing, as applicable, matters related to going concern and using the
going concern basis of accounting unless the Trustees either intend to liquidate the group or parent
harity or to cease operations, or have no realistic alternative but to do so.
23

Pitshanger Manor & Gallery Trust
Auditor's responsibilities for th• audit of the flnancial statements
OLr objectives are to obtain reasonable assurance about whetherthe financial statements as a whole are
fre. from material misstatement, whether due to fraud or error, and to issue an auditor's report that
includes our opinion. Reasonable assurance is a high level of assurance but is not a guarantee that an
audit conducted in accordance with ISAS (UK) will always detect a material misstatement when it exists.
Misstatements can arise from fraud or errorand are considered material if, individually or in the aggregate,
they could reasonably be expected to influence the economic decisions of users taken on the basis of
these financial statements.
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design
procedures in line with our responsibilities, outlined above, to detect material misstatements in respect
of irregularities, including fraud. The extent to which our procedures are capable of detecting
irregularities, including fraud, is detai led below.
As part of our planning process;
We enquired of management the systems and controls the charity has in place, the areas of the
financial statements that are most susceptible to the risk of irregularities and fraud, and whether
there was any known, suspected or alleged fraud. The charity did not inform us of any known,
suspected or alleged fraud.
We obtained an understanding of the legal and regulatory frameworks applicable to the charity.
We determined that the following were most relevant: Charity SORP, FRS 102, The Charities Act
2011 and The Companies Act 2006.
We considered the incentives and opportunities that exist in the company, including the extent of
management bias, which present a potential for irregularities and fraud to be perpetuated, and
tailored our risk assessment accordingly.
Using our knowledge of the chariiy, together with the discussions held with the charity at the
planning stage, we formed a conclusion on the risk of misstatement due to irregularities including
fraud and tailored our procedures according to this risk assessment.
Enquiring of management as to actual or potential litigations and claims.
The key procedures we undertook to detect irregularities including fraud during the course of the audit
induded:
Performing analytical procedures to identify any unusual or unexpected relationships.
Reviewing journal entries and the overall accounting records, in particular those that were
significant and unusual.
Reviewing the financial statement disclosures and determining whether accounting policies have
been appropriately applied.
Assessing the extent of compliance, or lack of, with the relevant laws and regulations.
Assessing the validity of the classification of income, expenditure, assets and liabilities between
unrestricted, and restricted funds.
Reviewing all significant related party balances and transactions,
Reviewing documentation, such as the charity board minutes, for discussions of irregularities
including fraud
24

Pitshanger Manor & Gallery Trust
There are inherent limitalion,s in our audit procedures desci'ibed above. The more removed that laws
and regulations are from financicil transactions, the less lil<ely it is that we would become aware of non-
compliance. Auditing standards al£0 limit the audit procedures rpquired to identify non-compliance knvith
laws and regulations to pnquiry of the trustees and other management and the inspeLtion of regulatrry
and legal correspondence, if any.
Material mis8tateinentS tkiat arisp dlie to fraud can be h<arder to detect than those that arise. from error as
tl)ey rnay involvo dpliberatp conr_Qcilmeril or collusion.
A further description of our responsibilities is available on the Financial Reporting Council's website at:
auditors, responsibilities. This description forms part of our auditor's report.
Use of our report
This report is made solely to the charitable company's members, as a body, in accordance with Chapter
3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might statp to
the charitable company's members those matters we are required to state to them in an auditors, report
and for no other purpose, To the lullest extent permitted by law, we do not accept or assume responsièility
to anyone other than the charitable company and the charitable company's members as a body, for our
audit work, forthis report, or forthe opinions we have formed.
zzacd
Gumayel Miah (Senior Statutory Auditor)
for and on behalf of Buzzacott LLP, Ststutory Auditor
130 Wood Street
London EC2V 6DL
Date: 17 December 2024
25

