COUNTERPOINTS ARTS
TRUSTEES’ REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2021
COMPANY NUMBER 08062988 CHARITY NUMBER 1150079
COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
| Contents | Page |
|---|---|
| Trustees’ report (including reference and | |
| administrative details) | 1 – 9 |
| Independent Examiner's Report | 10 |
| Statement of financial activities | 11 |
| Balance sheet | 12 |
| Statement of cash flows | 13 |
| Notes to the financial statements | 14 – 23 |
COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
The Trustees of Counterpoints Arts are pleased to present their annual report with the financial statements of the charity for the year ended 31 March 2021.
The financial statements are prepared to meet the requirements for a directors’ report and accounts for Companies Act purposes and comply with the Charities Act 2011, the Companies Act 2006, the Memorandum and Articles, and the Statement of Recommended Practice – Accounting and Reporting by Charities (FRS 102).
Counterpoints Arts was established in 2012 to bring together and integrate the complimentary work of Partnership for Arts and Refugees (PAR) and Forum on Migration and Communications (FOMACS). Both initiatives (PAR and FOMACS) have recognized track records of developing creative arts and collaborative projects with diverse partners from the arts and advocacy sectors.
In establishing this new organization we have accomplished the following:
Created a working environment which integrates a combination of in house skills including: digital and graphic design, arts curation and architecture, film production and programming, creative writing and research development and education, strategic policy and publishing.
Mission
Our mission is to support, produce and promote the arts by and about migrants and refugees, seeking to ensure that their cultural and artistic contributions are recognised and welcomed within British arts, history and culture.
We do this by developing and commissioning creative projects and approaches to represent the stories and experiences of refugees and migrants through talent development, collaborations with artists, arts/cultural and educational organisations and civil society activists working in the field of migrant and refugee rights.
Vision
Our vision is underpinned by a belief in the dynamic power of the creative arts to inspire social change and enhance inclusion and cultural integration of refugees and migrants.
Counterpoints Arts’ Board of Trustees for the period between the 1 April 2020 and 31 March 2021 included: Chair, Tim Finch (Director, Sponsor Refugees); Donna Covey (Director, Against Violence and Abuse); Tim Catherall (Director of Finance and Operations, Institute of Development Studies), Alice Sachrajda (Freelance Researcher); Reem Charif (Co-Director, Febrik); Naima Khan (Coordinator, Act for Change Fund – Paul Hamlyn Foundation), Malu Ansaldo, (Producer, The Round House).
Objectives and Activities
Counterpoints Arts objects, as per its Memorandum and Articles, are specifically restricted to the following: To further such charitable purposes for the benefit of the public in particular but not limited to:
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a) the promotion of equality and diversity and
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b) the promotion of human rights (as set out in the Universal Declaration of Human Rights and subsequent United Nations Conventions and Declarations) by the following means:
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i. Researching into human rights issues
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ii. Educating the public about human rights
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iii. Raising awareness of human rights issues
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iv. Promoting public support for human rights
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v. Promoting respect for human rights by individuals and corporations for the benefit of migrants and refugees and the wider public and through the following activities: promoting
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
the arts, heritage and culture, through education and research (publishing the useful results of which) and by undertaking and promoting social justice advocacy.
The Trustees have had due regard to the guidance issued by the Charity Commission on public benefit when reviewing the charity’s objectives and planning current and future activities.
Achievements and Performance during 2020-2021
Due to Covid-19 restrictions and health and safety considerations, the Counterpoints Arts team continued to work remotely throughout 2020-2021 (and do so on submitting this end-of-year report).
As noted previously Counterpoints Arts devised a Risk and Mitigation strategy (2019-2020), which continues to be implemented. Hence the majority of Counterpoints Arts’ projects have been adapted to online formats, allowing for the delivery of the programme through digital platforms; and in order to sustain partnerships and collaborations with artists, organisations and networks.
Throughout 2020-2021, Counterpoints Arts has, therefore, been working in an altered landscape in which large institutions – many of whom are our partners in the museum, gallery and live art and performance sector – have laid off staff and/or placed teams on furlough with the expectation that they will not operate to full capacity for a foreseeable period of time. Counterpoints Arts has maintained its ties and collaborations with larger, flagship organisations - despite the changed environment.
Many of the individual artists, with whom Counterpoints Arts support and collaborate, have experienced displacement. A good percentage are free-lancers and do not have secure salaries. Counterpoints Arts thus conducted an online survey in July 2020 ( Artists in Lockdown , see below) assessing the needs of the artists in our network with a view to offering immediate support.
We have also (throughout 2020-2021) implemented a series of internal supports for the CA team and key project partners in the context of Covid-19, including a Learning and Training programme that included the following areas: Fundraising, Coaching, Audience Development, Countering Digital Hate, Evaluation, Diversity and Access and Racial and Environmental Justice.
Counterpoints Arts used emergency funds to further facilitate and support regional partners in its network to run their own local training programmes, as specific to their practical priorities in the context of Covid-19 and going forward.
