## 

|me|s ofthe charity|trustees who ma|nage the charity|||
|---|---|---|---|---|---|
||Trustee name|ONce (lfany)|Dates acted lfnot for<br>whole year|Name ofperson (or body) entitled<br>to appoint trustee (lfany)||
|1|Stephen Boyce|Chair||Winchester|Poetry Festival|
|2|Keiren Phelan|||||
|3|Richard Stillman||to November 2020|||
|4|Rupert Nabarro|||||
|5|Jon Whitfield|||||
|6|Hilary Davies|||||





|Names|ofthe|trustees|for|the|charity,<br>ifany, (for example, any custodian trustees)|
|---|---|---|---|---|---|
|Name|||||Dates acted if not for whole year|



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|Names and addre|sses ofadvisers|(Optional<br>informat|ion)||
|---|---|---|---|---|
|Type ofadviser|Name|Address|||
|Treasurer|Sue Spiers||||
|Artistic Co-Director|Sasha Dugdale||||
|Artistic Go-Director|Sarah Hesketh||||
|Name ofchief executive|or names ofsenior staff members||(Optional|information)|




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|You may choose to include ad-|||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
|ditional<br>information,<br>where rel-|||||||||||||
|evant, about:|||||||||||||
|policies and procedures<br>ad-|||||||||||||
|opted for the induction<br>and|||||||||||||
|training<br>oftrustees;|||||||||||||
|the charity's<br>organisational|||||||||||||
|structure<br>and any wider net-|||||||||||||
|work with which the charity|||||||||||||
|works;|||||||||||||
|relationship<br>with any related|||||||||||||
|parties;|||||||||||||
|trustees'<br>consideration<br>of|||||||||||||
|major risks and the system|||||||||||||
|and procedures<br>to manage|||||||||||||
|them.|||||||||||||
|a<br>~|0 ~||||~|~|||||||
||1.Toeducate||the public|||in the arts||with|particular||reference to poetry.||
||2.Toencourage|||the|enjoyment,||appreciation|||and|practice of literature,||
|Summary<br>ofthe objects ofthe|the beneficiaries|||being people|||of all ages throughout|||||Hampshire.|
|charity set out in its governing|||||||||||||
|document|||||||||||||
||The principal||activity||of|the charity||is to organise|||and|present a bien-|
|Summary<br>ofthe main activit-|nial festival ofpoetry||||in|Winchester,||together||with|associated events.||
|ies undertaken<br>for the public<br>benefit in relation tothese ob-|The trustees,||in|making||decisions||about the||festival||and associated|
|jects (include within this sec-<br>tion the statutory<br>declaration<br>that trustees have had regard|activities,<br>have held due regard to <br>benefit guidance<br>when exercising<br>guidance<br>is relevant.|||||||the<br>any|Charity Commission's<br>public<br> powers or duties to which the||||
|to the guidance<br>issued by the|||||||||||||
|Charity Commission<br>on public|||||||||||||
|benefit)|||||||||||||
|Additional<br>details ofobjectives|and activities||(Optional|||information)|||||||
|You may choose to include fur-|||||||||||||
|ther statements,<br>where relevant,|||||||||||||
|about:|||||||||||||
|policy on grantmaking;|||||||||||||
|policy programme<br>related|||||||||||||
|investment;|||||||||||||
|contribution<br>made by volun-|||||||||||||
|teers.|||||||||||||





## 

|Summary|ofthe main|~ In 2020 we were due to hold our 4th biennial festival but plans were|
|---|---|---|
|achievements<br>ofthe charity<br>during the year||~ affected by restrictions<br>arising from the Covid-19 pandemic.<br>~ Trustee meetings<br>were mostly held on line and planning<br>continued|
|||until April when<br>it was agreed that a postponement<br>would be neces-|
|||sary as it was impossible to plan with confidence for live events.|
|||~ The postponement<br>was agreed with our principal<br>funder Arts Council|
|||England<br>and supported<br>by our partners.|
|||~ We were able to proceed with the Winchester<br>Poetry Prize, however,|
|||which saw the largest number ofentries yet at c2500.An online prize-|
|||giving event was held<br>in October with an audience of90and the an-|
|||thology published<br>in the usual way.|
|||~ We also continued<br>with planning<br>for our education<br>and outreach pro-|
|||gramme<br>with our delivery<br>partner<br>Artful Scribe. A Young Wordsmiths|
|||workshop<br>series took place on line and we successfully<br>launched|
|||Poetry Ambassadors<br>a mentoring<br>scheme working<br>in conjunction|
|||with Invisible Mentors, a research project led by Dr Will May of|
|||Southampton<br>University.|
|||~ Support for the Hampshire<br>Poet continued<br>in partnership<br>with Hamp-|
|||shire Cultural<br>Trust, although<br>activities had to be curtailed or moved|
|||online.|
|||~ The postponement<br>ofthe main festival programme<br>while a huge dis-|
|||appointment<br>gave us an opportunity<br>to improve our awareness<br>and|
|||skill in delivering<br>online events which are likely to become a part of|
|||our ongoing<br>programme,<br>regardless<br>ofthe situation<br>with the pandem-|
|||Ic.|
|||~ We once again express gratitude to the University<br>ofWinchester<br>for|
|||providing<br>office accommodation<br>for the festival as support<br>in kind.|
|||~ We ended the year with a balance off65,638most of which repres-|
|||ents funds carried forward for the festival programme.<br>This is now|
|||expected to take place in October 2021 and online<br>in the preceding|
|||months.<br>Further fundraising<br>will be necessary.|
|Briefstatement ofthe char-||The trustees have agreed to hold a minimum<br>reserve off10,000 equi-|
|ity's policy|on reserves|valent to approximately<br>10%ofthe turnover<br>of the biennial<br>Winchester|
|||Poetry Festival. The primary<br>purpose ofthe reserve is to mitigate the|
|||risk of unforeseen<br>shortfalls<br>in income. Trustee approval<br>is required<br>be-|
|||fore any expenditure<br>may be made from the reserve account.|
|||The surplus<br>on the 2020 account represents<br>funds which<br>will be carried|
|||forward to support the festival programme<br>in 2021.|





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tJhKE VÈALf&£s
RNfF
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2021

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