Pitzhanger Manor & Gallery Trust 

## **Consolidated Statement of Financial Activities (including income and expenditure account) for year ended 31 March 2024** 

|Notes<br>Income:<br>Donations and grants<br>2<br>Charitable activities<br>3<br>Other trading<br>activities<br>4<br>Other income –<br>MGETR relief<br>Investments<br>Total income<br>Expenditure:<br>Raising funds<br>5<br>Charitable activities<br>6<br>Total expenditure<br>Net (expenditure) / income<br>Transfer to unrestricted<br>reserves<br>17<br>Net movement in funds<br>Reconciliation of funds<br>Balances brought forward as<br>at 1 April 2023<br>Balances carried<br>forward at 31 March<br>2024<br>19|Unrestricted<br>Funds<br>Restricted<br>Funds<br>Total<br>Funds<br>Unrestricted<br>Funds<br>Restricted<br>Funds<br>Total Funds<br>2024<br>2023<br>£<br>£<br>£<br>£<br>£<br>£<br>12,892<br>99,033<br>111,925<br>90,654<br>191,162<br>281,816<br>516,410<br>-<br>516,410<br>531,960<br>416,932<br>948,892<br>266,517<br>-<br>266,517<br>225,061<br>-<br>225,061<br>89,260<br>89,260<br>13,557<br>-<br>13,557<br>4,098<br>-<br>4,098|
|---|---|
||898,636<br>99,033<br>997,669<br>851,773<br>608,094<br>1,459,867|
||221,216<br>4,000<br>225,216<br>231,335<br>41,149<br>272,484<br>969,180<br>82,935<br>1,052,115<br>867,609<br>927,649<br>1,795,258|
||1,190,396<br>86,935<br>1,277,331<br>1,098,944<br>968,798<br>2,067,742|
||(291,760)<br>12,098<br>(279,662)<br>(247,171)<br>(360,704)<br>(607,875)<br>-<br>67,068<br>(67,068)<br>-|
||(291,760)<br>12,098<br>(279,662)<br>(180,103)<br>(427,772)<br> (607,875)|
||837,319<br>404,746<br>1,242,065<br>1,017,422<br>832,518<br>1,849,940|
||545,559<br>416,844<br>962,403<br>837,319<br>404,746<br>1,242,065|



All income and expenditure relate to continuing activities. All recognised gains and losses are included in the above statement of financial activities. 

The statement of financial activities also complies with the requirements for an income and expenditure account under the Companies Act 2006. 

26 



Pitthanger Manor & Gallery Trust
Group and Charity Balance Sheets
as at 31 March 2024
Company Registration Number: 08278049
Group
Charity
2024
2023
2024
2023
Notss
Flxed assets
Tangi ble fixed assets
Investments
252,015
221,459
252,015
221,459
252,015
221,459
252,016
221,460
Current assets
Stocks
19,026
622,422
796,911
1,438,359
28,897
546,527
1,156,583
1,732,007
Debtor5
Cash at bank
720,140
542,566
1,262,706
605,186
961,479
1,566,665
Creditors.. amounts fal l i ng due within
one year
(727,971)
1711,4011
(637,546)
1630,3531
Net current assets
710,388
1,020,606
625,160
936,312
Net assets
962,403
1242 065
877,176
1 157772
Funds
Unrestricted fund5
-unrestricted
298,059
247,500
416,844
299,819
537,500
404,746
212,832
247,500
416,844
215,526
537,500
404,746
-designated
Restricted fu nds
Totsl funds
962,403
1,242,065
877,176
1,157,772
Approved by the Trustees on fo
and signed on their behalf by
Howell James CBE, Chair
27

Pitzhanger Manor & Gallery Trust
Consolidated statement of Cash Flows
for the year end•d 31 March 2024
Group
2024
Group
2023
Notss
Cash used in operating activities
(324.885)
1441,3621
Cash flows from investing activitiès
Interest received
Purchase of fixed a55ets
13,556
148.343)
4,098
147,8901
Cash used in investing activities
134.787)
143,7921
Decrease in cash and cash equivalents In year
359,672
1485,1541
Cash and cash equivalents at beginning ofyear
1,156,583
1,641,737
Total cash and cash equlvalents at end of year
796,911
1,156,583
28

