Company Registration No. 07966699 (England and Wales)
R8gistered charity number: 1150374
SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
(A Not For Profil Company Llmlted By Guarantee)
DIRECTORS. AND TRUSTEES, REPORT
AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2024
CHANTER, BROWNE & CURRY
Chartered Accountants
I Plato Place
72-74 Sl Dionis Road
London SW6 4TU.

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
CONTENTS
Report ol the truslees and directors
1- 10
Independent examiner's report
Slalem8nt of financial aclivi118S
12
Balance sheet
13
Statement ol cash flows
14
Notes lo the financial stai8ments
15.19

SHUBBAIL. A WINDOW ON CONTENIPORARY ARAB CULTURE
.L>bJJ1
REPORT OF THE TFIUSTEES
FOR THE YEAR ENDED 31 MARCH 2024
d W￿D0￿ O
10411WTrARI'
.1.1 A￿aB(vill￿R(
The trustees who are also directors ol the charity for the purposes ot the Companies Act, present their report and the
ffinaneiai statements for the year ended 31 March 2024 which are also prepared to meet the requirements for a dire¢tors'
report and accounts lor Companies Act purposes.
The flnancial 8laternenls comply with the Charities Act 2011, the Companies Act 2006, the Memorandum and Articles of
Association, and in aceordance with the Statement of Rocomrnended Practice.. Accounting and Fieporting by Charities
Preparing their accounts in accordance wlth th& Financial Reporting Standard applicable in the UK and Republic ol Ireland
IFRS 1021 issued in October 2019 and tho Financial Reporting Standard applicable in the Llniled Kingdom and RePu￿le of
Iroland IFRS 1021.
For the purF#)se5 of this ieport and financial Statements, r8fer8ncg$ to'shubbak" refer to thi5 charity,
Chalf'• r¢port
2023f24 Saw us delivering th• 7th edition ol bhubbak Festival b8two6n 23 June and 9 July 2023, pre8enting an
8Xtraordinary program that captivalod moTe than 38,000 individuals across the UK with a ¢ore prograrnme delivered in
London. Shubbak is Euiope's largesl fesllval ol contemporary Arab and South West Asian and North African ISWANAI
cultures, bringing groundbieaklng and unexpected art works lo the UK. Working with a range ol artist's from th¢ region and
Irs diaspora, this year's festival showcased over 80 events including 16 UK premiers and 13 world premiers, and spanning
111m scre9nlngs, me5merlsing dance perforrnances, enrl¢hlng workshops, and sensational music shows. In athjition,
thought-provokSng talks and engaging panels ¥vere held both onllne and ottllne, offering divorse perspectives and
stiMula￿nll ¢onversalions
Shubbak exists to support and ¢818brate the div&rsily ol Arab and SWANA arli51s' ¢realivSty and innovation through our
prolesslonal, partlcipatory and engagement programmes, national touriftg and biennial rnulti-artlorm festival. Working w¢lh a
range of partngrs nationally and inlernallonally, we commSssion, inltiate and develop projects that encourag8 a wide range
of crgalive approaches in an artist-centred, audience focused process.
We ar8 grateful for Shubbak's hathorking and didicaled staff, and the Truslegs, tireless eommilm8nt to our objectives lo..
Prosenl the best of conl8mporary Arab / SIIIANA arts & cullur8S through ongoing prograrnmes of activity and an
ambitious blennial leslival.
Provlde suslained 8ngag8ment IOT our communi118s through our inclusive prograrnmes and audience dev¢lopmenl.
Dovelop a sustainable OTganlsalional strategy that diversifies income streams, and systems that address our
9nvironmental responsibillty.
Champion div8rse staff and pave pathways lor careers Into the cultural $8ctor.
Be a leading voice within and lor thg UK Arab I SWANA seclor.
Wo $tand limi on our three pl11￿$ ol Artlslle Excellenc8, Fr•edom of Exprgssion as wèll as our ngwly.added CommunSty
Partlcipation.
We espoeially want lo thank our donor8, funders and supportors, in¢ludlng tho Arts Coun¢il England, British Counc51. Bagrl
Foundation, Cockayne Grants for the Arts and Q<ittan Foundation. W& also want lo thank our partners ir￿lUding Barblcan.
Engllsh Pen, Grand Junction, Counterpoints, Melroland Cultures and the Iraqi Wornen's SoGiety.
Our purpo¥• and actlvili99
The PUT￿Se lobjectl of the chaTity is:
To advance th8 education of the public in Arab cullufe and other aspects ol Arabic arts, culture and heritage through
public perfoimanc9s and discussions
Thg Irusle8s confinr thal thoy have complied wrth the duty in section 17 ot the Charitl&s Act 2011 to have due regard to the
publlc b9neflt guidance published by the Commission. In shaping our objectives lor the year and in planning our activities.
the trustees have considered thg Charity Commisbion's guidance on public benefit, including the guidance on public benelit
and fee charging. Shubbak works in partner8hip with art8 inslitulions across London, and In $8tting the level ol fees,
charges and concessions. the trusl89s give careful consideialion to the accessibility lo events for those on low incomes.
We also ensured a wide range ol ffee events were held in order to have th8 broadest level of access posslble.
The vision that shapes our annual activities is the promolion and fostering of knowledge and the appreciation of the arts, in
pailicular those produced by artists in or from Ihg Arab world through the provision ol events lor the education and
recreation ot the public In Ihg fields of visual arts, literature, music, drama arKI dance.
Page 1