Counterpoints Arts continues to place cross-sector collaboration at the heart of its approach in the strengthening and broadening of alliances with the arts and (popular) culture, migration and racial justice and climate change sectors.
In the context of Covid-19, Counterpoints Arts commissioned a major report titled Our Story and Vision , in conversation with artists, partners and networks offering a critical review and overview of the organisation, enabling collective reflection on past, current and future methodologies/practice.
The activities outlined in this Trustees’ Report reflect the selected outputs and key highlights of our overall organisational goals for the period spanning April 2020 to March 2021.
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
For a fuller and more detailed list of all Counterpoints Arts’ activities, outputs and events, please go to the Counterpoints Arts’ website 2020/2021 Archive:
https://counterpointsarts.org.uk/events/?cy=2020 https://counterpointsarts.org.uk/events/?cy=2021
The following highlights focus on the strategic translation and re-direction of Counterpoints Arts activities and events to the digital/online sphere during 2020-2021 - as a result of Covid-19.
Key achievements/outputs include:
- Refugee Week Public Commissions and Covid-19 Many of our public commissions were navigated through Refugee Week 2020 under its theme of ‘Imagine’ (2020). RW ran over 350 events which supported migrant and refugee artists – most of which given Covid-19 were held online. These events were hosted by a range of groups and organisations across the UK and beyond, encompassing performances, creative workshops, talks, podcasts, film screenings, children’s activities, book launches and more.
Event hosts ranged from Leeds Playhouse to Sunderland City Council, Ellen Hathaway Dance Company to Bradford Cathedral and the Welsh National Opera to WeWork; artists included rapper Lady Leshurr, poet Inua Ellams, For Sama director Waad al Kateab, director Sean McAllister, comedian Nish Kumar and Yarmouk pianist Aeham Ahmed.
See the full range of commissions on a newly designed Refugee Week, here: https://refugeeweek.org.uk/
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Digital Strategy/Approach:
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Despite challenges of being held entirely online for the first time, Refugee Week 2020 enabled a significant learning experience for its network. Holding events online was challenging (technically, and in terms of engaging communities with limited internet access), yet inspiring in terms of who it enabled Refugee Week to reach. The digital approach also meant that the Counterpoints Arts ‘ team had more direct contact with the Refugee Week network than usual, including reaching 360 people on two Zoom sessions in which we shared how people could get involved in the week. The year (2020) will leave a lasting legacy given that the RW network is keen to adopt a hybrid approach of running both online and in person events next year and beyond.
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RW Online Slow Conference (Feb-March 2021) In addition and due to Covid-19, Refugee Week initiated a different way to deliver on its yearly conference with a more gradual approach allowing participants (arts and culture, sports, education, community organising, faith communities and social enterprises, etc) to take part in an incrementally programmed set of online events to gain new skills and grow networks.
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Counterpoints Arts also integrated and adapted the Platforma/Refugee Week networking programme to facilitate online meetings with producers from around the country, as well as the wider Refugee Week network, to plan and share how best to move work online and to link up regions and organisations.
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
Other online platforms 2020-2021:
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From March-July 2020 the comedy programme, No Direction Home , was adapted to online formats. Working with 15 new stand-up comedians from refugee and migrant backgrounds for a series of workshops and 3 ticketed performances on Zoom that reached a live audience of approx 800 people.
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The Platforma Festival event in 2019 laid the groundwork for current work in Yorkshire and Newcastle, which was then aligned with the Comic Relief international project Across Borders , involving partners and project partners in Athens and Berlin.
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Football Song ‘Unity’: The PopChange strand also commissioned a football song during Refugee Week 2020 titled — ‘Unity’ by Hip Hop artist, Lady Leshurr, in collaboration with migrant and refugee football fans – bringing Refugee Week networks and audiences into an online conversation with football fans and social change organisations and vice versa.
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Football Long Table As part of the launch event and in collaboration with Refugee Week, this online session brought fans, artists and players to talk about football, song and migration: Sing While We’re Winning: The Positive Power of Football .
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The above events laid the baseline for a three-day online PopChange Retreat in March 2021 in partnership with OKRE (Welcome Trust), bringing together a range of selected individuals from the worlds of comedy, video gaming, broadcast, visual and performing arts, digital and news media, the charity sector together with the fields of policy, activism and philanthropy. And facilitating the launch of a report: New Brave World: The power, opportunities and potential of pop culture for social change (Sachrajda, Zukowska and Biswas).
Other project adaptations and new digital platforms in 2020-2021 include:
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Artists in Lockdown (May 2020): An online survey with the aim of gathering some first-hand stories from artists as to how they experienced and coped/responded to Covid-19.
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Postcards in Isolation (May 2020): A series of creative commissions and responses by artists from our network, (building on the online survey) produced across weeks of physical isolation during the Covid-19 pandemic.