Pitthanger Manor & Gallery Trust
Notes to the Financial Statements for the year ended 31 March 2024
Accounting Policies
The main accountir)g policies are summarised below. The accounting policies have been applied
consistently throughout the period.
(a)
Company Information
Pitshanger Manor & Gallery Trust is a charitable company limited by guarantee incorporated in England
and Wales. The registered office is Mattock Lane, Ealing, London W5 SEQ.
(b)
Accounting convention
The financial statements have been prepared in accordance with the Companies Act2006, the Charitie5
Act 2011 and "Accounting and Reporting by Charities.. Statement of Recommended Practice applicable
to charities preparing their accou nts in accordance with the Financial Reporting Standard appl icable in
the UK and Republic of Ireland IFRS 1021 The charty is a Public Benefit Entity as defined by FRS 102.
The financial statements are prepared in Sterling, which 15 the functional currency of the charity.
Monetary amounts in these financial statements are roLJnded to the nearest £.
The groLJP f inancial statements reflect the resu Its and combi ned financial position of Pitzhanger Manor
& Gallery Trust and Pitzhanger Trading Limited. As permitted by s408 ofthe Companies Act 2006, the
parent charitable company ha5 not presented its own income and expenditure account and related
notes.
{c)
Going Concern
As set out in the Financial Review, the Board has assessed the prospects of the Charitable Group and
Trust over the 12 months from the date of approval of the Annual Report and Financial Statements
taking into account its expectations for futu re operating activities, fundraising and the risks thatthe Trust
faces.
Having completed these a55essments, the Board has not identified any material uncertainties which
may cast doubt over the charity's ability to continue as a going concern and has a reasonable
expectation that the Charitable Group and Trust has adequate resou rces to continue in operational
existence for the foreseeable future, being a minimum of 12 months from the date of approval of the
Financial Statements. Therefore the Board continues to adopt the going concern basis of accounting
in preparing the f inancial statements.
Idl
Fund accounting
Unrestricted funds are available for use at the discretion of the Trustees in f urtherance of the general
objectives of the charity. The Trustees may designate al l or part of the unrestricted reserves for specif ic
purposes.
Restricted funds are subjected to restrictions on their expenditure i mposed by the donor or through
the terms of an appeal.
le)
Income
All income is recognised once the charity has entitlement to the income, it is probable that the income
will be received. and the amount of income can be measured reliably.
29

Pitzhanger Manor & Gallery Trust
Income from grants and donations is recognised when there is evidence of entitlement, receipt is
probable, and the amount can be measured reliably. Contractual and trading income is recognised as
income to the extent that the associated goods or services have been provided. Where income is
received in advance and the charity does not have entitlement to these resources until the goods or
services have been provided, the income is deferred. I nterest on funds held on deposit is included
when receivable and the amount can be measured reliably by the charity. This is normally upon
notif ication of the interest paid or payable by the bank.
Expenditure
Expenditure is recognised on an accrual basis as a liability is incurred. Expenditu re includes any VAT
which cannot be fully recovered and is reported as part of the expenditure to which it relates.
Raising funds comprise costs of market research, communication and raising funds. Charitable
expenditure comprises the direct costs incurred by the chartty i n the del ivery of its activities such as
outreach, along with support and governance costs. Governance costs include those costs a550ciated
with meeting the constitutional and statutory requirements of the charity and include the costs of the
independent auditor and costs linked to the management of the charity.
Ig)
Donations of voluntser time
In accordance with the Charities SORP vol unteer time 15 not recognised.
(h)
Donations of good$ for resale
The TrLJSt is occasional ly in receipt of donations of small item5 for resale in the retail shop. I n accordance
with the Charitie5 SORP these are recognised as income when sold. The proceeds of Sale are
categorised as Retail Sales in Income f rom other trading activities.
Tangible fixed assets and depreciation
Tangible f ixed assets costing more than £500 are capitalised and depreciated over their estimated
useful lives.
Depreciation is provided at rates calculated to write down the cost of each assetto its estimated residual
value over its expected useful life. The depreciation rates in use are..
Fixtures, fittings and equipment
3-10years
(J'l
Leasehold improvements and amortisation
Leasehold Improvements C05ting more than E500 are capitalised and amortised over their estimated
Useful life.
Amortisation commences from the date the Leasehold Improvements are brought into use to the end
of the lease on 15 March 2044.
Ikl
Financlal Instruments
The Charity has elected to apply the provisions of Section 11 'Basic Financial Instruments, and Section
12 '0ther Financial Instruments Issues, of FRS 102 to all of its financial instrLJments.
The Charty only has financial a5set5 and financial liabilities of a kind that qualify as basic financial
30