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
REPORT OF THE TRUSTEES (coTrrriNUED)
FOR THE YEAR ENDED 31 MARCH 2024
A WINDOW OF4
£fjNIIIWRAPY
.1 ARAB ILlflfft15
The strategies employed lo achieve the charity's aims and objectives are=
lo stage a large-scale ￿0-week festival thal offers London, UK and international audiences tha chance lo
discover and ènjoy scme of Ihe most axciling voices and praciitionèrs ol contemporary Arab culture, in
partnership with lèading cultural organisalions in London, the UK and the Arab region.
to Increase understanding ol contemporary Arab issues through culture, and encourage discussion,
international partnerships and exchange of ideas.
to celebrate the contribution ol Arab communilles In London and engag8 with th8m as creators and
audlences.
to recognise the enduring relationship betW88n London and the Arab world.
Putting these strategies Into action we have on8 major area of actlvlly every hvo years, which Is th8 Shubbak
leslival. Our prograrnm8 ol activities also focus95 on audience developmènt and accessibility, bringlng the arts to
Ihe widest posslble community In London and in the UK, in line wlth our current business plan. Thls includes
iniliallves such as Young Shubbak, a programme working with 18-25 year old artists, creatlV8s and producers
lowards curating Ihe5r own strand in the festival.
Achlovements In the porlod
Shubbak 2023 was one of the most ambStious yel in scale and depth, presenlino over 80 events across mora than
40 loGalions lo an audl8nce of over 38,000. The programme was brave and urgent, embracing tha complexity of
Arab and SWANA artists, and communities, re5pons8 lo the wortd loday. In addition to the mulli-art form
programme, thought-provokin9 talks and engaging panels were held both onllne and offline, offering diverse
perspectives and stlmulating conversations. Our majority women artists shared ngw discourse on environmenlal
calaslrophe, Blackness & womanhood, and marking 75 years ol the Nakba. Our work saw us collaboraling with a
range ol venues, from th8 refugee group BIL bylon Migrants Project lo the Royal Opera House. The festival was as
accessible as possible. always seeking to be reeepiive and welcoming to everyone not least with our Access Tickot
Scheme. The energy was high, and our programmè was purposeful in Gonnecting to new, young audiences
previously unknown lo Shubbak. We launched with a loud, proud and celebratory weekend at the National Theatre's
Rivar Stage. and made our way lo inllmale workshops amongst the marshes as well as Ihought-provoking closed
conversatlons in hi51orlc venues. We embraced co-curatorial and producing partnerships with new and old partnars
alike.
In thls tlme we dellvered..
17 co-commlssioned new works
13 world premieres
16 UK premieres
15 sold-out shows
We exceeded our ACE aclivity output and surpass9d our largels across most ol the Categories.
Thg full prografflme remalns as an archlve on our websit8, Wlth an additional catalogue of photographs and a
highlighls video.
National Theatre Rivgr Stagg
We opened with our lake over of Ihe National Thealre Rlver Stage, a brilliant public platform to announce the
festival's arrival to London and beyond, inviting existing audiences, slakeholdars and partners, and capluring new
accidental audiences as well. Launching the festival in such an iconic place in London enabled us lo start loud &
strong. We made the best of the weèkend lo display our programme for passer5-by lo experiencé us, distributing
flyers and our programma, promote our events across the city and beyond with the help of a trib8 of enthusiastic
volunteers, and 8Stablishing our identity as a festival with diverse offers for a range of audiences- from the bold and
experimental, to the inleraclive and accessibl8.
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SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
i J
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A WINMW rxi
CONIEXPO
I )RAB IVIIWIIS
Achievements in the perlad (contlnued)
Hamèd Sinno - Poems of Consumption18arbicanl
Hamed Sinno (of Mashrou, Leila) was in residency with Shubbak between January July culminating in a 75-minute
debut solo show al the Ba￿lcan. The mulli-laceled concert. led by Hamed's aXC8Plional vocals, blended electronics
with a virtuouso lour-slring quartet, inv8ntive evolving set, and original film. This was a much-anticipated moment lor
the hislory of Arab music, with several audic,i¢e members tlying into London especially lor the occasion. It serves as
an important landTnark for how Shubbak can be a16ader in Ihe ever-growing Arab & SWANA music scene. The show
toured lo Rabal in June 2023 and several cilies alterwards.
Sh8d6n - All Hell Broke Loose (Conway Hall)
This was Shubbak's first rnajor comedy and Arabic-only acl. It really Ilcked all three of our pillars within its 60 minute
duration. The show was incredibly intelligent, sharp and achingly hilarious. Shadgn is ever-rising in popularity and it
feels like Shubbak is navigating new and exciting terrain by programming a voiGe like hers as so18 producers. The
show was presented al Conway Hall in London as well as bging part of the 8radford Literature Fgslival.
Ya5moen Audisho Ghrawi - From Th8 Daughter of a Diolator126 Crowndalél
Yasmeen instantly connected with the audience in her debut solo show, a refreshingly-lold tale ol family migration,
largely driven by its narrativ8 arc. Incorporating subtle physicality with the warm Arab humour, this shcw has sinc6
toured across the UK.
Hannah Khalil - Trouf: Scenes from 75 years {26 Crowndale)
unique Tunisi8JPal8StinelUK ccllaboralion led by Hannah Khalll, chris While and Ghazi Zaghbani. The
evolutionary play, originally written as a growing record of life in Palastine, was a very timely piece for our Nakba
focus. This particular production was ther. co-devised with performers in Tunis, and was ils firsl international
performance.
Hassan Abdulrazzak - Chambers ol the Heart126 Crowndale)
The playwright's nèw one wornan play was read beautifully by Laila All. It felt important lor us to continue supporting
the local Arab theatre scene, and hold 5paco lor this text in its fruition stages.
Moham8d Toukabri Power of the Fraoile IBAC)
A 18nder and transformative piece between molher & 50n, beautifully perform8d and executed by the performers, It
raised such foundational questions about inlergen8rational knowledge Iransler, parent-ohilé relalionships in Ihe
region, and what il rneans to return home lo the womb aller years ol migration. Through this meeting wlth the
audienc8, Mohamed helps his 65 year-old mother realise her lifelong dream ol becoming a dancer. The BAC wer8 an
excellent co-prDgramming partn8r on this, and il has cemented great trust and a repeatable working model.
Yasmin Fedda- Pathogon ol War IBACI
Established documenlary filmmaker Yasmin Fedda turn8d her practice to live art with her debut interactive
installation. 11 was one ot our most art-lorm transcendgnl experiential work5, and although il only allowed a handful of
audience into each sharing. tha riveting subjecl matter echoed beyond the show. The work drew the attention ol a
numbgr ol festivals which were pursued, including being selected lor competition at the International Documentary
Festival of Amsterdam.
Llsa luxx & Jasmin Kent-Rcdgeman - What Iho Dog Said to the Harvest Isoulhbank Contrel
This immersive call lor climate justice fell groundbreaking in both its performative epiGn8ss and the philosophy
underpinning the stories. It was unapologetic in its directness and mixes opera, dance, spoken word, immersive
sound and film. The audignce was invited to move around the space as the pertormance unfolded around them. We
werè proud to SLtpport th8 artists in their first projecl ol this scale, with opera in the midst and with such a large team
of women from the global majority world.
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SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A ￿N[￿•W
LONIIIIPORARY
I IRAR (UITMS
Achlevements In the perlod (contlnued)
Yaa Samarl _ Losing it (The Yard)
As one of the most popular performanc8s from Palestine amongst Internatlonal festivals, we were immensely proud
to bring this show as part of our leslival. A captivating choreography devised and performed by Samaa Wakim and
wilh an unsèttling liv& score underpinned by Samar Haddad King, it brought a lev81 of discourse around trauma and
awareness practices, making it one ol the ffiost quièlly intens8 conlribulions lo the festival.
Hardl Kurda & Khabal Abbas - Th8 Legilimaied Body & Navigated Listener IWal8rmans & TobaGco Factory,
Slemani)
This was Shubbak's first event in Slemani, Iraq, a turning point in exploring th8 polenlials of digital collaborations,
environmentally conscientious low-Irav81 options, and engaging with audiences in Iraqi Kurdlslan. In collaboration
wlth Station House Opèra's groLindbreaking technology. Hardi &Khabal transcended borders in an interactive
exchange ol sound Ir8quencies. Audiences manipulated radios and medilatively morphed their bodies into one
another. Family members came together across the divide. wilhoul the need lor language.
Colelle Dalal Tchantcho - Dreamer IBAC)
To our knowledge, this is the first performance piece from the region addressing the de8ply entrenched racism
experienced by Afro and 81ack Arabs. A running theme of this edition was in introspection and accounlabilily from
within, reversing thèlens of the while gaze's sympathies lor our social injustices. Th& most striking example of this is
in Colette's work-in-progress, a serni-autobiographical performance ol urgent witness about three Black women in
Arab society. Both p8rforrnances sold out aiid alongside BAC we are now continuing lo develop the work towards a
finished piecè in 2027.
Ghalia 88nali IKings Plac81
This concert was one ol those that instantly brings its audience home homg. Excellently produced by MARSM, thè
show sold out with h8artening audience turnout, the majority ol whom were Arab.
Bahiyya (Omearal
This was a very n8w band lor Shubbak, cijraled by MARSM. Their show at Omeara was inlimale, following their
presence al the National ThBatre River Stag&. The audience at the show was very distinct trom others Ipoinl at being
largely newl, and almost entirely Egyptian.
Love & Revenge {RichMlxl
Curaled by MARSM, Wael Koudaih ol L&R rglurned to Shubbak with a tre5h con¢&pi cl mixing eleclro-pop with
Gold8n Age Arab cinema - a truly unlque ofier.
A Friend's Kitchen {Sile-Sp8cific, aueensway)
An intimale stroll with poet Al Seddiq El Radi along the slreets ol Qu9ensway. weaving personal hislories with
anecdolal neighbourhood musings. 11 was engaging, emolional, and anoth6r celebration of the Arabic language
amongsl London's streets. The producing partnership with Poetry Translation Centre was fruitful, and Ihe format
refreshing and ong to endeavour to expand upon for the next edition.
When the Land Speak5 (Site-specilic, Hackney Marshes)
Imaginalively ouraled by Young Shubbak alumna Riwa Saab, this multi-artisl guided walk on Ihe last day of the
leslival was pure nourishment for the body and soul. Set along Hackney Marshes and culminating in workshops in a
community centre, groups ol diverse participants were guided by sound artist Bint Mbareh, poet Ola Elhassan, and
visual artisl Juliette Mourad. The event was lully booked and with a waiting list. revealing a real thirsl lo forge
alternative ways of connecting to our culture> within nature in non-event spaces. Finding refuge in earth, plants, and
sounds in the inlensily ol an urban metropole that is London evidenced how Arab artists are at th8 centre of creative
avenues for healing.
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SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
REPORT OF THE TRUSTEES (CONTINUED}
FOR THE YEAR ENDED 31 MARCH 2024
Awiiifh)WON
Achievements In Iha perlod (Contlnued)
When the Night Speaks (The Yard)
With her second event at Shubbak, Riwa Saab curated a lineup ol young female DJS, rnany ol whom wère previously
unknown to th8 team. This was the key party of the progTamme, and also sold out lo a very mixed, bul mostly young
Arab and Global Majority audience.
Olive Jar {Grand Junclionl
Drama therapist Elia5 Malar passionately led a year-long workshop series with community members of Arab heritage
local lo Grand Junction, exploring the rich heritage of West Londoners from Syria. Iraq, Palestine, Lebanon, Algeria.
Egypl. and beyond. Th9 Sessions allowed lor play acknowledging that sometimes grownups just need lo play in
ordgr to heal. A number ol participants described the process ol tolling th8ir stories on stage as translormalivg, and
the communal w99kly dinners as a huge Source ol comfort and remedy lor homesickness. The performance gained
media coverage and was sold out 8very night. We are continued our partnership with Grand Junction with artists
Alaa El Saraji and Dima Mekdad leading lull workshops through the Autumn, with participation from Young Shubbak
throughoul.
I Will Not Fold These Maps by Muna Kareem (British Library)
Muna Kareem returnèd lo London lor the launch ol her unapologetic book of surreal, wondrous poetry. Reading in
ArabiG to an almost exclusively (full) Arab audience, thère was such depth of purpose in her woTd5 and rhythm.
Members ol the 8idun London group were present, and the exchange was emolivo, particularly as Muna was
recently refused entry to Kuwait due to her criticism ol the government's Irealmenl of the Bidun.
Bad Diaspora Poems by Momlaza Mehri (Grand Junction)
Momlaza Mehri launched hgr debut book ol poetry amongst a majority young Somali audience, paying homage to
the Complexiiy of diasporic 8xistence land post-exislencel. Falling on Eid, it was mel with a concerted ellort by
audience lo Gome together and mark the mornenl. As with Olive Jar, Grand Junction was a wonderful partner to work
wilh.
Totalitarian Props curated by Nai'laa Elageli and Tewa Bamosa (The Africa Centrel
This transdisciplinary exhibition explored and investigates certain acts of tyranny, particularly within th8 context of the
Pan-Africanism ideal and Pan-Arabism dream. Artists from Egypt, Libya and Sudan brought intimate insight into
archival works and research journeys, unleashing the imagination lo represent what life féals like under lolalitarian
rule. This was the first lime curators Najlaa Elageli and Tewa Barnosa worked together and in such an
intergeneralional way.
Sound & Silence by Soraya Sy8d (The Coronet Th8atrel
An intricately executed multi-layer8d exhibition, with innovative use of magnetic materials lo interrogate the
relationship between calligraphy, Ine human form and spirituality brought to ShLJbbak by the master calligrapher
Soraya Syed. The unusual venue attracted a divers8 and curious audience. The calligraphy workshops al Cromwell
Place were popular and we are now interested lo explore how communal calligraphy circles could lealure as part ol
our engagement prooramme, as the art form18nds itself to ¢ontemplative convgrsation and refleGlion.
Rest, Play, Feast Imelroland Cultures)
Rest, Play, Feast was a community day w8 described as 'an urban retreat for families, intended to give parents,
especially women, some well.deservgd rest. Children's workshops and a play-spaGe with a licensed childcara
provider werè planned, a5 well as an acG95S SUPPOrt worker lo accommodate any special needs. The highlight of the
day was Ihe engaging embroidery workshop by the brilliant Tatreez Colleotive.
LAILA SOLIMAN, BUSHRA EL-TURK- Woman at Point Zero (Royal Opera House)
Woman At Point Zero was first commissioned by Shubbak in 2017, premiering at the Royal Opera House as a work-
in-progress as part cf the festival that year. It was sincé further developed and produced by the Belgian production
company, LOO alongside the Roy81 Opera House and Britten Pears. We saw the fallDW-through of a project 7 years
in the making. The production was contained and elfective, held by Bushra El-Turk's captivating score, masterfully
performed by the Zar Orchestra. Dirna Orsho is an operatic talent.
Page 5