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Imagine Digital Anthology (June 2020): A digital collection of global voices launched to coincide with Refugee Week mixing fiction, poetry and non-fiction.
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No Direction Home (Comedy) Virtual Tour ( Aug-Nov 2020): Following the huge success of summer Zoom gigs and an online performance in Edinburgh, No Direction Home went (online) on the road for a series of stand-up comedy performances across the UK.
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Go Tell the Bees (Sep-Dec 2020): A participatory, community-led programme exploring climate change within local ecosystems. Migrating online, this was a partnership between Counterpoints Arts, National Theatre of Wales and artists and community activists across Wales.
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Digital City of Refuge (Oct 2020) : Visual digital storytelling project focusing on three urban neighbourhoods experiencing recent net migration: Athens (Downtown), Berlin (Neukölln) and London (Haringey). In collaboration with the LSE Resilient Cities Programme.
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
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Beyond the Now (Oct 2020): A syndicated, multi-partner online platform co-curating, cross-sector conversations and exchange between people, projects and local and global, social change organisations in the post-pandemic (with partners across the UK, Europe and MENA region).
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Autumn (previously Summer) School Cultural Diversity and Collaborative Practice (Oct 2020): The third school was adapted to an online format spanning a period of three weeks with visiting contributors from MENA, and Europe (in partnership with CREATE – Ireland).
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Neighbourhoods Programme (August 2020): Continuation of Clapham Park Creative Co-op with Metropolitan Housing and Migration Foundation – adapted to online and digital delivery.
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Hip Hop Pedagogy and Power Website (Jan 2021 ): Adaptation of the Who Are We? Tate Exchange programme in the context of a digital programme with emerging hip hop and live artists focusing on the theme of decolonising archives.
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New Commissions (Jan 2021) : Five new online and hybrid commissions addressing the intersectional themes of migration, racial and climate justice and the role of art as a catalyst for social change.
In the context of COVID - 19 and the changes and restrictions that have come about in the arts and culture sector throughout 2020-2021, Counterpoints Arts has strategically connected and integrated many of its programme strands (as noted above). This has significantly expanded our audience reach. Going forward, Counterpoints Arts plans to continue this programmatic synergy through the blending of strands and the engagement of both online and offline platforms.
Financial Review
Income for the year was £618,801 (2020: £671,543) of which £450,750 (2020: £530,160) was given for restricted purposes. Total expenditure for the period was £513,359 (2020: £533,249). The unrestricted surplus for the year was £58,357 (2020: a deficit of £6,367), and the total surplus for the year was £105,442 (2020: a surplus of £138,294). Unrestricted funds at 31 March 2021 were £162,142 (2020: £103,785) and restricted funds were £294,047 (2020: £246,962). Cash balances at 31 March 2021 were £574,679 (2020: £356,944).
Arrangements for setting pay and remuneration of Key Management Personnel
Key Management Personnel comprised of the Trustees and the senior management team. Trustees are not remunerated in their capacity as a Trustee. The remuneration of the senior management team is determined by the Trustees annually and normally increased in accordance with average earnings, considering sector parameters and benchmarks.
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
Reference and Administrative Details
| Company number | 08062988 |
|---|---|
| Charity number | 1150079 |
| Principal and | Unit 2.3, 128 Hoxton Street, London N16SH; T:02070121761 |
| Registered office | |
| Bankers | The Co-operative Bank |
| 1 Balloon Street | |
| Manchester | |
| M60 4EP | |
| Independent | MHA Macintyre Hudson |
| Examiners | Boundary House |
| 4 County Place | |
| Chelmsford | |
| Essex | |
| CM2 0RE | |
| Accountants | JS2 Limited |
| One Crown Square | |
| Woking | |
| Surrey | |
| GU21 6HR |
Directors and trustees
The directors of the charitable company (the charity) are its trustees for the purposes of charity law. The trustees, officers and staff serving during the year and since the year end were as follows :
Tim Finch (Chair) Tim Catherall (Treasurer) Donna Covey Alice Sachrajda Reem Charif Naima Khan Malu Ansaldo Almir Koldzic (Secretary)
Structure, Governance and Management
Counterpoints Arts is a company limited by guarantee governed by its Memorandum and Articles of Association dated 9 May 2012 as amended by special resolution on 28 November 2012 and is a registered charity.
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
Trustee recruitment, training and oversight
There can be no less than 3 trustees. New trustees are appointed by the board.
The trustees meet regularly to oversee the charity’s affairs and advise on strategic decisions about the overall direction of the work of the organisation, to monitor finances and contribute towards various aspects of the work of the organisation. There are 6 employees – two full time and four part time.
New trustees have an orientation programme which includes being given papers and briefings on their legal obligations under charity and company law, on the charity’s decision making process and financial performance. Where appropriate, Trustees will be encouraged to attend appropriate external training.
Related parties
None of our Trustees receive remuneration or other benefit from their work with the charity. Any connection between a trustee or employee of the charity and any individual or organisation which is paid to work with or for the charity must be disclosed to the full board of trustees in the same way as any other contractual relationship with a related third party. In the year under review no such related party transactions were reported.