Pitshanger Manor & Gallery Trust
instruments. Basic financial i n5truments are initially recognised at transaction val ue and subsequently
measured attheir settlement value.
Bank
Cash at bank includes balances in the current account and deposit account that can be accessed
immediately.
Im)
Taxatlon
A5 a charity, Pitzhanger Manor & Gallery Trust is exempt from tax on income and gains falling within
sertion 505 of the Taxes Act 1988 or S.256 of the Taxation of Chargeable Gains Act 1992 to the extent
that these are applied to its charitable objects.
In)
Investments in Subsldlaries
Investment in Pit2hanger Trading Limited, a wholly owned trading subsidiary of Pitzhanger Manor &
Gallery Trust, is at cost.
(m) Stocks
Stock relates to item5 held in the Shop at year end and are recorded at the lower of cost and net
realisable value.
Inl Crltlcal accounting estlmates and judgements
The Trustee5 are satisf led that there are no significant estimates orjudgements included in the fi nancial
statements.
31

Pitzhanger Manor & Gallery Trust
2 Income from donations and grants
2024
Totsl
2023
Total
Unrestricted Restricted
Unrestricted
Restrictèd
Trusts and foundations
Individual and corporate
donations
93,715
93.715
166,164 166,164
12,892
12,892
5,318
99,033
18.210
111,925
90,654
90.654
24,998 115,652
191,162
281.816
3 Income from charitsble activities
2024
Totsl
2023
Totsl
Unrestricted Restricted
Unrestricted
Restrirted
Ealing Council - Management
fee
Ealing Council- NLHLF
activity costs
House admissions
Other
427,000
427,000
427,000
427,000
416,932 416,932
92,627
12,333
416 932 948 892
75,562
13,848
516410
75,562
13,848
516,410
92,627
12,333
531.960
The Trust has only one charitable activity.. the Operation of Pitzhanger Manor House and Gallery.
4 Othertrading activities
2024
Total
2023
Totsl
Unrestrirted
Restrirted
Unrestricted
Restricted
Catering commissions
Retail sales
Venue hire
Fundraising events
70,017
9,415
187,085
70,017
9.415
187.085
50,837
23,585
123,630
27,009
225,061
50,837
23,585
123,630
27,009
225,061
266,517
266,517
32

Pitzhanger Manor & Gallery Trust
5 Raising funds
2024
Totsl
2023
Totsl
Unrestricted
Restricted
Unrestricted
Restricted
Staff costs
Development and
fundraising
Marketir)g
Trading expenditure
85,246
85.246
123,850
123.E50
2,964
76,920
56.086
221,216
2,964
80,920
56,086
225.216
6,423
64,941
36,121
231,335
6,423
106,C90
36,121
272.484
4,000
41,149
4,000
41,149
6 Charitable activities
2024
Total
2023
Totsl
Unrestricted
Restricted
Unrestricted
Restricted
Contribution to restoration
project
Estate management
Exhibition5 and curatorial
costs
Education
Support costs
Governance
566,932
133,336
566,532
348,408
188,098
5,494
193.592
215,072
109,858
111,517
529,203
30,504
969,180
9,500
55,798
12,143
119,358
167,315
541,346
30,504
82,935 1,052,115
55,828
106,954
456,604
33,151
867,609
109,725
97,683
19,973
165,553
204,é37
476,577
33,151
927,649 1.795,258
The Trust has only one charitable activity.. the Operation of Pitzhanger Manor HoLJse and Gallery.
Support costs
2024
Totsl
2023
Totsl
Ur)restricted
Restricted
Unrestricted
Restricted
Staff costs
Office costs
445,733
83,470
529,203
12,143
457.876
83.470
541,346
352,836
103,768
456,604
1,572
18,401
19,973
354.kNJ8
122.169
476.577
12,143
Governance costs
2024
Totsl
2023
Totsl
Unrestricted
Restricted
Unrestricted Restrirted
Audit and tax advice
Insu rance, legal and
professional fees
21,535
21,535
15,440
15.440
8,969
8,969
17,711
17,711
30,504
30,504
33,151
33,151
33