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
JL•&￿Il ¥AL4
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
IWNth)WON
(￿lI￿D￿R¥
.1 IRI8 [￿rU￿5
Achievoments In th8 p8rlod (continued)
As part of this package, we held a discursive event 'The Stereotype is tha Story,, in which artists from the Global
Majority world communed over the question 'How do we hold our own when our truth might leed a ravenous
stereoiype?, Particularly given the subjèct matter of the Woman Al Point Zero storyline. we wantecl to olf8r a sale
space lor artists from Global Majority cultures lo discuss how thay speak their truth wilhoul reverberating siereoiypes
in a worfd drowned out by redundant and r&ductionist steraolypes, not least about Global Majoriiy culturès. This opèn
conversalion was lollowed by an aflorcare space to addrèss any trigger points,
IMEDEA by Sulaiman Al 8assam (Stonenesll
Du8 to visa issues, IMEDEA was postponed to Seplember and11 was r8c8ived with Much warmth from Ihe audience,
nol least with the outstanding performance Irom Hala Omran and the music duo Two and the Dragon.
Tamara El-Ma5houk I'd Search Forever, I Want to Remember {Dover Citadel & Fri8z8 London)
In her most ambitious UK presentation to dale. Tamara compassionately asks whethgr matter remembers the way
human bodies do. Filling a wave machine with water Irom the English channel and setting il in dialogue with danGer
Fadi Giha, she weaves photographs from Dover's shorelines with artefacts crgaled during participatory workshops.11
was Shubbak's first lime in Dover, and hundreds ol audiences gathered throughout the day-long programme. As a
r8suII ol this summar's exhibitions, Tamara screened a film documenting thè process with her wave machine on
display al No 9 Cort< Street.
Sonic Frontiers 01 & 02
Shubbak worked for thè first lime with Christina Hazboun of Th8 Sonic Agent lo bring two evenings ol powerful,
defiant Palestinian, Lebanese and Tunisian women musicians èxperimenting with sonic formations and approach lo
music-making. Both evgnls sold out their intimate venues. highlighting audience appetite for this kind ol work.
Particularly slandoul is the collaboration between Maya Al Khalidi and Sarouna, who use archive and field recordings
in their contemporary aural practice.
Safar Film Festival
Our partnership with the Arab British Cenlre's Salar Film Festival 15 always mutually supportive and tremendously
rewarding.
Tools for Solidarity - Yalla Seeding Imosaic Floomsl
Permacullure activist Mohammed Saleh collaborated with Resolve Collective and the M05aic Floom's Learning
Curalor lo engago Sittle ones and their people in seed bombing. An online lesson plan was shared with schools.
families and community groups. Mohammed was a natural, weaving slor18s and guiding 8xercises for bolh young
and old.
Arts & Disability Delegation
We h05ted an Arts & Disability delegation for the firsl time, in collaboration with Sync Leadership and Art 2 Hearl
Palestine. In recognition of the multi-fold impact on Arab artlSt5 living with a disability in a geo-politically unstable
region, we created this opportunity as a tirsl-slgp towards addressing the in8quality of opportunities, and hence the
reduced outcome5 and outputs, for artists living with a disability from the region. We are currently supporting two
Shubbak artists to apply for an unlimiled disabled artist collaboration fund. We thank the British council lor their
support ol thi5 programm8.
Vital Capacities Exhibition - Shaima Ali
Our largesl online offering, Shairna Ali (Sync Arabi programme participant) presented a number of video art works
and photographs of her sculptures in a digital gallery generously hosted by Vital Capacities. Over a period of a month.
long residency, Shaima was able to experiment with a multiplicity of perspectives on daily li18 in Palestine.
Page 6