Risk management
The Trustees review the risks annually, which the charity may face and have been monitoring carefully the most significant risk identified i.e. that of building a firm financial base on which to build the operations of the charity. As agreed by the Board and as the charity grows, a formal bi-annual review process will be implemented to identify other risks and implement procedures to mitigate those risks identified. Some of the additional risks that have emerged are die to Covid-19. As state previously, Counterpoints Arts produced a comprehensive Risk and Mitigation Strategy (20192020) at the onset of the pandemic, much of which will remain relevant for the next operational year and going forward. The general uncertainty facing the sector together with the changing circumstances related to work practices, infrastructures, public engagement and health and wellbeing of the CA team and associated producers has been assessed with a clear mitigation plan in place for implementation.
The principle risks, uncertainties and mitigation strategy for Counterpoints Arts Charity are as follows:
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Longer term Covid related economic pressures and their impact on our fundraising opportunities and prospects. Mitigation plan : continue to keep the lines of communication open with our existing funders and seek external advice on the future funding opportunities and developments;
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Risks associated with Brexit and how this affects us especially in terms of our overseas/international work - in Greece, Germany and Ireland. Mitigation plan : continue to check we meet requirements of working overseas at all stages of project work and continue to support our artists and partners overseas by anticipating potential delays to our work caused by Brexit related regulations;
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Risks associated with delayed or cancelled activities due to Covid, resulting in the build up of underspend and potential impact on our longer-term fundraising efforts and relationships. Mitigation plan : continue to monitor our financial position and Reserves level;
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
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Heightened risk of online hate from far-right group and increased hostility toward refugees. Mitigation plan : organise further training on countering hate online to equip ourselves as much as possible to be able to respond to any hostility;
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People exiting the arts and how this may affect the ecology of our organisation. Mitigation plan : work to strengthen our existing network and continue to share resources and learning;
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Impact of stress caused by the pandemic on the long-term health and wellbeing of the staff, our artists and wider network. Mitigation plan : continue to check-in with people, promote good levels of self-care (mental health and wellbeing) and offer our EAP those who require additional support as needed.
Reserves policy
The Trustees have reviewed the charity’s need for reserves in line with the guidance issued by the Charity Commission, and are committed to building reserves to increase financial security. We have produced and agreed a detailed Reserves Policy going forward, so as to ensure that Counterpoints Arts ongoing and future activities are protected to a reasonable degree from unexpected short-term variance in income and expenditure.
Risks to consider
Counterpoints Arts is a small charity with a simple organisational structure and this policy has been written by taking into consideration the following types of potential operational and financial risks:
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Risk of unforeseen emergency or other unexpected need for funds, e.g. an unexpected large repair bill or finding ‘seed-funding’ for an urgent project;
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Covering unforeseen day-to-day operational costs, e.g. employing temporary staff to cover a longterm sickness/absence;
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A source of income, e.g. a grant, not being renewed. Funds might be needed to give the Trustees time to take action if income falls below expectations;
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Unforeseen closure and insolvency and associated costs;
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Short and long-term risks associated with the outbreak of a global pandemic.
Reserve level
The Board of Trustees for Counterpoints Arts agree that the minimum reserve level is set at £140,000 this being the amount required to ensure the work of the organisation can continue without disruption in adverse circumstances.
The minimum reserve level has been reached by calculating 6 months of CA’s core operating costs, including:
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6 months operating costs
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Restructuring provision resulting from project loss
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Statutory amounts related to staff redundancies
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5% contingency amount (for example, legal costs)
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
Decision-making and lead roles by Governance and Staff
Counterpoints Arts will monitor the reserves level on a monthly basis to check that it remains within 10% of the level set within this policy. If the reserves level varies significantly below or above 10%, then the Board of Trustees will be consulted. Any other significant changes to the budget or financial position of the organisation should be reported to the Board of Trustees.
Risk Assessment
This policy will be referred to when carrying out financial risk assessments for CA.
Review of policy
The Counterpoints Arts’ Treasurer in conjunction with any overall organisational changes will review the reserves level set out in this policy annually.
Small Company Exemptions
This report is prepared in accordance with the provisions applicable to companies subject to the small companies’ regime within Part 15 of the Companies Act 2006. As a small company it is eligible for exemption from audit.
Signed on behalf of the Board of Directors and Trustees
Tim Catherall Trustee and Treasurer
24 June 2021
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COUNTERPOINTS ARTS TRUSTEES’ REPORT AND FINANCIAL STATEMENTS for the year ended 31 March 2021
Independent Examiner's Report to the Trustees of Counterpoints Arts
I report to the charity trustees on my examination of the accounts of the company for the year ended 31 March 2021 which are set out on pages 11 to 23.