Pitshanger Manor & Gallery Trust
Net expenditure is stated after charging statutory audit fee £13,50012023,' £11,000) and taxation services £8,035
12093- £4,440) and £17,78712023: £14,120) depreciation.
9 Trustee Remuneration and Related Paty Transactions
No Trustee lor any person connected with them) received any remuneration during the year. Reimbursed
Trustee expenses totalled £nil12023- £511. £73612023.. £7011 was expended in respect of professional
indemnity insurance for the Trustees. The Trustees land people connected with them) contributed £200
12023: £2,668) during the year by way of individual and corporate donations. Other than the aforementioned
there were no other related partytransactions during the year ended 31 March 202412023.. no other)
10 Staff costs and remuneration of key management personnel
The average headcount of employees (many ofwhom were part-timel during the year was 2112023 - 181
with all employees contributing to the governance ofthe charity or working towards achievement of
charitable activities or other trading activities. The Trustee5 delegate key management responsibi lities to
the Executive Director supported by the Senior Management Team. The total employee benefits, including
employer pension contribution5, ofthe Executive Director and the Senior Management Team was £237,246
12023-. £296,068)
Employment costs
2024
2023
Wages and salaries
Social security costs
Pension costs
557.941
45,881
26,899
630,721
496,557
48,440
24,566
569,563
Most employment costs are allocated to unrestricted fund5, though some costs were funded from restricted
funds. These include a proportion of the costs ofthe Education and Outreach by John Lyons Charity and
some costs relating to exhibitions and related education activities funded by the Arts Council.
The number of employees whose annual remuneration was £60,000 or more wa5.,
2024
2023
£60,000- £69,999
£70,000- £79,999
Pension contributions In respect of higher paid employees were £3,58612023.' £3,444)
34

Pitshanger Manor & Gallery Trust
11 Tangible Fixéd Assets
Group and Charity
Fixturés,
Flttings and
Equlpment
L•asehold
Improvements
Totsl
Cost
As at 1 April 2023
Additions
As at 31 March 2024
213,251
17,483
230,734
25,112
30,860
55,972
238,363
48,343
286,706
Depreciation
As at 1 April 2023
Charge for the year
As at 31 March 2024
10,155
11,029
21,184
6,749
6,758
13,507
16.904
17.787
34,691
Net bookvalue
As at 31 March 2024
209,550
203,096
42,465
2S2,015
221.459
As at 1 April 2023
All of the above assets are used for charitable pu rposes.
12 Fixed asset investments
Group
Charty
2024
2024
2023
2023
Investments in su bsidiaries
Details of the charitls subsidiary at 31 March 2024 are as follows.,
Name of undertakjng and country of
Incorporatlon or resldency
Natur• of Bugln•#8
aass of
Shar•holdlng
% Held
dlroct
Pitzhanger Trading Limited, Englarhd
and Wale5 (Company no:116997291
Registered off ice.. Walpole Park, Mattock
Lane, London W5 SEQ
Catering, retail, and
venue hire
Ordinary
100%
All profits ofthe trading company are gift-aided to the parent charity. The net assets of Pitzhanger Trading
Company IPTLI at the end ofthis period are £85,22812023'. £84,294). In the year to 31 March 2024 PTL had
income of £268,65812023'. £198,052), expenditLJre El 83,43112023.. £112,347) and net profit of £85,227
12023.. ££85,705).
35

Pitzhanger Manor & Gallery Trust
17 Stocks
Group
Charlty
2024
2023
2024
2023
Goods for resale
19,026
28,897
14
Debtors
Group
Charty
2024
2023
2024
2023
Amounts falling due within one year:
Trade debtors
Amount due from group undertaking
Other debtors
Prepayments and accrued income
17,775
38,442
83
90.362
492,048
104,475
686,968
1,018
47,629
510,633
12,734
572,014
492,520
112,127
622,422
495,048
13,037
546,527
Amounts falling due after on• year:
Loan to group undertaking
33,172
33,172
Total Debtors
622,422
546,527
720.140
605,186
The loan has a 25 year term, repayable on 1 March 2044. Interest is payable at the LIBOR rate appropriate
to the period.
15 Creditors: amounts falling due within one year
Group
Charlty
2024
2023
2024
2023
Trade creditors
()ther cred itors
Accruals and deferred income
19,787
566,932
141,252
727,971
31,928
566,932
112,541
711,401
16,594
566.932
54,020
637,546
29,192
566,932
34,229
630,353
Other creditors relates to sum5 raised for the capital restoration project. Total deferred income at the year-
end amounted to £75,27312023.. £79,520). This amount represents income relating to advance
membership sales and private hire events that will take place in the next financial year.
36