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
AU4LUI
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A lYllIt)OW Oh
.1 IRAE IUIIVK5
Team and Managemenl
During the lestival period, the team consisled of 2 Joint CEOS, one General Manager, 1 Festival Producgr, 2
Engagement Producers, 2 Marketing & Comms Managers as a jobshare, and 2 free-lance producers. The festival
also powered by a community of dedicated volunteers for whom we are grateful. Shortly alter the leslival, we
relurned back to our core slruGlure, consisting of 2 Joint CEOS, one General Manager, and one Engagement
Producer. During the period one ol the Joint CEOS stepped down, and the organisalion was reslruclured so Ihal the
other Joint CEO took on the ro19 01 Artistic Director & CEO solely. By the ¢lose ol the financial year the organisation
¢onsisled ol an Artistic Director & CEO, a Senior Producer and a single person in th8 dual role ol General Manager &
Producer.
Governing Document
The Charity is also known by Ihg name ol Shubbak and is a company limited by guarantee having been incorporated
on 27 February 2012,. and registered as a charity on 7 January 2013. It is gov8rned by its Memorandum and Articles
of Association, which established the objects and powers of the charitable company. In the event that th8 charily is
dissolved, each member will contribute up lo £1 towards Ihe cost of dissolution and the liabilities incurred by the
Charity.
Recrultm8nl and appolnlm8nl of Irustees
As set out in th& Articles of Association, the memberls} may propose and appoint any willing person lo act as a
Iruslee for the Charity. A trustèe's term ol offic8 Is three years. When considering a nominated trustee, th8 charity
will take into account the skills ol existing Iruslees, ol the proposed trustee and the skills required by the Charity. The
Iwstees are also the directors ol Ihe company.
We bid a fond farewell to Irusiees Shadicl El Dardiry. Lynn Gaspard, Sumantro Ghose and Almir Koldzic. We
welcom8 new trustees Ellzabeth Ann Brlogs and Sandra Sfeir.
Trustee Indu¢tlon and tralnlng
New trustees will be made familiar with the objectives, business plan and financial status ol the charily. Trustees will
also be given a copy ol the r8levant guidance material from the Charily Commission.
Risk Management
An annual risk review Is undertaken by the trustees. The Trustees examine the major stratogic. business and
operational rtsks which the charity taces and will pul in place systems lo mitigate these risks.
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SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
.JL•WJI
AEPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A W1N￿w0N
((XITEMFQ
.1 aAA8CULIW4
Flnanclal Review
Th& annual accounts show total income receSved for ihe year of £507.862 {2023: £310,784).
Expenditure lor the yéar amounlod to £557,134 {2023: £273,715) and was primarlly spent on delivering the 2023
festival and community engagement projects which locusgd on achieving our charitable objective.
Reséms Pollcy
The Truslges have reviewed the charty's needs for resèrv&s in line with the guldance issued by the Charliy
Commission.
Shubbak's policy on rèserves ¢onllnu6s to hold reserves that enable the organlsalion to:
ansure there 1$ sufllcl8nt mongy to Continue our core a¢tlvilies during a perlod ol unlores88n dilliculty,,
develop th8 organlsation, including travel and strategic r8lalionships to expand partnership;
undertake special projects and one-off aclivilies in kooplng with Shubbak's vision.
The Trustees have examined the requirement for reserves not invested in langlble fixed assets lo cover the
remalning cornmitted operational activitles from income for three months. Based on currenl ¢ommltmenls. this
requirement is £30,000.
At Ihg yèar end date, Ihg free reserves of lh8 charty amounted to £122,712.
Our J$plratlons for th• f•gtlval
We ended the y8ar looking ahead to Shubbak Fesllval 2025 with the commllmenl lo Ir1al a more contalned yel
equally ambitious leslival with Igwer events over a longer period ol lime. The Artisti¢ Director & CEO'S asplralions lor
Ihis next lestival Is that It is slower, with car8 deeply embedded not lust in the programming but also in the proc85$ 01
delivery. Espgcially as Arab & SW ANA artists In the UK and in the region navigate the vi018nce against theli lands
and Ihelr people, and with this impacting Stall within th8 organisalion as well, we aspiro lo not only furnish our
programme with Ihg usual bold artistic excell¢n¢e that has characterised our festival sinc8 11$ incepilon, bul lo
introduce ways ol working that can hold our artists and our audlence as well as our stall and tru81aes.
Page 8