Responsibilities and basis of report
As the charity trustees of the company (and also its directors for the purposes of company law) you are responsible for the preparation of the accounts in accordance with the requirements of the Companies Act 2006 (‘the 2006 Act’).
Having satisfied myself that the accounts of the company are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of your company’s accounts as carried out under section 145 of the Charities Act 2011 (‘the 2011 Act’). In carrying out my examination I have followed the Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act.
Independent examiner's statement
Since the company’s gross income exceeded £250,000 your examiner must be a member of a body listed in section 145 of the 2011 Act. I confirm that I am qualified to undertake the examination because I a member of The Association of Chartered Certified Accountants, which is one of the listed bodies.
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
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accounting records were not kept in respect of the company as required by section 386 of the 2006 Act; or
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the accounts do not accord with those records; or
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the accounts do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a ‘true and fair view’ which is not a matter considered as part of an independent examination; or
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the accounts have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities [applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102)].
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
Signed: Dated: 30 June 2021
Cara Miller ACCA
MHA MACINTYRE HUDSON
Chartered Accountants Boundary House 4 County Place Chelmsford Essex CM2 0RE
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COUNTERPOINTS ARTS (COMPANY NUMBER 08062988) STATEMENT OF FINANCIAL ACTIVITIES (Including Income and Expenditure Account) for the year ended 31 March 2021
| Unrestricted Funds Note 2021 Income from: £ Donations 2 138,251 Charitable activities 2 29,800 Total income 168,051 Expenditure on: Charitable activities 3 109,694 Total expenditure 109,694 Net income/(expenditure) for the year and net movement in funds 58,357 Total funds brought forward 103,785 Total funds carried forward 162,142 |
Restricted Funds 2021 £ 450,750 - 450,750 403,665 403,665 47,085 246,962 294,047 |
Total 2021 £ 589,001 29,800 618,801 513,359 513,359 105,442 350,747 456,189 |
Total 2020 £ 610,160 61,383 |
|---|---|---|---|
| 671,543 | |||
| 533,249 | |||
| 533,249 | |||
| 138,294 | |||
| 212,453 | |||
| 350,747 |
All of the above results derive from continuing activities.
There are no recognised gains and losses for the year.
The notes on the following pages form part of these financial statements
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COUNTERPOINTS ARTS (COMPANY NUMBER 08062988) BALANCE SHEET As at 31 March 2021
| 2021 | 2020 | ||
|---|---|---|---|
| Note | £ | £ | |
| Current assets | |||
| Debtors | 8 | 3,866 | - |
| Cash at bank and in hand | 574,679 | 356,944 | |
| Creditors:Amounts falling due within one year | 9 | (122,356) | (6,197) |
| Net assets | 456,189 | 350,747 | |
| Charity funds | |||
| Unrestricted funds | 11 | 162,142 | 103,785 |
| General funds | 159,799 | 93,305 | |
| Designated funds | 2,343 | 10,480 | |
| Restricted funds | 294,047 | 246,962 | |
| Total Charity funds | 11 | 456,189 | 350,747 |
For the year ending 31 March 2021 the company was entitled to exemption from the requirement to have an audit under the provisions of section 477 of the Companies Act 2006.
The members have not required the company to obtain an audit in accordance with section 476 of the Companies Act 2006.
The accounts have been prepared in accordance with the provisions applicable to companies subject to the small companies’ regime.
The Directors acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and the preparation of accounts.
The financial statements were approved by the Directors and authorised for issue on 24 June 2021 and signed on their behalf, by:
Tim Catherall Trustee and Treasurer
The notes on the following pages form part of these financial statements
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COUNTERPOINTS ARTS (COMPANY NUMBER 08062988) STATEMENT OF CASH FLOWS As at 31 March 2021
| 2021 | 2021 | 2020 | 2020 | |
|---|---|---|---|---|
| £ | £ | £ | £ | |
| Cash flow from operating activities | ||||
| Net income / (expenditure) | 105,442 | 138,294 | ||
| Adjustments for: | ||||
| (Increase) / decrease in debtors | (3,866) | - | ||
| Increase / (decrease) in creditors | 116,159 | (98,659) | ||
| ___ | ___ | |||
| Net cash (used in) / provided by operating activities |
217,735 | 39,635 | ||
| ___ | ___ | |||
| Change and cash equivalents in the year | 217,735 | 39,635 | ||
| ___ | ___ | |||
| Cash and cash equivalents at the beginning of the year |
356,944 | 317,309 | ||
| ___ | ___ | |||
| Cash and cash equivalents at the end of the year |
574,679 | 356,944 | ||
| ___ | ___ |
The notes on the following pages form part of these financial statements
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS for the year ended 31 March 2021
1. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES
1.1 General information and statement of compliance
The Charity is a company limited by guarantee (registered number 08062988), which is incorporated and domiciled in England and Wales. The address of the registered office is Unit 2.3, 128 Hoxton Street, London N16SH.