Pitzhanger Manor & Gallery Trust
16 Designated Funds
At 1 April
2023
New
designations
Utilised / At 31 March
released
2024
Designated funds
537,500
1290.0001
247.500
Designated funds relate to a long-term sinking fund for future maintenance costs, development of the
public programme and general operational support during this post-covid recovery period. Reserve:
designated to support future operating costs were drawn upon in 2023-24.
17 Restricted Income Funds
At 1 April
2023
At 31 March
2024
Income
Expenditure
Restricted funds
The Restoration project
Lodge renovation project
Walpole Friend5
Alan Baxter Fund
Education lund
The Wild Escape
Wayfind ing projects
Collection management
John Lyon's Charity
John Lyon's Charity SHAF
Exhibition programme
Art Acquisition fund
Garden fund
Totsl restrictsd funds
79,423
258,454
19,262
7.550
500
2,057
25,000
12,500
14,5001
111,808)
74,923
246,646
19,262
1CI726
15,000
3,000
1,500
111,8241
13,5001
13,5571
2E.000
14,161
14,583
2,500
35,000
4,000
26,000
11,818
215
99,033
18391
120,4171
14,0001
126,0001
12751
1215)
186,9351
11,543
404,746
41 é,844
The Restoration Project relate5 to f unds raised in respect of the restoration and redevelopment of
Pitzhanger Manor and Gallery.
The Lodge Renovation fund relates to a discrete capital project to construct a new Volunteer and
Community Space next to the Trust's office in the Lodge building.
Walpole Friends relate5 to f unds for conservation.
The Alan Baxter Fund supports our Architecture in Schools programme.
The Wi Id Escape relates to educational activities surrounding the rei ntroduction of beavers to the wild
Collection management relates to the ref raming and hanging of the Villa Negroni prints and creation of
suitable environmental cond itions
John Lyon'5 Charity funded elements of the Schools programme
Funds for wayfindin9 projects are for future enhancement of street signage and direction to the manor
Exhibition programme.. support for various elements of the exhibition programme
The Education fund is for education material5.
37

Pitzhanger Manor & Gallery Trust
Restricted Funds (comparatiV8 year)
Transferto
unrestrirted
funds
At31
March
2023
At 1 April
2022
Income
Expenditure
Restricted funds
Tkie Restoration project
Lcdge renovation project
Walpole Friends
Alan Baxter Fund
Education fund
Eshibition programme
TPie Wild Escape
Jchn Lyon's Charity
WaOinding projects
Collection management
Totsl restricted fijnds
541,518
268,609
19,262
2,629
500
416,932
1811,9591
110,1551
167,0681
79,423
258.454
19,262
7,550
500
7,000
12,0791
139,998
2,664
4,000
25,000
12,500
608,094
1139,9981
16071
14,0001
2,057
25,000
12,500
404,746
832,518
1968,798)
(67,0681
The transfer to unrestricted funds relate5 to expenditu re on the restoration project paid through general funds and
elic ible to be furbded from restricted monies raised for that pu rpose.
18 Reconciliation of net movement in funds to net cash flow from operating activities
Group
2024
Group
2023
Net movement in funds
Add.. Depreciation
Deduct: interest income shown in investing activities
Decrease in stock
I ncrease in debtors
Increase in creditors
Net cash used in operating actlvities
(279,662)
17,787
(13,557)
9,871
(75,895)
16.571
(324,885)
1607,8751
14,120
14,0981
1,354
1218,1101
373,247
1441,362
19 Analysis of net assets between funds
2024
Totsl
2023
Totsl
Unrestricted Restricted
Unrestricted Restricted
Fund balances at 31 March
2C24 are represented by..
Fixed a55ets
Net current a55et5
18,948
526,611
545.559
233,067
183,777
416,814
252,015
710,388
962,403
18,363
818,956
837,319
203,096
201,650
404,746
221,459
1,020,606
1,242.065
38

Pitzhanger Manor & GalleryTrust
20 Analysis of changes in net funds / (debt)
The group had no debt in the year,
21 Oparnfjng Lease
The Trust operates Pitzhanger Manor House and Gallery under a 25 year lease expiring on 25 March 2044. Lease
payments due under the lease are a peppercorn.
39