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A oy
(QNIIMPOP
.IAUB(ULTURES
Ref•roncg and administlallve details
egislered charSly number
1150374
Company number
07966699
Registered office
1 Gough Square
London
EC4A 3DE
Our adv180r8
Independent Examlner
Chanter, Browne & Curry
Chartered Accountants
1 Plato Place
72-74 St Dionis Road
London SW6 4TU
Solicitors
Thomas Eggar LLP
Belmont Hous8
Station Way
Crawlay
West Sussex RH10 1JA
Bankers
Lloyds TSB Bank plc
19-21 The Quadrant
Richmond
Surrey TW9 1 BP
Dlrectors and trn81888
The dlreclors ol the charltable ¢ompany Ithe charltyl are its tru810os for the purpose ol charity law. Thè trustees and
ofllcers serving during the year and sIr￿e th8 yeai end were as follows:
Fady Alrayyes
Andrew Marcus
Rlwa Saab
Elizabeth Ann 8riggs lappoinled 26 June 20241
Sandra Sfeir {appoinled 26 June 20241
Zeina NajjaT (appolnted 30 October 2024)
Shadla El Dardiry (resigned 12 June 2024)
Lynn Gaspard (resigned 12 June 20241
Sumantro Ghose (resigned 12 June 2024}
Almir Koldzic {resigned 12 June 2024)
Page 9