The Charity constitutes a public benefit entity as defined by FRS 102. The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) issued on 16 July 2014, the Financial Reporting Standard applicable in the United Kingdom and Republic of Ireland (FRS 102), the Charities Act 2011, the Companies Act 2006 and UK Generally Accepted Practice as it applies from 1 January 2015.
1.2 Going concern
The financial statements are prepared on a going concern basis under the historical cost convention, modified to include certain items at fair value. This has been adopted as the Trustees consider the level of funds held and the expected level of income and expenditure for 12 months from authorisation of these financial statements. The financial statements are presented in sterling which is the functional currency of the Charity and rounded to the nearest pound. The Trustees have considered the impact of COVID-19 during this year in their assessment of the going concern.
1.3 Financial instruments
The Charity only holds basic Financial Instruments. The financial assets and financial liabilities of the Charity are as follows:
Debtors – accrued income is a basic financial instruments and debt instruments measured at amortised cost are as detailed in Note 8. Prepayments are not financial instruments.
Cash at bank – is classified as a basic financial instrument and is measured at face value.
Liabilities – accruals and other creditors will be classified as financial instruments, and are measured at amortised cost as detailed in Note 9. Deferred income is not deemed to be a financial liability, as in the cash settlement has already taken place and there is simply an obligation to deliver charitable services rather than cash or another financial instrument.
1.4 Funds
Unrestricted funds are available for use at the discretion of the Trustees in furtherance of the general objectives of the Charity and have not been designated for other purposes. Restricted funds are to be used in accordance with specific restrictions imposed by donors or which have been raised by the Charity for particular purposes. The costs of raising and administering such funds are charged against the specific fund.
1.5 Income recognition
All income is included in the Statement of Financial Activities (SoFA) when the Charity is legally entitled to the income after any performance conditions have been met, the amount can be measured reliably and it is probable that the income will be received.
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
1.5 Income recognition (continued)
For donations to be recognised the Charity will have been notified of the amounts and the settlement date in writing. If there are conditions attached to the donation and this requires a level of performance before entitlement can be obtained then income is deferred until those conditions are fully met or the fulfilment of these is within the control of the Charity and it is probable that they will be fulfilled. No amount is included in the financial statements for volunteer time in line with the SORP (FRS 102).
The Charity receives government grants in respect of furthering its charitable objectives. Income from government and other grants are recognised at fair value when the Charity has entitlement after any performance conditions have been met, it is probable that the income will be received and the amount can be measured reliably. If entitlement is not met then these amounts are deferred.
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the Charity; this is normally upon notification of the interest paid or payable by the Bank.
1.6 Expenditure recognition
Expenditure is included in the Statement of Financial Activities on an accruals basis, inclusive of any VAT which cannot be recovered.
Expenditure has been included in the following cost categories: Charitable activity cost is the expenditure for meeting the Charity’s objectives. Such costs include the direct costs of the charitable activities together with an allocation of the support costs that enable these activities to be undertaken.
1.7 Employee Benefits
The Charity operates a defined contribution plan for the benefit of its employees. Contributions are expensed as they become payable.
1.8 Debtors and creditors receivable / payable within one year
Debtors are recognised when the Charity is legally entitled to the income after any performance conditions have been met, the amount can be measured reliably and it is probable that the income will be received.
Creditors are recognised when the Charity has a present legal or constructive obligation resulting from a past event and the settlement is expected to result in an outflow of economic benefits.
1.9 Leases
Rentals applicable to operating leases are charged to the Statement of Financial Activities over the period in which the cost is incurred.
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
2. INCOME FROM
| Grants and donations Arts Council England Unbound Philanthropy Tides Foundation AB Charitable Trust United Nations British Future PRS Foundation Freedom From Torture London School of Economics Open University Migrant Helpline Other grants and donations International Refugee Committee British Refugee Council Esmee Fairbairn Paul Hamlyn Foundation Welsh Refugee Council National Education Union King’s College London Promote Open Society Oxfam British Red Cross City of Sanctuary International Organisation for Migration Refugee Action Amnesty International UK Citizens UK Tate Gallery Plymouth College International Comic Relief Action for Hope Metropolitan Housing Trust Total Grants and Donations Events and consultancy Total Charitable activities |
Unrestricted Funds 2021 £ 81,472 - - - - - - - - - - - - - 30,000 - - - - - - - - - - - - - - 15,000 1,009 10,770 138,251 29,800 29,800 |
Restricted Funds 2021 £ - 90,000 - - 5,000 1,000 - 3,000 2,750 4,000 20,000 - 1,500 6,000 60,000 59,500 - 10,000 - - 3,500 10,000 1,000 5,000 1,500 3,000 2,500 7,000 7,000 147,500 - - 450,750 -- - |
Total 2021 £ 81,472 90,000 - - 5,000 1,000 - 3,000 2,750 4,000 20,000 - 1,500 6,000 90,000 59,977 - 10,000 - - 3,500 10,000 1,000 5,000 1,500 3,000 2,500 7,000 7,000 162,500 1,009 10,770 589,001 29,800 29,800 |
Total 2020 £ 103,520 150,000 24,962 15,000 3,500 1,000 4,900 3,000 10,200 42,932 10,000 15,191 1,500 10,536 60,000 40,000 600 10,000 1,500 94,819 7,000 - - - - - - - - - - - |
|---|---|---|---|---|
| 610,160 | ||||
| 61,383 | ||||
| 61,383 |
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
2. INCOME FROM (continued)
In 2021, £589,001 (2020: £610,160) was received from grants and donations, £138,251 (2020: £80,000) of which to unrestricted funds and the remaining £450,750 (2020: £530,160) to restricted funds.