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
REPORT OF THE TRUSTEES (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
A WINfM)w (JN
IONitMFOW(
Statemenl ol Trustees, Responslbllllleg
The Truste8s {who are dso directors of Shubbak lor the purposes of company lawl are responsible for preparing the
Truslees, Report and the financial slatemenls in ac¢ordance with applicable law and United Kingdom Accounting
Standards {Unlted Kingdom Generally Accepted Accounting Practice.)
Company law requires the Trustees to prapare financial statements lor each financial year which give a true and fair
vlew of the state of th8 affairs of the charitable company and of the incoming resources and application of
resources, including the income and expenditure. of the charitable company for that Pgriod.
In preparing thèse financial stalemenls, Ihe Trustees are required to:
select suitabl8 accounting pollcies and then apply them consistently,.
observe the methods and prlnciples in the Charltles SOFIP.,
make judgements and estirnales Ihat ar8 reasonable and prudenl.
stale whether applicable UK Accounting Standards have been followed, subject lo any materlal
departures disclosed and 8xplained in Iho financial statements.
prepar8 the financial statements on the going concern basls unless it Is inappropriate lo pr@sume that the
charitable company will continue in business.
The Truslaes are rgsponsibla for keeping proper accounting records that dlsclose with reasonable accuracy at any
tirne the financial position of the charitable company and enable them to ensure that the financial slalemenls comply
with the Companies Act 2006. They are also responsible lor safeguarding the assets of the charitable company and
hence for taking reasonable steps lor Ihe prev8nlion and deleclion of Iraud and other Irregularllles.
Small company oxemmion
These accounts have been prepared in accordan¢8 with the special provlsions of Part 15 of the Companies Act
2006 relating io small companies.
By order ol the Trust888
Sandra Sfelr
Trustee
Date: 14 January 2025
Page10

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
INDEPENDENT EXAMINER'S REPORT TO THE TRUSTEES
OF SHUBBAK.. A WINDOW ON CONTEMPORARY ARAB CULTURE ("the Company")
I report to the Company's trustees on my examination of the financial statements of the Company for the
year ended 31 March 2024, which compris8 the statement of financial activities, the balance sheet, th8
statement of cash flows and the related notes.
Responslbllltle8 and basis ol report
As the trustees ol the Company land also its directors for the purposes of company law) you are
responsible for the preparation of Ihe financial statamenls in accordanco wlh Ihe requirements of the
Companies Act 2006 ('the 2006 Act'l.
Having satisfied myself thal the linancial stat&m&nts of the Company are not required to be audited under
Part 16 of the 2006 Act and are eligible for independent examinalion, I report in respect of my examination
ol your Companls financial statements as carried out under section 145 of lh8 Charities Act 2011 {'the
2011 Act'l. In carrying out my examlnallon I have followed the Directions given by th8 Charity Commlsslon
under section 14515) Ib) of the 2011 Act.
Independenl examiner's statement
sin￿ the Company's gross income exceeded £250,000 your examiner must be a member of a body listed
in section 145 of the 2011 Act. I confirm that l am qualified to undertake the examination because l am a
member of ICAEW which is one of the listed bodies.
I have completed my examinalion. I confirm that no matters have come to my attention in connection with
the examination giving me cause to believe in any material respect:
1. accounting records were not kept in respect of the Company as required by section 386 of the 2006 Act,.
or
2. the financial statements do not accord with those records" or
3. the financial statements do not comply with the accounting requirements of section 396 of the 2006 Act
other than any requirement that the accounts give a Xrue and fair view, which is not a matter considered as
part of an independent examination., or
4. the financial staternents have not been prepared In accordance with the methods and principles ol the
Statement of Recommended Practice for accounting and reporting by charities lapplicable lo charities
preparing their financial stalements in accordance with the Financial Reporting Standard applicabl@ in the
UK and Republic ol Ireland IFRS 10211.
I have no concerns and have come across no other matters in connection with the examinatlon to which
attention should be drawn in this report in order to enable a proper understanding of the financial
statements to be reached.
P.G. Browne FCA CTA
Chanter, Browne & Curry
Chartered Accountants
1 Plato Place
72-74 St Dionis Fload
London SW6 4TU.
Date: 14 January 2025
Page11