£81,472 (2020: £103,520) of government grants were received from Arts Council England to fund Counterpoints Arts charitable activities. There were no other contingencies or unfulfilled conditions relating to this fund.
In 2021 and 2020, all income from charitable activities was to unrestricted funds.
3. ANALYSIS OF EXPENDITURE ON CHARITABLE ACTIVITIES
| Analysis of direct costs Staff costs Event costs Printing and publications Partner organisations Other direct costs Total direct costs Analysis of support costs Support staff Property costs Office costs Professional fees Governance costs – Independent Examiner’s fee Total support costs Total costs |
2021 £ 279,213 43,845 9,105 - 140,886 473,049 11,171 9,422 4,643 11,923 3,152 40,311 513,359 |
2020 £ 224,646 119,570 19,170 - 107,688 |
|---|---|---|
| 471,074 | ||
| 12,199 29,246 5,159 12,511 3,060 |
||
| 62,175 | ||
| 533,249 |
In 2021, there was £513,359 of expenditure, of which £109,694 (2020: £147,750) was spent from unrestricted funds and the remaining £403,665 (2020: £385,499) spent from restricted funds.
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
4. NET INCOME FOR THE YEAR
This is stated after charging:
| Independent examination fees | 2021 £ 3,152 ____ |
2020 £ 3,060 ____ |
|---|---|---|
5. STAFF COSTS AND EMPLOYEE BENEFITS
Number of employees
The average monthly number of employees during the year was:
| Employees Total staff costs and employee benefits were as follows: Wages and salaries Social security costs Defined contribution pension costs |
2021 9 ____ 2021 £ 257,689 20,974 11,721 ____ 290,384 ____ |
2020 7 |
|---|---|---|
| ____ 2020 £ 207,957 18,326 10,561 ____ 236,844 ____ |
No employee had total annual emoluments greater than £60,000 (2020: nil).
The total employee benefits including pension contributions of the key management personnel were £97,871 (2020: £117,956). Key management personnel is defined as the trustees together with the two codirectors of the Charity (who are not directors for the purposes of Companies Act).
6. DIRECTORS REMUNERATION AND RELATED PARTY TRANSACTIONS
No Trustees (2020: One) received reimbursement for expenses in the year (2020: £224.49) for travel. No Trustees were paid for services in the year (2020: None). There were no related party transactions in the current year. Tim Finch is the chair of Trustees and is a funding director of Sponsor Refugees. During the prior year Sponsor Refugees made a financial contribution of £2,900 to Counterpoints Arts for Refugee week 2020.
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
7. PENSION AND OTHER POST–RETIREMENT BENEFITS
The Charity operates a defined contribution pension plan for its employees. The amount recognised as an expense in the period was £11,720 (2020: £10,561). The defined contribution liability allocated to restricted funds is £9,399 (2020: £7,255) and unrestricted funds £2,321 (2020: £3,306).
8. DEBTORS
| Prepayments Other Debtors 9. CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR Accruals Deferred Income Other Creditors Opening deferred income Released in the year Income deferred in the current year |
2021 £ - 3,866 3,866 2021 £ 25,104 96,230 1,022 122,356 - - 96,230 96,230 |
2020 £ - - |
|---|---|---|
| - | ||
| 2020 £ 4,404 - 1,793 |
||
| 6,197 | ||
| 99,172 (99,172) - |
||
| - |
Deferred income comprises grants received in the year which relate to activities to be completed in future periods.
10. ANALYSIS OF NET ASSETS BETWEEN FUNDS
| Assets Liabilities Net current assets |
Unrestricted funds 2021 £ 284,498 (122,356) 162,142 |
Restricted funds 2021 £ 294,047 - 294,047 |
Total 2021 £ 578,545 (122,356) |
|---|---|---|---|
| 456,189 |
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
10. ANALYSIS OF NET ASSETS BETWEEN FUNDS (continued)
| Assets Liabilities Net current assets 11. FUND RECONCILIATION CURRENT YEAR Restricted funds Staff and Core Costs Fund Refugee Week Fund Learning Lab Ace Catalyst Tate Leadership & Comm Production Pop Culture Arts and Social Change Retreat International Comic Relief Total Restricted funds Unrestricted funds Learning Lab Total Designated Funds Total funds |
Balance at 1 April 2020 £ 54,000 8,400 - 11,181 - 16,591 - 149,817 6,973 - 246,962 93,305 10,480 10,480 350,747 |
Unrestricted funds 2020 £ 109,982 (6,197) 103,785 Income £ 160,000 73,000 2,750 - 22,500 - 24,000 - 25,000 143,500 450,750 159,324 8,727 8,727 618,801 |
Restricted funds 2020 £ 246,962 - 246,962 Expenditure £ (147,946) (62,354) (2,750) (11,181) (22,500) (8,003) (24,000) (72,868) (16,586) (35,477) (403,665) (92,830) (16,864) (16,864) (513,359) |
Total 2020 £ 356,944 (6,197) 350,747 Balance at 31 March 2021 £ 66,054 19,046 - - - 8,588 - 76,949 15,387 108,023 |
|---|---|---|---|---|
| 369,047 159,799 2,343 |
||||
| 2,343 | ||||
| 456,189 |
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
11. FUND RECONCILIATION (continued)
| PRIOR YEAR Restricted funds Staff and Core Costs Fund Refugee Week Fund Canal Side Fund Learning Lab Ace Catalyst Tate Leadership & Comm Production Pop Culture Arts and Social Change Retreat Total Restricted funds Unrestricted funds Learning Lab Refugee Week Total Designated Funds Total funds |
Balance at 1 April 2019 £ 11,000 10,466 4,502 9,909 4,819 4,191 14,433 4,900 38,081 - 102,301 89,562 9,112 11,478 20,590 212,453 |
Income £ 195,000 47,327 - 14,160 23,520 40,472 24,962 4,900 154,819 25,000 530,160 131,798 4,956 4,629 9,585 671,543 |
Expenditure £ (152,000) (49,393) (4,502) (24,069) (17,158) (44,663) (22,804) (9,800) (43,083) (18,027) (385,499) (128,055) (3,588) (16,107) (19,695) (533,249) |
Balance at 31 March 2020 £ 54,000 8,400 - - 11,181 - 16,591 - 149,817 6,973 |
|---|---|---|---|---|
| 246,962 93,305 10,480 - |
||||
| 10,480 | ||||
| 350,747 |
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
11. FUND RECONCILIATION (continued)
| Staff and Core Costs Fund | Restricted funding for ongoing operational costs and for |
|---|---|
| employers liabilities arising on transfer of employment contracts | |
| to Counterpoints Arts. | |
| Platforma Fund | Restricted funding for a project that provides a national |
| framework for promoting and developing refugee related arts in | |
| the UK and beyond, and for collaborating with our regional | |
| partners on providing networking and individual development | |
| opportunities to artists from refugee and migrant backgrounds. | |
| Refugee Week Fund | Restricted funding for an annual, UK wide festival of arts, cultural |
| and educational events that promote the contribution of | |
| refugees to the UK. | |
| Learning Lab | Restricted funding for a dedicated public learning programme |
| focusing on the theme of arts and social change in relation to | |
| migration. | |
| Ace Catalyst | Restricted funding towards enhancing the fundraising capacity |
| and organisational development, plus match funding towards the | |
| development of national reach and programme. | |
| Paul Hamlyn Foundation | Restricted funding towards a series of place-based and touring |
| art commissions, "testing and exploring" ways of bringing | |
| communities together in a range of locations across England. | |
| Arts and Social Change Retreat | Restricted funding for ‘Arts and Social Change’ retreat, bringing |
| together a diverse group of people from the arts, activism, | |
| advocacy, philanthropy and education. | |
| Tate | Restricted funding based on a consortium partnership between |
| arts organisation, Counterpoints Arts, and four University | |
| partners working with the Tate Exchange at the Tate Modern. | |
| Project title 'Who Are We?' | |
| The Ben and Jerry's Foundation | Restricted funding from a new funder towards enhancing our |
| organisational communication capacity and social/ media | |
| support we provide to Refugee Week event organisers. | |
| Production | Restricted funding for specific co-productions across digital and |
| analogue platforms. | |
| Pop Culture | Restricted Funding for a strand of work in the field of pop culture |
| and social change, encompassing sport, fashion and gaming. | |
| International Comic Relief | Restricted funding for a series of commissions, publicity |
| networking and artist development in Greece, Germany & the | |
| UK. |
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COUNTERPOINTS ARTS NOTES TO THE FINANCIAL STATEMENTS (Cont.) for the year ended 31 March 2021
12. OTHER FINANCIAL COMMITMENTS – LAND AND BUILDINGS
| OTHER FINANCIAL COMMITMENTS – LAND AND BUILDINGS | ||
|---|---|---|
| Contracts ending Not later than one year Later than one and not later than five years |
2021 £ 13,157 - 13,157 |
2020 £ 12,774 - |
| 12,774 |
Lease payments recognised as an expense in the year were £6,787 (2020: £27,150)
13. SHARE CAPITAL
As the company is limited by guarantee it has no share capital and no shareholders.
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