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
STATEMENT OF FINANCIAL ACTIVITIES
FOR THE YEAR ENDED 31 MARCH 2024
SUMMARY INCOME AND EXPENDITURE ACCOUNT
2024
Notes
Unrestrlctod De$lgnwled
funda
funds
R¢&trlcted
lunds
Total
funds
Tolal
funds
INCOME
Granls and donations
Charitable activities
Intergsl received
341,807
795
376
82,164
45,600
423,971
83,515
376
303,951
6,833
37.120
Total income
342 978
37.120
127,764
507 862
310784
EXPENDITURE
Raising funds
Charitable activit188
1.170
297,877
1,170
184,554 555.964
73,533
273,715
Tolal oxpendlturo
299,047
73,533
184,554 557,134
273,715
Net Incomo befor• transfers
43,931
{36,4131 156,790) 149.2721
37,069
TransfeTS between funds
12,5001
2,500
Net fflovament In tunds for tha year
41,431
{33,9131 156,790) 149,2721
37,069
RECONCIUATION OF FUNDS
Total lund$ brought forward
81,281
61,413
71.790 214,484
177,415
TOTAL FUNDS CARRIED FORWARD
122712
185212
214484
The Statement ol Financial Activities includes all gains and Ios5e5 in the period.
All incorne and expenditure derive from continuing activities.
The notes on pages 15 to 19 form an Integral part of these financial statements.
Page 12

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
BALANCE SHEET
AT 31 MARCH 2024
2024
Total
funds
2023
Total
funds
Notes
Current assats
Deblors
Cash at bank and in hand
9,592
165,682
175.274
92,716
210,817
303,533
13
Credltors: amounts falling due within one year
10,062
89,049
Net a83ets
165.212
214,484
Funds of the charlty
Restricted funds
Designated funds
Unrestricted funds
10. 11
15,000
27,500
122,712
71,790
61.413
81,281
165212
214484
In preparing these financial statements..
{a} The direclors ara of the opinion that the company is entitled to the exemption from audit
conferred by Section 477 of the Companies Act 2006.,
{b} No notice has been deposiled under Section 476 of the Companies Act 2006, and
{¢) The directors acknowledge their responsibilities for-_
(il ensuring that the company keeps accounting records which comply with Section 386 of the
Companies Acl 2006. and
(li) preparing financial stalements which give a Irue and fair view of the stata of affairs ol th8
company as at the end ol th8 financial period and of its surplus or deficil for the financial
Period in accordance with the requirements of Sections 394 and 395. and otherwise comply
with the requirements of Ihis Act relaling to accounts, so far as applicable to the company.
These financial statements have been prepared In accordance with the provisions applicable to
companies subjecl lo the small companies regime.
The financial statements were approved by the board of directors and trustees on
14 January 2025,
Sandra Sfelr
Trusiee
Company Reglstratlon Numbar: 07966699
The noles on pages 15 to 19 form an integral part of these financial statements.
Page 13

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
STATEMENT OF CASH FLOWS
FOR THE YEAR ENDED 31 MARCH 2024
Notes
2024
2023
Cash flows from operatlng aclivitles
Net cash provided by operating activities
12
(45,135)
(1,593)
Change In cash and cash equivalents In the year
Cash and cash equivalents broughl forward
210,817
212,410
Cash and cash aqulvalents Garrled lotrward
13
165682
210,817
The notes on pages 15 to 19 form an integral part of Ihese financial statements.
Page 14

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
NOTES TO THE FINANCIAL STATEMEIUS
FOR THE YEAR ENDED 31 MARCH 2024
Ac¢ountlng policies
1.1 Basls of preparatlon
Shubbak is a UK registered charity incorporated as a company limited by guarantee. The
address of the registered off ice is given in the charity information on page 9. The nature of
the charity's operations and principal activities are directed at advancing the education of the
public in Arab culture and other aspects of Arabic arts, culture and heritage through public
performances and discussions, including staging a biennial festival.
The eharlty constitutes a public benefit entity as defined by FRS 102. The flnancial
staiements have been prepared in accordance with Accounting and Reporting by Charilies:
Statement of Recommended Practice applicable to charities preparing their accounts in
accordance with the Financial Reporting Standard applicable in the UK and Republic of
Ireland issued in October 2019. the Financial Reporting Standard applicable In the United
Kingdom and Republic of Ireland (FRS 102), the Charities Act 2011, and UK Generally
Accepted Accounting Practice.
The financial statements have been prepared under the historical cosl convenlion with items
recognis8d at cost or transaction value unless otherwise stated.
1.2 Fund accountlng
Unrestricted income funds represent Ihose resources which may be used towards meetlng
any of the charitable objects of Shubbak at the discretion ol the trus18es.
D88ignated funds comprise unrestricted funds that have been set aside by the trustees for
particular purposes. Th8 aim and use of each designated fund is set out In the notes to the
financial statements.
Restricted funds are resources whlch are to be applied to specific purposes imposed by the
funderldonor.
1.3 Income recognllion
Items of income are recognised and included in the accounts when all of the following criteria
are met:
The charity is legally entitled to the funds;
any performance conditions attached to the item(s) of income have been mei or are fully
within the control of the charity.,
there is sufficient certainty that receipt of the income is considered probable" and
the amount can be measured reliably.
1.4 Expenditure recognltlon
Resources expended are included in the Statement of Financial Activities on an accruals
basis, inclusive of any VAT which cannot be recovered. Expenditure directly attributable to
any specific activities has been included in these cost activities. Wh8re costs are attributable
to more than one aclivity they have been apportioned across categories on a basis consistent
with the use of these resources.
Page 15

SHUBBAIL. A WINDOW ON CONTEMPORARY ARAB CULTURE
NOTES TO THE FINANCIAL STATEMENTS (co￿lNUED>
FOR THE YEAR ENDED 31 MARCH 2024
ststl co81s
The company had an average of 5 employees during the year ended 31 March 202412023.. 5
employee$l- No employee was paid more ihan £60,000 in the year.
TNstee8' romuneration and èxpenses
A trustee. Riwa Saab, was paid artist lees tolalling £4,026 during the year ended 31 March 2024. No
trustees received any rernuneration during Ihe ￿0 years ended 31 March 2024. No INstees were
reimbursed lor expen88s during the two years ended 31 March 2024.
4 Income trom grants and donatlons
2024
Unr•slrkt•l Oeglgnatad Rostrleted
lund•
funds
lunds
2023
T￿￿1 funds
Totsl lund•
AM Qattan Foundation
Arts Council England
Bagri Foundation
British Council
Cockayne - Grants for the Arts and The
London Community Foundation
Department for Work & Pensions
English Pen
Greal&r London Authority
Hammersmith Unitèd Charlllos
Medway Coun¢il
Qalar Foundation International
Royal Borough of Kensington & Chelsea
SHED
Private donors
35,000
35,000
171,564
60,000
73.540
35,000
86.564
20.000
96,972
171,564
60.000
73.540
15,000
9.025
2.000
1,140
7,500
2,500
26,350
26,704
26.704
26,784
26.764
5,400
5.400
9,999
9,999
1,500
15,000
15.000
400
423 $71
303 951
5 Income trom chorltable acllvltles
2W
Unre8irlci•d tleslgnat4d R•strlctod
lund8
funds
fund6
2023
Tol•l fund8
Total fund¥
Tickets and venue contributions
Consultancy
37,120
45,600
82,720
795
5,000
1,833
795
795
Page 16

SHUBBAIL. A WINDOW ON CONTEf41PORARY ARAB CULTURE
NOTES TO THE FINANCIAL STATEMEKfs (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
6 Expendllure
2024
DB¥lg￿t8d Aestrici•d
funds
fund¥
2023
Unresirf¢ied
lundl
Total lund¥
YO￿ furxls
Raising funds
Fundraising Gosts
Charlty actlvlty ¢ost8
Festival and project costs
Marketing and publicity
Staff salaries
Employers, National Insuranc8 Contrlbutlons
Pension contributions
Consultants
Travel arKI accommodailon
52.521
23,886
154.346
12,115
3,256
3,700
73.533
149,792
3.971
18,151
275,847
27,857
172,497
12,115
3,256
3,700
99,639
3,152
124,740
8,017
2,772
1,678
7.553
247 551
184554
516 805
Support C08t8
Rant
General office overheads
11.383
11,383
10,539
Govorn•n¢e ¢oJts
Indeptrndgnt examlner'5 1•8
Boafd dev8lopmenl
oanlsalional dgvolopm6ni
Legal lees
3,300
3,740
2,426
3,300
3,740
2,426
3,180
1,143
13 452
Total 8xpendlturo on choritoblo Nctl¥lll88
297,87T
73.533
184,554
555,964
273,715
Total oxpendlture
273715
7 Dobtor•
2023
Trade debtors
Accrued inGome
So¢ial security and other taxes
Cxher debtOTS
30D
5,731
2,792
769
80,000
9,025
72
3,619
Crodltors: amounts falling due wilhln one year
2024
2023
Trade ¢redltors
Accruals
Deferred inc¢m6
Other uedilors
7,062
3,OOD
3,802
4,668
80,000
579
9 Transters b•tween funds
2024
Do¥lgnat0d
lund8
Unre*rl¢tod
fund*
HoslrS¢tgd
fund8
Translgr to designated fijnd - overheads reserve
(2,5001
2,500
Page 17

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
10 Slalement ol lundg
The income funds of the charity include restricted funds comprising the following:_
Movement In funds
Curreni year
Tran$t8rs
between
funds
Balance 1
April 2023
Incoming
resource8
Resources
oxpended
Balanc8 31
March 2024
Restricted funds
Designated fund
Unrestricted funds
71,790
61,413
127.764
37,120
342,978
507 862
(184,554)
(73,533)
299,047
557 134
15,000
27,500
122.712
165 212
2,500
214484
Prlor yoar
Movement in funds
Tran$ters
between
funds
Balance 1
Aprll 2022
Incoming
resources
Aèsources
xpended
Balanc¢ 31
March 2023
28,256
22.500
126659
177 415
177,962
36,413
(134,428)
71,790
61,413
Restricted funds
Designated fund
Unrestricted funds
2,500
139287
214 484
Deslgnated fund
The designaled fund comprises unreslricted funds that have been set aside by the trustees to me81
any exceptional costs or circumslances.
Restrlcled funds
Restricted funds are resources which are to be applied to specific Purposes imposed by Ihe
funderldonor.
Page18

SHUBBAK: A WINDOW ON CONTEMPORARY ARAB CULTURE
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED)
FOR THE YEAR ENDED 31 MARCH 2024
11 Analysls ot net assets between funds
Current year
Unr••trkted
lunds
Deslgnjted
tund
Restricted
funds
Total
132,774
(10,062)
122 712
27,500
15,000
175,274
{10,062)
165 212
Current assets
Creditors.. amounts falling due within ono
year
Prlor year
UnT••trlct•d
lund3
De81gnated
fund
Restricted
funds
Total
303,533
(89,049)
214484
Current assets
Credilors: amounts falling due within on8
year
170,330
{89,049)
61,413
71,790
12 A•conclliatlon of not movement In funds to net cash flow
from operating acllvlti89
2024
2023
Net income for the year (as per Stat8ment of Financial Activities)
(49,272)
37,069
(Increaselldecrease in debtors
Increas81{decrease) in creditors
83,124
(78,987)
(88,978)
50,316
Net cash provld8d by operatlng activltles
13 Analygls ot ca8h and cash equivalonls
2024
2023
165 682
210817
Cash at bank
14 Members, guarantee
Al 31 March 2024, the company had seven members. Each member's guarantee is limited to £1.
Page 19